Bang

Bang (pronounced bhang)

(1) A loud, sudden, explosive noise (such as the discharge of a firearm).

(2) A resounding stroke or blow.

(3) In informal, use, a sudden movement, show of energy or instance of something suggesting great value, energy, vitality or spirit (source of many idiomatic forms such as “started with a bang”, “went off with a bang”, “great bang for the buck” etc).

(4) Suddenly and loudly; abruptly or violently.

(5) In figurative use, precisely; directly; right (such as “bang on” or “bang in the middle” (ie exactly correct” or “bang to rights” (caught red-handed; guilty as sin).

(6) In informal use, a sudden or intense pleasure; thrill or excitement (now less common).

(7) In slang, various senses of precision such as “bang off” (instantly; right away) or “bang on” (marvelous; perfect; just right).

(8) In vulgar slang, the act or instance of sexual intercourse (with many variants, the most infamous the gangbang).

(9) In the jargon of mining, civil engineering etc, the physical explosive product.

(10) In the slang of drug users, an injection or other form of dose of a narcotic; a shot of heroin which proved lethal.

(11) In US criminal class clang, to participate in street gang criminal activity.

(12) In the slang of typology & the printing trade, an exclamation point, a variant being the interrobang (a punctuation mark (‽) which merges the question mark (?) and the exclamation mark (!) to indicate a query made as an interjection).

(13) In Irish slang, a strong smell (often used of halitosis (chronic bad breath)).

(14) In regional slang (limited apparently to the New England region in the US), an abrupt left-turn by a road-user (Boston, Massachusetts) or a left, right or U-turn (more generalized); the typical use is “bang a left/right/uey”. The equivalent use in Australia & New Zealand is “hang a left/right/uey” although there a U-turn is known also as a “U-bolt”.

(15) In regional slang (limited apparently to urban areas in Nigeria), to fail an exam.

(16) In mathematics, a factorial (on the basis the factorial of n is often written as n!)

(17) In the jargon of financial markets, rapidly or in high volumes suddenly to sell (an equity, commodity, currency etc), causing prices to fall.

(18) In the jargon of hairdressing, as bangs, a number of variants of the fringe.

(19) In reggae music, an offbeat figure played usually on guitar and piano.

(20) In vulgar slang, to have sexual intercourse with (sometimes with the implication of “without consent”.

(21) To strike or beat resoundingly; to pound; to strike violently or noisily.

(22) To hit or painfully to pump.

(23) To throw or set down roughly; to slam.

1540-1550: From the Middle English bangen, from the Old English bangian or borrowed from the Old Norse banga (to pound, hammer), both from the Proto-Germanic bangōną (to beat, pound), from the primitive Indo-European ben- (to beat, hit, injure).  It was cognate with Scots bang & bung (to strike, bang, hurl, thrash, offend), the Icelandic banga (to pound, hammer), the Old Swedish bånga (to hammer (from which modern Swedish gained banka (to knock, pound, bang), the Danish banke (to beat) & bengel (club), the Low German bangen, & bangeln (to strike, beat) (the German dialect banken may originally have been imitative), the West Frisian bingel & bongel, the Dutch bengel (bell; rascal) and the German Bengel (club) & bungen (to throb, pulsate).  Bang is a noun, verb & adverb, banged is a verb & adjective, banger is a noun, banging is a noun, verb & adjective; the noun plural is bangs.

Of the universe

The origin of the term “Big Bang Theory” (which describes a model accounting for the origin and most of the dynamics of the (present) universe during the last 14 billion years-odd) is traced to a chance remark by English astrophysicist Sir Fred Hoyle (1915–2001) on BBC Radio in 1949 but it wasn’t until the late 1960s it came widely to be used in scientific circles and a few more years before it was part of the common public language.  Hoyle always denied he’d intended to be disparaging of what was then a theory some 30 years old and this most historians came to accept although certainly he was unconvinced of the idea’s soundness and for some decades clung to his preferred “steady state” model of the universe.  The steady state position is sometimes misunderstood as something like “twas ever thus” but is better understood as “constant process”, the crucial difference that while the steady staters held matter constantly was being created as the universe expands, the big bangers believed the distance between the matter which came into existence a fraction of a second after the big bang increased as the universe expanded from its one-time singularity.  Hoyle never quite became a big banger but as the evidence mounted, he modified his model to become what was dubbed “a quasi steady stater” although his increasingly convoluted explanations forcing observations to somehow fit his belief convinced few.  The criticism of Hoyle was he made cosmology into a kind of theology.

