Heaven & Hell

Heaven (pronounced hev-uhn)

(1) In theology, the abode of God, the angels, and the spirits of the righteous after death; the place or state of existence of the blessed after the mortal life.

(2) The celestial powers; God (initial capital letter and often in the plural).

(3) A metonym for God.

(4) In architecture, as heavens (used with a singular verb), a wooden roof or canopy over the outer stage of Elizabethan theatres.

(5) In poetic and (mostly historic) scientific & legal use, often in the plural, the sky, firmament, or expanse of space surrounding the earth, including the moon, Sun, planets & stars.

(6) A place or state of supreme happiness, often expressed as “heaven on earth”.

(7) A component of expression (variously singular & plural), used in exclamatory phrases of surprise, exasperation, emphasis etc.

(8) In mythology, a place, such as Elysium or Valhalla, to which those who have died in the gods' favour are brought, there eternally to dwell in happiness.

Pre 900: From the Middle English heven, hevin, heuen & hewin (heaven, sky), from the Old English heofon (home of God (and earlier) the visible sky, firmament), probably from the Proto-Germanic hibin (heaven, sky), a dissimilation of himin and source also of the Middle Low German heven, the Old Saxon heban, the Old Swedish himin, the Low German heben, the Old Norse himinn, the Old Danish himæn, the Gothic himins, the Old Frisian himul, the Scots heaven & hewin, the Dutch hemel and the German Himmel (heaven, sky).  The mysterious Proto-Germanic hibin (which existed also as hebn) is of uncertain and disputed origin.  It was cognate with and possibly the rare Icelandic and Old Norse hifinn (heaven, sky), which may be dissimilated forms of the Germanic root was more familiar in the Old Norse himinn (heaven, sky).  Among etymologists, the most popular alternative root is the Proto-Germanic himinaz (cover, cloud cover, firmament, sky).  A now archaic alternative spelling (in both sacred and secular writing) which persisted in poetry into the twentieth century because of the rhythmic advantages was heav'n.

Stairway to Heaven, sculpture by David McCracken, Bondi, Sydney, Australia.

From the late fourteenth century, the word in English assumed the meaning "a heavenly place; a state of bliss”.  The plural use in sense of "sky" may have emerged from a simple habit of use influenced by other words although a link has been suggested with the Ptolemaic theory of space as composed of many spheres.  It had also been used in the same sense in the singular in Biblical language, as a translation of Hebrew plural shamayim.  The earliest adjectival sense “heaven-sent” is attested from the 1640s.

Hell (pronounced hel)

(1) In theology, the place or state of eternal punishment of the wicked after death; the abode of evil and condemned spirits; Gehenna or Tartarus.  The ruler of hell is said often to be Satan; the Devil.

(2) Any place or state of torment or misery; something that causes torment or misery.

(3) The powers of evil.

(4) The abode of the dead; Sheol or Hades.

(5) Extreme disorder or confusion; chaos.

(6) In informal use, something remarkable of its kind (as in “one hell of a…”).

(7) A receptacle into which a tailor throws scraps and off-cuts (a practice in many industries).  In commercial printing, as the hellbox, a box into which a printer throws discarded type.

(8) A general purpose utterance of in swearing or for emphasis, now generally regarded as not actually obscene; used as an intensifier to express surprise, anger, impatience etc; an general intensifier in many phrases.

(9) A gambling house or booth in which bets are placed (archaic).

(10) In metal-working, to add luster to, burnish silver or gold (now rare).

Pre 900: From the Middle English, from the Old English hel & hell (nether world, abode of the dead, infernal regions, place of torment for the wicked after death), it was cognate with the Old High German hella & hellia (source of the Modern German Hölle), the Icelandic hella (to pour), the Norwegian helle (to pour), the Swedish hälla (to pour), the Old Norse hel & hella and the Gothic halja.  It was related to the Old English helan (to cover, hide) and to hull.  The Old English gained hel & hell from the Proto-Germanic haljō (the underworld) & halija (one who covers up or hides something), the source also of the Old Frisian helle, the Old Saxon hellia, the Dutch hel, the Old Norse hel, the German Hölle & the Gothic halja (hell).  The meaning in the early Germanic languages was derived from the sense of a "concealed place", hence the Old Norse hellir meaning "cave or cavern", from the primitive Indo-European root kel (to cover, conceal, save).  In sacred art, hell, whether frozen or afire, is almost always depicted as a cavernous place.

The English traditions of use may have been influenced by Norse mythology and the Proto-Germanic forms.  In the Norse myths, Halija (one who covers up or hides something) was the name of the daughter of Loki who rules over the evil dead in Niflheim, the lowest of all worlds (nifl "mist") and it was not uncommon for pagan concepts and traditions to be grafted onto Christian rituals and idiom.  Hell was used figuratively to describe a state of misery or bad experience (of which there must have been many in the Middle Ages) since the late fourteenth century and as an expression of disgust by the 1670s.  In eighteenth century England, there were a number of Hellfire Clubs, places where members of the elite could indulge their immoral proclivities.  They were said to attract many politicians.

Lindsay Lohan at a promotion for John John "Made in Heaven" jeans, Rua Oscar Freire, Sao Paulo, Brazil, March 2013.

