Showing posts sorted by relevance for query Grand. Sort by date Show all posts
Showing posts sorted by relevance for query Grand. Sort by date Show all posts

Wednesday, April 7, 2021

Grand

Grand (pronounced grand)

(1) Impressive in size, appearance, or general effect.

(2) Stately, majestic, or dignified.

(3) Highly ambitious or idealistic.

(4) Magnificent or splendid.

(5) Noble or revered.

(6) Highest, or very high, in rank or official dignity.

(7) Main or principal; chief; the most superior.

(8) Of great importance, distinction, or pretension.

(9) Complete or comprehensive (usually as the “grand total”).

(10) Pretending to grandeur, as a result of minor success, good fortune, etc; conceited & haughty (often with a modifier such as “rather grand”, awfully grand” or “insufferably grand”).

(11) First-rate; very good; splendid.

(12) In musical composition, written on a large scale or for a large ensemble (grand fugue, grand opera etc) and technically meaning originally “containing all the parts proper to a given form of composition”.

(13) In music, the slang for the concert grand piano (sometimes as “concert grand”).

(14) In informal use, an amount equal to a thousand pounds or dollars.

(15) In genealogy, a combining (prefix) form used to denote “one generation more remote” (grandfather, grand uncle etc).

1350–1400: From the Middle English graund, grond, grand, graunt & grant, from the Anglo-Norman graunt, from the Old French grant & grand (large, tall; grown-up; great, powerful, important; strict, severe; extensive; numerous), from the Latin grandis (big, great; full, abundant; full-grown (and figuratively “strong, powerful, weighty, severe”, of unknown origin.  Words conveying a similar sense (depending on context includes ambitious, awe-inspiring, dignified, glorious, grandiose, imposing, large, lofty, luxurious, magnificent, marvelous, monumental, noble, princely, regal, royal, exalted, palatial; brilliant, superb opulent, palatial, splendid, stately, sumptuous, main, large, big & august.  Grand is a noun & adjective, grander & grandest are adjectives, grandness is a noun and grandly is an adverb; the noun plural is grands.

In Vulgar Latin it supplanted magnus (although the phrase magnum opus (one’s great work) endured) and continued in the Romanic languages.  The connotations of "noble, sublime, lofty, dignified etc” existed in Latin and later were picked up in English where it gained also the special sense of “imposing” (which tended often to imply “big”.  The meaning “principal, chief, most important” (especially in the hierarchy of titles) dates from the 1560s while the idea of “something of very high or noble quality” is from the early eighteenth century.  As a general term of admiration (in the sense of “magnificent or splendid” it’s documented since 1816 but as a modifier to imply perhaps that but definitely size, it had been in use for centuries: The Grand Jury was an invention of the late fifteenth century, the grand tour was understood as “an expedition around the important places in continental Europe undertaken as part of the education of aristocratic young Englishmen) as early as the 1660s and the grand piano was named in 1797.  In technical use it was adapted for use in medicine as the grand mal (convulsive epilepsy with loss of consciousness), borrowed from the French grand mal (literally “great sickness”) as a point of clinical distinction from the petit mal (literally “small sickness”) (an epileptic event where consciousness was not lost).  The meaning "a thousand dollars" dates from 1915 and was originally US underworld slang, that sum then a lot of money (the cheapest Ford Model T then listed for US$350).

The “Twenty Grand”: 1933 Duesenberg SJ Arlington Torpedo Sedan by Rollston.

Celebrating "A century of Progress" and held between 27 May, 1933-31 October, 1934 in Chicago, Illinois, the Chicago World's Fair was memorable for the stunning array of art deco architecture and being the first US-staged international fair to book a profit.  Indeed, with close to 40 million paying visitors, the event had proved so popular the scheduled closing date of 12 November, 1933 was extended by almost a year.  When the fair opened its gates, the nation still was in the depths of the Great Depression and it was less than three months since Franklin Roosevelt (FDR, 1882–1945, POTUS 1933-1945) in his first Inaugural Address on 4 March 1933 had delivered the words “…the only thing we have to fear is fear itself.” so, in the circumstances, after three troubled years, the success was a remarkable achievement.  Still, it was far from an ideal time to display luxury goods but despite it all, four of the nation’s most exalted automobile manufacturers showed the finest they could achieve.

The “Twenty Grand”: 1933 Duesenberg SJ Arlington Torpedo Sedan by Rollston. 

Reflecting the interest in what the industry then called “streamlining”, Cadillac showcased their Aerodynamic Coupe, a fine housing for the company’s already famous 452 cubic inch (7.4 litre) V16.  Visually, Packard’s Sport Sedan didn’t have the Cadillac’s radical lines but the coachwork by Dietrich was elegant with some styling elements which others would emulate over the remainder of the decade.  Powered by Packard’s second-generation V12, the press dubbed it “The Car of the Dome” an allusion to the exposition’s Travel and Transportation Building where it sat.  Most startling among the four was Pierce-Arrow’s Silver Arrow, the look of which often is described as “avant-garde” but in many aspects it anticipated the early days of mid-century modernism and was probably an influence on the remarkable Tatras from Czechoslovakia although, with a front-mounted V12, under the striking bodywork, it was in many ways a conventional design.  By far the most familiar in appearance was the Duesenberg Arlington Torpedo Sedan with one-off coachwork by Rollston.  While it lacked the rakish appeal of some of the Duesenberg roadsters or phaetons, of its type it was a fine expression and under the long hood of course sat the supercharged 420 cubic inch (6.9 litre) straight-8; with a 32 valve, DOHC (double overhead camshafts) cylinder head, it was rated at 320 HP and was the industry’s most powerful engine.  Although not officially revealed, rumors circulated the price tag was US$20,000 (equivalent to some US$500,000 in 2026), leading the press to nickname it the “Twenty Grand.”

