Hybristophilia

Hybristophilia (Pronounced hi-bris-a-fil-ee-uh)

An attraction to an individual who has committed a crime.

1986: The construct was the Ancient Greek ὑβρίζειν (hubrízein) (to commit an outrage against someone), +‎ -philia.  The -philia suffix was from the Ancient Greek φιλία (philía) (fraternal) love).  It was used to form nouns conveying a liking or love for something and in clinical use was applied often to an abnormal or obsessive interest, especially if it came to interfere with other aspects of life (the general term is paraphilia).  The companion suffix is the antonym -phobia. The related forms are the prefixes phil- & philo- and the suffixes -philiac, -philic, -phile & -phily.  One who exhibits hybristophilia is a hybristophile.  Hybristophilia & hybristophile are nouns; the noun plural is hybristophiles.

Brought to you by Cosmo which interviewed Dr Money for the December 1990 edition.

Although never explicitly mentioned in the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM), the phenomenon has long been noted and in popular culture is better known as “Bonnie & Clyde syndrome”.  In the mental health community, hybristophilia is (now sometimes) regarded as a paraphilia (a class of mental disorder characterized by a preference for or obsession with unusual (some still treated as “abnormal”) sexual practices) and the word “hybristophila” was in 1986 introduced by Johns Hopkins University professor Dr John Money (1921–2006), a New Zealand-born psychologist and sexologist with an untypical background whose work on human sexuality and gender remains controversial.  Dr Money’s had an academic interest in those who exhibited a sexual attraction towards individuals who committed serious crimes.

In the literature, it’s clear most hybristophiles are female, something not unexpected given the extent to which crime is a male-dominated business; most of the academic work in the field seems to have focused on women who have developed strong affectionate or romantic feelings towards individuals incarcerated for serious crimes and it’s been studied both in psychiatry and criminology.  Over the decades, the understanding of hybristophilia has evolved and there’s now a greater appreciation of the nuances which can extend to the political and although the original definition was restricted to sexual attraction (conventionally defined), aspects such as “thrill-seeking”, “sympathy”, “celebrity status hunting” (including deals for interviews and such) and a desire to “nurture or reform” have all been identified as factors which may influence the behaviour while some sources claim an alleged increased frequency of instances may be related to the rise in volume of “true crime” material on the internet and streaming services.  Of interest too is the role of the media in “romanticising” criminals and the rise (indeed the standardization) of the methods used by on-line dating apps: the response generated by the publication of a “hot” police mug-shot, the behaviour is not greatly different from “swiping right” on Tinder.

There has been criticism of the profession’s approach to hybristophilia, usually on the grounds of the definition being too broad and prone to the generation of ambiguities, some arguing the term may pathologize normal variations of human attraction, while others question the empirical evidence supporting its classification as a paraphilia.  Of course, the editors of the DSM have never listed it as a paraphilia and it is others who have made the link which at least implies a degree of disapprobation, the phenomenon perceived seemingly as a form of self-harm from which women need to be protected, an attitude with something of a history in psychiatry and medicine generally.  The matter of hybristophilia is emblematic of the general problem of the DSM’s category of paraphilic disorders being thought of as a sort of dumping ground for sexual behaviour thought unusual and when the fifth edition (DSM-5) was published in 2013, the editors acknowledged this by differentiating between (1) atypical human sexual behavior and (2) behavior either causing mental distress to a patient or which makes the them a threat to the psychological or physical well-being of others.  Although it’s clear legal implications played a part in the editorial committee’s discussions about revising diagnostic criteria, the goal really was to update the disorders in the category in a way which would reflect the outcomes for patients and those with whom they interacted rather than abstractions about the behaviour itself.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

What emerged was a change in the defined characteristics of paraphilic disorders, a recognition most people with atypical (as opposed to “abnormal”) sexual interests do not have a mental disorder requiring treatment.  After the DSM-5, to be diagnosed with a paraphilic disorder, a patient must either (1) feel personal distress about their interest (not merely a distress resulting from society’s disapproval) or (2) have a sexual desire or behavior that involves another person’s psychological distress, injury, or death or (3) have a desire to indulge in sexual behaviors involving unwilling persons or persons unable to give legal, informed consent.  There was also a process of re-naming conditions to delineate between an atypical sexual interest and a defined disorder, a process which essentially differentiated between the behavior and the disorder stemming from that behaviour; the APA was giving its imprimatur for folk to engage in consensual atypical sexual behavior without inappropriately being labeled with a mental disorder. With this revision, the DSM-5 distinguished between atypical sexual interests and mental disorders involving these desires or behaviors.  That hybristophilia is not specifically mentioned in any edition of the DSM is thus not an omission as such and the DSM-5 did include the diagnostic category called “Other Specified Paraphilic Disorders” (OSPD) which was created to encompass atypical sexual interests causing significant distress or impairment but not fulfilling the criteria for any of the listed specific paraphilic disorders.  In other words, OSPD was there as a kind of clearing house for clinicians who identified a problem and that might include a hybristophile if the behaviour is causing personal distress or impairment (or consequent problems for others with whom they have some relationship).

Baldur von Schirach in the dock, where he told some lies and some partial truths, Palace of Justice, Nuremberg, May, 1946.

