Mural

Mural (pronounced myoor-uhl)

(1) A large picture painted or affixed directly on a wall or ceiling.

(2) A greatly enlarged photograph attached directly to a wall.

(3) A wallpaper pattern representing a landscape or the like, often with very widely spaced repeats so as to produce the effect of a mural painting on a wall of average size; sometimes created as a trompe l'oeil (“deceives the eye”).

(4) Of, relating to, or resembling a wall.

(5) Executed on or affixed to a wall.

(6) In early astronomy, pertaining to any of several astronomical instruments that were affixed to a wall aligned on the plane of a meridian; formerly used to measure the altitude of celestial bodies.

1400–1450: From the late Middle English mural, from the Latin mūrālis (of or pertaining to a wall), the construct being mūr(us) (wall) + ālis (the Latin suffix added to a noun or numeral to form an adjective of relationship; alternative forms were āris, ēlis, īlis & ūlis).  The Latin mūrālis was from the Old Latin moiros & moerus, from the primitive Indo-European root mei (to fix; to build fences or fortifications) from which Old English picked-up mære (boundary, border, landmark) and Old Norse gained mæri (boundary, border-land).  In the historic record, the most familiar Latin form was probably munire (to fortify, protect).  The sense of "a painting on a wall" seems to have emerged as late as 1915 as a clipping of "mural-painting" (a painting executed upon the wall of a building), a term in use since at least 1850 and derived from mural in its adjectival form.

The adjective intermural (between walls) dates from the 1650s, from the Latin intermuralis (situated between walls), the construct being from inter- (between) + muralis (pertaining to a wall) from mūrus (wall).  The adjective intramural (within the walls (of a city, building etc)) dates from 1846, the construct being intra- (within) + muralis (pertaining to a wall) from mūrus (wall); it was equivalent to Late Latin intramuranus and in English, was used originally in reference to burials of the dead.  It came first to be used in relation to university matters by Columbia in 1871.  Mural is a noun, verb & adjective; muraled is a verb & adjective, muralist & muralism are nouns and muraling is a verb; the noun plural is murals.  The adjectives murallike, muralish & muralesque are non-standard and the adverb murally is unrelated, murally a term from heraldry meaning “with a mural crown” and used mostly in the technical terms “murally crowned” & “murally gorged”.  A mural crown was a crown or headpiece representing city walls or towers and was used as a military decoration in Ancient Rome and later as a symbol in European heraldry; its most common representation was as a shape recalling the alternating merlons (raised structures extending the wall) atop a castle’s turret which provided defensive positions through which archers could fire.  The style remains familiar in some of the turrets which sometimes on the more extravagant McMansions and in the chess piece properly called the rook but also referred to as a castle.

Lindsay Lohan murals in the style of street art (graffiti): In hijab (al-amira) with kebab roll by an unknown street artist, Melbourne, Australia (left), the photograph the artist took as a template (centre) and in a green theme in Welcome to Venice mural by UK-born Californian street artist Jules Muck (b 1978) (right).  While a resident of Venice Beach, Ms Lohan lived next door to former special friend, DJ Samantha Ronson (b 1977).

In multi-cultural Australia, the kebab roll has become a fixture in the fast-food scene with variations extending from vegan to pure meat, the term “kebab” something of a generic term meaning what the vendor decides it means.  Cross-culturally the kebab roll also fills a niche as the standard 3 am snack enjoyed by those leaving night clubs, a place and time at which appetites are heightened.  After midnight, many kebab rolls are sold by street vendors from mobile carts and those in the Middle East will not be surprised to learn barbaric Australians sometimes add pineapple to their roll.  The photograph of Ms Lohan in hijab was taken during a “doorstop” (an informal press conference) after her visit in October 2016 to Gaziantep (known to locals as Antep), a city in the Republic of Türkiye’s south-eastern Anatolia Region.  The purpose of the visit was to meet with Syrian refugees being housed in Gaziantep’s Nizip district and the floral hijab was a gift from one of the residents who presumably assisted with the placement because there’s an art to a well-worn al-amira.  Ms Muck’s work was a gesture to welcome Ms Lohan moving from Hollywood to Venice Beach and the use of green is a theme in many of her works.  Unfortunately, Ms Lohan’s time in Venice Beach was brief because she was compelled to return to New York City after being stalked by the Freemasons.

Mural montage: Donald Trump (b 1946; US president 2017-2021 and since 2025) osculating with Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999), Benjamin Netanyahu (b 1949; Israeli prime minister 1996-1999, 2009-2021 and since 2022), Boris Johnson (b 1964; UK prime-minister 2019-2022), Francis (1936-2025; pope 2013-2025) and “Lyin’ Ted” Cruz (b 1970; US senator (Republican-Texas) since 2013).

Probably not long after the charcoal and ochre of the first cave paintings was seen by someone other than the artist, there emerged the calling of “art critic” and while the most common fork of that well-populated profession focuses on the aesthetic, art has also long been political.  The mural of course has much scope to be controversial because they tend to be (1) big and (2) installed in public spaces, both aspects making the things highly visible.  Unlike a conventionally sized painting which, even if large, a curator can hang in some obscure spot or put into storage, the mural is just where it is and often part of the built environment; there it will be seen.  In art history, few murals have more intriguing tales than Michelangelo’s (Michelangelo di Lodovico Buonarroti Simoni; 1475–1564) ceiling and frescos (1508-1512) in the Vatican’s Sistine Chapel but although there were at the time of the commissioning and completion few theological or political squabbles, there were the Vatican’s usual personal and institutional tensions, cardinals and bishops with their own agendas (some financial) peeking and poking into why Julius II (1443–1513; pope 1503-1513) had handed the juicy contract to someone thought primarily a sculptor rather than a painter.

Sistine Chapel, The Vatican, Rome.

The political stoush came later.  At the time, the nudity had been noted and while some voices were raised in opposition, there was no attempt to censor the work because during the High Renaissance, depictions of nudity (on canvas, in marble etc) were all around including in the Vatican but decades later, during the sittings of the Council of Trent (1545–1563), critiques of “nakedness” in art became more vocal.  That was especially the case after the Counter-Reformation (circa 1550–circa 1670) produced a more severe Church, a development with many repercussions, one of which was the “fig-leaf campaign” in which an artist was commissioned to paint over (especially male) genitalia, the traditional “fig leaf” the preferred device.  Perhaps curiously, despite the early appearance of the motif in the art of Christendom, for centuries the fig leaf wasn’t “obligatory” although they appear often enough that at times they must have been at least “desirable” and in other periods and places clearly “essential”.  The later infamous “Fig Leaf Campaign” was initiated by Pope Paul IV (1476–1559; pope 1555-1559) and continued by his successors although it was most associated with the ruling against “lasciviousness” in religious art made in 1563 by the Council of Trent.  It was something very much in the spirit of the Counter-Reformation and it was Pius IV (1499–1565; pope 1559-1565) who commissioned artist Daniele da Volterra (circa 1509–1566) to paint over the genitalia Michelangelo had depicted on his ceiling, extending his repertoire from strategically positioned leaves to artfully placed draperies or loincloths; Romans to his dying day nicknamed Volterra “Il Braghettone” (the breeches maker).  As late as the nineteenth century Greco-Roman statues from antiquity were still having their genitals covered with fig leaves (sometimes detachable, a trick the British Museum later adopted to protect Victoria’s (1819–1901; Queen of the UK 1837-1901) delicate sensibilities during her infrequent visits).  Another example of practical criticism was the edict by Pius IX (1792–1878; pope 1846-1878) that extant male genitalia on some of the classical statues adorning the Vatican should be “modified” and that involved stonemasons, sculptors and other artisans receiving commissions to “modify or cover” as required, some fig leaves at the time added.  It is however a myth popes sometimes would be seen atop a ladder, chisel in hand, hammering away for not only did they hire "the trades" to do their dirty work, what was done was almost always concealment rather than vandalism.

