Libre

Libre (pronounced lib-rah (U) or lee-bra (non-U))

(1) Of or relating to free will; independent & unconstrained (now rare).

(2) Of software with few limitations on distribution and including access source code with a right granted to modify and distribute changed versions, usually with the limitation that this must be on a free-of-charge basis.

(3) As Formula Libre (historically Formule Libre), a category of motorsport which imposes only minimal safety rules and is otherwise unregulated.

(4) In historic use, a free (ie not enslaved) black person living in a territory under the administration of the French or Spanish-colonial empires, the use most institutionalized in New Orleans.

1700s: From the French or Spanish libre (at liberty, free; clear, free, vacant; free, without obligation), from the Latin līber (free; unrestricted (and related to librum (book)), from the Old Latin loeber, from the Proto-Italic louðeros, from the primitive Indo-European hlewderos, from hlewd- (people).  Etymologists speculate the currency the word attained in the English-speaking world was initially due more to influence from Spanish than French, the word in more common use in the former.  The specific (though sometimes misleading) sense in software dates from the late twentieth century, more precise terms such as “open source”, “freeware”, “crippleware” & “freemium” actually more helpful.  Libre is a noun, verb and adjective.  Variations appear in many European languages (apart from those which directly borrowed libre) including the Alemannic German liiber, the Romanian liber and the thirteenth century Old Galician and Old Portuguese livre (in which libre co-existed).  Because of the influence of Spanish colonialism, libre appears often in Filipino dialectical use where it has tended to replace the older gratis (free).

Libre was a popular element in many in French formations encapsulating concepts, some of which were adopted in English although that tendency has now faded.  The phrases include un homme libre (literally “a free man” but used idiomatically in the sense of “an unmarried man”), la voie est libre (the way is clear), temps libre (free time), libre arbiter (free will), amour libre (free love (in the sense of the eradication of restrictive sexual mores) libre-échange (free trade), association libre (free association), à l'air libre (uncovered; in the open air (a pre-modern medical dogma which advocated not bandaging wounds), libre comme l'air (free as the air, synonymous with “free as a bird”)), nage libre (the freestyle stroke is swimming) & papier libre (a masculine noun for a piece of stationery not stamped or franked (ie without letterhead); it’s unrelated to newspapers etc distributed for free or without censorship).  There were also constructions of Spanish origin including aire libre (the outdoors, fresh air), barra libre (open bar (ie no limit), comercio libre (free trade). libre de culpa (off the hook, ie blameless”), libremente (to do something in an unrestrained manner), radical libre (free radical in the technical sense from chemistry), saque libre (the free kick in football), tiempo libre (free time), libérrimo (most free, the superlative degree of libre) & libertad (a degree of freedom; latitude, leeway).

Lindsay Lohan: making alliterative headlines in many languages.

Two constructs were adopted in English and added to the technical jargon of English.  The morphème libre in grammar indicates that which may be unattached from another morpheme (the smallest meaningful element in a text string).  Vers libre (free verse, ie in poetry, lines of varying lengths) was borrowed by English circa 1870.  Originally, the adoption reflected the technical meaning which was referenced against the French alexandrin (alexandrine), a syllabic poetic meter of twelve syllables (there were occasional deviations) with a medial caesura dividing the line into two hemistichs (half-lines), each of six syllables.  The structure, the origins of which can be traced to the twelfth century, was dominant in French poetry from the seventeen to the nineteenth centuries, encouraging a host of imitators around the continent and in the English-speaking world.  However, what were claimed to be the implications of free verse attracted the modernists who produced work which was derided by many critics (professional and otherwise) as “no verse” and thus, whatever the discernible structure, not exactly poetry and certainly not vers libre.  Free verse works which however, which tended either to ignore or parody the tradition of rhyme, did become a genre which endures to this day and among literary theorists, there’s long been the argument that in not relying on formalism (the technical constraint of rhyme) works needed to be more adventurous and imaginative, the focus on meaning rather than structure.  Divisions between the schools of poetry, although barely noticed by most of the population, continue to this day.

Formula Libre

Formula libre is the informal description of a motorsport category which, in its pure form, imposes no regulations other safety standards and to permit competition between vehicles which can be configured to widely different specifications, events are often conducted on some sort of handicap basis.  The philosophy of formula libre is the antithesis of that of motorsport’s governing body, the Fédération Internationale de l'Automobile (FIA, the International Automobile Federation) which began in the early twentieth century with the admirable aim of encouraging competition in the quest for speed but, beginning in the 1960s, began to develop an obsession with slowing things down.  The reasons for this have been debated and, whether related or not to the change in emphasis, the FIA in recent decades has morphed into a vast bureaucracy dedicated to (1) imposing category rules which make cars as uninteresting as possible, (2) imposing conditions which require event organizers to pay for increasing numbers of FIA staff to do things at the events and (3) find reasons why fees have to be paid to the FIA.  There may be some competition but the FIA are now probably world sport's dopiest regulatory body.