Noted golfer Paige Spiranac (b 1993) is active on Instagram and recently posted a “Life update” to her four million followers, advising “I have bangs now”.  Hopefully, she will keep us informed and there will be more to come.  For golfers, she has posted a set of invaluable short clips called Paige Quickies which are guides for both the experienced wishing to hone their techniques and those taking up the sport.  Being highly qualified, she filled one gap in the instructional market with a collection of tips for “busty golfers” (specific weight distribution a significant element as the body pivots when swinging a club).  On Instagram, in less than 24 hours, the clip garnered over 2.6 million views.

Hoyle's use of the term “big bang” while it did graphically emphasise the difference of opinion between the two schools of thought, was unfortunate as a contribution to public understanding because of the connotations of the words  “big” & “bang”, most imagining the origins of the universe as starting with a huge, noisy explosion whereas what was envisaged by the theorists was a sudden “cosmic inflation” (of space), a process which continues and was in the 1990s found to be accelerating although not everywhere equally.  The big bang theory is now the orthodoxy in the mainstream scientific community though some questions remain unanswered including the mystery of why, based on a number of calculations which explain many other things, over 90% of the universe’s matter is “missing” (or at least can’t be observed).  The fudge to “explain” that has been the twin concepts of “dark matter” and “dark energy” which are more “speculative concepts” than a theoretical model and best understood as an elegant way of saying “don’t know”.  There have been a number of suggestions to account for the “missing matter”, the most intriguing being the notion the calculated “matter number” might be too high because of “drag effect” created by the operation of time itself.  Time obviously is important otherwise everything would happen at the same time and who knows what else it does; recently, particle physicists reported having witnessed pinpricks of darkness moving faster than the speed of light without breaking the laws of relativity so there's much still to be understood.

Of cars

Big banger and old banger: John Greenwood (1945-2015) in “Spirit of ’76” Chevrolet Corvette, Le Mans 24 Hour, June 1976 (left) and a despondent Lindsay Lohan with Herbie while in “old banger” state, Herbie: Fully Loaded (2005), the Corvette an “8-banger” and the Beetle a “4-banger”.  The Corvette was powered by a 427 cubic inch (7.0 litre) big-block V8 and although forced to retire after a failure in the fuel delivery system, while it was running, nothing in the field could match the mark of 222 mph (354 km/h) it set thundering down the then 6 km (3.7 mile) Mulsanne straight.  In 1976, Mulsanne had yet to be distorted by the silly chicanes added in 1990 at the behest of the FIA (Fédération Internationale de l'Automobile (the International Automobile Federation, world sport's dopiest regulatory body)).

With cars, “banger” proved productive.  Because an ICE (internal combustion engine) always includes a “power stroke” (or its equivalence), in which the fuel-air mix explodes (the combustion causing “a bang” which sequentially is the sound from the exhaust system; to aficionados sometimes a pleasing tone, sometimes not), in slang, vehicles came to be described by the cylinder count thus (most frequently “4-banger”, “6-banger” or “8-banger”).  However, a car could also be a “big banger” (one with a large displacement ICE, usually a V8 with the appellation coming from the “big-block” era of the post-war years when Detroit mass-produced engines with pistons the size of paint cans) or an “old banger” (one old, worn out or battered”.  Old banger was synonymous with “clunker”, “beater”, “hooptie”, “jalopy”, “wreck”, “crock”, “shitbox”, “rustbucket” etc and the dubbing came either from the appearance (“banged up” in the sense of being dented or damaged) or the “banging” noise (backfiring, a damaged exhaust system etc) the dilapidated machines emanated.

Of sausages and such

Bangers & Mash by the Daring Gourmet.  Not everyone garnishes their B&M with chopped parsley.

Unrelated to ICEs, a banger could be (1) one who bangs (in any sense (sex, violence etc), (2) the penis (3) a sausage (the use reputedly based originally not on any resemblance to a penis but, dating from the time when they were produced by encasing the contents in the intestine casings of slaughtered animals (often sheep), the combination of excess water in the mix and the impervious skin making them susceptible to exploding if not punctured prior to being cooked), (4) the breasts of a female (and thus usually in the plural) and (5) in popular music a highly rated song (some of which would be enjoyed by (6) headbangers (that subset of music fans who “dance” by violently shaking their heads in time to the music)).

Rolling Stone magazine No.169, September 12, 1974.  Rolling Stone and Playboy magazine in the 1960s & 1970s attracted a large audience of the market segments attractive to advertisers and alongside the content with which both most were associated, they attracted respectable authors to write about politics and interview subjects such as celebrity philosophers and Nazi war criminals.

As well as being a noun plural “Bangs” is also a proper noun as a surname, the most noted being Lester Bangs (1948–1982) who in the late 1960s began to write reviews of popular music, prompted by an advertisement in Rolling Stone magazine inviting reader submissions.  He wouldn’t have thought what he criticized was “pop” and Rolling Stone magazine (first published in 1967) was one of a number of titles that created an ecosystem in which classifications proliferated with clear “hierarchies of respectability” evolving among those who regarded “pop” as a serious musical form and Bangs definitely was one of them; before the mid-1960s, popular music usually wasn’t written about with the tone of reverence afforded to jazz, opera, the avant-garde and such.  Bangs died a drug-related death although not the traditionally “messy” one associated with the field he critiqued.  Having contracted influenza, he was self-medicating with an opioid analgesic and a benzodiazepine; his overdose was ruled “accidental”.