Then a work in progress, this is one of the few known photographs of Diego Rivera's mural in New York City's Rockefeller Center.  According to the Workers Age of 15 June, 1933, the image was "...taken surreptitiously by one of Rivera's aides..."  

Still, no pope ever ordered Michelangelo’s creation painted over but not all artists were so fortunate.  On 9 May 1933 (by coincidence a day when the Nazis publicly were burning books), New York’s very rich Rockefeller family ordered Mexican artist Diego Rivera (1886-1957) to cease work on his mural depicting "human intelligence in control of the forces of nature", then being painted in the great hall of the 70-storey Rockefeller Center in New York City.  Taking photographs of the mural was also prohibited.  What incurred the family’s wrath was the artist's addition of a depiction of Bolshevik revolutionary comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924) against a background of crowds of unemployed workers.  Comrade Lenin had not appeared in the conceptual sketch (entitled Man at the Crossroads Looking with Hope and High Vision to the Choosing of a New and Better Future) the artist had provided prior to the commission being granted.  Nelson Rockefeller (1908–1979; US vice president 1974-1977 and who earned immortality by having "died on the job") genuinely was a modern art fan-boy and attempted to negotiate a compromise but it was the nadir of the Great Depression, marked by plummeting industrial production, bank failures and an unemployment rate approaching 25%; other family members, knowing there was in the air talk of revolution (the Rockefeller family had much to lose), didn’t want unemployed getting ideas.  To them, Lenin was close to being the devil incarnate and "the devil makes work for idle hands".  The mural was covered by a canvas drape until February 1934 when, under cover of darkness, it was broken up and carted off to be dumped, the family dutifully having paid the artist his US$21,000 fee.

Shuttle

Shuttle (pronounced shuht-l)

(1) In weaving, a device in a loom for passing or shooting the weft thread through the shed from one side of the web to the other, usually consisting of a boat-shaped piece of wood containing a bobbin on which the weft thread is wound (ie the tool which carries the woof back and forth (shuttling) between the warp threads on a loom).

(2) In a sewing machine, the sliding container (thread-holder) that carries the lower thread through a loop of the upper thread to make a lock-stitch.

(3) In transport, a public conveyance (bus, train, ferry, car, limousine, aircraft etc) that travels back and forth at regular intervals over a particular route, especially a short route or one connecting two transportation systems; the service provided by such vehicles.

(4) In badminton, as shuttlecock, the lightweight object, built with a weighted (usually rubber-covered) semi-spherical nose attached to a conical construction (historically of feathers but now usually synthetic) and used as a ball is used in other racquet games. Shuttlecock was also once widely used as the name of the game but this is now rare.

(5) As space shuttle, vehicle designed to transport people & cargo between Earth and outer-space, designed explicitly re-use with a short turn-around between missions (with initial capital letters of the US craft).  The term shuttlecraft is the generic alternative.  “Space shuttle” most associated with the US vehicle (1981-2011).

(6) To cause (someone or something) to move back and forth by or as if by a shuttle, often in the form “shuttling”.

(7) Any device that repeatedly moves back and forth between two positions, either transporting something or transferring energy between those points.

(8) In electrical engineering, as "shuttle armature", the H-shaped armature in the that is an elongated shuttle with wires running longitudinally in grooves, used in small electrical generators or motors, having a single coil wound upon a the bobbin, the latter usually formed in soft iron.

(9) In diplomacy, as shuttle diplomacy, the practice of a diplomat from a third country shuttling between two others countries to conduct negotiations, the two protagonists declining directly to meet.

Pre 900: Shuttle was a merge from two sources. From (1) the Middle English shutel, shotel, schetel, schettell, schyttyl & scutel (bar; bolt), from the Old English sċyttel & sċutel (bar; bolt), the notion being shut +‎ -le.  Shut was from the Middle English shutten & shetten, from the Old English scyttan (to cause rapid movement, shoot a bolt, shut, bolt), from the Proto-Germanic skutjaną & skuttijaną (to bar, to bolt), from the Proto-Germanic skuttą & skuttjō (bar, bolt, shed), from the primitive Indo-European skewd & kewd- (to drive, fall upon, rush). The -le suffix was from the Middle English -elen, -len & -lien, from the Old English -lian (the frequentative verbal suffix), from the Proto-Germanic -lōną (the frequentative verbal suffix) and was cognate with the West Frisian -elje, the Dutch -elen, the German -eln, the Danish -le, the Swedish -la and the Icelandic -la.  It was used as a frequentative suffix of verbs, indicating repetition or continuousness.  From (2) the Middle English shitel (missile; a weaver's instrument), shutel, schetil, shotil, shetel, schootyll, shutyll, schytle & scytyl (missile; projectile; spear), from the Old English sċytel, sċutel (dart, arrow) (related to the Middle High German schüzzel and the Swedish skyttel), from the Proto-Germanic skutilaz, (related to the Middle High German schüzzel and the Swedish skyttel) and cognate with the Old Norse skutill (harpoon), the idea akin to both shut & shoot.  Shuttle is a noun, verb & adjective, shuttling is a noun & verb and shuttled and shuttles are verbs; the noun plural is shuttles.  The adjectival form shuttle-like is more common than the rare shuttlesque (which is listed as non-standard by the few sources to acknowledge its dubious existence).

A Lindsay Lohan advertising mural on the back of one of the airport shuttle buses run by Milan Malpensa International Airport in northern Italy.