Motor racing in a recognizable form began in France in the 1880s, soon evolving from races between villages into formally organized events and by early the next century, was established as a popular spectator event, run sometimes on public roads (usually but not always closed to other traffic!) and increasingly, on circuits built expressly for the purpose, these have the advantage of being fenced, thus permitting an entry fee to be charged for those wishing to watch.  The first race to be called a Grand Prix was held in France in 1906, conducted over two days on a road course in Le Mans, 65 miles (105 km) in length and the interest generated encouraged others; by the 1920s, Grand Prix were held in many countries although there was no linking championship, the rules varying from place to place, tweaked often to ensure the machines produced by local manufacturers might enjoy some advantage, a practice which long endured.

1929 Mercedes-Benz SSKL.

The FIA’s predessor, the Association Internationale des Automobile Clubs Reconnus (AIACR, the International Association of Recognized Automobile Clubs) began creating rules governing the categories in motorsport just before the outbreak of hostilities in 1914, specifying minimum & maximum weights, engine displacement and defining body types but it was in the inter-war years that the first attempts were made to impose universal rules.  The rules were created but many race organizers, seeking wider entry lists and more spectacular racing, often declined to adopt them, instead preferring the less restrictive “sports car” definition which attracted more manufacturers, including those not in a position to produce pure racing cars which conformed with the AIACR’s regulations.  Eventually, such was the resistance, the rules for Grand Prix racing were in 1928 abandoned and the era known as Formule Libre began, exemplified by the big Mercedes-Benz SSKL, the last of the road-cars used to win Grand Prix races but one which illustrated the limitations of the approach; the next generation would have to be pure race cars, a change which ushered in the age of regulation which lasts to this day.

1936 Auto-Union Type-C.  Not used on the circuits, the twin-rear tyres were fitted for hill climbs in a partially successful attempt to tame the handling quirks induced by mounting the 6.0 litre (366 cubic inch) V16 behind the driver.  Although a preview of the form open-wheel racing cars would begin to adopt in the late 1950s, the less adventurous Mercedes-Benz W125 with a front-mounted, 5.7 litre (346 cubic inch) straight-eight proved both more effective and easier to handle.  Not until the 1980s would Formula One cars match the power of the German cars of the mid-1930s.

The structures of competition also become formalized.  The number of Grand Prix had risen from five in 1927 to eighteen by 1934 and a manufacturers’ world championship had actually been awarded in 1925 although it consisted only of the Indianapolis 500, the Grand Prix of Europe, France & Italy.  Interestingly, there was no drivers’ title and in Formula One, the FIA would not award the Constructors' Championship (initially the International Cup for Formula One Manufacturers) until 1958 although there had be an award for drivers since 1950, an evolution of the 1935-1939 European Drivers’ Championship, created with the agreement of the national federations.  The memorable racing of the era was governed by rules and even then, the AIACR reacted against the increasing speeds which had been thought not possible under the 750 KG (1653 lb) maximum weight rule, creating in 1938 two classes (1) 4.5 litre (275 cubic inch) displacement un-supercharged & 3.0 litre (183 cubic inch) supercharged and (2) a 1.5 litre (92 cubic inch) supercharged voiturette class (informally known as formula two (Formula 1, 2, 3 etc would not be codified until the post-war years, the first Formula One race held in Italy in 1946).

Juan Manuel Fangio (1911-1995), BRM V16, in Formule Libre events in England, 1953: Silverstone (left) & Goodwood (right).

Development of the big aero-engines used in World War II meant there had been enormous advances in forced induction and it was clear a 4.5 litre, naturally aspirated engine would be uncompetitive against a 3.0 litre supercharged unit so the FIA (the AIACR had in 1947 been reorganized and renamed) in 1949 announced the seven round Grand Prix World Championship for Formula One drivers would in 1950 be held for 1.5 litre supercharged and 4.5 litre un-supercharged cars.  However, a decline in the number of entries meant the championship was in 1952-1953 contested by Formula 2 cars which existed in greater numbers and this resurrected interest in Formule Libre; because dramatic machinery like the 4.5 litre Ferraris and the BRM V16 no longer had a championship to contest, they were instead entered in the handful of non-championship F1 races on offer and the more numerous Formule Libre events.  During the 1950s, the Formule Libre race, often the last of the weekend, was regarded by many spectators as the highlight, the machinery almost always the fastest at the event.

