Epoch

Epoch (pronounced ep-uhk or ee-pok)

(1) A particular period of time marked by distinctive features, events etc.

(2) The beginning of a distinctive period in the history of anything.

(3) A point in time distinguished by a particular event or state of affairs; a memorable date.

(4) In geology, any of several divisions of a geologic period during which a geologic series is formed (much associated with rock formation).  An epoch (the shortest division of geologic time) is a sub-division of a period.  As a geochronologic unit, an epoch can range between hundreds of thousands to millions of years.

(5) In astronomy, an arbitrarily fixed instant of time or date, usually the beginning of a century or half century, used as a reference in giving the elements (such as coordinates of a planetary orbit) relating to a celestial body.

(6) In astronomy, the mean longitude of a planet as seen from the sun at such an instant or date.

(7) In chronology, astronomy & computing, a specific instant in time, chosen as the point of reference or zero value of a system that involves identifying instants of time.

(8) In physics, the displacement from zero at zero time of a body undergoing simple harmonic motion (the displacement of an oscillating or vibrating body at zero time).

(9) In AI (artificial intelligence), one complete presentation of the training data set to an iterative machine learning algorithm.

1605-1615: From the Medieval Latin epocha, from the Ancient Greek ἐποχή (epokhḗ) (epochē) (a check, cessation, stop, pause, fixed time, epoch of a star (ie the point at which it seems to halt after reaching the highest, and more generally the place of a star (thus the extension of use to “a historical epoch”))), from ἐπέχω (epékhō, (to hold in, check), the construct being ἐπι- (epi-) (upon) + ἔχω (ékhō) (to have, hold), from the primitive Indo-European root segh- (to hold).  The early seventeenth century adoption in English of epocha was in the sense of “point marking the start of a new period in time” and it was used by scholars and theologians of momentous events in history (the crucifixion of Christ; the Visigoths gathering at the gates of Rome etc).  Less than a decade after epocha had entered the language, the transferred meaning “a period of time” was in use and it entered the jargon of geology in 1802 although the technology then did not permit precise measurements and exploration was then embryonic (what are now understood as dinosaur fossils not so classified until 1824) so most of the early estimates of geological epochs were inaccurate.

Confusingly, “epoch” can be used either to refer to a distinct and defined historic period (ie with an agreed beginning & end) or the event associated with the beginning of that period.  The latter concept is best understood in the adjectival forms “epoch-making” and “epochful”.  Subepoch is a technical term from geology, used as a geochronologic unit comprising one or more ages, being a period of generally agreed significance within an epoch.  The companion superepoch (two or more sequential epochs references as one for illustrative or didactic purposes is non-standard.  In statistical analysis, sub_epoch, base-epoch, super_epoch & primary_epoch exist as commands in aspects of database handling and manipulation, the link being the use of “datum” as epoch’s coordinate term in cartography and engineering.  The alternative form epocha was in use between the seventeenth & nineteenth centuries.  Epoch is a noun & verb, epochful, epocjless & epochal are adjectives and epochally is an adverb; the noun plural is epochs.

Bal du moulin de la Galette (Dance at Le Moulin de la Galette, 1876), oil on canvas by Pierre-Auguste Renoir (1841–1919), Musée d'Orsay, Paris

The Belle Époque (appearing in texts often as La Belle Époque with capitalization not always used) was a period in European history characterized by peace, progress, cultural refinement and artistic innovation; the term was an adoption of the French La Belle Époque (literally “the beautiful era” and best understood as “the golden age”).  Historians date the start of the Belle Époque from the end of the Franco-Prussian War (1970-1871) although, “on the ground” it likely wasn’t so clear-cut because the impositions of war reparations made the first few post-war years “difficult” in France so “mid-1870s” may be a better point of origin.  The Belle Époque lasted until the blast of World War I (1914-1918) destroyed the continent’s sense of optimism and ended an era characterized by what might now be call an “end of history” feeling that held things like wars, famines and plagues were in the past and the future would be one of progress and improvement.

Art Nouveau.

An advertisement (1899) for Moët & Chandon's champagnes, designed by Czech painter & graphic artist Alphonse Mucha (1860–1939):  “White Star” champagne (left) & “Grand Crémant Imperial” (right).  The product is very much a period piece, Art Nouveau characterized by swirling shapes, stylized representations of women and intricate floral motifs.  For those with enough disposable income, La Belle Époque must have been an amusing time to live.  The “modern industrial” sense later summoned by the straight, sharp and geometric lines of Art Deco was a deliberate rejection of Art Nouveau's intricate, hand-crafted aesthetic yet in Art Deco the influence of the earlier style often is apparent.  Although by the 1920s unfashionable and in the inter-war years casually dismissed by many critics and historians, Art Nouveau's popular appeal never went away.  While there was never really a “revival”, the style's motifs remained a staple of commercial graphic art and the various “nostalgia movements” before being “cherry picked” by pop art, psychedelia and postmodernists.   

Those 40-odd years of what came to be called La Belle Époque were not without conflict or economic disruptions and it must be remembered Europe’s “golden age” was one of untroubled pleasure only for a select few, most of the population living lives of hard labor and drudgery, many on a variation of the Hobbesian (the very clever and deliciously wicked English philosopher Thomas Hobbes (1588-1679)) path: “nasty, crowded, brutish and short”.  La Belle Époque is a selective construct of the era’s intellectual and aesthetic landmarks in art, literature and architecture, characterized by opulence, eclecticism and an undeniable dynamism from which emerged movements such as Futurism, Cubism and Art Nouveau.  Viewed from our troubled times, the Belle Époque exists in a warm nostalgic glow and it’s telling the term first gained popularity in France during the 1930s, the decade of the Great Depression.  Even then, La Belle Époque was still in living memory but because it became mythologised as a “golden age”, it was as myth it passed into history.

