Showing posts sorted by relevance for query Phaeton. Sort by date Show all posts
Showing posts sorted by relevance for query Phaeton. Sort by date Show all posts

Monday, August 3, 2026

Phaeton

Phaeton (pronounced feyt-n (U) or fey-i-tn (non-U))

(1) Any of various light, four-wheeled carriages, originally without folding tops, having one or two seats facing forward, used first in the nineteenth century.  In describing horse-drawn carriages, phaeton was later used to describe many with convertible tops (originally often as spider (or spyder) phaeton).

(2) An early-mid twentieth century touring-car with four or more seats and (later) sometimes with removable side-windows and a convertible top; some with dual-cowl coachwork.

(3) A model name for automobiles which came to mean nothing in particular beyond a hint at "more expensive".

1585-1595: 1742: From the (1735) French phaeton, from the Latin Phaëtōn, from the Ancient Greek Φέθων (Phaéthōn).  Phaëthon, the son of Clymene and the sun god Helios, gained permission (from whom was contested) to drive his father's sun-chariot but, being unable to control the horses, was struck by Zeus with a thunderbolt and slain after nearly setting on fire the whole Earth.  His name translated as “shining” and was from phaein & the verb phaethô (to shine, to make gleam), from phaos (light), from the primitive Indo-European root bha- (to shine).   Even before the carriages were so named, phaeton (the spellings varied) was used to describe someone who recklessly handled horses and carts or carriages.  The alternative spellings were Phaethon, Phaéthôn, Phaëton, Phaeton, Phæton & Phaëthon.  The adjectives phaetonlike & phateonesque are non-standards but have been used by historians of the industry to describe the coachwork of vehicles (built usually in the 1930s) with characteristics straddling those of phaetons and convertible sedans without being a "pure" implementation of either.  Phaeton & phaetoneer are nouns; the noun plural is phaetons.

Phaethon (1878), watercolor & pencil in the symbolist tradition by Gustave Moreau (1826-1898), Musée du Louvre, Paris.

The myth from antiquity was a cautionary tale about the impetuosity of adolescent youth but, being from Greek mythology, there’s more than one account of Phaëthon and the story of his fall was told with two distinct traditions concerning his genealogy, one making him the son of Eos and Cephalus, the other of Helios and Clymene.  In the second and most popular version, Phaethon was raised by his mother, who, until he reached adolescence, concealed from the boy his father's identity.  Impressed by his illustrious lineage but also seeking acknowledgement of his status as a child of a god, Phaethon asked his father to allow him drive the sun-chariot (somewhat akin to handing one’s sixteen year-old son the keys to one’s V12 Ferrari).  Duly granted, Phaethon began the journey by following his father’s usual route across the vaults of heaven but, inexperienced, became alarmed a finding himself so high in the sky, the sights of the animals in the starts (the signs of the Zodiac) becoming too frightening so he deviated from the eternally ordained path.  In panic, he dropped too low, scorching the once fertile plains of Africa to desert and risking setting alight the whole of Earth.  Out of control, he again soared too high, prompting the stars to complain to Zeus.  Appalled, to prevent a global conflagration, Zeus smote the boy with his thunderbolt, hurling him dead into the River Eridanus where the Heliades (his five sisters) paid him funeral honours.  A variant on the tale is the Heliades (Merope, Helia, Phoebe, Aetheria & Dioxippe (or Lampetia)), lamenting his death, wept for him on the banks of the Eridanus where they were transformed into tall poplars, their tears becoming drops of amber.  That may, given the circumstances, seem harsh but in that version it was said their arboreal metamorphosis was a punishment because it was they who had given Phaethon the chariot and horses of the Sun without the permission of Helios.  While the myths of Antiquity often were unforgiving, that twist in the tale has attracted latter-day feminist criticism because it’s part of the “blame women” narrative that, for several thousand years, permeated Western literature, “poisoning” politics and culture.  In death, Phaethon was placed amongst the stars as the constellation Auriga (the Charioteer) or transformed into the god of the star that the Greeks named Phaethon (the planets Jupiter or Saturn depending on the translation).

1932 Cadillac V16 Special Phaeton with (V12) coach-work by Fisher.

Phaetons were a type of type of light, open four-wheeled horse carriage, English in 1742 picking up the word from the French form, coined in 1735, the link being the exposure of the passengers to the sun and until well into the modern age, they remained popular, despite the availability of carriages with partially or fully enclosed coach-work.  Indeed, even if not so named, phaetons were the most common form in the early age of the automobile, some supplied with no folding top, some with one and removable side windows also appeared, something supplied by the manufacturer, sometimes by third-party "accessory shops", an industry that for decades flourished and, in rather different form, exists to this day.  As enclosed coachwork and integrated (retractable) side windows became close to standardized, phaetons were by the 1930s close to extinct and the companion four-door convertibles would soon follow, becoming a niche last filled in 1967 when the last convertible version of the memorable fourth series Lincoln Continentals (1961-1969) left the line, a model that would prove to be the last convertible ever built by Lincoln.  The core element of the phaeton (no side windows) lived on the (most British) roadsters of the post-war years although by the early 1960s most of them had gained effete luxuries like external door handles and windows able to be wound down (although other primitive features would endure), all supplied with at least a folding soft-top and often a rigid hard-top (in metal or fibreglass) too.  Since the Shelby American Cobra was in 1967 driven extinct by the beginning of what proved an onslaught of US safety and exhaust emission regulations, only a handful of small-scale manufactures have produced the traditional, minimalist roadsters and none have put phaetons into production, there being some demand for the former, none for the latter.

The Dual-Cowl Phaetons

1935 Packard Twelve dual-cowl Sport Phaeton with coach-work by Dietrich (left) and 1935 Duesenberg SJ dual-cowl Phaeton with coach-work by La Grande.  The unusual, rakish line of the Duesenberg's convertible top exists because in 1937, Rollston Coachworks (New York) was commissioned to fit the rare option of a fixed vee-windshield, a visual and aerodynamic enhancement from a time before curved-glass screens became practical.

Among the grandest and most romantic of the pre-war phaetons were the dual-cowl convertibles (ie a second windscreen was fitted for the rear seat passengers, doubtless an addition deemed "thoughtful" by women with "big hair") of the 1930s although, being very expensive in a time of what was for much of the population a time of austerity, few were built, the rich often reluctant to consume too conspicuously (though, behind closed doors, the extravagances continued).  Unlike the original horse-drawn carriages from which the name was appropriated, the cars so-described usually had a folding roof and either removable side windows (usually then called "side-curtains") or even glass able to be rolled-down.  Purists of course insist any "true" phaeton has no side windows, nor any roof (rigid or folding) but those were only ever conventions and not always adhered to even during the horse & buggy era.

1929 Duesenberg Model SJ Sweep-Panel Dual-Cowl Phaeton by LeBaron.  If ever the coffee-table book “Great Moments in Exhaust Systems” is published, Duesenberg's 8-branch Momel manifold should be the cover shot.  An alloy substantially of nickel & copper, although expensive, Monel is used in specialized applications because of the high resistance to corrosion and the ease with which shapes can be fabricated using conventional tools.  Unfortunately, the Duesenberg's 8-branch Momel manifold was found to be prone to cracking and was replaced with other designs, the best known the four exposed conduits in bright, flexible steel.

In the age of the automobile, everything became elastic and "phaeton" became just another model name to be used as a manufacturer saw fit.  In an early example of this linguistic promiscuity, by the 1930s Buick was selling what would now be though a "four-door convertible" (with integrated winding windows) yet continued to use the phaeton label.  By then, the design parameters of the old designations from the days of horse-drawn carriages had long become "frayed around the edges" and whether modest Fords or the big dual-cowl Duesenbergs, Chryslers, Lincolns, Cadillacs and Packards, all were marketed as "phaetons" although the use of tops and side windows could vary.  In the post-war years, the four-door hardtop really was the the spiritual successor (in the sense of market place positioning) of the inter-war phaeton as rapidly the four-door convertibles faded from the scene; by the late 1970s, the four-door hardtops too would go extinct except for the odd example in the quirky world of the JDM (Japanese Domestic Market).  Today, like landau, phaeton is just a name which means nothing in particular although many seem aware both are evocative of something from the past.  In recent decades, there have been many off-road and utilitarian vehicles which, technically, are phaeton-like but they're hardly in the spirit of the machines of the 1930s.  

Parade Phaetons

Before there was crooked Hillary (Hillary Clinton (b 1947; US secretary of state 2009-2013)), there was tricky Dicky.  Vice-President Richard Nixon (1913-1994; VPOTUS 1953-1961 & POTUS 1969-1974) at President Dwight Eisenhower's (1890-1969; POTUS 1953-1961) second Inaugural Parade, 21 January 1957 in 1952 Chrysler lmperial dual-cowl Parade Phaeton (one of three built).

