Agitprop

Agitprop (pronounced aj-it-prop)

(1) A form of propaganda, emanating originally from the USSR but later more generally applied.

(2) A (usually disparaging) term for an agency or department of government or corporation which directs or coordinates publicity, advertising or other activities which may be classed as propaganda.

(3) A person (technically an agitpropist) who is trained or takes part in such activities.

(4) Of or relating to agitprop; an instance of such propaganda.

1920s: From the Russian агитпро́п (agitprop), from отде́л агитации и пропаганды (otdél agitacii i propagandy) (Department for Agitation and Propaganda), the construct in English being agit(ation) + prop(agenda), the Russian agitatsiya a borrowing from the French agitation while propaganda was gained from the German which picked it up from the Roman Catholic Church, the ecclesiastical Latin from the New Latin propāganda which was thought to be the ablative feminine gerundive of the Classical Latin prōpāgō (propagate).  The Congregātiō dē Prōpāgandā Fidē (the official title sacra congregatio christiano nomini propagando (the sacred congregation for propagating the faith)), was a committee of cardinals created in 1622 by Pope Gregory XV (1554–1623; pope 1621-1623) to supervise foreign missions.  The original Agitation Propaganda Section of the USSR’s Central Committee of the Communist Party in the USSR appeared in contemporary documents variously as Agitpróp, Agitatsiónno-propagandístskiĭ otdél, Agitpropbrigáda and Agitpropbyuro, reflecting the frequent bureaucratic and administrative changes in the early days of the Soviet state.  Agitprop is a noun and a verb and agitpropist is a noun; the noun plural is agitprops.  Variations (agitpropesque, agitproplike et al) have been used as non-standard adjectives and although no one seems to have concocted an adverb, dictionaries note the present participle agitpropping (used as a noun & adjective) and the past participle agitpropped.  The alternative spelling is agit-prop.

Agitprop began in the Soviet Union but was co-developed to its definitive forms under fascism, a political system much concerned with spectacle.

Agitprop is political propaganda disseminated through art, drama, literature etc and is historically associated with communist regimes, its origins in the material disseminated by the Department for Agitation and Propaganda of the Central Committee of the Communist Party of the Soviet Union.  Like the less overtly atheistic Nazis, the Bolsheviks learned much from the techniques the Roman Catholic Church had developed over the centuries and even Adolf Hitler (1889-1945; German head of government 1933-1945 & head of state 1934-1945) who habitually referred to priests as “those black crows” never tried to hide his grudging admiration for an institution which had endured and prospered for two thousand-odd years.

The Church’s sacra congregatio christiano nomini propagando (the sacred congregation for propagating the faith), established in 1622 by Pope Gregory XV (1554–1623; pope 1621-1623) was a propaganda operation created to manage communications with the new countries then recently discovered and also to supervise the new system of government by congregations adopted during the Counter-Reformation.   For the Church, of interest was both the re-conquest of severed lands and the evangelization of the vast populations in regions then becoming known through the expeditions of European explorers, not all of whom were Catholic.  The theological cold war of the age was the contest between the doctrines of Rome and those of the dreaded Protestantism.

In the 1920s, the Red Army used both trains and trucks as mobile agitprop units, the trains often equipped with printing presses which enabled the graphic artists to create regionalized variations of the material.

Although the results achieved by the sacred congregation ebbed and flowed with because it was so dependent on the energy and priorities of the members of the committee, it succeeded as a propaganda project and many of the territories in Africa, Asia and South America (as well as some re-claiming of souls in Europe) which remain today predominately Roman Catholic are due to the efforts which began in the seventeenth century.  The objectives of the early Bolsheviks was strikingly similar in that their task of evangelization was one of spreading to all the gospel of communism so that the Marxist prediction of a world-wide revolution might be realized.  To the techniques borrowed from the Church the Russians added the novelties now so associated with agitprop, the colors and practices of graphic art which were mapped on to the stark simple imagery known in religious iconography and stained glass windows.  The method remained the same: a simple message, endlessly repeated and presented in a form which changed just enough to keep the viewers interested, the need for text kept to a minimum so it was suitable for the illiterate likely to be among the most receptive audiences.  Innovative too was the idea of agitprop as a moving thing, trains and trucks loaded with material to be distributed far and wide.