It proved adaptable in the English vernacular.  To have all hell break loose is from circa 1600; to hell in a handbasket is attested by 1867 (an in a context implying earlier use) although it may simply have been derivative of to heaven in a handbasket from 1853 which was a happy phrase implying an easy passage to a nice place.  Hell or high water from 1874 seems to have been a variation of the earlier between the devil and the deep blue sea and the first recorded instance of wishing someone would go to hell seems to have been in Shakespeare’s Merchant of Venice although it’s hard to believe it hadn’t before then been a familiar oral form and one with which the bard may well have been acquainted.  The snowflake’s (later snowball's) chance in hell meaning "no chance" is from 1931 and till hell freezes over meaning "never" is documented from 1832.  To do something just for the hell of it is from 1921, to ride (a horse) hell for leather is from 1889 and hell on wheels was noted (in the US) first in 1843, a reference to the river steamboats which, for propulsion, used large wheels rather than propellers and gained a general popularity after 1869 after it was used in reference to the temporary vice-ridden towns established along the path of the US transcontinental railroad.  Unrelated to this was the earlier (1580s) Scottish hell-wain (a phantom wagon seen in the sky at night).

What happens to snowflakes and snowballs in hell is interesting.  In the writings drawn from the Abrahamic traditions of Judaism, Christianity and Islam, hell is certainly a hot place, the “fire and brimstone” of the New Testament used in the US as a description of a certain type of preacher.  However, in the Divine Comedy (1320), Dante Alighieri (circa 1265–1321) located hell in Earth’s innermost core and he wrote of its characteristics in ways consistent with Aristotelian dynamics; it was mostly hot and fiery but in some places frozen and immobile:

When we were down in that ditch’s darkness, well below the giant’s feet, my gaze still drawn by the wall above us, I heard a voice say: ‘Watch where you walk. Step so as not to tread upon our heads, the heads of wretched, weary brothers.’ At that I turned to look about. Under my feet I saw a lake so frozen that it seemed more glass than water. Never in winter did the Austrian Danube nor the far-off Don, under its frigid sky, cover their currents with so thick a veil as I saw there.

This prison of ice is reserved for a variety of different species of traitors. Depending on the severity of their offense, they may only be frozen from the waist down; or, they may be completely immersed.

A vision of Hell: Pandæmonium (1841) by John Martin (1789–1854).

Dante lists the intricate layers of location for the punishment of sinners and evildoers and while some are hot, the ninth and innermost circle, reserved for the worst of the worst, is icy cold.  Dante goes further, noting that even within the ninth circle, there are gradations, the worst and coldest spot kept for Judas Iscariot.  A colder conception of hell than that familiar from scripture but the idea of a cold hell exists also in Buddhism and some Christian texts of the first millennium.  Dante’s marvelous work was however for centuries neglected and others took the chance to make sure the Biblical stories held sway, John Milton (1608-1674) in Paradise Lost (1667-1674) having the last word, convincing all that Hell was no place for snowflakes.  So today it remains.

“At once, as far as Angel’s ken, he views

The dismal situation waste and wild.

A dungeon horrible, on all sides round,

As one great furnace flamed; yet from those flames

No light; but rather darkness visible

Served only to discover sights of woe,

Regions of sorrow, doleful shades, where peace

And rest can never dwell, hope never comes

That comes to all, but torture without end

Still urges, and a fiery deluge, fed

With ever-burning sulphur unconsumed.”

For those wondering about the fate of certain friends and family members or contemplating their own eternal fate, Dante’s Lonely Planet Guide to Hell summarizes the nine circles thus:

(1) Limbo: The first circle of Hell is Limbo, where the souls of the unbaptized and virtuous pagans reside; while there are no actual punishments, those in Limbo are forever denied the joy of God's presence.  Limbo, frankly, was a bit of a fudge, concocted by medieval theologians as a work-around to avoid the worst injustices of strict Christian rules (notably the souls of the stillborn being sent to Hell on the basis of being unbaptized).  Still it was orthodox Christian thought in Dante’s time and although in subsequent centuries there was much debate, it never went away.  Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022), no stranger to dancing on the head of a pin, seemed both to clarify and cloud the waters by saying limbo was only ever “medieval conjecture” and given there is no explicit answer from Scripture, people seem still free to make of it what they will.

(2) Lust: The second circle is for the lustful.  They are punished by being blown around in a violent storm, symbolizing their lack of self-control.  Perhaps surprisingly, given the fixation many modern denominations seem to have upon anything to do with sex, historically the Christian churches regarded lust usually as the “least to be condemned” of the seven deadly sins, the basis of that, as Saint Thomas Aquinas (1225–1274) pointed out: it was a sin “of the flesh and not the soul” and thus both understandable and forgivable as would one forgive one’s pet cat for eating the meat; it’s just what cats do.  Lust (sometimes expressed as “lechery) included not only fornication but also rape, adultery and “unnatural acts upon beasts of the field” so it was an uncharacteristically generous view from the pulpit.  Of course, given the well-documented predilection of priests, bishops and the odd pope to lustful ways, the relaxed view may have been corporate self-interest.

(3) Gluttony: The third circle is for the gluttonous. They are forced to lie in a vile slush of filth, symbolizing the garbage of their excessive consumption.  Theologians had a broader view of gluttony than is now current in that they were thinking also in terms of social justice; one person’s excessive consumption meant there were others who went hungry.  Some also explored aspects of gluttony as an example of “the idolatry of food” and thus a violation of one of the Ten Commandments.  One improbable supporter of this was Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) who re-purposed the notion in his forlorn attempt to convince Italians it was time to re-create the Roman Empire, lambasting his countrymen for “…following the French into the decadence of elevating cooking to high art while letting the blade of the sword fall to rust.”