Although "true" phaetons in the traditional sense, the name of Chrysler's 1952 parade cars delights obsessives in the collector-car community because of the corporate history.  Introduced in 1926, the Chrysler Imperial sat atop the company's brand hierarchy until 1954 when Imperial was (re-)launched as a standalone brand, the an arrangement lasting until 1975 (although even by 1972 the Chrysler name had crept back somewhat and the half-hearted revivals in 1981-1983 & 1990-1993 are not fondly remembered).  The 1952 parade phaetons thus properly are designated "Chrysler Imperials" although, being updated by the factory in 1955 with much of the sheet-metal and other fixtures from the 1956 Imperial, they resemble the latter and are sometimes erroneously so described.  So, although the appearance would suggest "Imperial", pedants gleefully will correct that to "Chrysler Imperial".

In happier times: Wedding procession of the ex-Duke & Duchess of York, traveling in the 1902 State Landau Carriage, London, 1986.

What the parade phaetons were intended to be were motorized versions of the "state landaus" now most familiar from footage of princes (and one ex-prince) of the UK's royal family getting married (at least to their first wife).  The best-known is the 1902-vintage "State Landau Carriage", seen of late in the wedding processions of (1) the then Prince of Wales (now King Charles (b 1948, King of the UK since 2022)) to Lady Diana Spencer (1961-1997) on 29 July, 1981 (2), the then Prince Andrew (now the ex-Prince, ex-Admiral, ex-Duke of York etc Andrew Mountbatten-Windsor (b 1960)) to Sarah Ferguson (b 1959) on 23 July, 1986 and (3) Prince William (b 1982 and since 2022 the Prince of Wales) to Catherine Middleton (b 1982) on 29 April 2011.  The State Landau Carriage had been built in 1902 by Messrs Hooper for the coronation procession (9 August, 1902) through London of of Edward VII (1841–1910; King of the UK & Emperor of India 1901-1910) and it's since been a central feature in much of the panoply assembled for "royal family set pieces", many of which are spectacles of most recent origin, created for the family's new role as content providers for mass media (color television probably the platform most influencing this latter-day choreography of spectacle).  Some of the royal marriages of those who sat in the carriage to and from the church where they promised state and God to remain together till death do them part didn't end well but, clearly not superstitious, the Duke and Duchess of Cambridge ("Will & Kate" to readers of the Daily Mail) choose the 1902 Landau although Prince Harry (b 1984) and Meghan Markle (b 1981) decided not to risk the curse, riding instead in one of the five Ascot landaus in the Royal Mews.  Like phaeton, "landau" is a word that in earlier centuries once had a precise meaning when appearing in a coach-builder's catalogue but is now is just another model name. 

Chrysler Newport dual-cowl Phaeton by LeBaron (six of which were built in 1940-1941, left), 1952 Chrysler Imperial dual-cowl Phaeton (one of three, centre) & 1997 Chrysler dual-cowl Phaeton concept car (a genuine one-off, right).

Recalling the 1940 Chrysler Newport, the three dual-cowl parade phaetons were built on the chassis of the 1952 Chrysler Imperial Crown Limousine with the wheelbase extended by 3 inches (75 mm) to 147½ (3,746)).  All were constructed for ceremonial use by the US government and the municipal corporations of New York City and Los Angeles and they still make the odd appearance.  Obviously, a dual-cowl parade phaeton is a niche commodity and the three were thought the last of the breed but, in 1997, unexpectedly, Chrysler displayed a concept car in the same vein.  While obviously not intended for production, it did include an intoxicatingly attractive specification including a bespoke 48 valve, 333 cubic-inch (5.4 litre) V12 engine rated at 425 HP (horsepower).  With 5.4 litres and 425 horsepower (referencing respectively the 331 cubic inch V8 in the 1952 cars and the (understated) power output of the corporation's 426 Street Hemi V8 (1966-1971)) both being iconic numbers from Chrysler's happier past, the nostalgia button was pressed but the styling was something of a curate's egg.  While judged mostly an accomplished exercise, the front divided opinion; one could see what the designers were getting at but, to blend elements from both 1940 and 1955 may have been "a pastiche too far" and the thing may have been more admired still had the lines of 1955 front clip more slavishly been followed, the approach the Chinese manufacturer Honqqi wisely pursues for its "retro" exercises.     

Comrade Stalin's 1936 Packard Standard Eight Phaeton.  The Kremlin's "state parade car", it wasn't used during Moscow's colder months.

With roots in the nineteenth century, Packard had been one of the US industry's most storied names and, during the inter-war years (1919-1941), was among the most prestigious brands in the nation.  According to Ferrari folklore, it had been the sound of Packard V12s on race tracks that inspired Enzo Ferrari (1989-1988) to decide the machines to bear his name must “canta la canzone dei dodici” (sing the song of twelve) although, like Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955), many sometimes dubious quotes have been attributed to il Commendatore (his apparently envious quip about the Jaguar E-Type (XKE, 1961-1974) the best known) but all at least sound like something “he might have said” and, for folkloric purposes, that’s good enough.  What is uncontested was his remark “Una Ferrari è una macchina a dodici cilindri” (a Ferrari is a twelve cylinder car), explaining why the 206 GT (1967-1969) was a “Dino” and not a “Ferrari”.  Clearly that applied only to the road cars because, on the track, the factory had enjoyed great success in the 1950s & 1960s using four, six & eight cylinder engines but reality anyway bit in the more troubled 1970s and Ferrari V8s became (by the factory’s historic standards), “mass-market” road cars.

A 1936 Packard Standard Eight Phaeton was for years the designated “parade car” in the Kremlin garage but, as tensions rose in the Soviet Union, comrade Stalin (1878-1953; Soviet leader 1924-1953) became more security conscious, ceasing to ride in open-topped vehicles, preferring the armored Packard Twelve limousine gifted to him by Franklin Delano Roosevelt (FDR, 1882–1945, POTUS 1933-1945).  Despite weighing some six tons (one door alone a hefty 348 kg (767 lb)), the 473 cubic in (7.8 litre) V12 was able to propel the car (despite its suspect aerodynamic qualities) to a reputed top speed of 130 km/h (80 mph); at that pace the gas (petrol) consumption would have been “heroic” (likely mid-single figures in mpg (miles per gallon) terms) but high fuel bills didn’t greatly trouble the comrades in the Politburo.  The fine engineering in the Kremlin’s fleet of Packards proved useful in the early years of the Cold War, the ZiS 110 sedan (1946-1958) & ZiS-115 limousine (1948-1949) (the brand better known in the West as “Zil”) both “reversed-engineered” (ie copied) versions of the 1942 Packard.  Reverse-engineering was a notable feature of Soviet industry and much of its post-war re-building of machinery for the armed forces involved the process, exemplified by the Tupolev Tu-4 heavy bomber (1947), a remarkably close copy of the US Boeing B-29 Superfortress (1942), a reasonably achievement given some of the advanced metallurgical techniques then available on to the Americans.

End of the line: the gape-mouthed 1958 Packard Hawk, one of the so-called "Packardbakers".  Of the final 2,622 Packards made in 1958, 588 were Hawks.

Other countries also adopted the practice that, in some places, continues to this day for both consumer goods and military equipment.  After spending the war years engaged in military production (notably a version of the Merlin V12 aero-engine built under license from Rolls-Royce), Packard emerged in 1945 in sound financial state but found the new world challenging, eventually in 1953 merging with fellow struggling independent, Studebaker.  Beset form the start by internal conflict, things went from bad to worse and, after dismal sales in 1958-1959 of the final Packards (which were really modified Studebakers and derided by many as “Packardbakers”), the Packard brand was retired, the Studebaker-Packard Corporation in 1962 reverting to again become Studebaker but it was to no avail, the last Studebaker leaving the line (in Canada!) in 1967.

For both, it had been a rapid and precipitous decline from great success, one notable product of Studebaker being the 152,000-odd US6 trucks supplied by the US to the Soviet Union under the wartime “lend-lease” arrangements, comrade Stalin during the Tehran Conference (Nov-Dec 1943) raising a toast and freely admitting “Without the machines we received through Lend-Lease, we would have lost the war.”.  Unfortunately, the still sometimes quoted tale that comrade Stalin sent a personal “thank-you letter” to the Studebaker Corporation appears wholly apocryphal.  According to the Studebaker National Museum, an official “letter of appreciation” from the Soviet government was received through “normal diplomatic channels” but it neither mentioned comrade Stalin nor bore his signature.  The rugged US6 (nicknamed Studer by Red Army troops who much appreciated its durability and ability to handle the mud and snow so often a feature of the Eastern Front) appears often in the conflict’s photographic record because it was the platform used to mount the famous Katyusha rocket launchers (a weapon nicknamed “Stalin’s Organs” because of the distinctive sound made when being fired in multiple salvos).  In the post-war years, the WS6 was also reverse-engineered, influencing several generations of Soviet truck design, a breed admired more for toughness than aesthetics.