The use of the prefix grand- in genealogical compounds is a special case.  The original meaning was “a generation older than” and the earliest known reference is from the early thirteenth century in the Anglo-French graund dame (grandmother) & (later) grandsire (grandfather), etymologists considering the latter possibly modeled on the avunculus magnus (great uncle).  The English grandmother & grandfather formally entered the language in the fifteenth century and the extension of the concept from “a generation older than” to “a generation younger than” was adopted in the Elizabethan era (1558-1603) thus grandson, granddaughter etc.  Grand as a modifier clearly had appeal because in the US, the “Big Canyon” was in 1869 re-named the Grand Canyon.  In the modern era grand has been appended whenever there’s a need economically to convey the idea of a “bigger or more significant” version of something thus such constructions as grand prix, grand slam, grand larceny, grand theft auto, grand unification theory, grand master (a favorite both of chess players and the Freemasons) etc.  While “grand” can be a “loaded word” in that it can be deployed to convey something positive or negative some related forms can be even more variable and often are prone to misuse.  These include “grandeur” ((1) the state of being grand or splendid; magnificence; (2) the state of being noble; (3) largeness; tallness; loftiness (archaic), “grandiose” ((1) Large and impressive, in size, scope or extent; (2) pompous or pretentious; (3) magnificent or spectacular and “grandiloquent” (of an individual, their writing or speech): given to using language in a showy way by using may obscure or long words.

The Grand Jury

Donald Trump in Manhattan Criminal Court, April 2022.

The Manhattan grand jury which indicted Donald Trump (b 1946; POTUS 2017-2021 and since 2025) on 34 felony counts of "falsification of business records in the first degree" is an example of an institution with origins in twelfth century England although it didn’t generally become known as the “grand jury” until the mid-1400s.  At least some of the charges against Mr Trump relate to the accounting associated with “hush-money” payment made in some way to Stormy Daniels (b 1979; the stage name of Stephanie Gregory although Mr Trump prefers “horseface” which seems both ungracious and unfair) and reports at the time offered the prospect of more legal-political drama, the suggestion he'd likely have to face more grand juries hearing more serious matters.

A grand jury is a group of citizens (usually between 16-23) who review evidence presented by a prosecutor to determine whether the case made seems sufficiently compelling to bring criminal charges.  A grand jury operates in secret and its proceedings are not open to the public, unlike a trial before a jury (a smaller assembly and classically a dozen although the numbers now vary and once it was sometimes called a petit jury (petit (small), from the Middle English petit, from the Old French petit, from the Late Latin pitittus, a diminutive of pit-).  It is this smaller jury which ultimately will pronounce whether a defendant is guilty or not; all a grand jury does is determine whether a matter proceeds to trial in which case it will issue an indictment, which at law is a formal accusation.  The origins of the grand jury in medieval England, where it was used as a means of investigating and accusing individuals of crimes was to prevent abuses of power by the king and his appointed officers of state although it was very much designed to protect the gentry and aristocracy from the king rather than any attempt to extend legal rights to most of the population.

The grand jury has been retained in the legal systems of only two countries: the US and Liberia.  Many jurisdictions now use a single judge or magistrate in a lower court to conduct a preliminary hearing but the principle is the same: what has to be decided is whether, on the basis of the evidence presented, there’s a reasonable prospect a properly instructed (petit) jury would convict.  In the US, the grand jury has survived because the institution was enshrined in the Fifth Amendment to the Constitution: “No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger.”  The grand jury was thought a vital protection against arbitrary prosecutions by the government, and it was included in the Bill of Rights (1689) to ensure individuals would not be subject to unjustified criminal charges.  There is an argument that, by virtue of England’s wondrously flexible unwritten constitution, the grand jury hasn't been abolished but they're merely no longer summoned.  It's an interesting theory but few support the notion, the Criminal Justice Act (2003) explicitly transferring the functions to the CPS (Crown Prosecution Service) and the model of the office of  DPP (Director of Public Prosecutions) has been emulated elsewhere in the English-speaking world.  Presumably, a resuscitation would require the DPP to convene a grand jury and (if challenged on grounds of validity) the courts have to concur but as late as 1955 an English court was prepared to hold a court which had for centuries neither sat nor held a hearing remained extant so the arguments would be interesting.