The original sense in English is long obsolete, supplanted by the senses gained from the weaving instrument, so called since 1338 on the notion of it being “shot backwards and forwards” across the threads.  The transitive sense (move something rapidly to and fro) was documented from the 1540s, the same idea attached to the shuttle services in transport, first used in 1895 (although the intransitive sense of “go or move backward and forward like a shuttle” had been in use by at least 1843) in early versions of what would come to be known as the intra-urban RTS (rapid transit systems), the one train running back and forth on a single line between fixed destinations (often with intermediate stops).  This was picked up by ferry services in 1930, air routes in 1942, space travel in 1960 (in SF (science fiction)) and (real) spacecraft in 1969.  Shuttle in the sense it evolved in English is used in many languages but a separate development was the naming of the weaving instrument based on its resemblance to a boat (the Latin navicula, the French navette and the German Weberschiff).  The noun shuttlecock dates from the 1570s, the “shuttle” element from it being propelled backwards and forwards over a net and the “cock” an allusion to the attached anti-aerodynamic construction (originally of feathers) which resembled a male bird's plume of tail feathers.  The term shuttle diplomacy came into use in the 1970s thanks to tireless self-promotion by Dr Henry Kissinger (1923-2023; US national security advisor 1969-1975 & secretary of state 1937-1977) although the practice (of “good offices”) dates back centuries.

The Abbotsleigh class of 2020 pondering time flying faster than a weaver’s shuttle.  This was the first of the "Covid generation" so the lack of social distancing can be explained only by them all having "tested negative".

The motto of the Sydney girl’s school Abbotsleigh is tempus celerius radio fugit (Time flies faster than a weaver's shuttle), the idea behind that said to be: “As the shuttle flies a pattern is woven, with the threads being the people, buildings and events. The pattern is Abbotsleigh as it continues to grow in complexity and richness each year”.  Quite whether a weaver’s shuttle (said by some detractors to have been chosen as symbolic of the "proper" place of women being in a state of domestic servitude for the convenience of men) is appropriate for a girls’ school in the twenty-first century has been debated.  The motto came from the family crest of Marian Clarke (1853-1933), Abbotsleigh’s first headmistress (principle) and was maintained using the family’s grammatically dubious form tempus fugit radio celerity until 1924 when the correct syntax was substituted.  It’s an urban myth the mistake was permitted to stand until 1924 as a mark of respect while Ms Clarke was alive; she lived a decade odd after the change although the family’s heraldry was apparently never corrected.

The US (left) and USSR (centre) space shuttles compared with a badminton shuttlecock (right).  The shuttlecock is rendered in a larger scale than the shuttles and although the shapes are similar, travelling in "opposite directions" the purposes differ, the lines of the shuttles optimized for efficiency while the shuttlecock is an unusual example in aerodynamics of "planned inefficiency".

Counterintuitively, badminton is (in a narrow technical sense) the world’s “fastest racquet sport”.  In controlled conditions, the maximum speed achieved by a shuttlecock in flight is listed at 565 km/h (351 mph) and during sanctioned competitive tournament play, 417 km/h (259 mph) has been recorded.  A shuttlecock attains such speeds only briefly, directly after coming off the racquet and before the skirt shape creates its massive aerodynamic drag; by the time a shuttlecock arrives to be returned by the opposing player, the velocity considerably has been reduced.  Professional players however don’t seek with every serve or return-shot to generate maximum power because, as in tennis and cricket where the unexpected “slower ball” can be effective, in badminton, a well-disguised slower shuttlecock can deceive.

Three of the great landmarks of the analogue era: Space Shuttle Enterprise (OV-101, the first orbiter, used for atmospheric test flights that never flew in space) atop NASA 905 SCA (Shuttle Carrier Aircraft, one of two modified Boeing 747s used to ferry shuttles from landing sites back to the Kennedy Space Center in Florida and a BA (British Airways) Concorde taking off, Paris Air Show, 1983.

The US Space Shuttle was operated by NASA (National Aeronautics and Space Administration) between 1981-2011 as the low Earth orbital vehicle and served as the platform for its STS (Space Transportation System).  The plans, based on ideas a decade earlier explored in SF for a (mostly) reusable spacecraft were first laid down in 1969 and, despite intermittent funding and the odd threat by Congress to "defund", test flights were able to be undertaken in 1981.  Five Space Shuttles eventually were built to completion and between 1981-2011, there were over a hundred missions but the stresses imposed on the craft were considerable, meaning more maintenance was required than originally envisaged so mission turn-arounds were never as rapid as had been hoped and the extent to which components could be reused had to be revised (downwards, many reclassified as "single-use").  There was controversy too about the failures in NASA’s procedures that resulted in the two accidents in which all seven crew aboard each shuttle were killed.  The programme was retired in 2011.

Lindsay Lohan getting off the NAPA Shuttle, The Parent Trap (1998).  "NAPA" here is not an acronym, the reference is to California's Napa Valley, noted for wine tours.

Common in the early days of civil aviation, the term "to disembark" (get off) was borrowed from nautical use and was the companion to "embark" (get on).  Of late "to deplane" has entered English which seems unnecessary but the companion "to disemplane" was more absurd still; real people continue to "get on" and "get off" aircraft.  It seemed to be a trend because on railway platforms it has become not uncommon to hear "detrain" (passengers leaving the carriage), a use distinct from "derail" (railway locomotives or un-powered rolling-stock "coming off the rails").  

The Soviet Union’s space shuttle, construction of which began in 1980, unsurprisingly, was visually very similar to the US vehicle, there being only so many ways optimally to do these things.  The USSR’s effort was the Буран (Buran) (Snowstorm or Blizzard), the craft sharing the designation with the Soviet spaceplane project and its spaceships, known as "Buran-class orbiters".  Although more than a dozen frames were laid down, few were ever completed to be flight-ready and the Buran’s only flight was an un-crewed orbital mission in 1988 that although successful, proved a one-off.  The deteriorating economic and political situation in the Soviet Union (1922-1991) saw the programme stall and in 1993 it was abandoned by the new Russian government, now faced with more problems more urgently demanding the allocation of scarce resources.  The striking similarity between the profile of the US & Soviet space shuttles and a badminton shuttlecock is coincidental but not unrelated.  The space craft are designed as aerodynamic platforms because, although not of relevance in the vacuum of space, they did have to operate as aircraft while operating in Earth’s atmosphere whereas the shuttlecock is designed deliberately as an anti-aerodynamic shape.  The shuttle’s shape was dictated by the need to maximize performance whereas a shuttlecock is intentionally inefficient, the shape maximizing air-resistance (drag) so it slows in flight.

El rapto de Europa (The Rape of Europa (1628-1629)), oil on canvas by Peter Paul Rubens (1577-1640), Prado Museum, Madrid.  It follows a 1562 work in the same vein by Tiziano Vecelli (circa 1489-1576 and known in English as Titian).

