Succinite

Succinite (pronounced suhk-sinn-ite)

(1) In mineralogy, Baltic (or “true”) amber, so called because of the succinic acid in the fossil resin: often incorrectly applied to fossilized resin (amber) generally.

(2) In non-technical use, a garnet of amber, especially fossilized resin.

(3) In non technical use, an substance resembling amber.

(4) The color amber.

1816: A creation for scientific purposes in modern English with the sense of “amber-colored mineral”, from the Latin succinum (amber) a variant of sūcinum, the construct being succin +‎ -ite.  The root of succus was the primitive Indo-European sewg & sewk; cognate with sugō (juice; sap of a plant).  The Classical Latin is said to be from a Northern European language and was assimilated in form to the Latin succus & sucus (juice, sap) and related to succinic (in organic chemistry, of or pertaining to succinic acid), from the French succinique.  It was a synonym of ambra (amber).  The -ite suffix was from the French -ite, from the Old French, from the Latin -ītēs, from the Ancient Greek -ῑ́της (-ī́tēs).  It had a wide application including (1) the formation of nouns denoting the followers or adherents of a individual, doctrine or movement etc, (2) the formation of nouns denoting descendants of a certain historic (real or mythical) figure (widely used of biblical identities), (3) the formations of demonyms, (4) in geology the formation of nouns denoting rocks or minerals, (5) in archeology, the formation of nouns denoting fossil organisms, (6) in biology & pathology to form nouns denoting segments or components of the body or an organ of the body, (7) in industry & commerce to form nouns denoting the product of a specified process or manufactured product & (8) in chemistry to form names of certain chemical compounds (historically especially salts or esters of acids with names with the suffix -ous.

There’s also the rare adjective succiniferous used with the senses (1) yielding amber, (2) of or pertaining to amber or the plant yielding it & (3) in organic chemistry, of or pertaining to succinic acid.  Ferous (or gerous) are from the Latin ferre & gerere, both meaning “to bear” and surviving in English are over two-hundred words ending in ferous; most of them now obscure and used only in a technical context.  In an illustration of linguistic overlap, the Latin verb succinite was the second-person plural present active imperative of succinō, the construct being sub- (under; below) +‎ canō (sing).  It had the meanings (1) to sing to, to accompany in song & (2) to accord, in agreement with.  Succinite is a noun; the noun plural is succinites.

Succiniferous: Lindsay Lohan wearing Baltic Amber pendant.

The word succinite is sometimes used casually of amber, things which resemble amber or even shades of the color.  Geologists use the more with more precision and within the community there was a long dispute about succinite (Baltic amber), its botanical origin, and methods of distinguishing it from other fossil resins.  The questions were resolved by advances such as infrared spectrometry and speculation about a link with other acids are now held to be unsustainable, the consensus now that amber is coniferous in origin, not as had been suggested in the nineteenth century, from the tree Pinites succinifer.  It seems now clear that the extant Baltic amber came from several species of conifers of the family Sciadopityaceae.  Baltic amber is not a polymer but has a complex, cross-linked  macromolecular structure with the pores filled by components of the structure, an arrangement chemists call a supramolecule, something which both hardens the substance and increases density, accounting for its extraordinary longevity, ancient samples notable for their encapsulated, perfectly preserved plant and animal samples.

Amber alerts.

The term “Amber Alert” is a defined part of public information messaging and analogous with the red/amber/green lights used in traffic signals, amber meaning essentially “proceed with heightened caution and awareness”.  Noting the evidence provided in the well publicized defamation case (John C Depp II v Amber Laura Heard (CL-2019-2911; Fairfax County Circuit Court)), the meme-makers responded.

Most succiniferous: The Amber Room, Catherine Palace, St. Petersburg, 1917.  This is the only known color image of the room.

Last seen (in crates) in 1945, it was either destroyed in the last days of World War II (1939-1945) or dissembled and hidden somewhere or otherwise disposed of.  Between 1979-2003, with early funding from the Federal Republic of Germany (the FRG, the old West Germany), a replica was built and installed in the Catherine Palace.  The golden, jewel-encrusted creation, rendered by artisans and craftsmen from tons of amber, was a gift to Peter the Great (Peter I, 1672-1725; Tsar of Russia 1682-1725) in 1716, celebrating the conclusion of an alliance between Russia and Prussia.  Much admired during the centuries in which it endured wars, pandemics and revolutions, it was looted by the Nazis in the final months of the war, packed into crates which subsequently vanished.  Either they were lost or destroyed in the chaos or hidden away.

Originally installed in the Charlottenberg Palace of Friedrich I (1657–1713; King of Prussia 1701–1713), the Amber Room was a genuine multi-national venture, the design by Andreas Schlüter (1659–1714), a German sculptor in the baroque tradition, the bulk of the construction by the Danish craftsman Gottfried Wolfram (1646-1716), already famous for his skill in rendering amber.  It took over a decade to build and upon completion, Peter the Great expressed his wonderment and in 1716, Frederick William I (1688–1740; King of Prussia 1713-1740) presented it to the Tsar, part of his diplomatic effort to secure the Prussian-Russian alliance against Sweden.  Accordingly, along with a selection of paintings, the room was crated and shipped to Saint Petersburg where it remained until in 1755 it was moved to the Catherine Palace (Tsarskoye Selo (Tasar's Palace)) in Pushkin.  Now installed in a larger space, the Italian designer Francesco Bartolomeo Rastrelli (1700–1771) was engage to remodel the assembly to suit, addition amber panels shipped from Berlin.  Renovations and refinements continued to be undertaken during the eighteenth century and when complete, the room covered some 180 square feet (16.7 m³) and contained some six tons (6100 kg) of amber, semi-precious stones and gold leaf.  At the time, it was thought one of the wonders of the modern world.