The “Grand Mercedes”: The Grosser tradition

Der Grossers: 1935 Mercedes-Benz 770 K (W07) of Emperor Shōwa (Hirohita, 1901–1989, emperor of Japan 1926-1989 (left)), Duce & Führer in 1939 Mercedes-Benz 770 K (W150) leading a phalanx of Grossers, Munich, 1940 (centre) and comrade Marshal Josip Broz Tito (1892–1980) in 1966 Mercedes-Benz 600 six-door Landaulet (W100), Belgrade, 1967 (right).

Produced in three series (770 K (W07, 1930–1938 & W150, 1939-1945) & 600 (W100, 1963-1981)) the usual translation in English of “Grosser Mercedes” is “Grand Mercedes” and that is close to the German understanding which is something between “great”, “big” and “top-of-the-line”.  In German & Austrian navies (off & on) between 1901-1945, a Großadmiral (Grand Admiral) was the equivalent to the (five star) Admiral of the Fleet (UK) or Fleet Admiral (US); the rank was abolished in 1945 and has never been re-established.  When the 600 was released in 1963, it may have been the last time a single model could be described as "the best car in the world" but, driven to extinction in 1981 by an oil crisis and an array of regulations never envisaged when it was designed, it wasn’t replaced and the factory didn’t return to the idea until a prototype was displayed at the 1997 Tokyo Motor Show.  The specification and engineering was impressive but the appearance was underwhelming, a feeling reinforced when the production version (2002-2013) emerged not as an imposing Grosser Mercedes but a Maybach, a curious choice which seemed to suggest a marque which for a century had been the choice of popes, presidents & potentates was no longer good enough.  Although dynamically a fine car (at the time the best of its type), the Maybach looked something like a big Hyundai and lingered for a slow-selling decade before an unlamented death, suggesting the MBAs who decided on a re-branding using a name with little resonance except among except automotive & military historians should stick to washing powder marketing strategies.

Grand, Grand Luxe & Gran

Jaguar 420G publicity material, 1966.

Car manufacturers were attracted to the word because of the connotations (bigger, better, more expensive etc).  When in 1966 Jaguar updated their slow-selling Mark X (1961-1966), it was integrated into what proved a short-lived naming convention, based on the engine displacement.  Under the system, with a capacity of 4.2 litres (258 cubic inch) the thing had to be called 420 but there was a smaller saloon in the range so-named so the bigger Mark X was renamed 420G.  Interestingly, when the 420G was released, any journalist who asked was told “G” stood for “Grand” which is why that appeared in the early reports although the factory seems never officially to have used the word, the text in the brochures reading variously: 420G, 420 G or 420 “G”.  The re-naming did little to encourage sales although the 420G remained in production until 1970 by which time production had dwindled to a trickle, the car rendered instantly a relic when the epoch-making XJ6 (in three generations, 1968-1992) made its debut in 1968.  The use of a "G" is unusual in product names although it has appeared as a part of alphabetical sequences (bras and certain Chryslers for example) but when in 1989 the now defunct software manufacturer Lotus released a version of their 1-2-3 spreadsheet for IBM's new OS/2 operating system, it was called 1-2-3/G, the "G" a nod to the product using OS/2's Presentation Manager (a GUI (Graphical User Interface)).  Lotus 1-2-3 was one of the PC (personal computer) industry's original "killer apps" and along with WordPerfect & dBASE III was the backbone of corporate software in the 1980s but the universe shifted and all are now historic footnotes.  As IBM had for OS/2, Lotus had grand plans for 1-2-3/G but both fell victim to Microsoft's better implemented strategy for global domination.   

The tale of the Mark X & 420G is emblematic of the missed opportunities and mismanagement which would afflict the British industry during the 1970s & 1980s.  In 1961, the advanced specification of the Mark X (unitary construction, independent rear suspension, four-wheel disc brakes) made it an outstanding platform and had Jaguar fitted an enlarged version of the Superb V8 they had gained with their purchase in 1960 of Daimler, it would have been an ideal niche competitor in mid-upper reaches of the lucrative US market.  Except for the engine, it needed little change except better ventilation and the installation of a good air-conditioning system, then already perfected by Detroit.  Although the Daimler V8 and Borg-Warner gearbox couldn't have matched the ultimate refinement of what were by then the finest engine-transmission combinations in the world, the English pair certainly had their charms and would have seduced many.

1969 Pontiac Grand Prix SJ 428.  The use of "SJ" was a borrowing from the celebrated Duesenberg SJs (1932-1937) which exerted an influence well beyond the three dozen built.

Pontiac’s memorable 1969 Grand Prix also might have gained some allure from the word.  The term “Grand Prix” still is most associated with top-level motorsport (although it originally was borrowed from Grand Prix de Paris (Big Prize of Paris), a race for thoroughbred horses staged at the Longchamps track) so although Pontiac’s rather large 1962 Grand Prix was far removed from a racing car, it was marketed on the basis of “high performance” so the tag would have made sense given the way labels were applied in the era.  However, big as it was, it got bigger and the second generation (1965-1968) morphed into something truly grand in size if not dynamic qualities.  Style returned when the third generation (1969-1972) was released, the look dominated by the elongated nose which truly was a triumph of fashion over function; although fitted with V8 engines with displacements as large as 455 cubic inches (7.5 litre), the power-plants, while relatively wide, were quite short and under that long hood (bonnet) was a compartment that easily could have housed two V8s or a V16.  As a piece of packaging efficiency it was an absurdity but undeniably it was a dramatic look and sales spiked.  The 1969-1970 cars remain the most highly regarded of the third generation, the few hundred with the 428 cubic inch (7.0 litre) HO (High Output) V8 coupled with a four-speed manual transmission the most collectable.  From there, although over a further five generations the Grand Prix remained successful enough to remain in the catalogue until 2008, the best years were over and at some point in the 1970s or 1980s (opinions differ), there was little about the by then dreary Grand Prix which seemed at all grand.

