Soiree

Soiree (pronounced swah-rey)

(1) An evening party or social gathering.

(2) Used loosely, a party or social gathering held at any time.

1793: from the French soirée (evening activity), the construct being the tenth century Old French soir (evening; night (from the Latin adverb sērō (late; at a late hour) which originally was an ablative of sērus) from sērum (a late time), from sērus (late), from the primitive Indo-European se-ro- (a suffixed form of the root se- (long, late) and the source also of the Sanskrit sayam (in the evening), the Lithuanian sietuva (deep place in a river), the Old English sið (after), the German seit (since), the Gothic seiþus (late), the Middle Irish sith and the Middle Breton hir (long)) + -ée (from the Latin –āta (feminine of –ātus) (the –ate suffix in English).  In French, the feminine suffix –ée was joined to nouns to make nouns expressing the quantity contained in the original noun and thus also relations of times (journée, matinée, année et al) or objects produced.  There was also the nineteenth century swarry, a coining for jocular effect representing the English pronunciation.  The suffix -ate was a word-forming element used in forming nouns from Latin words ending in -ātus, -āta, & -ātum (such as estate, primate & senate).  Those that came to English via French often began with -at, but an -e was added in the fifteenth century or later to indicate the long vowel.  It can also mark adjectives formed from Latin perfect passive participle suffixes of first conjugation verbs -ātus, -āta, & -ātum (such as desolate, moderate & separate).  Again, often they were adopted in Middle English with an –at suffix, the -e appended after circa 1400; a doublet of –ee.  In German the spelling is Soirée (plural Soiréen), the synonym being Abendgesellschaft (party held in the evening).  In English, the French soirée is now listed by most sources as an alternative spelling (a la café & cafe).  Soiree is a noun; the noun plural is plural soirees.

In English, strictly speaking, because of the origin in French (soir (evening) familiar in the greeting bon soir (good evening, a time specific way of saying “hello”)), a soiree is a social gathering held in the evening but it has long been used loosely and there have been many soirees held early in the day.  It can be debated whether there’s now an additional meaning (social gathering) or the real meaning is just being ignored but the word is certainly something of a middle-class favourite and it’s not unknown to receive an invitation to an “evening soiree” or “night time soiree” which may be tautological but the meaning shift is probably here to say.  The word is also used with modifiers to make the nature of an event clear (musical soiree; boho soiree, élite soiree; jubilee soiree; birthday soiree etc).

The successful soiree

Some etiquette guides devote entire chapters to the tricks and techniques which make a soiree a success, focusing on food, settings, surroundings and the guest list (who sits next to whom something of an art) and the most structured and demanding event is probably that classic of evening entertaining: the dinner party.  The catering arrangements obviously are critical but the consideration of other matters is also a minor linguistic feast: 

It’s best to avoid inviting the malesuete (“accustomed to poor habits”, an archaic adjective from the Latin malesuētus, the construct being male (badly; poorly) + suētus (past participle of suēscere (to become accustomed; to be used to)) because they tend to be “unaccustomed to good behaviour” and thus won’t fit in.  That doesn’t mean they’re ostracized by all because in their circles (composed of other other malesuete types) there are also soirees for them to enjoy.  Should there be some sort of filing error and a malesuete guest is at the table, all one can hope is that there’s only one of them because in pairs they’ll almost always constult (“to act stupidly together”, a verb from the Latin constult, the construct being con- (together) + stultus (foolish; fool)); they will encourage each other.  However, even the usually well-mannered can become malesuetesque when peloothered (“drunk, thoroughly intoxicated”, an adjective coined by James Joyce (1882–1941), possibly from Hiberno-English as a humorous dialectal corruption of blootered (“drunk”, an informal term in Scots English also meaning or polluted) so if possible research the effect of strong drink on potential invitees.  A caution like “drinks like a fish” need not of necessity mean someone must be chucked because there are amiable and amusing drunks but they may only make it to the reserve (last resort) list.

Deipnosophistry in practice: Lindsay Lohan at the Fox News table, White House Correspondents' Association annual dinner, a soiree at which there is much table talk, Washington DC, April 2012. 

Among the most desirable of those for a dinner party are deipnosophists (“those noted for their sparkling dinner-table conversation”, a noun from the Ancient Greek Δειπνοσοφισταί (Deipnosophistaí), the title of a literary work in fifteen volumes (translated usually as something like “philosophers at their dinner table”) by the third century scholar Athenaeus of Naucratis, describing learned discussions at a banquet, the construct being δειπνο- (deipno-) (meal) + σοφιστής (sophistḗs).  The plural of sophistḗs was sophistaí and the sense used by Athenaeus was one of “wise men knowledgeable in matters of art & science”.  A deipnosophist will never raise matters nefandous (“too odious to be spoken of”, an adjective from Latin nefandus, the construct being from ne- (in the sense of “not”) + fandus, gerundive of fārī (to speak) ao while they may think the unthinkable they’ll never speak the unspeakable.  If there is a guest who is particularly sensitive about some topic which usually is innocuous, it’s acceptable (and often advisable) quietly to advise to the others the matter is tacenda (“a thing not to be mentioned; a subject to be passed over in silence”, a noun from the Latin tacenda, future passive participle of taceo (to be silent, say nothing, to hold one's tongue).

Because of the physical layout of a dinner party (gathered together closely around a table) it’s not possible for a shy guest actually to latibulate (“to retreat and hide oneself in a corner”, a verb from the Latin, the construct being latibulum (hiding place) +‎ -ate (the verb-forming suffix), from lateō (to lie hidden) +‎ -bulum (the nominal suffix denoting instrument)) but there can be some (even the usually talkative) who for whatever reason become on the night taciturn (“tendency habitually to be silent”, a noun ultimately from the fifteenth century French taciturne, from the Latin taciturnus (not talkative; noiseless, quiet, maintaining silence), from tacitus (silent) & tacēre (to be silent).  Tempting though it is to ply them with alcohol (which can “loosen the tongue”), that’s a tactic not without risk and it’s recommended that if possible, a pretext is found to change the seating plan, re-allocating them a spot next to someone they might find more convivial.  At a small table, this will likely have no effect.  If on a second occasion a guest’s taciturnity is noted as truly as habitual, it may be they are deipnophobic (one who suffers the social anxiety deipnophobia (fear of eating in public)); don’t invite them again.