In the Nazi mind, not only was the Amber Room of German origin but such treasures anyway belonged only in the Reich and it was added to the (long) list of artworks to be looted as part of Operation Barbarossa (the 1941 invasion of the Soviet Union).  As the Wehrmacht advanced on Pushkin, the Russian curators began to attempt to disassemble the panels but their fragility was such it was quickly realized any work done in haste would cause only destruction.  Accordingly, they had carpenters construct a frame over which was glued wallpaper, there not being time even to construct a false wall.  Not fooled, the Nazi looters removed the entire structure, shipping it to be installed in the Königsberg Castle Museum (now in the Russian exclave of Kaliningrad) on the Baltic coast.  However, the tide of the war turned and in 1943 the museum's director received from Berlin instructions to return the room to crates and this had be accomplished by August 1944 when allied bombing raids severely damaged the castle.  Quite what happened to the crates remains unknown.  It may be they were destroyed during the war or were in the hold of a ship sunk in the Baltic but the tales of them being hidden somewhere has never gone away and continues to tantalize, a solitary panel actually found in Bremen in 1997.  The replica room, dedicated in a ceremony in 2004 by Vladimir Putin (b 1952; president or prime minister of Russia since 1999) and Gerhard Schröder (b 1944, Chancellor of Germany 1998-2005) remains on public display at the Tasrskoye State Museum Reserve outside Saint Petersburg.

Amber

Amber (pronounced am-ber)

(1) A pale yellow, sometimes reddish or brownish, brittle, translucent fossil resin of extinct coniferous trees that occurs in tertiary deposits; capable of gaining a negative electrical charge by friction and a fine insulator.

(2) The yellowish-brown color of amber resin; of the color of amber; yellowish-brown (not applied to the variety “blue amber” which appears blue rather than yellow under direct sunlight).

(3) To perfume or flavor with ambergris (rare and used only in the industrial production of scents).

(4) To cause to take on the yellowish-brown colour of amber (now rare and used only as a literary or poetic device).

(5) Certain objects made of amber (jewelry; ornamental articles; relics; fossilized creatures contained within the resin etc).

(6) The intermediate light in a set of three traffic lights, which when illuminated indicates that drivers should stop short of the intersection when safe to do so (green indicating “go” and red “stop”).  In some places the amber is referred to as “orange”.

(7) By extension from the use in traffic management, an indication in other contexts that one should hesitance to proceed or proceed only with caution (sometimes as “amber light”).

(8) As “amber alert”, a public notification of a child abduction (North America), named in memory of Amber Rene Hagerman (1986–1996); technically AMBER Alert, referencing the backronym America's Missing: Broadcasting Emergency Response.

(9) In biology, genetics & biochemistry, the stop codon (nucleotide triplet) "UAG", or a mutant which has this stop codon at a premature place in its DNA sequence.  UAG is named “amber” because the first to isolate the mutation was then California Institute of Technology (Caltech) graduate student Harris Bernstein (b 1961), whose surname is the German word for the resin known as amber.

(10) A female given name.

(11) In automotive lighting (often as “the ambers”), the lights of that color mounted so to be visible at all corners or an automobile which flash sequentially in indicate a driver’s intention to turn, change lanes etc (thus known various as “flashers”, “turn-signals” and even “trafficators” (the (originally mechanical) semaphore signals which when activated protruded from the bodywork of a vehicle to indicate an intention to turn in the direction of the illuminated device).  They’re used also as warning lights (four-way flashers) when all flash in unison.  Since the late 1950s, in most markets their positioning, luminosity and rate of flashing has been regulated (sometimes in unfortunately contradictory ways.

1350–1400: From the Middle English ambre & aumbre, from the Old French, from the Medieval Latin ambra, from the Arabic عَنْبَر‎ (ʕanbar) (ambergris), from the Middle Persian ʾnbl (⁠ambar⁠) (ambergris).  It displaced the Middle English smulting (from the Old English smelting (amber)) and the Old English eolhsand (amber), glær (amber) and sāp (amber, resin, pomade).  The seemingly strange confusion between the fossilized tree resin and the ash-colored secretion of the sperm whale’s intestine (ambergris) is assumed to have arisen because the dissimilar substances both were rare, valuable and found on the seacoast.  The word ambergris came into use in the West during the Crusades.  In English, amber came to be used as an adjective by circa 1500 and it was in use as the name of a color by 1735.  Amber is a noun, verb & adjective, amberlike, ambery, anberish, amberesque & amberous are adjectives, ambering & ambered are verbs; the noun plural is ambers.

Actor Amber Heard (b 1986) who seems to have a thing for 1968 Ford Mustangs.