FDR & Ford

1937 Ford V8 Phaeton

As the American car buyer came to prefer the creature comforts offered by closed coupés & sedans or convertibles (with "proper", wind-down glass windows), sales of the more basically configured roadsters and phaetons began in the 1930s rapidly to decline.  In small numbers, the exotic dual cowl phaetons continued to appeal to those who wanted something extravagant in which to be chauffeured on warm, sunny days but for those for whom economics dictated ownership of a single vehicle, the attractions of protection from the elements was persuasive, especially in a northern winter.  Surprisingly, it was Ford, a pioneer (if not the originator) in the techniques of mass-production and the optimization of economies of scale that, despite the line's shrinking profitability, kept the roadster and phaeton on the books longer than most, their last roadster built in 1937 and the final phaeton the following year although production in 1938 ran to a mere 1169 cars, little more than an administrative inconvenience for a company used to measuring unit-production in chunks of tens of thousands.  When the Ford line was updated for 1939, the phaeton was deleted from the catalogue.

FDR and two presidential advisors (his granddaughters) in his 1936 Ford V8 Phaeton (one of 13 body-styles Ford that year made available for the V8), supervising the construction of the Franklin D. Roosevelt Presidential Library and Museum (dedicated 1941), Hyde Park, New York (left) and FDR in Phaeton with signature (Cocktail length) cigarette holder (right).

Now on permanent display in the museum (the odometer reading 19,143 miles (30,808 km), the New York license plate was “3” with the governor allocated “1” and the lieutenant governor “2” (that hierarchy reflecting late eighteenth century political thought in the states, a view that would decline in significance after the US Civil War (1861-1865)).  Afflicted at 39 by polio that left him paralyzed from the waist down, FDR’s cars were fitted with hand controls for the throttle, brakes & clutch, a cigarette dispenser always included as was a customized clip for his cigarette holder.  By social convention, in the US, men rarely used a cigarette holder longer than 4 inches (100 mm) although there were longer varieties and the “Opera length” was a favorite of Vogue’s editors who liked to have a slender model photographed elegantly holding one at a time when smoking was both “sexy” and “fashionable”.  The “Operas” typically were between 16-20 inches (400-200 mm) while more conveniently-sized versions included the “Theatre length” (10-14 (250-350)), “Dinner length” (4-6 (100-150)) and “Cocktail length” (1-3 (25-75).

The Art Deco Society of New York's lovey art deco examples of the sort of cigarette case and holders that should have been in the handbag of the modern young woman.

It’s an urban myth Vogue ever recommended that if wearing something “sleeveless”, women’s choice of cigarette holder should be in inverse proportion to their gloves' length (ie an Opera thus be paired with a “Short” or “Wrist”, a Theatre with an “Above Wrist” or “Three Quarter”, a Dinner with a “Below Elbow or “Elbow” and a Cocktail with a “Upper Arm”, “Underarm” or “Maxi”).  That might sound counterintuitive but it was claimed the goal was for the holder to be "in accord" with the expanse of skin on display, not the material of the glove.  It was fake news but appears sometimes still, along with claims there were in polite society “strict” rules of etiquette about such things.  There was a widely adopted convention under which women removed their gloves before smoking, eating or drinking but that was just good sense and glove length was anyway dictated by the time of day or nature of the event to which a pair was worn.  Vogue did however confirm a cigarette holder was “an essential accessory for any fashionable woman” but was most focused more on the materials used in construction, a 1930 article listing what a “smart woman” should keep in her handbag, recommending “a black enamel cigarette holder in a small eggshell case by Dunhill (for day) and a Cartier gold and tortoiseshell cigarette holder (for evening; other “handbag essentials” included “a tortoiseshell comb, a bill clip, a vanity case, a cigarette case and other “examples of charm and good taste.  It’s little wonder Vogue came to be called the “fashion bible” although in the modern era not all followed all the advice; as far as is known, Lindsay Lohan has never been photographed using a cigarette holder or carrying a cigarette case and although smoking can't be recommended, she did make it look alluring.

2004 Volkswagen Phaeton W12.  Well-built, dynamically more than competent with great attention to detail (the trunk (boot) lid's hinges pieces of mechanical artistry) but, even by the slight standards of the market segment, the depreciation rate was extraordinary.

A Volkswagen that should have been an Audi or (not inconceivable, even then) a Lamborghini (both brands part of the VW conglomerate), the Volkswagen Phaeton was produced between 2002-2016 as a four-door sedan in a standard and LWB (long-wheelbase configurations), the Phaeton name nothing to do with the traditional definition and chosen presumably because it was thought to impart some vague notion of exclusivity and wealth.  The name may have come from focus group sessions or have been MBA (Master of Business Administration) marketing-think but, in retrospect, naming it after a figure from Greek mythology who "crashed & burned" was perhaps tempting the gods of fate.  Because cars now mostly "look alike" (everybody's shapes now emerge from a wind-tunnel looking much the same), it's no longer as easy to fashion "brand identity" with appearance so the choice of name can help and what the company was at the time attempting to do was make people perceive Volkswagen as a true "luxury brand", the "modest success" (ie failure) enjoyed when the W8 engine was between 2001-2004 offered at high-price in the smaller VW Passat seemingly not a sufficiently salutatory lesson.  Volkswagen would once have had a solid base from which to "mover up-market because the Beetle (Type 1, 1938-2003), despite being a "low-priced" car, gained an admirable reputation for quality; inside, if felt as if forged from a billet of steel.  Unfortunately, nothing lasts forever and after 1974, when the company's shift to the flimsier world of FWD (front-wheel-drive) began in earnest, that reputation suffered; in a sense, the "Phaeton project" began a quarter century too late.  Why the MBAs didn’t take note of why Toyota created Lexus (so they would have their own "Audi") isn’t clear but they may have been the same folk who couldn’t understand the Maybach name made sense positioned below Mercedes-Benz, not above.  The principles used in the washing powder business or other sectors in which the MBAs have done good work are not universally transferable.

Mercedes-Benz 600 (W100, 1963-1981) Landaulet and two (SWB) sedans.

The 1970 Pullman Landaulet (one of twelve known informally as the "presidential" because the folding portion of the roof extended to the driver's compartment, the other 58 Landaulets having a convertible top only over the rear seat) was purchased by the Romanian government and used by comrade president Nicolae Ceaușescu (1918–1989; General Secretary of the Romanian Communist Party 1965-1989) until he and his wife were executed (by AK47) after a “people's tribunal” held a brief trial, the swiftness of which was aided by the court-appointed defense counsel who declared them both guilty, inter alia, of genocide.   Considering the fate of other fallen dictators, their end was less gruesome than might have been expected.  Comrade Josip Broz Tito (1892–1980; prime-minister or president of Yugoslavia 1944-1980) had a similar car (among other 600s) but he died undisturbed in his bed.

The blue SWB (short wheelbase) car to the rear is one of the few SWB models fitted with a divider between the front & rear compartments, the structure including a pair of hand-crafted timber writing tables and a refrigerated bar in the centre.  It was delivered in 1977 to the Iranian diplomatic service and maintained for the Shah’s use.  The 1969 SWB to the right (identified as a US market car by the disfiguring headlight treatment) had a less eventful past, purchased by a California real estate developer who took advantage of the Mercedes-Benz EDP (European Delivery Program, discontinued in 2020 after some 60 years), collecting the 600 from the Stuttgart factory.  With due respect to Californian property developers (and Paul VI (1897-1978; pope 1963-1978) who had a very special one), more than any other car the 600 seemed to attract dictators, leading drug dealers, megalomaniacs and those with dubious past or present (many owing several), the roll-call including:

Park Chung Hee (1917–1979; President of RoK (Republic of Korea (South Korea)) 1962-1979).

Comrade Enver Hoxha (1908-1985; dictator of Albanian 1944-1985) who was more of a Stalinist than comrade Stalin.

Pol Pot (Saloth Sâr; 1925–1998; dictator of the communist (Maoist) state of Democratic Kampuchea (Cambodia) 1975-1979).

François "Papa Doc" Duvalier (1907–1971; President of Haiti 1957-1971).

Jean-Claude "Baby Doc" Duvalier (1951–2014; President of Haiti 1971-1986) who would have been a disappointment to his father.

Jean-Bédel Bokassa (1921–1996; President or Emperor of the CAR (Central African Republic) 1966-1979) who was never convicted of cannibalism.

Comrade Leonid Brezhnev (1906–1982; Soviet leader 1964-1982) who was fond of cars but an appallingly bad driver.

Comrade Fidel Castro (1926–2016; Prime Minister or President of Cuba 1959-2008).

Robert Mugabe (1924–2019; Prime Minister or President of Zimbabwe 1980-2017) who started off well.

Hirohita (Emperor Shōwa) 1901–1989; Emperor of Japan 1926-1989), the last of the World War II leaders and the one who worked out (after the dropping of two A-bombs) that "...the war situation has developed not necessarily to Japan's advantage".   