The sprit of Formula Libre: Race driver Rod Coppins (1940-1983) with the open-stack exhaust system fitted to Chevrolet Corvette V8 in in the Mark II Ford Zephyr he campaigned in New Zealand's  “All-comers racing saloon cars” category.  The pipes protruding from the Zephyr’s bonnet (hood) were an efficient and weight-saving piece of engineering but were originally merely a Q&D (quick & dirty) solution, fabricated at short notice because the team didn't have time to produce a tuned-length exhaust system before an event.  It worked so well it was decided to keep the system.  Of course, wherever they could, the FIA outlawed open-stack exhausts because whenever they see something innovative, their instinct is to ban.

Corvette-powered Morrari leading Corvette-powered Zephyr, Pukekohe, New Zealand, 1967.

In the decades since, formule libre (now usually spelled formula libre) has never really gone away, (despite the best efforts of the humorless killjoys at the FIA), its spirit exemplified by the rule book for the Unlimited Division at the Pikes Peak International Hill Climb: (1) Must meet all safety specifications & (2) No other restrictions; pure formula libre therefore and there have been competitions which went close such as the Canadian-American Challenge Cup (the Can-Am) for sports cars which specified only (1) Must meet all safety specifications, (2) enclosed wheels & (3) two seats (the last clause interpreted rather generously and most uncomfortably for any passenger).  Notable also was the “Allcomer” category adopted for New Zealand’s saloon car championship in the 1960s which was for unlimited displacement touring cars and accommodated machinery as diverse as a 1956 Ford Customline powered by a Galaxie’s 427 cubic inch (7.0 litre) V8 (thus dubbed the Custaxie) and, more improbably still, the "Morarri", a hybrid concocted by placing a Morris Minor body atop a Ferrari chassis and powered by a Chevrolet V8.  Many other bastard offspring were barely less extreme.  After 1967, the Allcomer Saloons were banned and the championship was run under the FIA’s Group 5 regulations but while the category was well-supported, the cars lacked the visceral appeal of their wild predecessors so, in 1973, a locally concocted Schedule E was written which enabled the construction of things with something of the earlier flavor, proving things usually go better without the FIA.

Scuderia Ferrari driver Piero Taruffi (in overalls, right), his wife Isabella (left) and Ferrari SuperSqualo (555/1), Italian Grand Prix, Monza, September 1955.

Ferrari Tipo (type) 553 (1953) was a product of the rule book, the World Championship in 1952-1953 run under Formula Two regulations because it had become obvious there would not be a sufficient number of competitive Formula One entries and because of its then unusual bulging sides (to accommodate the twin fuel tanks), the 553 was known as the Squalo (shark),   With the new 2.5 litre (750 cm³ if supercharged) Formula One world championship for 1954, Ferrari upgraded the 553 to conform, dubbing it Tipo 555 which featured bodywork which was longer and more voluptuous, the factory deciding the lines deserved the appellation Supersqualo (super shark).  Untypically for a Ferrari, the Supersqualo was powered by an in-line, four-cylinder engine and the first built was 555/1 which appeared in four World Championship Grand Prix, it’s best finish a fourth place at Circuit de Spa-Francorchamps, Belgium, June 1955.

1950 Morris Minor Series 1 (MM).

First shown at the Earls Court Motor Show (one of the few highlights in gloomy, austere, post-war England) in London in 1948, the Morris Minor was a small economy car which remained in production until 1973.  The early models (later dubbed "Lo-lites") had headlights installed on either side of the grill but these were too low to meet minimums height stipulations in many US states so Minors exported to North America had lights mounted higher, something which necessitated different fenders (front wings) a design which in 1951 was standardized for all production.  Those produced after the change are known as "Hi-lites".

Morrari in the 1965 "Round the Houses" race, Matamatta, New Zealand, 1965.

Note the number plate; at the time, in New Zealand, a car comprised of (1) a 1955 Formula One Ferrari chassis and (2) a Chevrolet Corvette V8, housed within (3) a 1950 Morris Minor body with the ensemble having been assembled in someone's shed, could be registered and driven on public roads.  It was an era when racing was sometimes done on suburban streets with the nearby crowd protected by little more than bails of straw.  While we have gained much from the progress of modern society, some freedoms have also been lost.

Ferrari 555 SuperSqualo (6, which finished fourth), Mercedes-Benz W196R (12, which retired on lap 21 with an oil leek) and Maserati 250F (22, which finished seventh), Belgium Grand Prix, Circuit de Spa-Francorchamps, Belgium, June 1955.

