Axe

Axe or Ax (pronounced aks)

(1) An instrument with a bladed head on a handle or helve, used for hewing, cleaving, chopping etc.  Axes appear to date from circa 6000 BC.

(2) In the slang of jazz musicians, various musical instruments.

(3) In slang, dismissal from employment.

(4) In slang, any usually summary removal or curtailment.

(5) In rock music, twelve or (especially) six-string electric guitars, a device with both is called a “doubleneck”.

Pre 1000: From the Middle English ax, axe, ex & exe (edged instrument for hewing timber and chopping wood; battle weapon), from the Old English æx and æces (ie ces (the Northumbrian acas)) (axe, pickaxe, hatchet), from the Proto-Germanic akusjo, related to the Old Frisian axa.  All were akin to the Gothic aquizi, the Old Norse øx & ǫx, the Old Frisian axe, the Old High German accus, acchus, akus & ackus (from which modern German gained Axt) and the Middle High German plural exa.  Source was the Germanic akwiz, (which existed variously as akuz, aksi, ákəs, áks) from the Latin acsiā and the Ancient Greek axī́nē, from the primitive Indo-European agwsi & agwsi- (axe).  The word hatchet (a smaller axe) was an imperfect echoic, an evolution of the earlier axxette.  Squabbles surrounded the spelling in the twentieth century and in Modern English Usage (1926), Henry Fowler (1858-1933) noted with regret that while ax, though “…better on every ground, of etymology, phonology and analogy” appeared so strange to modern eyes that “…it suggests pedantry and is unlikely to be restored.”  The phrase "my grandfather's axe" explores the nature of authenticity, the expanded quotation being "This is my grandfather's axe; my father replaced the handle and I replaced the head."

The Axeman Cometh: Eighteenth century line engraving of the execution of Mary, Queen of Scots (1542–1587; Mary Stuart, Queen of Scotland 1542-1567) at Fotheringhay Castle, Northamptonshire, 8 February 1587.  Perhaps remarkably, this image is available as a greeting card.

Although there was a long history of regicide, this was the first lawfully sanctioned killing of an anointed European monarch but it joined the roll call of botched executions, the decapitation requiring three blows with the axe rather than the “best practice” single strike.  The executioner’s first blow was misdirected and struck the back of her head and although the second almost completely severed the neck, a third attempt was needed for a last, recalcitrant piece of sinew.  Following protocol, the executioner took the head by the hair and held it aloft and spoke the words: “God save the Queen” (Elizabeth I (1533–1603; Queen of England & Ireland 1558-1603).  At that moment, it was revealed the luxuriant auburn tresses in his hand were part of a wig and the head tumbled to the floor, the deceased 44 year old having cropped, grey hair.  The reports of the aftermath of her death are contradictory with one account saying as she lay dead, a tiny dog she’d concealed in her petticoats scrambled from the folds, curled up in a pool of her blood and died but what is not disputed is the garment’s fabric was velvet in crimson brown, the liturgical colour of martyrdom in the Roman Catholic Church to which she’d remained attached.  Her last words were: “In manus tuas, Domine, commendo spiritum meum” (Into thy hands, O Lord, I commend my spirit).2009. 

Jimmy Page of Led Zeppelin with Gibson EDS-1275 Doubleneck, Earl’s Court, London, May 1975.

The sense of an axe as a "musical instrument" dates from 1955, originally from the jazz scene where it referred to the saxophone, the now more common use to describe electric guitars emerging only in the summer of love (1967).  The phrase "to have an axe to grind" was first used in 1810 in a matter involving the US politician Charles Miner (1780-1865) but has since the late nineteenth century been often misattributed since to Benjamin Franklin (1706-1790), the latter in this case a victim of the phenomenon of "quotation celebrity" which affects also figures such as William Shakespeare (1564–1616) and Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955).  In the case of the bard that always seems strange because all his words exist in print but it does seem that when some see a familiar fragment containing a word like "hath", they assume it comes from Shakespeare.

An Auburn haired Lindsay Lohan in crop top, AXE Lounge, Southampton, New York, June 2009. 

Battleaxes (don't call them old).  Bronwyn Bishop (b 1942) (left), Nancy Pelosi (b 1940) (centre) & crooked Hillary Clinton (b 1947) (right).

The verb axe dates from the 1670s in the sense of "to shape or cut with an axe" and was a direct development from the noun.  The figurative use meaning "to remove" (a person, from a position) or "severely reduce" (expenditure) began circa 1923 and soon extended to the sense of severely cutting the levels of anything to do with money.  Surprisingly, there seems to be no reference to the noun axe-handle or ax-handle prior to 1798.  The noun battleaxe (also as battle-axe & battle-ax) was a military term which referred specifically to a weapon of war, typically a double headed device which cut when swung in either direction although, despite the way they're often depicted in popular culture, they weren't always large and heavy, something not surprising given soldiers' traditional preference for lightweight tools.  The figurative sense meaning "formidable woman" was US slang, dating from 1896.  Unlike most gender-loaded (this one by historical association) terms, it may in some circumstances be still OK to use because "formidable" does have positive connotations although anyone brave enough to try might be well-advised to field "battleaxe" rather than "old battleaxe" and let it do its work synecdochally.