Lindsay Lohan entering her fifth decade.  Her five eras thus far may loosely be labelled: (1) child star, (2) troubled Hollywood starlet, (3) nemesis, (4) reinvention and (5) redemption.

Signed to the Ford agency, Lindsay Lohan secured her first modelling gig aged three but what’s understood as the “Lindsay Lohan era” ran for the decade after the release of Mean Girls (2004).  It was characterized by her low-speed car crashes, court appearances and becoming a staple of the tabloid press and lower reaches of the glossy magazine industry, a reasonable contribution to GDP (gross domestic product), providing predictable cash flow for paparazzi on both sides of the Atlantic.  Improbable as it once seemed, she proved a survivor in the churn of the industry's destructive “child star” machine and on 2 July, 2026 celebrated her 40^th birthday.  That happened during the 23^rd FIFA (Fédération Internationale de Football Association (the International Federation of Association Football which, for historic reasons, recognizes more countries than the UN (United Nations)) World Cup and, on the day, playing at the Bay Area Stadium in Santa Clara, San Francisco, USA beat Bosnia-Herzegovina 2-0 so that was a good birthday present.  

Geologyin's illustration of the concept of geological epochs.

In scientific usage there is precision, the ICS (International Commission on Stratigraphy) codifying a strict hierarchy on the discipline of geology, the structure being Eon → Era → Period → Epoch → Age.  However, in ordinary English discourse (and even in the work of professional scholars and historians) there is no fixed hierarchy in that an age may be longer than an era and an era may be longer than an epoch; unless following established conventions, writers can opt for whichever word best conveys the intended nuance, a choice that can be influenced by the search for rhetorical effect or the rhythm of the narrative.  So, in the way of English, there are no “rules” but, as a general principle, (1) Age = “known for...”, (2) Era = “lasting period of...” and (3) Epoch = “a period with a turning point that defined its nature.”  The overlaps in use don’t usually cause confusion but among the fastidious there are acknowledged nuances and accepted conventions of use:

(1) An epoch is a distinct period marked by particular characteristics or events, thus the use in geology where defining changes or sets of conditions can be established by scientific techniques such as chemical analysis or radiocarbon dating.  In non-scientific use, because of the etymological lineage, an epoch typically begins with some sort of event thought a turning point or watershed and this can be an organic development with no exact fixed date (the Industrial Revolution) or something decidedly exact (the epoch of the computer operating system Unix is defined as 00:00:00 UTC, 1 January 1970 although this was not first set precisely then).

(2) An age is a period with a specific, dominant association.  That might be a technology (bronze age; oil age; jet age etc), a characteristic (age of empires; age of European colonialism etc) or an individual (Napoleonic age; Elizabethan Age etc).  Unlike the epochs of geologists and astronomers, “ages” can run in parallel or overlap.  While some are sequential such as the “Three Age System” (Stone Age; Bronze Age; Iron Age) tracking the evolution of humanity's tools and metalworking capabilities between prehistory and Antiquity, others can co-exist such as the Age of Sail & Age of Enlightenment.  Because of the nature of the word and historic pattern of use, of the three, “age” is the most flexible and adaptable because it’s merely associative, not exclusive and often with no precise chronology.

(3) An era is a period (by human standards usually but not necessarily long) with origins at a certain point (usually an event) and characterized by an enduring pattern; eras tend to be major historical phases or systems (the Nazi era; the analogue era etc).  Generally “era” is used to denote something coherent (though it need not be long); a stretch of history with a recognizable character, a beginning and an end.  That can reference the life of an individual (Queen Victoria lent her name to the “Victorian era” 1837-1901), several individuals (there were four Kings of England named George whose collective reign defined the “Georgian era” 1714-1830) or a specific closed-time set (the “inter war era”: 1918-1939).

Eras tour merchandise.  Canvas tapestry featuring photographs from Taylor Swift’s The Eras Tour, cotton canvas, 800 mm (31½ inches) x 1220 mm (48 inches).

Taylor Swift’s “Eras” project tends to be thought of as a concert tour but it’s better imagined as pop culture’s greatest ever exercise in vertical integration, a merging of music (audio streaming, packaged (in multiples in the case of the vinyl releases) & live performance), video content, merchandise ranging from framed posters, a “limited edition” book, a film with concert footage, outfits emulating those worn on stage, jewellery, hoodies, pillows, stainless steel tumblers and more.  Although there has in recent years been a bit of mission creep, the idea of a canvas tapestry as a piece of tour merchandise in the pop music business would, until recently, likely have occurred to few.  Commerce has moved on from a half-century earlier when, at a Led Zeppelin concert, one might be able to buy a Tee-shirt (in S, M, L & XL), maybe with a choice of black or white (black quickly selling out).

Ms Swift is good with words and for the “Eras” project may have pondered using “Ages” or “Epochs”.  Given the accepted conventions (Age = “known for...”, Era = “lasting period of...” and Epoch = “a period with a turning point that defined its nature.”) and the concept of the “Eras” project, a convincing case could have been made for “Ages” because each subset was thematically distinct while the use of “Epochs” would have worked because the word is understood as a “period of time with a beginning and end” but linking each with a single “triggering event” might have descended to abstractions so “Eras” seems the best choice.  Certainly it’s unlikely she long considered using “Periods”; although etymologically defensible, it would have been decarded on much the same basis as that of the publishers of the magazine Australian Women’s Weekly who, upon in 1983 switching to issuing monthly editions, opted not to change the title to “Women’s Monthly”.