In Europe, the word amber was picked up to describe the fossil resins found on the shores of the Baltic first in the late thirteenth century in Anglo-Latin which, by the turn of the fifteenth had entered English.  Over time, this meaning prevailed and ambergris came to be restricted to the whale’s secretions although there has long been a faction of the etymology community which has suggested it’s not impossible amber is an unrelated word of unknown origin.  Once they were distinguished as white or yellow amber for the Baltic fossil resin and gray amber for the whale’s contribution, French distinguishing between the two as ambre jaune and ambre gris.

Among her inventory of beauty care essentials, Lindsay Lohan lists the long-serving Dior Backstage Eyeshadow Palette in Amber Neutrals as her “favorite eye palette”

In a chemical coincidence, the solidified tree resin possesses remarkable static electricity properties and Baltic amber was known to the Romans as electrum, able to gain a negative electrical charge merely through friction and although rarely used as such, it’s a fine insulator.  In the Old Testament the Hebrew חַשְׁמַל (chashmal) is translated variously as “a shining metal” or “the gemstone amber” but as the light plays upon amber it can recall fire or lightning, the impression strengthened when the substance is stimulated to spark and crackle with static electricity.  The prophet Ezekiel clearly had witnessed the electrical phenomenon and although he'd not have understood the science, in his vision of God’s throne, Ezekiel wrote:

“On this throne high above was a figure whose appearance resembled a man. From what appeared to be his waist up, he looked like gleaming chashmal, flickering like a fire.  And from his waist down, he looked like a burning flame, shining with splendor.”  (Ezekiel 1:26–27)

It was the Lithuania-born journalist Eliezer Ben‑Yehuda (1858–1922) who re-established the Hebrew language as living tongue to be used in everyday life.  In the late nineteenth century, except for a handful of scholars, Hebrew was used only as a Holy language, restricted to prayer and worship in the synagogue, Yiddish the only recognizably Jewish language spoken on the street or in the home.  Something of a prophet himself, he created the first Israeli Hebrew newspaper and dictionary and to make it useful in the modern age, he had to create many new words and one was needed to describe electricity, then a concept understood for little more than a century.  He chose chashmal.  When the Hebrew Scriptures were first translated into Greek some 2,100 years ago, the Hebrew chashmal became the Ancient Greek ἤλεκτρον (ḗlektron) and could be used to refer to the gemstone but was used also in the manner of the Phoenician elēkrŏn (shining light).  Seventeenth century English scientists who conducted some of the earliest experiments which began to explain the phenomenon called it electrikus (like amber) and from this came the Modern English electricity.  Ben‑Yehuda’s work was popularized by Judah Leib Gordon (1830-1892), a leading poet of the nineteenth century Jewish Enlightenment whose words were more lyrical than the dry, journalistic lists of Ben-Yehuda would write: “The light, the heat, the steam, and the electricity (chashmal), all nature’s forces are the angels above.”  He added in an explanatory footnote: “By chashmal (hash-ma-LA), I mean the natural force that is electritzitat, since the Greek translation of chashmal is elektrika.”

Immortality of sorts: An unfortunate gecko, trapped in amber 54 million years ago.

The first AMBER Alert, 1996.

The amber alert is a system used in North America to provide public notification of a child abduction (North America), named in memory of Amber Rene Hagerman (1986–1996).  Technically it’s AMBER Alert, referencing the backronym of America's Missing: Broadcasting Emergency Response.  Then aged nine, Amber Hagerman was abducted and murdered in 1996 and a campaign was organized which demanded protocols be established to alert the local population of details which might assist in finding the child (description of suspects, vehicle registration numbers etc).  Initially, the vectors of transmission were local radio and television stations but as technology evolved, other were added including platforms on the internet such as e-mail & social media, electronic traffic-condition signs, advertising billboards and SMS text messages delivered to cell phones.

Most succiniferous: The Amber Room, Catherine Palace, St. Petersburg, 1917.  This is the only known color image of the room.

Last seen (in crates) in 1945, it was either destroyed in the last days of World War II (1939-1945) or dissembled and hidden somewhere or otherwise disposed of.  Between 1979-2003, with early funding from the Federal Republic of Germany (the FRG, the old West Germany), a replica was built and installed in the Catherine Palace.  The golden, jewel-encrusted creation, rendered by artisans and craftsmen from tons of amber, was a gift to Peter the Great (Peter I, 1672-1725; Tsar of Russia 1682-1725) in 1716, celebrating the conclusion of an alliance between Russia and Prussia.  Much admired during the centuries in which it endured wars, pandemics and revolutions, it was looted by the Nazis in the final months of the war, packed into crates which subsequently vanished.  Either they were lost or destroyed in the chaos or hidden away.

Originally installed in the Charlottenberg Palace of Friedrich I (1657–1713; King of Prussia 1701–1713), the Amber Room was a genuine multi-national venture, the design by Andreas Schlüter (1659–1714), a German sculptor in the baroque tradition, the bulk of the construction by the Danish craftsman Gottfried Wolfram (1646-1716), already famous for his skill in rendering amber.  It took over a decade to build and upon completion, Peter the Great expressed his wonderment and in 1716, Frederick William I (1688–1740; King of Prussia 1713-1740) presented it to the Tsar, part of his diplomatic effort to secure the Prussian-Russian alliance against Sweden.  Accordingly, along with a selection of paintings, the room was crated and shipped to Saint Petersburg where it remained until in 1755 it was moved to the Catherine Palace (Tsarskoye Selo (Tasar's Palace)) in Pushkin.  Now installed in a larger space, the Italian designer Francesco Bartolomeo Rastrelli (1700–1771) was engage to remodel the assembly to suit, addition amber panels shipped from Berlin.  Renovations and refinements continued to be undertaken during the eighteenth century and when complete, the room covered some 180 square feet (16.7 m³) and contained some six tons (6100 kg) of amber, semi-precious stones and gold leaf.  At the time, it was thought one of the wonders of the modern world.