Comrade Stalin (left), an ice axe (centre) and comrade Trotsky (right).

Comrade Leon Trotsky (1879-1940; founder of the Fourth International) in The Revolution Betrayed: What Is the Soviet Union and Where Is It Going? (1936) had a feeling for the political phrase and labelled the state created by comrade Joseph Stalin (1878-1953; Soviet leader 1924-1953) a “Soviet Thermidor” because although Tsarist era capitalism wasn’t re-created (a la the monarchy in France not being restored in the 1790s), the combination of a bureaucracy supporting a personality cult (even if the latter was in 1936 still somewhat disguised) was “a counterrevolutionary regression” which betrayed what was achieved by comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924) between 1917-1924.  The phrase caught the imagination of many, notably those in the Partido Obrero de Unificación Marxista (The POUM, the Workers' Party of Marxist Unification), a non-communist Marxist party (a surprisingly populated fork of left-wing thought) which comrade Stalin correctly associated with Trotskyism.  The POUM was highly productive in thought but drifted increasingly far from the moorings of political reality although rhetoric which included polemics like “Stalinist Thermidorians have established in Russia the bureaucratic regime of a poisoned dictator.”  Agents of the Narodný komissariat vnutrennih del (NKVD, The People's Commissariat for Internal Affairs and one of the many predecessors to the KGB), answerable only to comrade Stalin, killed dozens of POUM’s Central Committee which ended the organization’s effectiveness for a generation.  In his prodigious memory, comrade Stalin filed away annoying phrases and in 1940 he had comrade Trotsky murdered in Mexico.  The murder weapon was an ice-axe.

Cloak and axe of Giovanni Battista Bugatti (1779–1869), official executioner for the Papal States 1796-1864, Criminology Museum of Rome.  Woodcuts and other depictions from the era suggest the blood-red cloak wasn't always worn during executions. 

Giovanni Battista Bugatti began his career at a youthful 17 under Pius VI (1717–1799; pope 1775-1799) and diligently he served six pontiffs before being pensioned off by Pius IX (1792–1878; pope 1846-1878), his retirement induced not by the Holy See losing enthusiasm for the death penalty because one Antonio Balducci succeeded him in the office which fell into disuse only with the loss of the Papal States (756-1870; a conglomeration of territories in the central & northern Italian peninsula under the personal sovereignty of the pope), after the unification of Italy.  Unlike his illustrious predecessor, history has recorded little about Signor Balducci although it’s known he performed his final execution in 1870.  Signor Bugatti was by far the longest-serving of the Papal States’ many executioners and locals dubbed him Mastro Titta, a titular corruption of maestro di giustizia (master of justice) and his 69 year tenure in his unusual role can be accounted for only by either (1) he felt dispatching the condemned a calling or (2) he really enjoyed his work, because his employers were most parsimonious: he received no retainer and only a small fee per commission (although he was granted a small, official residence).  His tenure was long and included 516 victims (he preferred to call them “patients”, the term adopted also by Romans who enjoyed the darkly humorous) but was only ever a part-time gig; most of his income came from his work as an umbrella painter (a part of the labour market which still exists as a tint, artisan niche).  Depending on this and that, his devices included the axe, guillotine, noose or mallet while the offences punished ranged from the serious (murder, conspiracy, sedition et al) to the petty (habitual thieves and trouble-makers).

Cardinal Pietro Gasparri (1852–1934; Cardinal Secretary of State 1914-1930, left) and Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943, right), signing the Lateran Treaty, Lateran Palace, Rome, 11 February 1929.

Although as early as 1786 the Grand Duchy of Tuscany became the first Italian state to abolish the death penalty (torture also banned), the sentence remained on the books in the Papal States; then as now, the poor disproportionately were victims of the sanction, similar (or worse) crimes by the bourgeoisie or nobility usually handled with less severity, “hushed-up” or just ignored.  With the loss of the Papal States, the pope’s temporal domain shrunk to little more than what lay around St Peter’s Square; indeed between 1870 and the signing of Lateran Treaty (1929) after which the Italian state recognized Vatican City as a sovereign state, no pope left the Vatican, their status as self-imposed prisoners a political gesture.  The Lateran treaty acknowledged the validity of the sentence (Article 8 of the 1929 Vatican City Penal Code stating anyone who attempted to assassinate the pope would be subject to the death penalty) although this provision was never used, tempted though some popes must have been.  Paul VI (1897-1978; pope 1963-1978) in 1969 struck capital punishment from the Vatican's legal code and the last reference to the sanction vanished in 2001 under Saint John Paul II (1920–2005; pope 1978-2005).

Fasces

Fasces (pronounced fas-eez)

(1) In ancient Rome, one or more bundles of rods (historically wooden sticks) containing an axe with its blade protruding, borne before Roman magistrates as an emblem of official power.