(4) Greed: The fourth circle is for the greedy. They are divided into two groups and forced to push heavy weights, symbolizing their excessive desire for material wealth.  Again it’s linked to worship of a “false idol”, the “worship of money” being the “root of all evil” long accepted as orthodox Christian theology (often acknowledged rather than practiced) although the distinction seems lost in many of the modern evangelical congregations (notably those which sing, clap and strum guitars) where it’s made clear McMansions, surf-skis and a big TV in as many rooms as possible is most Godly.

(5) Wrath: The fifth circle is for the wrathful. They are submerged in the river Styx and must fight each other on the surface.  Wrath does seem a curious basis on which to be condemned to Hell, if only because if too rigorously enforced there would be few not damned.  The point seemed to be that the Christian message was not that one should never feel anger (indeed the Church would clarify this by saying mere anger was “neutral”) but that one should “practice Christian charity” and never allow wrathful thoughts to lead to the harming of one’s neighbour. 

(6) Heresy: The sixth circle is for the heretics. They are trapped in flaming tombs, symbolizing their rejection of God's love.  Heresy really is about as bad as it gets because it means one has disagreed with what the priest says and that means defying the pope who, as the “Vicar of Christ on Earth” is uniquely able to express the thoughts of God.  So, what the pope says goes which is why he is “infallible” in such matters; the internal logic is perfect.  While wrathful souls may end up in the fifth circle, a wrathful God is going to punish heretics by sending them for eternity to the sixth: “Vengeance is Mine” said the Lord.

(7) Violence: The seventh circle is divided into three rings, each for a different type of violence: against others, against oneself, and against God. The punishments include being boiled in blood, being transformed into trees and bushes, and being chased and mauled by dogs with sharp teeth.  It’s been hard for critics to resist the feeling Dante enjoyed writing of the sufferings in the seventh circle more than any other, possibly because of the exalted positions many of the victims enjoyed during however many of their four score & ten they managed.  The sanction of violence against self (suicide & attempted suicide) entered the criminal law systems in many jurisdictions and it’s only in recent decades that in some places it has been reclassified from crime to health condition of some type.

(8) Fraud: The eighth circle is for the fraudulent. It is divided into ten bolgias (from the Italian bolgia used here in the sense of “ditch”), each for a different type of fraud. The punishments include being whipped by demons, being immersed in excrement, and being transformed into reptiles.  In the matter of fraud, Dante casts a wider net than the offence captures in the modern imagination where it ranges from shop-lifting to Bernie Madoff’s (1938–2021) Ponzi scheme.  Instead of involving just financial matters, Dante encompasses fraud in a kind of omnibus bill which captures sins as diverse as those who corrupt others with flattery, those who seduce the innocent with lies and deception, those who practice magic & sorcery, those who corrupt the truth by the pedalling of fake news as well as, most obviously, thieves.

(9) Treachery: The ninth circle is for the treacherous. It is divided into four rounds, each for a different type of treachery. The punishments include being frozen in ice, being gnawed on by a three-headed demon, and being devoured by Lucifer himself.  Dante makes clear the sin of treachery is the worst of all and because there’s obviously some overlap with the offences which justify being sent to the other eight, the ninth is reserved for the worst of the worst.  Interestingly, the ninth circle is the part of Hell Dante describes as an icy, frozen place, something usually ignored in pop-culture, film-makers and Satanists staging their video clips almost always preferring fire, molten lava and red-hot pokers.  It could though be worse still because in the centre of Hell sits miserably the Devil, cast there for committing the ultimate sin: his personal treachery against God which saw him forever banished from Heaven.

Benedict XVI looking for Cardinal George Pell (1941-2023).  Canto XVIII, part of the eighth circle of Hell, in Divine Comedy (circa 1494), illustrated by Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi; circa 1445–1510).

Cuius est solum, eius est usque ad coelum et ad inferos

The legal doctrine cuius est solum, eius est usque ad coelum et ad inferos (whoever's is the soil, it is theirs all the way to Heaven and all the way to Hell) is a historic principle of property law which holds the owner of a piece of land enjoys rights not just to the defined soil but to the air above (stretching to Heavens, ie to infinity) and what lay below (as far as Hell, ie all the way down); the legal shorthand is ad coelum.  Developments in technology, such as radio waves and flight, have much modified the doctrine but it continues, with limitations, to operate.  Some of the airspace above a piece of land can be recognized as a property right and as something therefore transferable but the right does not extend far, a position modified also in international law as long ago as the 1950s to accommodate the implication of satellites and, later, space flight, realizing the implications of discussions which had been going on since the advent of flight.  The rights to ownership of what lies below the soil and even the right to deny access to others now varies between jurisdictions but has long since ceased to be absolute.