In the Nazi mind, not only was the Amber Room of German origin but such treasures anyway belonged only in the Reich and it was added to the (long) list of artworks to be looted as part of Operation Barbarossa (the 1941 invasion of the Soviet Union).  As the Wehrmacht advanced on Pushkin, the Russian curators began to attempt to disassemble the panels but their fragility was such it was quickly realized any work done in haste would cause only destruction.  Accordingly, they had carpenters construct a frame over which was glued wallpaper, there not being time even to construct a false wall.  Not fooled, the Nazi looters removed the entire structure, shipping it to be installed in the Königsberg Castle Museum (now in the Russian exclave of Kaliningrad) on the Baltic coast.  However, the tide of the war turned and in 1943 the museum's director received from Berlin instructions to return the room to crates and this had be accomplished by August 1944 when allied bombing raids severely damaged the castle.  Quite what happened to the crates remains unknown.  It may be they were destroyed during the war or were in the hold of a ship sunk in the Baltic but the tales of them being hidden somewhere has never gone away and continues to tantalize, a solitary panel actually found in Bremen in 1997.  The replica room, dedicated in a ceremony in 2004 by Vladimir Putin (b 1952; president or prime minister of Russia since 1999) and Gerhard Schröder (b 1944, Chancellor of Germany 1998-2005) remains on public display at the Tasrskoye State Museum Reserve outside Saint Petersburg.

The "tombstone" headlamps on the 1959 Mercedes-Benz W111 sedans (the so-called Heckflosse) were a variation of the style introduced in 1957 on the 300 SL roadsters (W198) and while much admired, were not lawful for use in the US so a "stacked" arrangement was devised which came informally to be known as "Californian".  So attractive was it found in Europe that ultimately it became available in the rest of the world (RoW) but with one difference: the  factory's solution of integrating the amber turn-signal indicators (the "ambers" or "flashers" to many) and side-marker lamps into the assembly was elegant but didn’t comply with the rules.  As explained by automotive lighting expert Daniel Stern, the lit area was probably compliant (the rules specified a minimum 3½ square inches (22.5 cm²) but the intensity and inboard visibility angles would have been inadequate.  A turn signal with its centre 4 inches (100 mm) or closer to the low-beam lamp had to provide at least 500 candela on-axis, which would be close to impossible for a lamp with this construction; turn signals more than 4 inches from the low-beam needed only to provide at least 200 candela.  The RoW cars (left) were supplied with the original design while for the US market some rather ugly after-market lamps were crudely added to the gaps next to the grill (centre).  Late in the 1960s, the aesthetics were improved somewhat by using a larger unit (right) which emulated the look of a fog-lamp, the US cars by then also suffering the addition of side-marker lights front & rear.

Ambergris

Ambergris (pronounced am-ber-grees or am-ber-gris)

The waxy, sometimes opaque (the color from ash-gret to jet black) morbid secretion of the sperm whale intestine, usually found floating on the ocean or washed ashore: used in perfumery and (historically), in cooking & folk medicine.

1375–1425: From the Old & Middle French ambre gris (literally gray amber) which replaced the Middle English imbergres.  The construct was thus amber + gris.  Amber was from the Middle English ambre & aumbre, from the Old French aumbre & ambre, from the Arabic عَنْبَر‎ (ʿanbar), (ambergris), from the Middle Persian anbar & ambar (ambergris).  The word displaced the Middle English smulting (from Old English smelting (amber)), the Old English eolhsand (amber), the Old English glær (amber), and the Old English sāp (amber, resin, pomade).  Most etymologists seem to conclude the Arabic anbar entered European languages via Medieval Latin.  Gris was from the Old French or the Old Occitan gris (grey), both from the Frankish grīs, from the Proto-Germanic grīsaz (grey) and was akin to the Old High German grīs (grey) (source of the modern German greis) and the Dutch grijs (grey).  The now largely obsolete spellings were amber-gris & amber gris and the latter was for centuries the usual form, the single-word spelling not predominate until the nineteenth century.  During the seventeenth century, folk etymologies interpreted the form as “amber grease” or “amber of Greece” and regionally both were for some time in common use.  Until the twentieth century, the clipping “amber” was also in use and this was the original form, the “grey” element appended in the fourteenth century as a point of differentiation after the adoption in Romance languages of “amber” as the term to describe Baltic amber (the resin associated with fossils) and gradually, that use came to replace “yellow amber” (ambre jaune).  In modern use, amber is understood as the color and the resin white ambergris is the whale secretion.  Ambergris is a noun; the noun plural is plural ambergrises (although ambergris is in common use).

Lindsay Lohan in an advertisement for FCUK (French Connection UK).  According to FCUK, their fragrances have never used ambergris in the mix.