Jomo Kenyatta (circa 1897–1978; Prime Minister (1963-1964) & president of Kenya (1964-1978).

Daniel arap Moi (1924–2020; President of Kenya 1978-2002).

Ferdinand Marcos (1917–1989; President of the Philippines 1965-1986), now most famous for his wife having owned thousands of pairs of shoes. 

Kim Il Sung (Kim I, 1912–1994; Great Leader of DPRK (Democratic People's Republic of Korea (North Korea)) 1948-1994).

Kim Jong Il (Kim II, 1941-2011; Dear Leader of DPRK 1994-2011).

Kim Jong Un (Kim III, b 1982; Supreme Leader of DPRK since 2011 and thus far the dynasty's most entertaining content provider).

Saddam Hussein (1937–2006; President of Iraq 1979-2003).

Mohammad Reza Pahlavi (1919–1980; last Shah of Iran 1941-1979).

Comrade Chairman Mao Zedong (1893–1976; Chairman of the CCP (Chinese Communist Party) & paramount leader of the PRC (People's Republic of China) 1949-1976).

Comrade Deng Xiaoping (1904–1997; paramount leader of the PRC (People's Republic of China) 1978-1989).

Norodom Sihanouk (1922–2012; variously, off and on, King, head of state or Prime Minister of Cambodia 1941-2012) for whom the word "mercurial" might have been coined. 

Comrade Nicolae Ceaușescu (1918–1989; General Secretary of the Romanian Communist Party and dictator of Romania 1965-1989) who got the wife he deserved.

Comrade Josip Broz Tito (1892–1980; Prime Minister or President of Yugoslavia 1944-1980) who once threatened to send an assassin to kill comrade Stalin if the Soviet leader sent any more to Belgrade to murder him.  

His Excellency, President for Life, Field Marshal Al Hadji Doctor Idi Amin Dada, VC, DSO, MC, CBE, Lord of All the Beasts of the Earth and Fishes of the Seas and Conqueror of the British Empire in Africa in General and Uganda in Particular, (1928-2003; president of Uganda 1971-1979).  He also claimed the allegedly vacant throne of Scotland 

Mobutu Sese Seko (1930–1997; President of the of the DRC (Democratic Republic of the Congo) 1965-1971 and the (renamed) Zaire 1971-1997) for whom the political technique "Mobutoism" (a blend of crony capitalism, repression, murder and looting the state on such a scale was coined, "kleptocracy" not an adequate description. 

Herbert von Karajan (1908–1989; Austrian conductor who was only ever a "Nazi of convenience).

Coco Chanel, (1883-1971; French fashion designer forgiven for her indiscretions).

Hastings Banda (circa 1900-1997; Prime Minister or President of 1964-1994) who wasn't quite as bad as some.

Hosni Mubarak (1928–2020; President of Egypt 1981-2011) who sometimes shouted at Bill Clinton (b 1946; POTUS 1993-2001).

Balthazar Johannes "John" Vorster (1915–1983 Prime Minister (1966-1978) and President of South Africa 1978-1979).

Pieter Willem "P.W." Botha (1916–2006 Prime Minister (1978-1984) and President of South Africa 1984-1989).

Frederik Willem "F.W." de Klerk (1936–2021; President of South Africa 1989-1994) who found the state's 600 Pullman "embarrassingly large and otherwise excessive" and had it locked away in a garage.

General Muhammad Zia-ul-Haq (1924-1988; military ruler of Pakistan 1977-1988).

Omar Bongo (1935–2009; President of Gabon 1967-2009) who "stole a few bob".

Silvio Berlusconi (1936-2023; Prime Minister of Italy 1994-1995, 2001-2006 & 2008-2011) who got a bit of fun out of life.

Pablo Escobar (1949–1993; Colombian drug lord, narcoterrorist and zookeeper)

Zulfikar Ali Bhutto (1928–1979; President (1971-1973) and Prime Minister (1973-1977) of Pakistan, a member of one of the several families to have run Pakistan on the same basis as a "small family business".

Jeremy Clarkson (b 1960; former BBC (British Broadcasting Corporation) television presenter and now owner of Diddly Squat Farm).  Just as the 600's reputation was beginning to recover from the association with murderous dictators, drug lords and such, it was revealed Mr Clarkson owned one.  Experts suggest there may be no recovering from that.

The Shah's 600s at the Tehran Car Museum.

In exile, the Shah of Iran died of natural causes after being deposed in the 1979 revolution which created the Islamic Republic of Iran under the rule of the Imam, Grand Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989).  The ayatollah's taste in cars was more modest but three of the Shah's Mercedes-Benz 600s are among the dozens on display (over a hundred in storage or undergoing restoration) at the Tehran Car Museum, open to the public Sunday-Wednesday (09:00-17:30) & Thursday & Friday (09:00-18:30).  It is closed on Saturday.   The museum is located at Azadi Square, Special Karaj Road, near Sepah Store while the office is situated on Resalat Highway, not far from Africa Highway, at the Foundation of the Oppressed, Building Number One, Fourth Floor, Cultural Institute of Museums.

That class of clientele associated with the 600 wasn't as drawn to the Volkswagen Phaeton.  For the top VW there were six cylinder petrol and diesel engines and even a V10 diesel but what attracted most interest (if not buyers) was the choice of a 4.2 litre (255 cubic inch) V8 or a 6.0 litre (366 cubic inch) W12, the most potent of the latter rated at a then impressive 444 HP (horsepower).  Unfortunately, most who could afford the hefty price lingered not long over the impressive specification but focused instead on the badge, still so associated with the old Beetle.  By all accounts, the Phaeton was a fine piece of engineering and highly regarded by the critics but, over fifteen years, fewer than 85,000 were sold, the line never profitable and the depreciation on the W12 was famously high, the failure of the range always explained by the lack of cachet the VW brand enjoyed at that end of the market.  Failure is however a relative term, Mercedes-Benz in the 18-odd years between 1963-1981 managed to produce only 2677 of their sinister 600s yet it lent the marque a luster that, although tarnished by some decisions and products of the last quarter-century, lingers to this day, despite the tireless efforts by MBAs to devalue things.  Although doubtlessly also sold at a loss, Mercedes-Benz gained much from the 600; VW got little from the Phaeton.

Wednesday, August 12, 2026

Cabriolet

Cabriolet (pronounced kab-ree-uh-ley)

(1) A light, two-wheeled, one-horse carriage with a folding top, capable of seating two persons.  It's from cabriolet the term "cab" (in the sense of taxi) was derived).

(2) An automobile based usually on a two-door coupé but with a folding top.

(3) The equivalent continental term for the (mostly UK) drophead coupé (DHC) or the more generic "convertible".

1766: From the French cabriolet, the construct being the Italian cabriole (horse caper) + -et (the suffix here used in the sense of “smaller version”).  The Italian cabriole was from the Latin capreolus (wild goat), from the primitive Indo-European kápros (buck, he-goat) and related to the Old Norse hafr (he-goat), the Old English hæfr, the Welsh gafr and the Old Irish gabor.  The seemingly strange relationship between the Latin capreolus (roebuck; wild goat) and the eighteenth century horse-drawn carriage is explained by the French cabriole (little caper), the meaning derived from its light movement, from cabrioler (to leap, caper), from the Italian capriolare (to somersault), from the Latin capreolus (roebuck; wild goat), the idea being of something light and agile in movement.  The larger, more upscale version of the lightweight carriages the French named cabriolet, “cab” being the common form in the vernacular, picked up in English and used to this day, "cabbies" being "cab (taxi) drivers".  The –et suffix, indicating diminution or affection, was from Old French -et, and its feminine variant -ette, both derived from the Late Latin -ittus (and the other gender forms -itta, -ittum).  In English use, “cab” was picked up to describe the small carriages for hire in urban use and it was the descendants of these which became “taxicabs” when the French taximètres (automatic meter that records distance and fare) were adopted in the late 1890s, the word from the German Taxameter, from Taxanom, the construct based on Taxe (tax, charge or scale of charges), from the Medieval Latin taxa (tax, charge) + mètre.  Cabriolet is a noun, the noun plural is cabriolets.

1978 Cadillac Eldorado Cabriolet Astroroof.  The "Cabriolet Astroroof" (Option code CF5) added US$1565.00 over the Eldorado's base price of US$12401.00.  "Astroroof" was Cadillac's marketing term for a sunroof with a large, heavily tinted glass sliding panel.