Although a bit deluxe, not especially grand: 1980 TF (Mark V) Ford Cortina GL.

During the interwar years (1919-1939) “deluxe” (borrowed from the world of fashion) found to be a good label to apply to a car with bling added and sold for a premium well beyond what the adornments cost; the concept proved so profitable it remains practiced to this day.  Deluxe (sometimes as De luxe) was a commercial adaptation of the French de luxe (of luxury), from the Latin luxus (excess), from the primitive Indo-European lewg- (bend, twist).  The “deluxe” label worked so well it begat “Super Deluxe” & “Grand Luxe” both genuinely coinings of the industry.  Deluxe and Grand Luxe eventually fell from favour as model names for blinged-up creations became more inventive but the initializations L, DL & GL were adopted by some, the latter surviving longest by which time it was understood to signify just something better equipped and thus more expensive; it’s doubtful many made a literal connection to “Grand Luxe”.

1970 Plymouth Barracuda Gran Coupe Convertible in Plum Crazy (FC7).

A linguistic curiosity of the US motor industry in the 1970s was “Gran” which technically was a truncation of “grand” but with no connection with “gran” as an affectionate diminutive of “grandmother” or the many uses (as Gran) as a proper noun (surnames, locality names etc).  It was Chrysler’s Plymouth Division which for years championed “Gran” (though Buick used it too) and while the Gran Fury (1980-1989) was the longest serving, more linguistically interesting were the “Gran Coupe” (1970-1971) versions of the third generation (1970-1974) Barracuda and the 1971 Fury III Gran Coupe.  The Barracuda Gran Coupe was a bit of mission creep for the word “coupe” because the model was available as both a two-door hardtop and a convertible (in 1970 only).  That was at the time unusual but not wholly without (a partial) precedent because for generations English manufacturers had referred to their larger convertibles as DHCs (drophead coupé).

1971 Plymouth Fury III Gran Coupe (which was a four-door hardtop).

However, the 1971 Fury III Gran Coupe was a genuine first because it had four doors.  The notion of a “four-door coupé” was not new because in the UK, Rover (a company with a history of adventurism in engineering which belied its staid image) in 1962 released a pillared version of the 3 Litre (P5, 1958-1967) four-door saloon with a lowered roof-line and some different interior fittings; this they named “3 Litre Coupé” which puzzled those who had become used to the designation being applied to two-door machines but etymologically, Rover was correct.  Coupé was from the French coupé, an elliptical form of carosse coupé (cut carriage), past participle of couper (to cut)).  Rover did cut-down the roof of the P5 so that was consistent with the etymology but shamelessly, Plymouth, which in 1970 had offered (an uncut) two door Fury II Gran Coupe, for 1971 introduced (the uncut) Fury III Gran Coupe with four door hardtop bodywork.  So, there are (uncut) four door coupes because Plymouth said so.  The mysterious “Gran” seems to have been used for no reason other than sounding vaguely “European” and therefore imparting a more “upmarket” image than the by then common “Grand”.  It was at the time a trend which saw the adoption of “Brougham”, “Monaco”, “Cordoba”, “Monte Carlo”, “rich Corinthian leather” and such although the brutish “Grand” would make a comeback when Plymouth turned to making people movers (vans with more seats).

In the matter of Grand Theft Auto (GTA5): Lindsay Lohan v Take-Two Interactive Software Inc et al, New York Court of Appeals (No 24, pp1-11, 29 March 2018)

In a case which took an unremarkable four years from filing to reach New York’s highest appellate court, Lindsay Lohan’s suit against the makers (Take-Two, aka Rockstar) of the video game Grand Theft Auto V was dismissed.  In a unanimous ruling in March 2018, six judges of the New York Court of Appeals rejected her invasion of privacy claim which alleged one of the game’s characters was based on her.  The judges found the "actress/singer" in the game merely resembled a “generic young woman” rather than anyone specific.  Unfortunately the judges seemed unacquainted with the concept of the “basic white girl” which might have made the judgment more of a fun read.

Beware of imitations: The real Lindsay Lohan and the GTA 5 ersatz, a mere "generic young woman".