Curiously, the knowledge of the origin of ambergris was for centuries lost to European science.  Notes about the relationship of the substance to whales were later found in the papers of the eleventh century physician Constantinus Africanus (a Muslim of North African origin who spent the latter part of his life practicing his profession in Italy) but as late as the eighteenth century the matter was still subject to speculation, some of the theories as bizarre as anything contemplated during Antiquity to explain the existence of the mysterious eel and others were also baffled; both the Malays and the Chinese attributed the source of ambergris to either sea-dragons or sea-serpents.  It was though prized for its scent and authors noted the relationship between color and fragrance: the darker the less pleasing one was to the nose.  However, chefs had to be cautious because as noted by the English poet & satirist Alexander Pope (1688-1744): A little whiff of it, by snatches, is very agreeable; but when a man holds a whole lump of it to his nose, it is a stink and strikes you down”.  It was thus much enjoyed but only in small doses and rather as a little truffle might be grated today over a plate of scrambled eggs, so was ambergris once used, eggs with a dusting said to be the favorite dish of Charles II (1630–1685; King of Scotland 1649-1651, King of Scotland, England and Ireland 1660-1685).

Chanel No.5 concentrate.

That a waxy substance which is a mixture of steroid derivatives (consisting mainly of cholesterol) and secreted by the intestinal tract of the sperm whale should be a prized ingredient of the most expensive scents amuses many, some of who enjoy telling those daubed with the stuff they’re wearing “whale shit”, “whale vomit” or “whale snot”.  That’s of course not correct and in some cases, there’s not even a direct connection with the big mammals, even some high-end perfume houses using a synthetic ambroxide rather than ambergris and recent research has determined a gene from balsam fir is a most efficient producer of ambroxide so use of the traditional ingredient might become more rare still.  There’s long been speculation about whether the famous Chanel No.5 even included ambergris and the conclusion of most is that certainly once it did but now nobody is quite sure; Chanel have always declined to comment.  Both the natural and synthetic compounds produce an apparently unique chemical called ambrein and while the fragrance is the most obvious property, the perfume houses prized it also as a fixative, something which extends the endurance of the potency of the fluid (and thus the appeal to the olfactory senses) by reducing the natural propensity to evaporate.  In some jurisdictions the trade in (and even the gathering of) ambergris is prohibited, a reflection of the practice applied to trade in the body parts of other threatened species but the ban has be criticized because no whale is harmed (or even approached) in the harvesting process.

Three shades of grey: White, brown & black ambergris.

Ambergris is expensive for the most obvious reason in a world of supply and demand: rarity.  For reasons not understood, it appears fewer than 2% of sperm whales produce the substance and chunks of it can drift for years in the ocean currents before washing ashore to be collected, either by a lucky beachgoer or (more probably) by professional harvesters who study tidal charts and the migration patterns of whale herds to determine the most likely spots for a crop.  It can certainly be a lucrative business, brokers or perfumers paying thousands of dollars a kilogram and it’s the color (there are three color-based grades) and quality which determines the value, not the volume.  The white ambergris is the highest grade and thus the most expensive, possessing what aficionados describe as a “well-rounded, delicately soft, sweet, marine scent” and one which intensifies with age, an ambergris left undiscovered for years will “cure” finally to mature as a dusty, bright white chunk.  While less exalted, brown ambergris is the most versatile of the three and adaptable for use in more variations of scent, straddling the qualities and characteristics of the white and black.  Brown ambergris is noted for its woodier, tobacco-like fragrance and is probably closest in nature to musk.  Black ambergris is said by some to be almost brutish but, lack the delicate tones of the light shades, this can be an advantage for those formulating something like an aromatherapy oil which will be dispersed over a large space.  Noted for a pungent smell, it uses are limited because to most it seems more faecal than brown or white ambergris, but it’s very primitiveness makes it attractive for the niche market it serves.  In a sense it’s just another commodity so the retail prices do bounce around but the lighter shades tend to sell for as much as US$35 a gram.

Compunction

Compunction (pronounced kuhm-puhngk-shuhn)

(1) A feeling of uneasiness or anxiety of the conscience caused by regret for doing wrong or causing pain; contrition; remorse; sorrow.

(2) Any uneasiness or hesitation about the rightness of an action.

1350–1400: From the Middle English compunccion, from the Old French compunction (from which in the twelfth century Modern French gained compunction), from the Late Latin compunctionem (a pricking) & compūnctiōn- (stem of the Ecclesiastical Latin compunctiō) (remorse; a stinging or pricking (of one’s guilty conscience)), the construct being the Classical Latin compūnct(us) (past participle of compungere (to sting; severely to prick), the construct of which was (com- (used as an intensive prefix) + pungere (to prick; to puncture) (from a suffixed form of the primitive Indo-European root peuk- (to prick)) + -iōn- (stem of –iō and a suffix forming nouns, used especially on past participle stems).  The origin of the meaning in Latin (transferred from the element pungere (to prick; to puncture)) was the idea of “a pricking of one’s guilty conscience” which could induce some feeling of regret although, like many injuries cause by pin-pricks, recovery was often rapid.  The adjective compunctious (causing compunction, pricking the conscience) dates from the late sixteenth century.  Compunction & compunctiousness are nouns, compunctious & compunctionless are adjectives and compunctiously is an adverb; the noun plural is compunctions.

