Kamikaze

Kamikaze (pronounced kah-mi-kah-zee or kah-muh-kah-zee)

(1) A member of a World War II era special corps in the Japanese air force charged with the suicidal mission of crashing an aircraft laden with explosives into an enemy target, especially Allied Naval vessels.

(2) In later use, one of the (adapted or specifically built) airplanes used for this purpose.

(3) By extension, a person or thing that behaves in a wildly reckless or destructive manner; as a modifier, something extremely foolhardy and possibly self-defeating.

(4) Of, pertaining to, undertaken by, or characteristic of a kamikaze; a kamikaze pilot; a kamikaze attack.

(5) A cocktail made with equal parts vodka, triple sec and lime juice.

(6) In slang, disastrously to fail.

(7) In surfing, a deliberate wipeout.

1945: From the Japanese 神風 (かみかぜ) (kamikaze) (suicide flyer), the construct being kami(y) (god (the earlier form was kamui)) + kaze (wind (the earlier form was kanzai)), usually translated as “divine wind” (“spirit wind” appearing in some early translations), a reference to the winds which, according to Japanese folklore, destroying Kublai Khan's Mongol invasionfleet in 1281.  In Japanase military parlance, the official designation was 神風特別攻撃隊 (Shinpū Tokubetsu Kōgekitai (Divine Wind Special Attack Unit)).  Kamikaze is a noun, verb & adjective and kamikazeing & kamikazed are verbs; the noun plural is kamikazes.  When used in the original sense, an initial capital is used. 

HESA Shahed 136 UAV.

The use of kamikaze to describe the Iranian delta-winged UAV (unmanned aerial vehicle, popularly known as “drones”) being used by Russia against Ukraine reflects the use of the word which developed almost as soon as the existence of Japan’s wartime suicide bomber programme became known.  Kamikaze was the name of the aviators and their units but it was soon also applied to the aircraft used, some re-purposed from existing stocks and some rocket powered units designed for the purpose.  In 1944-1945 they were too little, too late but they proved the effectiveness of precision targeting although not all military cultures would accept the loss-rate the Kamikaze sustained.  In the war in Ukraine, the Iranian HESA Shahed 136 (شاهد ۱۳۶ (literally "Witness-136" and designated Geran-2 (Герань-2 (literally "Geranium-2") by the Russians) the kamikaze drone have proved extraordinarily effective being cheap enough to deploy en masse and capable of precision targeting.  They’re thus a realization of the century-old dream of the strategic bombing theorists to hit “panacea targets” at low cost while sustaining no casualties.  Early in World War II, the notion of panacea targets had been dismissed, not because as a strategy it was wrong but because the means of finding and bombing such targets didn’t exist, thus “carpet bombing” (bombing for several square miles around any target) was adopted because it was at the time the best option.  Later in the war, as techniques improved and air superiority was gained, panacea targets returned to the mission lists but the method was merely to reduce the size of the carpet.  The kamikaze drones however can be pre-programmed or remotely directed to hit a target within the tight parameters of a GPS signal.  The Russians know what to target because so many blueprints of Ukrainian infrastructure sit in Moscow’s archives and the success rate is high because, deployed in swarms because they’re so cheap, the old phrase from the 1930s can be updated for the UAV age: “The drone will always get through”.

Imperial Japan’s Kamikazes

By 1944, it was understood by the Japanese high command that the strategic gamble simultaneously to attack the US Pacific Fleet at anchor in Pearl Harbor and the Asian territories of the European powers.  Such was the wealth and industrial might of the US that within three years of the Pearl Harbor raid, the preponderance of Allied warships and military aircraft in the Pacific was overwhelming and Japan’s defeat was a matter only of time.  That couldn’t be avoided but within the high command it was thought that if the Americans understood how high would be the causality rate if they attempted an invasion of the Japanese home islands, that and the specter of occupation might be avoided and some sort of "negotiated settlement" might be possible, the notion of the demanded "unconditional surrender" unthinkable.

HMS Sussex hit by Kamikaze (Mitsubishi Ki-51 (Sonia)), 26 July 1945 (left) and USS New Mexico (BB-40) hit by Kamikaze off Okinawa, 12 May 1945 (right).