There is of course a vagueness associated with the definitions because not all “eras” and “ages” have as convenient bookends the end of one war and the start of another; that’s why context can matter.  In speaking of the time after World War II (1939-1945), “post-war era” is a common term but the meaning can vary depending on what’s being discussed.  It’d be absurd to speak of 2026 as being in the “post-war” era (although in a sense that’s true) so meaning must be gleaned from context.  The two decade period 1918-1939 came to be called both the “inter-war” and “pre-war” era (although many tend to restrict the latter to a start-point in the mid-1930s) and in much historiography there's sometimes the suggestion the “post-war” era can usefully be said to have ended some 20 years hence; that’s about 1965 so conveniently (1) in the new era of the High Cold War, (2) about the length of a then typical “generation” and (3) in the 1960s, a very different era.  So it can be inexact and some with a focus on political economy fix the end date on exactly 17 October 1973, the day OAPEC (Organization of Arab Petroleum Exporting Countries) proclaimed an oil embargo targeting the US and other states providing military aid to Israel during the 1973 Yom Kippur War.  At that point, the West’s long post-war boom, although already stuttering, ended.  In a similar vein, although also very much a Western-centric view, some historians have argued the nineteenth century is best imagined as a construct running from the close of the Congress of Vienna (1814-1815) to the outbreak of World War I (1914-1918).  There’s much support for that although there are different views about the conceptual view of the twentieth century. While 1914 seems a logical starting-point, candidates for the end date include 1989 (fall of the Berlin Wall (1961-1989)), 1991 (dissolution of the Soviet Union (1922-1911)) and the 9/11 terrorist strikes in 2001.

Taylor Swift Style: Fashion through the eras.

Between March 2023 and December 2024, Taylor Swift’s “Eras” tour took in 149 shows in 51 cities over five continents; each performance ran for a remarkable 3½ hours and there was a mid-tour revision of the song set to interpolate material The Tortured Poets Department (2024), her eleventh studio album.  The “Eras” title was an allusion to the show’s format, a retrospective in which each of her albums was designated as a “musical era”, the many outfits worn tied to those themes and just as each song and each performance was a product, so could be each outfit, some available on-line for purchase by devoted Swifties.  So, as set piece events go, Ms Swift set a high bar and, on revenues in excess of US$2 billion, profits were high and continue to grow.

Even when there are precise start and end dates, things can at the margin become blurred.  Pedants enjoy pointing out the 1960s began on 1 January 1961 so an expression like “the 1960s” ends on 31 December 1969 but the decade in which most of those years existed actually includes 1970, a quirk which extends also to centuries and millennia, something ultimately a product of there being no year zero in the calendar now defining BCE (before Common Era) and CE (Common Era) (the pair the secular version of BC (Before Christ) and AD (from the Latin Anno Domini (in the year of the Lord)), all based on the (nominal) birth date of Jesus Christ.  “Ages” and “eras” can at once be “exact” and “indicative”.  Many of the civilizations of antiquity all had their so-called “golden ages” and these tended to be associated with particular dynasties or reigns.  The examples are many and are cross-cultural, including the Gupta Empire in India (mid-third to mid-sixth century AD) founded by Mahārāja Śrī-Gupta, the Tang dynasty (626-684) & the reign of Tae-tsong (618-626) in China and, in Egypt, the reigns of Sethos I and Ram'eses II (1336-1224 BC).  In the West, the use of “golden ages” is legion including in Russia during the rule of Czar Peter the Great (1672-1725) (memorable because the Russian people have not enjoyed many “golden ages”) and, of course, in England, the “Elizabethan age”, referencing the reign of Elizabeth I (1533–1603; Queen of England & Ireland 1558-1603).  However, at the granular level, the idea of the term “Elizabethan age” denoting a “golden age” in literature was contested by the English writer, literary scholar and Anglican lay theologian C. S. Lewis (1898–1963) who, in his Introduction to English Literature in the Sixteenth Century (1654), distinguished the “estimable” literature of the later Elizabethan period from what he called that of the earlier “drab age”.  Lewis found drabness in the poetry and prose of the later medieval period up to the early Renaissance, distinguishing it from the “golden era style” between circa 1580-1603.  Lewis was an uncompromising critic but while most in the profession may well agree much that was written in the fifteenth century and early Tudor period was “drab”, among those published in the period were Sir Thomas Wyatt (1503-1542) and John Skelton (circa 1460-1529); their writing was not beyond criticism but the works were hardly drab.

Sarah Chapelle's (b 1992) Swiftie site documenting looks from The Eras tour: Fearless v6 (worn 18 October, 2024, far left), Midnights v5 (worn 16 August, 2024, centre left), 1989 v2 (worn 19 March, 2023, centre right) and Reputation v1 (worn 18 March, 2023, far right).  Some outfits can be purchased on-line but buyers should note they should not expect their appearance exactly to emulate what's “on the tin”.  

