Birdcage

Birdcage (pronounced burd-keyj)

(1) A cage for confining birds (built traditionally with wire or wicker and used also as bird cage & bird-cage).

(2) Something that in form (at any scale) resembles (even vaguely) the construction of a birdcage.

(3) In aviation industry slang, the airspace over an airport and the aircraft there in flight.

(4) An area on a racecourse where horses parade before a race (“paddock” preferred in US use).

(5) In US slang, a used-car lot (now rare).

1480–1490: The construct was bird + cage.  Bird was a pre-900 form, from the Middle English byrd, from the Old English bridd & brid (which in the Northumbrian dialect was “bird”) (young bird, chick; feathered, warm-blooded vertebrate animal of the class Aves).  The Old English bird was an unusual collateral form of bridd and originally meant “young bird, nestling” whereas the typical Old English for bird was fugol, related to the noun fowl, of uncertain origin with no known cognates in any other Germanic language (speculated links to umlaut dismissed by etymologists).  Because birds are a creature doubtlessly noticed and in some form named by people since the early days of human evolution, it’s not surprising it believed variants in Middle English may go back to “an ancient period”.  From the early to mid-fourteenth century, “bird” increasingly supplanted “fowl” as the most common term.

Cage dates from 1175–1225 and was from the Middle English cage (and the earlier forms kage & gage), from the Old French cage (prison; retreat, hideout), from the Latin cavea (hollow place, enclosure for animals, coop, hive, stall, dungeon, spectators' seats in a theatre), the construct being cav(us) (hollow) + -ea, the feminine of -eus (the adjectival suffix); a doublet of cadge and related to jail.  The Latin cavea was the source also of the Italian gabbia (basket for fowls, coop).  The noun (box-like receptacle or enclosure, with open spaces, made of wires, reeds etc) typically described the barred-boxes used for confining domesticated birds or wild beasts was the first form and from circa 1300 was used in English to describe “a cage for prisoners, jail, prison, a cell”.  To “rattle someone's cage” is to upset or anger them, based on the reaction from imprisoned creatures (human & animal) to the noise made by shaking their cages.  The noun bird-cage (also birdcage) was in the late fifteenth century formed to describe a "portable enclosure for birds", as distinct from the static cages which came to be called aviaries.  The verb (to confine in a cage, to shut up or confine) dates from the 1570s and was derived from the noun.  The synonyms for the verb include crate, enclosure, jail, pen, coop up, corral, fold, mew, pinfold, pound, confine, enclose, envelop, hem, immure, impound, imprison, incarcerate, restrain & close-in.  Cage is a noun, verb and (occasional) adjective, caged & caging are verbs (used with object) and constructions include cage-less, cage-like, re-cage; the noun plural is cages.  Birdcage is a noun; the noun plural is birdcages.

The term gilded cage (often heard in the form “trapped in a gilded cage” describes a place (or situation) which superficially is attractive but is in some way constraining; a comfortable but confined situation.  The point of the “gilded cage” is the “effective confinement” is achieved not by the “cage” but by the unwillingness of the confined to relinquish the luxury of their “gilded lifestyle”; it’s thus a self-imposed “imprisonment”, certain comfort valued more than the uncertainties of freedom.  The term is thought to have been coined by the writers of the popular song A Bird in a Gilded Cage (1900).  History (some of it recent) is littered with examples of those “trapped in a gilded cage” and overwhelming they’re well-bred women, compelled for various reasons (dynastic, financial, political etc) to marry someone not of their choice.  A classic example of the adage “for everything you do there’s a price to be paid”, the best documented are the most miserable but the phenomenon is an illustration of the way what ultimately matters is not the situation in which one finds oneself but how one reacts.

Consuelo Vanderbilt (circa 1900), oil on canvas by Paul César Helleu (1859–1927).

Consuelo Vanderbilt (1877-1964) was the most illustrious of the American “dollar princesses” who crossed the Atlantic to marry increasingly impoverished members of the British aristocracy.  Unhappily (and tearfully), aged 18, she became Duchess of Marlborough, diligently and dutifully (for a while) fulfilling the role her father’s money had purchased.  The French painter Paul César Helleu was noted for his portraits of society women of the Belle Époque and, working on commission, he was not above flattery but there’s no doubt he captured the beauty of the slender Consuelo and they may have had had an affair, a diversion not uncommon among dollar princesses chaffing against the bars of their gilded cage.  While in the history texts most in gilded cages are there because they led tortured, unhappy lives, there were some who resolved to “make the best of things” and just try to enjoy the gild: taking the rough with the smooth as it were.  F Scott Fitzgerald (1896–1940) in The Great Gatsby (1925) described Daisy Buchanan as a “golden girl” who had opted for the security of marrying money and was thus consigned to life as a “beautiful little fool” in a “gilded cage of class and gender politics.”  There are worse ways to live and as George Bernard Shaw (GBS; 1856-1950) observed, while money may not buy happiness, surely it is better to be miserable and rich than miserable and poor.   

Lindsay Lohan in The Birdcage, Flemington Racecourse, Melbourne, Victoria, Spring Carnival Derby Day, 2 November, 2019.