(2) In modern Italy, a bundle of rods containing an axe with the blade projecting, used as the symbol of Fascism (sometimes used imitatively in other places).

1590–1600: From the Latin fasces (bundle of rods containing an axe with the blade projecting), the plural of fascis (bundle or pack of wood), from the Proto-Italic faski- (bundle) possibly from the primitive Indo-European bhasko- (band, bundle), (the source also of the Middle Irish basc (neckband), the Welsh baich (load, burden) and possibly the Old English bæst (inner bark of the linden tree)).  In Ancient Rome, the bundle (the “fascio littorio”) was carried by a functionary before a lictor (a senior Roman magistrate) as a symbol of the judiciary’s power over life and limb (the sticks symbolized the use of corporal punishment (by whipping or thrashing with sticks) while the axe-head represented capital jurisdiction (execution by beheading)).  From this specific symbolism, in Latin the word came to be used figuratively of “high office, supreme power”.  Fasces is a noun (usually used with a singular verb); the noun plural is fascis but fasces is used as both a singular & plural.  For this reason, some in the field of structural linguistics suggest fascis remains Latin while (and thus a foreign word) fasces has been borrowed by English (and is thus assimilated).

The Italian term fascismo (a fascist dictatorship; fascism) was from fascio (bundle of sticks) and ultimately from the Latin fasces.  The name was picked up by the political organizations in Italy known as fasci (originally created along the lines of guilds or syndicates, the structures surviving for some time even as some evolved into “conventional” political parties).  Benito Mussolini’s (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) recollections of events were not wholly reliable but there are contemporary documents which support his account that he co-founded Fasci d'Azione Rivoluzionaria (Fasces of Revolutionary Action), the organisation publishing the Fascio Rivoluzionario d'Azione Internazionalista (the Revolutionary Internationalist Action League) in October 1914.  As far as is known, the future Duce’s embryonic movement was the first use of the terminology the world would come to know as “fascism”, the organizational structure of the Partito Nazionale Fascista (National Fascist Party) first discussed in 1919 and codified in 1919 when the party was registered.

Surviving art from Ancient Rome confirms the fascio littorio was represented both  with the head of the axe protruding from the centre of the bundled rods of the fasces and through a gape in the sides (left) but in Fascist Italy (1922-1943), the official images issued by the state used almost exclusively the latter arrangement (right).   

The Fascists choose the ancient Roman fascio littorio (a bundle of rods tied around an axe) because (1) the literal suggestion of strength through unity; while a single rod (an individual) is easily broken, a bundle (the collective) is more resilient and resistant to force and (2) the symbolic value which dated from Antiquity of the strong state with the power of life & death over its inhabitants.  The evocation of the memories of the glories of Rome was important to Mussolini who wished to re-fashion Italian national consciousness along the lines of his own self-image: virile, martial and superior.  When he first formed his political movement, Italy had been a unified nation less little more than fifty years and Mussolini, his envious eye long cast at Empire builders like the British and Prussians, despaired that Italians seemed more impressed by the culture of the decadent French for whom “dress-making and cooking have been elevated to the level of art”.  The use by the Nazis of the swastika symbol was a similar attempt at linkage although less convincing; at least the history of the fasces was well documented.  The Nazis claimed the swastika as a symbol of the “Aryan People” which they quite erroneously claimed was a definable racial identity rather than a technical term used by linguistic anthropologists studying the evolution of European languages.  Although there was much overlap in style, racist ideology, fascist movements in different countries tended to localize their symbols and Falange in Spain was one of the few to integrate the fasces although the yoke & arrows of the Falange flags were actually an adoption of a design which had long appeared on the standards of the Spanish royal house.

Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945 was at least honest in private conversation when he admitted that of human beings that “scientifically, there is only one race” but the propaganda supporting his (ultimately genocidal) racist philosophy was concerned with effect, not facts.  Hitler too, had no wish to too deeply to dig into an inconvenient past.  It annoyed him that Heinrich Himmler (1900–1945; Reichsführer SS 1929-1945) went about commissioning archaeological excavations of prehistoric sites which could only “…call the whole world’s attention to the fact we have no past?  It isn’t enough that the Romans were erecting great buildings when our forefathers were still living in mud huts; now Himmler is starting to dig up those villages of mud huts and enthusing over every potsherd and stone axe he finds.  All we prove by that is that we were still throwing stone hatchets and crouching around open fires when Greece and Rome had already reached the highest stage of culture”.  Perhaps with the Duce in mind, he added “The present-day Romans must be having a laugh at these revelations”.

The fascist salute has become so associated with Hitler and Nazism that in recent years some jurisdictions have banned its use, emulating the prohibition which has existed in Germany (the sanction pre-dating unification in 1990) for decades.  Because the salute is the same gesture as that used for purposes ranging from waving to one's mother to hailing a taxi, prosecutions are expected to be initiated only in cases of blatant anti-Semitism or other offensive acts.  The "salute" is so widely used that photographs exist of just about every politician in the act and they're often published; usually it's just a cheap journalistic trick but if carefully juxtaposed with something, it can be effective.     