Advesperate: A set table, ready for a soiree.  The construct of advesperate (to draw towards evening) was the Latin ad- (to) + vesper. (evening; the evening meal) from the Proto-Italic wesperos, from the primitive Indo-European wek-w-speros, the cognates including the Ancient Greek ἕσπερος (hésperos), the Old Church Slavonic вєчєръ (večerŭ) and the Old Armenian գիշեր (gišer).  In the liturgical orders of Christianity (and always in the plural "vespers"), it's the sixth of the seven canonical hours (an evening prayer service).

There are also those who may be good conversationalists but exhibit some bad habits which are not good to display at dinner parties (although many are close to obligatory at the beer & bourbon soaked malesuete soirees).  They may obganiate (“to cause irritation by reiteration” (ie to annoy by repeating over and over and over and over…”, a verb from the Italian ostinato (obstinate, persistent), a variant of which is the act of epizeuxis (“the repetition of a word with vehemence and emphasis”, a noun from the Modern Latin epizeuxis, from the Ancient Greek ἐπίζευξις (epízeuxis) (a fastening upon), from ἐπιζευγνύναι (epizeugnúnai), the construct being ἐπί (epí) (upon) + ζευγνύναι (zeugnúnai) (to yoke).  As a rhetorical technique, an epizeuxis can be an effective way to make a point but at a dinner party it should never be accompanied by a dactylodeiktous gesture (“pointed at with a finger”, an adjective from the Ancient Greek, the construct being δάκτυλος (dáktylos) (finger) + δεικτός (deiktós), from the verb δείκνυμι (deíknumi) (to show; to point out) + -ous (the suffix indicating an adjective or descriptive quality).  When noticing such things, a host should adopt the demeanour of a discountenancer (“one who discourages with cold looks to convey disapproval”, a noun from the French décontenancer, from the Middle French descontenancer).

Not a residentarian: Crooked Hillary Clinton in blue pantsuit leaving (early) the soiree planned to celebrate her victory in the 2016 US presidential election, Manhattan, New York, November 2016.

Also tiresome at such a soiree those who beyelp (loudly to talk of, boast of, glory in”, a verb from the Middle English beyelpen, from the Old English beġielpan (to boast) and tend to speak in rodomontades (vainglorious boasting or bragging; pretentious, bluster”, a noun from the Middle French rodomontade, the construct being the Italian Rodomonte (name of the boastful Saracen king of Algiers in two Italian Renaissance epic poems + the Middle French –ade (the suffix used to form nouns denoting action, or a person performing said action), from the Occitan -ada, from the Latin -ata.  In dialectal Italian the name means literally “one who rolls (away) the mountain” (clipped also to “roll-mountain”).  Fortunately, such types are usually elozable (“readily influenced by flattery”, an archaic adjective coined in the sixteenth century the construct obscure but believed to be elo- (from the Latin eloqui (to speak out) + -zable (a variant of the suffix –able (denoting capability or possibility) with the inserted “z” presumably a phonetic convenience.  To deal with such guests, one may need to heterophemize (“to say something different from what you mean to say”, a verb from the Ancient Greek, the construct being hetero-, from the ἕτερος (heteros) (other; different) +-phem-, from φημί (phēmi) (to speak; to say) + -ize (a suffix conveying the notion of “to make; to do” or “to perform the act of”) which is OK because it’s been done before and at some dinner parties in polite society conversations are conducted with little else.  One will though need eventually to be more direct with the residentarian (“a person who is given to remaining at table”, a modern English noun, the construct being resident +arian (the suffix a back-formation from various words ending in “arian”, some directly derived from Classical or Medieval Latin words ending in -arius by adding “-an” to the stem, other indirectly via Old French words ending in “arien(ne)” or “erien(ne)” or from English words ending in “ary” to which “-an” was suffixed.  It was used to create nouns in the sense of (1) a believer in something, (2) an advocate of something or (3) a native or inhabitant of somewhere.  The next day, when reviewing yesterneve (“yesterday evening”, a noun, the construct being yester(day) + -n- + eve(ning), decide which guest must be chucked (never again to be invited) and which adorned the table and thus to be added to the xenium list (“a gift given to a guest”, a noun from the Latin xenium (a gift given to guests or foreign ambassadors, often of food, in Ancient Greece or Rome), from the  Ancient Greek ξένιον (xénion) from the Ionic.

Floccinaucinihilipilification

Floccinaucinihilipilification (pronounced flok-suh-naw-suh-nahy-hil-uh-pil-uh-fi-key-shuhn)

(1) The estimation of something as valueless.

(2) The act or habit of describing or regarding something as unimportant, of having no value or being worthless.