Although there are no specific references in the record, it may be the origin of the maxim lies in in Roman or Jewish law, or at least customary practice.  The earliest surviving mention in English law is recorded in Bury v Pope (1587) Cro Eliz 118, [1653] EngR 382, (1653) Cro Eliz 118, (1653) 78 ER 375 (B), the Chief Justice, Sir Edward Coke (1552–1634), holding “the earth hath in law a great extent upwards, not only of water as hath been said, but of aire, and all other things even up to heaven, for cujus est solum ejus est usque ad coelum, as it is holden.”, finding for a plaintiff seeking to erect a structure which would block to his neighbor’s window the light which had fallen there for thirty years.  Even then however, limits were noted, Sir Edward saying ad coelum might be defeated if a claim for a right in conflict could be found to have existed prior to 1189, the significance of the date being the beginning of the reign of King Richard I (1157–1199; King of England 1189-1199) and, mentioned here as a legal fiction, the end point of time immemorial.

English law seems to have picked it up from the writings of thirteenth century Italian jurist Accursius (circa 1182–1263), and is said to have been used in common law during the reign of Edward I (1239–1307; King of England 1272- 1307) and the legal framework (air above and ground below) was defined by William Blackstone in his treatise Commentaries on the Laws of England (1766).

Land hath also, in its legal signification, an indefinite extent, upwards as well as downwards. Cujus est solum, ejus est usque ad coelum, is the maxim of the law, upwards; therefore no man may erect any building, or the like, to overhang another's land: and, downwards, whatever is in a direct line between the surface of any land, and the center of the earth, belongs to the owner of the surface; as is every day's experience in the mining countries. So that the word "land" includes not only the face of the earth, but every thing under it, or over it. And therefore if a man grants all his lands, he grants thereby all his mines of metal and other fossils, his woods, his waters, and his houses, as well as his fields and meadows.

Heaven and Hell: Google and Bing

In a study hardly scientific but with a consistent methodology, a Google search for Heaven yielded 1.1 billion results and one for Hell, 784 million.  The same search using Microsoft’s Bing engine delivered 51.4 million hits for Heaven and 48.9 million for Hell.  Noting the method in the search engines' algorithm which underpins how results are delivered, this suggests 58.82% of Google’s users favor God and 41.18% prefer the Devil while Microsoft’s users are more evenly divided, 51.25% being godly and 48.75% Satanists.  Given the state of the world, both God and Satan might have hoped for better numbers but the results are unlikely greatly to have surprised either and it seems to confirm what Google have long said: Use Bing and burn in Hell.

Limbo

Limbo (pronounced lim-boh)

(1) In (informal) Roman Catholic theology, a region on the border of hell or heaven, serving as the abode after death of unbaptized infants (limbo of infants) and of the righteous who died before the coming of Christ (limbo of the fathers, or limbo of the patriarchs); often with initial capital letter.

(2) A place or state of oblivion to which persons or things are regarded as being relegated when cast aside, forgotten, past, or out of date.

(3) An intermediate, transitional, or midway state or place.

(4) A place or state of imprisonment or confinement.

(5) A dance from the West Indies (originally restricted to men), in which the dancer bends backward from the knees and moves with a shuffling step under a horizontal bar that is lowered after each successive pass.  Among university under-graduates (and other disreputable types), the activity is now often combined with drinking contests where the bar's height is inversely proportional to the contestant’s consumption of alcohol.

(6) Used loosely, a synonym for oblivion, nothingness or nowhere.

(7) In the slang of the military slang, a demilitarized zone (DMZ).

(8) A colloquial form used to refer to a Limburger, a person from Limburg (the southernmost of the twelve provinces of the Netherlands; the French form being Limbourgeois).

1300–1350: From the Middle English, from the Medieval Latin phrase in limbō (“on hell's border” literally “on the edge”), the being construct in + limbō, ablative of limbus (edge, border) the term in Medieval Latin best translated as a “place bordering on hell”.  The West Indian English limba (to bend, easily bending) is relatively recent, emerging 1955-1960 and is of uncertain origin but most etymologists suggest it likely came from Jamaica, probably an alteration of limber as it is a test of physical agility.  Limbo is a noun & verb, limbo-like is an adjective (limbolike is a registered trademark and thus a noun), limboed & limboing are verbs; the noun plural is limbos or limboes.

Medieval conjecture which became informal theology

Surprisingly, despite the place it has in language and popular imagination, limbo has never formerly been part of Roman Catholic doctrine and was a bit of a medieval fudge.  It was championed by Italian Dominican friar, philosopher & theologian Saint Thomas Aquinas (1225–1274), taking hold in the western Church and perhaps most influential in the popularity was the Italian Dante (Dante Alighieri (circa 1265–1321) who, in his Divina Commedia (Divine Comedy (circa 1310-1321)) used limbo as the resting place for virtuous pagans.  Dante sticks in the mind.

In April 2007, early in his papacy, Pope Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022) authorized the publication of “The Hope of Salvation for Infants Who Die without Being Baptised” which some suggested appeared to render defunct limbo, the place centuries of tradition and much teaching held was the place the souls of babies who die without baptism were sent.  An explanatory memorandum from the Church’s International Theological Commission accompanied the document, suggesting it was issued to correct what was “…an unduly restrictive view of salvation”.

The commission however stressed there was no change to Church doctrine.  It remains Church teaching that baptism removes original sin which stains all souls since the fall from grace in the Garden of Eden and that its conclusions should not be interpreted as questioning original sin or “…used to negate the necessity of baptism or delay the conferral of the sacrament”.  Instead, the document merely notes “… God is just and merciful and would not …exclude infants, who have no personal sins, from eternal happiness… from the kingdom of heaven”.  It added the need for publication was not without urgency because the number of “…non-baptised infants has grown considerably, and therefore the reflection on the possibility of salvation for these infants has become urgent”.