Concurring with the 2016 ruling of the New York County Supreme Court which, on appeal, also found for the game’s makers, the judges, as a point of law, accepted the claim a computer game’s character "could be construed a portrait", which "could constitute an invasion of an individual’s privacy" but, on the facts of the case, the likeness was "not sufficiently strong".  The “artistic renderings are an indistinct, satirical representation of the style, look and persona of a modern, beach-going young woman... that is not recognizable as the plaintiff" Judge Eugene Fahey (b 1951) wrote in his ruling.  Judge Fahey's words recalled those of Potter Stewart (1915–1985; associate justice of the US Supreme Court 1958-1981) when in Jacobellis v Ohio (378 U.S. 184 (1964) writing of the concept of "obsenity" he wrote: I shall not today attempt further to define… and perhaps I could never succeed in intelligibly doing so.  But I know it when I see it…”  Judge Fahey knew a basic white girl when he saw one; he just couldn't name her.  Lindsay Lohan's lawyers did not seek leave to appeal.

The game’s developers may have taken the risk of incurring Lindsay Lohan’s wrath and indignation because they’d been lured into a false sense of security by crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) not filing a writ after a likeness of her appeared on GTA 4’s (2008) Statue Of Happiness which stands on Happiness Island, just off the coast of Liberty City.  The Statue of Happiness was a blatant knock-off of New York’s Statue of Liberty and crooked Hillary became a determined and acerbic critic of Rockstar and the GTA franchise when details of the “Hot Coffee affair” were revealed.  That controversy arose after modders promulgated a code which in GTA: San Andreas’ release (2004) unlocked a hidden “mini-game” which allowed players to control explicit on-screen sex acts.  Men having sex (however defined) with women with whom they don’t enjoy benefit of marriage was a bit of a sore point with crooked Hillary, then a US senator (Democrat-New York), who embarked on a campaign for new regulations be imposed on the industry and the most immediate consequence was the ESRB (Entertainment Software Rating Board) launching an investigation, subsequently raising GTA: San Andreas’s rating from “M” (Mature) to “AO” (Adults Only, 18+) until the objectionable content was removed.  For those who wondered if the frankly frightening visage on the GTA 4 statute really was what some suspected, the object’s file name was “stat_hilberty01.wdr”.

Rockstar's Statue Of Happiness in GTA 4 (2008, left) and an official photograph of crooked Hillary Clinton (right). 

Rockstar seeking vengeance was understandable because crooked Hillary’s moral crusade proved tiresome for the company.  Once the ESRB had been nudged into action, crooked Hillary petitioned the FTC (Federal Trade Commission) to (1) find the source of the game's “graphic pornographic and violent content”, (2) determine if it should be slapped with an AO rating and (3) “examine the adequacy of the retailers' rating enforcement policies.  Not content, she then announced she’d be sponsoring in the Senate a bill for an act which would make it a federal crime (with a mandatory US$5,000 fine) to sell to anyone under 18, violent or sexually explicit video games; the FEPA (Family Entertainment Protection Act) was filed on 17 December, 2005 and referred to the Committee on Commerce, Science and Transportation, where quietly it was allowed to expire.

While the bill was undergoing a slow strangulation in committee hearings (killing bills one of the great arts in the US political system), the FTC and Rockstar reached a settlement, the commission ruling the company had violated the FTCA (Federal Trade Commission Act (1914)) by failing to disclose the inclusion of “unused, but potentially viewable” explicit content” (that it was enabled by a third party was held to be “not relevant”).  The settlement required Rockstar “clearly and prominently disclose on product packaging and in any promotion or advertisement for electronic games, content relevant to the rating, unless that content had been disclosed sufficiently in prior submissions to the rating authority” with violations punishable by a fine of up to US$11,000.  In the spirit of the now again fashionable Calvin "silent Cal" Coolidge (1872-1933; POTUS 1923-1929) era capitalism, no fine was imposed for the “hot coffee incident”, honor presumably satisified by the company already having booked a US$24.5 million loss from the product recall earlier mandated.

Thursday, September 28, 2023

Guignol

Guignol (pronounced guin-yholl)

(1) A puppet, especially a hand puppet.

(2) A puppet show.

(3) As Grand-Guignol, a theatrical production featuring melodramatic tension, horror, and shock.

(4) A French insult meaning one is an “oaf” or “buffoon”.

Early 1800s: A borrowing from Modern French, the origin (in this context) reputedly the name of a silk weaver of Lyon which was the central character of the puppet theatre which French puppeteer Laurent Mourguet installed there for the earliest performance (in 1795) of French puppet shows.  Because of the origin, the word is sometimes capitalized and some historians suggest there may be a link with guigner (to wink), nictation one of the puppet’s signature gestures.  Guignol is a noun, the noun plural is guignols.

Guignol’s creation was serendipitous and a matter of economic necessity.  The silk weaver Laurent Mourguet (1769–1844) from Lyon had been forced from his trade by the economic convulsions in the wake of the French Revolution (1789) and by 1797, after for some time scratching-out a living as an itinerant peddler, he took to the business of teeth pulling (the origins of dentistry), one of the attractions being one required little equipment other than a chair and several pairs of pliers.  It certainly required no qualifications but unlike today’s dentists, there were no fees and his income came from the sale of the potions and herbal preparations he sold a pain relievers, some apparently at least temporarily effective.  Seeking a marketing edge, as an advertising gimmick, he set up a puppet show in front of the chair on which he performed his gruesome procedures.