Obsolete by 1956, the factory sold the four 555s and chassis 555/1 ended up in the Antipodes where, fitted with a 3.5-litre 4-cylinder engine from the Ferrari 860 Monza sports car, successfully it was raced in Formula Libre in both Australia and New Zealand until, in February 1963, it was damaged in a event held on the then new Pukekohe circuit.  The damage wasn’t severe and confined mostly to the bodywork and front suspension but, remarkable as it may now seem, the cost of repair would have exceeded what the Italian hot rod was then worth so it was consigned to a used-car lot in Auckland where it was cannibalized for parts, the engine, compact, light and powerful, re-purposed for used in a speed boat.  The robust chassis however had obvious appeal and it was purchased by a racing driver who added a 327 cubic inch (5.3 litre) V8 from a Chevrolet Corvette and clothed the mix with the body of a 1950 Morris Minor, a task which proved remarkably simple because there was a difference of only 25 mm (1 inch) in the respective wheelbases.  Thus began the latest (and most improbable) career of Ferrari chassis 555/1, this time in New Zealand’s “All-comers racing saloon cars” category, race organizers listing it in their race programmes variously as the “Morris-Chevrolet” or “Morris-Corvette” before universally it became known as the “Morrari”.

Ferrari 555/1 Supersqualo from the Bonhams catalogue. 

It may have been just a wreck in 1963 but in subsequent decades Ferrari’s old race cars became valuable collectables so when the choice had to be made between restoring the 1950 Morris Minor or Supersqualo 555/1, it was not a difficult decision,  During the 1970s, with the original chassis and bodywork restored, it was re-fitted with a period Ferrari 860 engine before it was restored to its original, 2.5 litre, Formula One specification.  A familiar sight for decades at vintage Ferrari and other historic events, 555/1 is one of two known survivors of its type and as well as its history in Formule Libre and as the Morrari, when campaigned by Scuderia Ferrari in 1955, it was driven by two World Champions.  Auctioned by Bonhams in their Les Grandes Marques du Monde à Paris sale on 6 February 2025, it realized €1.98 million (US$2.08 million).

The formula libre concept has clearly attracted the interest of the Fédération internationale de notation (Fina, the International Swimming Federation) which recently announced a ban on the participation of transgender women from elite female competition if they have experienced “…any part of male puberty beyond Tanner Stage 2 or before age twelve, whichever is later."  Given the controversy, the announcement was not wholly unexpected and, although it sets Fina apart from federations affiliated with the IOC (International Olympic Committee), it won't be the only body to issue the sanction and already the International Rugby League (IRL) has imposed a similar ban.  As something of a workaround designed somehow to combine inclusion and exclusion in the one policy, Fina undertook to create a working group to design an “open” category for trans women in “some events” as part of its new policy.  Formula libra for women’s swimming therefore, a category in which women, trans- or cis-gender, could compete.  Fina’s president, Dr Husain al-Musallam (b 1960) insisted “Fina will always welcome every athlete (and) the creation of an open category will mean that everybody has the opportunity to compete at an elite level. This has not been done before, so Fina will need to lead the way.”  Whether a concept used for machines will be thought appropriate to apply to people remains to be seen.

The competing arguments (fairness in competition vs DEI (diversity, equity and inclusion)) can’t easily be resolved and the use of the formula libre concept hasn’t been well received by many, some trans activists suggesting it would be labelled a “freak show”.  The idea has before been floated, some genuinely interested in the maximum performance possible by the human body suggesting it might be interesting if a competition was established for athletes using performance-enhancing drugs.  Unsurprisingly, that went nowhere but nor is the “open class” idea new, the origin of competitive athletics in the modern age actually organized as a formula libre style, open class, some track events once scheduled on the basis of distance and anyone, male or female, was able to enter.  It was later that the women’s category was created as “protected class” so they might enjoy fair competition, something Fina claim is the basis of their exclusionary rule.

Both sides are now assembling, selectively perhaps, the scientific research which supports their respective positions and perhaps the most significant announcement was from the Fédération Internationale de Football Association (Fifa, the International Federation of Association Football) which confirmed it was reviewing its gender eligibility regulations.  Fifa issued a statement indicating they were consulting with “…many stakeholders… (and) should Fifa be asked to verify the eligibility of a player before the new regulations will be in place, any such case will be dealt with on a case‑by-case basis, taking into account Fifa’s clear commitment to respect for human rights.”  Such is the international influence of Fifa that it’s likely their position may become the default template for federations everywhere not anxious to make targets of themselves.

Greenline

Greenline (pronounced green-lahyn)

(1) In Lebanon, a demarcation line which divided predominantly Christian East Beirut and the predominantly Muslim West Beirut, described during the civil war (1975-1990).

(2) In Cyprus, a demarcation line which divides the island between the Greek (south) and Turkish Cypriots (north), passing through the capital, Nicosia and described in 1974.

(3) In France, a demarcation line which divided the nation between the Nazi-occupied north (Zone nord) and the nominally independent (Vichy) south (Zone libre) and operative between 1940-1942 when the south was occupied and renamed Zone sud (Zone south) until the liberation of France in 1944.