So distinctive is the classic agitprop poster that it remains in use as a political message implying dictatorship.  Inevitably, it’s popular also with meme-makers.

Agitprop was thus overt political propaganda, understood as such by some and to others just another form of religion, temptingly offering something tangible in this life rather than paradise in the next.  Designed to produce political consequences, it spawned a number of forks, the best known of which were those distributed through popular media such as theatre, cinema and pamphlets and although agitprop literature did exist, agitprop was so inherently visual that even in those few –laces where radio existed, impact was limited.  Soon after the October Revolution of 1917, an agitprop train toured the country, broadcasting propaganda and staging plays.  On board was a printing press which reproduced posters to be thrown from the windows as it passed through even the tiniest villages.  The Soviet’s train inspired agitprop theatre, a politicized left-wing theatre formed in 1920s Europe which soon spread to the rest of the western world.  An international and briefly influential theatre movement, it’s most associated with the work of Bertolt Brecht (1898-1956), Joan Littlewood (1914-2002) and a myriad of groups such as Red Ladder and 7:84 which emerged during the mid-twentieth century.  Despite this, agitprop is essentially a footnote in theatre history, probably because its historical moment passed, its techniques and styles becoming absorbed into mainstream, bourgeois theatre.  In its early form a didactic form of mass-propaganda, the word agitprop had, by the 1950s, come to mean a kind of highly politicized art although, having become just another mass-produced commodity, classical, two-dimensional agitprop imagery exists now in something of an ironic space.

Lindsay Lohan agitprop.

Dictator

Dictator (pronounced dik-tey-ter)

(1) A person exercising absolute power, especially a ruler who (at least ostensibly) has absolute control (ie effectively not restricted by a constitution, laws, recognized opposition, etc) in a government (and officially without hereditary succession); applied particularly to those exercising tyrannical rule.

(2) In republican ancient Rome, a person vested by the senate with supreme authority during a crisis, the regular magistracy being subordinated to him until the crisis was met (typically by conducting a war).

(3) A person who makes pronouncements, as on conduct, fashion etc, which are regarded as authoritative.

(4) A person who dictates text to someone or some sort or mechanical or electronic recording device.

(5) In Ancient Rome (during certain periods), an elected chief magistrate.

1350–1400: From the Middle English dictatour, from the Old French dictator, from the Latin dictātor (genitive dictātōris), (Roman chief magistrate with absolute authority) the construct being dictā(re) (inflection of dictō (I repeat, say often; I dictate (to someone for writing))), frequentative of dicere (to say, speak); I compose, express in writing; I prescribe, recommend, order, dictate)) frequentative of dicere (to say, speak)" (from the primitive Indo-European root deik- (to show (also "solemnly to pronounce") (and related to dīcō (say, speak) + -tor (from the Proto-Italic -tōr, from the primitive Indo-European -tōr from -tor-s; the suffix added to the fourth principal part of a verb to create a third-declension masculine form of an agent noun).  The feminine forms were dictatress or dictatrix, both probably now obsolete except in historic reference or as a jocular form; the old alternative spelling dictatour is obsolete.  Some European languages (including Dutch and Romanian) were like English and borrowed directly the Latin spelling while others used variations including Catalan (dictador), French (dictateur) Italian (dittatore), Piedmontese (ditator), Polish (dyktator), Portuguese (ditador), Russian (дикта́тор (diktátor)), Sicilian (dittaturi), Spanish (dictador) and German (Diktator).  Dictator is a noun, dictatorially is an adverb and dictatorial is an adjective; the noun plural is dictators.