Although on paper, late in the war, Japan had over 15,000 aircraft available for service, a lack of development meant most were at least obsolescent and shortages of fuel increasingly limited the extent to which they could be used in conventional operations.  From this analysis came the estimate that if used as “piloted bombs” on suicide missions, it might be possible to sink as many as 900 enemy warships and inflict perhaps 22,000 causalities and in the event of an invasion, when used at shorter range against landing craft or beachheads, it was thought an invading force would sustain over 50,000 casualties by suicide attacks alone.  Although the Kamikaze attacks didn't achieve their strategic objective, they managed to sink dozens of ships and kill some 5000 allied personnel.  All the ships lost were smaller vessels (the largest an escort carrier) but significant damage was done to fleet carriers and cruisers and, like the (also often dismissed as strategically insignificant) German V1 & V2 attacks in Europe, resources had to be diverted from the battle plan to be re-tasked to strike the Kamikaze air-fields.  Most importantly however, so vast by 1944 was the US military machine that it was able easily to repair or replace as required.  Brought up in a different tradition, US Navy personnel the target of the Kamikaze dubbed the attacking pilots Baka (Japanese for “Idiot”).

A captured Japanese Yokosuka MXY-7 Ohka (Model 11), Yontan Airfield, April 1945.

Although it’s uncertain, the first Kamikaze mission may have been an attack on the carrier USS Frankin by Rear Admiral Arima (1895-1944) flying a Yokosuka D4Y Suisei (Allied codename Judy) and the early flights were undertaken using whatever airframes were available and regarded, like the pilots, as expendable.  Best remembered however, although only 850-odd were built, were the rockets designed for the purpose.  The Yokosuka MXY-7 Ohka (櫻花, (Ōka), (cherry blossom)) was a purpose-built, rocket-powered attack aircraft which was essentially a powered bomb with wings, conceptually similar to a modern “smart bomb” except that instead of the guidance being provided by on board computers and associated electronics which were sacrificed in the attack, there was a similarly expendable human pilot.  Shockingly single-purpose in its design parameters, the version most produced could attain 406 mph (648 km/h) in level flight at relatively low altitude and 526 mph (927 km/h) while in an attack dive but the greatest operational limitation was the range was limited to 23 miles (37 km), forcing the Japanese military to use lumbering Mitsubishi G4N (Betty) bombers as “carriers” (the Ohka the so-called "parasite aircraft") with the rockets released from under-slung assemblies when within range.  As the Ohka was originally conceived (with a range of 80 miles (130 km)), as a delivery system that may have worked but such was the demand on the designers to provide the highest explosive payload, the fuel load was reduced, restricting the maximum speed to 276 mph (445 km/h), making the barely maneuverable little rockets easy prey for fighters and even surface fire.

Yokosuka MXY-7 Ohka.

During the war, Japan produced more Mitsubishi G4Ms than any other bomber and its then remarkable range (3130 miles (5037 km)) made it a highly effective weapon early in the conflict but as the US carriers and fighters were deployed in large numbers, its vulnerabilities were exposed: the performance was no match for fighters and it was completely un-armored without even self-sealing fuel tanks, hence the nick-name “flying lighter” gained from flight crews.  However, by 1945 Japan had no more suitable aircraft available for the purpose so the G4M was used as a carrier and the losses were considerable, an inevitable consequence of having to come within twenty-odd miles of the US battle-fleets protected by swarms of fighters.  It had been planned to develop a variant of the much more capable Yokosuka P1Y (Ginga) (as the P1Y3) to perform the carrier role but late in the war, Japan’s industrial and technical resources were stretched and P1Y development was switched to night-fighter production, desperately needed to repel the US bombers attacking the home islands.  Thus the G4M (specifically the G4M2e-24J) continued to be used.

Watched by Luftwaffe chief Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945), Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) presents test pilot Hanna Reitsch (1912-1979) with the Iron Cross (2nd class), Berlin, March, 1941 (left); she was later (uniquely for a woman), awarded the 1st-class distinction.  Conceptual sketch of the modified V1 flying bomb (single cockpit version, right).

The idea of suicide missions also appealed to some Nazis, predictably most popular among those never likely to find themselves at the controls, non-combatants often among the most blood-thirsty of politicians.  The idea had been discussed earlier as a means of destroying the electricity power-plants clustered around Moscow but early in 1944, the intrepid test pilot Hanna Reitsch suggested to Adolf Hitler (1889-1945; German head of government 1933-1945 & of state 1934-1945) a suicide programme as the most likely means of hitting strategic targets.  Ultimately, she settled on using a V1 flying bomb (the Fieseler Fi 103R, an early cruise missile) to which a cockpit had been added, test-flying it herself and even mastering the landing, a reasonable feat given the high landing speed.  As a weapon, assuming a sufficient supply of barely-trained pilots, it would probably have been effective but Hitler declined to proceed, feeling things were not yet sufficiently desperate.  The historic moment passed although in the skies above Germany, in 1945 there were dozens of what appeared to be "suicide attacks" by fighter pilots ramming their aircraft into US bombers.  The Luftwaffe was by this time so short of fuel that training had been cut to the point new recruits were being sent into combat with only a few hours of solo flying experience so it's believed some incidents may have been "work accidents" but the ad-hoc Kamikaze phenomenon was real.