1735–1745: Apparently a coinage by pupils of Latin at England’s Eton College (a public (ie private)), the intent jocular but also something of an exercise in the pleonastic and tautological, the construct built (with the odd phonetic substitution or insertion) from the Latin words floccus (a wisp) + naucum (a trifle) +‎ nihilum (nothing) +‎ pilus (a hair) + -fication.  The elements (floccī + naucī + nihilī + pilī) all conveyed the notion “of little or no value, trifling”.  The -fication suffix was an alternative form of -ification, from the Middle English -ificacioun (ending on words generally borrowed whole from Old French), from the Old French -ification, from the Latin -ficātiō, a noun ending which appears on action nouns formed using the suffix -tiō (the English -tion) from verbs ending in -ficō (English -ify).   It was used to convey the idea of “the process of becoming” and was used in words of French or Latin origin, but in the last half-century the forms have become highly productive in English and the choice between -fication & -ification tends to be dictated by the resultant ease of pronunciation although when applying the suffix -ation to a verb ending in -ify, -ification is used instead of the expected -ifiation.  Modern forms like nerdification (the process of making or becoming nerdy) and hipsterfication (the process of making or becoming a hipster or characteristic of hipsters) have proliferated.  Floccinaucinihilipilification is a noun, floccinaucinihilipilificatious is an adjective and floccinaucinihilipilificate, floccinaucinihilipilificated & floccinaucinihilipilificating are verbs; the noun plural is floccinaucinihilipilifications (which some deny exists).

Modern reprint of the Eton Latin Grammar (1887) by Arthur Campbell Ainger (1841-1919).

Bored or baffled pupils in Latin class presumably coined many fake Latin words and it’s the longest, funniest or most vulgar which tended to survive.  At a hefty (by the conventions of English and most languages) 29 letters, floccinaucinihilipilification certainly is long and also enjoys the distinction of being the longest “non-technical” (ie not from medicine, physics etc) word in English although as something used to convey meaning (the very purpose of language), knowing the word does in itself seem floccinaucinihilipilificatious and for those who want more, that adjectival back-formation is lengthier still at a 30 character count.  Both trump that other schoolboy favorite antidisestablishmentarianism (opposition to the withdrawal of state support or recognition from an established (state) church) which manages with 28 and attempts to claim the noun antidisestablishmentarianismist (31) exists have always been dismissed.  Etymologists believe the inventive pupils were inspired by a line which appears in various editions of William Lily's (circa 1468–1522) Latin grammars, one of which was the Eton Latin Grammar in which was listed a number of nouns commonly used in the genitive case with some verbs like pendo and facio expressing the idea of evaluating something as worthless.

Floccinaucinihilipilification: Trends of use.

To say the word is rare is stating the obvious but statistically, use spiked after the spread of the internet and that’s because of all the lists of long, bizarre or obscure words, Google’s ngrams increasing the count every time another one was created or shared.  Because of the way Google harvests data for their ngrams, they’re not literally a tracking of the use of a word in society but can be usefully indicative of certain trends, (although one is never quite sure which trend(s)), especially over decades.  As a record of actual aggregate use, ngrams are not wholly reliable because: (1) the sub-set of texts Google uses is slanted towards the scientific & academic and (2) the technical limitations imposed by the use of OCR (optical character recognition) when handling older texts of sometime dubious legibility (a process AI should improve).  Where numbers bounce around, this may reflect either: (1) peaks and troughs in use for some reason or (2) some quirk in the data harvested.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

Despite appearing on all those lists, by the twenty-first century, actual (ie “real”) use had been so infrequent that to call it “archaic” was misleading but indisputably it was old and that had much appeal for Sir Jacob Rees-Mogg (b 1969) an English politician who between 2010-2024 sat in the House of Commons, rising to become Lord President of the Council and later a member of cabinet in the memorable administration of Boris Johnson (b 1964; UK prime-minister 2019-2022).  As one who deliberately affects an archaic style, Sir Jacob’s amused colleagues soon dubbed him “the honourable member for the eighteenth century” and he made plain his disdain for much of what modernity has delivered (the EU (European Union), the Labour Party, working class people with ideas above their station, pop music etc) and in gratitude for his stellar service, Sir Jacob was created a Knight Bachelor in Mr Johnson’s resignation honours list (which was as entertaining as any in living memory).  Because the Knight Bachelor is the most ancient of the UK’s many classes of knighthood, that would have pleased him but it’s also low in the pecking order (the “order of precedence” which dictates critical things like where one gets to sit (and, more to the point, next to whom) at certain dinners, church services and such) so that would not.  It ranks below all the knighthoods which are part of the organized orders of chivalry (the Garter, the Thistle, the Bath, the Star of India et al) and unlike the chivalric orders, does not confer any entitlement to the use of post-nominal letters, the form “KB” not used (except in historic reference) after 1815 when knighthoods in the order of the Bath (1725) were reorganized as Knight Grand Cross (GCB) & Knight Commander (KCB).  Still, he picked up the right to be styled “the honorable” when his father (William Rees-Mogg, 1928-2012) was in 1988 created a life peer and when in 2019 he was appointed to the Privy Council, he gained for life the style “The Right Honourable” so there was that.

The Right Honourable Sir Jacob Rees Mogg PC, attending the funeral of Elizabeth II (1926-2022; Queen of the UK and other places, 1952-2022), London, 19 September 2019.

In 2012, Sir Jacob spoke the word “floccinaucinihilipilification” in a debate in the House of Commons, his topic being what he asserted was in the nation a common opinion of the EU and, helpfully, told the house it meant “the habit of regarding something as worthless”.  The 29 letter monster remains the longest word ever to appear in Hansard (a record of parliamentary proceedings) although someone did manage to use pneumonoultramicroscopicsilicovolcanoconiosis (a factitious 45 letter creation said to mean “a lung disease caused by inhalation of very fine silica dust usually found in volcanos”) when appearing before a select committee (not being on the floor of the house it didn’t make the Hansard).  An opportunist extension of the medical term pneumonoconiosis, it was coined during the proceedings of the National Puzzlers' League convention in 1935 in an attempt to create English’s longest word but was dismissed by dictionaries as fake, clinicians and textbooks still referring to the disease as pneumonoconiosis, pneumoconiosis, or silicosis.  British dictionaries may feel compelled to include antidisestablishmentarianism but many overseas publications do not, on the basis there’s hardly any record of its use except in lists of long words which some editors treat as lexicographical freak shows.  Merriam-Webster's Collegiate Dictionary lists the longest as electroencephalographically, also from the physician’s diagnostic tool box.