The application of cabriolet to describe convertible cars emerged in the early years of the continental motor industry because of the conceptual similarity to the earlier, light, horse-drawn two-seater carriages but as the years went by, rapidly the industry retreated from the "terminological exactitude" stuck to by the coach-builders of the horse & buggy era.  The "carried over" nomenclature (cabriolet, landau, brougham etc) eventually became mere "model names" and what some styled a "cabriolet", others might call something else although usually "cabriolet" did imply some part of the roof could in some way be removed.  By 1977, GM (General Motors had decided that was a tiresome restriction and offered the "Cadillac Coupe DeVille Cabriolet d’Elegance" the rationale for the "cabriolet" element being the roof looked like it might be able to be lowered.  The structure was however fixed but the model sold well so for more than a decades Cadillac "cabriolets" appeared with solidly attached roofs.  Anyone looking up "cabriolet" in a dictionary may have been baffled but Cadillac owners knew what they wanted.

1979 Cadillac DeVille Custom Phaeton Coupe.  Those looking up "phaeton" may also have been mystified.

The 1977 venture may also have encouraged long model names because that trend persisted into the next century.  So what was used to describe the variations in convertible coachwork became something of the manufacturer's whim (except for the much later targa; Porsche had the foresight to register that as a trademark) and if a car was called a roadster, drophead coupé, phaeton, cabriolet or landau, it was an indication only that the roof could (usually) be removed or folded back.  In Detroit, the industry cheerfully used the historic names just as ways to impart "a certain association with something" and produced both "cabriolets" & "landaus" with fixed roofs and that trickery wasn't confined to the US, it being common practice in pre-war Europe for coupés to appear with non-functional "landau irons"; these were early "faux cabriolets".  One exception to that looseness was Daimler-Benz, the Germans tightly defining the specifications of roadsters and landaulets and, with Teutonic thoroughness, in the mid-twentieth century codified the five variations of Mercedes-Benz cabriolets as Cabriolet A, B, C, D & F (if ever there was a Cabriolet E, the factory’s definition has never surfaced).  With the fixed-roof two door bodies, "Coupé A" and "Coupé B" followed the same model (relating to seating & side windows).

Lindsay Lohan alighting from Porsche 911 Carrera (997) cabriolet, Los Angeles, 2012.

Being a German company, Porsche from its early years used "cabriolet" to describe its soft-top models although the Americans never really embraced the idea, habitually calling the open 356s "convertibles".  Strangely, Volkswagen owners in the US took to the term, "cabriolet" usually preferred for the Karmann-built soft-top Beetles, the cabriolet in 1979 the last of the classic (Type 1, 1938-2003) Beetles sold in the US.  After the targa (a word diligently trade-marked although Triumph in the UK had offered something similar (though more complex) with the "Surrey Top", available on the TR4 (1961-1967) & TR5 (1967-1968 (TR250 in the US market)) models were introduced, there was anyway a reason for Porsche to avoid "convertible" as being "imprecise"; at that point, in the Porsche ecosystem, there were "coupés" & "Targas".  The 1970s were, as a general principle not "convertible-friendly" but as that troubled decade ended, it became obvious the regulatory environment was not going to become as restrictive as had been feared and at the 1981 Frankfurt Motor Show, Porsche showed an AWD (all-wheel-drive) 911 cabriolet concept that was so well-received a 911 Cabriolet the next year was added to the line, the company's first "full convertible" since the last of the 356s (1948-1965).  Just to clarify things, the press were informed there were no "convertibles" in the range, just "coupés", "Targas" and "cabriolets".  Such had been the enthusiasm generated by the 1981 concept-car it was obvious it would enter series-production but, upon release, the company confirmed it would not include the AWD and nor would the body-style be available with a turbocharged engine.  The rationale for that was the rather patronizing" "People who drive cabriolets neither need nor want AWD and 300 HP (horsepower) engines".  Amusingly, in an example of the way that in commerce "the customer is always right", where, regardless of "need", where there's "want" (ie demand), supply tends to follow and both features eventually were made available with the cabriolet body.

Saint John Paul II (1920–2005; pope 1978-2005) in  Ferrari Mondial cabriolet while on a visit to the Ferrari test track, Fiorano, Italy, 4 June 1988.  This is believed to be the fastest ever Popemobile.

The term "cabriolet" has over the decades been applied to convertible Ferraris but a convention seems to have emerged that exclusively it's now used for four seaters (that the factory admits are really 2+2s).  The factory has had 2+2 cabriolets in the line-up for a while, most recently the California (2008-2017), Portofino (2017-2023), Roma (2020-2026) and Amalfi (since 2026) but those used a conventional front-engine layout.  The Mondial (1980-1993) was mid-engined, making the accommodation of four within the cabin quite challenging and critics noted one of the compromises imposed was aesthetic, the body lacking Ferrari's usually lovely, lithe lines, something said also of its 2+2 predecessor, the fixed-roof 208 & 308 GT4 (sold as both a Dino and a Ferrari).  However, the practicality of the Mondial had great appeal and it was at the time one of the the most successful Ferraris ever made.  It was also something of a turning point, much thought having been put into the design, not only to ensure one basic specification could be sold in all markets but also that the cost of ownership would be lower by simplifying the servicing routines.  It was much improved as the years went by and made in four distinct generations but Ferrari have not since attempted another mid-engined 2+2 (the configuration of the Roma & Amalfi sometimes described as "front mid-engine" but such things are not listed with the classic "mid-engined" machines, all of which have the power-plant mounted behind the driver).

The classification of cabriolets by Daimler-Benz

Cabriolet A coachwork: 1937 Mercedes-Benz 540K (left), 1958 Mercedes-Benz 300 SC (centre) & 2017 Mercedes Maybach 6 (right).

A cabriolet with two doors, no rear-quarter window and room for two passengers.  Occasionally, cabriolet As would be built with provision for one additional passenger, seated sideways behind the front seats, an arrangement the factory would late use in the "Pagoda" roadsters (W113, 1963-1971) until outlawed by increasingly stringent US safety regulations.  With Mercedes-Benz, the tradition of the cabriolet A in the big, open two-seat convertible would survive only until the 300 S & 300 SC (W188, 1951-1958) although in 2017, the one-off Mercedes-Maybach 6 Cabriolet was displayed, probably the most extravagantly self-indulgent "big" two-seater seen since the inter-war (1919-1939) years.  That was mitigated somewhat by the electric power-train but series production was never considered.

Cabriolet B coachwork: 1970 Mercedes-Benz 280 SE 3.5 (left), 1993 Mercedes-Benz 300 CE (centre) & 2017 Mercedes-AMG S 650 (right).  As the S 650 illustrates, while the use of CAD (computer aided design) and wind tunnels can make shapes more aerodynamically efficient, they doesn't guarantee they'll emerge as more elegant.   

A cabriolet with two doors and room for four or five passengers, fitted with a rear-quarter window for the rear seat.  Other than when interrupted by World War II (1939-1945) and its aftermath, the cabriolet B was long a staple of the Mercedes-Benz line-up but between 1972-1992 there was a hiatus, fears that impending US legislation would outlaw convertible sales in that lucrative market meaning no two door variations were constructed on the new S-Class (W116, 1972-1980) platform and no convertible versions of the successor S-Class coupé (C126, 1981-1990) or the smaller (what would now be called "E-Class") coupé (C123, 1976-1984) were ever offered (although some third party suppliers did offer conversions, Crayford in the UK even sourcing the soft-tops for their C123 cabriolets from 1973 Ford Mustangs in US wrecking yards!).  In those years, the R107 (1971-1989) roadster was the sole convertible available, its sales outside the US sufficient to maintain profitability if the ban eventuated.  As things turned out, the ban never was imposed and the cabriolet B returned in the form of the E-Class A124 (1991-1997).  The "smaller" Cabriolet Bs have since remained available although restricted after 2023 to the even smaller C-Class (A236) and the brief return of a "big" Cabriolet B (the A217 S-Class, 2015-2020) seems an experiment unlikely soon to be repeated.

The feared ban on convertibles in the US is an amusing tale of interest to political scientists and economists.  FMVSS (federal motor vehicle safety standards) 208 (roll-over protection) was published in 1970 and one obvious implication was the banning of “real” convertibles in the US market; while the local manufacturers went to court to challenge some of the provisions in FMVSS 208, they made no attempt to prevent the demise of the convertible, sales of the configuration having fallen to the point the body-style was no longer offered in most lines and even without the intervention of government it’s likely availability would anyway further have been restricted to the odd specialist product.  Indeed, Chevrolet, aware of the coming edict, had in 1968 released the coupe version of the third generation (C3) Corvette as a kind of targa (the so-called “T-top” with removable roof panels), the remaining structure essentially a “roll-bar able to “drive through” FMVSS 208.

Compliant and not with FMVSS 208 as drafted: 1978 Chevrolet Corvette Coupe with T-Top roof (left) and 1978 Chrysler New Yorker, the last of the four-door hardtops (right).