The Duce’s reverence for the Ancient Rome of popular imagination accounts at least in part also for the Fascists' adoption of the Roman salute although Mussolini did also object to the shaking of hands on the basis it was “effete, un-Italian and un-hygienic” and as the reduced infection rates of just about everything during the “elbow-bumping” era of the COVID-19 social isolation illustrated, on that last point, he had a point.  Other fascist regimes and movements also adopted the salute, most infamously the Nazis although none were as devoted as Hitler who, quite plausibly, claimed to have spent hours a day for weeks using a spring-loaded “chest expander” he’d obtained by mail-order so he’d strengthen his shoulder muscles sufficiently to enable him to stand, sometimes for a hour or more with his right arm extended as parades of soldiers passed before him.

A much-published image of the Duce, raising his arm in the fascist salute next to the bronze statue of Nerva (Marcus Cocceius Nerva) (30–98; Roman emperor 96-98) in the Roman Forum.

However, historians maintain there’s simply no evidence anything like the fascist salute of the twentieth century was a part of the culture of Ancient Rome, either among the ruling class or any other part of the population.  Whether the adoption as a alleged emulation of Roman ways was an act of cynicism of self-delusion on the part of the Duce isn’t known although he may have been impressed by the presence of the gesture in neo-classical painting, something interesting because it wasn’t a motif in use prior to the eighteenth century.  This “manufacturing” of Antiquity wasn’t even then something new; the revival of interest in Greece and Rome during the Renaissance resulted in much of the material which in the last few hundred years has informed and defined in the popular imagination how the period looked and what life was like.  By the twentieth century, it was this art which was reflected in the props and sets used in the newly accessible medium of film and the salute, like the architecture, was part of the verisimilitude.  Mussolini enjoyed films and to be fair, there were in Italy a number of statutes from the epoch in which generals, emperors, senators and other worthies had a arm raised although historians can find no evidence which suggests the works were a representation of a cultural practice anything like a salute.  Indeed, an analysis of many statues revealed that rather than salutes, many of the raised arms were actually holding things and one of the best known was revealed to have been repaired after the spear once in the hand had been damaged.

Adolf Hitler showing the "long arm" & "short arm" variants of the fascist salute (left) and examples of the long arm & short arm penalty being awarded in rugby union (right).

In fascist use, what evolved was the “long-arm” salute used on formal occasions or for photo opportunities and a “short-arm” variation which was a gesture which referenced the formal salute which was little more than a bending of the elbow and involved the hand rising at a 45^o angle only to the level of the shoulder; in that the relationship of the short to the long can be thought symbiotic.  Amusingly and wholly unrelated to fascism, the concept was re-appropriated in the refereeing of rugby union where a “short-arm” penalty (officially a “free-kick”) is a penalty awarded for a minor infringement of the games many rules.  Whereas a “full-arm” penalty offers the team the choice of kicking for goal, kicking for touch or taking a tap to resume play, a “short-arm” penalty allows a kick at goal, a kick for touch or the option of setting a scrum instead of a lineout.  The referee signals a “short-arm” penalty by raising their arm at an angle of 45^o.

Lindsay Lohan: Sometimes, a wave is just a wave.

A most unfortunate conjunction of imagery: Adolf Hitler on Berlin's newly opened East-West Axis in his Mercedes-Benz 770 K Grosser Cabriolet F open tourer (W150; 1938-1943) in a parade marking his 50^th birthday, opposite the Technical High School, 20 April 1939 (left) and David Bowie in his Mercedes-Benz 600 (W100, 1963-1981) Pullman Landaulet, Victoria Station, London, 2 May 1976 (right).

Sometimes a wave is just an excuse.  The pop star David Bowie (1947-2016) understood he was an influential figure in music but on more than one occasion explained to interviewers: “I am not an original thinker”.  Trawling pop-culture for inspiration nevertheless served him well but he later came to regret dabbling with history slightly less recent.  Not impressed with the state of British society and its economy in the troubled mid-1970s, he was quoted variously as suggesting the country would benefit for “an ultra right-wing government” or “a fascist leader”.  Although he would later claim he was captivated more by the fashions (the long leather coats said to be a favorite) than the policies of the Third Reich, the most celebrated event of this period came in 1976 in what remains known as the "Victoria Station incident".  Mr Bowie staged a media event, arriving standing in an open Mercedes-Benz 600 Pullman Landaulet, recalling for many the way in which Hitler so often appeared in his 770 K.  Unfortunately, a photographer captured a shot in what the singer later claimed was “mid wave” and it certainly resembled a Nazi salute.  He later attributed all that happened during this stage of his career to too many hard drugs which had caused his interest in the aesthetics of inter-war Berlin to turn into an obsession with politics of the period.  All was however quickly forgiven and his audience awaited the next album which is an interesting contrast to the cancel culture created by the shark-feeding dynamic of the social media era.