Of hair

In hairdressing, the noun “bangs” is used to describe a number of variants of the fringe (or sections of hair) cut straight across the forehead, the derived verb used as “to bang the hair”.  Sometimes there are “left and right” bangs but even when a style wholly is a conventional fringe the convention is to speak of “bangs”, although hairdressers, especially when constructing something asymmetric, will refer to the “left” or “right” bang.  Although there are on the internet claims the use is based on the notion of a clipped hair “bursting out” (ie “explosively” in a figurative sense and thus based on “bang” in the sense of something sudden), verified evidence confirms “bangs” joined the rich jargon of hairdressing late in the nineteenth century as a clipping (get it?) of “bang-tail”, a term then used for decades in used in equestrian circles to described a horse’s tail being allowed to grow long and then cut (docked) straight across (the painless cut called a “bang-off”).  Apparently with origins in Scotland before spreading south and across the Atlantic, it joined “gee-up” as a phrase with equine roots enjoying a re-purposing for wider use.  The OED cites the first use of “bang” for the cutting of human hair to 1878 and within half-a-decade US newspapers and periodicals had adopted the plural form “bangs” when referring to a straight-across cut of hair on the forehead.  It was in the late 1880s the imaginative use “lunatic fringe” was coined (a century later to become a popular name for hairdressing salons) and “fringe” remained the dominate use in the UK and much of the Commonwealth while the US opted for the punchier “bangs”.  As a tool of US linguistic imperialism, the internet in the twenty-first century did its job and throughout the English-speaking world, bangs now peacefully co-exists with fringe with youth tending to the former.

Takes on Cleopatra with bangs long & short.

Elizabeth Taylor (1932–2011) in Cleopatra (1963, left) and Lindsay Lohan (b 1986) in Liz & Dick (2012).  Based on period sculptures, it seems likely the queen had curly hair but because of the prevalence of their appearance on women in surviving art from Ancient Egypt, bangs became entrenched in the public’s imagination of Cleopatra and film directors accordingly complied.  While it's true that the look (on men and women) does appear on much surviving imagery from Ancient Egypt it must be remembered that then, as now, public art was not necessarily representative of the appearance of the wider population although it probably did align with that of the elites.  Also, the as the archaeological records make clear, the consistency of style (straight-cut bangs (ie a horizontal fringe) across the forehead with hair apparently perfect (often shoulder-length and symmetrical) which appears dense, geometric, and highly regular was achieved with the use of wigs of human hair, wool, or plant fibres.  Carefully constructed and styled into clearly repeatable forms, the blunt bangs, at least among certain parts of society, must have been an enduring fashion statement.

The “bang” technique with origins in equine grooming is used with ponytails and is called the “straight blunt cut”; for this purpose the only substantive difference between a “pony's tail” and a “ponytail” is scale.

While, whether of human fringes or horses' tails, “bangs” might be a nineteenth century coining, the hair style is as ancient as humanity, the prehistoric origins doubtlessly a simple expedient to keep the hair from dangling in the eyes, the trim presumably a tiresome task in the era before scissors.  From that humble beginning evolved eventually the array of styles now available, at least some of which allegedly have been a political statements of group solidarity.  A fine “brief history of bangs” is maintained by Odele Beauty (their “Rinse Blog” an indispensable source of technical information) and there it’s claimed Cleopatra’s (Cleopatra VII Thea Philopator (Κλεοπάτρα Θεά Φιλοπάτωρ (“Cleopatra father-loving goddess” in the Koine Greek); circa 69 BC–circa 10 BC, Queen of the Ptolemaic Kingdom of Egypt from 51-30 BC and the last active Hellenistic pharaoh) “famous fringe is apparently a myth” although on the basis of surviving art, it seems likely Ancient Egyptians “wore blunt-cut bang wigs as early as 3000 BC” and whether or not they were the “influencers”, the look spread north to the Greece and Rome of Antiquity, Odele Beauty noting Augustus (Gaius Julius Caesar Augustus (known also as Octavianus (Octavian)); 63 BC-14 AD, founder of the Roman Empire (27 BC-476 AD) and first Roman emperor 27 BC-14 AD) “wore his hair combed into a short, forehead-framing fringe, setting a new trend (later dubbed the “Caesar cut”) that future emperors would follow.”  