Baldur von Schirach (1907-1974; head of the Hitlerjugend (Hitler Youth) 1931-1940 & Gauleiter (district party leader) and Reichsstatthalter (Governor) of Vienna 1940-1945) would in 1946 have been hanged had some of the material relating to his time as governor of Vienna been brought before the court at the first Nuremberg Trial (1945-1946) but he instead received a 20 year sentence for which he should have been more grateful than ever he was.  In 1965, he was found to be suffering a detached retina and, after some objections from the Soviets, he was sent to the British military hospital in Berlin for surgery.  While under guard in his room on the second floor, the guards noticed movement in the tree next to the window and upon investigation, found a woman climbing the trunk.  She said he name was Karin Stein and told her interrogators she’d had always been “desperately in love” with their prisoner and had for years been sending him letters, cards and flowers (none of which he’d ever been allowed to receive).  She was escorted from the hospital and released but later returned, disguised as a nurse and managed to reach the door to his room before being stopped.  This hybristophile was a good stalker and turned up outside Spandau Prison when, at the stroke of midnight, he was released on 1 October 1966.  She would haunt him for some years.

“Sexy Sadie” mug shot, 1969.

Other notorious criminals who have married while serving long sentences include (1) Charles Manson (1934-2017) who at the age of 80 married the 26 year old who administered his social media sites; (2) Masson family member Susan “Sexy Sadie” Atkins (1948–2009) who in 1981 married someone who had convinced her was a multi-millionaire (she had the marriage annulled when she learned he was poor and had 35 prior marriages) before in 1987 marrying a law student to whom she remained married until her death; (3) Manson family member Charles Denton "Tex" Watson (b 1945) who, after becoming a born again Christian in 1975, married an admirer in 1979 and became an ordained minister, going on to father four children before the California Department of Corrections and Rehabilitation banned conjugal visits for those serving life sentences (the couple divorced in 2003); (4) In custody, confessed serial killer, rapist and necrophile, Ted Bundy (1946-1989) married a twice-divorced mother of two who'd dated him before his arrest and in 1982 she gave birth to a daughter in 1982, naming Bundy as the father; (5) Serial killer Richard Ramirez (1960–2013, dubbed “The Night Stalker” by the press) received his death sentence for, inter alia, 13 murders, five attempted murders and 11 sexual assaults. Seven years into his time on death row, he married a freelance magazine editor who had been in correspondence with him for some years, telling CNN in 1997: “He's kind, he's funny, he's charming, I just believe in him completely.  In my opinion, there was far more evidence to convict O.J. Simpson, and we all know how that turned out."  (6) Both the  Menendez brothers (Lyle (b 1968) & Erik (born 1970), the pair now back in the news) attracted hybristophiles.  Lyle married twice, firstly to a former model (who divorced him after she found out he was writing to another woman) and subsequently to a magazine editor who has since become an attorney although tabloid revelations that about Lyle leading a “double life” in prison as a gay man can’t have made for marital bliss.  Erik married just the once and the couple are still together; (7) There is also apparently (although undocumented) the condition “hybristophile rebound”: serial killer, kidnapper, and rapist Kenneth Bianchi (b 1951) married a woman with whom he’d been corresponding; earlier she had tried woo Ted Bundy before focusing her sights on Bianchi.

Brian Thompson (1974–2024; chief executive officer (CEO) of UnitedHealthcare 2021-2024, left) and Free Luigi hoodie from Chill Guy (right).

Hybristophilia need not of necessity be a matter of sexual attraction although it’s those cases which attract the most publicity.  Somewhat different is the widespread acclaim expressed towards Luigi Mangione (b 1998) who stands accused of the execution-style murder of Brian Thompson.  Mr Thompson was CEO of a health insurance company which had become notorious for its practices of “deny, delay & defend” (there are alliterative variations to that string) to avoid paying out against claims and the popularity of Mr Mangione is more a case of becoming a “folk hero” with his alleged victim being emblematic of corporate greed and the misuse of power in the US.  Still, it’s inevitable Mr Mangione will attract proposals of marriage; even among those not drawn to his single-handed attack on the excesses of capitalism, some will have noted his good-looking mug shot.  Not even 24 hours passed between the news of Mr Mangione’s arrest and the appearance on-line of “Free Luigi” merchandise.

Mr Ghosn (left) and Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999, right), the Kremlin, Moscow, 2006.

Another who became an instant folk hero (among certain groups) was the Brazilian born Carlos Ghosn (b 1954) of Lebanese descent.  While in Japan serving as CEO of Nissan and chairman of Mitsubishi Motors, Mr Ghosn was arrested on suspicion of financial misconduct at Nissan involving millions of dollars and, possibly noting the 99% conviction rate of the famously efficient Japanese criminal justice system, while under house arrest awaiting trial, he arranged to have himself enclosed in a large freight box which was flown out of the country on a private jet.  Upon landing at Lebanon’s Beirut–Rafic Hariri International Airport, the fugitive was greeted by cheering crowds, a reaction which played into the prejudices many hold about the Lebanese national character.  There is no extradition treaty between Japan and Lebanon.

Continuity

Continuity (pronounced kon-tn-oo-i-tee or kon-tn-yoo-i-tee)

(1) The state or quality of being continuous; logical sequence, cohesion or connection; lack of interruption.

(2) A continuous or connected whole.

(3) In political science, as “continuity theory”, an approach to twentieth century German historiography which focuses on structural and sociological continuities between eras (including pre-twentieth century influences and traditions).