(4) In Israel, the Armistice border, described in 1949 and following essentially the line of demarcation between the military forces of Israel and Egypt, Jordan, Lebanon & Syria at the conclusion of the 1948 Arab–Israeli War.  It served as the de facto borders of the State of Israel between 1949 and the Six-Day War (1967).

(5) Any similar demarcation line between two hostile communities.

(6) To ease access to services to residents in specific areas, particularly by designating such areas as suitable for real-estate lending and property insurance.

1942 (the first generally acknowledged use in this context): The construct was green +‎ line (and also used commonly as green-line & green line and often with an initial capital).  The noun green was from the Middle English adjective grene, from the Northumbrian groene (green in the sense of the color of healthy, living plants which were growing & vigorous and used figuratively also to convey the meaning "freshly cut" or (of wood) “unseasoned”), from the earlier groeni, from the Old English grēne, from the Proto-West Germanic grōnī, from the Proto-Germanic grōniz, from the primitive Indo-European ghre- (to grow) and was related to the North Frisian green, the West Frisian grien, the Dutch groen, the Low German grön, green & greun, the German grün, the Danish & Norwegian Nynorsk grøn, the Swedish grön, the Norwegian Bokmål grønn and the Icelandic grænn.  The Proto -Germanic grōni- was the source also of the Old Saxon grani, the Old Frisian grene, the Old Norse grænn and the Old High German gruoni.  Line was from the Middle English line & lyne, from the Old English līne (line, cable, rope, hawser, series, row, rule, direction), from the Proto-West Germanic līnā, from the Proto-Germanic līnǭ (line, rope, flaxen cord, thread), from the Proto-Germanic līną (flax, linen), from the primitive Indo-European līno- (flax).  It was influenced in Middle English by Middle French ligne (line), from the Latin linea.  Greenline & greenlining are nouns & verbs, greenliner is a noun, greenlined is a verb & adjective; the noun plural is greenlines.

Green lines: Lindsay Lohan in Inhabit striped tie-back tube-top with Linea Pelle braided belt.

Around the planet, there have been many “Greenlines”, “Green Lines” and “Green-Lines”, the term often applied to rail-transport corridors, shipping companies and the boundary lines of spaces designated as “green”, usually in the context of environmental protection.  However, the best recognized use is now probably that from geopolitics where a “greenline” is a line described on a map to draw a demarcation between two hostile communities.  Such lines have existed for centuries, formally and informally but the first use of the term is generally thought to be the line drawn in 1940 which divided France between the Nazi-occupied north (Zone nord) and the nominally independent (Vichy) south (Zone libre).  It was operative between 1940-1942 when the south was occupied and renamed Zone sud (Zone south) and that arrangement lasted until the liberation of France in 1944.  It’s not known what the color was on the line originally drawn but the one which reached the Foreign Ministry in Berlin for approval was green and still exists in the US national archives.

The Cyprus Greenline.

In the troubled decades since, there have been many green lines and one of the best known is also illustrative of some of the phenomena associated with the concept.  Since 1974, after a conflict which was the culmination of years of disputes, the island of Cyprus has been divided by a Greenline, the self-declared Turkish Republic of Northern Cyprus (the TRNC, recognized only by Republic of Türkiye) to the north and the Greek dominated Republic of Cyprus to the south.  The Greenline extends from east to west for 180 km (120 miles) and is a United Nations (UN) controlled buffer zone separating the two and constitutes almost 3% of the land mass.  The 1974 Greenline was actually an outgrowth, dictated by necessity, of a line drawn some ten years earlier in the capital, Nicosia, in response to communal violence and at certain places in the densely populated ancient city of Nicosia, the it’s now just a few metres across while at its widest point, it stretches 7.4 km (4.6 miles).  In most aspects of public administration the northern and southern zones function as separate states although during periods there is a remarkable degree of cooperation and a pragmatic sense of what it’s possible profitably to do without disturbing the status quo.  However, even at times of high stress, both sides continue to administer shared essential services, notably Nicosia’s sewerage system, the rationale being “you just can’t separate shit”.

A section of the Greenline which bisects Nicosia.

One thing the buffer zone has achieved is the creation of a significant wildlife refuge for many species and, like the exclusion zone declared after the meltdown at the Chernobyl nuclear power-plant in 1986, it has provided a habitat almost unique in Europe, its residents including the threatened Egyptian fruit bat, the endangered Mouflon sheep, the bee orchid, the Cyprus spiny mouse and the Eurasian thick-knee, a dwindling species of shorebird also known as a stone-curlew; all have multiplied in their new home.  Surveys have revealed the space has also become an important stopover and staging area for the migratory birds which use Cyprus during their spring and fall flights, buzzards, ospreys, harriers and the Northern lapwing (long in decline in Europe) all regular visitors.  Being a buffer zone, humans are excluded from the area but there are moves to extend environmental protection to the fragile areas directly beyond the borders as part of a plan to develop ecotourism and agritourism, producing and marketing “green” food from the area.  However, environmental awareness among Cypriots remains patchy and illegal dumping and poaching within the buffer zone remains prevalent.