Jeanne d'Arc (Joan of Arc, 1901), oil on canvas by Albert Lynch (1860–1950).  The short bangs were always present in older paintings of Joan of Arc but it wasn't unusual for modern artists to be influenced by contemporary trends.  Monsieur Lynch left no notes so it's not known if he had in mind the circa 1901 style what of what later would come to be known as a “bloshie young woman”.  Joan of Arc (circa 1412–1431) sometimes was depicted bangs blunt and not but artists had her variously blonde or brunette and with hair wild or coiffed and their images may reflect what male artists thought such a woman should look like.

Surviving European art from the Medieval to Modernity confirms bangs seem never to have gone away and the emergence of the word late in the 1800s suggests they must then have been a quite a thing.  By then, bangs had survived seventeenth century disapprobation of the church, priests finding fashion trends symbols of ungodly vanity and inappropriate for modest, pious women.  However what cemented bangs in their cultural place seems to have been the social ripples from World War I (1914-1918), the so called flappers of the “roaring twenties” taking to them as an adjunct to the other forms of fashion minimalism they adopted as earlier, restrictive conventions were shrugged-off.  Although it had earlier also enjoyed some less pleasing connotations, “flapper” in the sense of the “bright young things” of the era is thought a re-adaptation of the nineteenth century Northern English slang meaning “teen-age girl” and it referenced the hair not routinely being “put-up” in the adult manner and instead kept in plaits or braids, left to “flap about” as she moved.  The 1920s re-cycling of “flapper” retained the connection with “lively young girl” and had nothing to do with hair; bangs had been around for millennia before the flappers but they made them one of their signature looks.  Since the 1920s, trends have ebbed and flowed in the cyclical way fashion works and bangs variously have been softened, blunted, gained wispy curls (not to be confused with the dreaded “fly-away bits”), bulked up as “bumper bangs”, trimmed back to be the “baby bangs” of pixie cuts and evolved in the twin streams of the “curtain bangs” which seductively would drape over the eyes and the dramatic, “set piece installations” made famous by Farrah Fawcett (1947-2009) which for years provided hairdressers with a solid income stream as young ladies everywhere demanded the same thing.

Although it’s not uncommon to see headlines like “Bangs are back”, that’s misleading because they never went away; like hairdressers, headline writers have their own methods of operation.  It would be more accurate were the sites to headline which bangs are trending and that’s now a global thing because it matters not whether a trend is noted as happening in Seoul, Sydney, Seattle and Santiago because on the internet everything is happening at the same time and looks now wax, wane or die in global unison and while the imaginative can doubtless describe some variants, beyond than the basic, self-explanatory forms (short, straight, blunt), there are really five distinct bangs:

Air bangs (seen here in conjunction with long side bangs also favored by goths).

(1) Air bangs are characterized by being light and sparse.  First defined as an element of K-beauty (the aesthetic of South Korea which encompasses hair, clothes, cosmetics music) etc these are known also as “Korean bangs” but their alternative name (see-through bangs) better describes the look.  Despite the name, they are not ideally suited to those with thin or wispy hair and like just about every style, work best with thick locks which provide a better contrast and more scope for styling.  Professional stylists caution those at home crafting air bangs from a conventional fringe to do the process slowly because it's easy to over-estimate to much need to be cut (specialized tools are available).  One advantage of air bangs compare with a straight cut is that in using unequal-length strands, that aspect of precision is avoided but the look does work best if there's a perception of consistency in the spacing. 

Baby bangs: On Pinterest, this was described as a “statement cut” and on that the content provider didn't expand but one suggested statement might be: “admission of guilt”.  Still, the bangs do mean attention is drawn to her lovely sanpaku eyes so there's that.

(2) Baby bangs are short, straight or blunt-edged bangs which are used usually in coordination with the shorter flavours of bob, the reason for that being that if paired with more voluminous cuts, the bangs tend to “get lost” or worse, look like mistakes.  Micro bangs are also “bangs writ small” but differ in that the look is used with styles other than bobs and is identified by being ; not usually considered conventionally attractive, it appears more on catwalks and in photo-shoots than on the street although some do (unwisely) pick up the look.  Baby bangs really suit only a tiny sub-set of the population (most of whom are aged under 15) and should be thought the Pontiac Aztec (2001-2005) of hair-styles in that they're functional, offer good visibility and undeniably are distinctive but are ugly.  All that can be said for both is that on the inside, looking out, one doesn't have to see them. 

Lindsay Lohan with curtain bangs, done in the “twin-hemispheric” or “double polyspheric mode”.

(3) Curtain bangs are long bangs, parted in the centre (although there have been asymmetric interpretations) and designed to resemble a two-drape curtain tied at the side, partially to reveal the face.  The leading edges of the most artfully styled sit just at the point where the eye color is visible and devoted fashionistas wear them with a “curtain reveal top” in which the curve of the garment matches that of the bangs, something which can be as hard to achieve as it sounds.  With a change of as little as a half inch (12.5 mm), stylists can use curtain bangs to change the perception of the shape of a face, the most popular visual trick being elongation, making a “round” face appear something more sought (heart, diamond or inverted triangle).  Combined with skilfully applied makeup, the transformation can be dramatic. 