The noun dictatorship (office or term of a (Roman) dictator) came into use in the 1610s to describe the historically specific terms of office the Roman senate sometimes granted individuals in extraordinary and reprehensible circumstances while the now familiar general sense of "a ruler exercising absolute authority" evolved by the late seventeenth century.  The noun dictator had already proceeded along this path, the historical sense being the first used in English circa 1600, the extension to “one who has absolute power or authority" (in any context and not just political power) noted by the 1690s.  The nasty and not infrequently genocidal nature of some of the dictators of the twentieth century and beyond certainly influenced the understanding of the word which, as late as the 1800s could be used neutrally, effectively as a synonym for president.

The adjective dictatorial (pertaining to a dictator; absolute, unlimited), dating from 1901 evolved also to enjoy use outside of descriptors of absolute government and by 1704 had acquired the general sense of "imperious, overbearing", usefully (and often applied as required to husbands, mothers-in-law, parish priests et al; the related for was the adverb dictatorially.  In that vein, to convey the notion of "pertaining to a dictator" there had been dictatorian (1640s) & dictator-like (1580s).  Etymologists insist the dictatorial’s historic duality of implication (1) a disposition to rule and (2) a sharp insistence upon having one's orders accepted or carried out has survived in modern use but instances of the former are now probably rare.

Adolf Hitler (1889-1945; German head of government 1933-1945 and of state 1934-1945) is of course the dictator who for decades has loomed over the word and “Hitler” was used figuratively for "a dictator" from as early as 1934, a use which has persisted despite there being no shortage of dictatorial tyrants in the years since his assumption of power.  One amusing variation emerged in England in the early years of the Second World War (1939-1945), a “little Hitler” being someone appointed to a minor post (archetypically someone employed to walk the streets during a “black-out” telling folk to extinguish their lights) and, cloaked in this brief, unaccustomed authority, soon intoxicated by their power.  In post-revolutionary (1979-) Iran, the regime encouraged a similar put-down aimed at opponents, the US being شيطان بزرگ (Shaytân-e Bozorg (the great Satan)) and Israel شیطان کوچک, (Shaytân-e Kuchak (the little Satan)) and it’s even worse than it sounds because “great” is not the perfect translation, the idea of the great Satan being one of derision rather than awe.  When the Ayatollahs are in a bad mood (which does happens), sometimes the UK is also described as a “little Satan”.

Because of the evil of Hitler and his many spiritual successors in this century and the last, dictator really doesn’t cry out for synonyms but autocrat, despot, tyrant, absolutist, authoritarian, oppressor & totalitarian all tend in the direction.  Historically, the closest is probably the noun generalissimo (supreme military commander), dating from the 1620s and a borrowing of the Italian generalissimo, superlative of generale, from a sense development similar to the French general.  However, despite the title being used by the dictators comrade Stalin and General Franco, it’s never come into use as a general descriptor in the manner of dictator.

1935 Studebaker Dictator phaeton (left) & 1936 Studebaker Dictator sedan (right).

The Studebaker Dictator was produced between 1927-1937 and was part of a naming scheme which used titles from government service to indicate a car’s place in the hierarchy, the Dictator replacing the Standard Six as the entry-level model, the progressively more expensive being the Commander and President.  Briefly (only for 1927) there was also the Chancellor but, presumably because it wasn’t a title which much resonated in the American imagination, it was short- lived.  Other manufacturers have adopted a similar idea, Opal once also merging admiralty and political ranks, offering the Kapitän, Commodore, Admiral & Diplomat.  

Some of the opposition to crooked Hillary Clinton's presidential campaign in 2016 accused her of wanting to turn the US into a dictatorship.  That was hyperbolic because, although it may have been what she wanted, the US constitution would make it almost impossible to achieve.  The meme makers responded with agitprop.