The Museum of Barbarism, 2 Sehit Murruvet Ilhan Sok. Kumsal, Nicosia, Cyprus.

The Museum of Barbarism lies on the Turkish side of Nicosia just across a border crossing on the Greenline.  Essentially a static installation, frozen in both time and place, it's said to remain in almost exactly the same state as it was was found on Christmas Day, 1974.  The provided narrative states that on 24 December, Greek Cypriot irregulars forcibly entered the house of Dr Ilhan, a Major in the Turkish army who was that night on duty and in another place.  It's claimed the Doctor's wife, three children and a neighbor were killed by machine gun fire, six others seriously injured.

Stiletto

Stiletto (pronounced sti-let-oh)

(1) A small, slender knife or dagger-like weapon intended for stabbing; usually thick in proportion to its width.

(2) An archaic name for the rapier.

(3) A pointed instrument for making eyelet holes in needlework; a sharply pointed tool used to make holes in leather; also called an awl.

(4) A very high heel on a woman's shoe, tapering to a very narrow tip, also called the spike heel or stiletto heel.

(5) A beard trimmed to a pointed form.

(6) A style used in the fashioning of decorative fingernails.

1605–1615: From the Italian stiletto, a doublet of stylet, the construct being stil(o) (dagger or needle (from the Latin stilus (stake, pens))) + -etto (-ette) and from the Latin stilus came also stelo, an inherited doublet.  The etto- suffix was used to forms nouns from nouns, denoting a diminutive.  It was from the Late Latin -ittum, accusative singular of –ittus, and was the alterative suffix used to form melioratives, diminutives, and hypocoristics and existed variously in English & French as -et, in Italian as Italian -etto and in Portuguese & Spanish as -ito.  With an animate noun, -etto references as male, the coordinate female suffix being -etta, which is also used with inanimate nouns ending in -a.  It should not be confused with the homophonous suffix -eto.  Stilus was from the primitive Indo-European (s)teyg- (related to instīgō & instigare) and was cognate with the Ancient Greek στίζω (stízō) (to mark with a pointed instrument) and the Proto-Germanic stikaną (to stick, to stab).  Despite the similarity, there’s no relationship with the Ancient Greek στῦλος (stûlos) (a pillar).

Lindsay Lohan in Christian Louboutin Madame Butterfly black bow platform booties with six-inch (150 mm) stiletto heel.

A quasi-technical adoption in law-enforcement and judicial reports were the verb-forms stilettoed & stilettoing, referring to a stabbing or killing with a stiletto-like blade.  It was a popular description used by police when documenting the stabbing by wives of husbands or boyfriends with scissors or kitchen knives; use faded in the mid-twentieth century.  The idea of a long, slender beard trimmed into a pointed form being "a stiletto" popular in the sixteenth & seventeenth centuries but all such forms seem now to be referred to either as "a goatee" or "a Van Dyke".  The adjectival use can also sometimes need to be understood in the context of the phrase or sentence: "a stilettoed foot" can be either "the foot of someone wearing a shoe with a stiletto heel" or "a foot which has been stabbed with a long, thin blade.  Stiletto & stilettoing are nouns & verbs, stilettoed is a verb & adjective and stilettolike (also stiletto-like) is an adjective; the noun plural is either stilettos or stilettoes.

Of blades and heels

The stiletto design for small bladed weapons pre-dates not only modern metallurgy but antiquity itself.  The essence, a short, relatively thick blade, was technologically deterministic rather than aesthetic, most metals of the time not being as sturdy as those which came later.  Daggers were for millennia an essential weapon for personal protection but, particularly after developments in ballistics; they tended to evolve more for formal or ceremonial purposes.

The Schutzstaffel (SS) dagger model M1933 (often abbreviated to M33).

