Showing posts sorted by relevance for query Veavage. Sort by date Show all posts
Showing posts sorted by relevance for query Veavage. Sort by date Show all posts

Saturday, March 14, 2026

Veavage

Veavage (pronounced vee-vig)

(1) The expanse of bare skin a woman displays when wearing a dress (or top) with a neckline cut in a deep (often called plunging) “V”, the vertex (the bottom junction where the two diagonal strokes meet) typically reaching the midriff but the lines can intersect as low as the waist or even the hipline.  As a design, it’s the familiar “V-neckline” taken to its logical conclusion although much the same can be achieved with what technically are “scalloped necklines” or “U-plunges”.

(2) As “veavage dress”, “veavage top” etc, a garment so designed.

2026 (2010 for an earlier, now extinct purpose): A portmanteau word, the construct being ve(e) + (cle)avage.  In English, vee had a long history as an illustration of the pronunciation for the letter “V” but it was in US English in the mid-1860s it began widely to be used in building, architecture and engineering to describe various structures, components or configurations.  Because of the attractive properties of triangles, the “V-shape” would for millennia have been part of the man-made environment (indeed, it exists in botany, animals and geology) but the form “vee” appears in this context to have been well documented only from the mid-nineteenth century and use as a direct substitute for the Latin script letter “V/v” is documented from 1869.  In internal combustion engines, “vee” seems first used of piston engines in this configuration by 1915 although the first known V-twin was built in 1889 and the first V8 in 1903.  Although common as a descriptor of shapes or physical objects, the more abstract re-purposings included (1) a polyamorous relationship between three people, in which one person has two partners who are not themselves romantically or sexually involved and (2) in the (male) gay community, “a Vee” is a verbal shorthand for “a versatile” (one who is not exclusively “a top” (or “pitcher”) or “a “bottom” (or “catcher”) but indulges in both practices.  The coining is too recent for derived forms to have emerged but the possibilities include veavaged, veavaging and veavesque.  Veavage is a noun (and potentially a verb & adjective); the noun plural is veavages.

Of Vee

Cricket's “vee”, recommended for “high-percentage” shots.

Teevee was a respelling of the abbreviation TV (for television) so the two are synonymous but the former (with its four superfluous vowels) survived only as a “niche word”.  In the era between the early post-war years and services like YouTube and its many imitators becoming mainstream, a “teeveen” was a young person who “watched too much TV”.  In SF (sci-fi, science fiction) a three-vee was a screen able to display in three-dimensions; authors used also “3v”, “tri-v” “tri-vid”, “tri-d”, “trideo” & “tridim” and although they didn’t show quite the disdain for capitalization as later would emerge in the business of computer hardware & software, the literary preference seems to have tended to the lower case.  The humorists of the 1980s used a mix of upper and lower when creating shorthand critiques of the US cable television channel (1981) MTV (pronounced emm-tee-vee and an initialism of “Music Television”).  Claiming the channel’s programming was banal, they conjured up “eMpTyV”, “empty-vee”, “Empty-V”, “Emptyv”, “emptyV” & “eMpTy V”, all to be pronounced emp-tee-vee.  That was a variant of the technique used to produce rebus abbreviations (in structural linguistics technically a “gramogram”) such as “NRG” for “energy” or “XLR8” for “accelerate”.  All worked best when written because although non none possessed classic phonetic assimilation, sloppiness in real world use, sloppiness in pronunciation probably often rendered the sound of emm-tee-vee vs emp-tee-vee indistinguishable.  In cricket, the “vee” describes the arc of the field, forward of the batter, from cover to midwicket, in which drives classically are played (a shape better visualized as an “L” because, like many “vee” engines, the vertex is a 90o angle) and coaches still instruct batters to “play in the vee” because that’s most productive for “high percentage” (ie more runs, fewer dismissals) shots but in the newer, shorter forms of the game, that’s now less relevant.  Whether “veagage” catches as jargon for coaches advocating “playing in the vee” remains to be seen.

Playing in the vee.  Australian cricketer Ellyse Perry (b 1990) with the trophies of the two Cricket Australia (the new name for the old Board of Control) Cricketer of the Year awards she won in 2023 (in the T20 and ODI (One Day International) categories). Note the splendid shoulder & upper-arm muscle definition.

In typography & computing, typography, a “vee” was a unit of vertical spacing, typically corresponding to the height of an ordinary line of text.  In machinery, a vee-belt (often as v-belt) was a drive-belt of reinforced rubber or other compounds which was mounted on drive wheels or pullies, the name gained from the V-shaped cross-section (some with notches which were called “toothed belts”).   “Vee Dub” was a slang term for a vehicle produced by Volkswagen (VW) and a “Vee Dubber” was a VW fan boy (some of whom were girls).  A “veejay” was the host of a television programme who presented videos, based on the earlier “DJ” (disc jockey, a radio presenter who introduced music broadcast by playing tracks from discs, a use which has survived many DJs now operating without discs).  A VJ was also a “vertical joist” which was a length of timber used as a vertical upright for structural support.  In vulgar slang, “VJ” also was a term for the vulva or vagina and the user-generated Urban Dictionary has an entry from 2010 listing “veavage” with the construct v(aginal) + (cl)eavage (ie the infamous “camel toe”) but that attracted negligible support.  A veep is “a vice-president”, a form popular use has made associated mostly with the VPOTUS (vice-president of the US).  

Of Veagage

Actor Keira Knightley (b 1985) in a classic black veavage dress, illustrating how the emphasis has shifted to skin rather than cleavage, the latter the traditional focus of the deeper “V-necklines”, things now done with “a hint”: less is more.

With due acknowledgment of the use in 2010 (documented by Urban Dictionary) which never gained traction, “veavage” is a new word but what it describes is not new though the emphasis genuinely is a variation of an old theme.  Veagage is a deeply plunging V-shaped cut in a garment which displays some of the chest & midriff down sometimes as far as the hipline although most stop at the waist.  Obviously something best worn on red carpets or for photo-shoots in controlled environments (light, surface irregularities, wind-speed & direction, crowds etc), it differs from the traditional approach to the female chest in that emphasis is on the skin rather than the breasts, the veagage look de-emphasising those glands so the cut is ideal for those able to summon much of a cleavage only with structural engineering such as a bra or Hollywood Tape (better known by the more evocative “tit-tape”).  So it can be a good, eye-catching choice for those without the anatomical advantage demanded by outfits optimized for “peak cleavage” but it has been criticized as a form of “privilege-dressing”, said to carry the whiff of “white feminism”.

Controversial and not accepted by all as something “real”, “white feminism” is said to be a fork of feminism concerned almost exclusively with concerns of white, middle-class, cisgenderheterosexual women, the problems of women not ticking those boxes ignored.  It’s thus an individualistic strain of feminism which aims to maximize one’s advantage within existing systems rather than seeking systemic reform for the collective benefit.  From there it may seem a bit of a leap to veagage as marker of political exclusion but it’s true a link can be constructed if one wishes to find such a connection (the notion of v=(c+p) (cleavage + privilege = veavage)) in that while it accommodates at least some on the spectrum of breast size, slenderness is essential and for those not genetically lucky or disciplined, there are the GLP-1 (Glucagon-like peptide-1) drugs and overwhelmingly, they remain a tool for those who are (in global terms) “rich”.  Like everything else, the frock is political.

Lindsay Lohan, Olympus Fashion Week, Bryant Park, Manhattan, February 2006.  Although Ms Lohan is more associated with the traditional use of the V-neckline, this is archetypical veavage.