The shuttle can be weaponized.  In Greek mythology, Αράχνη (Arachne) was a Lydian girl (Lydia an ancient iron-age kingdom in western Asia Minor (the modern-day Republic of Türkiye (Turkey)) who produced weaving and embroidery so exquisite nymphs from all around would gather to watch her fingers work the threads.  Such was the virtuosity, word spread she must have been the pupil of Athena (goddess, inter alia, of spinners & embroiderers) but although that was quite an endorsement, Arachne had an artisan’s pride in her craft and refused to attribute to skill to another, even a goddess.  Angered by the story being widely believed, Arachne challenged Athena who responded by first appearing to her in the guise of an old woman, entreating the proud embroider to behave with greater modesty.  Unimpressed, Arachne spat out insults, at which point, the goddess threw off her disguise and demanded a contest.  Dramatically, Athena created a stunning tapestry showing in all their majesty the twelve Olympian gods with, in each corner, a depiction of the defeat of mortals who had dared defy the gods; an unsubtle but unambiguous threat.  Arachne took as her theme the least creditable of the love affairs of the gods: Zeus and the rape of Europa, a kind of proto #metoo moment in Antiquity.  The work was of course executed to perfection but the subject so enraged Athena she tore it to shreds and struck her rival with her own shuttle.  At this, Arachne lost heart, ran off and hanged herself.  Hell however hath no fury like a goddess angered and Athena refused to let her die, transforming her into a spider, doomed forever to spin and weave its web.

Dr Henry Kissinger, shuttling between dinner companions (left to right), Dolly Parton (b 1946), Diane von Furstenberg (b 1946), Diana, Princess of Wales (1961-1997) and Carla Bruni (b 1967).  It was Dr Kissinger who coined the phrase: "Power is the ultimate aphrodisiac", a conclusion he reached on an empirical basis. 

The term "shuttle diplomacy" describes the process in which a mediator travels repeatedly between two or more parties involved in a conflict or negotiation, in circumstances where the protagonists are unable or unwilling to meet.  Ostensibly, the purpose of shuttle diplomacy is to facilitate communication between the parties and reach a resolution of the dispute(s) but, being inherently political, it can be used for other, less laudable goals.  The practice, if not the term, has a long history, instances noted from Antiquity and the Holy Roman Empire was renowned for the (nominally) neutral diplomats who would travel back and forth between kings, princes, dukes and cardinals.  During both the Conference of Vienna (1814-1815) and the Paris Peace Conference (1919-1920) the negotiations were marked by sometimes intransigent politicians sitting in rooms while a professionally disinterested notable would shuttle between them, oiling the machinery by giving and taking until either a common acquiescence was extracted or the matter was "referred to a committee".  A celebrated example of the process played out between 1939-1940 when Swedish businessman Birger Dahlerus (1891-1957) played a quixotic role as amateur diplomat, shuttling between London and Berlin in what proved a doomed attempt to avoid war.  It long seen as something noble (if misguided) and it was only years later (when the UK Foreign Office’s papers on the matter were declassified) the extent of the Swede’s conflicts of interest were revealed.

Richard Nixon (1913-1994; VPOTUS 1953-1961 and POTUS 1969-1974, left) meets Dr Henry Kissinger (1923-2023; US national security advisor 1969-1975 and secretary of state 1937-1977, right).  Although there were in the past those who would now be thought "celebrity diplomats", Dr Kissinger was the first to be so-labeled.  He'd not have disagreed.

The term entered the language in 1973 when Dr Henry Kissinger used it to refer to his efforts to negotiate an end to the Yom Kippur War between Israel and its Arab neighbors.  Kissinger shuttled between Tel Aviv, Cairo and other Middle Eastern capitals in an attempt to broker a ceasefire and improve diplomatic relations, enjoying some success, and contributing to the achievement of a bilateral peace between Egypt and Israel as well as a number of disengagement agreements (admittedly, all of them would likely anyway have happened by virtue of "military necessity").  Moreover, some historians and foreign policy scholars, while acknowledging what was achieved, have suggested it was the Kissinger’s approach to the region in the years leading up to the war that played some part in the outbreak of hostilities.

Kissinger has also been criticized on the basis that shuttle diplomacy was to him never much more than playing a game of realpolitik on a multi-dimensional chessboard rather than an attempt to imagine a regional architecture able to secure a comprehensive peace plan in the Middle East, his emphasis on obtaining something in the interest of the US (a treaty between Egypt and Israel), meaning the vital issue of Palestine and its potential to assist in a long-term settlement not just neglected but ignored.  In fairness, it must be said that lip-service apart, the Arab states took the plight of the Palestinians about as seriously, the only consensus among the being: "We don't want the Palestinians coming here".  Cynics, noting his university background (he'd been also a minor "celebrity academic" before being co-opted by various politicians) and research interests, compared the "shuttling" with the travels of emissaries in the Holy Roman Empire who would travel between the Holy See, palaces and chancelleries variously to reassure the troubled, sooth hurt feelings, cajole the diffident and, where possible, issue threats.  This was the idea of Henry the self-promoting celebrity who could bring peace to Vietnam and Nixon to China, the political wizard who solved problems as they arose.  Certainly, the circumstances in which Kissinger was able to use shuttle diplomacy as a political narrative were both unique and something of his own creation.  He’d first undermined and then replaced William Rogers (1913–2001; US secretary of state 1969-1973) as secretary of state and even before becoming the last major figure still standing from Richard Nixon’s first term as the Watergate affair took its toll, essentially took personal control of the direction of US foreign policy.  As he put it “…one of the more cruel torments of Nixon’s Watergate purgatory was my emergence as the preeminent figure in foreign policy”.

Prize by proxy: Dr Kissinger (left) receiving the 1973 Nobel Peace Prize from Dr Thomas Byrne (1923-2014; US Ambassador to Norway 1973-1976, right), Claridge's Hotel, London, 12 December, 1973.

Some of that shuttling was in 1973 recognized when Kissinger and Lê Đức Thọ Lê Đức Thọ (1911–1990; North Vietnamese communist functionary and negotiator) jointly were offered the Nobel Peace Prize for their efforts in what was, somewhat prematurely, called the “Paris Peace Accords”.  On the basis a state of armed conflict still existed in his country, Lê Đức Thọ declined to accept the prize while Kissinger crafted a compromise which earlier shuttler Prince Klemens von Metternich (1773-1859; Foreign Minister of the Austrian Empire 1809-1848 & Chancellor 1821-1848) would have admired: He took the medal, donated the prize money to be used eleemosynarily and was a no-show at the prize ceremony (he cited "prior international commitments", a variant of "diplomatic toothache").  After the fall of Saigon (now Ho Chi Minh City (HCMC) although the old name persists in popular use) in 1975, Kissinger offered to return his medal but the committee declined, by then presumably not wishing further to draw attention to them ever having made the award.

Elizabeth Holmes in black gown with (a perhaps optimistic) cleavage slit.  Until he met Elizabeth Holmes (b 1984; CEO of US biotech company Theranos 2003-2018), nothing fooled Henry.