An emo selfie with classic emo bangs.  The expression is emoesque but the vibrancy of the colors on clothes and bandana is untypical, emos tending more to goth-flavored looks with black and gray although purple seems now less of an emo thing.

(4) Emo bangs are less concerned with shape and symmetry, the important thing being the sweep of hair from the forehead fully covering at least one eye and maybe partially obscuring the other.  Amateur psychiatrists and other students of the emo (a distinct sub-set of humanity) probably have their own thoughts on whether the emo’s goal is to limit what they see of the world or to limit how much others see of them.  Emos are however pragmatic and although their have the honor of an eponymous style, they're also sometimes seen with various bangs. 

There seems little to suggest bangs are a reliable marker of TERFdom and those wishing to assert where they stand on TERFness should probably don an appropriate T-shirt.

(5) Not all agree TERF bangs should be thought a distinct class but they are short, straight, blunt-edged bangs seen usually with shorter cuts (not necessarily bobs).  The term is said to have originated on the microblogging platform Tumblr (which vies with MySpace for as the social media site to have suffered the greatest loss between its high-valuation and most recent sale) when in 2014 a user posted the suggestion such bangs seemingly were exclusive to TERFs (Trans Exclusionary Radical Feminists).  That obviously was impressionistic and it was never clarified whether the suggestion was intended humorously but if not, it’s an example of a gaboso (pronounced gah-boh-so).  A gaboso (Generalized Association Based On Single Observation) (also as the verb gabosoed) is the act of taking one identifiable feature of someone or something and using it as the definitional reference for a group; it ties in with logical fallacies.  While it’s doubtful many professional hairdressers have TERF bangs in the lexicon, it seems novel enough to warrant a mention.

Daughter

Daughter (pronounced daw-ter)

(1) A female child or person in relation to her parents.

(2) Any female descendant (now rare).

(3) A person said to be related to an institution as if by the ties binding daughter to parent (daughter of the church; Daughters of the American Revolution etc).

(4) Any female (archaic in the English-speaking world but used sometimes by some cultures to indicate some closeness of family relationship, rather as aunt & uncle are sometimes used in the West).

(5) Any institution or other thing personified as female and considered with respect to its origin (eg Australia is the daughter of the six colonies).

(6) In chemistry & physics (of a nuclide), an isotope formed by radioactive decay of another isotope.

(7) In biology, pertaining to a cell or other structure arising from division or replication (eg the daughter cell; daughter DNA).

(8) As daughterboard, IBM’s original descriptor for boards (now called piggyback boards, riser cards or mezzanine boards) which directly (usually by soldering) connect to motherboards (now called main or system-boards).

(9) In historical linguistics, as daughter language (known also as a descendant language), a language descended from another (its mother language) through genetic descent as opposed to a "sister language" which is one which also evolved from the proto- mother language but formed a separate branch.  The model is that of a tree where the mother language is the trunk and the branches the daughters and sisters (each of which can have their own daughters and sisters).  The image of the tree represents the diversification of languages from a root source.

(10) In fantasy writing, as merdaughter, a mermaid daughter.

(11) In slang, as “daughter of Sappho”, a lesbian.

Pre 950: From the Middle English goghter & doughter, from the Old English dohtor (female child considered with reference to her parents; daughter) from the Proto-West Germanic dohter, from the Proto-Germanic dokhter and the earlier dhutēr, from the primitive Indo-European dughtḗr, source also of the Sanskrit duhitā & duhitar-, the Avestan dugeda-, the Armenian dustr, the Old Church Slavonic dušti, the Lithuanian duktė and the Ancient Greek thygátēr & thugatēr).  The Proto-Germanic forms were the source also of the Old Saxon dohtar, the Old Norse dóttir, the Old Frisian and Dutch dochter, the Old High German tohter, the German Tochter and the Gothic dauhtar.  Daughter, daughterhood, daughtership & daughterling are nouns and daughterless, daughtered, daughterly & daughterlike are adjectives; the noun plural is daughters or daughtren (archaic).

Dutiful daughter: Donald Trump (b 1946; US president 2017-2021 and since 2025) with daughter Ivanka Trump (b 1981;  senior advisor in the first Trump administration 2017-2021) in an extended (stretch) Lincoln Continental limousine, New York City, circa 1992.