The origin of the curious use of “birdcage” to describe the enclosed area where horses are saddled and walked before and after a race lies in an architectural analogy, the space enclosed traditionally by light iron railings, often decorative, painted white and closely spaced.  Spectators standing beyond the perimeter looked at the horses, much as one looks at birds inside an aviary; the metaphor thus “perspectival”.  In truth, the usually the circular or polygonal enclosure didn’t really resemble a large ornamental cage but the construction of the ironwork did recall the sides of a “birdcage” although obviously there was no need exactly to replicate the design, horses being unable, Pegasus-like, to “fly away”.  The term remains in common use in the UK, Australia and New Zealand where it had become part of the “social scene” of race days, the photographs published on society pages or Instagram often taken from “the birdcage”; at some tracks the spectator area has been remodelled for exactly that purpose with appropriate promotional backdrops.  In North America, used of “birdcage” in this context is rare, “paddock” the preferred term.

A similar linguistic adaptation was the “bullpen” (in baseball, an enclosed area for pitchers to practice in or “warm up”), the word possibly borrowed from rodeos where it literally was the (well-fenced) holding area for bulls.  In baseball, “bullpen” became a collective noun for pitchers and functioned as a synecdoche.  From the sport, it spread and came to be used figuratively to describe (1) “a place for someone or something to get prepared for some purpose” and (2) a military prison or its enclosing stockade.  Some decades after bullpen entered the vernacular of the sport, leagues were formed for women’s baseball and although in ranching the term “cowpen” (fenced area for holding cows) was well-known, baseball sensibly decided its nomenclature etymologically was detached from biological sex so assembled female pitchers also warmed-up in a bullpen and despite a recent trend towards gender-neutrality in sporting terminology, “bullpen” survived as fossilized baseball jargon.  Linguistically uncontroversial in the sport was “birdcage mask” which was the protective mask worn by catchers, the “birdcage element” referring to the thick wire structure protecting the face while still permitting adequate vision.

Lindsay Lohan (birdcage scene), Rumors (Official Music Video) from Speak (2004).

The origin of the use in baseball is contested although all seem to agree it came into use very early in the twentieth century.  One explanation is that by then it had become common for late-coming spectators to be cordoned off in a “standing room” area in “foul territory” (to the sides of the field where any ball hit was deemed “out of bounds”) and, noting the laggards were “herded like cattle”, “bullpen” was borrowed from the rodeo.  When those areas were re-purposed as the pitchers warm-up space, the designation stuck and the notion relief pitchers were once viewed “bullish” in temperament is thought one of baseball’s many myths.  An alternative theory is the use was at least influenced by the outfield fences at baseball grounds once often displaying advertisements for Bull Durham tobacco and in front of these relief pitchers would wait to be called into play and the use was thus associated with the billboards but for this there’s no documentary evidence. 

The Berghof, circa 1940.

By definition, a birdcage is of course “something in which one keeps one’s pet bird” but they can be also, certainly in their more elaborate forms, a decorative piece of furniture, a symbol of domesticity in the same way George Orwell (1903-1950) in Keep the Aspidistra Flying (1936) used the Aspidistra plant as an identifier of the middle-class though in fairness to the reputation of the perennial herbaceous plant, their popularity in English houses owed much to them being among the species most tolerant of the sometimes smoky atmosphere in an era when coal and wood burned on open fireplaces was a common form of heating.  They were thus an ideal house plant, being tolerant of neglect and suited to shade while their luxuriant growth meant they were effective oxygenators of air high in CO₂.  

Art Nouveau brass birdcage on conforming tripod stand.  The piece featured a domed tops, lift-out trays, swing perch and two small bird-seed feeders.

Tough, the Aspidistra wasn’t exactly “unkillable” but one really had to try and the plants thus were for generations something of a middle class fixture; it was in this sense Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945), in his (sometimes reliable) memoir Erinnerungen (Memories or Reminiscences) and published in English as Inside the Third Reich (1969) noted the birdcage in Adolf Hitler’s (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) country house, some years before it was enlarged in the sprawling complex centred on the Berghof:  “After Berchtesgaden came the steep mountain road full of potholes, until we arrived at Hitler's small, pleasant wooden house on Obersalzberg.  It had a wide overhanging roof and modest interior: a dining room, a small living room, and three bedrooms. The furniture was bogus old-German peasant style and gave the house a comfortable petit-bourgeois look.  A brass canary cage, a cactus, and a rubber plant intensified this impression. There were swastikas on knickknacks and pillows embroidered by admiring women, combined with, say, a rising sun or a vow of ‘eternal loyalty.’  Hitler commented to me with some embarrassment: ‘I know these are not beautiful things, but many of them are presents.  I shouldn't like to part with them.’”  Speer made no mention of a canary or any other bird sitting in the cage and nor is there a reference in contemporary accounts; that is in keeping with Hitler’s known views on how animals should be treated and while his attitudes to humanity proved reprehensible, those on wildlife were quite enlightened.

Art Deco birdcage.