Unlike some “straight-line letters” such as “W” or “X”, the letter “V” is almost always rendered with straight lines but fashion editors are more forgiving than geometers (since the time of the third century BC mathematician of Ancient Greece Euclid, the historic term for those whose primary research field was geometry) who would insist the plunging neckline of Ms Lohan’s red dress is not a “V” but a “curvilinear angle” (an angle with sides of curves rather than straight line segments).  In elementary geometry, the classic angle consists of two straight rays meeting at a vertex, whereas in a curvilinear angle the sides are arcs or other curves intersecting at a point.  In fashion, up to a certain stage, a “curvilinear angle” is still a “V-neckline” because the visual effect is so close but, as the curves become more curved, at some point the cut becomes closed to a “scallop” or “scoop” and is so described.

Model & writer Hari Nef (b 1992) in Schiaparelli.  Like the trade-off in warship design between armor & speed, less gland means more veavage so those not best suited to cleavage in a V-neckline have an alternative.

So with V-shaped necklines descending to the navel (or a little beyond) hardly a novelty given their not infrequent appearances over the last two-decades-odd, why did the word “veavage” suddenly make an appearance in 2026?  The obvious answer is of course “click-bait” but that’s not of necessity a bad thing because, in a sense, that trick is supply anticipating demand and there are aspects of the internet (which at least for now seem to have become structural) that should arouse more concern.  It’s a good word and a welcome addition to the fashion business; presumably an industry commentator noted a spike in the “deep vee” showing up on the catwalks or red carpets and, things “on trend” needing a tag, conjured up (or re-purposed) “veagage”.  The speculative link to the look becoming more prevalent because GLP-1s have rendered more women with physiques suitable for such things is intriguing but wholly impressionistic and trends anyway tend to wax and wane although, in its niche, veagage seems here to stay.

Of Cleavage

Actor Sydney Sweeney (b 1997) with a more traditional implementation of the V-neckline.  Empirically, this look is likely to remain the dominant approach although, as it has for years, the veavege will run in parallel. 

The noun cleavage seems first to have appeared in the 1805, the construct being cleave + -age.  It was used first in geology and mineralogy to describe “the tendency (of rocks or gems) to break cleanly along natural fissures” with the generalized meaning “action or state of cleaving or being cleft” emerging in the mid 1860s.  Although the artistic record confirms the popularity of the look had over the centuries come and gone in the cyclical way fashion behaves, use of “cleavage” in the sense of the “the hollow between a woman's breasts (usually when artificially supported), especially as exposed by a low-cut garment” appears not to have been seen in print prior to the use in an article in Time magazine discussing the (nominally) self-censorship codes of practice adopted (not entirely willingly) by the Hollywood film studios.  In finding a single word, Time’s editors proved good practitioners of journalistic succinctness because what they were reducing to a word had been described in the industry’s bureaucratese as “the shadowed depression dividing an actress' bosom into two distinct sections.  Cleavage caught on although to this day the more up-market fashion glossies still hanker after the French décolletage.

Variations on a theme of Vee: Lindsay Lohan (during blonde phase) in V-neckline, V Magazine's Black and White Ball, Standard Hotel, New York City, September 2011.

Cleave was in use prior to 950 and was from the Middle English cleven, from the Old English strong verb clēofan (to split, to separate), from the Proto-West Germanic kleuban, from the Proto-Germanic kleubaną, from the primitive Indo-European glewb- (to cut, to slice).  It was a doublet of clive and cognate with the Dutch klieven, the dialectal German klieben, the Swedish klyva, the Norwegian Nynorsk kløyva; it was akin to the Ancient Greek γλύφω (glúphō) (carve) and the Classical Latin glūbere (to peel).  Given the time and place of cleave’s emergence, etymologists suspect the original sense was likely related to the handling of timber (ie to split or divide by or as if by a cutting blow, especially along a natural line of division, as the grain of wood).  The suffix -age was from the Middle English -age, from the Old French -age, from the Latin -āticum.  Cognates include the French -age, the Italian -aggio, the Portuguese -agem, the Spanish -aje & Romanian -aj.  It was used to form nouns (1) with the sense of collection or appurtenance, (2) indicating a process, action, or a result, (3) of a state or relationship, (4) indicating a place, (5) indicating a charge, toll, or fee, (6) indicating a rate & (7) of a unit of measure.  The French suffix -age was from the Middle & Old French -age, from the Latin -āticum, (greatly) extended from words like rivage and voyage.  It was used usually to form nouns with the sense of (1) "action or result of Xing" or (more rarely), "action related to X" or (2) "state of being (a or an) X".  A less common use was the formation of collective nouns.  Historically, there were many applications (family relationships, locations et al) but use has long tended to be restricted to the sense of "action of Xing".  Many older terms now have little to no connection with their most common modern uses, something particularly notable of those descended from actual Latin words (fromage, voyage et al).

Bella Hadid (b 1996, right), Cannes Film Festival, 2021.

A veavage can of course be an eye-catching billboard and the obvious stuff to advertise is jewellery (left).  Model Bella Hadid showed how it could be done with scalloped neckline, wearing a black Schiaparelli gown (cut for the purpose with an untypically wide aperture) used to frame a sculptural piece, fashioned in gilded brass to resemble an anatomical cast of the lungs’ bronchi (the paired series of cartilaginous, tube-like airways branching from the trachea into each lung, acting as the primary passage for air distribution).  However, in while in commerce a handy advertising space, those adopting a veavage seem most inclined to restrict adornments to earrings or other accessories which don't interrupt the line of skin between neck and waist, the trick being to achieve a “lengthening effect”  

Golfer and multi-media personality Paige Spiranac (b 1993).

Despite the etymological implication, a veagage is about the display of skin and is not dependent on being framed in a “V” but the point about it is the de-emphasis of the breasts (and thus the cleavage).  What Paige Spiranac wore to Sports Illustrated 60th anniversary event could (with some strategically placed double-sided tape) be used for the purpose but technically the ensemble was a variant of the “curtain reveal” motif (in “open” mode).  Whether it would produce a veagage or a cleavage would depend on the wearer.

In the 1980s, US political scientists used the term “cross-cutting cleavages” to describe what had been revealed as a phenomenon both increasing frequency and spreading demographically and geographically.  The term referred to a social structure in which different lines of division in society intersect rather than coincide (ie groups created by one social division are mixed across the groups created by another division, instead of aligning with them).  In the West, as an identifiable trend, this likely was something that had ebbed and flowed since the decline of feudalism but in the post-war years it became of interest to political scientists because it was clearly something influencing social conflict and voting behaviour, the issue-by-issue alignment within and between sectional classifications no longer as predictable.  What had become obvious was the membership of groups in one dimension was overlapping with multiple groups in another.

Influencer Sophadophaa (she stresses : “It’s Sophia not Sophie”) in red gown with plunging vee.

Because the veagage effect is most effective when at its most 2D (two dimentional), when that’s what’s wanted, the usual approach is to have the fabric cling to the skin (with double-sided tape as required) but V-necklines can be executed differently for other outcomes; the double-sided tape is still applied but in different places.