History doesn’t record how well regarded Monsieur Mourguet was for his dentistry but within a short time his puppetry had attracted such a following he gave up all things odontic and became a professional puppeteer, one who would these days be called a social realist because his performances focused on the cares and concerns of his working class audience, matters he knew well from his own humble background.  His following grew because of the topicality of his material which referenced the scandals and corruption then so often in the news.  In another modern touch (which would much appeal to later French deconstructionists), he created an ensemble cast of characters, the best known of which were the silk weaver Monsieur Guignol and his wife Madelon and while some things were constant (such as Guignol’s fondness for drink), there was fluidity about the roles the others would from time to time play and while they all were there to entertain, politics, poverty and the of the travails of the working class existence were always the underlying themes.  Despite that however, what characterized his work was the good humor and happy endings, the French use of “Guignol” as an insult meaning something like “oaf” or “buffoon” is something like the use of “muppet” in much of the English-speaking world; the muppet puppets weren’t stupid, they just looked as if they were.

The later performance genre was Le Théâtre du Grand-Guignol (The Theatre of the Great Puppet) and usually referred to as Grand-Guignol (pronounced gron guin-yholl).  Grand-Guignol was a Parisian theatre which specialized in grotesque horror shows in which the puppets sometimes dripped blood, accounting for the phrase “grand-guignol” being used of any film, book or other production packed with blood and gore.  The theatre proper existed between 1897-1962 and featured a succession of naturalistic horror shows which relied for their appeal on the sort of spectacle then not available in any other form of public performance.  Sometimes there we happy endings and sometimes not and really it mattered little, the point being the death toll and the gruesomeness of the mean of dispatch and it was a comment more on the audience attracted than the storylines that most seemed to find Grand-Guignol entertaining rather than shocking as initially it was intended to be.  The modern version of all this gratuitous violence is the “splatter movie” though that doesn't mean Le Théâtre du Grand-Guignol can be blamed for I Know Who Killed Me (2007).

The blood soaked Grand-Guignol is notable for the graphic art its advertising spawned and these pieces influenced film studios around the world, their motifs still used today.

It was remarkable Grand-Guignol lasted as long as it did because the audience numbers had been in decline since the end of World War II (1939-1945) and it never came close to regaining the popularity the theatre enjoyed in the inter-war years.  Much has been made of the decline of interest being linked to the revelations of the horrors perpetrated during the holocaust, the argument being that whatever the puppets depicted (which once would have been thought unthinkable in modern, civilized Europe) could be as awful as the gas chambers and crematoria of the Third Reich’s death camps.  It was something in the vein of (the often misquoted) 1949 dictum of German philosopher Theodor Adorno (1903–1969): “To write poetry after Auschwitz is barbaric”.  However, it was during those years of declining interest that television reached critical mass and relaxations in censorship meant what was able to be shown in French cinemas could be more confronting than the sanitized stuff to which distributors were once restricted.  The competition for eyeballs had become fierce.

Not all puppets are so gruesome: Lindsay Lohan interviewed by Air New Zealand’s Rico the puppet for one of the airline’s infomercials, Los Angeles 2014.

Wednesday, June 16, 2021

Regalia

Regalia (pronounced ri-gey-lee-uh or ri-geyl-yuh)

(1) The emblems, symbols, or paraphernalia indicative of royalty or any other sovereign status; such as a crown, orb, sceptre or sword.

(2) The decorations, insignia, or ceremonial clothes of any office or order.

(3) A casual term for fancy, or dressy clothing; finery.

(4) Royal rights, prerogatives and privileges actually enjoyed by any sovereign, regardless of his title (emperor, grand duke etc).

(5) Sumptuous food (obsolete except in the odd literary novel).

(6) A large cigar of the finest quality (obsolete except in the odd literary novel). 

1530–1540: From the Medieval Latin rēgālia (royal privileges; things pertaining to a king), noun use of neuter plural of the Latin rēgālis (regal).  The word stems from the Latin substantivation of the adjective rēgālis, itself from rex (king).  Regalia is a Latin plurale tantum (plural as such, plural only) word that has different definitions. In one ancient (but now rare) definition, it refers to the exclusive privileges of a sovereign, a concept which remains codified in Scots law as Inter regalia (something inherently that belongs to the sovereign) and this may include property, privileges, or prerogatives.  The term is a direct borrowing from the Latin inter (among) and regalia (things of the king).  In Scots law, the division is between (1) regalia majora (major regalia), which are inseparable from the person of the sovereign and (2) regalia minora (minor regalia), which may be conveyed to a subject.  The word originally referred to the formal dress of a sovereign, but is now used of any type of elaborate formal dress or accessories and is applied especially to academic and ecclesiastical robes.  Although regalia is a Latin plurale tantum (plural as such, plural only) which, in the grammar of Latin is a noun (in any specific sense) that has no singular form (eg scissors) in most usage, in Modern English, it’s sometimes used in the singular: regale.  Further to complicate, the plural form of the grammatical descriptor is pluralia tantum.  Regalia is a noun and regalian is an adjective; the noun plural is regalias.