Now, were a pop star to tell interviewers: “Britain could benefit from a fascist leader” and “I believe very strongly in fascism … Adolf Hitler was one of the first rock stars”, their future career prospects might be "nasty, solitary, brutish and short".  Despite that orthodoxy however, the multi-media personality Ye (the artist formerly known as Kanye West (b 1977)) has expressed what seem to be pro-Hitler sentiments and been photographed wearing a "swastika T-shirt", even (briefly) offering them for sale on the (now apparently in abeyance) Yeezy website.  Rather than having him cancelled, Mr Ye's comments and products seem to have had at least a financial upside because in a post on X (formerly known as Twitter) he stated: "...AND I MADE 40 MILLION THE NEXT DAY BETWEEN MY DIFFERENT BUSINESS. THERE'S I LOT OF JEWISH PEOPLE I KNOW AND LOVE AND STILL WORK WITH. THE POINT I MADE AND SHOWED IS THAT I AM NOT UNDER JEWISH CONTROL ANYMORE IN WAR YOU TAKE A COUPLE LOSES..."  That would seem to suggest that in the right circumstances, the Irish writer Oscar Wilde (1854–1900) and Dr Joseph Goebbels (1897-1975; Nazi propaganda minister 1933-1945) were right: "It doesn't matter what people are saying about you as long as they're saying something."        

Ferrule

Ferrule (pronounced fer-uhl or fer-ool)

(1) A ring or cap, traditionally of metal, put around the end of a post, cane, or the like, to prevent splitting.

(2) A short (still usually metal) sleeve for strengthening a tool handle at the end holding the tool.

(3) In engineering, a bushing or adapter holding the end of a tube and inserted into a hole in a plate in order to make a tight fit, used in boilers, condensers etc.

(4) In engineering, a bush, gland, small length of tube etc, especially one used for making a joint.

(5) In electrical engineering, a band crimped as part of a cable terminal.

(6) In bladesmithing, a fitting (often of brass) where the blade joins to the handle.

(7) A short ring for reinforcing or decreasing the interior diameter of the end of a tube.

(8) A short plumbing fitting, covered at its outer end and caulked or otherwise fixed to a branch from a pipe so that it can be removed to give access to the interior of the pipe.

(9) In angling, (1) either of two fittings on the end of a section of a sectional fishing rod, one fitting serving as a plug and the other as a socket for fastening the sections together or (2) one of two or more small rings spaced along the top of a casting rod to hold and guide the line.

(10) In mountaineering, the metal spike at the end of the shaft of an ice axe.

(11) In billiards, the plastic band attaching the tip to the cue.

(12) The pinched metal band which holds the bristles of a paintbrush.

(13) The pinched metal band which holds in place on the shaft the eraser of a pencil.

(14) To furnish or equip a device with a ferrule.

1605-1615: From the Middle English verel, virel, virole (ferrule; metal pivot on the end of an axle), altered under the influence of the Latin ferrum (iron), from the Old French virole (ferrule; collar), from the Latin viriola (little bracelet), diminutive of viria (bracelet worn by men) (influenced by the Latin ferrum (iron)), from the Gaulish, from the Proto-Celtic weiros (crooked) (which may be compared with the Middle Irish fiar (bent, crooked), the Welsh gŵyr and the Breton gwar (curved)), from the primitive Indo-European weyhros (threaded, turned, twisted), from weyh- (to turn, twist, weave).  The alternative spelling is ferule.  Ferrule is a noun and ferruled is a verb & adjective and ferruling is a verb; the noun plural is ferrules.

Comrade Stalin (left), diagram of an ice axe (centre) and comrade Trotsky (right).

Comrade Leon Trotsky (1879-1940; founder of the Fourth International) in The Revolution Betrayed: What Is the Soviet Union and Where Is It Going? (1936) had a feeling for the political phrase and labelled the state created by comrade Stalin (1878-1953; Soviet leader 1924-1953) a “Soviet Thermidor” because although Tsarist era capitalism wasn’t re-created (a la the monarchy in France not being restored in the 1790s), the combination of a bureaucracy supporting a personality cult (even if the latter was in 1936 still somewhat disguised) was “a counterrevolutionary regression” which betrayed what was achieved by comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924).  The phrase caught the imagination of many, notably those in the Partido Obrero de Unificación Marxista (The POUM, the Workers' Party of Marxist Unification), a non-communist Marxist party (a surprisingly populated fork of left-wing thought) which comrade Stalin correctly associated with Trotskyism.  The POUM was highly productive in thought but drifted increasingly far from the moorings of political reality although rhetoric which included polemics like “Stalinist Thermidorians have established in Russia the bureaucratic regime of a poisoned dictator.”  Agents of the Narodný komissariat vnutrennih del (NKVD, The People's Commissariat for Internal Affairs and one of the many predecessors to the KGB), answerable only to comrade Stalin, killed dozens of POUM’s Central Committee which ended the organization’s effectiveness for a generation. In his prodigious memory, comrade Stalin filed away annoying phrases and in 1940 he had comrade Trotsky murdered in Mexico.  The murder weapon was an ice-axe.  Ferrules are used on ice-axes as to absorb and distribute stresses, reducing the tendency of the timber handles to split or fragment.