Simulacrum describes an image that while not purely realistic, maintains enough of a likeness for the subject to be recognizable.  In some jurisdictions it can be deemed “deceptive and misleading” if a product is represented in manner judged to be a “deliberate misrepresentation” intended to induce a purchase.  Legal recourse is available but is practical only if enough money is involved (such as real estate); although in theory someone purchasing a McDonalds Big Mac after being tempted by the image in the advertising might have grounds for an action, a claim of under $US10 would not impress a judge and even a class action would, on several grounds, be thrown out.  Presumably a disgruntled consumer could lodge a claim for the “pain & suffering” caused by one's Big Mac not looking as attractive as the one in the advertising but that'd likely anger the judge still more.  The classic simulacrums were the stylish images rendered in the 1960s by Art Fitzpatrick (1919–2015) & Van Kaufman (1918-1995) for GM’s (General Motors) PMD (Pontiac Motor Division) and those of Ms Swift in the Eras Tour outfits are in the same “mannerist but not quite surrealist” tradition.  Although obviously “unrealistic”, these depictions are not “deceptive and misleading” because they’re so obviously simulacral and exist only as devices, the extent of the licence taken illustrated by them appearing next to a flesh & blood Ms Swift in the same outfit.  They are “impossible” rather than “idealized”.

Super simulacrum: The Colossus of Rhodes (circa 1560), hand-colored by Dutch portrait and religious painter Maarten van Heemskerck (1498–1574) on an engraving by Dutch publisher & designer Philip Galle (1537–1612).

The Colossus of Rhodes was one of the Seven Wonders of the Ancient World and although it stood for barely half a century before being felled by an earthquake, it's ruins lying for almost a millennium as a kind of tourist attraction before the metal was carted of as scrap to be melted-down an re-cycled.  The notion the statue's legs straddled the entrance to Rhodes Harbor with tall-masted ships passing between them was wholly fanciful; even with modern materials and techniques, such a construction would be impossible.  The engineers and architects of the sixteenth century would of course have known it couldn't be done but such was the allure of the era of Classical Antiquity that brilliant myths seduced the public imagination better than tiresome facts.

Other “era-related” terminology also often used interchangeably relates to that long span of history between the fall of the Western Roman Empire (476 AD) and the dawn of the Renaissance in the late fourteenth century: (1) Middle Ages, (2) Dark Ages and (3) Medieval.  “Middle Ages” is the most obviously descriptive because it refers to the period between the dying gasps of Classical Antiquity and the cultural & artistic revival of the Renaissance while Medieval simply means “relating to the Middle Ages” (although by virtue of association and use, it came to be used also as a slur).  As general principle, historians tend to divide the Middle Ages into (1) Early (476-circa 1000), (2) High (circa 1000-circa 1300) and (3) Late (circa 1300-circa 1500).  “Dark Ages” reflected the prejudices of fifteenth century writers who regarded the earlier Middle Ages (476-circa 1000) as a period of stagnation, lack of progress and “intellectual darkness”, a stark contrast to the idealized vision of Classical Antiquity they constructed from what evidence there was, “filling in the gaps” with imaginations as famously vivid as any of the Medieval scribes and artists responsible for some fabulous beasts.  The Seven Wonders of of the Ancient World” they found especially compelling, some of their speculative depictions of the Colossus of Rhodes and the Walls and Hanging Gardens of Babylon such examples of architectural gigantism even Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) might have been embarrassed.  Maybe they looked in awe at the scale of Great Pyramid of Giza and assumed all the ancients operated in “think big” mode.

Tony Abbott (b 1957; Prime Minister of Australia 2013-2015) agitprop.

Mr Abbott's combination of relentless negativity and repetition of 3WSs (three word slogans) contributed to his resounding victory in the 2013 general election although, in office, the results were mixed and it ended badly.  Recently revived as the Liberal Party's federal president (the institution's third “Lazerus with a triple bypass” after Sir Robert Menzies (1894–1978; Prime Minister of Australia 1939-1941 & 1949-1966) and John Howard (b 1939; Prime Minister of Australia 1996-2007)), Mr Abbott unquestionably was one of history's most effective leaders of the opposition but as Roy Jenkins (1920–2003) remarked of Lord Randolph Churchill (1849–1895):  “He was essentially a opposition politician and behaved as such even when in government”.  Of such matters, Jenkins was a fair judge.  Although medieval may literally mean “relating to the Middle Ages” and can be used as a neutral adjective (medieval architecture, medieval manuscripts etc), it is also used as a term of derision: “Mr Abbott’s views on certain topics seem distinctly medieval although, to be fair, the thirteenth century probably never produced a finer mind”.  Used in that way, it implies “outdated, harsh or unenlightened”, a throwback to the stereotypes of the Dark Ages but more recent scholarship has cast doubt on whether the “Dark Ages” was a time as culturally sterile and technologically stagnant and was for centuries an orthodoxy among historians.  A view now more popular is the earlier conceptions of the period were formed because of the relative scarcity of written records and although it’s now clear there was progress in agriculture, law, architecture, theology, literature, engineering and state formation, it is true that compared with what came before and what followed, progress often was fitful.  Of note also is there were in the Renaissance and beyond not a few who didn’t count “advances in theology” as progress worth mentioning.

Pheasant

Pheasant (pronounced fez-uhnt)

(1) Any of various long-tailed gallinaceous birds of the family Phasianidae, especially Phasianus colchicus (ring-necked pheasant), having a brightly-coloured plumage in the male: native to Asia but now widely dispersed.

(2) Any of various other gallinaceous birds of the family Phasianidae, including the quails and partridges

(3) Any of several other gallinaceous birds, especially the ruffed grouse.