Overlap was not new in that “coalitions of interest or concern” had long been known to be subject to these “crossovers” (especially at the margins) but in the days before big machine databases transformed this into something political parties could not merely manage but exploit, it was a genuine problem.  The more optimistic academics suggested cross-cutting cleavages operated to stabilize democracy because, with individuals simultaneously belonging to many groups (class, religion, occupation, region), the overlap prevented politics from collapsing into a series of polarized conflicts, what some called “the Balkanization of society”.  The argument was the behaviour compelled political parties to build broad coalitions across multiple groups, moderating the inherent tendency to conflict and reducing the likelihood of groups becoming the captives of extremist positions.  There may have been something in this because in the US, between the 1930s & 1980s it was those broad (notably geographical) coalitions which characterized US politics; political conflict didn’t go away but it was diffuse rather than binary.  In operation, that mid-century model was very different from Europe.  There, “cleavage theory” was a descriptive model of the way several centuries of major (and often bloody) social conflicts (cleavages) worked finally as the catalyst for state formation and industrialization.

Wonderbra New Deep Plunge Bra.

The manufacturers have for decades noted the appeal of the V-neckline and have created a vibrant market in accessories and devices.  Up to a point, the conventional cantilever method works but there are practical limits.  However, while physics can’t be fooled, optics can and what Wonderbra did for the New Deep Plunge Bra was replace the conventional fabric-covered gore with one of translucent plastic, thus creating a “one skin tone fits all” fitting.  Except on close inspection, it was close to invisible.

The West (and especially the US) is of course now in the age of “mega identity politics” and the parameters of those identities are in the effective control of a relative handful of extremists (“absolutists” or “purists” the more polite forms) who have the historically unique (in reach, immediacy and scope) platform of social media set agendas and cancel transgressors; even in groups originally created because of oppression, now routinely oppress heretics who depart from the orthodoxy.  This does not imply political parties have become “single issue” operations but substantially they are tending towards the ideologically monolithic as aggregations of what scholars have labelled “stacked identities” and the process of “purification” is not organic: within the party machines, those seeking absolute control undertaking purges, witness the gradual preponderance within the Republican Party of the MAGA (Make America Great Again) over those condemned as “pseudo conservatives”, the RINOs (Republicans in Name Only).  In the Democratic Party, identities have come to trump (the verb) all else and few now dare to raise the matter of trans-females competing in sporting competitions for women because the “trans rights” have become a litmus-paper test of adherence to orthodoxy.  So, the machinery which decades ago assembled coalitions of interest now creates tribes with much of what that word implies, political scientists sanitizing things a bit with the tag “affective polarization”.  While the cause-and-effect processes in all this were not wholly binary, it has rendered conflict now identity-based in that conflicts are between world views and way of life rather than the minutiae of policies.

Ultradeep U-Plunge.  Where the vee didn't plunge so deep, a more conventional construction could be used although many did include "clear" shoulder straps, made of the same kind of material as sometimes used for the gore.

So, whereas the national and state legislatures once thrashed things out and often managed to achieve compromises, that’s now less common because a “compromise” is seen as a “surrender” or “betrayal” and the consequences for that included being “cancelled” or “primaried”, two weaponized devices able successfully to be deployed by a remarkably small number of committed extremists.  None of this is any secret but there’s no obvious solution because the simple fix (mass active participation of the electorate (the so-called “sensible centre”) in party politics) has little appeal for either the voters or those running the party machines, both groups for their own reasons appalled by the notion.  The days are gone when the Republicans had their “moderate” faction (the so-called Rockefeller Republicans (named after Nelson Rockefeller (1908–1979; US vice president 1974-1977 and who earned immortality by having “died on the job”) and the Democrats their “Southern Conservatives” (the so-called “Dixiecrats” in the not always attractive tradition of figures like old Strom Thurmond (1902-2003; senator for South Carolina 1954-2003)).  By the 2020s, that overlap has almost completely disappeared with politics now more polarized than at any time in living memory and political scientists lament the shift but they should recall a remark in the paper Toward a More Responsible TwoParty System (1950), published by the APSA (American Political Science Association): “The two parties do not differ enough.  Expanding on that, the authors added: “Alternatives between the parties are defined so badly that it is often difficult to determine what the election has decided even in broadest terms.  As a critique this came to be called the “Tweedledum & Tweedledee problem” (two characters in Through the Looking-Glass, and What Alice Found There (1871) by Lewis Carroll (pen name of Charles Lutwidge Dodgson (1832–1898)) who had different names but look the same and behave in identical ways.

Das U-boob Theorie.

Orla U-Plunge Backless Adhesive Bra in Black (left) and Salma Hayek (b 1966, right) demonstrates the uvage, Evening Standard Theatre Awards, London, November 2015.  Orla's “adhesive” is a reference to the side panels which adhere directly to the skin (using the same technology as surgical tape), allowing the bra to a achieve a “backless” effect.  Because the cut of some gowns obviously is a “U” rather than a “V”, the fashionistas might feel compelled to add “uvage” (pronounced yoo-vig, the construct being u + (clea)vage)) to the lexicon because, if the two styles appear together on the catwalk, single-word differentiation might be helpful.


Heart & wedge: Luciana Heart Cut Out Long Sleeve Mini Dress in black (left) and French content creator & author Léna Situations (Léna Mahfouf, b 1997), in Georges Hobeika (b 1962) black gown with inverted V-neckline (technically a wedge), Academy Awards ceremony, Los Angeles, March 2026.  Ms Mahfouf uses “Léna Situations” as an online pseudonym because that was the name of the fashion & lifestyle-focused blog she, as a teen-ager, created in 2012; it gained her a “brand identity” and was thus for some purposes retained in adulthood.  The blog would have seemed familiar to the members of the long defunct Situationist International because her concept was sharing fragments of her life in different “situations” which might be defined by the place, the outfit worn or what was being experienced so was thus a series of spectacles, able to be understood as individual relics of time & place or a series of narratives.  Using that model, platforms like Instagram have allowed just about everybody to become a situationist and while the original situationists would have recognized “social lives mediated by images, media & commodities”, they'd not have approved.

However, although tempting, being too specific about geometry might lead to a proliferation of terms because designers have proved inventive when shaping “cut-outs” in gowns.  A heart shape could perhaps attract “cardivage” (pronounced kar-dee-vig, the construct being cardi(ac) + (clea)vage) and an inverted vee could be called a “wedgeage” (pronounced wed-jige, the construct being wedge + (cleav)age).  In formal logic, the wedge symbol () represents “AND” (the logical conjunction); in its opposite orientation (V) the symbol is called a “vee” and represents logical “OR”.  So, imposing precision may be a needless solution to a non-existent problem and the industry seems likely to continue to tolerate what Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) in 1906 called “terminological inexactitude” (used as a euphemism for the un-parliamentary “lie” and coined because in the House of Commons, Mr Speaker had long since proscribed use of  “mendacious”).  Beyond the "V", "U", "heart" and "wedge", there are more shapes so veavage seems likely to serve as a generic for all.

Charli XCX (stage-name of English singer-songwriter Charlotte Emma Aitchison (b 1992)) in a Christopher John Rogers (b 1993) white fit & flare dress with ruffled peplum, featuring a more conventional implementation of the V-neckline.

Ms Mahfouf's retention of a youthful online pseudonym is not unique, Charli XCX another example.  The star herself revealed the stage name is pronounced chahr-lee ex-cee-ex; it has no connection with Roman numerals and XCX is anyway not a standard Roman number.  XC is “90” (C minus X (100-10)) and CX is “110” (C plus X (100 +10)) but, should the need arise, XCX could be used as a code for “100”, on the model of something like the “May 35th” reference Chinese internet users, when speaking of the “Tiananmen Square Incident” of 4 June 1989, adopted in an attempt to circumvent the CCP's (Chinese Communist Party) “Great Firewall of China” censorship apparatus.  In 2015, Ms XCX revealed the text string was an element in her MSN screen name (CharliXCX92) when young (it stood for “kiss Charli kiss”) and, after appearing in the early publicity for her music, it gained critical mass so Charli XCX we still have.