Christ in Limbo (1510), one of a series of twelve woodcuts (eleven scenes and a title page) from The Large Passion by Albrecht Dürer (1471-1528).

In theology, limbo had long been understood in two senses:  Firstly (denoted as limbus partum) as the temporary place of rest for the souls of the just awaiting the salvation of the Messiah and secondly (limbus infantium or limbus puerorum), as the final state of the souls of those who died without baptism yet without mortal sin.  Because the Church never officially defined this as doctrine, it’s regarded as theological supposition or, as Benedict put it “medieval conjecture”, constructed probably to avoid the creation of a loophole which unworthy sinners and lawyers might exploit to get into heaven.  All the same, scripture does seem explicit, Jesus teaching that no one “can enter into God’s kingdom without being begotten of water and Spirit” (John 3:5), thus the old assertion in the old Catechism that God Himself “…affirms that Baptism is necessary for salvation.” 

In Constantinople, because the Byzantines were never as in thrall of Augustine as they were in Rome, Limbo never really bothered the many but over the centuries, the issue attracted the attention of notables.  Saint Gregory Nazianzen (circa 329–390) implied somewhere like limbo might exist, believing the unfortunate infants would neither “…be admitted by the just judge to the glory of Heaven nor condemned to suffer punishment” and Tertullian (155–circa 220) before and Saint Ambrose (circa 340–397) after, concurred.  Saint Augustine of Hippo (354–430) was more stern and said there was no limbo, there was just Heaven and Hell and that of course unbaptized souls are sent to Hell because they were born in original sin and nor could they go to Purgatory since that is a pathway to Heaven.  All he would concede was of those in Hell, the torment of infants would be the mildest although he didn't go into detail.  Eight-hundred odd years later, Aquinas was more generous, noting the original sin was committed by the parents and not by the child and since (1) Hell was the place where unrepentant mortal sinners are sent for eternal punishment (2) only the baptized could enter Heaven, then (3) the souls of unbaptized children must go somewhere else and here was the (admittedly shaky) foundation of limbo.  In a quite modern flourish, Aquinas helpfully added that because they’d never been born, the infants would never have learned of the glories of Heaven so, not knowing what they’d missed, they’d probably find limbo rather nice.  It was a fudge worthy of any Lambeth conference.

Luca Signorelli (circa 1444-1523), The Resurrection of the Flesh (1499-1502) Fresco Chapel of San Brizio, Duomo, Orvieto.

The issue didn’t go away and in the eighteenth century, a radical group of neo-Augustinites, a kind of Romish version of the Republican Party's Freedom Caucus and known as the Jansenists, rejected limbo, the idea of which had for hundreds of years provided comfort to grieving parents, forcing Pope Pius VI (1717–1799; pope 1775-1799) in 1794 to issue the Papal Bull Auctorem Fidei (Of our Faith), condemning, inter alia, the denial that there is a place “which the faithful generally designate by the name of limbo for children”.  It was a rare official mention of limbo but well short of a definitive statement.  Interest was renewed in the twentieth century but Pope Pius XII (1876-1958; pope 1939-1958), hardly one fond of radical change, in 1943 issued a statement in the Holy See’s periodic gazette again neither defining nor rejecting limbo.  

So, press releases aside, the commission’s document suggests in the eight centuries between Aquinas and Benedict XVI, in limbo, not much has changed; the Catechism still asserts only that children who die before baptism are entrusted into the mercy of God.  Benedict XVI, no stranger to dancing on the head of a pin, seemed both to clarify and cloud the waters by saying limbo was only ever “medieval conjecture” and given there is no explicit answer from Scripture, people seem still free to make of it what they will.

Druid

Druid (proniunced droo-id)

(1) A member of a pre-Christian religious order which existed among the ancient Celts of Gaul, Britain and Ireland (sometimes with initial capital).

(2) A member of any of several modern movements which have attempted to revive (what they claim to be) druidism.

1555–1565: From the Latin druis (feminine druias; plural druidae), from the Gaulish Druides (and replacing the sixteenth century French druide).  In the Old Irish druí was the nominative, druid (wizard) the dative & accusative and druad the plural.  from the Celtic compound dru-wid- (strong seer), from the Old Celtic derwos (true), from the primitive Indo-European root deru- (tree (especially oak)) + wid- (to know), from the primitive Indo-European root weid- (to see).  The meaning in the Old Celtic was thus literally "they who know the oak" which some etymologists have suggested may be an allusion to divination from mistletoe but probably was understood as something like “those able to divine (know) the truth.  In the Anglo-Saxon too, there was an identical word meaning both "tree" and "truth"; that was treow.

The adoption in English came via Latin rather than directly from Celtic although in the Old English there was dry (magician) which, though unattested, has always been thought likely from the Old Irish druí from which Modern Irish and Gaelic gained draoi, genitive druadh (magician, sorcerer).  Related forms are the nouns druidity & druidism and the adjectives druidic, druidical, (the alleged) druidistic & druidic (of or pertaining to druids or druidry (which dates from 1773)).