(4) The meat of such a bird, served as food.

1250–1300: From the Middle English fesaunt & fesant, from the Anglo-French fesaunt, from the Old French fesan, from the Latin phāsiānus, from the Ancient Greek φᾱσιανός (phāsiānós órnis) (Phasian bird; bird of the river Φᾶσις (Phâsis (in Colchis in the Caucauses were the birds existed in prolific number)), named after the River Phasis, in which flows into the Black Sea at Colchis in the Caucauses.  It replaced the native Old English wōrhana, a variant of mōrhana.  The ph- from the Greek was restored in English by the late fourteenth century while the wholly unetymological -t exists because of confusion with –ant (a suffix of nouns, formed from present participle of verbs in first Latin conjugation (ancient, pageant, tyrant, peasant; also talaunt, a former Middle English variant of talon, etc.).  The Latin was the source also of the Spanish faisan, the Portuguese feisão, the German Fasan and the Russian bazhantu; the Welsh was ffesant and the Cornish fesont.  In England, Pheasant was used as surname from the mid-twelfth century (and assumed occupational (pheasant farmer)).  The form in the Medieval Latin was fasianus.  A pheasantry is a place for keeping and rearing pheasants and the most common collective noun for a group of pheasants is bevy (less commonly a bouquet (when flushed), or nye.  Pheasant & pheasantry are nouns, pheasantless & pheasantlike are adjectives; the noun plural is pheasants.

Flawless food's oven roasted pheasant with herb butter.

Ingredients:

1 x 700 gram pheasant

30 grams of butter

1 teaspoon of garlic puree

1 teaspoon of Dried Thyme

Salt & Pepper

1 small Onion (red, brown or white)

1 small apple or citrus fruit (optional in lieu of onion)

6 Stuffing balls (optional)

Preparation:

Remove pheasant and butter from refrigerator approximately 40 minutes before cooking (allows butter to soften and pheasant to attain room temperature).

Preheat oven to 210℃ (fan) / 230℃ conventional.

Pat dry pheasant using paper towel.

Place softened butter, garlic puree and dried thyme; mash together with fork.

Rub garlic and herb butter blend all over pheasant including inside body cavity.

Chop onion in half and place inside the body cavity (the fruit can be used for a slightly sweeter effect (the placement is mainly to keep the flesh moist).

Generously season pheasant with salt & pepper, the place in oven roasting tray.

Roasting process:

Start cooking at the preheated temperature.

After ten (10) minutes cooking, lower heat to 180℃ (fan) / 200℃ (conventional) and cook for a further 40-50 minutes.  Note the timings are based on a 700 gram pheasant; a larger bird may need to be roasted for another 10-15 minutes.  If using a meat thermometer, internal temperature of pheasant should reach 64°C at the thickest part of the breast and thigh should reach 74 °C.

Add 6 Stuffing Balls to the tray if using, timing them according to their supplied instructions.

Serving:

Remove pheasant from oven, cover loosely with foil and allow it to rest for 20–30 minutes.  Skin should be a golden-brown.

Carve pheasant by cutting through both the legs, then slice down either side of the breastbone (first removing wishbone first will make that easier).

Serve as desired but traditional accompaniments include roast potatoes, broccoli, carrots, Brussels sprouts, honey roast parsnips, stuffing balls and gravy.

The golden pheasants

Chrysolophus pictus (the golden pheasant or Chinese pheasant).

There are more than two dozen taxonomic species within the family Phasianidae (pheasants), one of which is the golden pheasant (Chrysolophus pictus, known also as the “Chinese pheasant”), a game bird native to the forests of mountainous areas of western China.  The plumage of the males is famously vibrant which makes it a favorite among bird watchers and photographers while the female is a duller-mottled brown plumage, something common among many avian species including the peacock (male) & peahen (female), the evolutionary advantage for the females being the fine camouflage it afforded against the forest floor.

Nazi Kreisleiter (District Leader) standard four pocket open collar tunic (circa 1940).  The party’s regulations about uniforms first appeared in 1920 and the details were often revised until things were standardized in 1939.

In the Third Reich (1933-1945) the term Goldfasane (golden pheasants) was a derisive nickname used of high-ranking members of the Nazi Party (and their wives), the name an allusion to (1) the golden hue of the fabric of the party uniform, (2) their tendency to appear well fed (al la a plump pheasant fattened for slaughter) at a time when much of the population was living under food rationing and (3) their ostentation and self-importance (likened to a colorful and strutting pheasant).  That brown became the "official" color of the party  wasn't a kind of proto-1970s fashion choice.  When Germany lost its African and tropical Pacific colonies after World War I (1914-1948), a huge stock of khaki uniforms and other kit became available as "army-surplus" and these the party purchased at low cost.  As time progressed and the uniforms came to be tailored, as a general principle, the more exalted the office, the more golden the shade of fabric used for the garb.  Even the party headquarters in Munich became known as the Braunes Haus (Brown House) and the symbolism of its destruction in 1943 by Allied bombing wasn't lost on the local population although the British, even then sensitive to criticism of "area bombing" of civilian targets, made little attempt to exploit the success for propaganda purposes.  On the site of the long-demolished Braunes Haus, the Bavarian government in 2015 opened the NS-Dokumentationszentrum (NSDOKU, the Munich Documentation Centre for the History of National Socialism), a  museum with a focus on the history and consequences of the National Socialist (Nazi) regime and the role of Munich as its Hauptstadt der Bewegung (capital of the movement).  