The M1933 was the standard issue to all SS members, the hilt either silver or nickel-plate while the grip was black wood.  Produced in large numbers, collectors are most attracted to the low-volume variations such as those without the manufacturer’s trade-mark or RZM control markings.  Most prized are the rare handful with a complete "Ernst Röhm inscription" which read In herzlicher freundschaft, Ernst Röhm (In heartfelt friendship, Ernst Röhm).  Given his his habits, enjoying Röhm's "friendship" would for a few have proved a double-edged sword.   Some 136,000 of the engraved SA daggers were produced, a further 9900-odd distributed to the SS.  After Röhm (1887–1934; chief of the Nazi Sturmabteilung (the stormtroopers (the SA)) was executed during the Nacht der langen Messer (Night of the Long Knives), also called Unternehmen Kolbri (Operation Hummingbird) in 1934, all holders of the Röhm Honour Dagger were ordered to have the inscription removed and most complied, the unmodified survivors thus highly collectable although in some countries, the very idea of trading Nazi memorabilia is becoming controversial.  As ceremonial devices, bladed weapons were a feature of the uniforms worn during the Third Reich (1933-1945) and they were issued to all branches of the Wehrmacht (the German armed forces) the police, the various paramilitaries, the diplomatic service as well as organizations as diverse as the railways, the fire services, the forestry service and the postal office.  In this they were continuing a long German tradition but the Nazis vision of a homogenous, obedient population included the notion that uniforms should be worn wherever possible and there is something in the cliché that (at least at the time), no German was ever as happy as when they were in uniform.

Although the term is used widely, in the narrow technical sense, not all slim, high heels are stilettos.  The classic stilettos were the extremely slender Italian originals produced between the 1930s and 1960s, the heels of which were no more than 5 mm (0.2 inch) in diameter for much of their length, flaring at the top only to the extent structurally required successfully to attach to the sole; the construction of solid steel or an alloy.  Many modern, mass-produced shoes sold as "stilettos" are made with a heel cast in a rigid plastic with an internal metal tube for reinforcement, a design not having the structural integrity to sustain the true stiletto shape.  However, English is democratic and in the context of footwear, "stiletto" now describes the visual style, regardless of the materials.

The lines of the classic black stiletto (top left) were long ago made perfect and can't be improved upon; such is the allure that many women are prepared to endure inconvenience, instability, discomfort and actual pain just to wear them.  They appeal too to designers and the style, the quintessential feminine footwear, has been mashed-up with sneakers, Crocs, work-boots, sandals and even a scuba-diver's flippers (though their natural environment was the catwalk).  Military camouflage is often seen, designers attracted by the ultimate juxtaposition of fashion and function.  The Giuseppe Zanotti Harmony Sandals (bottom row, second from right) were worn by Lindsay Lohan on The Masked Singer (2019).    

In the world of fingernail fashioning, there are stilettos and stilettos square.  A statement shape, something of a triumph of style over functionally, the stiletto gains its dramatic effect from long and slender lines and can be shaped with either fully-tapered or partially square sides.  They’re vulnerable to damage, breaking when subjected to even slight impacts and almost never possible with natural growth and realistically, pointed nails, certainly in their more extreme iterations (the stilettos, lipstick, mountain peaks, edges, arrow-heads, claws or talons), are more for short-term effect than anything permanent.  Best used with acrylics, the knife-like style can be a danger to the nail itself and any nearby skin or stockings.  Those contemplating intimacy with a women packing these should first ponder the implications (although the "Edge" looks more lethal).  True obsessives insist the stiletto styles should be worn only with matching heels and then only if the colors exactly match.

1964 Hillman Imp.

The Hillman Imp was a small economy car introduced in 1964.  It was the product of the Rootes Group which needed an entry in a market segment which had been re-defined by the British Motor Corporation’s (BMC) Mini (1959-2000) and although similar in size, the engineering was radically different: rather than the Mini's front-engine / front wheel drive (FWD) arrangement which became (and to this day remains) the template for the industry, the Imp was configured with a rear-engine and rear wheel drive (RWD), something which had for years been a feature of small Europeans cars but was in the throes of being abandoned.  It never achieved the commercial success of the BMC product although it continued in production after 1967 when the Rootes group was absorbed by Chrysler and, perhaps remarkably, it remained on the books until 1976.  In that time, it sold in not even 10% of the volume achieved by the Mini.

What “Sports Racing Closed” was and what “Sports Sedans” became.  Peter Brock (1945-2006), Austin A30-Holden, Hume Weir, 1968 (left) and Frank Gardner (1931-2009), Chevrolet Corvair, Oran Park, 1976 (right).  The A30 ran a six cylinder Holden engine and sat on a frame built from a Triumph Herald chassis, all these elements bought from wrecking yards.  With a Chevrolet V8, the Corvair was converted to a mid-engined configuration and underneath was essentially a Lola T332 Formula 5000 race car.  Almost unbeatable on the track (except in the wet), the Corvair was legislated out of the sport, the rule changes preventing such a machine for being fielded again.

