Showing posts with label Theology. Show all posts
Showing posts with label Theology. Show all posts

Friday, July 10, 2026

Exorcise

Exorcise (pronounced ek-sawr-sahyz)

To seek to expel from a person or place an evil spirit by means of adjuration or solemn religious ceremonies.

1350-1400: The verb may have been in oral use as early as the twelfth century but use in Middle English is documented from the later, the form from the fourteenth century Old French exorciser, from the Late Latin exorcizāre, from the Ancient Greek exorkízein (bind by oath; banish an evil spirit) and the sense "call up evil spirits to drive them out" was dominant by the sixteenth century.  In England, exorcize was actually an alternative spelling but this is now one the rare instances in English where the US adopted -ise rather than -ize which some etymologists suggest may have been because of the influence of "exercise" although why that would be compellingly persuasive (this was the country which discarded "cheque" and used "check" for all purposes) seems never discussed.  What is more likely is the appearance of "exorcise" in so many church documents brought to the American colonies led to some reluctance to edit "sacred" works.  Some US academic sources do suggest exorcize is "a rare but correct" alternative, a concession not extended to exercize.  A number of the derived forms (exorcismal, exorcisory, exorcistical, exorcistic) are rare and appear only in specialist publications (or lists or the rare and obscure).  Exorcise is a verb, exorcism, exorcisation & exorcist are nouns, exorcistical, exorcismal, exorcisory & exorcistic are adjectives; the noun plural is exorcisms.

The noun exorcism (a calling up or driving out of evil spirits) was a fifteenth century creation formation from the Late Latin exorcismus, from the Ancient Greek exorkismos (administration of an oath) which, in Ecclesiastical Greek existed as exorkizein (exorcise, bind by oath), the construct being ex- (out of) + horkizein (cause to swear), from horkos (oath) of uncertain origin although some have suggested there's a link to  herkos (fence), the idea being of a oath with boundaries one accepts as "restrictions, ties & obligations" or "a magical power that fences in the swearer".  It's speculative and one etymologist noted dryly that the discipline's enthusiasm to adopt the view "was restrained".  A fourteenth century form describing the ritual was spelled exorcization.

Exorcism: Vade retro satana (Step back, Satan)

Saint Francis and the Dying Impenitent (1788) by Francisco Goya (1746-1828)

Exorcism in Christianity is the practice of casting out demons from a person or place possessed by the Devil.  Although the biblical origins are dubious (some translations to some extent support the notion), by early in the second century of Christianity the word was in general use and paintings of exorcists and their ceremonies are among the darker and more dramatic in medieval and later sacred art.  Whether or not the biblical foundations were solid, priests have always been good at spotting a gap in the market and the drama of a well-scripted exorcism was likely a lucrative venture, supply of which may well have stimulated demand.  In the Roman Catholic Church, the rituals were formalized in 1614 because of Rome’s concerns about clandestine, underground exorcisms performed without their consent and the guidelines remained substantially unchanged until the Vatican’s revisions in 1999, a process necessitated by a late twentieth-century spike in demand, the reasons for which are speculative but involve usually blaming the internet, an explanation at least plausible.  Interestingly, for more than a decade after the Second Vatican Council (Vatican II (1962-65)), it was really not done for clergy to speak of Satan as if "he" really existed, the modernizing church preferring the language of psychology and psychiatry for those displaying symptoms for centuries attributed to the Devil's demonic possession.

Exorcism of Nicole Aubry (1563), etching by an unknown artist.

Popular culture (especially cinema) revived interest in the ritual, with both churches and the medical profession reporting an upsurge in claims of demonic possession and most significantly, Saint John Paul II (1920–2005, pope 1978-2005) had a more robust attitude to the Devil’s role upon earth than any of his twentieth century predecessors.  In 2004, JPII again warned that occult and new age practices were raging out of control in Europe, providing gateways for evil that could result in demonic attachment and possession.  JPII's warning was effective and for the Holy See, it's been good business ever since; a recent Course on Exorcism and Prayer of Liberatio, hosted by the Sacerdos Institute at the Pontifical Athenaeum Regina Apostolorum (an educational institute under the auspices of the Congregation of the Legionaries of Christ) in Rome, attracted some 250 priests from 50 countries.  Supply tends to exist only to meet demand so around the planet, the Devil must in many places be afoot.  Interrupted only by the disruption of the COVID-19 pandemic (which may have been the work of the Devil), the week-long course has been held annually since 2005, attendance more than doubling over the years.  Cost per head in 2025 was €575 (US$660); bookings were essential and an entry-ticket included discounts on rooms and food & beverage in several Rome hotels.

The Exorcist’s “spider walk” scene.

Based on the William Peter Blatty (1928-2017) novel The Exorcist (1971), the film version (1973) was directed by William Friedkin (1935-2023) and that it did not win the Best Picture Academy Award is a mystery explained only by the prejudices held at the time by those members of the Academy of Motion Picture Arts and Sciences who cast ballots for The Sting (1973) a competently-made but formulaic piece and hardly the a landmark like The Exorcist.  The “spider walk” scene was long the subject of speculation.  Not included in the original theatrical release, the director for years claimed it had never been shot and it was only when copies of takes were found in the archives he admitted it had been done but couldn’t be used because at the time the technology to "edit out" the wires securing the stunt double to a rail above (which made the performance possible) didn't exist.  Subsequently, it was revealed the scene had been shot without use of the harness because it was performed by an experienced stunt double with gymnastic training.  Apparently the director didn’t include it because he thought it appeared too early and disrupted the sequence which is interesting because, structurally, The Exorcist is far from perfect (unkind critics call the editing "a bit of a mess").  The spider walk scene was included in the “director’s cut” editions released the next century and the once genuinely shocking film has attracted parody, a demonically possessed Lindsay Lohan levitating in Scary Movie V (2013). 