Although there’s obviously some functional overlap, as well as birdcages, there are birdhouses, coops, aviaries, pigeon lofts.  A birdhouse is a “small house” for birds (and known also as a nest box).  Made usually of wood and mounted somewhere the residents will be protected from ground-dwelling predators, birdhouses are outdoor structures designed not to imprison wild birds but provide them a shelter where they can build nests.  A coop (in this context) is a place where birds are kept but while a birdcage is for a household pet, a coup is for productive (egg-laying and sometimes feathers or meat) birds and are enclosures built outside, partially enclosed (“chicken coops” the best known).  The word aviary has a wide vista and can be anything from a relatively small structure housing two or more birds to vast zoo-like areas in which there may be a mix of captive and wild creatures.  A pigeon loft (known also as a dovecote) is a specialized type of birdhouse, often placed on a building’s roof or other elevated spot in which domestic pigeons are bred and housed, usually for use in the sport of pigeon racing; the element “loft” tends to be used irrespective of the location of the structure.  A synonym was columbarium, from the Latin columbārium, the construct being columb(a) (pigeon) +‎ -ārium (place for) and because the sport became popular among the aristocracy of the Ancien Régime (circa 1500-1789) in France, the construction of columbaria because something of a contest (al la the “size race” in luxury yachts between today’s billionaires) and architects were engaged to design large, elaborate structures, sometimes emulating the style of the owner’s chateau.

C3 Corvette T-Top birdcage.

From its debut in 1953, the Chevrolet Corvette’s body has always been made from non-steel composite materials ranging from simple GRP (glass-reinforced plastic and better known as fiberglass) to materials of increasing complexity so rust has never afflicted the external panels but beneath all those curves and angels is much vulnerable including the frame and “birdcage”, that latter an object of veneration or despair, depending on its condition.  A crucial component in the overall strength and structure of a Corvette, the birdcage was first integrated into the design when the C2 (1962-1967) was released and the same concept was used for the C3 (1968-1982): a reinforced frame surrounding the cabin, the nickname from the overall shape which vaguely recalled a birdcage.  Similar in outline to the “safety cell” for which Mercedes-Benz was in 1952 granted Patent 854157 (rigid passenger cell with front and rear crumple zones), the birdcage consisted of boxed steel channels with pillars running from the base of the windshield (A-pillars), along the rear of the cabin, and down to the frame kick-up behind the seats.  Although not really a complex piece of engineering, the fact that so integral to the car is the structure, for extensive repairs to be performed considerable disassembly is required and the cost of out-sourcing such a task often can exceed the value of the car; economics thus suggest it’s usually advisable to find a car with birdcage in sound condition, repairs often financially viable only if the car is rare (ie with a highly desirable specification or even a celebrity association).  A visual inspection is best left to experts because unless it has just emerged from a comprehensive restoration, all C2 & C3 Corvettes will have at least some light, surface rust but it can take an expert eye to tell the difference between that and rot which demands attention.  Fortunately, the Corvette community is vibrant with publications and on-line guides detailing the features & foibles of the birdcage.

Troubled birdcage: Rusted C3 windshield frame left-lower outer corner (left) and a replacement corner component (1968-1972) @ US$199.00 from Corvette Central.

On both the C2 & C3, there were two variants of the design, one for the coupe (T-top in the C3) and the one for the roadster (the last such C3 made in 1975) but all shared the susceptibility to rust, especially if used in areas with high salt-exposure (coastal regions or places where the stuff was spread on icy roads) and the part most often affected severely was the “Windshield Frame Lower Outer Corners”, replacement sections available and in two different versions for the C3, reflecting the design changes in the post 1973 cars.  However, while the birdcage's most afflicted components, the windshield frame’s outer corners are not unique and the hinge pillars & lock pillars (including the body mount at the bottom) also are notably rust-prone.

C4 Corvette structure diagram from Mobile Web-Cars.

The C4’s (1984-1996) “birdcage” was a bit of a gray area because although routines still is used, materially and structurally it was quite different from the classic template set by the C2 & C3.  What was carried over was welded steel structure surrounding the windshield frame, A-pillars, roof rails, B-pillars and rear window frame which created a defined passenger safety cell distinct from the outer composite body panels so it seems reasonable still to use the term but the C4 did not have a “stand-alone” frame onto which the body was mounted, the “birdcage” being an integral part of the frame.  There were a number of design imperatives which dictated the path chosen for the C4 and it was built with a uniframe in which front and rear frame sections were integrated, thereby providing greater rigidity so no longer was the “birdcage” a kind of bolted-on” internal scaffold but an inherent part of the whole.  The C4 was the last Corvette in which something recognizably “birdcagesque” would appear.

Chevrolet’s technical rendering of the C8’s structure.  In engineering, materials science and computing, much has advanced since 1962.

However, the structural integrity the birdcage in 1962 provided needed still to be achieved but the “brute-force” approach of the C2-C3-C4 era was replaced with more advanced techniques and by the time the mid-engined C8 was released in 2019, the platform structurally would have been unrecognizable to anyone familiar with the earlier generations.  The C8 is built around a core element (the so-called “backbone” or “spine”) which can be visualized as a large aluminum tunnel running down the centre of the car and from this the chassis gains its primary torsional stiffness.  The body panels are almost all non-structural and while there is (as is now universal) a reinforced “safety cell” around the cabin, this is protection of occupants in the event of an “impact incident” (better known as a “crash”).

The Birdcage: The Maserati Tipo 60/61 (chassis #2549, clothed & exposed).