Mourn

Mourn (pronounced mawrn or mohrn)

(1) To grieve or lament for the dead.

(2) To show the conventional or usual signs of sorrow over a person's death.

(3) To feel or express sorrow or grief over (misfortune, loss, or anything regretted); to deplore (now restricted mostly to literary or poetic use).

(4) To utter in a sorrowful manner.

(5) To observe the customs of mourning, as by wearing black garments (sables).

(6) In jousting, a ring fitted upon the head of a lance to prevent wounding an adversary in tilting (a charging with a lance).

Pre 900: From the Middle English mournen & mornen, from the Old English murnan (to feel or express sorrow, grief, or regret; bemoan, long after and also “be anxious about, be careful” (past tense: mearn, past participle: murnen), from the Proto-Germanic murnaną & murnan (sorrowfully to remember)  It was cognate with the Old High German mornēn (to be troubled), the Old Norse morna (to pine away. also “to dawn (become morning)”), the Greek mermeros (worried), the Gothic maurnan (to grieve) and the French morne (gloomy).  The proto-Germanic was the source also of the Old Saxon mornon and was probably a suffixed form of the primitive Indo-European root mer & smer- (to remember).  The use to mean “to lament the death of” emerged late in the thirteenth century while the sense of “display the conventional appearance of grieving for a period following the death of someone” was in use by the 1520s.  The noun mourning (feeling or expression of sorrow, sadness, or grief) was in use in the late twelfth century and was from the Old English murnung (complaint, grief, act of lamenting), a verbal noun from the verb mourn.  The meaning “customary dress or garment worn by mourners” dates from the 1650s although mourning habit was in use in the late fourteenth century.  The North American mourning dove was named in 1820 and was so-called because of its soulful call.  The adjective mournful (expressing sorrow; oppressed with grief) came into use in the early 1600s.  The spelling morne was used during the fourteenth & fifteenth centuries.  Mourn & mourned are verbs, mourning is a noun & verb, mourner & mournfulness are nouns, mournful is an adjective and mournfully is an adverb; the noun plural is mourners.

Comrade Stalin (1878-1953; Soviet leader 1924-1953, far right) as chief mourner, carrying the coffin of comrade Sergei Kirov (1886–1934; Russian Bolshevik revolutionary & Soviet politician), Moscow 6 December 1934.

Although no documentary evidence has ever been found, most historians believe the execution was approved by comrade Stalin and in a nice touch, within a month, Kirov's assassins were convicted in a show trial and executed.  As the death toll from the purges of the 1930s accelerated, comrade Stalin stopped attending funerals; he just wouldn't have ben able to find the time.  Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) seems not to have appeared as a mourner at the funerals of any of those he’d ordered killed but he certainly issued statements mourning their passing.  Less ominously, UK Prime Minister Lord Salisbury (Robert Arthur Talbot Gascoyne-Cecil, 1830–1903; UK Prime Minister for thirteen years variously 1885-1902) remarked of the long, sad decline of Lord Randolph Churchill (1849–1895) that the deceased had proved to be “chief mourner at his own protracted funeral”.

Political mourning is a special class of lament and when some politicians are buried, their erstwhile colleagues are among the mourners only because such events are a nice photo-opportunity and a useful place for a bit of networking.  The Australian politician Pat Kennelly (1900–1981; senator for Victoria (Australian Labor Party (ALP)) 1953-1971) (who had a chronic stutter) once attended the funeral of a member of parliament (MP).  It was well-attended event with many mourners and later he was heard to observe: “It w-w-w-a-as a v-v—very s-s-sa-ad occasion.  H-h-his w-w-wi-wife and f-f-f-family were there.  There was not a d-d-dry eye in the ce-ce-cemetery.  E-e-everyone w-a-was in t-t-t-tears.  As I w-w-w-watched them f-f-file out of th-th-the ce-ce-cemetery I th-th-thought h-h-how s-s—sad.  Th-th-three h-h—hundred m-m-mourners with a s-s-single th-th-thought: ‘Wh-h-ho’s g-g-oing to w-w-win the pre-pre-pre-selection f-f-for his s-s-seat?’”

Potential gig: Lindsay Lohan in mourning garments (sables), Sohu Fashion Achievement Awards Ceremony, Shanghai, China, January, 2014.  Acting is of course a good background for a professional mourner and the career part is sometimes available to even the well-known because their presence at a funeral would be an indicator of the wealth of the deceased.

Culturally, the mourners at one’s funeral can matter because their measure in both quantity & quality greatly can influence how one is remembered and to some (and certainly their surviving friends & family), greatly that matters.  While it’s true that once one is dead, that’s it, the memory others have of one is affected by whether one drank oneself to death, was struck by a meteorite or murdered by the Freemasons and the spectacle of one’s funeral also leaves a lasting impression.  A funeral with a scant few mourners presumably says much about the life of the deceased but for those facing that, there’s the ancient tradition of the professional mourners (known in some places as moirologists, sobbers, wailers, or criers.  In South Africa, those after greater drama can hire someone hysterically to cry and threaten to jump into the grave to join the departed forever wherever they’re going (it’s said this is an “extra-cost” service).

There is reference in both the Old and New Testaments to the profession: In 2 Samuel 14 it was recorded: “…and fetched thence a wise woman, and said unto her, I pray thee, feign thyself to be a mourner, and put on now mourning apparel, and anoint not thyself with oil but as a woman that had a long time mourned the dead.”  It does seem the practice of paid mourning began in China or the Middle East but it was a thing also in ancient Egypt and Rome.  In Egypt, it was actually a formalized part of the ritual (at least for the urban wealthy) in that part of the order of service required the family to pay for the provision of “two professional women mourners”, there as representatives of the psychopomps ( conductors of souls to the afterworld) Isis (inter alia the guardian deity who protected her followers in life and in the afterlife) and her sister Nephtys (protector of the deceased and guardian of the dead).