In 1950, the political scientists had concluded there was “too great a degree of internal heterogeneity” in that, housing both liberal and conservative wings, the forces tended to “cancel each other out” with the consequence being party programmes which were vague and often similar, meaning voters found it hard to identify clear policy alternatives.  In a sense, that took the “science” out of “political science” and the academics didn’t like it, preferring clear battle-lines (Roundheads vs Cavaliers; democracy vs fascism and such) for without clear differences, there really was no politics; all that remained was the dreary business of management.  In retrospect, the APSA likely agrees people should be careful what they wish for and and many contemporary political scientists now argue the system has moved too far in the opposite direction, producing intense polarization and reinforcing cleavages.  Still, we may as well get used to the system because, with cleavages widening and edges hardening, most conclude it’ll likely get worse before it gets better.

Of Vee Engines

Ford FE V8 (left) and Y-Block (right). The frontal view of the FE engine illustrates both why the configuration is called a “vee” and why it would have been understandable had the 90o engines been dubbed “L8s”.  Ford’s first OHV (overhead valve) V8 (for pick-up trucks & passenger vehicles) picked up the nickname “Y-Block” because the skirt extended to an unusually low point, the additional cast iron thus recalling the tail of the letter “Y”.

The “V” in certain engines (V4, V8, V16 etc) is a reference to the angle of the banks of the block’s cylinder banks when viewed along the line of the crankshaft and the configuration in ICE (internal combustion engines) was used within half-a-decade of the “first” automobile appearing on the roads in 1886, Wilhelm Maybach (1846-1929) and Gottlieb Daimler (1834-1900) in 1889 installing a 565 cm3 (34 cubic inch) V-twin (ie two cylinder) unit in the Daimler Stahlradwagen (steel-wheeled car).  The Stahlradwagen’s V-twin used what was, by the standards of which would follow, a very narrow angle for the vee (quoted usually a 17o but listed also “in the 20o class”) and over the years, “vee” engines have appeared with angles ranging between 12.5 and 180o (while the latter may seem a contradiction in terms, the 180o vee (e a straight line) is accepted engineering jargon).  The first V8 (1903) & V12 (1904) appeared in what was for each the “ideal vee angle” (90 & 60o respectively), the number dictated by desire for the even firing intervals to ensure the smoothest power delivery and those pioneers set the template which has tended since to be followed although there have been many exceptions.  Of course, a V8 in a 90o configuration really should be a “L8” but because the Maybach & Daimler V-twin had established the terminological model, regardless of the angle, such things have always been “V-something”.  

Ferrparts schematic of crankcase parts for the 365 GT4 BB's 4.4 litre (270 cubic inch) flat-12.  According to engineers, this is a "flattened vee".

That’s fine because, conceptually, there’s always a vertex but according to Ferrari, the “Flat 12” engine fitted the various iterations of the Berlinetta Boxer (1973-1974) was also a type of “vee”, despite the two banks of six being horizontally opposed (ie at 180o); they called it a “flattened vee” which, as Euclid would have told them, there being no vertex, that means they’re describing a “straight-line segment”.  The engineers would have acknowledged the wisdom of the geometers but argued the use was an established convention in engineering to distinguish the two types of “flat” engines (those with pistons which move in and out simultaneously (on the model of a boxer’s gloves) being “boxers” and those in which the pistons move in unison being “flattened vees” or “180o vees”.  The Ferrari website explains all this while variously and cheerfully calling the engine a “flat 12”, “boxer-type” or “180o V12”; so, take your pick.  It’s on that site the factory acknowledged the true story about how the original 365 GT4 BB (1973) picked up the “BB” designation and why “Berlinetta Boxer” was concocted as a cover story.

1930 Cadillac V16 452.

At one end of the spectrum, Lancia produced a range of what they described as “narrow-angle” small-displacement V4s and that was apt because the vee was set at 12.5o, the compactness of the jewel-like power-plant permitting outstanding packaging efficiency.  Less obviously efficient was Cadillac which, for a brief, shining moment, made a 452 cubic inch (7.4 litre) V16 with the two banks eight arrayed in a 45o vee; that made it a photogenic piece of machinery but it had the misfortune of being introduced in 1930, right at the onset of the Great Depression and although an encouraging 2,500 left the line in the first year of production, demand collapsed and it was only for reasons of prestige GM (General Motors) kept it in the catalogue.  By the time it was withdrawn from sale in 1938, not even a further 1400 had been ordered.  It was in that year replaced by a technically less intriguing 431 cubic inch (7.1 litre) V16 which, built with a 135o vee, was even less successful, a reported 516 engines leaving the plant although it’s believed only 499 were installed in rolling chassis.  Also with a  vee was the most charismatic V16 of all, the BRM V16 (1947-1955) which was one of those “glorious failures” at which the British are so adept but no grand prix car since has sounded so good.

Factory cutaway diagram of Daimler-Benz DB 605 Inverted V12 as fitted to Messerschmitt Bf-109.

The DB 60X series was literally “an upside-down V12” but it was regarded thus only because the convention had been to mount them in the still familiar aspect.  Equipped with a dry-sump and direct fuel-injection, the angle assumed in flight made little difference to the engine, unlike the early Allied aero-engines which were carburetor-fed.  In combat, that was a great advantage for the German pilots who were fortunate the British didn't accept a spy's offer to supply them with a stolen example of the vital DB fuel pump.  As it was, the RAF (Royal Air Force) had to wait until Bendex developed a "pressurized carburetor" (a type of throttle-body fuel-injection) although the stop-gap "fix" which proved a remarkably effective partial amelioration was "Miss Shilling's orifice".   

In the first half of the twentieth century, the V12 engine held great appeal for the designers of military aircraft because the layout solved several critical aerodynamic and mechanical problems which would have remained insurmountable (and probably exacerbated) had the traditional in-line engines been further extended or enlargedused.  More cylinders meant more power and this the V12s achieved without the excessive length (and thus the dreaded “crankshaft flex”) which would have been suffered by an in-line 12.  The virtues the designers sought were (1) robustness, (2) lightness, (3) power and (4) compactness, the quest always for a better power-to-weight ratio and for this the V12 proved the “sweet-spot”.  The British industry in the inter-war years developed many V12 aero-engines (notably the Rolls-Royce Merlin which became famous by powering all the early Supermarine Spitfires) but because the Germans didn’t return to military aviation until the mid-1930s, they had the advantage of working on a “clean sheet of paper”, one of their many innovations being the “inverted V12”, the most numerous the Daimler-Benz DB 600 series.  In these, the crankshaft was above the cylinders so the cylinder banks pointed downward and this offered several advantages including (1) improved pilot visibility, (2) greater propeller ground clearance (meaning also the larger propellers became possible without needing longer landing gear), (3) easier access to accessories (fuel pumps, magnetos and such at atop, meaning mechanics could fix or replace components more quickly), (4) the fitting of a Motorkanone (a cannon firing through the propeller hub) became viable (5) shorter exhaust stacks and (5) the plumbing for the advanced MFI (mechanical fuel injection) system was both simplified and made more accessible.

Exhaust stubs of left-hand bank of a BRM V16.