According to statics compiled by the WHO (World Health Organization) in 2021, globally, there were an estimated 727,000 suicides and within the total: (1) among 15–29-year-olds, suicide was the third leading cause of death (2) for 15–19-year-olds, it was the fourth leading and (3) for girls aged 15–19, suicide ranked the third leading.  What was striking was that in middle & high income nations, suicide is the leading cause of death in the young (typically defined as those aged 15-29 or 15-34.  Because such nations are less affected by infectious disease, armed conflicts and accident mortality that in lower income countries, it appeared there was a “mental health crisis”, one manifestation of which was the clustering of self-harm and attempted suicides, a significant number of the latter successful.  As a result of the interplay of the economic and social factors reducing mortality from other causes, intentional self-harm stands out statistically, even though suicide rates usually are not, in absolute terms, “extremely” high.  Examples quoted by the WHO included:

Republic of Korea (ROK; South Korea): Among people aged 10–39, suicide is consistently the leading cause of death and that’s one of the highest youth suicide rates in the OECD (Organization of Economic Cooperation & Development, sometimes called the “rich countries club” although changes in patterns of development have compressed relativities and that tag is not as appropriate as once it was.

Japan (no longer styled the “Empire of Japan although the head of state remain an emperor): Suicide is the leading cause of death among those aged 15-39 and while there was a marked decline in the total numbers after the government in the mid 1990s initiated a public health campaign the numbers did increase in the post-COVID pandemic period.  Japan is an interesting example to study because its history has meant cultural attitudes to suicide differ from those in the West.

New Zealand (Aotearoa): New Zealand has one of the highest youth suicide rates in the developed world, especially among Māori youth and although the numbers can bounce around, for those aged 15–24, suicide is often the leading or second leading cause of death.

Finland:  For those aged 15-24, suicide is always among leading causes of mortality and in some reporting periods the leading one.  Because in Finland there are there are extended times when the hours of darkness are long and the temperatures low, there have been theories these conditions may contribute to the high suicide rate (building on research into rates of depression) but the studies have been inconclusive.

Australia: Suicide is the leading cause of death for those in the cohorts 15–24 and 25–44 and a particular concern is the disproportionately high rate among indigenous youth, the incidents sometimes happening while they’re in custody.  In recent years, suicide has road accidents and cancer as the leading cause in these age groups.

Norway & Sweden: In these countries, suicide is often one of the top three causes of death among young adults and in years when mortality from disease and injury are especially low it typically will rise to the top.

Kamikaze Energy Cans in all six flavors (left) and potential Kakikaze Energy Can customer Lindsay Lohan (right).

Ms Lohan was pictured here with a broken wrist (fractured in two places in an unfortunate fall at Milk Studios during New York Fashion Week) and 355 ml (12 fluid oz) can of Rehab energy drink, Los Angeles, September 2006.  Some recovering from injuries find energy drinks a helpful addition to the diet.  The car is a 2005 Mercedes-Benz SL 65 (R230; 2004-2011) which earlier had featured in the tabloids after a low-speed crash.  The R230 range (2001-2011) was unusual because of the quirk of the SL 550 (2006-2011), a designation used exclusively in the North American market, the RoW (rest of the world) cars retaining the SL 500 badge even though both used the 5.5 litre (333 cubic inch) V8 (M273).

Given the concerns about suicide among the young, attention has in the West been devoted the way the topic is handled on social media and the rise in the use of novel applications for AI (artificial intelligence) has flagged new problems, one of the “AI companions” now wildly popular among youth (the group most prone to attempting suicide) recently in recommending their creator take his own life.  That would have been an unintended consequence of (1) the instructions given to the bot and (2) the bot’s own “learning process”, the latter something which the software developers would have neither anticipated nor expected.  Given the sensitivities to the way suicide is handled in the media, on the internet or in popular culture, it’s perhaps surprising there’s an “energy drink” called “Kamikaze”.  Like AI companions, the prime target for the energy drink suppliers is males aged 15-39 which happens to be the group most at risk of suicide thoughts and most likely to attempt suicide.  Despite that, the product’s name seems not to have attracted much criticism and the manufacturer promises: “With your Kamikaze Energy Can, you'll enjoy a two-hour energy surge with no crash.”  Presumably the word “crash” was chosen with some care although, given the decline in the teaching of history at school & university level, it may be a sizeable number of youth have no idea about the origin of “Kamikaze”.  Anyway, containing “200mg L-Citrulline, 160mg Caffeine Energy, 1000mg Beta Alanine, vitamin B3, B6 & B12, zero carbohydrates and zero sugar, the cans are available in six flavours: Apple Fizz, Blue Raspberry, Creamy Soda, Hawaiian Splice, Mango Slushy & Rainbow Gummy.