Portrait of Auguste Escoffier (1846–1935).

The decoration is the Ordre national de la Légion d'honneur (National Order of the Legion of Honour, France’s highest order of merit, awarded to both civilians and the military.  It was established in 1802 by Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815)).  In the internal logic of French culture it was a wholly appropriate honor for a chef though to the south not all would have approved: Benito Mussolini (1883-1945; Duce (leader) & Prime-Minister of Italy 1922-1943) had expressed his disgust at the decadence of the modern Italian people, believing they had been seduced by French ways into “elevating cooking to the status of high art”, declaring he would never allow Italy to descend to the level of France, a country ruined by “alcohol, syphilis and journalism”.

The Brigade de cuisine (kitchen brigade) was a hierarchical organizational chart for commercial kitchens, codified from earlier practices by French chef, Georges-Auguste Escoffier who, following service in the French army, had refined and codified the the kitchen structure first documented in the fourteenth century.  The military-type chain-of-command became formalized but what was novel was what he dubbed the chef de partie system, an organizational model based on sections which were both geographically and functionally defined.  His design was intended to avoid duplication of effort and facilitate communication.  The economic realities of technological innovation, out-sourcing to external supply chains and the changing ratio of labour costs to revenue have meant even the largest modern kitchens now use a truncated version of the Escoffien system although the sectional chef de partie structure remains.  In the pre-modern era, Escoffier’s idealized structure was adopted only in the largest of exclusive establishments or the grandest of cruise liners and, like the Edwardian household, is a footnote in sociological, organizational and economic history.  In the late 1870s, after army service of some seven years, Monsieur Escoffier opened his own restaurant in Cannes.  It was called Le Faisan d'Or (The Golden Pheasant).

Kiji-shō (きじ章; Order of the Golden Pheasant).

There is also the Golden Pheasant Award (きじ章 (kiji-shō) or 金鳳賞 (Kinpōshō)), the highest award for adult leaders in the Scout Association of Japan and although it was first conferred in 1952, there’s no record of whether the earlier sardonic German slang was discussed when deciding on a name.  Officially awarded by the Chief Scout of Japan, recipients are chosen by a selection committee (an institution at which the Japanese excel) on the basis of their eminent achievement and meritorious service to the Association for a period of at least twenty years.  Most awards have been granted to Japanese citizens but the distinction may be granted to any member of a scout association affiliated with the WOSM (World Organization of the Scout Movement).  The (avian) golden pheasant has symbolic significance in Japanese culture where pheasants (particularly the green pheasant (Phasianus versicolor), Japan's national bird) have been revered for their grace and connection to nature; they convey an aura of prestige and distinction due to the majestic appearance.  The award consists of a medallion depicting a stylized golden pheasant, suspended from a white ribbon with two red stripes, worn around the neck.  The attendant uniform ribbon (worn above the left breast pocket), consists of two red stripes on a white background with a 5 mm golden device of the Japanese scout emblem.

Girl Scout icon Lindsay Lohan wearing an honorary Order of the Golden Pheasant.  (Digitally altered image from Flaunt Issue 195, November 2024, original photograph by the Morelli Brothers).

It is of course a great honor to join the exclusive club of those with a Golden Pheasant but the evidence does suggest it’s something of a kiss of political death for those statesmen (Golden Pheasants a male thing) so dubbed, their careers ending often not well.  Richard Nixon (1913-1994; VPOTUS 1953-1961 and POTUS 1969-1974) was awarded his in 1953 during a visit to Japan while VPOTUS, the brief ceremony conducted in Tokyo after his luncheon address to the America-Japan Society.  In 1974, Mr Nixon was forced to resign the presidency after revelations of his conduct during the Watergate Scandal.

Mohammed Reza Pahlavi (1919–1980; the last Shah of Iran 1941-1979) gained his Golden Pheasant in 1957.  In 1979 he was overthrown in the revolution which brought to power Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989) and the establishment of the Islamic Republic.  Also honored in the same year was Sir Walter Nash (1882–1968; prime-minister of New Zealand 1957-1960); he lost the 1960 general election and never regained power.  A royal recipient was Constantine II (1940–2023; the last King of Greece 1964-1973) who was honored upon assuming the throne in 1964.  Constantine was forced into exile after a military putsch in 1967 (the so-called “Colonels' Coup”) with the monarchy abolished in 1973, something confirmed by two subsequent referenda (1973 & 1974).

Golden Pheasant aspirant: A Japanese scout pack leader (left) with his pack of cub scouts, circa 1964.

Gerald Ford (1913–2006; VPOTUS 1973-1974 and POTUS 1974-1977) was in 1974 created a Golden Pheasant (while VPOTUS) and he went on to lose the 1976 presidential election.  He did however have the satisfaction of knowing not only did the man who beat him (Jimmy Carter (1924-2024; POTUS 1977-1981)) never become a Golden Pheasant, but also turned out to be “a bit of a turkey”.  Paras Bir Bikram Shahdev (b 1971; last Crown Prince of Nepal, heir apparent to the throne 2001-2008) became a Golden Pheasant in 2005.  In 2001, there was what is a now uncommon act of regicide known as the Durbar Hatyakanda (Nepalese royal massacre) that was actually a family squabble, the assassin of nine members of the dynasty (including the king & queen) being Crown Prince Dipendra (1971-2001) who, by virtue of the constitutional arrangements, for three days reigned while in a coma before succumbing to a self-inflicted gunshot wound.  Subsequently, there was a peaceful transition to a republic and in 2008 the world’s last Hindu monarchy was abolished.  Ronald Reagan (1911-2004; POTUS 1981-1989) was the last POTUS to become a recipient and his second term was tainted by Iran-Contragate affair.  Given the history, it may be the US State Department has instructed the ambassador to Tokyo quietly to inform the chief scout POTUSs would prefer not to become Golden Pheasants but a gift like a ceremonial woggle warmly would be received.