The feminine form druidess (female druid; druidic prophetess or priestess (plural druidesses)) was actually coined as late as 1755; prior to that druid had been used when speaking of box sexes.  Despite the similarity in spelling and a speculative etymological link, the female proper name Drusilla (diminutive of Drusus and a frequent surname in the gens Livia) is derived from the earlier Drausus which, although of uncertain origin, may be from a Celtic word meaning literally "strong" (thus the possible connection with the Old Celtic dru- which meant both "oak & "strong".

Stonehenge on Salisbury Plain, Wiltshire, England.  Despite the popular association, archaeologists believe there's no basis for the medieval myth Stonehenge was built by druids, the construction pre-dating them by many centuries.  In medieval histories, there was not a little "making stuff up", even some of what were passed-off as myths from antiquity were creations of the time.

The class structure of ancient Celtic society was not untypical, the four major strata, like the Indian caste system, organized in four groups (1) peasants and artisans, (2) warriors, (3) the ruling classes and (4), the druids although, unlike in India where the Brahmin priestly caste sit atop the hierarchy, among the Celts, it was the kings and chieftains who enjoyed primacy.  That much is certain but the rest of what constitutes druidic history is mostly a mix of the writings classical Greek & Roman authors, medieval writers with varied relationships to scholarship and the work of modern anthropologists who have examined the archaeological record.  Given the time which has passed, the evidence is not only patchy but limited in scope.  Although the Romans & Greeks had encountered the Celts in the wars of earlier centuries earlier, it was only in the first century BC their historians began, sometimes impressionistically, sometimes more systematically, to observe their cultures and customs.

Among the earliest observers was the Syrian stoic polymath Posidonius (circa 135-circa 51 BC) although none of his text survives, except in referenced by later writers, notably the Greek geographer Strabo (circa 64 BC-circa 24 AD) who credited Posidonius as his primary source.  Contemporary to Posidonius, though perhaps less reliable was Julius Caesar (100-44 BC) who devoted some pages to a description of "the barbarians" in Commentarii de Bello Gallico (Commentaries on the Gallic War), his vivid recollections of the conflict.  Written as a third-person narrative in which Caesar describes the battles and political intrigue of the conflict, it too shows evidence of the legacy of what was created by Posidonius but the Roman general certainly had many first-hand experiences with the Celts, both as opponents and allies, some (notably the Aedui), serving in his army.  Obviously astute in the practice of politics as well as military matters, Caesar suggested druidism had probably originated in Britain and from there spread to the Gauls but although he had the advantage of being there at the time, he offered no documentary evidence and scholars and historians have long speculated on their origins.  What's more solid is his description of their place in society.  He wrote that they seemed a secretive but learned group who enjoyed certain privileges among the Celtic population, exempted from taxation and military service and acting as judges, deciding cases and setting penalties.  Unlike most in the tribal-based culture, they appeared to enjoy freedom of passage through any territories.

He found one aspect most curious.  Although a partially literate society, the Celts using both Greek and Roman script (depending on the state of conquest), the druids had never committed their learning and traditions to writing, remarkable given it apparently took over twenty years fully to be schooled in the philosophy, divination, poetry, healing, religious rites and spells that was druidic knowledge.  That knowledge therefore existed almost entirely in the collective memory of the living druids, its transmission oral except for a few inscriptions found in sacred sites such as shrines and sanctuaries.  There may have been some philosophical basis for that or it may have been just a restrictive trade practice designed to maintain closed shop, Caesar observing the Gauls were a most religious people but they always had to wait for the druids to perform the necessary rituals or sacrifices.  The exclusivity of the trade and the secrecy of its protocols was sound business practice and one that can be identified in religions and other institutions over the centuries.  There are both similarities with and differences between Celtic and other religious traditions.  The Celts didn’t build temples to their gods, the druids practicing their worship in the open air in places they described as sacred, often a space with some geographically distinct identity such as a grove or the shores of a lakes although, as Caesar noted, a sacred spot could be anywhere a druid nominated, a kind of ad-hoc consecration; another practical advantage of having no written record to contradict the assertion.  As later writers confirmed, the Gauls believed in an immortal soul but rather than a conception of heaven & hell or any other afterlife, they believed that upon death, it passed to another body after death, an eschatology of reincarnation.

Druids, gathered for the annual summer solstice ceremonies, Stonehenge, June 2019.

The lack of historic documents means it's impossible exactly to describe any exact sense of an internal druidical structure or indeed any indication whether it was static or essentially unchanging.  Caesar said that in Gaul there were three groups: the druidae, vates or uatis & bardi (which existed in Ireland as the druidh, filidh & baird) but whether these were exact organization divisions or simply a description of traditions or disciplines is unknown and all druids seem to have been required to learn all the skills to permit them to function as teachers, philosophers, physicians, priests, seers and sorcerers.  It was certainly a wide job-description which ranged from teaching the children of the nobility to performing human ritual sacrifice but the fundamental role (and the one which gave the druids their mystique and legitimacy) was that which appears in the institutional structure of the clergy in so many religions: the druids were the priests who would communicate with the gods on behalf of the Celtic people and thus mediate their relationship with the gods.  However, although the name was shared, what is often casually referred to as druidism wasn't monolithic and there are Irish and Welsh texts which mention druids as teachers, healers, seers and wizards, but not as priests and certainly not following the Gallic druids tradition of prayer, Irish myths suggesting druids were sorcerers and wizards rather than priests.  More is actually known about the druids of the Partholonians, Nemedians, Milesians & Fomorians because, unlike those in Gaul and Britain, there were no rules against writing.