Cutthroat

Cutthroat (pronounced kuht-throht)

(1) Slang for a murderer (regardless of chosen method) or one thought capable of murder (based on the notion of "cutting the throat" being a classic, ancient method of murder (done properly, being quick, rapid and almost silent)).

(2) Ruthless in competition.

(3) In games of cards where the rules permit each of three or more persons to act and score as an individual.

(4) In billiards, a three person game where the object is to be the last player with at least one ball still on the table.

(5) As cutthroat eel, a family, Synaphobranchidae, of eels found worldwide in temperate and tropical seas.

(6) As cutthroat trout (Oncorhynchus clarkii), a species of freshwater fish in the salmon family of order Salmoniformes.

(7) As cutthroat finch, a common species of estrildid finch found in Africa.

(8) As cutthroat razor, a reusable knife blade used for shaving hair.

(9) In linguistics, as an ellipsis of cutthroat compound (an agentive-instrumental verb-noun compound word).

1525–1535: A compound word, the construct bing cut + throat.  the early twelfth century cut was from the Middle English cutten, kitten, kytten & ketten (to cut), from the Old English cyttan (related to the Scots kut & kit (to cut)), probably of North Germanic origin, from the Old Norse kytja & kutta, from the Proto-Germanic kutjaną & kuttaną (to cut), of uncertain origin but possibly related to the Proto-Germanic kwetwą (meat, flesh).  It was akin to the Middle Swedish kotta (to cut or carve with a knife), the Swedish kuta & kytti (a knife)), the Norwegian kutte (to cut), the Icelandic kuta (to cut with a knife), the Old Norse kuti (small knife) and the Norwegian kyttel, kytel & kjutul (pointed slip of wood used to strip bark).  Descent from the Old French coutel (knife) is thought improbable and it displaced the native Middle English snithen (from Old English snīþan (related to the German schneiden)), which survives still in some dialects as snithe.  The pre-900 t was from the Middle English throte, from the Old English throtu, þrote, þrota & þrotu (throat), from the Proto-Germanic þrutō (throat), from the primitive Indo-European trud- (to swell, become stiff).  It was cognate with the Dutch strot (throat), the German drossel (throttle, gorge of game (wild animals)), the Icelandic þroti (swelling) and the Swedish trut.  The Old English throtu was related to the Old High German drozza (throat) and the Old Norse throti (swelling).  Words with a similar meaning in the figurative sense include ferocious, vicious, savage, barbarous, bloodthirsty, cruel, dog-eat-dog, merciless, pitiless & relentless and unprincipled.  The alternative form is cut-throat although dictionaries note the rare use of cut throat.  Cutthroat is a noun & adjective; the noun plural is cutthroats.

You're wrong.—He was the mildest manner'd man
That ever scuttled ship or cut a throat:
With such true breeding of a gentleman,
You never could divine his real thought;
No courtier could, and scarcely woman can
Gird more deceit within a petticoat;
Pity he loved adventurous life's variety,
He was so great a loss to good society.

Don Juan (1819–24) canto III, stanza XLI, by Lord Byron (1788–1824)

A hover of cutthroat trout.

The cutthroat trout (Oncorhynchus clarkii) is of the family Salmonidae and is native to a number of North American cold-water tributaries of the Pacific Ocean and Rocky Mountains.  The common name "cutthroat" is derived from the coloration on the underside of the lower jaw.  Despite the use of the name, not all cutthroat trout instantly are recognizable.  Coastal cutthroat trout occur as sea-run or freshwater-resident forms in streams and lakes in a coastal range from lower south-east Alaska to Prince William Sound and are the most common trout species in the region.  What was noted as early as the 1950s was a lack of a distinct red slash mark in some sea-run and lake-resident forms which meant easily they could be confused with rainbow trout and although a positive identification was possible because (unlike the rainbow) the cutthroat is marked by the by the presence of minute teeth between the gills behind the base of the tongue, that obviously demanded close inspection.  That cutthroat trout and rainbow trout often share the same habitats does lead to occasional hybridization (the mating producing fertile offspring) which can make identification challenging as the hybrid fish are intermediate in appearance.

HMS Dreadnought at anchor, 1908.