So, opportunistic his initiatives may have been but there were after all real problems to be solved and it seems unfair to criticize Kissinger for doing what he did rather than constructing some counter-factual grand design that might have crafted a permanent, settled peace in the Middle East.  Among realists (and Kissinger was dean of the school), even then there were few who believed such a thing was anyway still possible possible (certainly since the conclusion of the Six-Day War (1967)) and Kissinger certainly achieved something and to do that it’s necessary to understand there are some problems that can never be solved and only endlessly managed.  Genuinely, some problems are insoluble, something lost on many US presidents infected more than most by the diminishing but still lingering feelings of optimism and exceptionalism that have for centuries characterized the American national character.  

Kebab

Kebab (pronounced kuh-bob or khe-bab)

(1) A dish consisting of small pieces of meat, tomatoes, onions, etc, threaded onto skewers and grilled, generally over char-coal (in this classic skewered form also called the shish kebab); the most common short form is ‘bab.

(2) In Australia, a hand-held dish consisting of pieces of meat roasted on an upright skewer mixed with fresh vegetables and sauces and rolled up in a round piece of unleavened bread; vegetarian kebabs are also sold.

(3) To roast in the style of a kebab.

(4) In slang, to stab or skewer (something or someone).

(5) In Indian English use, roast meat.

(6) Colloquially and metonymically, as “the kebab”, a shop or restaurant which sells kebabs (although the technically incorrect genitive singular form kebaba is used in some places).

(7) In chemistry, the outward growing portions of a shish kebab structure.

(8) In slang as an offensive, ethnic slur, a person of Middle Eastern, or North African descent (applied by appearance and usually with the implication the subject is a Muslim and, in Germany, Turkish).

(9) In vulgar slang (mostly working-class UK), the vulva.

(10) In computing, as kebab menu (also called the three (vertical) dots menu), a convention in the design of graphical user interfaces which appears as an icon used to open a menu with additional options, often for configuration or utility purposes.  The icon most often appears at the top-right or (less commonly) the top-left of the screen or window.  It is distinguished form the “meatball menu” which uses three horizontal dots.

1665-1675: From the Arabic كَبَاب‎ (kabāb) (roast or fried meat), ultimately from the Proto-Semitic kabab- (to burn, to roast).  The word entered English under the Raj, via Urdu, Persian, Hindi and the Turkish kebap and the spellings found around the world include kabob kebob cabob kabaab, kabob, kebap, kabab & kebob.  The use of kebab as an ethnic slur directed at Muslims has, in the phrase “remove kebab” become a staple of the alt-right, great-replacement conspiracy theorists, white supremacists and other malcontents.  It became well-known in the mid-1990s because of the phonetic association with the Serbian Nationalist song of ethnic cleansing, Караџићу, води Србе своје (romanized as Karadžiću, vodi Srbe svoje which translates as “Karadžić, Lead Your Serbs)), a reference to the Bosnian Serb political leader Dr Radovan Karadžić (b 1945), once known (and even celebrated) for his poetry and now serving a life sentence for crimes against humanity.  Kebab is a noun (used usually in the plural) & verb, kebabbing & kebabbed are verbs; the noun plural is kebabs.

Noted kebabs

Some linguistically contradictory but delicious vegetarian shish kebabs.

The classic shish kebab was made by skewering (vaguely cuboid) chunks of grilled meat.  Associated with many Mediterranean cuisines, it’s essentially the same dish as the shashlik and khorovats, found in the Caucasus.  Traditionally, reflecting the geographical origin, shish kebab were made with lamb but have also long been made with various kinds of meat, poultry, or fish.  In Türkiye, shish kebabs are accompanied by vegetables but these grilled separately and sit on their own skewer (or sometimes on a side-plate).  In the barbaric West, the meat and vegetable chunks are usually on the same skewer and this sometimes includes pineapple, something said to appall the Turks.  Shish was from the Turkish şiş (skewer), from the Ottoman Turkish شیش‎ (şiş) (swollen) and related to the verb şişmek, cognate with Old Turkic šïš.

A plate of chapli kebabs.

The chapli kebab (چپلي کباب in Pashto) was a Pashtun-style minced-meat dish, made usually with ground beef, mutton, lamb or chicken, spiced and formed into the shape of a patty.  The origins of the dish lie in the old North-West Frontier of the Raj (the area around Peshawar, capital of Khyber Pakhtunkhwa province in modern-day northern Pakistan).  The cuisine, adapted with local variations and dietary rules, is popular throughout South Asia and West Asia and food critics note that the further it is from Peshawar, the more complex and elaborate are the alterations and additions compared to the simple original.  Chapli Kababs can be served and eaten hot with naan or as a bun kebab.  Chapli is thought to be from the Pashto word chaprikh, chapdikh & chapleet (flat), thus the use for the kebab with a light, round and flattened texture.  A more amusing theory suggests the dish is named after the chappal (sandals), the implication being one’s meal looks as if it has been flattened by a man wearing a sandal.  It’s fine folklore but humorless etymologists prefer to think of Chapli as a shortened version of chapleet.

Mural of Lindsay Lohan in hijab (al-amira) with kebab roll by an unknown street artist (graffitist), Melbourne, Australia (left) and the photograph artist used as template (right).

In multi-cultural Australia, the kebab roll has become a fixture in the fast-food scene with variations extending from vegan to pure meat, the term “kebab” something of a generic meaning what the vendor decides it means.  Cross-culturally the kebab roll fills a particular niche as the standard 3 am snack enjoyed by those leaving night clubs, a place and time at which appetites are heightened.  After midnight, many kebab rolls are sold by street vendors from mobile carts and those in the Middle East will not be surprised to learn barbaric Australians sometimes add pineapple to their roll.  The photograph of Ms Lohan in hijab was taken during a “doorstop” (an informal press conference) after her visit in October 2016 to Gaziantep (known to locals as Antep), a city in the Republic of Türkiye’s south-eastern Anatolia Region.  The purpose of the visit was to meet with Syrian refugees being housed in Gaziantep’s Nizip district and the floral hijab was a gift from one of the residents who presumably assisted with the placement because there’s an art to a well-worn al-amira.

Doner kebab in the Berlin style.

The doner kebab is a certain type of kebab, made with meat cooked on a vertical rotisserie which is almost always in public view.  Seasoned meat stacked in the shape of an inverted cone is turned slowly on the rotisserie, the heat coming from vertical cooking elements immediately adjacent.  To prepare a doner kebab, the operator uses a knife to slice thin shavings from the cooked, outer layer of the rotating meat.  This method of cooking, invented in the Ottoman Empire in the mid-1800s has been adopted in many countries.  In Australia, a kebab is a hand-held dish consisting of pieces of meat roasted on an upright skewer mixed with fresh vegetables and sauces and rolled up in a round piece of unleavened bread; vegan & vegetarian kebabs are also sold.  The modern sandwich variant of döner kebab was first seen in the 1960s in shops in West Berlin operated by Turkish immigrants and quickly became popular to the point where it is now an accepted part of German cuisine and often ordered in the short form “doner”.  The noun, verb & adjective döner was from the Ottoman Turkish دونر‎ (döner) (to turn round; spinning; to rotate), from dönmek (to turn).