The Exorcism of Charles II of Spain

Charles II of Spain (Carlos Segundo 1661–1700), was the last king of the Spanish Habsburg dynasty, sovereign of the Spanish Empire which stretched from Mexico to the Philippines.  The only surviving son of his predecessor, Philip IV (1605-1665) and his second wife, Mariana of Austria (1634-1696), his birth was greeted with enthusiasm by the Spanish people because, as was the fashion of the time, had the old king died without a male heir, a war of succession (traditionally a bloody business) would have ensued.  Unfortunately, Charles was physically disabled, disfigured, mentally retarded and found later to be impotent, usually a drawback for any king but a discovery which brought relief to many courtiers.  He uttered no words until the age of four, didn’t take his first step before he was almost nine, suffering throughout childhood a range of diseases including measles, varicella, rubella, and smallpox.  Left almost uneducated because of his frailty, his mother was regent most of his reign and he came to be known to history as El Hechizado (the Bewitched), the name applied because both court and country believed his mental and physical incapacities were due to an act of witchcraft.  

Modern science suggests otherwise, the condition actually the consequence of the strong preference for endogamy (the practice of marrying or requiring to marry within one's own ethnic, religious, or social group) within the Spanish branch of the Habsburg royal family which led to its segregation within related dynasties and thus the emergence of consanguinity (inbreeding).  Inbred Charles II certainly was; his grandparents were at the same time his great-grandparents; One relative's father was married to her sister's daughter, was also her great-uncle, and her mother happened to be her cousin as well.  One could see how things might not have turned out well and the condition was well-known in Europe and not restricted to aristocracy and royalty.  The slack enforcement of marriage laws in Germanic lands was one of the reasons there were so many victims of the Nazi's original euthanasia (Aktion T4, mass-murder of the physically disabled and mentally retarded on the basis of them being "useless eaters") programme and it went back a long way: the scandal of the Byzantine Emperor Heraclius (circa 575–641; emperor 610-641) marrying his niece Martina (circa 590-circa 644) made still worse by the tragic condition of some of the children the union produced.  However, to speak of incest in the royal family was just not done so the feeling at the time was to blame the stae of Charles II on witches or the Devil so the court sought advice from Fray Antonio Álvarez Argüelles, vicar of the Encarnación de Cangas del Narcea convent and a noted Asturian exorcist who suggested: “…last night the demon told me that the King is evilly bewitched to rule and to beget. When he was 14 years old, he was enchanted with a chocolate in which the brains of a dead man were dissolved to take away his health, corrupt his semen and prevent his generation”.

Exorcism of Charles II of Spain, engraving by Lechard, circa 1840.

The priest's "chocolate theory" must have been convincing because soon after the king was subjected to what was, even by the standards of the age, a most macabre exorcism.  By coincidence, the remains of his ancestors were being transferred to a new pantheon at the Royal Seat of San Lorenzo de El Escorial and the exorcist ordered their coffins opened.  The rationale was a ceremony in which the corpses of his relatives (and, in an advanced state of putrefaction, that of his beloved first wife (María Luisa de Orleans (1662-1689))), were exhibited would assist, the array of the dead helping to drive off the demons so tormenting the unfortunate monarch.  It was in vain and the suffering continued.  Ill his whole life and king since the age of three, he lingered until 1700, dying at 39, the announcement one of the more eagerly awaited events in the courts and chancelleries of Europe, such was the anticipation of the struggles which would erupt to decide the succession.  Summarizing a sad life in Carlos, the Bewitched (1962, published in the US as Carlos: The King who would Not Die), his English biographer John Langdon-Davies (1897–1971) wrote: "Of no man is it more true to say that in his beginning was his end; from the day of his birth, they were waiting for his death".  On his deathbed, his last words were: "Everything hurts".

Institutional exorcism: Pope Leo, modernity and the SSPX

Although the Holy See might find the simile appalling, in the Roman Catholic Church, the political equivalent of an exorcism is an excommunication, a legal and spiritual administrative act excluding a baptized Catholic from certain aspects of sacramental and communal life; although Rome’s most serious canonical censure, despite the common impression, it neither expels an individual from the Church or erases their baptism.  Additionally, while the very word seems to be associated with finality, the purpose of excommunication is medicinal rather than punitive.  Rather than a brute-force punishment, it’s a device the church can use as means of bringing the sinner to repentance and reconciliation; in most cases, once a transgressor confesses their offence and sincerely repents (and, in some cases, fulfils such “special conditions” as may be imposed) an excommunication can be lifted, meaning the individual is welcomed back into communal life.  In the Roman Catholic faith, "reformed sinners" are valued for the good example they set.

As a general principle, what a excommunication does is prohibit an individual so sanctioned from (1) receiving the sacraments (the Eucharist, Penance, Anointing of the Sick and such), (2) celebrating or administering the sacraments (if they be clergy), (3) exercising ecclesiastical offices, ministries, performing most official functions within the Church and (4) receiving most ecclesiastical privileges.  However, there’s a procedural hierarchy and because a baptism leaves on the soul an indelible spiritual mark, even the excommunicated remain Roman Catholics, their fate after death ultimately in the hands of God.  As such, they may still attend Mass (though not receive Holy Communion), pray and participate in any aspects of parish life not requiring the exercise of ecclesiastical ministry.  Interestingly, under Canon Law, there are two mechanisms of excommunication.  There is (1) Latae sententiae (sentence already passed) which means the penalty automatically is incurred upon committing certain serious offenses (apostasy, heresy, or schism; desecration of the Eucharist; physically attacking the pope; knowingly and freely participate in an act of abortion and (2) Ferendae sententiae (sentence to be imposed), that requiring a ruling by a competent Church authority after a judicial or administrative process.

Pope Leo XIV: Time will tell if Leo's pontificate will be as "modern" at that of his predecessor (Francis (1936-2025; pope 2013-2025)), accused by some theologians of "heresy".

The Vatican’s announcement in July 2026 that certain followers of the SSPX (Society of Saint Pius X) had been excommunicated a day after the organization had consecrated four new bishops in defiance Leo XIV's (b 1955; pope since 2025) explicit instruction was thus, in a technical sense, merely advisory because, under the provisions Latae sententiae, by engaging in “a schismic act”, those involved were at the moment of their transgressions no longer in communion with the Church.  However, following the usual protocols, the Vatican issued a decree stating all six of the Society's “bishops” had been excommunicated but what was unexpected was the inclusion of a paragraph stating any lay members who “formally adhere” to the group “are to be considered schismatic and excommunicated”.  Reaching out to the heretics, the statement concluded that those who repented and left the SSPX would be welcomed back to the Church “with sincere affection”.  Because the multi-national SSPX is not a small organization, questions were asked about the scope of the edict and the Vatican’s press office later clarified things by saying not all members would be subject to automatic excommunication but it would be imposed on those who “habitually participate” in SSPX rituals and “formally share its doctrinal positions”.