As things turned out, there was a a lobbying effort by the AIA (Automobile Importers of America, a multi-national aggregation representing manufacturers from Europe, the UK and Japan making good profits from convertibles; indeed, some (notably MG) wholly were dependent on convertibles in the US market) to to gain exemptions because for many, even apart from the US-derived profits, it was the volumes achieved there that made viable continuation of the lines in other markets.  In an example of the way government and industry in the US interact (mostly through the mechanism of “campaign financing” with lobbyists as intermediaries), in 1971 the NHTSA (National Highway Traffic Safety Administration) granted a “temporary exemption” for convertibles from the rollover parameters, the "subset clause" set originally to expire on 31 August, 1977 (ie, the end of the 1977 model season), a date chosen because by then Detroit’s existing convertible lines were schedule to have reached their EoL (end of life).  The FMVSS 208 standards were otherwise maintained and that was what doomed to four-door hardtops which, lacking a central (B) pillar would have been prohibitively expensive to engineer into compliance.  However, late in 1972, an unexpected ruling from a federal court held FMVSS 208 existed under the provisions of the NTMVSA (National Traffic & Motor Vehicle Safety Act (1966)) and this was found to contain no statutory basis that could extend to the banning of convertibles: As explicitly the judgment stated, the act obligated the agency “to afford such vehicles special consideration.”  Detroit no more expected that than did the NHTSA but while the manufacturers were sanguine about no longer producing convertibles, the regulators were compelled to decide what to do about their regulation and, given Detroit’s attitude, they decided to "kick the can down the road" and simply extend the “temporary” exemption, nominating no end-date.  As does happen in politics, the "temporary" became "indefinite".

By the time the neo-liberal order began to take control in Washington after the election of Ronald Reagan (1911-2004; POTUS 1981-1989), the political zeitgeist shifted to a desire for "less" regulation and the exemption became "permanent", convertibles in the 1980s staging a comeback in the catalogues.  The indefinite extension of the "temporary exemption" of convertibles from FMVSS's roll-over standards created the curious anomaly that Chrysler could in theory have maintained a New Yorker convertible (had one existed) in production while being compelled to drop the four-door hardtop.  Market realities meant no Federal Court judge ever had to sit to resolve that and no manufacturer sought an exemption for the latter.  The last of the C3 (1968-1983) Corvette roadsters was produced in 1975, the style not revived in the line until a C4 (1984-1996) roadster was released in 1986.  Most relieved were the UK and European producers, their little roadsters highly profitable and perennially strong sellers in North America and while the AIA didn't get everything they asked for, they got convertibles and that allowed the life of many roadsters (some with roots in the 1950s) to be extended even into the mid-1990s by which time, in a sense, customers were buying "new vintage cars".        

1980 Mercedes-Benz 500 SLC.

The SLC (C107, 1971-1980) existed only because it was assumed convertible sales in the US would be banned so, with no S-Class, the "big coupé" role was fulfilled by the SLC, concocted by using a LWB (long wheelbase) version of the R107 roadster's platform with a rear seat and (non-pagoda) fixed roof.  Always expensive, the SLC sold well but it had also a career never envisaged when the product-planners were drawing-up the specifications; it was used as a rally car.  The big 450 SLC 5.0 (1977-1980) was one of the more improbable rally cars but it enjoyed success in long-distance events, in winning the Bandama Rally in Côte d'Ivoire an it's a footnote in the sport's history as the only V8-powered car to win a European rally; all 450 SLC 5.0s fitted with an automatic transmission which makes the thing more unusual still.        

Cabriolet C coachwork: 1937 Mercedes-Benz 540K (left), 1950 Jaguar Mark V Drophead Coupé (DHC) (centre) & 2020 Alvis TB60 DHC (continuation) (right).

A cabriolet with two doors and room for four or five passengers with no rear quarter windowMost German manufacturers and virtually all coachbuilders kept the cabriolet C on the books throughout the inter-war period but in the post-war years, it was the British who did most to maintain the tradition, Bentley, Rolls-Royce, Daimler, Armstrong Siddeley and Alvis all offering the style and Alvis in 2018 actually re-commenced production of what they called their "continuation" series.  Unlike their latter day use by US manufacturers, the often fitted external "landau irons" genuinely were functional in the raising and lowering of the soft-top.  Thankfully, those "faux landau irons" no longer attract US designers but the motif endures in those building hearses with large expanses of sheet mental rather than glass, the devices to some extent disguising and "breaking up" what would otherwise be just "too much flat surface".  By contrast, on a cabriolet C, the expanse of fabric can lend elegance but one obvious drawback is the restricted visibility, the bulk creating blind-spots rearward, something to bring a wry smile to drivers of 1971 "Sportsroof" Ford Mustangs.

Cabriolet D coachwork: 1961 Mercedes-Benz 300d (left), 1967 Lincoln Continental (centre) & 2006 Mercedes-Benz Concept Ocean Drive (right). 

A cabriolet with four doors and room for four to six passengers.  Common in the 1930s, the four door convertible was rare by the mid 1950s and even Mercedes-Benz removed the 300c (W186, 1951-1957) Cabriolet D from the range when the 300d (W189, 1957-1962) was released in 1958.  However, although demand for such a machine was tiny, it wasn't non-existent and in 1959 it was announced the Cabriolet D would again be available to special order on the basis of POA (price on application), the cost depending on the specification requested; eventually, a further 65 were built.  That was the last of the line however and when "semi-convertible" coachwork was introduced for the 600 (der Grosser; W100, 1963-1981), the term "landaulet" was preferred and these came in two forms: (1) the so-called "short roof" in which the folding mechanism opened only over the rear-most section and (2) the (unofficially dubbed) "presidential", the fabric extending to the central partition (divider).  Other than a one-off on the SWB (short wheelbase) platform, there were 59 600 Landaulets, 12 of them the "presidential" version, two of which remain in the care of Kim Jong-Un (Kim III, b 1982; Supreme Leader of DPRK (Democratic People's Republic of Korea (North Korea)) since 2011) who inherited (along with the rest of the DPRK and its people) from his equally illustrious ancestors.  Apart from the mouth-watering Concept Ocean Drive displayed in 2006, the factory has never hinted such things might return and, apart from truck-like off-road machines, nor has any other manufacturer since the last convertible Lincoln Continental left the line in 1967.  Remembered also for its connection to the limousine in which President John Kennedy (JFK, 1917–1963; POTUS 1961-1963) was assassinated, that association didn't dissuade his successor (Lyndon Johnson (LBJ, 1908–1973; VPOTUS 1961-1963 and POTUS 1963-1969) from owning one but even LBJ's presidential imprimatur didn't sufficiently stimulate sales and the four-door convertible coachwork didn't appear for 1968.  They were the last convertibles ever built by Lincoln.

Cabriolet F Coachwork: 1939 Mercedes-Benz 770K (W150) (left), 1961 Lincoln Continental (X-100 by Hess & Eisenhardt) (centre) & 1966 Mercedes-Benz 600 Landaulet in four-door, short roof configuration (right, which is not really a cabriolet F). 

A cabriolet with four doors, built on an extended wheelbase, usually for state or formal use with room for six or more passengers.  The rare cabriolet Fs were almost exclusively state or parade vehicles (although as used cars, they've been sometimes imaginatively re-purposed in the secondary market) and are now effectively extinct, driven from the market by security concerns and the lack of appropriate new vehicles upon which they could be based.  Politicians now feel much safer in armored cars, built sometimes on a light-truck chassis and the ones used by US presidents are now essentially "armored cars disguised as traditional (ie 1980s) Cadillac limousines.

1966 Mercedes-Benz 300 SE (W112) Cabriolet.  Lots of chrome on the W112 although, such was the attention to detail, some of the brightwork was polished brass. 

In the collector-car market, the two-door Mercedes-Benz W111 (1961-1971) & W112 (1962-1967) remain coveted and, as is usually the case, it's the convertibles that are most sought, even though the cabriolet lacks the coupé's lovely roofline.  Pedants note that although the W111s & W112s are technically a Coupé B & Cabriolet B in the factory's naming system, they're never referred to as such because no other configuration was offered in the two-door iterations.  The W112 (300 SE) is of interest too because of the moldings around the wheel arches, a feature which seen on some earlier models and the 600 Grosser.  Criticized by some when they appeared on the 600, the additional brightness on the W112 wasn't to everyone's taste (and it was a "delete option" when new) but it clearly had an enduring appeal because for decades, after-market suppliers found a ready market among those with later model Mercedes-Benz, BMWs, Jaguars and some others.  This is not approved by the purists and whether in chrome, stainless steel or anodised plastic (!) it makes no difference: the originality police insist if it wasn't done by the factory, it shouldn't be done.  It was a W112 Coupé (that had failed quality control inspection and was due to be scrapped!) that provided the test bed for the installation of the 600's 6.3 litre (386 cubic inch) V8 in a smaller platform and such was the transformative effect the project was approved for series-production although Daimler-Benz management was not convinced there would be sufficient demand for the "hot-rod" as a coupé or cabriolet and insisted it be released exclusively in four-door form.