The common Indo-European word was lost in Celtic and Latin; the Latin filia (daughter) is the feminine form of filius (son), the most obvious connection in Modern English being young female horses: a filly is a beast under four and thus too young to be a mare and filly is still used as humorous and affectionate slang to refer to a lively girl or young woman.  The modern spelling evolved in the sixteenth century in southern England.  In late Old English, the form also emerged of a "woman viewed in some analogous relationship" (to her native country, church, culture etc and that use persists to this day) and from circa 1200 could be used to describe anything regarded as feminine.  Daughter-in-law is attested from the late fourteenth century.  The noun plural is daughters, the long archaic form being daughtren and the last surviving obsolete spelling was dafter.  The adjective daughterly (relating to or characteristic of a daughter) is technically neutral but has long denoted “dutiful (towards parents)”, the “dutiful daughter” a frequent reference in English literature, often to damn those judged insufficiently dutiful although in the English-speaking world there was never much of a tradition of "honor killing" as still practiced east of Suez; daughters who disappointed the family might variously be disinherited or ostracized but they were allowed to live.  As well as dutiful, daughters can be difficult and Theodore Roosevelt (TR, 1858–1919; POTUS 1901-1909) was once asked by some Republican Party apparatchiks to "control his daughter" (Alice Lee Roosevelt Longworth (1884–1980) who had a mind of her own).  He replied he "could be president of the United States or he could control Alice but he could not do both."  

The noun step-daughter was from the Old English stepdohtor, the formation aligned with the German Stieftochter.  Grand-daughter, like the related forms to describe recent ancestors and relations dates from 1610.  The noun god-daughter (female godchild, girl one sponsors at her baptism) was adopted in the mid-thirteenth century as a modification of the Old English goddohtor.  The noun filicide (action of killing a son or daughter) dates from the 1660s, the construct being the Latin filius/filia (son/daughter) + -cide (a killing), the meaning extended after 1823 to "one who kills a son or daughter", filicidal appearing shortly after.  Bathsheba was the Biblical wife of King David, mother of Solomon, from the Hebrew Bathshebha (literally "daughter of the oath" from bath (daughter)).

Lindsay Lohan: Confessions of a Broken Heart (Daughter to Father).

I wait for the postman to bring me a letter

I wait for the good Lord to make me feel better

And I carry the weight of the world on my shoulders

A family in crisis that only grows older

Why'd you have to go

Why'd you have to go

Why'd you have to go

Daughter to father, daughter to father

I am broken but I am hoping

Daughter to father, daughter to father

I am crying, a part of me is dying and

These are, these are

The confessions of a broken heart

And I wear all your old clothes; your polo sweater

I dream of another you the one who would never, never

Leave me alone to pick up the pieces

A daddy to hold me, that's what I needed

So why'd you have to go

Why'd you have to go

Why'd you have to go

Daughter to father, daughter to father

I don't know you, but I still want to

Daughter to father, daughter to father

Tell me the truth, did you ever love me'

Cause these are, these are

The confessions of a broken heart, of a broken heart

I love you

I love you

I love you

I, I love you

Daughter to father, daughter to father

I don't know you, but I still want to

Daughter to father, daughter to father

Tell me the truth, did you ever love me'

Did you ever love me?

These are

The confessions of a broken heart, oh yeah

And I wait for the postman to bring me a letter

Songwriters: Kara Dioguardi (b 1970), Lindsay Lohan (b 1986) & William Wells (b 1973).  Lyrics © BMG Rights Management, Kobalt Music Publishing, Universal Music Publishing Group, Warner Chappell Music.  From the album A Little More Personal (Raw) (2005).

Kim Ju Ae, First Daughter of the DPRK

Donald Trump is by all accounts a good father and no doubt gave his daughters the odd tour of the hotels and real-estate developments which are the core of the family business but as daddy-daughter days go, they probably weren’t as much fun as those arranged for Kim Ju Ae (b circa 2013) by Kim Jong Un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011).  Like just about everything else done by the Supreme Leader, his daddy-daughter days are well-publicized by the KCNA (Korean Central News Agency) and Kim Ju Ae had been seen accompanying her father while inspecting nuclear warheads, watching ICBM (inter-continental ballistic missile) launches and reviewing military parades although the most recent highlight was of her driving a battle-tank on manoeuvres over a plain (she seemed to be having fun).  With an elaborate headquarters located at 1 Potonggang-dong in Pyongyang's Potonggang District) the KCNA may be the world's most productive state news agency and is the best source for new Kim Jong Un content.  Of course, Mr Trump is commander-in-chief of the world’s best-equipped military and, if so minded, could on next daddy-daughter day take his daughters tank-driving although their enthusiasm for such things may be restrained.

Daddy-daughter day.  DPRK postage stamp issued in 2018 to mark Kim Ju Ae’s presence at a military base where ICBMs were being displayed.  Like many young girls, Kim Ju Ae is much taken by the beauty of nuclear weapons.