Pope Saint Pius X who thought "the old ways are the best".

The Vatican regards the SSPX as a splinter sect which has “left the Church” although, in the usual way schismatic squabbles play out, followers of the SSPX claim the “Church has left them”.  Saint Pius X (1835–1914; pope 1903-1914) was pope at the dawn of what would come to be called “modernity” and often is referred to as an “anti-modernist” pope who opposed not only the intrusion of “liberal interpretation” into Catholic doctrine but also any variation of the traditional forms such as the Latin liturgy.  According to Pius X, the last words on Church teachings and interpretation had been written by the Italian Dominican friar, philosopher & theologian Saint Thomas Aquinas (1225–1274); perfection thus was achieved in the thirteenth century, the proceedings of the First Vatican Council (Vatican I; 1869-1870) not merely an affirmation of Thomist scholastic theology but a strengthening of a pope’s legal authority to veto any challenge to doctrinal or procedural orthodoxies.  Although clearly it had long been exercised, it was in Vatical I the doctrine of "Papal Infallibility" was codified and although it has (officially) since been invoked only once, popes increasingly have issued edicts and decrees "vested with infallibility in form if not word", Vaticanologists coining the phrase "creeping infallibility" to describe the development.     

Founded in 1970, the SSPX was a reaction to the distinctly “modernising” reforms imposed on the Roman Catholic Church by Second Vatican Council (Vatican II, 1962-1965, published 1970) and its adherents worldwide are believed now to number more than half a million, hence the interest of the press in the extent of the Vatican’s decree of excommunication.  Although in popular discourse there has been much focus on SSPX priests conducting the mass in Latin while facing the altar rather than following the reformed procedure in which local languages are used with the priest facing his congregation, the sect’s challenge to the authority of Rome is more fundamental and the dispute is not new, a number of SSPX bishops excommunicated in 1988.  It was Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) who in 2009 rescinded the order for four of that number, explaining he hoped his “act of reconciliation” would produce a “real and final unity”.  Benedict instead got a kind of uneasy truce, something emblematic of his papacy.  That state was neither an entente cordiale nor a peaceful co-existence but more a case of Rome “turning a blind eye” as long as the SPSS kept a low profile and did not attempt to “infect the Church” with their notions.  Probably a handful of congregations enjoying the undeniable beauty of the Latin Mass, delivered to conservatively dressed souls hearing only what had for centuries been preached could have been tolerated but the SSPX not only spread but became more dogmatic in claims of correctness and more aggressive in the promotion of their ideas.

Escutcheons of the SSPX (left) and Holy See (right).

The similarity between the Holy See's symbol and the "crossed keys" of the Secret Society of the Les Clefs d’Or is claimed by both to be wholly coincidental.  Modern in technology and media management if not theology, the SSPX have an on-line FAQ page discussing their differences with Rome.  Both sides are committed, well resourced, have skilled coaches and a good bench of reserves so this "ecclesiastical world cup" likely has some way to go and won't yet have reached the half-time break. 

Had it been just disagreements over arcane matters of form (how the communion bread was handled or whether the Mass was celebrated in Latin or the local language etc), it might have been possible for Rome to tolerate the SSPX and hope the cult would fade away as its congregants died off but not only are its numbers growing but the new adherents often are young and committed Catholics (committed certainly to what Catholicism “used to be”).  More troubling still is some of the underlying politics, one notorious SSPX bishop (among the four in 2009 reinstated by Benedict) repeatedly made anti-Semitic statements and, being not at all vague in his Holocaust denial, insisted (after his excommunication was lifted!) in a television interview: “I believe that the historical evidence is strongly against, hugely against, six 6 million Jews having been deliberately gassed in gas chambers as a deliberate policy of Adolf Hitler [Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945)].  I believe there were no gas chambers”.  Curiously, the Vatican didn’t reimpose the bishops excommunication but instead ruled he’d not be permitted to “perform priestly functions” unless he “recanted his views.”  Just as intriguingly, the SSPX didn’t demand a recantation but instead issued an order forbidding the talkative bishop from making “any public statements on political or historical issues.  In other words: “Don’t mention the war”.  When eventually the SSPX expelled its turbulent priest, it was not for his views but because he defied the sect’s hierarchy.  Still, that meant Benedict was relieved of the strain of having to make a decision; that much pleased him. 

Reacting with remarkable alacrity to the controversy, the SSPX sanitized its web pages, removing anything which might be thought “suspect”.  Afterwards, anyone new to the sect would be forgiven for thinking it was nothing but an order of the Church for those nostalgic for the Latin liturgy, banished to the archives by Vatican II.  However, in the printed record there’s an extensive collection of publications detailing the organization's long history of anti-Semitism, some of it frankly “hate literature” and it also printed or distributed older texts containing a roll-call of the usual tropes: blaming the Jews for the French Revolution, Communism, Bolshevism and accusing them of corrupt practices in their alleged control of international finance etc.  At the root of it all was said to be the Jews' collective guilt of deicide (the old chant of “Christ killers” which didn’t disappear from Roman Catholic sermons until well into the twentieth century) but, to add a new twist, the SSPX also contributes to “replacement theory”, condemning Third World immigration into Western countries as “destroying our national identity and, furthermore, the whole of Christianity”.  The SSPX also is highly suspicious about the agenda of “international Freemasonry, some of its publications quoting the works (appearing also on white supremacist sites) of an author who warned of a “Judeo-Masonic conspiracy to destroy the church”.  To be fair, the SSPX probably are right to be concerned about the plotting & scheming of the Freemasons and even the pope would agree with that.  Leo has made the first decisive act of his pontificate and has drawn a line in the theocratic sand but, in creating a half million-odd schematic malcontents, he may have created more problems than he solved.