Modern interest in the druids focuses mostly on their magic, sorcery and spells.  Over the centuries, there's been much imaginative speculation about their nature and purpose in Gaul, something inevitable because unlike in what survives in the Irish and Welsh record, there's scant evidence.  In the Irish & Welsh literature, classical authors found mentions of magic and witchcraft although the details were vague, it’s clear ancient druids were much concerned with healing and divination, like the shamans or medicine men who gathered herbs and poultice to ward off evil spirits.  There was also practical medicine, the natural scientist Pliny the Elder (29-79 AD) writing that druids held the mistletoe and oak trees as sacred, the former cultivated and with great ceremony on the sixth day of the moon; as part of the ritual, a golden sickle was used carefully to cut the mistletoes, the druid garbed in a full-length white cloak.  A bit of a cure-all in the druidic medicine cabinet, mistletoe was said to be able to heal all illness and disease, act as the antidote to any poison and impart fecundity to barren cattle.  In the medieval Irish histories, the vista of arboreal sacredness and utility is wider spread, ash trees (often called rowan and quicken), the yew, the apple and the hazel all listed.

For the professional historian, the druids are difficult subjects because nobody will ever know how much truth lies in so many ancient and medieval writings.  The speculations, exaggerations and general mischief-making however probably accounts for much of the interest in druidism and it long predates both the revival of paganism and the weird world of the new age.  The haziness means it can by anyone be constructed to be what they wish it to be and there are many societies to join if one wishes to become a druid although those lured by the attraction of ritual human sacrifice will these days have to join a more accommodating religion.

A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids, oil on canvas by William Holman Hunt (1827-1910), Ashmolean Museum, Oxford.

William Holman Hunt's 1860 painting was at the time of its exhibition sometimes referred to as A Converted British Family Sheltering a Christian Priest from the Persecution of the Druids by those who liked the whiff of popery that "priest" seemed to summon.  The depiction is of a family of ancient Britons in their humble hovel, concealing and tending to the wounds of a Christian missionary, injuries inflicted presumably by the pagan Celtic Druids, seen outside pursuing another fleeing missionary at the urging of the white-robed Druid priest.  The artist always remained convinced this early work was one of his finest but it was much criticized on both compositional and representational grounds.

As a work, it's indicative of the disapproval of paganism among Victorian Christians which even some historians tended to dismiss as something which, except for the odd deranged heretic, vanished wherever Christianity arrived which wasn't true; paganism in Europe enduring in places for centuries and even enjoying spasmodic revivals after Christianization.  The first country outside of the Roman Empire to embrace Christianity was Armenia in the fourth century and the last, Lithuania in the fifteenth so the two systems co-existed for a millennium.  In England, despite what Roman church's publicity machine taught to generations, paganism was not eradiated by the mission of Saint Augustine of Canterbury (circa 520-604) in 597 but by the ninth century conversion of Danelaw (the central and eastern regions of England where the way and laws of the Danes were practiced) and the killing of Eric Bloodaxe ((Eric Haraldsson (also known as Eirik fratrum interfector), circa 885-954; of Norwegian origin and variously (and apparently briefly) several times King of Norway and twice of Northumbria (circa 947–948 and 952–954)) in York in 954.  Beyond England however, paganism lived on as the dominant social order in Viking Scandinavia and the more remote regions of the British Isles until well into the twelfth century and in Prussia, it wouldn't be until the later fourteenth century crusades of the Teutonic Knights that Christendom finally prevailed.

Utopia & Dystopia

Utopia (pronounced yoo-toh-pee-uh)

(1) An imaginary island described in Sir Thomas More's Utopia, a place enjoying perfection in law, society and politics; such a place cannot exist.

(2) An ideal place or state of being.

(3) Any visionary system of political or social perfection.

(4) A popular product name in the illicit drug industry.

1516: From the New Latin utopia (literally "nowhere"), coined by Sir Thomas More (1478–1535) and used as title of his 1516 book about an imaginary island enjoying perfect legal, social, and political systems although the author’s meaning was rather more nuanced than that the casual use of “utopia” is used usually to convey.  The construct was the Ancient Greek οὐ (ou) (not) +‎ τόπος (topos) (place; region) + ia (from the Classical Latin ia and the Ancient Greek ία (ía) & εια (eia) which form abstract nouns of feminine gender).  The meaning was extended to "any perfect place" by the early seventeenth century.  Marx used the word in disparagement of the “…useless utopian myths…” he thought infected the schools of socialist too remote from political and economic reality.  The French form was utopie.  Utopia, utopographer, utopianizer, utopianization & utopianism are nouns, utopian & utopist are nouns & adjectives, utopianize is a verb, utopianistic is an adjective, utopianly is an adverb; the noun plural is utopias.

Dystopia (pronounced dis-toh-pee-uh)

(1) A society characterized by human misery, as squalor, oppression, disease, and overcrowding.

(2) Any imaginary place or state of being where everything is bad.