It probably now seems strange a US manufacturer would call one of its products the Dictator but in 1927 the Nazis were years from power and Mussolini, in office since 1922 was far from the tainted character he would later become and the public perception of his rule was still at the stage of admiring him for “making the trains run on time” (although it’s thought unlikely any improvements in punctuality were noted by many).  Studebaker anyway had always explained the name as suggesting “a fine car at a moderate price” that would “dictate the standards” for the mid-priced field.  That was fair enough but in hindsight, when the option of a straight-eight engine was offered as an upgrade from the straight-six, Studebaker probably would not to have used the marketing slogan “a brilliant example of excess power”.  By 1937, the use of excess power by the Third Reich’s dictator was becoming obvious and Studebaker quietly dropped the Dictator name for 1938, re-positioning the Commander as the base model, the cars exported to the Europe, the UK and the British Empire having early been renamed Director.  With those changes, probably just about everyone except Henry Ford approved.

So Studebaker’s tale is an example of how the shifting meaning of words can influence many things.  Still, even if in 1937 any association with Hitler had become distasteful for a US corporation, even by 1940, some two years after the Nazi’s most publicized pogrom against the Jews (Kristallnacht (Night of Broken Glass)), Charlie Chaplin, 1889–1977) released his satirical comedy The Great Dictator which parodied both dictators (Hitler and Mussolini), his argument being that however controversial it might be, “…Hitler must be laughed at."  He later admitted that had he known in 1940 what would later be understood, he’d never have produced the film.

The Hijab Police

Of the many “morality police” forces which have existed in countries with a majority Islamic population, the best known was Afghanistan's Committee for the Propagation of Virtue and the Prevention of Vice which actually pre-dated the Taliban takeover in 1996 but they certainly deployed it with an enthusiasm which went much beyond it functioning as “burka police” and in one form or another, it actually operated for most of the (first) post-Taliban era.  When the Taliban regained power in 2021, immediately they created the "Ministry of Invitation, Guidance and Promotion of Virtue and Prevention of Vice" and, in a nice touch, allocated as its headquarters the building formerly used by the Ministry of Women’s Affairs.

The institution is infamous also in Iran.  In the West, it’s usually referred to as the “morality police” and among women the sardonic slang is “hijab police” but technically, the instrument of the Islamic Republic of Iran which enforces, inter alia, the laws governing the wearing of the hijab is گشت ارشاد (Gašt-e Eršād (Guidance Patrol)).  On 16 September 2022, the hijab police arrested Mahsa Amini (b 2001) because she was wearing her hijab in “an un-Islamic way”.  While in custody, Ms Amini suffered a medical event, dying two days later without recovering consciousness, the hijab police claiming the cause of death was heart failure, induced by pre-existing conditions.  Her family dispute this, saying the evidence suggests she was severely beaten and many witnesses have confirmed she was tortured in the back of a van before arriving at a hijab police office.

Handy guide for the hijab police.  Not only must hijab must be worn correctly but clothing must also be (1) not brightly colored, (2) not patterned with extravagant designs or shapes and (3) be loose enough that the shape of the body is not discernable.

Her death triggered waves of protests in Iran, which, on the basis of footage seen in the West, seem dominated by school girls and young women which, in the context of political protest, is historically unusual.  With protest signs and banners rendered in YouTube & TikTok friendly English, the headline issue is of course the matter of the hijab and whether women should be beaten to death for letting a lock of hair slip from beneath but the women and girls are making clear they're protesting about corruption (noting the poverty of most while the clerical elite have become very rich), the structure of the state, the economy and the very question of whether the republic should be an Islamic theocracy.  The Ayatollahs are no doubt well aware that the standard calculation in political science is that if 3½% of the population can be mobilized to revolt, regimes can be toppled and most recently, the Afghan Taliban did it with a fraction of that.  For many reasons, Afghanistan may be a special case and the Iranian state, on paper, is much better equipped to suppress internal dissent but then the security apparatuses around Hosni Mubarak (1928-2020; Egyptian dictator 1981-2011) and Muammar Gaddafi (circa 1942–2011; Libyan dictator 1969-2011) both looked impregnable until the volume of the protesters reached critical mass.  These things are however hard to judge from afar, Bashar al-Assad (b 1965; Syria dictator since 2000) looked vulnerable long before Gaddafi and Mubarak fell yet today he sits still as dictator in Damascus.  The Ayatollahs are of course watching things with concern but so will individuals in the Kremlin, aware their security apparatus has proved inadequate to execute the battle plan of the recent special military action (war) in Ukraine and, in a nice echo of the 1979 revolution, the protesters are again chanting the cry once spat against the Shah: “Death to the Dictator!”.