(4) In narratology, a narrative device in episodic fiction where previous and/or future events in a series of stories are accounted for in present stories.

(5) As bicontinuity (the sate of being bicontinuous), (1) in topology: homeomorphic (a continuous bijection from one topological space to another, with continuous inverse) and (2) in physics, chemistry (of a liquid mixture), being a continuous phase composed of two immiscible liquids interacting through rapidly changing hydrogen bonds.

(6) In film production, as “continuity girl” (the now archaic title in film production (now called “continuity supervisor” or “script supervisor”)) for the person responsible for ensuring the details in each scene conform to the continuity of the narrative.

(7) In film production, the scenario (in the industry jargon a synonym of “continuity”) of script, scenes, camera angles, details of verisimilitude etc, in the sequence in which they should appear in the final cut.

(8) In fiction (especially in television series but also in film and literature), as “continuity nod”, a reference, to part of the plot of a previous series, volume, episode etc.

(9) In audio & visual production (radio, podcasts, television, internet et al), the spoken part of a script that which provides introductory, transitional or concluding material in non-dramatic (documentaries and such) programmes (some production houses include in their staff establishment the position “continuity announcer”).

(10) In film projection, the continuous projection of a film, using automatic rewind.

(11) In mathematics, a characteristic property of a continuous function.

(12) In mathematics, as semicontinuity (of a function), the state of being semicontinuous (that it is continuous almost everywhere, except at certain points at which it is either upper semi-continuous or lower semi-continuous).

(13) In mathematics, as equicontinuity, (of a family of functions), the state of being equicontinuous (such that all members are continuous, with equal variation in a given neighborhood).  The Lipschitz continuity was named after German mathematician Rudolf Lipschitz (1832–1903); the Scott continuity was named after US logician Dana Scott (b 1932).

(14) In mathematics, as hemicontinuity, the state of being hemicontinuous (having the property that if a sequence of points in the domain of a function converges to a point L, then either the sequence of sets that are the images of those points contains a sequence that converges to a point that is in the image of L, or, alternatively, for every element in the image of L, there will be a sub-sequence in the domain whose image contains a convergent sequence to that element.

(15) In marketing, in the plural, as “continuities”, sets of merchandise, given away for free or sold cheaply as promotional tool (the idea being the continuity of the customers returning).

1375–1425: From the late Middle English continuite (uninterrupted connection of parts in space or time), from the Old & Middle French continuité, from the Latin continuitatem (nominative continuitās) (a connected series (the construct being continu(us) (continuous) + -itās (equivalent to the English continu(e) +‎ -ity), from continuus (joining, connecting with something; following one after another) from the intransitive verb continere (to be uninterrupted (literally “to hang together”).  The –ity suffix was from the French -ité, from the Middle French -ité, from the Old French –ete & -eteit (-ity), from the Latin -itātem, from -itās, from the primitive Indo-European suffix –it.  It was cognate with the Gothic –iþa (-th), the Old High German -ida (-th) and the Old English -þo, -þu & -þ (-th).  It was used to form nouns from adjectives (especially abstract nouns), thus most often associated with nouns referring to the state, property, or quality of conforming to the adjective's description.  Continuity is a noun, continuance, & continuousness are nouns, continue is a verb, continuous & continual are adjectives and continually is an adverb; the noun plural is continuities.

The adjective continuous (characterized by continuity, not affected by disconnection or interruption) dates from the 1640s and was from either the French continueus or directly from the Latin continuus.  The verb continue (was in use by at least the mid-fourteenth century) in the form contynuen (maintain, sustain, preserve) which by the late 1300s has assumed the meaning “go forward or onward; persevere in”.  It was from the thirteenth century Old French continuer and directly from Latin continuare (join together in uninterrupted succession, make or be continuous, do successively one after another), from continuus.  The sense of “to carry on from the point of suspension” emerged early in the fifteenth century while the meaning “to remain in a state, place, or office” dates from the early 1400s, the transitive sense of “to extend from one point to another” was first documented in the 1660s.  The word entered the legal lexicon with the meaning “to postpone a hearing or trial” in the mid fifteenth century.

The noun continuation (act or fact of continuing or prolonging; extension in time or space) dates from the late 1300s, from the thirteenth century Old French continuation and directly from the Latin continuationem (nominative continuatio) (a following of one thing after another), a noun of action from past-participle stem of continuare.  The adjective continual was from the early fourteenth century continuell (proceeding without interruption or cessation; often repeated, very frequent), from the twelfth century Old French continuel and directly from the Latin continuus.  The noun continuance (perseverance, a keeping up, a going on) dates from the mid-fourteenth century, from the thirteenth century Old French continuance, from continuer.  Continuance seems to have been the first of the family to appear in the terminology of legal proceedings, used since the late fourteenth century in the sense of “a holding on or remaining in a particular state”, in courts this by the early fifteenth had extended to “the deferring of a trial or hearing to a future date” and in some jurisdictions lawyers to this day still file an “application for continuation”.  The now widely used discontinuation (of legal proceedings; of a product range etc) has existed since at least the 1610s in the sense of “interruption of continuity, separation of parts which form a connected series” and was from the fourteenth century French discontinuation, from the Medieval Latin discontinuationem (nominative discontinuatio), noun of action from past-participle stem of discontinuare.

Page 1 of IMDb's (Internet Movie Database) listing of discontinuities in Mean Girls (2004).