The ferrule also played a role in the assassination by the Bulgarian Secret Service of comrade Georgi Ivanov Markov (1929–1978), a troublesome dissident writer who had annoyed the communist regime in the People's Republic of Bulgaria.  In 1969, comrade Markov defected to the West and gained political asylum in England where, based in London, he worked as a journalist and broadcaster for the BBC World Service, the US-funded Radio Free Europe and West Germany's Deutsche Welle.  On these platforms, his critique of the ruling party in Sofia became increasingly vitriolic which-obviously, annoyed the politburo even more.  Accordingly, they arranged his murder and the weapon was that ubiquitous feature of London life: the umbrella.

Replica of “Umbrella gun” produced by the KGB’s Moscow laboratory, 1978, International museum of spying.

The Soviet Union’s (USSR) KGB (Komitet Gosudarstvennoy Bezopasnosti), which translates literally at the “Committee for State Security” is better understood as “political secret police”.  It was the last of an alphabet-soup of similar agencies (Cheka, GPU, OGPU, NKGB, NKVD, SMERSH & MGB) which, building on the models of the many secret police forces maintained by Tsarist Russia (1547-1917), was responsible for the USSR’s internal security and beyond its borders, espionage, counter espionage and a range of activities conducted in support of Soviet foreign policy (including that not disclosed and that sometimes denied).  In post-Soviet Russia, the KGB evolved into the Federal Security Service (FSB), comrade Vladimir Putin (b 1952; president or prime minister of Russia since 1999) honing his skills in the institution he apparently joined in 1975.

Mean Girls themed pencils, the ferrule securing the eraser.

The “umbrella gun” used a hollow ferrule which housed a tiny (1.7 mm (.067 inch) in diameter), discharge triggered by a button on the handle used usually to raise the canopy.  Spring-loaded and powered from a small cylinder of compressed air, the pellet was projected at sufficient velocity to penetrate the victim’s clothing & skin and as soon as it became lodged, it began to warm; that was significant because a substance covering two holes in the pellet began melt at body temperature, releasing the poison.  It’s never been clear what the poison was but most authorities suspect it was probably Ricin, a highly potent toxin produced in the seeds of the castor oil plant.

Fascism

Fascism (pronounced fash-iz-uhm)

(1) A system of government led by a dictator (nominally with total power), forcibly suppressing opposition and criticism, regimenting (to various degrees) industry, commerce, the arts etc and emphasizing an aggressive nationalism, often with an overtly racist emphasis (often used with an initial capital letter).

(2) The philosophy, principles or methods of fascism.

(3) A political movement that employs the principles and methods of fascism (based at least nominally on the model established in Italy in 1922 but the variations within implementations were numerous (often used with an initial capital letter).

(4) A now generalized term used to describe certain regimes based on their behavior rather that the labels formerly adopted.

(5) A general term of disparagement nominally based on alleged political or other behavior but now very loosely applied.

(6) As a slang modifier, (grammar-fascism, eco-fascism, fashion-fascism et al), a term of derision aimed at those thought excessively focused on rules and regulations.

1915–1920: From the Italian fascismo, the construct being fasc(io) (bundle of sticks; political group) + -ismo (the noun-forming suffix (the plural –ismi)) from the Latin -ismus.  The significance of the connection between what came to be known as political fascism and fascio (bundle of sticks) was the use of the symbol in ancient Rome where it was part of the standard (flag) of the magistracy, symbolizing the authority of the state.  Certain political organizations in modern Italy thus came to be known as fasci and the fasces was adopted as the symbol of the Italian Fascist party which took power in 1922).  Fasces dates from 1590–1600 and was from the Latin fasces (bundle of rods containing an axe with the blade projecting), the plural of fascis (bundle or pack of wood), from the Proto-Italic faski- (bundle) possibly from the primitive Indo-European bhasko- (band, bundle), (the source also of the Middle Irish basc (neckband), the Welsh baich (load, burden) and possibly the Old English bæst (inner bark of the linden tree)).  In Ancient Rome, the bundle was carried by a functionary before a lictor (a senior Roman magistrate) as a symbol of the judiciary’s power over life and limb (the sticks symbolized the use of corporal punishment (by whipping or thrashing with sticks) while the axe-head represented execution by beheading.  From this specific symbolism, in Latin the word came to be used figuratively of “high office, supreme power”.  Fasces is a noun (usually used with a singular verb); the noun plural is fascis but fasces is used as both a singular & plural.  For this reason, some in the field of structural linguistics suggest fascis remains Latin while fasces has been borrowed by English.  Fascism is a noun, fascistic is an adjective and fascist is a noun & adjective; the noun plural fascists is in much more frequent use then fascisms.