Exorcism and the Anglicans

Although the film The Exorcist and a well-publicized history of use may have led some to believe exorcism is exclusively "a Roman Catholic thing", other Christian denominations inherited the idea, some practicing the ritual more than others.  The Lambeth Conference is a (nominally) decennial assembly of bishops of the Anglican Communion convened by the AoC (Archbishop of Canterbury), 15 held since the first in 1867.  The Anglican Communion is an international association of autonomous national and regional churches, not a governing body and the office of AoC is in no way analogous with the Roman Catholic pope; while a pope is an absolute monarch atop a theocracy, the AoC is the "spirital head" of the Anglican community but holds no executive authority.  The conferences serve a collaborative and consultative function and are said to express “the mind of the communion" on issues of the day; resolutions passed at a Lambeth Conference are without legal effect, but can be influential (if others are in the mood to be influenced).

Lambeth's latest.

Dame Sarah Mullally (b 1962) in the regalia of Bishop of London; in March 2026 she was installed ("enthroned" no longer preferred by modern Anglicans) as AoC.  No longer one of the world's more desirable jobs (essentially because it can't be done), all wish her the best of British luck.  In feminist theory, the phenomenon of women being appointed to suddenly undesirable jobs is known as the "glass cliff"; were it possible for the job still to be done, the Anglicans would have appointed the 106th man rather than the first woman.  Of the previous 105 prelates, the first was Saint Augustine of Canterbury (circa 630s-circa 604) in 597 (not to be confused with the still influential Saint Augustine of Hippo (354–430)).

Conferences were never the pure and high-minded discussions of ethics, morality and theology some now appear to believe characterized the pre-modern (in this context those held prior to 1968 when "the troubles began") events.  Agenda and communiqués from all conferences have always included the procedural, administrative and jurisdictional although in recent years, they’ve certainly reflected an increasingly factionalized communion rent with cross-cutting cleavages, first over the ordination of women and of late, homosexual clergy.  During the 1998 conference, Bishop Emmanuel Chukwuma (b 1954) of Nigeria attempted to exorcise "homosexual demons" from the soul of Nigerian-born Richard Kirker (b 1951), a British priest and general secretary of the LGCM (Lesbian and Gay Christian Movement).  Recalling perhaps Ephesians 4:32 or (less charitability) the more cautionary Matthew 6:15, Kirker forgave him.  There have since (as far as is known) been no exorcisms at Lambeth conferences but the squabbles over gay male and female clergy have never been resolved and when, early in 2026, a woman was enthroned as the 106th AoC, the schisms began with a number of African churches announcing they were no longer in communion with Canterbury.   

Exorcism and the Ayatollah

Umberto II while Prince of Piedmont, a 1928 portrait by Anglo-Hungarian painter Philip Asexius László de Lombos (1869–1937 and known professionally as Philip de László).  Note one un-gloved hand, ruffled collar and bubble pantaloons.

Umberto Nicola Tommaso Giovanni Maria di Savoia (1904–1983) was the last king of Italy, his reign as Umberto II lasting but thirty-four days during May-June 1946; Italians nicknamed him the Re di Maggio (May king) although some better-informed Romans preferred regina di maggio (May queen).  At the instigation of the US and British political representatives of the allied military authorities, in April 1944 he was appointed regent because it was clear popular support for Victor Emmanuel III (1869-1947; King of Italy 1900-1946) had collapsed.  Despite Victor Emmanuel’s reputation suffering by association, his relationship with the fascists had often been uneasy and, seeking means to blackmail the royal house, Benito Mussolini's (1883-1945; Duce (leader) & Prime-Minister of Italy 1922-1943) spies compiled a dossier (reputably several inches thick), detailing the ways of his son’s private life.  Then styled Prince of Piedmont, the secret police discovered Umberto was a sincere and committed Roman Catholic but one unable to resist his "satanic homosexual urges” and his biographer agreed, noting the prince was "forever rushing between chapel and brothel, confessional and steam bath" often spending hours “praying for divine forgiveness.”  Presumably, he contented himself he'd often found forgiveness though that didn't stop him afterwards repeating his sins.

After a referendum abolished the monarchy, Umberto II lived his remaining 37 years in exile, never again setting foot on Italian soil; while his turbulent marriage to Princess Marie-José of Belgium (1906-2001) produced four children, historians consider it likely none were his.  Despite extensive documentation confirming the prince was possessed by “satanic homosexual urges”, it’s most unlikely the Duce ever contemplated contacting the Vatican to seek the intervention of an exorcist.  Although baptized by his devout Catholic mother, Mussolini when young became an atheist and was stridently anti-clerical, something more than one biographer has attributed (at least in part) to the canings ill-discipline earned him from the monks who were his school teachers.  The Duce certainly understood the Church could be useful and knew his regime likely would not long have survived had the Vatican become his enemy but, although famously he signed the Lateran Treaty (1929) making Catholicism the state religion, he never took seriously the “devotional or mystical stuff” and, after he met a messy end, he was denied a religious funeral.

Grand Ayatollah Ali Khamenei (1939-2026; Supreme Leader, Islamic Republic of Iran 1989-2026, Khamenei 1.0, left) with his son and successor, Ayatollah Mojtaba Khamenei (b 1969; Supreme Leader, Islamic Republic of Iran since 2026, Khamenei 2.0, right).

One unexpected announcement after it was revealed Ayatollah Mojtaba Khamenei had been appointed supreme leader after the assassination of his father (Grand Ayatollah Ali Khamenei) came from the White House, the claim being the US intelligence agencies had assessed the available information and concluded Ayatollah Khamenei (v2.0) “may be gay”.  Donald Trump (b 1946; POTUS 2017-2021 and since 2025) publicly confirmed he'd been briefed on the unconfirmed intelligence, “news” he seemed to receive with an amusement he made little attempt to supress.  The US agencies never provided anything substantive to support the claim and most analysts concluded the tale (although there may at least have been "youthful indiscretions") was likely part of a disinformation campaign intended to diminish the new supreme leader’s authority among religious elites in Tehran and destabilize the regime.  The lack of any authentication was tiresomely irrelevant to the meme-makers and response to the suggestion the man standing in the sandals of Grand Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989) might be “a bit of a homosexual” was swift, “gayatollah” memes soon circulating, generative AI (artificial intelligence) allowing intricately detailed, multi-media productions to be posted within minutes.  For whatever reason, since assuming the leadership, although written statements have in his name been issued, he’s been neither seen nor heard and while known to be recuperating from injuries sustained in the attack in which his father was among those killed, one doubtlessly mischievous suggestion was his absence being explained by a raqi (exorcist) undertaking the long and exacting task of driving from his soul the “satanic homosexual urges” alleged by US intelligence.