Upon released in late 1962, the structure in the C2 Corvette gained the nickname “birdcage” because of the shape but before that, there was the Maserati “Birdcage”, the Tipo 60/61 (1959-1961) so dubbed because it departed from the typical approach of those building space fames in that instead of relatively few, thick tubes and sections, Maserati used many more but they were slender.  Observers were much taken with the apparent delicacy of the construction and although the engineers assured all the intricate latticework of some 200 chromoly steel tubes (welded often in triangulated form in the points of highest stress) was a design delivering both lightness and rigidity to match the more robust-looking creations.  Those admiring the intricacy were struck more by the resemblance to the thin wires of birdcages.  

Mercedes-Benz 300 SLR (W196S, upper) & 300 SL (W198, lower).

One of the reasons the Maserati’s skeleton looked so delicate was that the space-frame had become associated with Teutonic-flavored construction like that used by Mercedes-Benz for its 300 SL & 300 SLR.  Both shared the same method of construction but despite the names and the visual similarity between the two, there were few common components beyond the nuts, bolts & screws.  The 300 SL (W198; 1954-1963) was a road car while the SLR (W196S; 1955) was a lengthened version of the W196R Formula One Grand Prix car with a sexy body and an enlarged (though somewhat detuned) straight-eight engine; in the sport, it would be the last of the straight-8s.

Scale model of Maserati Typo 60/61 Birdcage by CMC.

The final and most remarkable Maserati birdcage was Tipo 63 Birdcage which featured a mid-mounted 3.0 litre V12.  The Tipo 60 & 61 used front-mounted four-cylinder engines in displacements of 2.0 & 2.9 litres and although there were problems which never wholly were solved (although the reliability did over time improved), the platform enjoyed some success because its forgiving nature lent it excellent handling characteristics and in long-distance events, the lack of power was somewhat offset by the modest fuel consumption and relative low tyre wear, time not spent in the pits as valuable as seconds shaved off lap-times.  Unlike some of its competitors, Maserati did not have the financial resources to “keep up with the times” and develop from scratch a mid-engined sports car so the factory took the approach familiar to many an American engineer and hot-rodder: put in a bigger engine.

1961 Maserati Birdcage Typo 63.  Although installing the V12 didn’t realize the hope-for success, the car will always have a place in the annals of “great moments in exhaust systems”.

Actually, the V12 wasn’t that much bigger than the largest of the four cylinder units used but, with a pedigree beginning with a brief (though unsuccessful) career in the Maserati 250F Grand Prix car, it certainly delivered more power.  Because it was a “relatively” simple matter of blending an existing engine and existing platform, the project quickly was accomplished and Maserati had a mid-engined car on the grid before anyone else and one which could top 305 km/h (190 mph) on long straights.  Unfortunately, placing the big lump of a V12 to the rear upset the Birdcages’s fine balance although one did place fourth in the 1961 Le Mans 24 Hours endurance classic (a place where a 190 mph top speed was unusually valuable), a result which proved to be the marque’s high-water mark in the famous event.

Sanpaku

Sanpaku (pronounced san-pach-ew)

An eye in which the sclera (white of the eye) is visible on three sides of the iris rather than the usual two (left & right).

Pre 1700s: A borrowing from the Japanese 三白 (sanpaku) (three whites) or 三白眼 (sanpaku gan) (three-white eyes).  Sanpaku is a noun and sanpakuish is an adjective; the noun plural is sanpakus.

Sanpaku (三白) (three whites) & Sanpaku gan (三白眼) (three-white eyes) are Japanese terms from traditional Chinese & Japanese medicine and they describe the “condition” in which the white of the eye is visible either above or below the iris when looking straight ahead.  Although the word was popularized by Japanese educator and nutritionist Nyoichi “George” Ohsawa (1893–1966) when he published the book You Are All Sanpaku in 1965, the idea had existed in oriental medicine probably for centuries although it’s impossible accurately to determine its origin.  It was mentioned in the diaries of at least one nineteenth century US Navy physician but attracted no interest in the West until the release of Ohsawa san’s book.  In Western medicine the phenomenon is described as “lower scleral show” or “inferior scleral show”, terms which are merely descriptive because (1) it’s something thought within the range of normality, (2) is indicative of no other mental or physical states and thus (3) is generally not considered a medical condition requiring treatment and is attributed variously to (3a) normal variation in eyelid anatomy, (3b) transient facial expression or gaze direction, (3c) traumatic injury or (3d) age-related tissue changes.  There are orbital or eyelid conditions (the best known being a thyroid-related eye disease causing lid retraction) which can induce a sanpaku-like appearance but instances are vanishingly rare.  In short, the medicalization of sanpaku is thought a product of superstition so predictably, on social media, sanpaku eyes seem to have a cult following.

Sydney Sweeney (b 1997) displaying her Sanpaku inferior (sclera (white of the eye) visible below the iris), Met Gala, Metropolitan Museum of Art, Manhattan, New York City, May 2025.  Lovely though her eyes are, it may be not many have long focused on them.