Fag

Fag (pronounced fag)

(1) Something hanging loose, a flap (mostly archaic except in US technical use in the industrial production of textiles where, in the process of quality inspections, a fag is a rough or coarse defect in the woven fabric).

(2) Slang for a boring or wearisome task (archaic).

(3) The worst part or end of a thing (mostly UK, now archaic).

(4) Offensive slang for a contemptible or dislikeable person (archaic).

(5) Offensive slang for a homosexual male, applied most often to an obvious, (especially effeminate) or “unusual” one (now regarded generally as especially disparaging and contemptuous although within certain LGBTQQIAAOP communities it can be neutral or even endearing (a la the notorious “N-word” when used between African-Americans).

(6) To tire or weary by labor; to be exhausted (usually in the phrase “fagged out”).

(7) A school student allocated to do menial chores for an older pupil (mostly in the English public school system but said to be extinct since the late 1990s although apparently still practiced in some Commonwealth countries with public (private) schools based on the old English model).

(8) Slang for a cigarette (now rare, especially in North America); the Cockney rhyming slang was “oily rag”.

(9) As “fag-end” (as in the stubbed-out, un-smoked end of a cigarette), a remnant of something once larger, longer etc, such as the frayed end of a length of cloth or rope.

(10) As “fag-end administration”, the last months of a government prior to an election.

1425–1475: Assumed to be a clipping of “fag end” (remnant; discarded off-cut), from the late Middle English fagge (flap; broken thread in cloth, loose end) of obscure origin), the later sense-development to the intransitive verb meaning “to droop, to tire, to make weary; drudgery” apparently based on the idea of “a drooping end” or “something limply hanging” dating from the 1520s (the OED (Oxford English Dictionary) suggests an alteration of the verb “flag” in the sense of “to droop or go limp”).  There may be some (remote) connection to the Dutch vaak (sleepiness) and the transitive sense of “to make (someone or something) fatigued or tire by labor” was first noted in 1826.  Those “fagged-out” (from fatiguing labor) were in the 1850s said to have been engaged in “faggery” and from the same era “brain-fag" described “mental fatigue”.  Apparently, although rare, “un-fagged” is a correct construction that may be used to describe the process of cutting the ties binding a bundle of faggots (sticks; kindling).  Functional forms (fag butt, fag lighter, fag grave (an ashtray) etc) are created as required. Fag is a noun and verb, fagging or fagged are verbs and faggish & fagged are adjectives; the noun plural is fags.   

A GIF of Lindsay Lohan enjoying a fag, The Canyons (2013).

The slang meaning “cigarette” dates only from 1888 and was derived from fag-end (applied to many things and attested since the 1610s), a cigarette butt thus one of many fag-ends but “fag” (and the plural “fags”) came much to be associated with cigarettes producing terms such as “packet of fags” and phrases like “back on the fags” (again taking up smoking after giving up for a while).  The use of the term to refer to cigarettes is still heard in parts of the English-speaking world but is almost unknown in the US where use is not advised because there, almost exclusively, “fag” (as a clipping of “faggot”) is a gay slur.  The specific use as “fag-end administration” (a government’s final year or months in office prior to an election) is used in a number of contexts but most interesting is when the period coincides with a change in leadership.  On the basis of the conventional political wisdom (things are more likely to get worse than they are to get better), if a new leader finds their “honeymoon” with the voters is reflected by polls suggesting a likely win in an election, they’re well advised to seize the moment, even if it means “going early” by a year or more.  That was what Anthony Eden (1897-1977; prime minister of the UK 1955-1957) did in 1955 (increasing his party’s majority) whereas John Gorton (1911-2002; prime-minister of Australia 1968-1971) in 1968 and Gordon Brown (b 1951; prime-minister of the UK 2007-2010) in 2008 made the mistake of waiting, things not working out so well.

Inhaling a known carcinogen is of course a bad idea and not recommended but, undeniably, Lindsay Lohan made smoking look sexy.

Faggery (or faggotry) was the system in English public schools in which the younger students acted as servants (there were sometimes other purposes) for the older.  It was part of public school environment Harold Macmillan (1894–1986; prime minister of the UK 1957-1963) said was designed primarily to teach pupils life was “inherently unfair”.  Still, he valued the process and described any chap who hadn't benefited from the experience as having “no background”.  The use in English public schools to describe a junior student who performs “certain duties” for a senior seems first to have been used in 1785 although the practice is documented from the seventeenth century while the schoolboy slang describing the institution’s roles respectively as “fagdom” & “fagmaster” dates from 1902.  In modern use, faggery (less so faggotry but like faggotness, faggotize & faggotism) is used as a gay slur.  The term “faggot voter” was a historic term in the UK & Ireland, used when there was a property qualification attached to the electoral franchise; a legal loophole, it described someone entitled to vote by virtue of holding some form of property title short of fee-simple (freehold), typically a subdivision.  The origin of the term was based on the idea of “faggot” in the sense of the sticks gathered together and bound to make a whole (ie one property with one title fragmented for electoral purposes while not diminishing the quality of the ultimate ownership).  The “loophole” began as an “unintended consequence” of changes to the rules of real property but wasn’t reformed until the late 1800s because so many land-owners and members of parliament made use of it to “stack their constituencies” with voters.

The Duce's contribution.

The Italian term fascismo (a fascist dictatorship; fascism) was from fascio (bundle of sticks) and ultimately from the Latin fasces (bundle of rods containing an axe with the blade projecting).  Relics from Ancient Rome (left) confirm the fascio littorio was represented both with the head of the axe protruding from the centre of the bundled rods of the fasces and through a gape in the side (left) but in Fascist Italy (1922-1943), the official images (right) issued by the state used almost exclusively the latter arrangement.  Fascism was that rare thing in political science; genuinely it was new.

As a shortening of faggot, “fag” is documented as being applied as a term of disparagement to homosexual males from 1914, an invention of American English slang, though related to the earlier (1590s) contemptuous term for a woman, especially an old and unpleasant one (thus a re-purposing of “faggot” in the sense of “a bundle of sticks”, the idea being something awkward to carry, equating “worthless baggage” with “a worthless woman”).  More speculatively, there may be a link with the Yiddish פֿייגעלע‎ (feygele) (literally “little bird” but used (1) as a term of endearment for a loved one, especially a man's wife and (2) in a derogatory manner: a homosexual man).  There may also have been some connection with the English public school slang noun fag which even then carried the suggestion of catamite, from the Latin catamītus (boy kept as a sexual partner), from catamītus, from the Etruscan catmite, from the Ancient Greek Γανυμήδης (Ganumḗdēs) (Ganymede).  In Greek mythology, Ganymede was an attractive Trojan boy abducted by Zeus and taken to Mount Olympus to become his cup-bearer and lover (Ganymede endures as a doublet in that sense).  The term “faggot marriage” was not a synonym of “lavender marriage” (an arrangement in which a homosexual man and a lesbian for purposes of social or professional respectability) but a disparaging reference to gay marriage, an issue that as late as the 1990s the US Republican Party was confident would be a useful “wedge issue”; generational change shifted opinion.