Exorcism is a part of Islamic theology and is known as al-'azm, ard al-shayān/al-jinn (expulsion of devils/spirits) or ruqya (spell, charm, magic, incantation).  A spiritual practice, rugya most often is deployed to heal ailments or cure sickness but practitioners can be called upon to deal with the mental distress attributed to spiritual entities like Jinn (witchcraft; supernatural entities), or the evil eye; certainly that would seem to extend to an ayatollah’s “satanic homosexual urges”.  In an authentic Islamic exorcism (Ruqyah Ash-Shar'iyyah), the core component is the recitation of Qur'anic verses (the most invoked the Surah Al-Fatihah, Ayatul Kursi, and the last surahs), augmented by prophetic prayers and supplications to seek Allah's protection and drive out malevolent entities.  For those not brought up in the Islamic tradition, the nature of Jinn sometimes is misunderstood because the supernatural creatures are forces with free will, capable of both good and evil.  In an exorcism, an exorcist, depending on what’s involved, might command the miscreant Jinn to depart or break their spell without harming them.  However, like Christianity, Islam over the centuries spread far and wide, coming into contact with many cultures with long traditions of rituals, magic, witchcraft and such; inevitably, there was “mixing & matching” meaning in some places “folk” elements can be detected in what are notionally Islamic practices, something especially prevalent in North Africa.  Islamic scholars and clerics of course tend to disapprove of departures from Qur'anic orthodoxies based on the words of the Prophet Muhammad (circa 570-632).  Because most scholars regard “folk healing” as “primitive superstition”, these methods frequently are discouraged and fatāwā have been issued, especially if the rituals involve fortune-telling, objects like amulets or the invocation of beings other than Allah; the last strictly is forbidden (Haram) and constituting the major sin of Shirk (associating partners with God).

Monday, June 1, 2026

Corinthian

Corinthian (kuh-rin-thee-uhn)

(1) Of, pertaining to, or characteristic of Corinth, the ancient Greek city-state.

(2) An native, inhabitant or resident of Corinth, and its suburbs.

(3) Something with origins in Corinthia.

(4) One of the five styles of classical architecture in Ancient Greece (the others being Doric, Composite, Tuscan & Ionic).

(5) Something ornate and elaborate; something luxurious or extravagantly trimmed

(6) In literacy criticism, an ornate style (an alternative to describing such writing as "rococo" or "baroque" but distinct from "purple").

(7) Someone given to living luxuriously; dissolute.

(8) A worldly, fashionable person, accepted in society although thought by some to be raffish.

(9) An amateur sportsman; an accomplished amateur athlete (archaic).

(10) A sailboat owner who helms his or her own boat in competitive racing.

(11) A phony descriptor of a type of leather used by Chrysler Corporation in the US during the 1970s.

1350–1400: From the Middle English Corinthi(es) (the men of Corinth) from the Latin Corinthiī from the Greek Korínthioi.  The sense “of or pertaining to Corinth" (the ancient Greek city-state) is from the 1590s and gradually, it replaced the mid-fifteenth adjective Corynthoise.  The sense as a classification in what was becoming a formalised architectural order is from the 1650s.  The noun meaning literally "inhabitant of Corinth" dates from the 1520s; Corinthies was attested from the late fourteenth century.  During Antiquity, other Greek cities regarded the inhabitants of Corinth as a bit gauche, noting their preference for ornate, almost ostentatious architecture and their notorious fondness for luxury and licentiousness.  There was intellectual snobbery among the Athenians too, the Corinthians thought too interested in commerce and profit and not sufficiently devoted to thought and learning.  Corinthian the noun and adjective thus, in various slang or colloquial senses in English, came to be associated with extravagance, sin and conspicuous consumption, especially in the decades after the 1820s.  Corinthian is a noun & adjective, Corinthianism is a noun and Corinthianize, Corinthianizing & Corinthianized are verbs; the noun plural is Corinthians.

The dapper Franz von Papen while serving as Germany's ambassador to Turkey (1939-1944).

In a nod to Paul's writings in the New Testament, the verb Corinthianize came to mean “to be licentious or sexually immoral” while the companion noun Corinthianism described licentious or sexually immoral behaviour.  Softened a little, by the eighteenth century, “a Corinthian” could be used also of a chap a bit raffish but verging on socially respectable and welcomed in at least some polite circles.  Presumably by association, the word came to be used also of sporting events (originally horse racing and yachting) which were restricted to “gentleman amateurs”.  Thus the old rogue Franz von Papen (1879-1969; Chancellor of Germany 1932 & vice chancellor 1933-1934), an accomplished amateur jockey, could have been called “a Corinthian” and the sly fox demonstrated his defensive skills when he gained one of three acquittals handed down the IMT (International Military Tribunal) during the first Nuremberg Trial (1945-1946).  Although unrelated to the verdict, the journalists accredited to the trial voted him best-dressed defendant”.

A tattoo Lindsay Lohan tattoo (inked in 2013), inspired by 1 Corinthians 13:4-8.

In scripture, the implications of that association were later reflected in the New Testament, most memorably in Paul’s Second Letter to the Corinthians (2 Corinthians 1).  The second letter is thought to have been written circa 56 AD, shortly after he penned the first and was addressed to the Christian community in city of Corinth, a major trading centre which, although by then noted for its rich artistic and philosophic traditions, was a place also of vice and depravity.  It was this last aspect that compelled Paul’s first letter to the Corinthian church and in it he sharply rebuked them for permitting immoral practices in the community.  In response, the Corinthians had cracked-down on some of the worst excesses and Paul wrote his second letter to congratulate them on their reforms and even commended forgiving sinners and welcoming them back to the flock.  Harsh though his words could be, Paul’s preference is always restoration, not punishment.  The letter then discusses some sometimes neglected characteristics of the Christian church such as generosity to others and devotes some time to defending himself against attacks on his ministry, reminding the Corinthians both of his own poverty and the harsh reality of what it meant to be a minister of Christ in the Roman empire: beatings, imprisonment, hunger, and the constant threat of death.  In the King James Version (KJV; 1611) 1 Corinthians 13:4-8 read:

4 Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up,

5 Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil;

6 Rejoiceth not in iniquity, but rejoiceth in the truth;

7 Beareth all things, believeth all things, hopeth all things, endureth all things.

8 Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away.