A discontinuity: In Mean Girls, a donut (doughnut) appeared with a large bite taken from it while a few seconds later it had endured just a nibble.

In film production, the job title “continuity girl” seems to have been retired in favor of “continuity supervisor” or “script supervisor”, one of the terms culled in the process of gender neutrality which also claimed most of the “best boys” (they’re now styled with titles such as “assistant chief lighting technician” or “second lighting technician”.  Whether myth or not, the industry legend is the “best boy” job title really did begin with the request “give me your best boy” although that wasn’t something as ominous as now it may sound.  The first known reference to a continuity girl in a film’s credits was in the US 1918 and the job involved ensuring the “continuity” (in the industry “scenario” is synonymous) of the final cut appeared as a seamless narrative.  The job was required because although a single scene in a film might appear to be a contiguous few minutes, the parts assembled in the editing process to produce it may be made up of takes shot days or even months weeks and possibly in different places.  Among a myriad of tasks, what a continuity girl had to do was maintain a database with the details of each piece of film (vital for the editing process) and ensure the details of each shot (clothes, haircuts, props (including their exact placement) and environment (climate, time of day etc) are in accordance with the previous footage.  The detail can be as simple as the time displayed on a wall clock and it matters because there’s a minor industry of film buffs who go through things frame-by-frame looking for discontinuities, all of which gleefully they’ll catalogue on various internet sites.

Three covers used for Leah McLaren’s The Continuity Girl (2007, left); not all Chick lit titles used vibrant or pastel shades in the cover art.  The Continuity Girl (2018, right) by Dr Patrick Kincaid (b 1966) is an unrelated title.

The Continuity Girl (2007) was the debut novel of Canadian journalist Leah McLaren (b 1975), the protagonist being a continuity girl named Meredith Moore.  A classic piece of Chick lit (the construct being chick (slang for “a young woman” + lit(erature)), a now unfashionable term describing novels focused on women and their feelings) the plotline involves Ms Moore’s biological clock tick-tocking to the psychological moment on her 35^th birthday: she wakes up feeling a sudden acute yearning for a baby.  In a Chick lit sort of way, her solution was to leave her predictably pleasant Canadian life and head for London where she plans to select a man on the basis of her assessment of his genetic suitability for breeding, seduce him and, in the way these things happen, fall pregnant.  Things of course don’t work out quite that effortlessly but, being Chick lit, there’s much self-realization, self-discovery and self-expression on the path to a happy ending.

In political science, “continuity theory” is an approach (in two aspects) to twentieth century German historiography which focuses on structural and sociological continuities between eras (including pre-twentieth century influences and traditions).  The first aspect was the notion there existed “continuity” in the persistent influence of long-term social, political, cultural, and institutional developments in German history, dating at least from the time of Martin Luther (1483–1546) contributed to the particular nature of Imperial Germany (1871-1918), the failure of the Weimar Republic (1918-1933) and the Führerprinzip (Leader Principle) which, structurally, was the distinguishing feature of the Third Reich (1933-1945).  This idea has underpinned a number of major historical studies but has always been contested because another faction (which has at times included a significant proportion of the German population) which argues that Nazism was uniquely radical and an aberration in the nation’s history.  Most controversially, some proponents of continuity theory extend the application to the post war years, examining how former Nazis, neo-Nazis and their ideologies persisted (and at times have flourished) both in the FRG (Federal Republic of Germany; the old West Germany (1949-1990)) and the unified state formed 1990 after the FRG absorbed the GDR (German Democratic Republic (the old East Germany)).

Adolf Hitler (left) looking at Ernst Röhm (right), Nürnberg, 3 September 1933.  Some nine months later, Hitler would order Röhm's discontinuation (murder).  Photograph from the Bundesarchiv (Federal Archives), Bild (picture) 146-1982-159-22A.

The theory’s other aspect was structural and was essentially an analysis of the extent to which the Nazi state operated under the constitutional and administrative arrangements inherited from the Weimar Republic, the state which Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) claimed “his” National Socialist revolution had overthrown.  The indisputable fact that the Nazi dictatorship was fundamentally different from Weimar at the time obscured the continuity but maintaining the Weimar constitution was hardly unique.  Hitler choose also to adapt the existing mixed economic model, something which upset some of the more idealistic souls in his movement who had taken seriously the “socialist” bit in “National Socialism” and led to the infamous Nacht der langen Messer (Night of the Long Knives), also called Unternehmen Kolbri (Operation Hummingbird) a purge executed between 30 June-2 July 1934, when the regime carried out a number of extrajudicial executions, ostensibly to crush what was referred to as “the Röhm Putsch” (Ernst Röhm (1887–1934; chief of the Sturmabteilung (the stormtroopers (the SA)), head of the four-million strong SA had certainly in the past hinted at one but there’s no doubt no such thing was imminent).

The USGS’s (US Geological Survey (1879)) depiction of the Mohorovičić discontinuity (the Moho).

The Mohorovičić discontinuity (which geologists tend to call “the Moho”) is the boundary between the Earth's crust and mantle, the extent defined by the distinct change in velocity of seismic waves as they pass through changing densities of rock.  The phenomenon is named after Croatian geophysicist Andrija Mohorovičić (1857–1936; one of the seminar figures in modern seismology), who first published his findings (based on seismographic observations of shallow-focus earthquakes) in 1909.