Bolshevik & Menshevik

Bolshevik (pronounced bohl-shuh-vik, bol-shuh-vik or buhl-shi-vyeek (Russian))

(1) A member of the more radical majority of the Social Democratic Party, 1903–1917, advocating, inter alia, the immediate and forceful seizure of power by the proletariat (in Russia and in some factions, beyond); after 1918, a member of the Russian Communist Party.

(2) In the West, historically (mostly early-mid twentieth century), a disparaging or contemptuous term used to refer to an extreme radical or revolutionary (often lowercase).  Applied loosely, it was used (even neutrally) to refer to any member of a Communist party.

(3) In the West a term, sometimes humorous, used as an adjective (often as bolshie) applied to anyone deliberately combative or uncooperative and strident or assertive in their actions or expression of view; used especially where there was a perception of behavior of attitude in conflict with socially constructed expectations (women, nuns etc).

Circa 1915: From the Russian большеви́к (bolʹševík), from большинство́ (bolʹšinstvó) (majority) (those in the majority (Majoritarians)), the construct being bólʾsh(iĭ) (larger, greater (comparative of bolʾshóĭ (large) and thus the sourced of bolʾshinstvó (majority)) + -evik (one that is (a variant of –ovik, the noun suffix)).  The adjective bol'shiy (greater), comparative of the adjective bol'shoy (big, great) is probably most familiar from the famous Bolshoi Ballet and was from the Old Church Slavonic boljiji (larger), from the primitive Indo-European root bel- (strong), source also of the Sanskrit balam (strength, force), the Greek beltion (better), the Phrygian balaios (big, fast), the Old Irish odbal (strong), the Welsh balch (proud) and the Middle Dutch, Low German & Frisian pal (strong, firm).  The popular contraction in the West (and one now remote from its party-political origins) should always be spelled bolshie.  Bolshevik & Bolshevist are nouns & adjectives, Bolshevism is a noun and Bolshevistic an adjective.  The noun plural is Bolsheviks (Bolsheviki in the Russian which is pronounced buhl-shi-vyi-kyee).

Norman Mailer (1923–2007) and bolshie woman Germaine Greer (b 1939) at the Town Bloody Hall debate between the author and a panel of feminists, 30 April 1971, The Town Hall, New York City.  Both were well chosen, Greer was the author of The Female Eunuch (1970) which remains one of feminism's seminal texts and Mailer regarded (fairly or not) as a misogynist and one who received a suspended sentence for (twice) stabbing the second (the artist Adele Morales (1925–2015)) of his six wives.

In the twentieth century, “bolshevik” was often used as a term of disparagement, often from establishment figures disturbed by challenges to the status quo, subversive types like TS Elliot (1888-1965) and James Joyce (1882-1941) both called literary bolsheviks and some painters wore “artistic bolshevik” as a badge of honor; later, there would be feminists who proudly described themselves as “bolshie women”.  Winston Churchill (1875-1968; UK prime-minister 1940-1945 & 1951-1955) abhorred communism and not infrequently referred to the new order in Moscow as the “Bolshevik baboons” and was supportive of a multi-national military intervention in the Russian Civil War (1918-1920) but was also, strategically, a realist.  His biographer recounted how he note there were:

“…nearly half a million anti-Bolshevik Russians under arms, and the Russians themselves planned to double this figure.  If we were unable to support the Russians effectively, it would be far better to take a decision now to quit and face the consequences, and tell these people to make the best terms they could with the Bolsheviks.”