Most quoted now are modern translations which are more accessible such as the International Bible Society's (now Biblica) New International Version (NIV; 1978):

4 Love is patient, love is kind. It does not envy, it does not boast, it is not proud.

5 It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs.

6 Love does not delight in evil but rejoices with the truth.

7 It always protects, always trusts, always hopes, always perseveres.

8 Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away.

In Paul’s prescriptive way, verses 4-7 details the workings of love in three steps.  There are firstly the positive aspects of love being patient and kind but then elaborated are the eight negatives love must never be: not jealous, boastful, arrogant, rude, irritable or resentful, nor does it insist upon its own way or gloat at wrong.  Finally, Paul notes the five positive ways in which love reacts, joining in rejoicing at truth, supports, believes, hopes and endures all things.  Verse 8 returns to the theme of superiority of love but explicates the contrast between love and spiritual gifts as the contrast between permanence and transience; spiritual gifts which are incomplete will pass when wholeness comes whereas love will not.  The contrast is thus between the perfect and imperfect.

United States Supreme Court Building (1935), looking towards the West Pediment.

The Corinthian style of architecture was one of the five classical orders created in Ancient Greece.  Similar in many ways to the Ionic, the points of difference were (1) the unusually slender proportions, (2) the deep capital with its round bell, decorated with acanthus leaves and a square abacus with concave sides.  The Corinthian capital typically has two distinct rows of acanthus leaves above which appear eight fluted sheaths, from each of which spring two scrolls (helices), one of which curls beneath a corner of the abacus as half of a volute while the other curls beneath the centre of the abacus.  The marble pillars used on the east and west pediments of the United States Supreme Court Building, constructed between 1932-1935, are a fine example of the Corinthian style.

United States Supreme Court Building, East Pediment.

Much less known than the more frequently photographed West Pediment, the East Pediment of the Supreme Court Building is at the rear of the structure and is much admired by architects because of the elegance of the thirteen symmetrically balanced allegorical figures in the sculptural group designed by Hermon A MacNeil (1866–1947).  The ornate details in the two rows of acanthus leaves are the defining characteristic of the Corinthian pillar.

Manuel Esteve Guerrero (1905-1976) in Corinthian helmet, 1938.  The casual pose, cigarette in hand, a cloak (resembling a Greek chlamys) slung over one shoulder, indicates the image was for “non-professional” use.

Manuel Esteve Guerrero had begun his academic studies at the University of Granada studying law but such was his interest in archaeology he switched disciplines, taking a degree in philosophy and literature, specializing in art history.  After working for some years as a teacher at the Padre Luis Coloma Institute, he was in 1931 appointed director of the Jerez Municipal Library (1873) when he remained until retirement in 1975, his most controversial duty in the role the period in the 1930s & 1940s when he was vested with responsibility for enforcing the strict censorship policies imposed by the newly established fascist regime Generalissimo Francisco Franco (1892-1975; Caudillo of Spain 1939-1975).  That would have been no small task because, under the caudillo, the index of proscribed texts was long.  As librarian, he was also, ex officio, municipal archaeologist and in 1938 his team made the remarkable discovery of a well-preserved Corinthian helmet, unearthed some 20 kilometres (12 miles) from the mouth of the Guadalete River, near the now-decommissioned irrigation dam known as La Corta, close to El Portal in the municipality of Jerez.  The significance of the artefact (widely publicized on both sides of the Atlantic as “Discovery of a Greek Helmet in the Guadalete”) was the confirmation of the long-suspected Greek presence in Andalusia during the seventh & sixth centuries BC.

Publicity shot for Chrysler Corporation's 1974 Imperial LeBaron Four-Door Hardtop, trimmed in chestnut tufted leather.

The hide in the 1974 Imperials wasn't described as “rich Corinthian leather” which was (mostly) exclusive to the Cordoba (1975-1983) until late 1975 when not only did the Imperial's brochures mention "genuine Corinthian leather (available at extra cost)" but for the first time since 1954 the range was referred to as the "Chrysler Imperial", a harbinger the brand was about to be retired.  Imperial's advertising copy noted of the brochure photograph above: “...while the passenger restraint system with starter interlock is not shown, it is standard on all Imperials.”; the marketing types didn't like seat-belts messing up their photos.  While all of the big three (GM, Ford & Chrysler) had tufted interiors in some lines, it was Chrysler which displayed the most commitment to the motif.  Although Chrysler mostly used the term “rich Corinthian leather” in the sales material for the Cordoba, after it appear in the brochures for the last (for a while) Imperial, it became common to refer thus to the leather in any of the corporation's cars of the era.  Some did with a sense of irony while some innocent souls actually believed it.  Manufacturers do like words which might evoke a "certain something" and in the 1970s Rolls-Royce advertised their timber veneer as "Circassian walnut cut from century-old trees" which was a correct term for Juglans regia (a species of walnut) but the stuff was more typically called "English walnut" or "common walnut".  Neither would have been though suitable and for Rolls-Royce to use "common" about any of their products would have been unthinkable.

1975 Imperial LeBaron Four Door Hardtop.

"Rich Corinthian leather" was a term coined by the Bozell advertising agency in 1975 to describe the tufted upholstery available as an alternative to the standard velour in the Chrysler Cordoba, the hides in corporation's products trimmed with the same leather produced by the Radel Leather Manufacturing Company of New Jersey described only as "leather" (except for the reference in certain advertising for the 1975 Imperial, then in its last days).  The "Corinthian" tag was chosen because something special was needed for the Cordoba, the first "small" (in the context of the company's mid 1970s line-up) Chrysler ever offered in the US and the name was thought successfully to convey the association with something rare, of high quality, luxurious and, doubtlessly, "European".  Religiosity in the US somewhat more entrenched than elsewhere in the West, it’s likely many were well-acquainted with the books of the New Testament book but for those less pious, Corinthian was one of those words which somehow carried the desired connotations, even among those with no idea of the links.  Perhaps it was because it sounded European that some assumed the leather came from Spain, Italy or some such place where many words end in vowels.  Richard Nixon (1913-1994; POTUS 1969-1974) noted that linguistic phenomenon when he discussed the circumstances in which Dwight Eisenhower (1890-1969; POTUS 1953-1961) was compelled to dismiss his chief of staff (Sherman Adams (1899-1986)), who had accepted as a gift, inter alia, a vicuña coat.  Nixon observed that while there was no doubt most Americans had no idea whether vicuña was animal, vegetable or mineral, just the perceived mystique was enough to convince them it was something expensive and therefore corrupting.