The “cutthroat compound” is one of the more recent additions to the jargon of structural linguistics, the term in 2015 coined by historical linguist Brianne Hughes to describe a compound word formed from a transitive verb followed by a noun that is the object of that verb and the form is self-referential because “cutthroat” is such a form.  According to Ms Hughes’ analysis, although her research revealed some 1350 have from time-to-time been created, in Modern English, fewer than three dozen remain in common use, the most frequently heard being “breakfast” (the meal that “breaks the fast” since dinner, supper, midnight snack or whatever was one’s last meal).  She listed some which have survived to appear occasionally (swashbuckler, sawbones, and skinflint) but, being a historical linguist it was the “fun” ones which caught her eye and these included “catch-fart” (a footboy or servant who follows too closely behind his master, “hugmoppet” (an overly-affectionate old woman), “lackbeard” (a young man) and the hopefully metaphorical “lickspittle” (a toady or yes-man, base on the imagery of “one who licks up the spittle of another”.  More familiar are “daredevil” (one who “dares” the devil (ie takes great risks, tempting the devil to “take them to Hell”), “scarecrow” (used to “scare away crows”, “spoilsport” (one who ruins the fun), “turncoat” (one who changes their allegiance), “breakwater” (something that diverts or breaks the force of water) and “pickpocket” (one who “picks pockets”).  At the margins, deconstruction can be challenging: Is a dreadnought (1) an individual with a dread of nothing or (2) an individual who does but dread?  As the Royal Navy knew, it was the former and Admiral of the Fleet Jackie Fisher (First Baron Fisher, 1841–1920; First Sea Lord 1904–1910 & 1914–1915), the figure most associated with the epoch-making HMS Dreadnought (1906), when raised to the peerage, choose as the motto on his coat of arms: “Fear God and dread nought”.  Much the old salt would much have preferred the punchy “cutthroat compound” to the academic textbook term in the linguistics literature: “agentive and instrumental exocentric verb-noun compounds”.

In the cutthroat position: Lindsay Lohan (b 1986, left) and Vanessa Lachey (née Minnillo, b 1980, right), staged shot, June, 2007.

There are also surnames which are cutthroat compounds (William Makepeace Thackeray (1811–1863); Ada Lovelace (1815-1852) & William Shakespeare (1564–1616) and the constructs appear also in other languages, the French amuse-bouche a small appetizer meant to “amuse one’s bouche (mouth)” (ie taste good).  As a device, the technique was in Romance languages a common way to form agent nouns but use was rare in Germanic languages (which use the suffix “-er” or its homologues).  The increase in the appearance of the pattern in English after the Norman Conquest (1066 and all that) was a consequence of French influence and linguistic anthropologists believe this reflected sociological factors: forming agent nouns in this way for despicable or derisible agents (such as cutthroat and turncoat) was apparently one way the English could mock both the French and those English folk who had become “affected”, speaking French and acting “more French than the French”.

Semaphore

Semaphore (pronounced sem-uh-fawr or sem-uh-fohr)

(1) A “line-of-sight” apparatus (mechanical, hand-held or activated and now even electronic) for conveying information by means of visual signals (typically flags or lights, the positions of which are changed as required).

(2) Any of various devices for signaling by changing the position of a light, flag or other identifiable indicator.  Historically, a common use of “semaphore” was as a noun adjunct (also called a noun modifier or attributive noun) including “semaphore flag”, “semaphore chart”, “semaphore operator etc.

(3) A codified system of signaling, especially a system by which a special flag is held in each hand and various positions of the arms denoting specific letters, numbers etc.  It remains part of Admiralty signals training.

(4) In biochemistry (as semaphoring), any of a class of proteins that assist growing axons to find an appropriate target and to form synapses.

(5) In biology (as semaphoront), an organism as seen in a specific time during its ontogeny or life cycle, as the object of identification or basis for systematics.

(6) In botany (as semaphore plant), a synonym for the telegraph plant (Codariocalyx motorius), a tropical Asian shrub, one of the few plants capable of rapid movement and so named because the jerking motions of the leaves recalled in observers the actions of the arms of Admiralty signallers and the name dates from the Raj.

(7) In programming, a bit, token, fragment of code, or some other mechanism which is used to restrict access to a shared function or device to a single process at a time, or to synchronize and coordinate events in different processes, the thread increments the semaphore to prevent other threads from entering the critical section at the same time.

(8) In figurative use (in human and animal behavior), certain non-verbal communications, used consciously and unconsciously, the concept often explored as a literary device.

(9) To signal (information) by means of semaphore

1814: From the French sémaphore, the construct being the Ancient Greek, σῆμα (sêma) (mark, sign, token) + the French -phore (from the Ancient Greek -φόρος (-phóros), the suffix indicating a bearer or carrier) and thus understood as “a bearer of signals”.  The Greek –phóros was from pherein (to carry), from the primitive Indo-European root bher- (to carry).  The verb was derived from the noun.  Semaphore is a noun & verb, semaphorist, semaphoront & semaphorin are nouns, semaphored is a verb, semaphoring is a verb & adjective, semaphoric & semaphorical are adjectives and semaphorically is an adverb; the noun plural is semaphores.  The noun semaphorism is non-standard but is used in behavioral linguistics to describe patterns of language used to convey meaning in a “coded” form which can be deconstructed for meaning only by sender and receiver.  The form semaphoreology seems not to exist but if anyone ever makes a discipline of the study of semaphore (academic careers have been built from more improbable origins), presumably there will be semaphoreologists.