In Rome, it was more an expression of conspicuous consumption and the more rich or more illustrious a celebrity someone had been while walking the Earth, the better attended and more ostentatious would be the funeral procession, professional mourners making up usually a goodly proportion of the count.  They earned their money because the cultural expectation was they were expected to cry and wail, look distraught, tear at their hair and clothes and scratch their faces with their fingernails, the drawing of a little blood a sign of grief; the more professional mourners in a procession, the higher the implied status of the deceased.  Historically (and apparently cross-culturally), professional mourners have tended to be women because such displays of emotions from them were accepted in a way that wouldn’t have been accepted if exhibited by a man.

Incubus & Succubus

Incubus (pronounced in-kyuh-buhs or ing-kyuh-buhs)

(1) In medieval folklore, a mythical demon or evil spirit said to be a figure appearing in nightmares and (when in explicit male form) known to descend upon sleeping women, engaging in sexual intercourse.

(2) Used loosely, sleep paralysis; night terrors, a nightmare.

(3) Some thought weighing upon one, oppressing one like a nightmare, especially if an obsession which prevents or interrupts sleep.

(4) By extension, a yoke, any oppressive thing or person; a burden.

(5) In entomology, one of various parasitic insects, especially the sub-family Aphidiinae.

1175–1225: From the Middle English incubus, from the Medieval Latin incubus (a nightmare induced by such a demon), a noun derivative of the Latin incubāre (to lie upon; to incubate), from the Latin incubō (nightmare, one who lies down on the sleeper; to lie upon, to hatch), the construct being in- (used in the sense of “on”) +‎ cubō (to lie down).  From the Latin the word was picked up also by Dutch (incubus), French (incube), German (Incubus), Italian (incubo), Portuguese (íncubo), Romanian (incub), Russian (инку́б (inkúb)) and Spanish (íncubo).  Incubus is a noun; the noun plural is incubuses or incubi.

Succubus (pronounced suhk-yuh-buhs)

(1) In medieval folklore, a mythical demon in female form, said to have sexual intercourse with men in their sleep.

(2) Any demon or evil spirit (historically, almost always in female form).

(3) A woman of loose virtue; a strumpet; a whore, a prostitute (archaic).

1350–1400: From the Middle English succubus, from the Medieval Latin succubus, a variant of the Latin succuba (a harlot), from the Latin succubāre (to lie beneath), the construct being sub- (used in the sense of “under”) + cubāre (to lie).  The alternative form was succuba.  Succubus was coined to describe a female form of a fiend on the model of incubus.  The verb succubate (have carnal knowledge of a man (as a succuba) came from the Latin past participle where succuba (a harlot) was use of a woman of human flesh and blood with no suggestion of the supernatural.  The transferred sense of succuba in the Classical Latin was “a supplanter; a rival”.  Succubus & succuba are nouns, succubine is an adjective and succubate is a verb; the noun plural is succubi. 

Lindsay Lohan with bottle of Mountain Dew water leaving an Incubus concert, Hollywood Bowl, Los Angeles, 13 July, 2009.  Incubus is a four or five piece rock band described as “part metal, part funk, part jazz and part hip-hop”.

The incubus was a male demon said to engage in sexual activity with sleeping women, depicted often in situations in which the victim was unable to resist and the subtext was less one of the demon’s desire than a wish to drain energy or life force.  Historically, the visitation of incubi was blamed for causing nightmares and in pre-modern medicine they were attributed as the source of sleep paralysis.  The succubus was a female demon, aid to seduce men, visiting in their dreams and engaging in sexual activity.  In folklore, the notion of unwillingness among the “victims” was not always present and often the succubus depicted as a temptress who exploits human desires, one sub-text being men were really not to blame for falling for her “irresistible” charms.  Despite that, priests would use the succubus to illustrate the dangers of masturbation, linking the demon’s nocturnal visits with the practice.  This association with themes of temptation, sin and the dangers of uncontrolled lust was one of the reasons “succubus” was by the mid-sixteenth century used to mean “a strumpet; a woman of loose virtue, a prostitute”, echoing the earlier Latin succuba (a harlot); the English language has proved endlessly productive in coining terms with which to denigrate women.  The essential distinction was that succubi were depicted as alluring and seductive, whereas incubi were portrayed as invasive and terrifying, themes familiar for thousands of years.  It’s notable that in many folk narratives, it was monks who were said to be especially vulnerable to the ways of the succubi, their sexual skills such that they would draw from the clerics so much energy the unfortunate men could barely sustain themselves, some succumbing to exhaustion and even death.  In Antiquity, although the specific terms incubus (a male demon which rapes sleeping women) and succubus (a female demon which seduces men) were not used, similar ideas do appear in Greek and Roman mythology and in the Christian tradition of the incubi & succubi the ancient beliefs in spirits, demons and seduction were blended and infused with Biblical influence.

The Greek demons

There was Empusa (Ερπουσα), one of the creatures in Hecate's entourage who belonged to the Underworld and filled the night with terrors.  Empusa could assume various shapes and appeared particularly to women and children; feeding on human flesh, she would often assume the form of a young girl to attract her victims.  Lamia (leɪmiə) was a daughter of Poseidon and mother of the Libyan Sibyl.  She was a most terrible monster who was said to steal children and was a terror to nurses.  In one account (in mythology there are many strains), Lamia was the daughter of Belus and Libya and enjoyed an affair with Zeus but on every occasion she gave birth to a child, Hera would arrange for it to die.  All this affected Lamia and she became depressed, in her despair secluding herself in a cave where she became a monster with an obsessive jealousy of mothers more fortunate than herself; she would seize and devour their children.  To punish her more, Hera denied her the ability to sleep so she appealed to Zeus who gave her the power to take out her eyes, replacing them whenever she wished.  The tale of Lamia influenced writers and some other female spirits which attached themselves to children in order to suck their blood were known as Lamiae.