Cardinal George Pell (1941-2023) in ecclesiastical regalia (left) and a deconstruction of the layers (right).  The nature of the garments' layers assumed significance in the matter of the cardinal's trial on charges of sexual abuse of a minor, a discussion about the ease and speed with with "accessibility" was physically possible (within the constraints of time and place) being among the evidence offered in defense.  Within the Roman Curia (a place of Masonic-like plotting & intrigue and much low skulduggery), Cardinal Pell's nickname was “Pell Pot”, an allusion to Pol Pot (1925–1998, dictator of communist Cambodia 1976-1979) who announced the start of his regime was “Year Zero” and all existing culture and tradition must completely be destroyed and replaced. 

Lindsay Lohan being adorned with prom queen regalia (Mean Girls (2004)).

In his original trial the cardinal was convicted, the verdict upheld on appeal to a full bench of the Victorian Court of Appeal.  However, upon final appeal to the High Court of Australia (HCA), the conviction was quashed, the judges ruling the Crown had not beyond reasonable doubt proved the acts alleged happened as described, in the circumstances, in the place and at the time mentioned in the indictment.  Quash means to nullify, void or declare invalid and is a procedure used in both criminal and civil cases when irregularities or procedural defects are found.  In a unanimous (7-0) judgment (Pell v The Queen [2020] HCA 12)) quashing Cardinal Pell’s conviction in the Supreme Court of Victoria (Pell v The Queen [2019] VSCA 186), the High Court set aside the verdict and substituted an acquittal; in a legal sense, it is now as if the original verdict was never handed down. 

A depiction of Peter Dutton (b 1970; leader of the opposition and leader of the Liberal Party of Australia since May 2022) in the regalia of a Freemason Grand Master (digitally altered image).  Note the apron worn beneath the jacket, a style unique to The Ancient and Accepted Scottish Rite of Freemasonry.  Mr Dutton has never denied being a Freemason.

Masonic Grand Masters wear specific regalia signifying their high rank within the cult.  The details of the garments & accessories vary between the sects of Freemasonry but the core elements are:

Collar: A grand and elaborate collar made of a wide ribbon is worn around the neck, often with a grand master's jewel or other symbol of office attached.  Most ribbons are still the traditional blue with gold or silver embroidery & embellishments.

Jewel: A grand master's jewel is a distinctive medallion or emblem (usually attached to the collar) which includes symbols denoting the authority of the office such as the square, compass, eye or other Masonic insignia.

Gloves: White gloves are a standard part of Masonic regalia (worn not only by a grand master).  The origin of the white gloves was their (alleged) use by stone masons when working on porous materials such as marble, symbolizing purity and the craftsman's clean hands. Gauntlets are worn by certain high-office holders.

Sash or Girdle: In some Masonic temples, grand Masters wear a sash or girdle around the waist, again, often adorned with the cult’s symbols and colors.  Some temples don’t use sashes as part of the regalia because it’s said to be a modern addition with no real link to Masonic tradition.

Hat: The hats, while distinctive, seem to be a fashion choice more than a general tradition.  The most popular seem to be tricorn, bowler or top-hats although evidence suggest regional factors may influence the choice, a wide array of ceremonial caps existing in the photographic record.  In some sects, a specific, unique hat is reserved for use by the Grand Master who may wear it only during ceremonies and rituals.

Apron: The Grand Master wears an ornate apron which historically was fabricated from natural fibres such as silk or lambskin but it may be some now use modern synthetics which offer certain advantages although they lack the same quality of tactility.  The aprons feature intricate embroidery, including Masonic symbols such as the Square and Compasses and may feature gold or silver fringes are common.

Masonic aprons are obligatory wear for any Mason when in a lodge or temple and they’re worn always on the outside except in Scotland where the tradition is for them to sit under the jacket.  Like much else in the cult of Freemasonry, the apron is a symbol of a mason’s place in the hierarchy (as codified a system as the precedence afforded to the orders of knighthood in the UK's imperial honors) and although variations exist, there are essentially five layers of apron-wear:

(1) Enterered Apprentice: The apron of an entered apprentice is plain white to symbolise purity and innocence and usually made of lambs leather.

(2) Fellow Craft: The Fellowcraft apron has the same white background as that of the Enterered Apprentice except for the addition of two blue rosettes.  Despite much research and speculation, it’s not known why the color blue is used.

(3) Master Mason: The decoration on a Master Mason’s apron is much more elaborate and is recognizably Masonic in a way the simpler constructions are not.  Because many Master Masons elect not to progress to the status of Worshipful Master, for many this will be the apron they wear for their entire Masonic career.

(4) Worshipful Master: The only change to the apron when one enters the chair as Worshipful Master is the blue rosettes are replaced by three levels.  The symbols are distinctive so the wearer instantly is recognizable as being a present or past Worshipful Master of a Lodge.

(5) Provincial Honours: Once a mason has gone through the chair and become Worshipful Master, his title changes from Brother to Worshipful Brother.  As the years pass, he may be granted Provincial honours and his apron will then be changed from light blue to dark blue with gold braid.