In You Are All Sanpaku, Ohsawa san described sanpaku as a condition which indicated physical and mental imbalances and discussed its significance in relation to diet and overall well-being.  Historically, sanpaku is believed to have entered oriental medicine from the Japanese practice of “face-reading” and those with eyes observed thus were considered ill-fated and destined for a life filled with misfortune, culminating often with an early demise.  It gained a following on social media by the usual means: celebrity association.  Diana, Princess of Wales, President John Kennedy & Marilyn Munroe, all of whom died young, were all sanpakus and as Ohsawa san warned in You Are All Sanpaku: the eyes indicate someone's fate, signifying imminent danger or an “early and tragic end.”

Diana, Princess of Wales (1961-1997, far left), Marilyn Monroe (1926–1962, centre left), Billie Eilish (b 2001. centre right) and John Kennedy (JFK, 1917–1963; POTUS 1961-1963, far right).  Three died young in tragic circumstances but Ms Eilish remains fit and well.

The original basis of “face reading” isn’t known but as a diagnostic tool it focused on the matter of “balance”, something important also to the physicians of Antiquity who identified the “four humors”: flegmat (phlegm), sanguin (blood), coleric (yellow bile) & melanc (black bile) which were the causative agents of the four personality types, the phlegmatic, the sanguine, the choleric & the melancholic.  In the East, signs of sanpaku meant a man’s whole system (physical, physiological and spiritual) was out of balance, something caused by sins committed against the order of the universe, accounting for his sickness, unhappiness or insanity.  Ohsawa san noted that in the West, such folk had come to be called “accident prone” and they were the ones who should take note of the warning from sanpaku, nature’s tap on the shoulder.  A practical author of self-help texts, Ohsawa san recommended sanpaku eyes should be treated with a macrobiotic diet, focusing on brown rice and soybeans, something on which he had real expertise as the founder of the macrobiotic diet.

By their sanpaku you shall know them: Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945, left), crooked Hillary Clinton (b 1947; US secretary of state 2009-2013, centre) and cult-leader Charles Manson (1934-2017, right).

Interestingly, the beliefs about sanpaku are culturally variable although universally it’s held the condition determines one's fate.  In the Japanese tradition those consequences are ill fate and misfortune while the Chinese associate sanpaku with good luck and wealth and this divergence has interested cultural anthropologists who study the symbolism and mythologies of different societies.  The tradition divides the eyes into "yin sanpaku" and "yang sanpaku", the roots of this the ancient Chinese concept of yin & yang, representing the duality of opposing yet complementary forces in the universe.  Yin and Yang are fundamental concepts in Chinese philosophy and represent complementary and interconnected aspects of the universe. Yin is associated with qualities such as darkness, femininity, passivity, and coldness, while Yang is associated with light, masculinity, activity, and warmth. They’re seen as opposing forces that are in a constant state of dynamic balance and they exist within all phenomena, including human physiology, nature and society.  In this they differ from the (wholly un-related) concept in particle physics of matter and anti-matter.  Matter is the familiar stuff which is much of the physical universe (particles such as protons, neutrons, and electrons) while anti-matter consists of particles with the same mass as their matter counterparts but carrying an opposite charges.  When matter and anti-matter particles come into contact, they can annihilate each other, releasing energy.  Ying and Yang, mutually dependent, live in peaceful co-existence.

The Mean Girls (2004) crew demonstrate the range:  Rachel McAdams (b 1978, far left) & Lindsay Lohan (b 1986, centre-left) are in the part of the population who are either not sanpakus or the effect is imperceptible.  Lacey Chabert (b 1982, centre-right) is in the group with a separation around 1 mm while Amanda Seyfried (b 1985, far right) displays up to 2 mm depending on her expression.

A quadrilateral meeting to discuss German war guilt reparations and allied debts accumulated during World War I (1914-1918): Raymond Poincaré (1860–1934; President of France 1913-1920, far left), Andrew Bonar Law (1858–1923; Prime Minister of the United Kingdom 1922-1923, centre-left), Benito Mussolini (1883-1945; Duce (leader) & Prime-Minister of Italy 1922-1943, centre right) and Georges Theunis (1873–1966; Prime Minister of Belgium 1921-1925 & 1934-1935, far right), 10 Downing Street, London, December 1922.

Before it became a meme, this was an obscure photograph which until the twenty-first century had appeared only in some specialist history texts but as the internet achieved critical mass, memes became a thing and Mussolini’s sanpaku eyes were a gift for the meme-makers, most captions suggesting the duce may have had a sudden premonition of his own unfortunate end although others offered: “I feel naked without a moustache”, “I think I have imposter syndrome”, “Oh God, I just pooped my pants”, “I know one of these men is a Freemason but I don't know which” and “I wonder if they can tell I've smoked some weed”.  However, although not noted as a mystic, he may have sensed another's impending death, “sitteth at the right hand”, Andrew Bonar Law then having only months to live.

Princess Beatrice, Mrs Edoardo Mapelli Mozzi (b 1988).  Until she appeared at a royal wedding in the fascinator she made famous (some humorless souls would have said infamous), she was most noted for her lovely sanpaku eyes.