Like the DB inverted V12s, some of the BRM V16 had low-mounted exhaust stubs but whether the flow of the gasses had any effect on aerodynamics was never studied although, the breathing must have been efficient because the 1.5 litre (91 cubic inch) V16 could at 12,000 rpm generate up to 600 HP.  At full cry it produced the most glorious sound ever heard in Formula One but unfortunately it was at the threshold of pain for those standing close so the system was revised to use a pair of long "dump pipes".

Almost as a footnote, the German designers noted they were able also to exploit the location of the stubs to gain unanticipated benefits from the path of the inverted V12’s exhaust thrust and cowling flow.  It’s overstating things to call it a “jet thrust” effect but that’s how it can be visualized, high-velocity exhaust gases exiting the stacks producing a small rearward thrust component and the engineers experimented to find the optimum length and angle, calculating the “effective thrust” at between 50–150 lb (220–670 N) depending on the power setting and throttle used.  In real-world conditions, this translated into perhaps an additional 25-odd horsepower which may not sound significant in engines generating over a thousand but in combat, it could be the difference between life and death.  Additionally, the aeronautical engineers used an aspect of fluid dynamics to improve the “boundary-layer management” along the cowling (ie using the hot, high-energy exhaust stream flowing along the sides of the cowling to “energize” the boundary layer of air "attached" to the fuselage surface).  What this did was slightly delay any flow separation, reducing “draw” and providing a better flow over the wing’s critical root area.  The differences were slight and subtle but again, in combat happening at altitude, at hundred of mph, inches and seconds matter so it could be the difference between life and death.

Wednesday, January 1, 2025

Vagina & Vulva

Vagina (pronounced vuh-jahy-nuh)

(1) In anatomy & zoology, in many female mammals, the moist, tube-shaped canal part of the reproductive tract which runs from the cervix of the uterus through the vulva (technically between the labia minora) to the outside of the body.

(2) In botany, the sheath formed by the basal part of certain leaves where they embrace the stem.

(3) A sheath-like part or organ (now rare even in technical literature).

(4) In colloquial (and now general) use, the vulva, or the vulva and vaginal passage collectively.

(5) In derogatory colloquial use, an un-masculine man; a weakling (now rare, “pussy” the preferred modern term).

1675-1685: A creation of Medical Latin, a learned borrowing of the Latin vāgīna.  As used in anatomy, the seventeenth century coining was a specialized application of the Latin vāgīna (a sheath, scabbard; a covering, holder; sheath of an ear of grain, hull, husk) of uncertain origin, the suggestion by some etymologists it may have been cognate with the Lithuanian vožiu & vožti (to cover with a hollow thing) dismissed by others as “speculative” or even “gratuitous proposal”.  The use in medicine is exclusive to modern science, the Latin word not used thus during Antiquity.  Vagina is a noun, vaginal & vaginalike are adjectives, vaginally is an adverb; the noun plural is vaginas or vaginae (the old spelling vaginæ is effectively extinct); the part of the anatomy used for copulation & childbirth in female mammals and a similar organ exists in some invertebrates.

NoToe's “NOTOE Cameltoe Proof Thong” solution.

Borrowed from zoology, “cameltoe” is popular modern slang which specifically references the vulva's labia majora, comparing the bifurcated (at certain angles) appearance with the even-toed hoof of a camel, the hooves of the ungulate mammals (known as Artiodactyls) an adaptation to the typically loose, sandy environment in which they evolved.  The slang form (also as camel toe & camel-toe) was re-purposed as “Cameltoe Harris”, a derogatory reference to Kamala Harris (b 1964; VPOTUS (US vice president) 2021-2025), use seemingly dating from 2015 while she was serving in California as attorney-general.  The bifurcation intrinsic to the “cameltoe” inspired the vulgar slang “veavage”, the construct being v(aginal) + (cl)eavage and the user-generated Urban Dictionary has an entry from 2010 but it didn’t catch on and veavage has since been re-purposed.  Just as in many fields where “there’s an app for that”, for those wishing to avoid the look, “there are knickers for that”.  Brisbane-based Australian operation NoToe's Cameltoe Proof Thong is made with “a Nylon/Spandex blend”, the design said to be “…breathable, seamless, tagless and roll-free thanks to its silicone grip.  And of course, it's cameltoe proof!  In addition to removing the cameltoe, the thong also eliminates the dreaded VPL (visible panty line) and the product is “Designed Down Under for Down Under.”  One more gap in the market has been filled so that's good.

A damp Lindsay Lohan demonstrates the “cameltoe” look, Los Angeles, 2009.

The vluva and vagina have for centuries attracted the coining of slang terms, not all of them derogatory.  In idiomatic use “vaginamoney” is (often embittered) slang for alimony, child support etc, money paid by men to ex-partners after the sundering of a relationship.  One slang form which may not survive is "hairy check book" (cheque book outside the US) because (1) checks are declining in use and (2) body-hair fashions have changed.  In psychiatry, the condition vaginaphobic describes “a fear of or morbid aversion to vaginas) and vaginaphile (an admiration for vaginas) is listed by only some dictionaries which is surprising given authors are so often given to write about them and painters are drawn to painting them (in the sense of oil on canvas etc although there’s doubtless a niche for applying paint directly).  Dating from 1908, the term “vagina dentata” entered psychiatry and its popularization is usually attributed Austrian psychoanalyst Sigmund Freud (1856-1939) although this perception may be attributable to Freud’s works being better known and more widely read, the term used by many in the profession.  The Latin vagina dentata (toothed vagina) referenced the folk mythology in which a woman's vagina contained teeth, the implication being a consequence of sex might be emasculation or at least severe injury.  The tale was also used as a warning about having sex with unknown women and as a way of discouraging rape.  The vivid imagery of a vagina dentata (in somewhat abstract form) was used by the US military as a warning about the dangers of STIs (sexually transmitted infection (once known as sexually transmitted diseases (STD) & VD (venereal disease).  Some writers have speculated on what this revealed about Freud and his much discussed understanding of women.

Vulva (pronounced vuhl-vuh)

(1) The external female genitalia of female mammals (including the labia, mons veneris, clitoris and vaginal orifice.

(2) In helminthology, a protrusion on the side of a nematode (multivulva used to describe a phenotype of nematode characterized by multiple vulvas).

(3) In arachnology, the spermatheca and associated ducts of the female reproductive system (also known as internal epigyne or internal genitalia).

(4) An internal genital structure in female millipedes (known also as the cyphopod).

Late 1300s: A learned borrowing from the Latin vulva, from the earlier volva (womb, female sexual organ) (perhaps in the literal sense of a “wrapper”), from volvere (to turn, twist, roll, revolve (also “turn over in the mind”)), probably from volvō (to turn, to roll, to wrap around), from the primitive Indo-European root wel- (to turn, revolve), the derivatives referring to curved, enclosing objects.  In the 1970s, when Volvo automobiles weren’t noted for their precise handling, journalists enjoyed noted the translation of the Latin volvō as: “I roll”.   It was akin to the Sanskrit उल्ब (úlba) (womb).  The adjectives vulvalike (also vulva-like) & vulviform both describe objects or designs having the shape of a vulva.  Vulva is a noun, vulval, vulvaless, vulviform, vulvar, vulvate & vulvic are adjectives; the noun plural is vulvas, vulvae or vulvæ.

Ms Gillian Anderson’s “vagina dress”

Gillian Anderson, Golden Globes award ceremony 2024.