In Australia, what became the “sports sedans” began in the mid-1960s as a distinctly amateur form of racing called “Sports Racing Closed” which was closer to Formula Libre than any of the rule-bound categories in the mainstream.  What rules there were initially demanded little more than the use of some sort of saloon car (loosely interpreted) with certain safety fittings such as a roll-cage but beyond that builders were limited only by their budget and imagination.  As a non-professional, semi-official category, budgets tended to be tight but deeply imaginations (along with wrecking yards) were mined to compensate, resulting in some occasionally bizarre but often intriguing machines.  A predictably popular theory was to find the smallest and lightest car and install the biggest, most powerful engine one could afford.  The “hot-rod” formula attracted many competitors and a dedicated following but the racing establishment looked (down) upon the Sports Racing Closed category disapprovingly and would liked it to have gone away but, fast and loud, the crowds loved it so race organizers were anxious to invite the little hot rods to compete, knowing they’d draw a large (paying) audience.  By 1969, things had developed to the point where rather than just stage stand-alone races, what was planned was the “Australian Sports Sedan Championship” but CAMS (the Confederation of Australian Motor Sport, then the sport’s national regulatory body) refused to grant these upstarts the dignity of a “championship” and would concede only that they may contest a “trophy”.  The dam had however been breached and from that beginning, the sports sedans entered the mainstream, becoming one of the most popular categories of the 1970s.

Harry Lefoe in Hillman Imp-Ford.  Still with small square flares, trying to find traction, Oran Park 1970 (left), be-winged in an attempt to stay on the track, Hume Weir, 1971 (centre) and in final (flared) form, Hume Weir 1974 (right).

That drew in television coverage, sponsorship and the involvement of factories, a new professionalism which doomed the era of hybrid machines built with parts salvaged from wrecking yards.  In the last days of amateurism however there were still a few old-school machines fielded and was wilder most.  The Hillman Imp did enjoy some success in competition, winning three successive British Saloon Car Championships between 1970-1972 (competing in Class A (under 1000 cm3)) but before that, the light weight and diminutive dimensions held great appeal for Australian earth-moving contractor Harry Lefoe (1936-2000) who had a spare 302 cubic inch (4.9 litre) Ford (Windsor) V8 sitting in his workshop.  By 1969 the Imp was a Chrysler product and the recently formed Australian Sports Sedan Association (ASSA) had published guidelines which included restricting engines to those from cars built by the manufacturer of the body-shell but because the Windsor V8 had earlier been used in the Sunbeam (a corporate companion to Hillman) Tiger (1964-1967) the mix qualified.  So the big lump of an iron V8 replaced the Imp's 875 cm³ (53 cubic inch) aluminium four and such was the difference in size that Lefoe insisted his Imp had become “mid-engined” although it seems not to have imparted the handling characteristics associated with the configuration, the stubby hybrid infamous for its tendency to travel sideways.  It was never especially successful but even more than most at the time it was loud, fast, spectacular and always a crowd favourite.  The prodigious power and short wheelbase made the thing “twitchy” and in an attempt to improve traction and keep the rear wheels in contact with the road Lefoe fitted an elevated wing in the style which had been briefly popular in Formula One and the Can Am until being banned following a number of accidents caused by component failure.  In Australia a similar ban was soon imposed so Lefoe’s only obvious path to grip was to fit wider tyres which necessitated the fashioning of enveloping flares.  The approach brought some success but it was the end of an era as the fields increasingly were filled by highly developed (and expensive) machines, created often with factory support and the use of chassis not far removed from open-wheel racing cars.  Lefoe’s Imp was most influential because the car which in the mid 1970s was the dominant sports sedan was a (much modified) Chevrolet Corvair, another rear-engine machine transformed into something mid-engined.  So dominant was it the rules were changed limiting how far an engine could be moved from the original location.

1970 Sunbeam Stiletto Sport.

Introduced in 1967, the Sunbeam Stiletto was a “badge-engineered” variant of the Imp (there were also Singers), the name an allusion to the larger Sunbeam Rapier (a stiletto a short blade, a rapier longer).  Badge engineering (a speciality of the British industry during the post-war years) was attractive for corporations because while it might increase unit production costs by 5-10%, the retail price could be up to 40% higher.  Very much a “parts-bin special” (although there was the odd unique touch such as the quad-headlamps and the much-admired dashboard), mostly it was a mash-up, the fastback bodywork already seen on the Imp Californian and some interior fittings and the more powerful twin carburettor engine shared with the Singer Chamois.  Curiously, some sites report the fastback lines proved less aerodynamically efficient than the Imp’s more upright original, the opposite of what was found by Ford in the US when the “formal roof” Galaxies proved too slow on the NASCAR ovals, a “semi-fastback” at essentially the same angle as the Stiletto proving the solution; the physics of aerodynamics can be counter-intuitive.  Stiletto production ceased in 1972 with the Sunbeam brand-name retired in 1976 although Chrysler used it as a model name until 1981.