Thus was begat the 300 SEL 6.3 (1968-1972) using the W109 platform (1965-1972) and it was for years was a favorite high-speed cruiser on the FRG's (Bundesrepublik Deutschland (Federal Republic of Germany; the old West Germany, 1949-1990) autobahns, drivers then even more than now not troubled by tiresome speed-limits.  It was a great success but there have been some who longed to combine the big V8 with the lovely coachwork of the coupé & cabriolet and a surprising number of these have been built although the standard of the engineering has varied, not all interpolating the 300 SEL 6.3's air suspension.  The finest of the breed were built by Wisconsin-based Karl Middelhauve (1932-2026) and while the term "guru" is these days tossed around entirely too much, truly Karl Middelhauve was "the 600 Guru".     

1971 Mercedes-Benz 280SE 3.5 Coupé (converted to a cabriolet).

This is one really to upset the originality police because: (1) it started life as a coupé before a roofectomy was performed, (2) the chrome (actually anodized plastic) wheel-arch moldings were never available on this model and (3) the Fuchs (Bundt) aluminum wheels have been chromed (and may anyway be reproductions, some of which are cast and not forged, as were the originals).  Such is the price premium a cabriolet will command over a comparable coupé, over the years, many have been tempted to cut but exactly to replicate what the factory did is harder than at first glance it seems.  It's not a matter simply of “removing the roof”, a correctly accomplished conversion demanding: (1) structural reinforcements, (2) a folding roof apparatus and (3) different rear-end body panels.  While from the belt-line down the coupé & cabriolet appear visually identical, the Cabriolet required extensive modifications to the underlying platform to compensate for the removal of the structural rigidity provided by the fixed steel roof.

Structural Reinforcement: (1) The cabriolet used a significantly heavier, thicker floor pan with welded-in boxed side members to prevent body flex and “scuttle (cowl) shake” and for those prepared to do things in a way that don’t exactly emulate the look of what the factory did all those years ago, using modern materials and engineering techniques it is now possible to achieve ever greater rigidity with less additional weight, the attraction being the changes remain hidden unless the car is viewed from below (ie on a hoist) or the carpets are removed for inspection. (2) The Cabriolet's windshield pillars (A-pillars) contain internal steel tubes, both to afford additional rollover protection and support the folding top mechanism, a mechanism heavy by the standards of such things.  (3) While the coupés were built with a structural steel shelf behind the rear seats, in the cabriolets this was replaced with a reinforced partition in which is housed the bulk of the folding roof.  (3) Without the roof’s C-pillar, the size and shape of the rear side windows subtly is different and these feature a unique chromed-frame designed to ensure a tight seal against the heavy weather-stripping of the fabric top (on the coupé the glass seals directly).

The multi-layered soft-top:  The Cabriolet’s folding roof is not (in an engineering sense) complex but the construction was both intricate and labor-intensive.  Almost wholly hand-fitted, the mechanism consisted of a padded outer layer, with a thick insulating bombast of horsehair as a middle layer, finished with a tailored interior headliner.

The Rear Body Panel Modifications: In the lower reaches of the conversion industry, this is the most neglected aspect and the easiest way to identify “a fake” although, unless the real thing is parked side-by-side, most would likely not tell the difference unless their eye is keen: (1) The trunk (boot) lid length is physically shorter on the factory-built cabriolets to accommodate the recessed storage well into which much of the soft-top folds meaning (2) the rear-desk-sheet metal (the panel between the back of the rear seat and the trunk opening) is is unique to the cabriolet, featuring a chrome-trimmed latching area for the soft top's boot.   

Mercedes-Benz 770K (W150; 1938-1943), Cabriolet D (top) and Cabriolet F (bottom).

With a variety of coachwork, all the second generation of the Großers (Grosser (Grand Mercedes)) were built on a chassis with a wheelbase of 3880 mm (152¾ inch).  In some four years, only 88 were built, most of which were allocated to senior figures in the Nazi Party, the Wehrmach (the armed forces) and the German state although a handful were gifted to foreign heads of state.  The 770K will forever be associated with Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) because until the outbreak of war the big Cabriolet F was his preferred parade car and one of the quirks in the factory's nomenclature is that while the body-styles Cabriolet A, B, C & D were defined and well-documented, there was a 770K Cabriolet F, but no Cabriolet E.  The W150 Cabriolet F was among the rarest of the 770Ks with only five made (the distinction the additional rear window in the passenger compartment).  The jump in the factory's designations from "D" to "F" obviously skipped "E" and because that didn't seem the typically precise German way of doing things, there was speculation that another type of open coachwork had been planned (though not necessarily on the 770K chassis) but never built because of the outbreak of war in 1939.  That's not impossible (some records were lost during the war) but the archives for the period have revealed nothing to support the speculation and the sometimes repeated assertion the "Cabriolet F" label was an allusion to "Führer" (the car's most infamous customer) is simply wrong because the designation first was used in the 1920s and was applied to the previous 770 Großer, the W07 (1931-1938).  The factory seems never to have commented on the "missing Cabriolet E" although, despite having a great sense of history, it doesn't much dwell on the company’s relationship with the state and party between 1933-1945.

Wedding ceremony day: Hermann Göring & Emmy Sonnemann, Berliner Dom (Berlin Protestant Cathedral), 11 April, 1935.

Curiously, the wedding car used by Hermann Göring (1893–1946; leading Nazi 1922-1945 and Reichsmarschall 1940-1945) for his (second) marriage to Emmy Sonnemann (1893-1973) was a Mercedes-Benz 500 K Cabriolet C and the photographs do suggest things were a little cramped once his corpulent form had been wedged into the back seat though his more slender bride looked content.  One of the grand public spectacles the Nazi regime (1933-1945) used as propaganda devices, the wedding received blanket coverage in newspapers and, for the following three days, each movie shown in German cinemas was preceded by a “newsreel” segment of “edited highlights” from the happy day.  That would have been a good “catch-up” for Germans unlucky enough not to have been able to listen to the live radio broadcast of the entire ceremony , carried over a then still novel “national hook-up”.  Adolf Hitler served as best man and, in an experience unfamiliar to both him and the groom, neither were the centre of attention, eyes of the audience and lens of the photographers alike focused on the bride.

Damenmode der 1930er-Jahre: "Gretchen mag´s mondän!" (1930s Women's Fashion: "Gretchen Likes It Sophisticated!").  Catalogue of the collection of the Münchner Stadtmuseum (Munich’s municipal museum).

General Göring wore a Luftwaffe (German Air Force) uniform in a new grayish-blue fabric chosen for the occasion while the bride was dressed in a heavy white satin gown (cut in the then fashionable “Gretchen fashion”) with wide puffed sleeves ending in tight-fitting cuffs.  The train was relatively short and born not by girls (as was then customary) by boys of the HJ (Hitlerjugend (the Hitler Youth)), possibly a deliberate adoption of a practice then usually restricted to royalty and the aristocracy.  From the cathedral, the motorcade travelled the short distance to the Deutsche Oper Berlin (Berlin Opera House).  As one of the party’s leading WAGs (wives & girlfriends), Frau Göring made a good start in staking her claim to the (unofficial) title First Lady des Reiches (First Lady of the Reich), serving as Hitler's hostess at many state functions.  It was however a keenly contest space and both Anna Elisabeth “Annelies” von Ribbentrop (née Henkell 1896-1973), wife of Joachim von Ribbentrop (1893–1946; Nazi Foreign Minister 1938-1945) and (especially) Johanna Maria Magdalena "Magda" Goebbels (née Ritschel 1901-1945), wife of Dr Joseph Goebbels (1897-1945; Nazi Minister of Public Enlightenment and Propaganda 1933-1945) sought the honor and both were adept at Masonic-like plotting & scheming.  Frau Göring’s chances of success became doomed after Eva Braun ( 1912–1945) complained to Hitler that she was “mean to her” so the invitations “dried up” something that didn’t much worry her husband because although regarded almost to the end as Zweiter Mann des Reiches (Second Man of the Reich), he was never part of Hitler’s “inner social circle”.  Although the exact nature of their relationship remains contested, being the Führer’s concubine, Eva Braun could of course never be the Reich’s “First Lady” (her very identity was close to a state secret and she was unknown to most of the population) but, in the final hours of her life, she did gain the satisfaction of being made “Frau Hitler” so there was that.  Of course, long before that low-key wedding in the Führerbunker, the course of the war had meant becoming undisputed First Lady des Reiches was no longer the prize it once was, so what Eva Braun gained was something of a withered garland.

Gretchen fashion: Not many women on the high street dressed quite like this but the elements did appear in everyday garments.