So much interest was generated by the dress (which the designer dubbed “vulvalicious”) that the handbag (there are those who would insist it’s a “purse”) escaped much attention which was a shame because it was a clever design.  Aquazzura’s Mini Purist Metallic Pouch blends the utilitarian function of the classic night-time mini bag with the swinging style of a shoulder bag, imagined as a semi-circle.  What the adjustable silver shoulder strap afforded was the choice of it being carried off the shoulder or, if removed, used as a conventional handbag, the hard golden top handle folding from the base.  The semi-circle is of course a less than efficient shape for a handbag (or purse) in the sense of a "storage device" but it gives the stylists a nice curve with which to work.  

There’s nothing novel in the critical deconstruction of what appears on red carpets but the dress worn by actor Gillian Anderson (b 1968) at the 2024 Golden Globe ceremony also attracted the attention of word nerds.  Designed by Gabriela Hearst (b 1976), the strapless, ivory corset gown was embroidered with individually stitched embellishments in the shape of vulvas, each of which absorbed some 3½ hours of the embroider’s time.  In an allusion to her sexual wellness brand (G spot), when interviewed, Ms Anderson said she wore the piece: “for so many reasons. It’s brand appropriate.  The response in the press and on-line appeared to be (mostly) positive but what did attract criticism was the widespread use of “vagina” to describe the designs, a descriptor used even by Ms Anderson herself.  The more strident of the critics seemed to detect sexual politics in what they claimed was anatomical imprecision, the implication being this lack of respect for gynaecological terminology was casual misogyny: Doubts were cast anyone would dare confuse a scrotum with the testicles.

Annotated anatomical sketch (left) Edsel Citation convertible (centre) and the detail on Gabriela Hearst's gown (right).  Although Ms Anderson probably didn't give the 1958 Edsel a thought, it does illustrate why her use of "vagina" to describe the embroidered motifs is defensible.

The pedants are correct in that technically the “vulva” describes on the external portion of the genitalia that leads to the vagina; the vulva including the labia majora, labia minora, and clitoris.  The labia is also a complex structure which includes the labia majora (the thick, outer folds of skin protecting the vulva’s internal structure) and the labia minora (the thin, inner folds of skin directly above the vagina).  However, for almost a hundred years, the term “vagina” has widely been used to refer to the vulva and has come to function as a synecdoche for the entire female genitalia and so prevalent has the use become that even medical professionals use “vagina” thus unless great precision is required.  Still, given Ms Anderson’s brand is concerned with such matters, perhaps the historically correct use might have been better but the actor herself noted “it has vaginas on it” so linguistically, her proprietorial rights should be acknowledged.

The Edsel, the grill and the myths

1958 Edsel Citation convertible.

Although it went down in industrial history as one of capitalism’s most expensive failures, objectively, Ford Motor Corporation’s Edsel really wasn’t a dramatically worse car than the company’s companion brands Ford & Mercury.  Indeed that was one of the reasons for the failure in the market; sharing platforms, engines, transmissions, suspension and some body parts with Fords & Mercurys, the thing simply lacked sufficient product differentiation.  That sharing of components (and assembly plants; Ford sending the Edsels down the existing production lines in the same factories) also makes it hard to believe the often quoted US$300 million (between US$2.5-3 billion expressed in 2025 values) Ford booked as a loss against the abortive venture as anything but an opportunity taken by the accountants to dump all the bad news in one go, certain taxation advantages also able to be gained with this approach. 

1959 Edsel Corsair two-door hardtop.

The very existence of Edsel was owed to a system devised by Alfred P Sloan (1875–1966) while president of General Motors (GM).  Sloan is now mostly forgotten by all but students of industrial & economic history but he was instrumental in the development some of the concepts which underpinned the modern economy including frequent product changes (for no functional purpose), planned obsolescence and consumer credit.  What the "Sloan ladder" did was provide GM’s customers with a structured incremental status indicator, defined by a range of products (with substantial cross-amortization) at price points which encouraged them to “step up” to the next level as disposable income increased.  At one point, GM’s brand-range had nine rungs but the Great Depression of the 1930s necessitated some pruning and, after a cull in 1931 cut the brands to six, what eventually emerged after 1940 was a five rung system which would be sustained until the twenty-first century: Chevrolet, Pontiac, Oldsmobile, Buick & Cadillac.  In the 1950s, when the US economy enjoyed the unusual conjunction of rising incomes, stable prices and a remarkably (by both historic and contemporary standards) small disparity between the wealth of rich and poor, this produced the swelling middle class which was the target market for most consumer products and certainly those on the Sloan ladder.  Ford had in 1938 added a rung when the Mercury brand was spliced between Ford and Lincoln but in the mid 1950s, the MBAs convinced the company the Sloan system was the key to GM’s lead in the market and they too re-structured the company’s products into five rungs: Ford, Mercury, Edsel, Lincoln & Continental.  Actually, in a harbinger, the loss-making Continental Division lasted barely two seasons, folded into Lincoln before the Edsel debuted for the 1958 model year but the MBAs kept the faith.

1958 Edsel (left) and 1958 Oldsmobile (right).  One can see why someone at Time magazine thought of "an Oldsmobile sucking a lemon".

That faith turned out to be misplaced although in fairness to them, the circumstances in 1958 were unfortunate, a short but sharp recession shocking consumers who had become accustomed to growth and stability, believing that such unpleasantness belonged to the pre-war past.  The Edsel never recovered.  Although sales in 1958 were disappointing, given the state of the economy, it could have been worse but Ford’s market research (focus groups a thing even then) had identified problems and in response toned down the styling and moved the brand down-market, notionally to sit between Ford & Mercury, a gap which in retrospect didn’t exist.  Sales dropped that year by about a third and the writing was on the wall although, surprising many, a pared-down Edsel range was released for 1960 using Ford’s re-styled bodies but not many were fooled and fewer than 3000 left the factory before late in 1959 the end of the brand quietly was announced.

Bavarian takes on the cameltoe: 1938 Frazer-Nash BMW 328 Roadster with the grill's centre bars in non-standard red (top left), 1959 BMW 507 (top right), 1971 BMW 3.0 CSL (E9), one of the 169 first series leichtbau (light construction) CSLs with twin downdraft Zenith carburetors, (bottom left) and 2022 BMW M4-Competition-xDrive Convertible (G82, bottom right).

Ford might have felt the Edsel was criticized unfairly (at least on a anatomical basis) because, since the 303 in 1933, BMW had been fitting grills which blatantly were “cameltoesque” in appearance although perhaps they escaped opprobrium because it wasn’t until 1962 with the release of 1500 (the so-called Neue Klasse (New Class, 1962-1972)) the design assumed aspect ratios close to that of the typical human female, exemplified by the elegant E9 coupés (1968-1975).  BMW also came to use physiology as a descriptor for the style but delved deeper, preferring the gender-neutral “twin kidney”.  Interestingly, for the lovely 507 roadsters (1956-1959) the twin apertures were stretched wide and the look was greeted with acclaim (Pontiac, with aplomb, taking up the “twin-grill” concept) and it wasn’t until BMW's huge, gaping apparatuses appeared in the twenty-first century that the style Nazis condemned the look as “absurd”.  The deep and wide-set grills of the BMWs of the 2020s are the cameltoe at scale and for those who question the anatomical reference because they doubt “wide set vaginas” are a thing, their existence was confirmed in Mean Girls (2004).

1969 BMW 2000 C (left) as the factory did it and as re-imagined with the "twin kidney" grill in the twenty-first century style (right).