Friday, April 9, 2021

Parabola

Parabola (pronounced puh-rab-uh-luh)

(1) In geometry, a plane curve formed by the intersection of a right circular cone with a plane parallel to a generator of the cone; the set of points in a plane that are equidistant from a fixed line and a fixed point in the same plane or in a parallel plane. Equation: y2 = 2px or x2 = 2py.

(2) In rhetoric, the explicit drawing of a parallel between two essentially dissimilar things, especially with a moral or didactic purpose; a parable.

1570s: From the Modern Latin parabola, from the Late Greek παραβολή (parabol) (a comparison; a setting alongside; parable (literally "a throwing beside" hence "a juxtaposition") so called by Apollonius of Perga circa 210 BC because it is produced by "application" of a given area to a given straight line.  The Greek parabol was derived from παραβάλλω (parabállō) (I set side by side”), from παρά (pará) (beside) + βάλλω (bállō) (I throw); a doublet of parable, parole, and palaver.  It had a different sense in Pythagorean geometry.  The adjectival form parabolic (figurative, allegorical, of or pertaining to a parable) from the Medieval Latin parabolicus from the Late Greek parabolikos (figurative) from parabolē (comparison) is now probably the most widely used.  In geometry, in the sense of “pertaining to a parabola”, it’s been in use since 1702.  A parabola is a curve formed by the set of points in a plane that are all equally distant from both a given line (called the directrix) and a given point (called the focus) that is not on the line.  It’s best visualised as a shape consisting of a single bend and two lines going off to an infinite distance.

Monza

On the Monza banking: Maserati 250F (left), Ferrari F555 Supersqualo (centre) & Vanwall VW2 (right).

The Autodromo Nazionale di Monza (National Automobile Racetrack of Monza) is now the fastest circuit still used in Formula One, the highest recorded speed the 231.5 mph (372.6 km/h) attained during qualifying for the 2005 Italian Grand Prix by a McLaren-Mercedes MP4-20 (in qualifying trim) on the long straight between the Lesmo corners and the Variante del Rettifilo.  Built in 1922, the Italian Grand Prix has been held there every year since 1949 except in 1980 when the track was being modernised and it’s a wonder the track has survived the attention of the Fédération Internationale de l'Automobile (the FIA; the International Automobile Federation).  Once an admirable body, the FIA has in recent decades degenerated into international sport’s dopiest regulatory body and has for some yers attempted to make motorsport as slow, quiet and processional as possible, issues like DEI (diversity, equity and inclusion) now apparently more important than quality of racing.  Set in the Royal Villa of Monza park and surrounded by forest, the complex is configured as three tracks: the 3.6 mile (5.8 kilometre) Grand Prix track, the 1.5 mile (2.4 kilometre) short circuit and the 2.6 mile (4.3 kilometre) high speed oval track with its famous steep bankings which was unused for decades left to fall into disrepair before it was restored in the 2010s.  The major features of the main Grand Prix track include the Curva Grande, the Curva di Lesmo, the Variante Ascari and the famous Curva Parabolica.

On the parabolica: 1966 Italian Grand Prix.

The Curva Parabolica (universally known as “the parabolica”) is the circuit’s signature corner, an increasing radius, long right-hand turn and the final corner before the main straight so the speed one can attain on the straight is determined essentially by the exit speed from the the parabolica; a perfect execution is thus essential for a quick lap.  Although in motorsport it’s common to discuss the lengths of straights, one notable statistic is that even at close to 150 mph (200 km/h) speed with with the fastest cars take the curve, to transit the the parabolica takes just over 7.6 seconds.  Improvements to both the cars and the circuit means it’s now a less dangerous place but many drivers have died in accidents at Monza, some on or approaching the parabolica including Wolfgang (Taffy) von Trips (1928–1961) and Jochen Rindt (1942-1970).  In 2021, the Monza authorities announced the parabolica officially would be renamed “Curva in honor of former Ferrari factory driver Michele Alboreto (1956-2001) who to date remains the last Italian driver to win a Formula One Grand Prix for Scuderia Ferrari.  It’s likely most will still refer to the curve as “the parabolica”.

The Monza circuit in its configuration for the 1955 Italian Grand Prix (left) and a Mercedes-Benz W196R (streamliner) exiting the parabolica ahead of two W196Rs in conventional open-wheel configuration.  The 1955 Italian Grand Prix was the seventh and final round of the World Championship of Drivers, the French, German, Swiss and Spanish events all cancelled in the aftermath of the disaster at Le Mans.  It was the fourth and last appearance of the Mercedes-Benz W196R streamliners which, after some bad experiences on the relatively tight Silverstone circuit, were restricted to the fast, open tracks.  Mercedes-Benz also withdrew from top-level competition after 1955 and, as a constructor, it would be half a century before they returned to Grand Prix racing.

The parabolic arc: A wheel drops off a Boeing Dreamlifter on take-off, describing a a classic parabolic arc.  The Boeing 747-400 Large Cargo Freighters (LCF) were created using a modified 747-400 airline frame and were most associated with their use carrying Boeing 787 Dreamliner parts between the US, Italy & Japan.  It was an unusual configuration in that it was required to carry components which while large, weren't particularly heavy.