Although not discussed by the KCNA, there has in the West been speculation Kim Ju Ae is being groomed to succeed Kim Jong Un as leader of the DPRK (and thus become Kim IV) should (God forbid) the Supreme Leader drop dead.  One important aspect of the succession would be the choice of title to be granted to Kim IV, not a minor matter in the DPRK where the personality cult of the leaders has so assiduously been cultivated.  The DPRK’s leadership titles are not arbitrary honorifics; they are components of the Suryŏng system, a carefully managed political theology blending Confucian familial hierarchy, Marxist terminology and quasi-religious veneration. Structurally, the key functional term is 령도자 / 지도자 (leader), the adjectives chosen to mark legitimacy, continuity, and distinction and thus far the nomenclature has included:

Kim Il Sung (Kim I): 위대한 수령 (Widaehan Suryŏng); “Great Leader, 1948-1994”.

Kim Jong Il (Kim II): 친애하는 지도자 (Chin’aehan Jidoja); “Dear Leader, 1994-2011”.

Kim Jong Un (Kim III):  최고령도자 (Ch’oe-go Ryŏngdoja); “Supreme Leader since 2011”.

Were Kim Ju Ae to be elevated as successor, it would be the first time since the formation of the DPRK in 1948 that the leadership would be held by a woman but on forums in the RoK (Republic of Korea (the "puppet state" of South Korea)), users seems to think this not significant and that it was at least possible the “Supreme Leader” epithet might be re-used, the argument being (1) “Supreme Leader” has become accepted as the apex designation, (2) institutional continuity would be maintained and (3) it would conform with the dynamics of 삼대세습 (三代世襲, samdae sesŭp), the construct being 삼대 (三代) (three generations) +세습 (世襲) (hereditary succession).  In Korea, the “three-generation hereditary succession” of the Kim dynasty is the Great Leader / Dear Leader / Supreme Leader sequence and for various reasons it’s unthinkable that the “Great Leader” title could be re-used because part of Kim gamily mystique (of which much has been manufactured) is that as the founder of the DPRK, Kim Il Sung is and must remain unique.

Daddy-daughter day.  KCNA official image of Kim Ju Ae’s driving a Cheonma-2 (M2024) third generation main battle tank, March, 2026.

Indeed, despite being three decades dead, Kim Il Sung remains president.  Kim Il-sung held an array of titles during his decades as the DPRK’s dictator, the proliferation not unusual in communist nations where the ruling party’s structures are maintained alongside the formal titles of state with which a nation maintains relations with the rest of the world.  In office for a remarkable 45 years, he was designated premier (head of government) between 1948-1972 and president 1972-1994.  Additionally, he was between 1949-1994 head of the WPK (Workers' Party of Korea) and in that role was styled successively as chairman (1949-1966) and general secretary (after 1966).  During his 45-year rule, there were ten POTUSs, six RoK presidents, nine British prime ministers and ten Australian prime ministers and his tenure in office spanned the era of the Soviet Union from its apotheosis under comrade Stalin (1878-1953; Soviet leader 1924-1953) to its collapse in 1991.

Daddy-daughter day. DPRK postage stamp issued in 2018 to mark Kim Ju Ae’s presence at a military base where ICBMs were being displayed.

Being dead however proved no obstacle to The Great Leader extending his presidency, the collective office Chuch'ejosŏnŭi yŏngwŏnhan suryŏng (Eternal leaders of Juche Korea) created in 2016 by the insertion of an enabling line in the preamble to the constitution.  What this amendment did was formalise the position of The Great Leader and his late son (The Dear Leader) as the “eternal leaders” of the DPRK and was said to be part of juche, the term used to describe the DPRK’s national philosophy, a synthesis of The Great Leader’s interpretation of (1) Korean tradition and (2) Marxist-Leninist theory.  It was an interesting legal move.  Constitutionally, the office of president was established only in 1972; prior to that the role of head of state had been purely ceremonial and held by respected party functionaries, all power exercised by The Great Leader in his capacity as premier and general secretary of the WPK.  However, merely by being president, The Great Leader vested the office with such prestige that upon his death in 1994, the position was left vacant, The Dear Leader not granted the title.  That nuance of succession for a while absorbed the interest of the DPRK watchers but attempts to invest the move with any significance abated as DPRK business, though in the more straitened circumstances of the post Soviet world, continued as usual.

The constitution was again revised in 1998.  Being a godless communist state, no fine theological points stood in the way of declaring The Great Leader the DPRK’s “Eternal President”, the latest addition to the preamble declaring: “Under the leadership of the Workers' Party of Korea, the Democratic People's Republic of Korea and the Korean people will hold the great leader Comrade Kim Il-sung in high esteem as the eternal President of the Republic.”  The constitution, as revised and promulgated after the death of The Dear Leader, again referred to The Great Leader as “Eternal President of the Democratic People's Republic of Korea” but in 2016 (The Dear Leader having been dead for an apparently decent duration), another amendment to the preamble changed the administrative nomenclature of executive eternity to “Eternal leaders of Juche Korea”, the honor now jointly held by the leaders great & dear.  It was another first for the Kims and the legal mechanism is expected to be replicated after the death of the Supreme Leader.