Architecturally, a half-century before the G82, BMW had the space to anticipate the M4’s “wide-set” look.  The E9’s predecessor was a coupé based on the Neue Klasse platform with the four-cylinder engine enlarged to 2.0 litres (121 cubic inch) and offered as the 2000 C (single carburetor) and 2000 CS (twin carburetor) between 1965-1969.  The new coupé replaced the low-volume and expensive 3200 CS (1962-1965) which had been powered by a 3.2 litre (193 cubic inch) V8 and the most commented upon aspect of the design was the frontal styling, the word upon which most critics settled being “polarizing”.  It was the then unusual headlight treatment which induced the “love it or hate it” feelings, the chrome-framed asymmetric glass fairings something which later would become familiar but in 1965 it was “the shock of the new”.  Between the fairings there was a lot of space but BMW didn’t then take the opportunity to tempt buyers with the “wide-set vagina” look which would have to wait for the next century, instead maintaining a familial link with the grill on the Neue Klasse sedans.  The styling of the 2000 C/CS is regarded now as an interesting period piece and an example of something which might have been a trend-setter but the industry went in other directions, one of which was the E9 which remains BMW’s finest achievement, something unlikely ever to be said of anything in the company's 2025 range.

The wide-set and the Brazilian.

Recently, it emerged there can be financial implications for the wide-set (ie those who anatomically identify more with the BMW G82 than the E9).  The details were revealed in a text message between a beauty salon operative (the waxer) and her client (the waxee) who had just enjoyed (the verb used in the sense of "to have had the use or benefit of something") the application of a Brazilian (an ellipsis of “Brazilian wax”, a specific style of pubic hair removal in which only a narrow strip or triangle of growth is retained on the mons pubis, known irreverently als as the "landing strip").  What the waxer advised was: “Just in future I’ll have to charge you a little more for the size of the area.  I hope that makes sense, nothing crazy, like $5 or $10 extra.  The waxer’s rationale for that was based on the waxee having a FUPA (fatty upper pubic area, a normal variation in human anatomy rather than a condition) which means a greater surface area.  That, in the context of performing a Brazilian, demands (1) a higher consumption of consumable product (wax), (2) more time required to apply wax and (3) more time required to remove wax.  Reaction on social media was mixed, a few arguing the economics justified the surcharge although most condemned the waxer and thought pricing should be universal with, over time, the relative few needing more wax being balanced out by the relative few needing less.  That's standard economic theory but it's doubtful pubic hair removal has ever appeared in the textbooks as a case study.  For those who find it tiresome to try to remember acronyms, a probably more mnemonic alternative to FUPA comes from the ever productive world of Australian vulgar slang: gunt, the construct being g(ut) + (c)unt. 

1960 Edsel Ranger Sedan.  By 1960, the Edsel really was a "gorped-up" (a certain type of bling before that term came into vogue) Ford and the 34 days it was in production happened only to fulfil contractual obligations and avoid tiresome legal proceedings.  In little more than two years, Edsel went from "too much, too soon", to "too little, too late".

Although it began as something more than a gorped-up Ford, the Edsel wasn't that much more and it failed because for such a hyped product it was a disappointment and in that it can be compared to something like the administration of Barack Obama (b 1961; POTUS (US president) 2009-2017).  Barack Obama was not a bad president and he didn’t lead a bad government, indeed most objective analysts rate his term as “above average (the perhaps biased Donald Trump (b 1946; POTUS 2017-2021 and since 2025) dissenting from this view) but he disappointed because he promised so much, the soaring rhetoric (“highfalutin nonsense” as the press baron Lord Beaverbrook (1879-1964) would have put it) offering hope and change never realized.  Still, President Obama did receive the 2009 Nobel Peace Prize "for not being George W Bush" (George XLIII, b 1946; POTUS 2001-2009) so there was that.  There was also the Edsel’s styling.  There was much clumsiness in the detailing (although almost the whole US industry was similarly afflicted in 1958) but the single most polarizing aspect was the vertical grill assembly, controversial not because it was a regression to something which had become unfashionable in the “longer, lower, wider” era but because of the shape which to some suggested a woman’s vulva.  Some used the words “vagina” or “genitalia” but in those more polite times some publications were reluctant to use such words in print and preferred to suggest the grill resembled a “horse collar” or “toilet seat” although the latter was (literally) a bit of a stretch and anyway already used of some of the trunk (boot) lids on Chryslers styled to excess by Virgil Exner (1909–1973); more memorable was Time magazine’s “an Oldsmobile sucking a lemon”.

Quirkiness coming & going: 1958 Edsel Bermuda “Woody” station wagon.

The “woody” nickname was applied to the station wagons from all manufacturers although after the early 1950s the “wood” was a combination of fibreglass and the DI-NOC plastic appliqué, the look intended to evoke that of the partially timber-bodied station wagons in production until the early 1950s.  Strangely, Chrysler and Mercury in the 1960s even did a few convertibles with the stuff glued on (recalling some earlier such things from the 1940s which used real wood), the former later unable to resist the temptation for the vaguely cartoonesque LeBaron Town & Country convertible (1983-1984).  Ford’s attempt in the 1960s to persuade British & Australian buyers of station wagons DI-NOC was charming proved brief and unsuccessful but in the domestic market the popularity lasted until 1990s.  As much as the sedans and convertibles, Edsel station wagons were just as unwanted.  The Bermuda was offered only for the 1958 model year and it sold a dismal 2,235, 779 being the nine-seater version with an additional row of seating in the rear section, a configuration always popular with US buyers in the era of larger families and before the age of mini-vans and SUVs (sports utility vehicles).  The three-row Bermuda was the rarest of the 1958 Edsels but collectors still price them below the convertibles, reflecting the usual practice in which (with the odd exceptions such as Mercedes-Benz Gullwings, 1963 Chevrolet Corvettes and certain rear-engined Porsches), convertible coach-work trumps all other styles.  If the vulva-themed front end was confronting, there was a strangeness too at the rear, the turn-indicator lights in the shape of an arrow, a traditional symbol to indicate one's intended direction of travel but bizarrely, the Edsel’s arrows pointed the opposite way, something necessitated by the need to blend the shape with that of the body’s side moldings.

1959 Edsel Villager 6 passenger Station Wagon.

Like the grill, for 1959 the tail of the station wagon was toned-down from bizarre to baroque.  It didn’t much stimulate demand and only 5,687 were sold while in the same season, Ford shifted 147,748 station wagons (123,412 Country Sedans & 24,336 Country Squires).  In 1958 the relationship between the Villager & Bermuda had reflected that of Ford’s Country Sedan to the more expensive (and DI-NOCed) Country Squire and while Ford would for decades top the station wagon sales charts, after 1960 the only more expensive versions offered by the corporation would be Mercurys.  As a footnote, along with the Ranger, the Villager did survive as part of the quixotic 1960 range when a mere 275 left the line, lending it the dubious distinction of being the rarest Edsel station wagon.  Despite that usually compelling statistic, collectors still prefer the 1958 & 1959 wagons, probably because the 1960 models lack the distinctive grill which is the most identifiable part of an Edsel's once dubious "brand recognition".


Heading in the right direction, the CCP's sports car: 2025 MG Cyberster.