1868: A compound word dys + (u)topia, the word coined by the English philosopher John Stuart Mill (1806–1873) and its first public use was in one of his speeches delivered in the House of Commons.  The construct was the Ancient Greek δυσ (dus) (bad) + τόπος (tópos) (place; region) + ia (from the Classical Latin ia and the Ancient Greek ία (ía) & εια (eia) which form abstract nouns of feminine gender). It’s since usually been used in the sense of any bad place, real or imagined.  In popular culture, depictions of dystopia have tended to follow the concerns of the time; pandemics, nuclear war, alien invasion, dictatorial régimes and climate change.  The spelling distopia is erroneous but not uncommon.  Dystopia, dystopographer, dystopianizer, dystopianization & dystopianism are nouns, dystopian & dystopist are nouns & adjectives, dystopianize is a verb, dystopianistic is an adjective and dystopianly is an adverb; the noun plural is dystopias.  The constructs follow the model of those derived from utopia although in use, most are rare.

Urban future by noted practitioner of dystopian art, Polina Kulagina.  There is an entire genre of dystopian art and literature.

For something which More insisted can't exist, utopia has survived well and it's proved a popular building block.  A gaytopia is the sort of place (real or imagined) which is (for whatever reason) a paradise for the LGBTQQIAAOP community and the hetrotopia was apparently a right-wing reaction to that, the idea being a "gay-free" zone.  A pornotopia is a place (real or virtual) in which every form of pornography however depraved was available; it was a specialized form of an infotopia which was something like the original vision of some for the WorldWideWeb (WWW) back when Al Gore (b 1948; US vice president (VPOTUS) 1993-2001 & in 2000 the next president of the United States (NPOTUS)) called it the "information superhighway".  Apparently he invented the internet so it's reasonable he assumed naming rights.  Pornotopia was originally used to describe a imagined world where all were willing (even anxious) to engage in all forms of sexual activity while an intimatopia was a fantasy world serving as an ideal setting for sexually charged relationships involving a high degree of sustained emotional intimacy.  The romantopia was a world imagined by women as the ideal setting for romantic love (it has dismissively been called millsandboonatopia).  A cyberutopia is a kind of heaven for nerds, a place full of cables, computers, routers and coffee machines where Coca-Cola & pizza are free.  The technoutopia is much the same sort of place and one inhabited by technoutopians and technoutopists dedicated to the pursuit of technoutopism.  An autopia was envisaged as an urban landscape designed around the use of the automobile and it's long been used as a critique of certain cities of which Los Angeles is the best-known example although there are many cities where traffic management is far, far worse.  The negative forms can be a bit fuzzy (and remember More's Utopia was used as an internally negated concept).  Dystopia is well known but there is also unutopia & anti-utopia, all appearing to mean "the antithesis of utopia".  On the rare occasions anti-utopia & unutopia appear, it's advised to deconstruct the context.

The dystopian vision of Dante's Inferno: The Fifth Circle (1587) by Stradanus (1523-1605)), depicting Virgil and Dante on the River Styx in the fifth circle of Hell where the wrathful are for eternity condemned to splash around on the surface, fighting each other.  Dante Alighieri's (circa 1265–1321), Divine Comedy was written between 1307-1321 and helping the pair cross is the infernal ferryman Phlegyas.  Stradanus was one of the many names under which the Flemish artist Jan van der Straet painted, the others including Giovanni della Strada, Johannes della Strada, Giovanni Stradano, Johannes Stradano, Giovanni Stradanus, Johannes Stradanus, Jan van Straeten & Jan van Straten.

So influential has been Robert Bolt’s (1924–1995) play A Man for All Seasons (1960) in forming the public perception of Sir Thomas More that he seems now remembered as a kind of proto-liberal.  It is true he held opinions which would have been shared by few (lord) chancellors of the last 500-odd years including a condemnation of private property and the idea that the very structure of English society was a “conspiracy of the rich”.  Centuries before Karl Marx (1818-1883), he discussed the surplus value of labor and the mechanisms by which working people were alienated for this value so it could be absorbed by the already rich to add to their wealth.  So he ticks many boxes of wokeness but he also held views on women and their place that would make social media identity Andrew Tate (b 1986) follow his X (formerly known as Twitter) account.

More’s book Utopia is similarly misunderstood, the modern use of the word meaning many who have never read it merely assume what it means.  Structurally, it was influential because it contains threads identifiable as both science fiction (SF) and fantasy and in both these genres, authors have often described “utopias”, usually either as (1) places of unrestricted self-indulgence or (2) places in which everything is so antiseptically perfect that humans, with their inherent imperfections, just “don’t fit in”.  In these alternative universes, being fictional, something has to happen and what often occurs is that they turn into dystopias, the ultimately inadequate human inhabitants dealt with; that which doesn't "fit in" must be "thrown out".  More wasn’t quite so theatrical; his original title for the book was in Latin and is best translated as something like “the Best State of a Commonwealth on the New Island of Utopia” and, living in troubled times, his book explored ways society might be arranged in another way that would ensure the intrigue, corruption and scandal with which he was familiar might be avoided.  Unlike England with its then quite rigid hierarchical structure, Utopia was a communal venture and one in which forms of wealth existed but only as a means to ensure things run smoothly.  Not only was the quest to accumulate wealth not pursued, the very idea was absurd because it would fulfil no useful purpose.  Unfortunately, such is the nature of man that it seems such a place can never exist, or at least not long survive, thus the choice of the name Utopia (“nowhere” in the New Latin).