In Japanese face reading, yang sanpaku eyes (white part visible above the iris) reveal a person's dark and sinister nature, the eyes indicating the unstable mental state suffered by individuals exhibiting uncontrollable aggression, such as psychopathic murderers or serial killers.  Yin Sanpaku Eyes (sclera visible below the iris) signify a different physical or mental imbalance, one caused by the abuse of drugs, alcohol, and sugar which disrupt the body's equilibrium.  Although discouraged by all in the profession except the odd, entrepreneurial cosmetic surgeon, treatment options are available to “correct” scleral show and the most effect treatment is aesthetic plastic surgery, specifically the procedure called blepharoplasty, which can correct the appearance of the eyes.  The construct of blepharoplasty was blepharo- +‎ -plasty.  Blepharo- was from the New Latin, from the Ancient Greek βλέφαρον (blépharon) (eyelid; a feature resembling an eyelid) and -plasty was from the Ancient Greek πλαστός (plastós) (molded, formed) which now has the special meaning in medicine meaning "repair, restoration or re-shaping of part of the body with a surgical procedure".

Alexandria Ocasio-Cortez (AOC, b 1989, US Representative (Democrat-New York) since 2019 and one of "the squad") displaying her Sanpaku superior (sclera visible above the iris).  Some other of her body parts are also well-documented.

Casual observation suggests sanpaku eyes are far from rare and there are said to be three classes: (1) those with at least a .25 mm (.0098 inch) space between the iris and the upper and lower eyelids, (2) those with a separation of 1 (.0394 inch) mm and (3) those with a gap of 2 mm (.0787 inch) or more.  The concition need not manifest as something symmetrical (in the vertical axis), the two elements being (1) Sanpaku inferior: white visible below the iris and (2) Sanpaku superior: white visible above the iris, the latter said often induced when a subject is frightened or physiologically stressed).  However although “estimates” have been published, neither the prevalence of the condition nor the distribution within the three (unofficial) groups have ever been the subject of a reputable epidemiological study; because “sanpaku eyes” is not a recognised medical or anthropometric category; funding would thus be hard to secure although, as a purely observational and statistical exercise, presumably not many ethics departments would much be troubled.  So, lacking a defined diagnostic entry, there is no standardised measurement threshold and estimates of prevalence are thus almost certainly speculative and thus unreliable.  Those with sanpaku eyes should not too much dwell on the numbers and instead flutter their eyelashes and enjoy the admiring glances.

Mean Girls four-way phone call: Eye-rolls (Amanda Seyfried, top right) don't count, a sanpaku defined only by separation maintained when looking ahead or to the side.

Humans are not the only species with a sclera but we are untypical in it being so visible.  That humans even have white scleras has interested linguistic anthropologists, evolutionary biologists and other researchers, some offering the Cooperative Eye Hypothesis which suggested the distinctive appearance evolved as a mechanism with non-verbal communication could be enhanced.  According to this conjecture, the high visibility of the iris & pupil against the white background allows an interlocutor more easily to track eye movements, helping individuals to understand where others are looking during interactions.  Observational studies revealed the way humans and other great apes move their heads and eyes in different ways, humans relying more on eye movements than head movements to see where someone else is looking.  Apes, without the white component in their eyes, tend more to move the whole head.  Not all support the "cooperative eye" faction but it’s an interesting approach to understanding the evolutionary significance of the human eye's appearance and the sophistication of communication is certainly a noted difference between humans and apes.

Seeing the whites of the eye: a gree-eyed cormorant taking lunch.

The phrase “don’t shoot until you see the whites of their eyes” comes of the military and was an instruction to infantry in the age of the musket to delay firing until the target was within close range, the rationale being (1) accuracy would be enhanced and (2) the projectile (musket ball) would strike with greater energy, thus increasing the effectiveness (measured in the casualty & death rates).  It’s often attributed to Colonel William Prescott (1726–1795) shouting it to his troops at the Battle of Bunker Hill (1775) during the American Revolutionary War (1775-1783) but according to Phrase Finder, the origins lie at least 32 years earlier.  On 27 Jun, 1743, during the Battle of Dettingen (fought in Bavaria as one of the "footnote engagements" of the War of the Austrian Succession (1740-1748)), the resourceful Scot Lieutenant-Colonel (later Lieutenant General) Sir Andrew Agnew of Lochnaw (1867-1761) 5th Baronet) departed from military orthodoxy when, responding to a French cavalry charge, adopted a novel tactic he’d devised, keeping his men not in the conventional square formation to meet the charge head on but having the two centre companies divide from the centre, falling back from the outer markers, thereby compelling the French to gallop through a withering crossfire.  It was potentially a high-risk strategy but he’d trained his troops well the French cavalrymen obediently threaded the needle, suffering heavy losses.  Tacitly acknowledging the danger presented by his innovation, Sir Andrew’s succinct instruction to his brigade had been: “Dinna fire till ye can see the whites of their e' en . . . if ye dinna kill them they'll kill you.”

If the human eye lacked a white sclera it would mean the “messaging” in facial expressions (a non-verbal clue in communication) would have evolved a little differently; Paris Hilton (b 1981) illustrates (digitally altered image).  Ms Hilton has brown eyes but often wears blue contact lens.

As far as is known, all living creatures on Earth came ultimately from a single event which can be said to be the origin of life because at this time, there is no evidence of other living things anywhere in the universe.  Everything else is speculative; life may have started (or arrived) here many other times but for whatever reason not thrived and around the universe there may be many forms of life; some may be more advanced than us or we may be unique in our scientific and technological mastery.  The single point of origin is why we share elements of DNA (Deoxyribonucleic acid, the so-called “building-blocks of life”) with our cats, dogs, goldfish and bananas so, unsurprisingly, in living creatures, eyes are common, often in pairs but unlike those in humans, not all are out-growths of a brain although, in many of the lineages of the Metazoa they are neurally derived and remain tightly integrated with the central nervous system.