KCNA official photograph: Ri Sol-ju (b circa 1987; wife of Supreme Leader Kim Jong-un) (left), Kim Ju-ae (centre) and Kim Jong-un (right), undisclosed location, February 2023.

Although the dynastic model (Kim I, Kim II, Kim II) may appear to be that of a hereditary monarchy, the regime makes an ideological distinction between the DPRK and decadent practices elsewhere, the succession based on 백두혈통 (Paektu hyŏlt’ong) (Mount Paektu bloodline) with the legitimacy conferred not by “inheritance” but rather “revolutionary lineage”.  Sitting on the Chinese border, Mount Paektu is an active volcano and the highest peak on the Korean peninsula; as well as being important in ancient Korean mythology, it figures also in the legends of the Kims, Kim Il-sung said to have led a resistance against Japan's occupation of the peninsula from bases on Mount Paektu and it was there Kim Jong-il was born.  Now, with “three-generation hereditary succession” accomplished, in a sense, samdae sesŭp has been perfected and in South Korea (or “the puppet state to the south” as the KCNA puts it), the feeling the internal logic of henceforth maintaining a “Supreme Leader” would be compelling although that won’t stop some in the puppet state dubbing her “Supreme Leaderette”.

IBM: Mothers and daughters but not sisters

IBM PC-1 (1981).

IBM didn’t invent the motherboard.  It evolved into the form in which it became well-known in the early 1980s because advances in technology had reduced the size of certain components (CPU, memory etc) which used to be separate devices which were wired together to run as a unit.  When IBM released the original PC-1 in 1981, it was built around a motherboard which contained slots into which expansion boards could be plugged and various connectors with which compatible devices could be connected.  Given there were motherboards, IBM, in the innocent age of the 1980s, decided other peripheral components, those usually directly embedded through soldering to the motherboard, should be called daughterboards.  Quite how the nomenclature was chosen is either not known or IBM has suppressed the records and the fanciful notion that it’s because the early motherboards contained more female than male connections is just an industry myth.  In the literature, there’s also the odd reference to sisterboards though the name never caught on and "daughter-board" was sometime used to describe cards which plugged-into expansion cards but such devices were rare.  Obviously, if a server has two daughter-boards installed, there's no reason why they couldn't, in that configuration, be called “sister-boards” but that convention never evolved.

IBM PC-1 motherboard (1981), expansion slots at the top right; it seemed small at the time.

A daughterboard was a circuit board which extended the circuitry of the motherboard and, being soldered, was connected directly, unlike the inherently swappable expansion cards which plugged-in using the bus or other (most often serial, parallel or SCSI (small computer system interface)) interfaces.  Like a motherboard, daughterboards had sockets, pins, plugs and connectors to permit connection to other boards or other devices and have been both part of initial product releases and post-launch updates, the best known example of which were the MIDI (musical instrument digital interface) daughterboards used to add functionality to a sound card.  Except for the odd special build for someone really nerdy, modern PCs (personal computer) now rarely have daughterboards although they’re still seen on servers.

Daughterboard (left) and bored daughter (right):  1984 Apple Macintosh 128 KB motherboard with SCSI daughterboard (right) and additional RAM daughterboard (left).  In 1984, having a machine with 1 MB RAM was a way to impress people.  An obviously bored Chelsea Clinton (b 1980; FDOTUS 1993-2001) is pictured listening to crooked Hillary Clinton (b 1947; US secretary of state 2009-2013) again explain why her never becoming POTUS was the fault of others, Clinton Global Initiative annual meeting, Hilton Hotel, Manhattan, New York City, 18 September, 2023.  Like us all, Chelsea had heard it many times before.

Even before the twenty-first century interest in gender and gendered pronouns, IBM had renamed everything in the corporation which could in anyway be thought sexist, racist etc.  By the late 1990s, although the term motherboard continued widely to be used, IBM had started calling them them variously main-boards or system-boards; daughterboards became piggyback or mezzanine boards.  Interestingly, as part of the linguistic sanitation, IBM started calling hard disk drives "hard files" which was either looking forward to solid-state storage or just one of those inexplicable things which happens when projects assume their own inertia; whatever the reason, "hard file" never caught on.  The terms male and female for connections (modeled on human anatomy and used in everything from plumbing to the space programme) were retained because their use was universal and convenient or mnemonic gender-neutral substitutes eluded even IBM's language police.  Male and female connectors may be about the only gender-loaded terms which will escape being labelled "micro-aggressions".