Fascism as a label has been so over-used in casual political discourse that it has become devalued.  However forms like anti-fascism and pro-fascism (with many variations) remain in use and the US left-wing collective “antifa” (pronounced an-tee-fah) is a non-hyphenated clipping of anti-fascism (or anti-fascist).  In some cases where actual fascism is in more recent living memory, the word is more established in political “discussions” and in post-Franco Spain, some such “debates” can probably be reduced to “You’re a fascist!” vs “No, you’re a fascist!”.  It can be quite entertaining.

Le Serment des Horaces (Oath of the Horatii (1784-1785)), oil on canvas by Jacques-Louis David (1748–1825), the Louvre, Paris.  Le Serment des Horaces is a work often used as a case-study in the teaching of art theory because it so exemplifies the techniques of those painting in the Neoclassical style, both in the use of classical motifs and the way in which it represents the reaction against the Rococo.  As a tool of academic study, it’s useful too because its large size (3298 mm × 4248 mm (129.8 in × 167.2 inches) permits close examination of detail.

The scene it depicts is based on the Roman legend of an episode (dated usually to the reign of Tullus Hostilius (third King of Rome between 672–642 BC) in the wars between the cities Rome and Alba Longa in which the decision was taken to select three men from each to fight to the death, the victorious survivor(s) determining which city would be declared the winner.  The advantage was it was an alternative to each sending their whole armies, thereby avoiding mass slaughter, the drawback from a military point of view being the result would not necessarily reflect how a full scale battle would have been resolved.  The way the curious dual of the triumvirates unfolded is of interest to students of battlefield tactics but the political implications cast a longer shadow, providing some of the underpinnings of twentieth century fascism will all of its bloody consequences. In Le Serment des Horaces, a father is shown offering three swords to his sons who eagerly reach to take them, signifying their willingness to fight and, if need be, die for their city.  To reinforce the message, at the conclusion of the battle, a sister of the sole surviving victor (shown in the painting to the right), was killed by him for the sin of mourning the death of one of the slain opponents to whom she’d been betrothed.  Not only must one be loyal in body and ted to the state but also in mind and soul and although pre-dating the French Revolution (1789) by half a decade, such sentiments were common in many circles at the time as the idea gaining currency that “being French” should mean being loyal to the nation rather than the church or some sectional identification.  It was this notion of the supremacy of the state and the subordination of the individual to it that formed the basis of twentieth century fascism.

It was fashionable for much of the late twentieth century to dismiss the idea that Fascism had no intellectual or philosophical underpinnings and it was a thing based wholly on personalities and spectacle which captured the imagination of political scientists and others only because it genuinely did seem new, something of a novelty in a field where everything else had a literature dating back hundreds or thousands of years.  However, even if there was nothing like the wealth of work associated with doctrines like liberalism, conservatism or Marxism and while attempts to construct something like a “theory of fascism” have never been wholly convincing, much work has been done distilling the experience of fascism to a list or recognizable characteristics.  Independent commentator Laurence Britt published a number of pieces exploring the nature of the experience of fascism in power and provided one widely shared list of 14 fundamental characteristics:

Powerful and Continuing Nationalism: Fascist regimes tend to make constant use of patriotic mottos, slogans, symbols, songs, and other paraphernalia. Flags are seen everywhere, as are flag symbols on clothing and in public displays.

Disdain for the Recognition of Human Rights: Because of fear of enemies and the need for security, the people in fascist regimes are persuaded that human rights can be ignored in certain cases because of "need." The people tend to look the other way or even approve of torture, summary executions, assassinations, long incarcerations of prisoners, etc.

Identification of Enemies & Scapegoats as a Unifying Cause: The people are rallied into a unifying patriotic frenzy over the need to eliminate a perceived common threat or foe: racial, ethnic or religious minorities; liberals; communists; socialists, terrorists, etc.

Supremacy of the Military: Even when there are widespread domestic problems, the military is given a disproportionate amount of government funding, and the domestic agenda is neglected. Soldiers and military service are glamorized.

Rampant Sexism: The governments of fascist nations tend to be almost exclusively male-dominated. Under fascist regimes, traditional gender roles are made more rigid. Opposition to abortion is high, as is homophobia and anti-gay legislation and national policy.

Controlled Mass Media: Sometimes to media is directly controlled by the government, but in other cases, the media is indirectly controlled by government regulation, or sympathetic media spokespeople and executives. Censorship, especially in war time, is very common.

Obsession with National Security: Fear is used as a motivational tool by the government over the masses.

Religion and Government are Intertwined: Governments in fascist nations tend to use the most common religion in the nation as a tool to manipulate public opinion. Religious rhetoric and terminology is common from government leaders, even when the major tenets of the religion are diametrically opposed to the government's policies or actions.

Corporate Power is Protected: The industrial and business aristocracy of a fascist nation often are the ones who put the government leaders into power, creating a mutually beneficial business/government relationship and power elite.

Labor Power is Suppressed: Because the organizing power of labor is the only real threat to a fascist government, labor unions are either eliminated entirely or severely suppressed .

Disdain for Intellectuals and the Arts: Fascist nations tend to promote and tolerate open hostility to higher education, and academia. It is not uncommon for professors and other academics to be censored or even arrested. Free expression in the arts is openly attacked, and governments often refuse to fund the arts.