Pylon

Pylon (pronounced pahy-lon)

(1) A marking post or tower for guiding aviators, much used in air-racing to mark turning points in a a prescribed course of flight.

(2) A relatively tall structure at the side of a gate, bridge, or avenue, marking an entrance or approach.

(3) A monumental tower forming the entrance to an ancient Egyptian temple, consisting either of a pair of tall quadrilateral masonry masses with sloping sides and a doorway between them or of one such mass pierced with a doorway.

(4) In electricity transmission, a steel tower or mast carrying high-tension lines, telephone wires, or other cables and lines (usually as power-pylon, electricity pylon or transmission tower).

(5) In architecture (1) a tall, tower-like structure (usually of steel or concrete) from which cables are strung to support other structures and (2) a lighting mast; a freestanding support for floodlights.

(6) In aeronautics, a streamlined, finlike structure used to attach engines, auxiliary fuel tanks, bombs, etc to an aircraft wing or fuselage.

(7) In modeling, as “pylon shot”, a pose in which a model stands with arms raised or extended outwards, resembling an electricity pylon.

(8) An alternative name for an obelisk.

(9) In aviation, a starting derrick for an aircraft (obsolete) and a tethering point for an dirigible (airship).

(10) In American football (gridiron), an orange marker designating one of the four corners of the field’s end zones.

(11) In the slang of artificial limb makers (1) a temporary artificial leg and (2) a rigid prosthesis for the lower leg.

(12) In literature, as "Pylon Poet" (usually in the plural as “the Pylons”), a group of British poets who during the 1930s included in their work many references to new & newish mechanical devices and other technological developments.

(13) In slang, a traffic cone.

1823: A learned borrowing from Ancient Greek πυλών (pulṓn; pylṓn) (gateway; gate tower), from pylē (gate, wing of a pair of double gates; an entrance, entrance into a country; mountain pass; narrow strait of water) of unknown origin but etymologists suspect it may be a technical term (from architecture or construction) from another language.  The first use was in archaeology to describe a “gateway to an Egyptian temple”, a direct adaptation of the original Greek.  In Western architecture, it’s believed the first “modern” pylons were the tall, upright structures installed at aerodromes to guide aviators and it was the appearance of these things which inspired the later use as “power pylon” (steel tower for high-tension wires over distance, use noted since 1923) and the word spread to any number of similar looking devices (even those on a small scale such as traffic cones).  Until then, in engineering and architecture, tall structures used to carry cables or in some way provide support (or even be mere decorative) were described as a “tower” or “obelisk” (such use continuing).  Pylon is a noun and pylonless, pylonlike, pylonesque & pylonish are adjectives; the noun plural is pylons.  Despite the fondness in engineering for such forms to emerge, the verbs pyloned & pyloning seem never to have been coined.

The Ancient Greek πυλών (pulṓn; pylṓn) was used of the grand architecture seen in the entrances to temples and the usual word for doors (and gates) rather more modest was θύρα (thýra).  It was a feminine noun and appears in various forms depending on the grammatical case (θύρα (nominative singular; a door), θύρας (genitive singular; of a door) & θύραι (nominative plural; doors).  Etymologists believe θύρα may have undergone phonological changes, adapting to Greek morphology and pronunciation patterns, while retaining its fundamental meaning tied to entryways or openings.  The word was from the primitive Indo-European dhur or dhwer (door; gateway) which was the source also of the Latin foris (door, entrance), the Sanskrit dvā́r (door, gate), the Old English duru (door) and the Old Norse dyrr (door).  Because of their functional role and symbolism as thresholds (ie transition, entry, protection), the door played a prominent part in linguistic as well as architectural evolution.

Temple of Isis, first pylon, north-eastern view.

The Ancient Greek πυλών (pulṓn; pylṓn) was the classical term for an Egyptian ceremonial gateway (bekhenet) used in temples from at least the Middle Kingdom to the Roman period (circa 2040 BC–AD 395) and anthropologists have concluded the intent was to symbolize the horizon.  The basic structure of a pylon consisted of two massive towers of rubble-filled masonry tapering upwards, surmounted by a cornice and linked in the centre by an elaborate doorway.  Ancient depictions of pylons show that the deep vertical recesses visible along the facades of surviving examples were intended for the mounting of flag staffs.

An “anchor pylon” is the one which forms the endpoint of a high-voltage and differs from other pylons in that it uses horizontal insulators, necessary when interfacing with other modes of power transmission and (owing to the inflexibility of the conductors), when significantly altering the direction of the pylon chain.  In large-scale display advertizing, a “pylon sign” is a tall sign supported by one or more poles and in the original industry jargon was something in what would now be called “portrait mode”; a sign in “landscape mode” being a “billboard”.  Not surprisingly, there are a number of mountains known as “Pylon Peak”.  The task of naming such geological features is part of the field of toponymy (in semantics the lexicological study of place names(a branch of onomastics)) and a specialist in such things is known as a toponymist.  The term toponomy was later borrowed by medicine where it was used of the nomenclature of anatomical regions. In aviation, the “pylon turn” is a flight maneuver in which an aircraft banks into a circular turn around a fixed point on the ground.