The Shanghai-based SAIC Motor Corporation picked up the idea of arrows for turn-signals and a pair appeared on the MG Cyberster but unlike Edsel, the Chinese engineers had them pointing in the correct direction.  The MG Cyberster is a battery electric roadster and a modern take on the traditional MG sports car though stylistically not an obvious homage in the way the 1989 Mazda Mitia (MX-5) paid homage to the original Lotus Elan (1962-1975).  While some critics have complained the platform is not sufficiently focused to be a “sports car”, the Cyberster really is in the tradition of what most of the classic MGBs were: a roadster which does what most people want to do most of the time.  SAIC is state-owned and acquired the MG marque in 2007; thus far the CCP (Chinese Communist Party) has been more adept at building reliable roadsters than was the nationalized British Leyland when MG was part of that doomed conglomerate in the 1970s.  Having concluded it’s faster and easier to buy "brand-recognition" than to create it, the Chinese are proving successful in making products which are coming to define the modern electric car, one consequence of the country controlling most aspects in the production cycle of the essential elements of such things and, in a nice touch, although the Cyberster is built in China, MG’s past in acknowledged by the rear directional turn-signals including in the design a part the UK’s Union Flag (Union Jack).  Economists are watching the modern Chinese economy with interest because its particular blend of central planning and crony capitalism is a hybrid never before attempted at scale.  On paper, central planning should ensure the most efficient allocation of resources and thus produce the best aggregate outcomes but previous ventures such as the Soviet Union (1922--1991) or the British in their (1960s-1970s) nationalization phase both failed (though for different reasons).  Drawing from the long tradition of Chinese commerce, the CCP may yet prove to be the best at capitalism and the country's truly "communist" phase (1949-1989) is already being seen as a historical aberration.

A J.D. Vance meme with sofa (in US memes referred to usually as a "couch").

The Edsel ran its historic race more than a decade before the Watergate scandal so there was never a "grillgate" or "Edselgate" but the vulva did in 2024 return to the news with couchgate-themed memes.  In July that year, a post appeared on X (formerly known as Twitter) claiming there was a passage in J.D. Vance’s (b 1984; VPOTUS since 2025) book Hillbilly Elegy: A Memoir of a Family and Culture in Crisis (2016) in which the then US senator (Republican-Ohio) boasted of having enjoyed a sexual act with a latex glove, strategically placed between a sofa’s cushions.

It was fake news and nothing in the book even hinted at such an experience but quickly the post went viral; it once could take years for urban myths to spread between localities but in the social media age such things whiz around the planet in minutes.  Quickly the tale was debunked but couchgate was a popular choice among the meme-makers and it says something about US politics that so many really wanted to believe "couchgate" was true.  Whether latex glove sales spiked because suddenly there were those wishing to try the hopefully novel technique isn't known but there will be places on the internet where those tempted will document their experience(s).

Heavy duty (HD), neoprene-coated latex gloves (medium/large) from Walmart.

After Pope Francis (1936-2025; pope 2013-2025) died, posts began to circulate noting that hours before he dropped dead he'd had an audience with recent Catholic-convert J.D. Vance and comparisons were made with the death of Elizabeth II (1926-2022; Queen of the UK 1952-2022) coming barely two days after meeting Liz Truss (b 1975; UK prime-minister Sep-Oct 2022).  The pope of course was head of the Roman Catholic Church and the queen was Supreme Governor of the Church of England and it seemed striking both should succumb so soon after the pleasure of a conversation with a right-wing fanatic.  It must be assumed both events were just bad luck but Mr Vance is a serious convert to the faith and better-acquainted than most with Roman Catholic theology and he'll be familiar with the "visitation of the angel of death", a figure sent by God to tap on the shoulder one for whom the time has come to quit the world.

For most of the republic's existence, holders of the office of vice-president tended to be obscure figures noted only if they turned out to be crooks like Spiro Agnew (1918–1996; VPOTUS 1969-1973) or assumed the presidency in one circumstance or another and during the nineteenth century there was a joke about two brothers: “One ran off to sea and the other became vice-president; neither were ever heard from again.  That was an exaggeration but it reflected the general view of the office which has few formal duties and can only ever be as powerful or influential as a president allows although the incumbent is “a heartbeat from the presidency”.  John Nance Garner III (1868–1967, VPOTUS 1933-1941), a reasonable judge of these things, once told Lyndon Johnson (LBJ, 1908–1973; VPOTUS 1961-1963 & POTUS 1963-1969) being VPOTUS was “not worth a bucket of warm piss” (which in polite company usually is sanitized as “...bucket of warm spit”).  In the US, a number of VPOTUSs have become POTUS  and some have worked out well although of late the record has not been encouraging, the presidencies of Lyndon Johnson, Richard Nixon (1913-1994; VPOTUS 1953-1961, POTUS 1969-1974), George H.W. Bush (George XLI, 1924-2018; US president 1989-1993) and Joe Biden (b 1942; VPOTUS 2008-2017, POTUS 2021-2025) all ending badly, respectively in despair, disgrace, defeat and decrepitude.

Still, in the post-war years, the VPOTUS has often assumed a higher profile or been judged to be more influential, the latter certainly true of Dick Cheney (b 1941; VPOTUS 2001-2009) and some have even been given specific responsibilities such as LBJ’s role as titular head of the space program (which worked out well) or Kamala Harris co-ordinating the response to difficulties on the southern border (a role in which either she failed or never attempted depending on the source).  So wonderfully unpredictable is Donald Trump that quite what form the Vance VPOTUSship will assume is guesswork but conspiracy theorists already are speculating part of MAGA forward-planning is to have Mr Vance elected POTUS in 2028, simply as part of a work-around in a constitutional jigsaw puzzle.

The conspiracy revolves around the words in Section 1 of the Twenty-second Amendment (ratified in 1951): “No person shall be elected to the office of the President more than twice” and even the most optimistic MAGA lawyers concede not even Brett Kavanaugh (b 1965; SCOTUS associate justice since 2018) or Clarence Thomas (b 1948; SCOTUS associate justice since 1991) could construct an interpretation which would allow Mr Trump to be elected for a third term (although Justice Thomas might make a heroic attempt).  The constitution is however silent on whether any person may serve a third (or fourth, or fifth!) term so that makes possible the following sequence:

(1) In the 2028 election J.D.Vance is elected POTUS and somebody else (matters not who) is elected VPOTUS.

(2) In 2029, J.D. Vance and somebody else (matters not who) are sworn into office as POTUS-48 & VPOTUS respectively.

(3) Somebody else (matters not who) resigns as VPOTUS.

(4) J.D. Vance appoints Donald Trump as VPOTUS who is duly sworn-in.

(5) J.D. Vance resigns as POTUS-48 and, as the constitution dictates, Donald Trump becomes POTUS-49 and is duly sworn-in.

(6) Donald Trump appoints J.D.Vance as VPOTUS.

Although in those maneuvers there are hints of how Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999) and Dmitry Anatolyevich Medvedev (b 1965; president of Russia 2008-2012 & prime minister of Russia 2012-2020) once "worked their way" around a tiresome clause in the Russian constitution, whatever the politics, constitutionally, there is nothing controversial about those six steps because there’s a precedent, the sequence picking-up some of what happened between 1968 when Nixon & Agnew were elected POTUS and VPOTUS and 1974 when the offices were held respectively by Gerald Ford (1913–2006; VPOTUS 1973-1974 & POTUS 1974-1977) and Nelson Rockefeller (1908–1979; VPOTUS 1974-1977), neither of the latter pair having been elected.  Of course, in January 2029 somebody else (matters not who) would be a “leftover” but he (it seems a reasonable assumption somebody else (matters not who) will be male but for such an obviously expendable role for MAGA to use a "suitable" female is not impossible) can, depending on this and that, be appointed something worthy like secretary of agriculture or to a sinecure such as an ambassadorship in a nice (non-shithole) country with a pleasant climate and a majority white population.