Sirens and the Night (1865), oil on canvas by William Edward Frost (1810-1877).

Hecate (hɛkəti) was another demon where the details vary in different tales.  The poet Hesiod (active 740-650 BC) portrayed her as the offspring of Asteria & Perses and a and a direct descendant of the generation of Titans.  She had some virtues in that when she extended hr goodwill to mortals, variously she could grant material prosperity, eloquence in political assemblies and victory in battle & sporting events.  She had the power to fill the nets of fishermen, make the fields of farmer fecund and fatten their cattle but her reputation suffered because, as a goddess of witchcraft, ghosts, and magic (big things at the time), her retinue included ghostly women or phantoms who preyed upon men in the manner of a succubus.  The Sirens (Σειρῆνες) were deadly creatures who used their lyrical and earthly charms to lure sailors to their death.  Attracted by their enchanting music and voices, the seduced seafarers would sail their ships too close to the rocky coast of the nymph's island and there be shipwrecked.  Not untypically for the myths of antiquity, the sirens are said to have had many homes.  The Romans said they lived on some small islands called Sirenum scopuli while later authors place them variously on the islands of Anthemoessa, on Cape Pelorum, on the islands of the Sirenuse, near Paestum, or in Capreae.  All were places with rocky coasts and tall cliffs.  It was Odysseus who most famously escaped the sirens.  Longing to hear their songs but having no wish to be shipwrecked, he had his sailors fill their ears with beeswax, rendering them deaf.  Odysseus then ordered them to tie him to the mast.  Sailing past, when he heard their lovely voices, he ordered his men to release him but they tightened the knots, not releasing him till the danger had passed.  Some writers claimed the Sirens were fated to die if a man heard their singing and escaped them and that as Odysseus sailed away they flung themselves into the water and drowned.  The idea of the sirens persists in idiomatic use:  The "siren sound" is used to refers to words or something which exerts a particular compelling attraction but a "siren call" can be used of something not directly audible such as the thoughts evoked by a painting or even a concept, populism, fascism & communism all described thus at times.

The Roman demons

The strīx (στριγός) was a bird of ill omen, the product of metamorphosis, infamous for feeding on human flesh and blood.  That behavior saw the name adopted for witches but again the tales vary.  Some claimed the strīx did no harm to mortals while other damn them as vampiric, owl-like creatures,  man-eaters who were the terror of any community upon which they would prey, a notion much pursued by later Medieval writers, always happy to recount takes of bloodthirsty women, the strīx blamed for much child-eating, sometimes with an undertone of seduction or spiritual corruption.  The witches were unconnected with the word Styx.  Styx (Στύξ) was a river of the Underworld and as told by Hesiod, Styx was the oldest of the children of Oceanus & Tethys but the Roman writer Hyginus (Gaius Julius Hyginus (circa 64 BC–17 AD) aid she was one of the children of Nyx & Erebus.  Muddying the waters further, she featured amongst Persephone's companions in the in the Homeric Hymn to Demeter, but there was also a tradition according to which she was Persephone's mother.  Styx was the name of a spring in Arcadia which emerged from a rock above ground, then disappeared underground again.  Its water was poisonous for humans and cattle and could break iron, metal and pottery, though a horse's hoof was unharmed and supposedly, it was waters from this spring which poisoned Alexander III of Macedon (Alexander the Great, 356-323 BC).  The water of the Styx was in some stories said to possess magical powers and it was into its flow that Thetis dipped Achilles (holding by the heel) in order to confer invulnerability.  The satyrs (σάτυρος) were demons of nature which appeared in Dionysus' train, represented often with the lower part of the body resembling that of a horse and the upper part that of a man (sometimes the animal half was that of a goat).  They had a long, thick tail (like that of a horse) and a perpetually erect penis of truly heroic dimensions.  In many stories, they were depicted as enjoying dancing & drinking with Dionysus and pursuing the Maenads & Nymphs.  Over time, the bestial almost vanished as their lower limbs became human with feet rather than hooves with only the full tails remained as a reminder of the old form.  Although infamous for their lascivious behavior, they were not malevolent in the same way as demons although they pursued women and nymphs with as great an enthusiasm as any incubus.

Cereal & Serial

Cereal (pronounced seer-ee-uhl)

(1) Any plant of the grass family yielding an edible grain (wheat, rye, oats, rice, corn, maize, sorghum, millet et al).

(2) The grain from those plants.

(3) An edible preparation of these grains, applied especially to packaged, (often process) breakfast foods.

(4) Of or relating to grain or the plants producing it.

(5) A hamlet in Alberta, Canada.

(6) As Ceres International Women's Fraternity, a women's fraternity focused on agriculture, founded on 17 August 1984 at the International Conclave of FarmHouse fraternity.

1590s: From the sixteenth century French céréale (having to do with cereal), from the Latin cereālis (of or pertaining to the Roman goddess Ceres), from the primitive Indo-European ker-es-, from the root ḱer- (to grow”) from which Latin gained also sincerus (source of the English sincere) and crēscō (grow) (source of the English crescent).  The noun use of cereal in the modern sense of (a grass yielding edible grain and cultivated for food) emerged in 1832 and was developed from the adjective (having to do with edible grain), use of which dates from 1818, also from the French céréale (in the sense of the grains).  The familiar modern use (packaged grain-based food intended for breakfast) was a creation of US English in 1899.  If used in reference to the goddess Ceres, an initial capital should be used.  Cereal, cereology & cerealogist are nouns and ceralic is an adjective; the noun plural is cereals.