The Ancient Greek πυλών (pulṓn; pylṓn) was used of the grand architecture seen in the entrances to temples and the usual word for doors (and gates) rather more modest was θύρα (thýra).  It was a feminine noun and appears in various forms depending on the grammatical case (θύρα (nominative singular; a door), θύρας (genitive singular; of a door) & θύραι (nominative plural; doors).  Etymologists believe θύρα may have undergone phonological changes, adapting to Greek morphology and pronunciation patterns, while retaining its fundamental meaning tied to entryways or openings.  The word was from the primitive Indo-European dhur or dhwer (door; gateway) which was the source also of the Latin foris (door, entrance), the Sanskrit dvā́r (door, gate), the Old English duru (door) and the Old Norse dyrr (door).  Because of their functional role and symbolism as thresholds (ie transition, entry, protection), the door played a prominent part in linguistic as well as architectural evolution.

The plyon pose: Lindsay Lohan demonstrates some variations.

In modeling, the “pylon shot” is used to describe the pose in which a model stands with arms raised or extended outwards, resembling (at least vaguely) an electricity pylon, the appearance of which is anthropomorphic.  There are practical benefits for designers in that raising the arms permits a photographer to include more of a garment in the frame and this can be significant if there’s detailing which are at least partially concealed with the arms in their usual position.  Topless models also adopt variations of the pose because the anatomical affect of raising the arms also lifts and to some extent re-shapes the breasts, lending them temporarily a higher, a more pleasing aspect.

The Pylons

The so-called “pylon poets” (referred to usually as “the Pylons”) were a group who dominated British poetry during the 1930s, a time when the form assumed a greater cultural and intellectual significance than today.  The best known (and certainly among the most prolific) of the Pylons were Louis MacNeice (1907–1963), Stephen Spender (1909–1995), WH Auden (1907-1973) and Cecil Day-Lewis (1904–1972), their names sometimes conflated as “MacSpaunday”.  It was Spender’s poem The Pylons which inspired the nickname and it referenced the frequent references to the images of “industrial modernity”, drawn from new(ish) technology and the machinery of factories.  The intrusion of novel machinery and technology into a variety of fields is not unusual; in the age of steam the devices were used as similes when speculating about the operation of the human brain, just as the terminology of computers came to be used when the lexicon entered the public imagination.  Their method underlying the output of the pylons was influenced by the metaphysical poetry of John Donne (circa 1571-1631) whose use of “scientific” imagery was much admired by TS Eliot (1888–1965), the work of whom was acknowledged as influential by both Auden and Spender.  However, the 1930s were the years of the Great Depression and probably their most fertile source was Marxist materialism although, of the Pylons, historians tend to regard only Day-Lewis as one of the “useful idiots”.

The Pylons (1933) by Stephen Spender.

The secret of these hills was stone, and cottages
Of that stone made,
And crumbling roads
That turned on sudden hidden villages
 
Now over these small hills, they have built the concrete
That trails black wire
Pylons, those pillars
Bare like nude giant girls that have no secret.
 
The valley with its gilt and evening look
And the green chestnut
Of customary root,
Are mocked dry like the parched bed of a brook.
 
But far above and far as sight endures
Like whips of anger
With lightning's danger
There runs the quick perspective of the future.
 
This dwarfs our emerald country by its trek
So tall with prophecy
Dreaming of cities
Where often clouds shall lean their swan-white neck.

The term “useful idiot” is from political science and so associated with Lenin (Vladimir Ilyich Ulyanov (1870–1924; first leader of Soviet Russia 1917-1922 & USSR 1922-1924) that it's attributed to him but there's no evidence he ever spoke or wrote the words.  It became popular during the Cold War to describe pro-communist intellectuals and apologists in the West, the (probably retrospective) association with Lenin probably because had the useful idiots actually assisted achieving a communist revolution there, their usefulness outlived, he'd likely have had at least some of them shot as "trouble-makers".  Although it took many Western intellectuals decades to recant (some never quite managed) their support for the Soviet Union, the watershed was probably Comrade Khrushchev's (1894–1971; Soviet leader 1953-1964)  so called "Secret Speech" (On the Cult of Personality and Its Consequences) to the 20th Congress of the Communist Party of the Soviet Union on 25 February 1956 in which he provided a detailed critique of the rule of comrade Stalin (1878-1953; Soviet leader 1924-1953), especially the bloody purges of the late 1930s.

Some had however already refused to deny what had become obvious to all but avid denialists, and in 1949 a contribution by Spender appeared in The God that Failed, a collection of six essays in which the writers lay bare their sense of betrayal and disillusionment with communism because of the totalitarian state forged by comrade Stalin which was in so many ways just another form of fascism.  Spender was associated with the intellectual wing of left-wing politics during the 1930s and was briefly a member of the Communist Party but his attraction seems to have been motivated mostly by the Soviet Union’s promises of equality and its anti-fascist stance.  He quickly became disillusioned with the Soviet state, unable to reconcile its authoritarianism with his personal beliefs in freedom and individual rights, a critical stance differentiated him from figures like George Bernard Shaw (GBS; 1856-1950) and Sidney (1859–1947) & Beatrice Webb (1858–1943), the latter couple for some time definitely useful idiots.

The sort of sights which would have inspired Spender’s line “Bare like nude giant girls that have no secret”.