A nice pair of boobies.  Charmingly, blue-footed boobies are known to be monogamous, pairs often staying together for life.  Like us, birds are two eyed vertebrates although except for the old outlier (like owls) their eyes, for good reasons, shifted to the sides.  Note how the booby’s eye differs from that of a human.

As a general principle it all depended on the developmental origin and phylogeny (the evolutionary history of groups of organisms).  In vertebrates (mammals, birds, fish etc), the eye evolved as an evagination (a growth outward) of the forebrain during embryogenesis (the process by which an embryo is formed and develops).  Cephalopods (octopus, squid etc) differ in that while the optic lobes of the brain are large and closely connected, the eye is not literally a brain protrusion; thus, while neurally integrated, the eyes are not brain outgrowths.  Arthropods (insects, crustaceans and such) have compound eyes formed from ectodermal (of the The outermost of the three tissue layers in the embryo of a metazoan animal) tissues which connect to the brain via optic nerves and are thus also neurally connected but not developmental extensions of the brain itself.  Many cnidarians (such as the box jellyfish) possess complex lens eyes but lack a centralized brain, their eyes peripheral sensory structures connecting to nerve rings rather than a true brain.  Many invertebrates have relatively simple photoreceptors which can be thought of as “eyespots” which can be distributed across body tissues, the best contemporary comparison probably the sensors now so ubiquitous in electronic devices.

Boobies, one step at a time.

A booby is a seabird in the genus Sula, part of the Sulidae family.  Boobies are closely related to the gannets (Morus), which were formerly included in Sula, the genus created in 1760 by the French naturalist Mathurin Jacques Brisson (1723-1806).  The name was derived from súla, the Old Norse and Icelandic word for the other member of the family Sulidae, the gannet.  The English name booby was based on the Spanish bobo (stupid) as the tame birds often landed on board sailing ships, where they were easily captured and eaten.  As well as a popular addition to the diet of sailors for whom meat other than fish was a rarity, it was fortuitous for many, the Admiralty's archives revealing boobies often mentioned as having been caught and eaten by shipwrecked sailors.

Mr Andrew Mountbatten Windsor in police car, under arrest, February, 2026.

If humans had eyes free of a white sclera (like the booby and many birds), our appearance would be quite different, illustrated by a digitally edited image of (the former prince/duke/admiral etc) Andrew-Mountbatten Windsor (b 1960), rendered as a cartoon by Vovsoft.  However, the use of that image to demonstrate the point may not have been the best choice because, in the original, his expression didn’t appear greatly different.

As well as charming eyes, boobies also have interesting feet.  The distinctive blue feet (the result of pigments ingested from their diet of fish) also play a part in the bobby’s mating ritual although not exactly in the podophilic sense familiar in a sub-set of humans.  In the spring mating season, the bird’s feet become a bright turquoise blue and, to demonstrate their health and vitality, conspicuously they will display them to potential partners.  The job done, as their eggs hatch, the blue hue fades to something less vivid.  One aspect of their behaviour which amused the ornithologists who first observed it was that if among fishers unloading their catch, it tossed a small fish from the by-catch, a booby will take it and waddle off somewhere to enjoy it in solitude rather than gulping it down as in common in many species.  Like penguins, although ungainly on land, they are skilled plunge divers which used their streamlined bodies and air sacs “fly” through the water, catching their prey at high speed and they hunt in "packs", coordinating their movement to maximize the catch.  Boobies have been recorded diving from as high as 90 m (300 feet), their speed upon entry estimated at around 100 km/h (60 mph).

Solecism

Solecism (pronounced sol-uh-siz-uhm or soh-luh-siz-uhm)

(1) In language, a non-standard or ungrammatical usage.

(2) A breach of good manners or etiquette.

(3) Any error, impropriety, absurdity or inconsistency.

1570-1580: From the Latin soloecismus, from the Greek soloikismos, from soloikos (speaking incorrectly), the construct being Sólo(i) + -ic (from the Middle English -ik, from the Old French -ique, from the Latin -icus, from the primitive Indo-European -kos, formed with the i-stem suffix -i- and the adjectival suffix –kos.  The Ancient Greek form was -ικός (-ikós), the Sanskrit श (śa), क (ka) and the Old Church Slavonic -ъкъ (-ŭkŭ); doublet of –y; on noun stems, it carried the meaning “characteristic of, like, typical, pertaining to” and on adjectival stems, it acted emphatically) + -ism (ultimately from either the Ancient Greek -ισμός (-ismós), a suffix that forms abstract nouns of action, state, condition, doctrine; from stem of verbs in -ίζειν (-ízein) (from which English gained -ize), or from the related suffix Ancient Greek -ισμα (-isma), which more specifically expressed a finished act or thing done).  Solecism & solecist are nouns, solecistic & solecistical are adjectives and solecistically is an adverb; the noun plural is solecisms.

A solecism in sandals & socks, the look proscribed almost universally.