Mori san explains.

Yoshirō Mori san OGP (centre) meeting the official mascots (boy in blue, girl in pink) for the Tokyo 2020 Olympics and Paralympics, Tokyo, 2018.  While serving as president of the Tokyo 2020 organizing committee, an international human rights advocacy group awarded him a “gold medal” for sexism after he complained women members of the committee “...talked too much” due to their “strong sense of rivalry. If one says something, they all end up saying something.”  

Beating the drum: Sanae Takaichi san with drum kit.  In the Japan of 2026, a woman can become prime minister but can neither reign as empress nor receive an Order of the Golden Pheasant.

As Mori san's LDP (Liberal Democratic Party) colleagues know, women have little to say worth hearing but so depleted are the party's stocks of estimable men, in 2025 they had to endure the humiliation of Sanae Takaichi san (b 1961) taking the party presidency and thus becoming the nation's first female prime minister.  To add insult to injury, in 2026 she called an election and won a landslide victory, giving the LDP its highest ever count of seats in the Diet's lower house, meaning attention now turns to the next upper house election, pencilled in for mid-2028.  Upper house elections are no longer the sleepy non-news events of old because if Takaichi san can emulate her electorate success and deliver the LDP a companion two-thirds majority, the path to change the constitution is opened, something that will with great interest be watched from Beijing and the White House, both places with opinions on anything that might permit the JSDF (Japan Self Defence Forces, on paper a potent military force) to become more "adventurous".  With Takaichi san's victories, the LDP men know they have lost face but in July 2026 they had the satisfaction of succeeding in their conspiracy with the mandarins of the Imperial Household (of which the LDP is a kind of branch office) to ensure it remains impossible for a woman to sit on the Emperor's throne, a thought as much an affront to them as would be a female pope to the Roman Curia.  

Yoshirō Mori (森 喜朗, Mori Yoshirō san, b 1937; prime minister of Japan 2000-2001) actually anticipated the “curse of the Golden Pheasant”, leaving office after a gaff-prone two year term some time before he gained the award in 2003.  Mori san was notable for his consistently low approval ratings while prime-minister and most public opinion polls towards the end of his tenure hovered between 7-12% of Japanese voters having a positive view of his premiership.  Mori san had however been a fly-half (first five-eighth in New Zealand's quirky naming system) when playing for the prestigious Waseda University rugby team so for a while he just put his head down and ploughed-on.  That lasted until shortly after the publication of one poll reporting he had received a zero (0%) rating, believed to be the lowest suffered by any politician since polling became (more-or-less) scientific in the 1940s.  At breakfast, it can’t have been much fun for Mori san; he’d have just started to enjoy his gohan (steamed rice), misoshiru (miso soup) yakizakana (grilled fish), tsukemono (pickled vegetables), tamagoyaki (rolled omelette) and ryokucha (green tea), only to open the morning paper and find out nobody in the country liked him.  Shortly after that, he advised his LDP colleagues he would soon resign and they should conclude the (already well-advanced) plotting and scheming to find his successor.  Still, as a consolation, Mori san has his Golden Pheasant.

Pheasant wars: A golden pheasant and a Lady Amherst's pheasant contesting occupancy of a rock.

Pheasant Plucking

The pheasant features in a favorite schoolboy rhyme, said to have origins in an eighteenth century English village where it was composed by Elias, a wandering bard performing at one of the hamlet's “grand pheasant festivals”; he’d been much impressed by the efficient and rhythmic plucking of pheasants by champion pheasant plucker Tom Fletcher.  Whether or not that story is true isn’t known but it (and other variations) is a common tale.  In its modern form the tongue-twister appears usually as:

I'm not the pheasant plucker,
I'm only the pheasant plucker's son,
But I'll keep on plucking pheasants
'Till the pheasant plucker comes.

The verse was soon as much a part of the festivals as the pheasant plucking proper and was popular drinking game, those making a mistake during a recital having to drink a pint of ale before having another attempt.  The extended version read:

I'm not a pheasant plucker,
I'm a pheasant plucker's mate,
And I'm only plucking pheasants
'cause the pheasant plucker's late.
 
Plucking pheasants is a pleasure
when the pheasant plucker's near,
But when pheasants pluck at pheasants,
then the plucking's rather queer.
 
So, if I'm plucking pheasants,
where the pleasant pheasants roam,
I'll pluck enough for supper
till the pheasant plucker's home.
 
And when the pheasant plucker comes,
we'll pluck them side by side,
Through pleasant plains and pheasant fields
where pheasants love to hide.

Slap

Slap (pronounced slap)

(1) A sharp blow or smack, especially with the open hand or with something flat; a sound made by or as if by such a blow or smack.

(2) By analogy, a sharply worded or sarcastic rebuke or comment.

(3) To put or place something promptly and sometimes haphazardly (often followed by on; if haphazard, often described as slapdash).

(4) As slap on the wrist, relatively mild criticism or censure, often used critically when more onerous punishments are available.

(5) A gap or opening, as in a fence, wall, cloud bank, or line of troops; a mountain pass; a wound or gash (now rare).