Lindsay Lohan mixing Pilk.

Cereal is often used as modifier (cereal farming, cereal production, cereal crop, non-cereal, cereal bar, pseudocereal, cereal dust etc) and a cereologist is one who works in the field of cerealogy (the investigation, or practice, of creating crop circles).  The term “cereal killer” is used of one noted for their high consumption of breakfast cereals although some might be tempted to apply it to those posting TikTok videos extolling the virtue of adding “Pilk” (a mix of Pepsi-Cola & Milk) to one’s breakfast cereal.  Pilk entered public consciousness in December 2022 when Pepsi Corporation ran a “Dirty Sodas” promotion for the concoction, featuring Lindsay Lohan.  There is some concern about the high sugar content in packaged cereals (especially those marketed towards children) but for those who want to avoid added sugar, Pepsi Corporation does sell “Pepsi Max Zero Sugar” soda and Pilk can be made using this.  Pepsi Max Zero Sugar contains carbonated water, caramel color, phosphoric acid, aspartame, acesulfame potassium, caffeine, citric acid, potassium benzoate & calcium disodium EDTA.

TikTok, adding Pilk to cereal and the decline of Western civilization.

A glass of Pilk does of course make one think of Lindsay Lohan but every mouthful of one’s breakfast cereal is something of a tribute to a goddess of Antiquity.  In 496 BC, Italy was suffering one of its periodic droughts and one particularly severe and lingering, the Roman fields dusty and parched.  As was the practice, the priests travelled to consult the Sibylline oracle, returning to the republic’s capital to report a new goddess of agriculture had to be adopted and sacrifices needed immediately to be made to her so rain would again fall on the land.  It was Ceres who was chosen and she became the goddess of agriculture and protector of the crops while the caretakers of her temple were the overseers of the grain market (they were something like the wheat futures traders in commodity exchanges like the Chicago Board of Trade (CBOT)).  It was the will of the goddess Ceres which determined whether a harvest was prolific or sparse and to ensure abundance, the Romans ensured the first cuttings of the corn were always sacrificed to her.  It’s from the Latin adjective cereālis (of or pertaining to the Roman goddess Ceres) English gained “cereal”.

For millennia humanity’s most widely cultivated and harvested crop, cereal is a grass cultivated for its edible grain, the best known of which are rice, barley, millet, maize, rye, oats, sorghum & wheat.  Almost all cereals are annual crops (ie yielding one harvest per planting) although some strains of rice can be grown as a perennial and an advantages of cereals is the differential in growth rates and temperature tolerance means harvesting schedules can be spread from mid-spring until late summer.  Except for the more recent hybrids, all cereals are variations of natural varieties and the first known domestication occurred early in the Neolithic period (circa 7000–1700 BC).  Although the trend in cultivated area and specific yield tended over centuries to display a gradual rise, it was the “green revolution” (a combination of new varieties of cereals, chemical fertilizers, pest control, mechanization and precise irrigation which began to impact agriculture at scale in the mid twentieth century) which produced the extraordinary spike in global production.  This, coupled with the development of transport & distribution infrastructure (ports and bulk carriers), made possible the increase in the world population, now expected to reach around 10 billion by mid-century before declining.

Serial (pronounced seer-ee-uhl)

(1) Anything published, broadcast etc, in short installments at regular intervals (a novel appearing in successive issues of a magazine (ie serialized); a radio or TV series etc).

(2) In library & publishing jargon, a publication in any medium issued in successive parts bearing numerical or chronological designation and intended to be continued indefinitely.

(3) A work published in installments or successive parts; pertaining to such publication; pertaining to, arranged in, or consisting of a series.

(4) Occurring in a series rather than simultaneously (used widely, serial marriage; serial murderer, serial adulterer etc).

(5) Effecting or producing a series of similar actions.

(6) In IT, of or relating to the apparent or actual performance of data-processing operations one at a time (in the order of occurrence or transmission); of or relating to the transmission or processing of each part of a whole in sequence, as each bit of a byte or each byte of a computer word.

(7) In grammar, of or relating to a grammatical aspect relating to an action that is habitual and ongoing.

(8) In formal logic and logic mathematics (of a relation) connected, transitive, and asymmetric, thereby imposing an order on all the members of the domain.

(9) In engineering & mass-production (as “serial number”), a unique (to a certain product, model etc) character string (which can be numeric or alpha-numeric) which identifies each individual item in the production run.

(10) In music, of, relating to, or composed in serial technique.

(11) In modern art, a movement of the mid-twentieth century avant-garde in which objects or constituent elements were assembled in a systematic process, in accordance with the principles of modularity.

(12) In UK police jargon, a squad of officers equipped with shields and other protective items, used for crowd and riot control.

1823: From the New Latin word seriālis, from the Classical Latin seriēs (series), the construct being serial + -al on the Latin model which was seriēs + -ālis.  It was cognate to the Italian seriale.  The Latin seriēs was from serere (to join together, bind), ultimately from the primitive Indo-European ser- (to bind, put together, to line up).  The -al suffix was from the Middle English -al, from the Latin adjectival suffix -ālis, ((the third-declension two-termination suffix (neuter -āle) used to form adjectives of relationship from nouns or numerals) or the French, Middle French and Old French –el & -al.  It was use to denote the sense "of or pertaining to", an adjectival suffix appended (most often to nouns) originally most frequently to words of Latin origin, but since used variously and also was used to form nouns, especially of verbal action.  The alternative form in English remains -ual (-all being obsolete).  The –alis suffix was from the primitive Indo-European -li-, which later dissimilated into an early version of –āris and there may be some relationship with hel- (to grow); -ālis (neuter -āle) was the third-declension two-termination suffix and was suffixed to (1) nouns or numerals creating adjectives of relationship and (2) adjectives creating adjectives with an intensified meaning.  The suffix -ālis was added (usually, but not exclusively) to a noun or numeral to form an adjective of relationship to that noun. When suffixed to an existing adjective, the effect was to intensify the adjectival meaning, and often to narrow the semantic field.  If the root word ends in -l or -lis, -āris is generally used instead although because of parallel or subsequent evolutions, both have sometimes been applied (eg līneālis & līneāris).  Serial, serializer , serialization serialism & serialist are nouns, serialing, serialize & serialed are verbs, serializable is an adjective and serially is adverb; the noun plural is serials.