Louis MacNeice, was politically engaged during the 1930s but that was hardly something unusual among writers & intellectuals during that troubled decade.  Among the pylons he seems to have been the most sceptical about the tenets of communism and the nature of comrade Stalin’s state and no historians seem every to have listed him among the useful idiots, his views of the left as critical and nuanced as they were of the right.  What he most objected to was the tendency among idealistic & politically committed intellectuals to engage in a kind of reductionism which allowed them to present simplistic solutions to complex problems in a form which was little more than propaganda, a critique he explored in his poem Autumn Journal (1939) captures his doubts about political certainty and his disillusionment with simplistic solutions to complex problems.  Auden certainly wasn’t a “useful idiot” and while politically engaged and associated with several leftist intellectual circles during the 1930s, his sympathy for Marxism and anti-fascist causes were really not far removed from those share by even some mainstream figures and a capacity for self-reflection never deserted him.  Much was made of the time he spent in Spain during the Spanish Civil War (1936-1940) but he went as an observer and a propagandist rather than a combatant and what he saw made his disillusioned with the ideological rigidity and in-fighting among leftist factions and he made no secret of his distaste for Stalinist communists.  By the early 1940s, he was distancing himself from Marxism, the process much accelerated by his re-embrace of Christianity where, at least debatably, he discharged another form of useful idiocy, his disapproval of collectivist ideologies apparently not extending to the Church of England.

Profiles of some electricity pylons.  There a literally dozens of variations, the designs dictated by factors such as the ground environment, proximity to people, voltage requirements, weight to be carried, economics, expected climatic conditions and a myriad of other specifics.

Of the Pylons, Cecil Day-Lewis (who served as Poet Laureate of the UK 1968-1972) had the most active period engagement with communism and Marxist ideals and he was for a time politically aligned with the Soviet Union; it was a genuine ideological commitment.  During the 1930s, the true nature of the Soviet Union wasn’t generally known (or accepted) in the West and Day-Lewis admired the Soviet Union as an experiment in social and economic equality which he championed and it wasn’t until late in the decade he realized the ideals he had embraced had been betrayed; it was Great Purge and the Moscow Show-Trials which triggered his final disillusionment.  Day-Lewis later acknowledged the naivety and moral compromises of his earlier stance and came to argue poetry and art should not be subordinated to political ideology, a view formed by his understanding of the implications of propagandistic pieces of his younger years being exactly that.

Erwartangsborizont

Erwartangsborizont (pronounced eah-wah-tum-swar-eh-sont)

(1) In English use, as “horizon of expectations”, a term from literary theory to denote the criteria readers use to judge texts in any given period.

(2) The conceivable content of a literary work or text based on the context of the time of publication (German).

(3) In formal education, the specified performance required in an examination situation (German).

Circa 1944: German determinative compound using the nouns Erwartung (expectation) and Horizont (horizon) with the connecting element “s”.  In German use, in the context of formal education, while not exactly synonymous, (1) solution expectation, (2) solution proposal & (3) sample solution impart a similar meaning.  Erwartangsborizont is a masculine noun; the noun plural is Erwartungshorizonte.  In German, both the spelling of the word and the article preceding the word can change depending on whether it is in the nominative, accusative, genitive, or dative case, thus the declension (in grammar the categorization of nouns, pronouns, or adjectives according to the inflections they receive) is:

Erwartangsborizont: a word which rose with post-modernism.

Because of the way Google harvests data for their ngrams, they’re not literally a tracking of the use of a word in society but can be usefully indicative of certain trends, (although one is never quite sure which trend(s)), especially over decades.  As a record of actual aggregate use, ngrams are not wholly reliable because: (1) the sub-set of texts Google uses is slanted towards the scientific & academic and (2) the technical limitations imposed by the use of OCR (optical character recognition) when handling older texts of sometime dubious legibility (a process AI should improve).  Where numbers bounce around, this may reflect either: (1) peaks and troughs in use for some reason or (2) some quirk in the data harvested.

The German compound noun term Erwartangsborizont was popularized in the 1960s by Hans Robert Jauss (1921-1997) and he used it to denote the criteria which readers use to judge literary texts in any given period; he first fully explained the term in Literaturgeschichte als Provokation der Literaturwissenschaft (Literary History as a Challenge to Literary Theory (1967)).  Jauss was a German academic who worked in the field of Rezeptionsästhetik (reception theory) as well as medieval and modern French literature; Erwartangsborizont (his concept of “horizon of expectation”) was his most enduring contribution to literary theory and his pre-scholarly background could in itself be used as something of a case study in his readers’ “horizon of expectation”: During World War II (1939-1945), Jauss served in both the SS and Waffen-SS.

Hans Robert Jauß: Youth, War and Internment (2016) by Jens Westemeier (b 1966), pp 367, Konstanz University Press (ISBN-13: 978-3835390829).

The SS (ᛋᛋ in Armanen runes; Schutzstaffel (literally “protection squadron” but translated variously as “protection squad”, “security section" etc)) was formed (under different names) in 1923 as a Nazi party squad to provide security at public meetings (then often rowdy and violet affairs), later evolving into a personal bodyguard for Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945).  The SS name was adopted in 1925 and during the Third Reich the institution evolved into a vast economic, industrial and military apparatus (more than two million strong), to the point where some historians (and contemporaries) regarded it as a kind of “state within a state”.  The Waffen-SS (armed SS (ie equipped with heavy weapons)) existed on a small scale as early as 1933 before Hitler’s agreement was secured to create a formation at divisional strength and growth was gradual even after the outbreak of hostilities in 1939 until the invasion of the Soviet Union in 1941 triggered an expansion into a multi-national armoured force with over 900,000 men under arms deployed in a variety of theatres.  As well as the SS’s role in the administration of the many concentration and extermination camps, the Waffen-SS in particular was widely implicated in war crimes and crimes against humanity.