Chart of the standard semaphore alphabet (top left), a pair of semaphore flags (bottom left) and Lindsay Lohan practicing her semaphore signaling moves (just in case, should the need arise); this is the letter “N”.

Semaphore flags are not always red and yellow, but the colors are close to a universal standard, especially in naval and international signalling.  There was no intrinsic meaning denoted by the use of red & yellow, the hues chosen for their contrast and visual clarity, something important in maritime environments or other outdoor locations when light could often be less than ideal although importantly, the contrast was sustained even in bright sunshine.  Because semaphore often was used for ship-to-to ship signalling, the colors had to be not only easily distinguishable at a distance but not be subject to “melting” or “blending”, a critical factor when used on moving vessels in often pitching conditions, the operator’s moving arms adding to the difficulties.  In naval and maritime semaphore systems, the ICS (International Code of Signals) standardized full-solid red and yellow for the flags but variants do exist (red, white, blue & black seem popular) and these can be created for specific conditions, for a particular cultural context or even as promotional items.

L-I-N-D-S-A-Y-space-L-O-H-A-N spelled-out in ICS (International Code of Signals) semaphore.  One can't tell when this knowledge will come in handy.

Early automobiles were sometimes fitted with mechanical semaphore signals to indicate a driver’s intention to change direction; these the British called “trafficators” (“flippers” in casual use) and they were still being fitted in the late 1950s, by which time they’d long been illuminated to glow a solid amber.  What the mechanical semaphores did was use the model of the extended human arm, used by riders or drivers in the horse-drawn age to signal their intentions to others and although obviously vulnerable to damage, the devices were at the time a good solution although the plastics used from the 1930s were prone to fading, diminishing the brightness.  When electronics advanced to the point where sequentially flashing turn indicators (“flashers”) cheaply could be mass-produced the age of the semaphore signal ended although they did for a while persist on trucks where they were attached to the exterior of the driver’s door and hand activated.

Hand-operated semaphore signal on driver's door of RHD (right-hand-drive) truck (left), an Austin A30 with electrically-activated semaphore indicating impending leftward change of direction (centre) and electrically-activated right-side semaphore on 1937 Rolls-Royce Phantom III Gurney Nutting Touring Limousine (right).

The A30 (1952-1956) was powered by an 803 cm³ (49 cubic inch) four cylinder engine while the Phantom III (1936-1939) was fitted with a 7338 cm³ (447 cubic inch) V12 (noted diarist Sir Henry “Chips” Channon (1897–1958) owned one) so the driving experience was very different but both used the same Lucas semaphore assembly.  Note the "BEWARE, TRAFFICATORS IN USE" notice in A30's rear window.  Because drivers are no longer attuned to look for the now archaic semaphores, some jurisdictions (while still allowing their operation), will permit road registration only if supplementary flashing indicators (now usually amber) are fitted.  In the 1960s many trafficator-equipped cars were modernized with flashers and it's now only collectors or restorers who prize the originality of the obsolete.

Low-emission Trabant (rated at 1 PP (pony-power)) with driver using semaphore signal to indicate intention to turn left, Barnim district, Bernau bei Berlin, GDR, 1981.

As late as the 1960s, in some places, trucks & vans still were being built with a hand-operated semaphore mounted on the driver’s door and specialized vehicles likely also to have an occupant on the passenger-side (such as fire-engines) sometimes had two.  If need be they could also be improvised, as in the low-tech “lollipop” sign being used in this image of a two-seater buggy, a vehicle crafted using the salvageable section of a Trabant which may have suffered frontal damage in a crash.  Trabants really could go fast enough to have damaging crashes and although not engineered with the “crumple zones” which were introduced in the West as a way of absorbing an impact’s energy before it reached the occupants, in their own way, crumple Trabants did.  In the GDR (German Democratic Republic, the old East Germany), the long-running (1957-1991) Trabant's bodywork was made with Duroplast, a composite thermosetting plastic (and a descendant of Bakelite).  It was a resin plastic reinforced with fibres (the GDR used waste from both cotton & wool processing) and was structurally similar to fibreglass although the urban myth Trabants were made from reinforced cardboard persists.  The first Trabants left the Saxony production line in November 1957, only weeks after the Soviet Union had startled the world (certainly those in Pentagon and such places) by launching Sputnik, the first man-made Earth satellite.  Launched into an elliptical low Earth orbit where it circulated for three months, it did nothing other than transmit radio pulses which, because of the flight path, could at various time be detected just about anywhere below.  Compared with what space programmes would become, it sounds now a modest achievement but at the time was a sensation and the event which triggered the “space race”.