The “serial killer” is a staple of the horror film genre.  Lindsay Lohan’s I Know Who Killed Me (2007) was not well received upon release but it has since picked up a cult following.

The adjective serial (arranged or disposed in a rank or row; forming part of a series; coming in regular succession) seems to have developed much in parallel with the French sérial although the influence of one on the other is uncertain.  The word came widely to be used in English by the mid nineteenth century because the popular author Charles Dickens (1812–1870) published his novels in instalments (serialized); sequentially, chapters would appear over time in periodicals and only once the series was complete would a book appear containing the whole work.  The first use of the noun “serial” to mean “story published in successive numbers of a periodical” was in 1845 and that came from the adjective; it was a clipping of “serial novel”.  By 1914 this had been extended to film distribution and the same idea would become a staple of radio and television production, the most profitable for of which was apparently the “mini-series”, a term first used in 1971 although the concept had been in use for some time.  Serial number (indicating position in a series) was first recorded in 1866, originally of papers, packages and such and it was extended to soldiers in 1918.  Surprisingly perhaps, given the long history of the practice, the term, “serial killer” wasn’t used until 1981 although the notion of “serial events” had been used of seemingly sequential or related murders as early as the 1960s.  On that model, serial became a popular modifier (serial rapist, serial adulterer, serial bride, serial monogamist, serial pest, serial polygamy etc)

For those learning English, the existence of the homophones “cereal” & “serial” must be an annoying quirk of the language.  Because cereals are usually an annual crop, it’s reasonable if some assume the two words are related because wheat, barley and such are handled in a “serial” way, planting and harvesting recurrent annual events.  Doubtless students are told this is not the case but there is a (vague) etymological connection in that the Latin serere meant “to join together, to bind” and it was used also to mean “to sow” so there is a connection in agriculture: sowing seeds in fields.  For serial, the connection is structural (linking elements in a sequence, something demonstrated literally in the use in IT and in a more conceptual way in “serial art”) but despite the differences, both words in a way involve the fundamental act of creating order or connection.

Serial art by Swiss painter Richard Paul Lohse (1902–1988): Konkretion I (Concretion I, 1945-1946), oil on pavatex (a wood fibre board made from compressed industrial waste) (left), Zwei gleiche Themen (Two same topics, 1947), colored pencil on paper (centre) and  Konkretion III (1947), oil on pavatex.

In modern art, “serial art” was a movement of the mid-twentieth century avant-garde in which objects or constituent elements were assembled in a systematic process in accordance with the principles of modularity.  It was a concept the legacy of which was to influence (some prefer “infect”) other artistic schools rather than develop as a distinct paradigm but serial art is still practiced and remains a relevant concept in contemporary art.  The idea was of works based on repetition, sequences or variations of a theme, often following a systematic or conceptual approach; the movement was most active during the mid-twentieth century and a notable theme in Minimalism, Donald Judd (1928-1994), Andy Warhol (1928–1987), Sol LeWitt (1928-2007) (there must have been something “serial” about 1928) and Richard Paul Lohse (1902-1988) all pioneers of the approach.  Because the techniques of the serialists were adopted by many, their style became interpolated into many strains of modern art so to now speak of it as something distinctive is difficult except in a historic context.  The embrace by artists of digital tools, algorithms, and AI (Artificial Intelligence) technologies has probably restored a new sort of “purity” to serial art because generative processes are so suited to create series of images, sculptures or digital works that explore themes like pattern, progression, or variation, the traditional themes of chaos, order and perception represented as before.  In a way, serial art was just waiting for lossless duplication and the NFT (Non-fungible token) and more conservative critics still grumble the whole idea is little different to an architect’s blueprint which documents the structural framework without the “skin” which lends the shape its form.  They claim it's the engineering without the art.

Relics of the pre-USB age; there were also 25 pin serial ports.

In IT hardware, “serial” and “parallel” refer to two different methods of transmitting data between devices or components and the distinction lies in how data bits are sent over a connection.  In serial communication, data was transmitted one bit at a time over as little as single channel or wire which in the early days of the industry was inherently slow although in modern implementations (such as USB (Universal Serial Bus) or PCIe (Peripheral Component Interconnect Express)) high speeds are possible.  Given what was needed in the early days, serial technology was attractive because the reduction in wiring reduced cost and complexity, especially over the (relatively) long distances at which serial excelled and with the use of line-drivers, the distances frequently were extended to hundreds of yards.  The trade-off was of course slower speed but these were simpler times.  In parallel communication, data is transmitted multiple bits at a time, each bit traveling simultaneously over its own dedicated channel and this meant it was much faster than serial transmission.  Because more wires were demanded, the cost and complexity increased, as did the potential for interference and corruption but most parallel transmission was over short distances (25 feet (7½ metres) was “long-distance”) and the emergence of “error correcting” protocols made the mode generally reliable.  For most, it was the default method of connecting a printer and for large file sizes the difference in performance was discernible, the machines able to transmit more data in a single clock cycle due to simultaneous bit transmission.  Except for specialized applications or those dealing with legacy hardware (and in industries like small-scale manufacturing where such dedicated machines can be physically isolated from the dangers of the internet, parallel and serial ports and cables continue to render faithful service) parallel technology is effectively obsolete and serial connections are now almost universally handled by the various flavours of USB.