“Gretchen fashion” (or “Gretchen-look”) was a term used for a fashion phenomenon much identified with post-Weimar Germany; like many such trends, it was a blend and the components were (1) traditional wholesomeness and (2) international glamourThe first element was a reaction against the perception of Weimar as “decadent” (although that was always overstated and applied only to a tiny, highly visible minority), thus the choice of the name “Gretchen” as something archetypically German and most associated with modest, pure, rural woman (certainly not “rootless cosmopolitans”).  Nazi-era propaganda attempted to “nudge” women towards a makeup-free life focused on “…the three Ks - die Küche, die Kirche, die Kinder (kitchen, church, and children), a phrase that first became popular during the second half of the nineteenth century but many women knew there was a variant with a fourth “K”: Kleider (Clothing) and while the rustic look was adopted, the Gretchen-look emerged as a hybrid that owed as much to Hollywood as Hannover.  Dresses shifted away from the boxy, drop-waist 1920s flapper silhouette and used instead fabrics cut on the diagonal (the bias cut) to elegantly skim curves and flare gently at the hem.  Weimar’s characteristic angularity and androgyny almost vanished (although the hats were too stylish to be forgotten and were carried-over), replaced by a classic hourglass silhouette, high, natural waistlines returning, often emphasized with slender belts or subtle ties with hemlines at mid-calf, tea-length or floor-length depending on the time of day.  A simplicity of line was dominant but delicate ruffles, puff sleeves and inventive (sometimes even asymmetric) necklines decorated with tie-neck bows or fabric flowers could be used to compliment feminine prints featuring romantic florals or polka dots.  Of course, it was also the art deco era and those motifs along with bold stripes often were seen.  Some in the Nazi Party may have aspired to make the country a totalitarian state but frocks proved a tough opponent and, defying their Führer, women still wore red lipstick, plucked their eyebrows into arches and varnished their nails.

Wedding day of Crown Prince Naruhito & Masako Owada san, Rolls-Royce Corniche III Convertible, 9 June, 1993.  The crown prince was notably more svelte than General Göring.

Because a bride (in wedding gown) will need to step through a fairly small gap when exiting (often while being photographed), a two-door cabriolet does seem a strange choice as a wedding car and why one of the big 770K Cabriolet F Open Tourers wasn’t used doesn’t seem anywhere discussed and of the many questions directed at Göring during his week-long cross-examination at the Nuremberg Trial (1945-1946); understandably perhaps, neither prosecution or defense counsel raised the matter so it’s left to speculation.  It may be the bride wanted something “more romantic” and “less masculine” so there would be the connotation of her “marrying the man rather than the state” and while that’s wholly fanciful, it does explain the seemingly inexplicable.  The use of a two-door cabriolet for a “state” wedding proved however not unique, Japanese Crown Prince Naruhito (b 1960, Emperor of Japan since 2019) appearing in a 1990 Rolls-Royce Corniche III Convertible (by then the factory had ceased calling them DHCs (drophead coupé) although in the twenty-first century DHC would get a nostalgic revival) for his wedding in 1993 to Masako Owada san (b 1963).  It was one of only two public appearances for the Corniche, later retired and replaced by a Toyota Century Royal with one-off four door cabriolet coachwork, something that doubtless will please brides in future weddings associated with the Chrysanthemum Throne.  Compared with 1935, there was by 1993 more material for content providers (then serving almost exclusively television and print media) but the crown prince’s wedding was still a major event (the day declared a national holiday) and, with the country having entered the first of its “lost decades”, the spectacle must have been a relief from tales of economic gloom.

How to really make a statement on one's wedding day: 1993 Rolls-Royce Corniche IV in red, on red, on red.

Although in the English-speaking world the traditional color for wedding cars is white (or a close variant such as cream), in Japanese culture both black and white vehicles are used and there are even specialized Hanayome Taxis (Bridal Taxis) in which the left side of the roof mechanically swings upward so ingress & egress can be elegant with no risk of disturbing intricately constructed “big hair”.  Usually, in vivid red, Kotobuki (congratulations; longevity; good fortune) banners appear on the sides of the wedding cars as a warning to other traffic of the vehicle’s “special purpose”.  One Japanese “wedding superstition” enforced with especial strictness is that a bridal car must never shift into reverse gear because “backing-up” symbolizes “returning home” (ie a looming divorce).  One famous mid-twentieth century tradition that has faded is the Yomeiri (Dowry) Truck, most associated with the Nagoya region.  There, the wedding motorcade was a convoy of trucks used to transport the bride's dowry and furniture to her new home, the vehicles wrapped in festive red-and-white Kohaku maku (striped banners).  Most symbolically, on the bed of the last truck was the newlywed’s brand-new car, wrapped in a large, bright red ribbon.  For the crown prince and princess, their traditional Shinto ceremony was conducted at the Kashiko-dokoro (Shrine of the Sun Goddess Amaterasu) within the grounds of the Imperial Palace grounds in Tokyo and while there were no dowry trucks (the palace already fully-furnished with microwave ovens, toasters and such), the Rolls-Royce was one of 46 vehicles in a motorcade stretching slightly beyond a quarter-mile (402 metres).

Not even Göring matched that scale although, being head of the Luftwaffe, he was able to arrange a fly-past of dozens of fighter aircraft, timed with Teutonic precision to appear over the cathedral just as the couple were walking down the steps to their waiting cabriolet.  The sybaritic Goering gathered titles as enthusiastically as later he would loot Europe of artworks; as well as heading the Luftwaffe, he was Premier of Prussia, Reich Minister of Aviation, general in command of anti-aircraft artillery, general of fliers, Grand Master of the Hunt, Master Forester of Germany, President of Reichstag, chief of the Prussian secret police and Director, State Theatres & Operas (in that capacity he granted Frau Sonnemann the title “State Actress by appointment”) so it wasn’t difficult for him to arrange “stuff for the wedding”.  Hundreds of thousands of Germans (not all of the Berliners) lined the Wilhelmstrasse (Wilhelm Street) and Unter den Linden (best translated as “Boulevard of the Lime Trees”) from the chancellery to the cathedral and seldom can a wedding have seen so men in such a variety of uniforms (at attire then adored by Germans).  Manpower not being a resource-allocation problem for Göring, some 30,000 young men from a variety of Nazi organizations formed a double row in order to keep the streets clear and, with the expected military precision, they stood at attention with right arms raised in the “Hitler salute” as the wedding motorcade passed by.  In a legal sense, the marriage had taken place the day before in a civil ceremony at Berlin City Hall, bride and groom signing the necessary paperwork confirming they were of “pure Aryan stock and free from hereditary disease” (millions of those not either in the ten years to follow being murdered by on Hitler’s orders) so the rituals in the church were essentially ceremonial and performed for the benefit of God rather than the state.  Reich Bishop Ludwig Mueller (1933-1945) officiated, choosing the New Testament’s Book of Revelation for his text (“Be thou faithful unto death and I will give you a crown of life.”):  Fear none of those things which thou shalt suffer: behold, the devil shall cast some of you into prison, that ye may be tried; and ye shall have tribulation ten days: be thou faithful unto death, and I will give thee a crown of life.  Revelations 2:10 (King James Version of the Bible (KJV, 1611)).

The Blue Goose.  The image on the left is from the Búndesarchiv (German Federal Archives) and is stamped "1941", suggesting married life did not cause Göring to suffer weight-loss,

The car most famously associated with Göring was also a Mercedes-Benz convertible (though not a cabriolet): a 1937 540K (W29) Special Roadster.  The earlier 500K Special Roadster came to be called “the brightest glint of a golden age” and while the 540K SR wasn’t quite as rakish as its slightly smaller predecessor, that may have been a good thing because modifications had to be made the 540 to ensure Göring was “able to fit behind the wheel” and even then, things were “tight”.  His 540K SR was nicknamed das Blaue Gans (the Blue Goose) because Göring ordered it his favourite shade of Luftwaffe Blaue (used for the underside of reconnaissance aircraft) and he was sufficiently fond of the hue to have one of his (many) Reichsmarschall uniforms cut in a fabric dyed the same color.

Appointed in 1933 by Hitler to the newly created office of Reichsbischof de Deutsche Evangelische Kirche (Bishop for the Reich of the German Evangelical Church), Mueller, a Lutheran priest and undistinguished theologian had no obvious qualifications for the role other than being a devoted Nazi but for the Führer, that was enough.  In office, Mueller, even by the slight standards of the regime’s minor functionaries, proved singularity inept and far from uniting the German protestant churches as was his designated task, he proved a schismatic influence.  By 1937, it was obvious to Hitler he’d “backed a dud” and increasingly he abandoned his use of carrots in church matters, resorting to the stick “when required” but otherwise becoming indifferent, seemingly resigned to the party’s state of “semi-peaceful” co-existence with the churches.  Typically, despite his conspicuous failure, Mueller wasn’t dismissed but simply ignored, his sycophancy and repeated attempts at ingratiation with the regime proving pointless.  Still, he deserves credit for having been prophetic in his choice of text for Göring’s wedding although whether “Defendant Number One” at the Nuremberg Trial much dwelt on the words during the months he spent in his cell or as he stood to hear the IMT’s (International Military Tribunal) president sentence him to be hanged, isn’t known.