The Ecclesiastical Latin compunctiō (and compunction in other forms) appears frequently in the texts of the early Church, used in a figurative sense originally to convey a more intense sense of “contrition” or “remorse” than that familiar in modern use.  Contrition and remorse were of course a thing vital for the Church to foster, indeed to demand of the congregation.  The very structure of Christianity was built upon the idea that all were born in a state of guilt because the very act of conception depending upon an original sin and this was what made Jesus unique: the virgin birth meant Christ was born without sin although centuries of theological squabbles would ensue as the debate swirled about his nature as (1) man, (2) the son of God and (3) God.  That was too abstract for most which was fine with the priests who preferred to focus on the guilt of their flock and their own importance as the intermediaries between God and sinner, there to arrange forgiveness, something which turned out to be a commodity and commodities are there to be sold.  Forgiveness was really the first futures market and compunction was one of the currencies although gold and other mediums of exchange would also figure.

Sorry (Regretful or apologetic for one's actions) was from the From Middle English sory, from the Old English sāriġ (feeling or expressing grief, sorry, grieved, sorrowful, sad, mournful, bitter), from the Proto-West Germanic sairag, from the Proto-Germanic sairagaz (sad), from the primitive Indo-European seh₂yro (hard, rough, painful).  It was cognate with the Scots sairie (sad, grieved), the Saterland Frisian seerich (sore, inflamed), the West Frisian searich (sad, sorry), the Low German serig (sick, scabby), the German dialectal sehrig (sore, sad, painful) and the Swedish sårig.  Remarkably, despite the similarities in spelling and meaning, “sorry” is etymologically unrelated to “sorrow”.  Sorrow (a state of woe; unhappiness) was from the Middle English sorow, sorwe, sorghe & sorȝe, from the Old English sorg & sorh (care, anxiety, sorrow, grief), from the Proto-West Germanic sorgu, from the Proto-Germanic surgō (which may be compared with the West Frisian soarch, the Dutch zorg, the German Sorge, and the Danish, Swedish and Norwegian sorg), from the primitive Indo-European swergh (watch over, worry; be ill, suffer) (which may be compared with the Old Irish serg (sickness), the Tocharian B sark (sickness), the Lithuanian sirgti (be sick) and the Sanskrit सूर्क्षति (sū́rkṣati) (worry).

Johnny Depp & Amber Heard saying sorry in Australia and Johnny Depp deconstructing sorry in London.

Sorry indicates (1) one is regretful or apologetic for one’s thoughts or actions but it can also mean (2) one is grieved or saddened (especially by the loss of something or someone), (3) someone or something is in a sad or regrettable state or (4) someone or something is hopelessly inadequate for their intended role or purpose.  Such is human nature that expressions of sorry in the sense of an apology are among the more common exchanges and one suspects something like the 80/20 rule applies: 80% of apologies are offered by (or extracted from) 20% of the population.  So frequent are they that an art has evolved to produce phrases by which an apology can be delivered in which sorry is somehow said without actually saying sorry.  This is the compunction one fells when one is not feeling compunctious and a classic example was provided when the once (perhaps then happily) married actors Johnny Depp (b 1963) & Amber Heard (b 1986) were in 2015 caught bringing two pet dogs into Australia in violation of the country’s strict biosecurity laws.  Ms Heard pleaded guilty to falsifying quarantine documents, stating in mitigation her mistake was induced by “sleep deprivation”.  No conviction was recorded (the maximum sentence available being ten years in jail) and she was placed on a Aus$1,000 one-month good behavior bond, the couple ordered to make a “public apology” and that they did, a short video provided, the script unexceptional but the performances something like a Monty Python sketch.  However, whatever the brief performance lacked in sincerity, as free advertising for the biosecurity regime, it was invaluable.  Mr Depp later returned to the subject when promoting a film in London.

The synonyms for “sorry” (as in an apology) include regret, apologize, compunctious, contrite, penitent, regretful, remorseful & repentant (which is more a subsequent act).  Practiced in the art of the “non-apologetic” apology are politicians (some of whom have honed it to the point where it’s more a science) who have a number of ways of nuancing things.  Sometimes the excuse is that simply to say “sorry” might subsequent legal proceedings be construed as an admission of liability, thus exposing the exchequer and there was some basis for that concept which has prompted some jurisdictions explicitly to write into legislation that in traffic accidents and such, simply to say “sorry” cannot be construed as such an admission.  That of course has had no apparent effect on the behaviour of politicians.  Even when there is no possibly of exposing the state to some sort of claim, politicians are still averse to anything like the word “sorry” because it’s seen as a “loss of face” and a victory for one’s opponents.

There are exceptions.  Some politicians, especially during periods of high popularity, worked out that such was the novelty, saying sorry could work quite well, especially if delivered in a manner which seemed sincere (and the right subject, in the right hands, can learn such tricks) although some who found it worked did overdo it, the repetition making it clear it was just another cynical tactic.  An example was Peter Beattie (b 1952; Premier of Queensland 1998-2007) who found the electorate responded well to a leader saying sorry but such was the low quality of the government he headed that there was often something for which to apologize and having set the precedent, he felt compelled to carry on until the sheer repetitive volume of the compunctiousness began merely to draw attention to all the incompetence.

Lindsay Lohan and her lawyer in court, Los Angeles, December 2011.