1976 Chrysler Cordoba advertisement.  When released as a 1975 model, Chrysler heralded the Cordoba as "the new small Chrysler".  The word "small" is relative, the significance being the departure from the corporation's long-standing policy of the Chrysler brand not appearing on anything except "full-sized cars" but economic reality was biting the 1970s and the big cars were in their last days.  Then (as now), to most of the rest of the world, the Cordoba seemed pretty big and at the time the appeal in the US was real, even those not greatly concerned about the increase in the price of gas (petrol) fretting about the prospect of shortages. 

Whether the association with the Cordoba's rich Corinthian leather” generated many sales in Chrysler's other divisions (Plymouth, Dodge & Imperial) isn’t known but the the phrase certainly gained a remarkable traction amid the cacophony of exaggeration and puffery which sustains modern capitalism.  The Cordoba was introduced in 1975 as a "down-sized" model for consumers suddenly interested in fuel economy in the post oil-crisis world and the manufacturers knew those who felt compelled to buy smaller cars didn’t necessarily want them to be any less luxurious and that became the theme for the promotional campaign, led this time on television and fronted by a celebrity spokesperson, the actor Ricardo Montalbán (1920-2009).  Born in Mexico of Spanish descent, Montalbán looked distinguished and spoke in cultivated English with just enough of a Spanish accent to make plausible the link of Corinthian leather with cattle on the plains of Spain.  Mr Montalbán only ever spoke of "Corinthian leather" or "rich Corinthian leather" but in the print advertising "Corinthian leather" & "fine Corinthian leather" (sometimes with a plural "leathers" also appeared.  Despite that, the industry myth remains his TV advertisements all included "fine Corinthian leather".  


In the advertising, Mr Montalbán spoke of “the thickly-cushioned luxury of seats, available even in rich Corinthian leather” and although sometimes he’d call it “soft” instead, all people seemed to remember was the leather was Corinthian.  So successful was the campaign that Chrysler decided to make the Corinthian label exclusive to the Cordoba and when Mr Montalbán was later assigned to advertise other Chryslers, in the same mellifluous tone, he commended only the “rich leather".  Later, when interviewed on late night television, cheerfully he admitted that the term meant nothing but that wasn't quite true: it meant whatever people who heard it wanted it to mean and that made it a perfect word for advertising.  The agency definitely were proud of their appropriation and when the 1977 Cordoba's steering wheel gained a leather covering, this was celebrated in the brochure with: "...hand-stitched Corinthian leather-covered rim-tilt steering wheel.  Marvelous."

1970 Ford Mustang Boss 429 (left) in Grabber Blue (J) with “comfortweave” interior in Corinthian White (EW) interior and 1969 Ford Mustang Boss 429 (right) in Wimbledon White (M) with black interior (all 1969 Boss 429s were trimmed in black (DAA)).

Before Chrysler decided “Corinthian leather” was a thing, Ford had conjured up “Corinthian white”, using the description for both a paint code and the vinyl used for interior trim.  Ford’s Corinthian White was very close to their long used “Wimbledon White”, the latter slightly less stark and closer to an “eggshell white” although far from a “cream”.  The difference is apparent only if two vehicles are parked side-by-side and restoration houses say Corinthian White can be re-created by paint suppliers which achieve the effect by adding a small amount of a certain shade of blue to the mix.

The Rolls-Royce Camargue

Although it’s never been confirmed by the factory, one source claims that a consequence of Chrysler's agency in 1974 coming up with “rich Corinthian leather” was that Rolls-Royce was forced to abandon the idea of calling their new model the Corinthian, adopting instead Camargue, (a region on the Mediterranean coast in the south of France).  For Rolls-Royce, Camargue was probably a better choice, tying in with their existing Corniche two-door saloon (which many might have called a coupé) and convertible (by the 1970s factory (mostly) had ceased to use the historic terms FHC (Fixed-Head coupé) and DHC (Drop-Head Coupé (DHC) although there was in 2007 a nostalgic, one-off revival for the Phantom Drophead Coupé).  The French word corniche has certain technical meanings in geology and architecture but Roll-Royce used it in the sense of “a coastal road, especially one cut into the face of a cliff”, specifically using the imagery of the Grande Corniche on the French Riviera, just north of the principality of Monaco.  The factory had first used the Corniche name in 1939 for a prototype light-weight, high-performance car which could match the pace of the big, supercharged, straight-eight Mercedes-Benz able to explore Germany’s newly built autobahns at sustained high speeds never before possible.  The car was damaged during testing in France and was abandoned there after the outbreak of hostilities, only to be destroyed in a bombing raid although whether the Luftwaffe (the German air force) or the RAF (the UK's Royal Air Force) was responsible isn’t known.

1968 Bentley T1 Coupé Speciale by Pininfarina (chassis CBH4033).  After this, it wasn't as if the factory wasn't aware of how Italians thought a Rolls-Royce or Bentley coupé should look and the Speciale should have been a warning heeded although, to be fair, it was more accomplished than the Camargue.  Modernists, the Italians replaced the Circassian walnut veneer with black leather.

So whether it was a minor ripple of chaos theory or the factory always intended to continue allusions to continental geography, in 1975 the Camargue was released with few technical innovations of interest other than the automatic, split-level climate control system which was an industry first and said alone to cost about as much to produce as a middle-class buyer might spend on a whole vehicle.  Other footnotes included it being the first Rolls-Royce designed and produced (except for the odd carry-over component) using metric measurements and the first with the famous grill inclined at (for mid-century Rolls-Royce), a rakish 7o rather than the perfectly vertical aspect always before used.   Now noticeably lower and wider, the grill still was built using a variant of the technique the architects of Antiquity employed to create the optical illusion of the columns appearing, to the naked eye, to be of identical dimensions although it wasn't exactly the old math of entasis which made a viewer perceive a slightly curved Corinthian pillar as perfectly perpendicular.