Obsession with Crime and Punishment: Under fascist regimes, the police are given almost limitless power to enforce laws. The people are often willing to overlook police abuses and even forego civil liberties in the name of patriotism. There is often a national police force with virtually unlimited power in fascist nations.

Rampant Cronyism and Corruption: Fascist regimes almost always are governed by groups of friends and associates who appoint each other to government positions and use governmental power and authority to protect their friends from accountability. It is not uncommon in fascist regimes for national resources and even treasures to be appropriated or even outright stolen by government leaders.

Fraudulent Elections: Sometimes elections in fascist nations are a complete sham. Other times elections are manipulated by smear campaigns against or even assassination of opposition candidates, use of legislation to control voting numbers or political district boundaries, and manipulation of the media. Fascist nations also typically use their judiciaries to manipulate or control elections.

It’s a helpful list and what many noted was the extend of the overlap of those characteristics into countries in which the governments are inclined to self identify as “liberal” or “democratic” but then the prime imperative in politics is always regime survival so some duplication of tactics should not be unexpected.  That does emphasize how the labels of political science are useful only to an extent.  World War II (1939-1945) has often been called the great conflict between democracy and fascism but its bloodiest theatre was Europe’s eastern front where in what Moscow styled the “Great Patriotic War” (1941-1945), the battle was between communism and fascism yet even if one finds Laurence Britt’s list of 14 in some way flawed, there’s an extraordinary degree to which it can be mapped onto both comrade Stalin’s (1878-1953; Soviet leader 1924-1953) “communist” system and Adolf Hitler’s (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) fascist regime.  To synthesize the factors for the list, assessed not on the constructs of Hitler and Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) but also those built by General "Muhammad" Suharto (or Soeharto) (1921-2008; president of Indonesia 1967-1998), Generalissimo Francisco Franco (1892-1975; Caudillo of Spain 1939-1975) and General Augusto Pinochet (1915-2006; dictator of Chile 1973-1990).

Another obvious mapping now is probably the People’s Republic of China (PRC), run since 1949 by the Chinese Communist Party (CCP).  Early in September 2023, it was reported the CCP intended to ban clothes which “hurt national feelings” and a draft law outlawing speech and dressing “detrimental to the spirit of Chinese people” is already under consideration.  It has been confirmed that under the proposed statute, people found guilty could be fined or jailed and the move to crack down on subversive clothing is one of a number of proposed changes to public security laws, the first substantive reform in decades.  No details have yet been released beyond it being said those who wear or force others to wear clothing and symbols which “undermine the spirit or hurt the feelings of the Chinese nation” could be detained for up to 15 days and fined up to 5,000 yuan (US$680).  In parallel, anyone who creates or disseminate articles or speech with the same effect would face the same punishment and in that aspect the CCP was more specific, indicating the proposed laws will prohibit “insulting, slandering or otherwise infringing upon the names of local heroes and martyrs” as well as vandalism of the memorials of their lives.

How to "hurt national feelings": Lindsay Lohan in costume as Suicide Squad’s Harley Quinn (a comic book character created by DC Comics), “Halloween bash”, Albert's Club, South Kensington, London, October 2016.  Any young Chinese lady wearing this might risk being accused of being dressed in a manner “detrimental to the spirit of Chinese people” and be fined or sent to “re-education” camp. 

On the vibrant, if by Western standards still respectful, Chinese social media, concerns were expressed that the notion of “detrimental to the spirit of Chinese people” was so vague and allow police officers and others a broad scope of personal interpretation about what the words meant that it would be impossible for people to be certain if they were complying.  One commentator cited the example of a Chinese woman who had been detained (even before any such law was passed) at a music concert because she was wearing a kimono, a classic style of Japanese attire.  Given that, it was asked whether wearing a suit & tie, a style which originated in the capitalist West would on the same basis be thought likely to “hurt national feelings”.  Given it’s the apparently compulsory uniform for the upper echelons of the CCP (including the Central Committee), that seems unlikely but does indicate how difficult it would be to codify such a rule.  One UK cartoonist once invented the imaginary offence “Being dressed in a manner likely to cause a breach of the peace” to illustrate how UK police might take advantage of such a law.  The woman in the kimono has actually been told exactly that she was dressed in a manner likely to cause a breach of the peace, the authorities in Suzhou accusing her of “picking quarrels and provoking trouble”.  Good, hard crackdowns of displays of individuality are a hallmark of fascist regimes and of late there’s been much attention paid to those wear rainbow colors and other symbols of “Western decadence and depravity” and in his decade at the top, Xi Jinping (b 1953; general secretary of the Chinese Communist Party (CCP) and paramount leader of the People's Republic of China (PRC) since 2013) has paid much attention to social engineering, re-defining what makes the model Chinese citizen and sartorial matters are the latest to be added to the “morality guidelines” the CCP issued in 2019 which included making compulsory “politeness”, “lowering one’s carbon footprint” and “having faith in Mr Xi and the CCP”.