The other exception is the set-piece event.  This is where a politician apologizes on behalf of someone else (a previous government, hopefully the opposition or something a vague as the nation in some dim, distant past) while making it clear that personally it’s nothing to do with them personally.  There has been a spate of these in recent decades, many apologizing for egregiously appalling acts by white men against ethnic minorities, indigenous populations, the disabled or other powerless groups.  Again, some of the apologies have been in the form of “personally sorry it happened”, thereby ticking the box without costing anything; people like and indigenous population apparently deserving words but not compensation.  For the rest of us, ranging from the genuinely sincere to the cynically opportunistic nihilistic psychopaths, the most obvious tool is the adverb: to say “I am so sorry” can be more effective than “I’m sorry” provided the tone of voice, inflections and the non-verbal clues are all in accord.  Sorry is recommend by many because it so easily can be made to sound sincere with a ease that’s challenging with compunctious, contrite, penitent, regretful, and remorseful, the longer words ideal for one politician “apologizing” to another in a form which is linguistically correct while being quite contemptuous.

Bride

Bride (pronounced brahyd)

(1) A woman on her wedding day, both before and after the ceremony of marriage.

(2) In needlework, a connection consisting of a thread or a number of threads for joining various solid parts of a design in needlepoint lace (also called a bar, leg or tie).

(3) An ornamental string used to tie a bonnet.

(4) Figuratively, an object ardently loved (obsolete).

(5) In theology, an expression to describe a woman who has devoted her life to some calling (eg “a bride of Christ”) which precludes marriage.

Pre 1000: From the Middle English bride, from the Old English brȳd (bride, betrothed or newly married woman), from the Proto-Germanic brūdiz (bride; woman being married).  It was cognate with the Old High German brūt, the Old Norse brūthr, the Gothic brūths (daughter-in-law), the Saterland Frisian breid & bräid (bride), the West Frisian breid (bride), the German & Low German Bruut (bride), the Dutch bruid (bride), the German Braut (bride), the Danish brud (bride), the Swedish brud (bride).  The use to describe the bonnet tie dates from 1865-1870, from the French bride (bonnet-string (literally “bridle”)), from the Middle French bride, from the Old French bride (rein, bridle), from the Middle High German brīdel (rein, bridle), from the Old High German brīdil (rein, bridle) and related to the Old High German brittil (rein, strap) and the French bretelle (from the Proto-Germanic brigdilaz (bridle)), the Spanish brida and the Italian briglia.  Restricted almost exclusively to needlework, the present participle is briding and the past participle brided; the noun plural is brides.  The spellings brid, bryd, bryde & brude persisted in English but are all long obsolete.

Lindsay Lohan in costume as a bride for an episode of the TV series Two Broke Girls, 2014.  It was in June 2022 confirmed that Lindsay Lohan had married Bader Shammas who works for Credit Suisse, the couple based in Dubai.  Describing herself as the "...luckiest woman in the world", she added she was "...stunned that this is my husband. My life and my everything.  Every woman should feel like this every day".  Although the details haven't be finalized, it seems that to mark the event, there will be a ceremony in the United States.

The Gothic cognate bruþs meant "daughter-in-law" and the form of the word borrowed from the Old High German into Medieval Latin (bruta) and Old French (bruy) had only this sense.  In ancient Indo-European custom, a married woman would live with husband's family so the only "newly wedded” female in such a household would have been the daughter-in-law.  In a similar structralist analysis, some etymologists linked the word to the primitive Indo-European verbal root bhreu-, from which are derived words for cooking and brewing, the basis for this the (not wholly unfounded) speculation that such would be the household tasks of the daughter-in-law job.  In what may be a similar vein was the Old Frisian fletieve (bride (but literally "house-gift”)) but it may have been used in the sense of welcoming a new family member rather noting the addition of an economic unit.

In praise of older men

Wedding day of actors Johnny Depp (b 1963) and Amber Heard (b 1986), Bahamas, 2015.  Ms Heard filed for divorce in May 2016.

The noun bridesmaid (young girl or unmarried woman who attends on a bride at her wedding) began in the 1550s as the construct bridemaid (bride + maid). The interpolated “s” is thought un-etymological but emerged in the late eighteenth century and in succeeding decades became the standard form, the “s” presumably indicating a possessive although it may have evolved simply because that’s how the word had come to be pronounced; bridemaid & bridemaids less kind to the tongue.  A bridesman was in the early nineteenth century a "male attendant on a bridegroom at his wedding" although the modern practice is for a groom to be attended by a best man and several groomsmen, matching the bride’s entourage of a maid or matron of honor (the difference being a maid of honor is unmarried while a matron of honor (even if for whatever reason legally single) has already had a wedding of her own (and matron of honor supplanted the earlier bridematron)) and bridesmaids.  Done properly, the numbers should align; the maid of honor and best man acting as chiefs of staff; the groomsmen and bridesmaids paired-off for ceremonial purposes.

Wedding day of Rupert Murdoch (b 1931) and Jerry Hall (1956), London, 2016.  It was recently announced the couple are to divorce.