Two comrades approaching their 1957 Trabant P50 in stylish korallenrot (coral red) over creme (cream).  Note the amber turn signals; Trabants were factory-fitted with flashers at a time Rolls-Royce and other manufacturers in the “advanced West” were still installing antiquated semaphores.

In the Eastern Bloc there weren’t many marketing departments but there was a vast propaganda apparatus and opportunistically, the name Trabant was derived from the Middle High German drabant (satellite; companion; foot soldier) which at the time was a positive association with the famous Sputnik but it later became emblematic of the economic and moral bankruptcy of the whole communist project: While by the fall of the Berlin Wall (1961-1989) Soviet satellites and related technologies greatly had advanced, the “Trubi” remained a little changed “1957 time capsule”.  Although much despised in the early 1990s in the aftermath of the break-up of the Soviet Union (1922-1991), opinions softened and the survivors of the more than three million produced (a greater volume than BMC's (British Motor Corporation) Mini (1959-2000)) gained a cult following.  More correctly, the marque gained a number of cult followings, some attracted by the “retro-cuteness”, some with genuine, Putinesque nostalgia for the old Soviet system and other with a variety of projects as varied as EV (electric vehicle) conversions, the installation of V8s for drag-racing and the re-purposing in many forms of competition.

Two comrades with their 1960 Trabant P50 in stylish two-tone pastellblau (pastel blue) over creme (cream) admiring the Leipzig Opera building, Saxony, circa 1961.

The Trubi is now a fixture in the lower reaches (a notch above the Austin Allegro) of the collector market.  The photograph of the horse-drawn Trubi, while not representative of the entire Eastern Bloc experience under communist rule, captures a sight which would not have been uncommon away from large urban centres (which could be grim enough).  Dr Henry Kissinger (1923-2023; US national security advisor 1969-1975 & secretary of state 1937-1977) said his abiding memory of Eastern Bloc cities was of “the smell of boiled cabbage and an unrelenting greyness.”  In fairness, English cooks probably inflicted worse on the noble cabbage than anything done behind the Iron Curtain but his sense of “greyness” was literal, the appalling air pollution of the GDR (its industrial base powered by burning lignite (from the Latin lignum (wood)) and other forms of low-grade, “dirty coal”), thus the griminess of the buildings.  Places like London similarly were affected and it was only after the 1952 “Great Smog of London” that the Clean Air Act (1956) became law, meaning air quality began slowly to improve.  That the photographs of the era look so drab is not because of the film stock; buildings literally were “dirty”.  Because of various other advances in health care, it’s difficult to quantify the contribution to reducing mortality achieved by reducing air pollution but few doubt it was significant.

Left & right semaphore signals (trafficators): Lucas part number SF80 for one’s Austin A30, Morris Minor or Rolls-Royce Silver Wraith.  In the 1950s, the price may have varied between resellers.

Although the grim realities of post-war economics meant standardization began to intrude, even in the 1950s Rolls-Royce made much of things being “bespoke” and while that was still true of some of the coach-work, what lay beneath the finely finished surface was often from the industry parts-bin and the semaphore turn signals the company fitted to the Silver Wraith (1946-1958) and Silver Dawn (1949-1955) was Lucas part number SF80, exactly the same component used by the humble Austin A30 and Morris Minor (1948-1971) where the functionality was identical.  Presumably, were one to buy the part from Rolls-Royce one would have been charged more (perhaps it was wrapped in more elaborate packaging) and that’s a well-understood industry phenomenon.  The internet has made it easier to trace such commonalities but in the 1980s there was a most useful publication which listed shared part-numbers which differed only in the prices charged, a switch for a Lamborghini which might retail for hundreds available from the Fiat parts counter (a busy place folklore suggests) for $12 while those aghast at the price quoted for a small linkage in a Triumph’s Stag’s induction system were pleased the same thing could be bought from a Ford dealer for a fraction of the cost.  Rolls-Royce fitted their last trafficator in 1958 and when Austin updated the A30 as the A35 (1956-1968) flashers were standard equipment, metal covering the apertures where once the semaphores had protruded while internally there was a panel concealing what had once been an access point for servicing.  The Morris Minor, the last of which wasn’t (in CKD (completely knocked down) form) assembled in New Zealand until 1974(!) switched from trafficators to flashers in 1961, the exterior and interior gaps concealed al la the A35.

Left-side semaphore on 1951 Volkswagen Type 1 (Beetle).