The meaning “gross grammatical error” or "any absurdity or incongruity" dates from the 1570s, a borrowing directly from the sixteenth century Middle French solécisme, from the Latin soloecismus (mistake in speaking or writing), which gained the word from the Greek soloikismos (to speak (Greek) incorrectly), from soloikos (an ungrammatical utterance), the literal translation of which was "speaking like the people of Sóloi, an Athenian colony in Cilicia (Mezitli in the modern-day Republic of Türkiye); there, the dialect spoken was a corrupt form of Attic Greek which Athenians condemned as barbarous.  The English, perhaps predictably, later extended the meaning to matters of etiquette, thus the sense of “awkward or rude in manners” and, by the late twentieth century, sins against fashion and good taste.

A solecism in blusher: Lindsay Lohan in court, Los Angeles October 2011.

The zombie-like look presumably wasn't intentional and it attracted some comment from professional make-up techs.  Speculation about how this happened ranged from the blusher being applied (1) in less than ideal lighting conditions, (2) in a car with only the rear-vision mirror available and (3) with bare fingers because a brush couldn't be found.  The consensus was the goal was a contoured blush look which, if applied with some delicacy, can accentuate the cheekbones but this was heavy handed and ended up as a smear across the cheeks.

Nicolás Maduro (b 1962; President of Venezuela 2013-2026, left) meeting with Grand Ayatollah Seyyed Ali Hosseini Khamenei (1939-2026; Supreme Leader of the Islamic Republic of Iran 1989-2026, right), the pair watched over by the official portrait of the Islamic Republic’s ever-unsmiling founder, Grand Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989).  Ayatollah Khamenei seemed in 1989 an improbable choice as Supreme Leader because others were better credentialed but though cautious and uncharismatic, he was for almost four decades a great survivor in a troubled region but finally was killed by the sheer weight of US firepower and the effectiveness of its intelligence gathering (at least some of which is assumed to have come from within the Iranian regime).  What the death of the Supreme Leader reminded everyone was that bunkers have their limits so, just as recent events will have strengthened the ayatollahs' view that possession of an IND ( independent nuclear deterrent) is both wise and Godly, they'll also want deeper holes dug and more concrete poured.

The socks & sandals combo is not not solecistical if on the Supreme Leader's feet.  It’s true that for men the pairing of sandals with socks is probably more than a mere solecism and constitutes an actual crime against fashion but when one is (1) a grand ayatollah and (2) Supreme Leader, one sets the rules.  As a general principle, the Supreme Leader cannot make a fashion mistake because what the Supreme Leader does is the fashion.  Even if challenged (on a basis presumably not theological), the Supreme Leader could have cited the precedent of Grand Ayatollah Khomeini having been photographed with his feet in socks and sandals.  It's quite agreeable to live in a theocracy if one is the ruling theocrat.

The Supreme Leader meets three wise men of the Hamas.

In the Middle East, everything is of course political and that includes clothing.  Best known (and most contentious) is what is demanded of women (which can range from a minimalist (verging on symbolic) hijab to an enveloping burka) but also of interest are the feet, shoes being objects of great significance because what is done with them can be vested with political and social messaging.  This was in 2024 illustrated when the Supreme Leader met with Ismail Haniyeh (1962-2024; third chairman of the Hamas Political Bureau 2017-2024) and two members of his entourage; on a number of sites what attracted most interest was not the substantive matters discussed but the shoeless feet of the Hamas apparatchiks.  In the ensuing debate what was pondered was whether this was merely Iranian protocols being followed or whether any disrespect had been created or intended.  One theory was the Supreme Leader was wearing “indoor” sandals with his socks while the Hamas operatives, travelling only with “outdoor” shoes, removed them in deference to local practice.  The alternative conjecture was the threesome were compelled by their hosts to appear in socks in an attempt to “undermine their dignity” and diminish their status as leaders of the Palestinian resistance, the rationale for that argument being the Islamic Republic of Iran is regime of the Shia tradition (specifically the Twelver Shi'ism branch) of Islam while the Hamas substantially was Sunni.  The consensus was it was less a conspiracy than an unexceptional example of the custom of removing shoes when entering indoor spaces, customary in homes and places of prayer and widespread also in many Islamic countries.  After the event concluded, IRNA (Islamic Republic News Agency) reported that during the meeting the Supreme Leader had observed Iran: “…will not hesitate to support the Palestinian cause and the oppressed and resistant people of Gaza, praising the exemplary resilience of the Palestinian resistance forces and the people of Gaza.  The exemplary patience and steadfastness of the people of Gaza and the resistance forces during these six months, resulting from their strong faith, have prevented the Zionist enemy from achieving any of its strategic objectives in the Gaza war.”  Clearly, the “shoe incident” had not weakened Persian-Palestinian solidarity.

A young lady in Birkenstocks and socks.

Although it has long been an orthodoxy that for men not ayatollahs, wearing sandals over sock is a solecism, that rule does not apply to attractive young women (upon whom a different sub-set of rules is imposed) and for them, the fashionistas have declared the combo is now normcore (used in the attributive sense of describing a look which should be thought unremarkable).  There are still those who for any purpose reject the embrace of socks & sandals but, done well, matched with an over-sized blazer, Vogue calls the look “deconstructed business casual”.