Brideman & bridegroom (man newly married or about to be) date from the early seventeenth century although the short form groom later prevailed.  The noun bridegroom was from the Old English brydguma (suitor), the construct being from bryd (bride) + guma (man (though also used to mean “boy”)), from the Proto-Germanic gumon- (source also of the Old Norse gumi and the Old High German gomo), literally "an earthling, an earthly being" (as opposed to “of the gods”), from a suffixed form of the primitive Indo-European root dhghem- (earth).  In the sixteenth century, the ending was altered by folk etymology, the noun groom (boy, lad) preferred, a hint at the youthfulness which then characterized marriage.  Bridegroom was also a common compound in Germanic languages including the Old Saxon brudigumo, the Old Norse bruðgumi, the Old High German brutigomo and the German Bräutigam.  However, in Gothic, it was bruþsfaþs, literally "bride's lord", the possessive sense of which presumably worked either way depending on the dynamics of the marriage.

The phrase “give away the bride”, whereby the father of the bride “gives away” his daughter to the groom persists and seems, surprisingly, to have escaped serious feminist criticism; perhaps they really are romantics at heart.  The meaning was once literal in that at common law, the bride and all her worldly goods (save for her paraphernalia) passed upon marriage to her husband as real property or mere chattels, the legal significance of “give away” being that the father’s ownership of daughter and goods was at that point unconditionally sundered.  Legislative reform has done away with all that but the ceremonial tradition endures, as does the phrase “always a bridesmaid, never a bride” a lament for one for whom spinsterhood seems a fate.  Other constructions include "war bride" (which can mean either a woman who marries someone going away to war or one who marries (in a variety of circumstances) during a conflict and “bride of the sea” “bride of the fields” etc, on the model of “bride of Christ” and suggesting an exclusive attachment to something or (more commonly) the idea of sharing the attention of a husband with their vocation (seafaring, farming etc).

Wedding day of Boris Johnson (b 1964) and Carrie Symonds (b 1988), London 2021.  Although it was his third marriage, Mr Johnson was married by the Roman Catholic Church, the ceremony conducted at no less than Westminster Cathedral.  Although a  baptized Catholic, the history meant a few eyebrows were raised but under canon law, it was an uncontroversial matter, both previous marriages invalid by reason of lack of canonical form.  The wedding was private but a ceremony of some description has been planned for Chequers in September 2022, the country house of the prime-minister in Buckinghamshire, the invitations said to have been posted before the events of early July which compelled Mr Johnson to announce he'd be leaving office "when the party has elected a successor".  Chequers in early autumn sounds a charming place for a party so it's hoped the Tories don't too quickly find their next leader.  

A “bride price” was money or other valuables paid in some cultures by a bridegroom or on his behalf) to the family of the bride.  Technically, it was the same idea the dowry (from the Middle English dowarye & dowerie, from the Anglo-Norman dowarie & douarie, from the Old French douaire, from the Medieval Latin dōtārium, from the Classical Latin dōs (from the Proto-Italic dōtis, from the primitive Indo-European déh₃tis, from deh₃- (give) and a doublet of dosis.  It was cognate with the Ancient Greek δόσις (dósis) & the Sanskrit दिति (díti)) and was paid to the family of the groom although dowry became a generalized term for the transaction irrespective of the direction.  In some cultures the dowry remains an important component of the structure of society although the practice is not free from controversy.

Remembering the laughter: Bill Clinton (b 1946) and crooked Hillary Clinton (b 1947) at the wedding of Donald Trump (b 1946) and Melanija Knavs (b 1970), Mar-a-Lago, Palm Beach, Florida, 2005.

The adjective bridal (belonging to a bride or a wedding) appeared circa 1200, derived from the noun bridal (wedding feast), from the Old English brydealo (marriage feast), from bryd ealu, (literally "bride ale"), the evolution an example of an imperfect echoic, the second element later (especially after circa 1600) confused with the adjectival suffix –al.  Similar forms were the mid thirteenth century Middle English scythe-ale (drinking celebration for mowers, as compensation for a particular job) and constructions in a similar vein in Scotland.  The first bridal-suite was advertised in 1857, offered as part of a package deal when hiring a venue for a wedding reception.

Cutting the cake: Silvio Berlusconi (b 1936) and Marta Fascina (b 1990) at their "symbolic" wedding ceremony, Lesmo, Italy, March 1922.

Wedding planners estimated Mr Berlusconi's "symbolic" wedding would have cost some €400,000 (US$415,000) the bride's lace gown by Antonio Riva said to have absorbed some 5% of the budget.  Although it certainly looked like a wedding, it actually had no status before Church or state, apparently because of what was described as "an inheritance row between the families" a reference to objections said to have been raised by the groom's five adult children, concerned by the possibility Ms Fascina might gain a right of claim against the 85-year-old's reputed billions of Euros.  The reception was held over lunch at the Da Vittorio restaurant, the menu including veal mondeghili with lemon, ricotta gnocchi and potatoes with saffron and paccheri 'alla Vittorio' as well as sliced ​​beef in red wine with dark potato and cinnamon flavored carrot cream, the entertainment provided by Mr Berlusconi himself who reprised his early career as a cruise ship singer, accompanied by a friend on piano.

Although not verified, reports in the Italian press suggested the "bride" was "offended and very angry about not having a proper wedding", having already had his initials tattooed somewhere (undisclosed).  Mr Berlusconi seemed however delighted with what had been styled a "festival of love" rather than a wedding, telling Ms Fascina she was "a gift from the heavens" and that "You complete me, I couldn't live without you, you fill my life".