In the same way the now notorious N-word has been re-claimed by certain sub-sets of people of color and is (in context), an acceptable use by or between them, “faggot”, although now regarded generally as especially disparaging and contemptuous, within sub-sets of LGBTQQIAAOP communities it can be neutral or even endearing.  Two inventive variations were “fag hag” (a heterosexual woman who socializes with homosexual men (1969)) and “fag stag” (a heterosexual man who socializes with homosexual men (circa 1995)).  The less common companion slang for men who have many lesbian friends was “dutch boy”, “lesbro” or “dyke tyke”.  Covering all bases, it transpires that those of both sexes (and certainly “any gender”) who associate with lesbian, gay and bisexual people are “fruit flies”.  The story that male homosexuals were called faggots because they were burned at the stake as punishment is an urban legend with no etymological or historical basis.

Portrait of Henry VIII (circa 1538), from the studio of Hans Holbein the Younger (circa 1497-1543), oil on panel, Walker Art Gallery, Liverpool, UK.  The original was part of the Whitehall Mural (depicting the Tudor dynasty) at the Palace of Whitehall, Westminster (lost in a fire in 1698) but there are many copies (the king encouraged the distribution of reproductions, the artist having rendered a most sympathetic portrait).

Burning at the stake sometimes was a punishment meted out to homosexuals in Christian Europe (relying on the scriptural suggestion invoked as the Biblical fate of Sodom and Gomorrah), but in England, although under the reign Henry VIII (1491–1547; King of England (and Ireland after 1541) 1509-1547) parliament had passed The Buggery Act (1533) criminalizing “the detestable and abominable Vice of Buggery committed with Mankind or Beast” and a conviction could attract the death penalty, that was by being hanged rather than incineration.  As it was, death came to be thought so onerous a punishment for what was often a consensual act that prosecutions became rare and in the twentieth century, (Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) explained why cases so rarely reached the courts: “Prosecutors know convictions are difficult to obtain because half the jury wouldn’t believe such things happened and the other half habitually were doing it.”  While the inquisitorial and judicial organs of the Roman Catholic Church may over the centuries have burned at the stake a goodly number of homosexuals, that really was incidental to the process (sort of the “collateral damage” of the day), the sentence imposed usually for other offences (typically heresy).

Faggot was from the Middle English fagot, from the Middle French fagot (bundle of sticks), from the Medieval Latin and Italian fagotto and related to the Old Occitan fagot, the Italian fagotto & fangotto and the Spanish fajo (bundle, wad).  In Italian, a fagotto was (1) a bundle or sack, (2), (figuratively) a clumsy or awkward person (a klutz), or (3) in music, a bassoon and was probably from the Italian fagotto (diminutive of Vulgar Latin facus, from the Classical Latin fascis (bundle of wood), or perhaps the Ancient Greek φάκελος (phákelos) (bundle).  The senses relating to persons, though possibly originating as an extension of the sense "bundle of sticks", could have been reinforced by Yiddish פֿייגעלע‎ (feygele) (literally “little bird” but used (1) as a term of endearment for a loved one, especially a man's wife and (2) in a derogatory manner: a homosexual man).  In English, “fagot” was long the alternative spelling.

Lighting the spark.

Spencer Rascoff (b 1975; CEO of Match Group (Tinder's holding company)) at the Tinder Spark Week 2026 product conference.  Tinder is subject to constant product development and recent innovations include matching based on astrology and tastes in music.  Intriguingly, data-mining revealed Gen Z users (the demographic cohort sandwiched between Millennials & Alphas and roughly those born between 1997 and 2012) wanted IRL (in real life) dating and to this Tinder responded, in March 2026 adding a dedicated tab for users to discover and RSVP to local, “low-pressure” gatherings like trivia nights, pickleball, basket-weaving groups, ceramics classes, and beach tennis (one must be “Photo Verified” to select “Interested” and see other attendees).

There was a time when the most common use of “faggot” was to describe the bundle of sticks used as kindling (small pieces of wood, twigs or other finely-divided fibrous matter used to start a fire) and, when arranged in a pile, these pieces were “the kindling” (from the Middle English kyndelen, from the Old Norse kynda (to inflame), from the Proto-Germanic kundijaną.  Other than the literal use (fire-starting), the word could also be applied figuratively (in the sense of “to arouse or inspire passion, enthusiasm etc”), familiar in phrases such as “the book kindled her interest in the author's work”.  Kindling is however the second stage of the three-part process of fire-starting, tinder first used to light the kindling that then ignites the main fire.  Tinder was from the Middle English tinder, tunder, tender & tonder, from the Old English tynder, from the Proto-Germanic tundrą & tundrǭ (tinder) and related to the Saterland Frisian Tunder (tinder), the Dutch tonder (tinder), the German Zunder (tinder) and the Swedish tända (to light, to set on fire).  Launched in 2012, the Tinder app is an online dating and geosocial networking platform (best understood by the more evocative “hook-up site”).  The Tinder name was adopted because the original (Matchbox) was too similar to the existing match.com (a US dating site) and the idea was of “tinder” as the medium to “spark the fire”.  A genuine cultural phenomenon, Tinder has been highly successful and was the app that legitimized the now universal “swipe feature”.

There can also be figurative use of the literal sense, Ernest Bevin (1881–1951; UK foreign secretary 1945-1951) remarking of his part in the downfall of George Lansbury (1859–1940; leader of the UK Labour Party 1932-1935): “Lansbury has been going about dressed in saint’s martyrdom; I set fire to the faggots.”  Old Ernie Bevin was unsentimental but others had real affection for Lansbury, the historian Alan John Percivale "AJP" Taylor (1906–1990) reflecting on his place in the place in the pantheon by calling him: “The most loveable figure in modern politics” and Harold Laski (1893–1950; LSE (London School of Economics) professor of economics 1926-1950 and chairman of the UK Labour Party 1945-1946) was realistic but generous, summing up Lansbury by saying: “Not a very clear head but with a heart that reached beyond the stars.”.  Ernie Bevin, a most practical politician, had little patience for Laski.  When once the academic economist asked Bevin: “Is there anything more I can do for you?”, he received the tart retort: “Yes. Keep quiet.”  That view was shared by Clement Attlee (1883–1967; prime minister of the UK 1945-1951) who often had cause to be annoyed by Laski giving interviews and issuing public statements contradicting official government policy.  After Laski in August 1945 made a series of embarrassing public remarks regarding potential socialist revolutions (in countries where the government wouldn't welcome such things), Attlee sent a famously blunt letter: “You have no right whatever to speak on behalf of the Government... I can assure you there is widespread resentment in the Party at your activities and a period of silence on your part would be welcome.”  Unlike his predecessor in 10 Downing Street (Winston Churchill), Attlee used as few words as possible but few failed to understand his meaning.  Comrade Stalin (1878-1953; Soviet leader 1924-1953) first saw Attlee at the Potsdam Conference (July-August 1945) and thought him unimpressive, remarking: “Mr Attlee does not look like a man hungry for power” but his mild-mannered countenance was deceptive; in office he proved quite ruthless.