The Latin sēmaphorum (the alternative form was sēmaphoru) is thought to be a calque of the Italian semaforo (traffic light), again borrowed from the French sémaphore in the literal sense of “signaling system”.  The modern Italian for “traffic light” is semaforo although (usually for humorous effect) sēmaphorum is sometimes used as Contemporary Latin.  Traffic lights have for over a century regulated the flow of vehicles in urban areas but the first semaphore signal predated motorized transport, installed in London in 1868.  It was introduced not because it would perform the task better than the policemen then allocated but because it was cheaper and was an example of the by then common phenomenon of machines displacing human labor.  The early mechanical devices were pre-programmed and thus didn’t respond to the dynamics of the environment being controlled and that applied also to the early versions of the now familiar red-amber-green “traffic lights” which began to proliferate in the 1920s but by the 1950s there were sometime sensors (weight-sensitive points in the road) which could “trigger” a green light if the pre-set timing was creating a needless delay.  Even before the emergence of AI (artificial intelligence) in the modern sense of the term, implementations of AI had been refining the way traffic light systems regulated vehicular flow and in major cities (China apparently the most advanced), cameras, sensors, face and number plate recognition all interact to make traffic lights control the flow with an efficiency no human(s) could match.

ASMR semaphore porn: 1955 Austin A30.  ASMR (Autonomous Sensory Meridian Response) describes the physical & psychological pleasure derived from specific stimuli (usually a sound).  For some, this can be the sight & sound of South Korean girls on TikTok eating noodles while for those fond of machines it can come from hearing semaphore turn-signals being raised and lowered.

Whether it was the early semaphore signals or the soon to be ubiquitous illumined red-amber-green lights, what the system relied on was compliance; inherently, lacking physical agency, a piece of colored glass can’t stop a car but that almost always is the effect of a “red light”.  In behaviorism, this was described as discriminative stimulus (SD) in that the red light culturally is understood as a universal cue signalling a punishment might follow any transgression (ie “running the red light”), thus the incentive to obey the signal and avoid negative consequences (crashing or being fined).  What SD does is control behavior through learned association.  The use of red comes from semiotics and the color is culturally assigned to “stop” as green is to “go”, these allocated by virtue of historical associations which long pre-date the technology in the same way semiotics are used (as red & blue) to denote “hot” & “cold” water when taps are labelled, meaning for travellers no knowledge of a local language is needed to work out which is which.  In the jargon, the red light is a “signifier” and the “signified” is stop.

Modern Mechanix magazine, January 1933.

Sir William Morris (1877-1963; later Lord Nuffield) held a number of troubling and even at the time unfashionable views and he’d been sceptical about producing the Morris Minor (1948-1971), describing the prototype as looking “like a poached egg”; in that he was right but the Minor proved a highly profitable, quarter century long success.  In the 1930s however, he did have the imaginative idea of adapting the by then familiar traffic light (in miniature form) to the automobile itself.  The concept was sound, Sir William’s proposed placement even anticipating the “eye level brake lights” of the 1980s and the inclusion of green in the code was interesting but the “mini traffic light” wasn’t taken up and lesson which should have been learned is that in the absence of legislation compelling change, the industry always will be most reluctant to invest and not until the 1960s would such mandates (for better and worse) begin to be imposed.

1947 Volvo P444 (1947-1958, left) and 2022 Volvo XC 40 (introduced 2017, right).  Volvo abandoned the semaphores years before the British but the designers clearly haven’t forgotten, the rear reflectors on the XC 40 using the shape.  Volvo replaced the semaphores with conventional flashers but not before the modernist Swedes had tried the odd inventive solution.

In idiomatic use, semaphore’s deployment tends to be metaphorical or humorous, the former used as a literary device, borrowed from behavioral psychology.  “To semaphore” can mean “wildly or exaggeratedly gesture” but can also convey the idea of a communication effected without explicitly stating something and that can either be as a form of “unspoken code” understood only between the interlocutors or something unconscious (often called body-language).  “Semaphoring a message” can thus be either a form of secret communication or something inferred from non-verbal clues.  Authors and poets are sometimes tempted to use “semaphore” metaphorically to describe emotional cues, especially across physical or emotional distance and one can imagine the dubious attraction for some of having “her sensuous lips silently semaphoring desire” or “her hungry eyes semaphored the truth”.  Among critics, the notion of “semaphoring” as one of the motifs of modernist literature was identified and TS Eliot’s (1888–1965) style in The Waste Land (1922) included coded fragments, often as disconnected voices and symbols, called by some an “emotional semaphore” while Samuel Beckett (1906-1989 and another Nobel laureate) was noted for having his characters exchange their feelings with repetitive gestures, signals and critically, silences, described variously as “gestural semaphore” or the “semaphoring of despair”.