(6) As slap-sole, an additional sole affixed between the heel and sole of a high-heeled shoe. 

(7) In slang, make up (based on the notion "that which is slapped on").

(8) In slang, a poster (based on the notion "slapped onto the wall").  

Origin uncertain: It’s been linked to the (1325–1375) Middle English slop from the Middle Dutch or Middle Low German (cognate with German Schlupf (hiding place)) though with little support.  The seventeenth century Middle English slappen is of uncertain origin and probably imitative, drawing from the Low German Slapp & Slappe (slap) from which Modern German gained Schlappe (defeat).  Most suggest the verb use (in the sense of “strike with an open hand”) began in the late fifteenth century, became an adverb in the 1670s, and picked up the meanings “suddenly” or “directly” in 1829.  The noun form dates from the mid fifteenth century, again apparently of imitative origin, similar to the various German forms slappe & Schlappe.  The figurative meaning "insult, reprimand" is attested from 1736; the now probably obsolete “slap-happy” (1936) originally meant "punch-drunk and “slap on the wrist” meaning "very mild punishment" dates from 1914.  The modern acronym SLAPP is unrelated.  Slap is a noun, verb & adverb, slapping is a noun, slapper is a noun, verb & adjective, slapped is a verb and slappy is a noun & adjective; the noun plural is slaps.

Although the reaction would have been very different had the roles of the protagonist & antagonist been reversed, the clip of Emmanuel Macron (b 1977; President of France since 2017) receiving a “bit of a slap” from his wife (Brigitte Marie-Claude Macron (née Trogneux, later Auzière, b 1953)) was received with much amusement and more interest that most photo-opportunities of heads of state walking down stairs.  Distributed in May 2026, the footage circulated by AP (Associated Press) was shot when Le Président’s aircraft was on the tarmac after landing at Hanoi’s Noi Bai International Airport, Vietnam.  After the “gentle slap”, Mr Macron appeared startled but recovered quickly upon realizing a camera lens was pointed through the open door, managing a smile and wave before moving rapidly out of sight.  The “incident” was first denied by the Elysée Palace until the footage was seen, at which point the spin changed to a claim it was just a bit of playfulness between husband and wife.  Shortly afterwards, the couple walked down the stairs; they did not hold hands.

Emmanuel & Brigitte Macron, Noi Bai International Airport, Hanoi, Vietnam, May 2025.

The administration’s hope had been a visit by a representative of the former colonial oppressor would focus on France’s “Pacific outreach” but it was madame Macron’s outreach that grabbed the headlines.  A quarter-century older than her husband, (something that must baffle Donald Trump (b 1946; POTUS 2017-2021 and since 2025) who is believed never to have read Stephen Vizinczey’s (1933–2021) In Praise of Older Women (1965)), she was one of his school teachers when he was a 15 year old classmate of her daughter and she was 39.  According to “official sources”, their “relationship” began when he was around 19; the couple married in 2007.  The explanation from the Elysée was noted by social media on which suggestions of the consequences for Mr Macron included him (1) having to write out 100 times: “Je ne discuterai pas avec le professeur” (I will not argue with the teacher), (2) being sent to bed straight after dinner and (3) not being allowed to watch cartoons on Saturday morning.  It was further suggested a future transgression would result in a caning (and not the “playful spanking” type he enjoys).

Slap soles

Seventeenth century women's slap-soled shoes.

Although they became high (and occasionally extreme) fashion items, slap soles began as a purely functional addition to men’s boots.  In the seventeenth century, men of a certain class, upon dismounting their horses, would slip a flat-soled mule over their riding boots to stop their heels sinking into the ground.  Presumably seeing a gap in the market, cobblers began to attach an additional sole, extending from tip to heel but not actually attached to the heel, a design which when walking, produced a clacking, slapping sound.  The apparently strange design existed so that riding boots would still fit securely in the stirrups and not interfere with the spurs.

Men in slap-soled boots.  Portrait of Lord John Stuart and [his brother] Lord Bernard Stuart (circa 1638), oil on canvas by Sir Anthony van Dyck (1599–1641).

History doesn’t record whether women were attracted to the style or just the idea of being able to wear their newly fashionable high-heels without also sinking into the soil but the concept was soon extended to women’s shoes.  However, when applied to women’s shoes, although the slap-sole name stuck, there was no slapping sound when walking because the sole was this time anchored at the heel as well.  It’s essentially the same concept used on a tank or bulldozer, a self-laying track which renders a more stable surface on which to move.  So bizarre was the appearance of these shoes that they have long been a collectable and the delicate, intricate detailing on many does suggest many of them must have been created purely as pieces of high-fashion.  Doubtless there were some women of the horsey set who used the genuine slapping-soles as did the men but on the (admittedly hardly representative) basis of the surviving depictions, more seem to have worn them far from muddy stable yards.

Slaps: Literal and figurative.

Usage guide for “slap”:  An example of a literal “slap” is being “slapped in the face” by the mother of the children one is attempting to “rescue from traffickers” on the streets of Moscow.  A figurative “slap” is being “slapped with a parking fine” for leaving one’s Cadillac Escalade parked next to a fire hydrant.  Overlap is possible because a parking ticket is in some places still a physical slip of paper or cardboard so one literally could be “slapped with a parking ticket”.  Instances of such presumably are rare but to avoid ambiguity the correct use is “slapped with a parking fine” (figurative) or “slapped with a parking ticket” (a literal assault & battery in cases where the ticket is used as a weapon).