Winds of change: Left: Winston Churchill, left, Harry S Truman (1884–1972; POTUS 1945-1953, centre) and comrade Stalin, right) and Right:, Clement Attlee, left, Harry S Truman, centre and comrade Stalin, right, Potsdam Conference, July & August 1945.  Standing behind the heads of government are (left to right), Fleet Admiral William Leahy (1875–1959; Chief of Staff to the Commander in Chief (POTUS) 1942-1945, Ernest Bevin, James Byrnes (1882–1972; US Secretary of State 1945–1947) and comrade Vyacheslav Molotov (1890–1986; Soviet foreign minister 1939-1949 & 1953-1956).  Franklin Delano Roosevelt (FDR, 1882–1945, POTUS 1933-1945) valued Admiral Leahy’s advice on military and political matters but didn’t rely on his views on physics.  Famously, the admiral’s view of the Manhattan Project (developing the first nuclear weapons) was it would “…be a failure and I say that as an explosives expert”.  He was of course proved wrong but his reputation didn’t suffer.

Held in Brandenburg's Cecilienhof Palace in what would soon become the GDR (Deutsche Demokratische Republik (German Democratic Republic; the old East Germany, 1949-1990)), was the last of the three (following Tehran, 28 November-1 December 1943 & Yalta, 4-11 February 1945) World War II (1939-1945) meetings of the heads of government of the UK, US & USSR.  Truman and comrade Stalin attended for the duration while Churchill represented the UK until 24 July, leaving for London the following day to be present for the declaration the general election results.  He left without saying farewell to Truman and Stalin because he expected to be re-elected and return within days.  Instead, in a landslide, the Conservatives were defeated and, on 28 July, the Labour Party’s prime minister Attlee flew to Potsdam for the conference’s resumption.  The defeat provoked a variety of reactions within the Soviet delegation.  Comrade Stalin, who had no particular objection to elections, believing “it mattered not who voted but rather who counted the votes”, was surprised, having assumed the Conservative Party would have “fixed” the result while Churchill’s personal physician noted in his diary the comment of one female Soviet soldier who, on hearing the news, said she expected Mr Attlee would “…now have Mr Churchill shot”.  On 29 July, leaving Chequers (the prime minister’s Buckinghamshire country house) for what he assumed would be the last time, Churchill signed “finis” in the visitors’ book but was too pessimistic, returning to office in 1951 and staying (despite a severe stroke in 1953), until 1955, resisting the efforts by many of his colleagues to “prise him out”. 

A sincere form of flattery: North American F-86 Sabre (first flown October 1947, left) and Mikoyan-Gurevich MiG-15 (first flown December 1947, right).

A well-crafted amalgam of technology stolen from the West (the airframe construction techniques from the US, the jet-engine a blatant copy of the British Rolls-Royce Nene and the aerodynamics from German research during World War II), the USSR’s Mikoyan-Gurevich MiG-15 was a short-range interceptor, the appearance of which in the skies of the Korean War (1950-1953) theatre was such a shock to the UN (United Nations) forces that the USAF (US Air Force) had to scramble to assemble squadrons of North American F-86 Sabres for deployment.  Made in both the USSR and by licensed overseas constructors, the MiG-15 was produced in extraordinary numbers (some sources suggest as many as 17,700) and equipped not only Warsaw Pact (1955-1991, a “mutual-assistance” treaty between the states behind the Iron Curtain within Moscow’s sphere of influence; it was formed in response to NATO) militaries, some three dozen air forces eventually using the type; it remained in front-line service well into the 1960s.  Simple, robust and economical to operate, they proved ideal as jet-trainers because the predictable characteristics made them forgiving in novice hands; in private ownership, many still fly.  Soviet consumer goods of the post-war years may have been of dubious quality and often in short supply (shoes for example were available in black or brown but brown was usually out-of-stock) but the MiGs were well-built and numerous.

The MiG-15’s NATO (North Atlantic Treaty Organization; the trans-Atlantic alliance formed in 1949 as a defensive system for Western Europe designed (in the phrase of General Lord (Hastings “Pug”) Ismay (1887–1965; secretary general of NATO 1952–1957): “to keep the Russians out, the Americans in and the Germans down”) reporting name was “Fagot”.  Officially, NATO reporting names have no linguistic or etymological significance, being chosen (1) with an initial letter indicating type (B=bomber; F=fighter; C=commercial & cargo; H=helicopter; M= miscellaneous) and (2) a one-syllable name for propeller aircraft and a two-syllable name for jets.  Fagot was just another reporting name picked from NATO’s list of the possible for allocation to fighters.

Fairytale of New York (1987) is a song by the Irish pop-band The Pogues, augmented for the occasion by the late Kirsty MacColl (1959-2000).  One stanza included the lines:

You're a bum

You're a punk

You're an old slut on junk

Lying there almost dead on a drip in that bed

You scumbag, you maggot

You cheap lousy faggot

Happy Christmas your arse

I pray God it's our last

The offending (in the sense of “offensive”) line obviously was: “You cheap lousy faggot” and for many years, every Christmas, there was in England an almost ritualistic argument about whether it was appropriate to play the piece on radio, a matter of some interest because Fairytale of New York frequently was voted the nation’s most popular Christmas song, something displeasing many reverend and right reverend gentlemen although Lambeth Palace seems never to have commented on the squabble.  In the late 1980s, the BBC (British Broadcasting Corporation) seemed unconcerned at the possibility of a gay slur being thought at least implied but found the anatomical slang offensive, asking that “arse” be replaced with “ass”, a liberal approach compared with the old BBC tradition of outright bans (a policy that endured long after Sir John Reith's (later Lord Reith, 1889–1971; BBC Director-General 1927-1938) era) but, in the 1990s, sensitivities shifted to gender and, in subsequent live performances, MacColl sometimes adjusted the lyrics further, singing "You're cheap and you're haggard".  Since then, broadcasts have varied in the version carried, the BBC even permitting all or some of “arse”, “slut” & “faggot” on certain outlets but not others.  There was also use of the old practice “bleeping out” (actually scrambling) “arse”, “slut” & “faggot” as required and even today it's said to be unpredictable just which version will be played.  It did seem one of the more improbable battlefields of the culture wars but was emblematic of the new censorship.  Although, in the context of the song, it was obvious “faggot” was being used in the old sense of meaning “someone worthless” rather than “a bit of a homosexual”, the objection was to the very word which many activists demand should be proscribed, the same fate suffered by “niggardly”, a word with an etymology as unrelated to the notorious “N-word” as the meaning.