The Pantheon Temple, Rome (left) and 1985 Rolls-Royce Camargue (right).

The Pantheon's Latin inscription M·AGRIPPA·L·F·COS·TERTIVM·FECIT really isn't all that poetic and reads like a note the draftsman might have put on the blueprint (had there then been blueprints): it translates as "Marcus Agrippa, son of Lucius, made [this building] when consul for the third time", crediting the Roman statesman & general, Marcus Vipsanius Agrippa (circa 63 BC–12 BC) who in 27 BC commissioned the construction during his third consulship.  The Pantheon that stands today was rebuilt by Emperor Hadrian (Publius Aelius Hadrianus, 76–138; Roman emperor 117-138) circa 126 AD after the original structure suffered severe damage in a blaze. Hadrian choosing to retain Agrippa's inscription as a tribute (not all the emperors were narcissists).  Since AD 609, the Pantheon has been a Roman-Catholic church and is known as the Basilica Santa Maria ad Martyres (Basilica of St. Mary and the Martyrs).

Despite the popular perception, what Rolls-Royce describes as their "Pantheon grill" doesn't feature a classic entasis (slight swelling in the middle of a column to counteract the illusion of concavity) but the design does incorporate a similar visual effect: There is a (very) slight curvature which in the factory's vernacular is known as the "waftline".  Although there are, understandably, many references to the grill being the "Parthenon grill" (and there is a well-reviewed Greek restaurant in Murfreesboro, Tennessee called the Parthenon Grille), the factory has never used the term and say the designed was inspired by "Rome’s imposing Pantheon temple", a structure "...purposefully built with wider middle sections so the human eye perceives each long pillar to be completely straight."  What the architects of Antiquity did was use use an optical illusion as a "corrective" to achieve perfect visual symmetry and the Rolls-Royce engineers replicated the approach, the grill's columns wider towards the edges.  The waftline is used elsewhere, notably the gentle, upswept sweep along the sill-line which Rolls-Royce says "creates a powerful, poised stance and makes the car appear to be moving when stationary...", creating the impression of "calm perfect motion and accelerating quickly without fuss".  They clearly like the word "waft" because they coined the neologism "waftability" which is said to be "the essence of the brand".

1973 Rolls-Royce Corniche Saloon (left) and 1975 Rolls-Royce Camargue (right).

In 1975 however, it wasn't the almost imperceptible rake of the grill or the adoption of metric measurements which attracted most comment when the Camargue made its debut.  What was most discussed was (1) it being the world’s most expensive production car and (2) the appearance.  At that end of the market, the 30%-odd cost premium against the mechanically similar Corniche wasn’t going to produce the same effects in the elasticity of demand as would be noted lower in automotive pecking order, indeed, the Veblen effect can operate to make the more expensive product more desirable.  The consensus was the Corniche, although by then a decade-old shape, was better balanced and more elegant so for success to ensue, Rolls-Royce really were counting on Veblen to exert its pull.

Lancia Florida II (1957, left), Fiat 130 Coupé (1971, centre) & Rolls-Royce Camargue (1975, right).  The origin of the shape is most discernible in Pininfarina’s Lancia Florida, a different approach to the big coupé than would be taken in the 1950s by the Americans.  The later Fiat 130 coupé was one of those aesthetic triumphs which proved a commercial failure while the Camargue is thought a failure on all grounds although, for those who prize some degree of exclusivity, it remains a genuine rarity.  As it was, between 1975-1986, only 531 Camargues were sold (including a one-off Bentley version which was a "special order") while the Corniche lasted from 1971 until 1995, 6,823 leaving the factory including 561 Bentleys, the latter now much sought.  In a sense, the Camargue was ahead of its time because Rolls-Royce in the twenty-first century began offering some quite ugly cars and they have sold well, the Veblen effect working well.  

Unfortunately, the Camargue, while it did what it did no worse than a Corniche saloon, while doing it, it looked ungainly.  Styled by the revered Italian studio Pinninfarina, the look was derided as dated, derivative and clumsy and it’s this which has usually been thought to account for production barely topping 500 over the decade-odd it remained available.  In the years since, some tried to improve things and a number have been made into convertibles, an expensive exercise which actually made things worse, the roof-line one of the few pleasing aspects.  One buyer though was sufficiently impressed to commission a one-off Bentley version, one of the few instances of a model which genuinely can be claimed to be unique. The same designer at Carrozzeria Pininfarina who signed off on the Camargue was also responsible for the earlier Fiat 130 coupé, something in the same vein but on a smaller scale and the Fiat is a rectilinear masterpiece.

Platform by Mercedes-Benz, coachwork by Pininfarina.  1956 300 SC (left), 1963 230 SL (centre) & 1969 300 SEL 6.3 (right).

Whether the knife-edged severity of the 130 coupé could successfully have been up-scaled to the dimensions Rolls-Royce required is debatable but Pininfarina had lying around a styling exercise done years earlier, based on a Mercedes-Benz 300 SEL 6.3 and it was this which seems to have inspired the Camargue.  The Italian studio’s interest in Mercedes-Benz had in preceding decades produced some admired designs although the occasional plans for limited production runs were never realized.  In 1955, a coupé based on the 300b saloon had been shown, followed a year later by a 300 SC which most thought better executed, and certainly more contemporary, than the Germans' own effort.  The best though was probably the 1963 230 SL which lost both the distinctive pagoda roof and some of leanness for which the delicate lines are most remembered but it was thought a successful interpretation.  Mercedes-Benz should of course have produced a two-door 300 SE 6.3 because the W111/W112 two door body (1961-1971) was their finest achievement but the planet lost nothing by Pininfarina's take on the idea being rightly ignored.  In retrospect Rolls-Royce probably wished they too had "failed to proceed" and when the time came to do another big coupé, the job was done in-house, the Bentley Continental (1991-2003) an outstanding design and neither Rolls-Royce nor Bentley have since matched the timeless lines.