His service in the SS and Waffen-SS included two winters spent on the Russian Front with all that implies but it wouldn’t be until 1995 the documents relating to his conduct in the occupied territories were published and historians used the papers to prove the persona he’d created during the post-war years had been constructed with obfuscation, lies and probably much dissembling.  Despite that, Jauss had been dead for almost two decades before an investigation revealed he’d falsified documents from the era as was probably implicated in war crimes committed by the SS & Waffen-SS on the Eastern Front.

Portrait of Martin Heidegger, oil on canvas by Michael Newton (b 1970).

Although the influence of philosopher Martin Heidegger (1889–1976) has attracted much comment because of his flirtation with the Nazis, the most significant intellectual impact on Jauss was the German philosopher Hans-Georg Gadamer (1900-2002) who, although he lived to an impressive 102, was precluded by ill heath from serving in the military in either of the world wars.  Gadamer's most notable contribution to philosophy was to build on Heidegger’s concept of “philosophical hermeneutics” (an embryonic collection of theories about the interpretation of certain texts) and these Gardamer expanded and developed in Wahrheit und Methode (Truth and Method (1960)).  The title was significant because Gadamer argued “truth” and “method” (as both were understood within the social sciences) were oppositional forces because what came to be called truth came to be dictated by whichever method of analysis was applied to a text: “Is there to be no knowledge in art? Does not the experience of art contain a claim to truth which is certainly different from that of science, but just as certainly is not inferior to it? And is not the task of aesthetics precisely to ground the fact that the experience of art is a mode of knowledge of a unique kind, certainly different from that sensory knowledge which provides science with the ultimate data from which it constructs the knowledge of nature, and certainly different from all moral rational knowledge, and indeed from all conceptual knowledge — but still knowledge, i.e., conveying truth?”

Portrait of Hans-Georg Gadamer, oil on canvas by Dora Mittenzwei (b 1955).

The aspect of what Heidegger and Gardamer built which most interested Jauss was what he came to call the “aesthetics of reception” a term which designates the shared set of assumptions which can be attributed to any given generation of readers and these criteria can be used to assist “in a trans-subjective way”, the formation of a judgment of a text.  The point was that over time (which, depending on circumstances, can mean over decades or overnight), for both individuals and societies, horizons of expectation change.  In other words, the judgment which at one time was an accepted orthodoxy may later come to be seem a quaint or inappropriate; the view of one generation does not of necessity become something definitive and unchanging.  Jauss explained this by saying: “A literary work is not an object which stands by itself and which offers the same face to each reader in each period.  It is not a monument which reveals its timeless essence in a monologue.”  He may or may not have been thinking about German society’s changing view of his military career (and his post-war representation of it was itself something of a literary work) but the point was that people reinterpret texts in the light of their own knowledge and experience (their “cultural environment”).

That set of processes he described as constructing a literary value measured according to “aesthetic distance”, the degree to which a work departs from the Erwartangsborizont (horizon of expectations) of earlier readers.  One reviewer summarized things by suggesting the horizon of expectations was “detectable through the textual strategies (genre, literary allusion, the nature of fiction and of poetical language) which confirm, modify, subvert or ironize the expectations of readers” while aesthetic distance becomes a measure of literary value, “creating creating a spectrum on one end of which lies 'culinary' (totally consumable) reading, and, on the other, works which have a radical effect on their readers.”.  In the arcane world of literary theory, more than one commentator described that contribution as: “helpful”.  Opinions may differ.

The term “horizon of expectations” obviously is related to the familiar concept of the “cultural context”, both concepts dealing with the ways in which texts are understood within a specific time, place, and cultural framework.  To academics in the field, they are not wholly synonymous but for general readers of texts they certainly appear so.  The elements of the models are the sets of norms, values, conventions, and assumptions that a particular audience brings to a text at a given moment in time and space, expectations shaped by cultural, historical, and literary contexts but in academia the focus specifically is on the audience's interpretive framework.  The processes are dynamic in that although what happens externally can contribute to determining how a work is received and understood by its audience, if a work conforms to or challenges these expectations, it influences its reception and the potential for the work to reshape those horizons; it’s not exactly symbiotic but certainly it’s interactive.

Cady's Map by Janis Ian.

A film is just another piece of text and what is variously acceptable, funny, confronting or shocking to one generation might be viewed entirely differently by those which follow.  The faction names of the cliques at North Shore High School (Mean Girls, Paramount Pictures 2004)) were Actual Human Beings, Anti-Plastics, The Art Freaks, Asexual Band Geeks, Asian Nerds, Burnouts, Cheerleaders, Cool Asians, Desperate Wannabes, Freshmen, Girls Who Eat Their Feelings, J.V. Cheerleaders, J.V. Jocks, Junior Plastics, Preps, ROTC Guys, Sexually Active Band Geeks, The Plastics, Unfriendly Black Hotties, Unnamed Girls Who Don't Eat Anything & Varsity Jocks and given the way sensitivities have evolved, it’s predictable some of those names wouldn’t today be used; the factions' membership rosters might be much the same but some terms are now proscribed in this context, the threshold test for racism now its mere mention, racialism banished to places like epidemiological research papers tracking the distribution of obesity, various morbidities and such.