So it transpired and the small foreign forces were withdrawn but he always made clear that as Minister for War, he did this out of military necessity and not any lack of conviction that the communists should have been overthrown, telling a press conference in Washington DC in 1954 that had he “…been properly supported in 1919, I think we might have strangled Bolshevism in its cradle, but everybody turned up their hands and said, ‘How shocking!’”

Menshevik (pronounced men·she·vik, men-shuh-vik or myin-shi-vyeek (Russian))

A member of the faction of the Russian Social-Democratic Workers' Party opposed to the Bolsheviks; inter alia, they advocated a gradualist approach to the attainment of socialism through parliamentary government and cooperation with bourgeois parties.  By 1918, the remaining members had been absorbed into the Communist Party of Russia, formed that year.

1907: From the Russian меньшеви́к (menʹševík) from меньшинство́ (menʹšinstvó) (minority) from ме́ньше (ménʹše), the comparative of ма́лый (mályj) (little), the sense being “those in a minority” (the Minoritarians), the construct being ménʾsh(iĭ) (lesser, smaller (comparative of málenʾkiĭ (small) and thus the source of menʾshinstvó minority)) + -evik (one that is (a variant of –ovik, the noun suffix)).  The source the Russian men'she (lesser), was a comparative of malo (little), from the primitive Indo-European root mei- (small).  Menshevik & Menshevist are nouns & adjectives, Menshevism is a noun and Menhevistic an adjective.  The noun plural is Mensheviks (Mensheviki in the Russian which is pronounced myin-shi-vyi-kyee).

The noun minimalist dates from 1907 in the sense of “one who advocates moderate reforms or policies" and was originally an adapted borrowing of Menshevik; as understood as "a practitioner of minimal art" it dates from 1967, the term “minimal art” being noted first in 1965.  It was an adjective from 1917 in the Russian political sense and since 1969 in reference to art.  It was comrade Lenin (Vladimir Ilyich Ulyanov 1870–1924 and known by his alias Lenin; revolutionary, political theorist and founding head of government (Soviet Russia 1917-1924 and the Soviet Union 1922-1924) who vested Bolshevik (as Bolsheviki meaning Majoritarians or those in the majority) and Menshevik (as Mensheviki meaning Minoritarians or those in the minority).

Comrade Lenin Agitprop.

Lenin was a classic example of a political phenomenon which would so frequently feature in twentieth century revolutionary politics: the middle-class radical.  His intellectual predisposition had already tended that way but it was after the regime in 1886 hanged his elder brother in punishment for his involvement in an attempt to assassinate the reactionary Tsar Alexander III (1845–1894; Emperor of Russia 1881-1894) that his interest shifted from the mostly theoretical.  Apparently somewhat an inept activist in his younger years, he was soon apprehended by the Tsar’s secret police and transported to Siberia where he wrote a treatise on Russian economic development in which he claimed that capitalism was already the country’s dominant mode of production, quite a startling assertion given the state of things.  He found himself on a sounder intellectual footing as a political tactician, his 1902 pamphlet What Is to Be Done? which advocated a rigid centralism in party structure, the vetting of members and a tightly enforced discipline.

Lenin actually borrowed the title from Nikolay Chernyshevsky's 1863 pro-revolutionary novel What Is to Be Done? (1863), a book not without critics but one which exerted a still often underestimated influence on those who would in the years to come build the political movements which culminated in the events of 1917.  It also drew the attention of Leo Tolstoy (1828-1910) who in 1886 wrote his own What Is to Be Done? although it’s a work more of moral theology and was published sometimes as (the probably more accurate) What Then Must We Do? and (in English) as What to Do?

Lenin knew what to do.  A brief work of stark clarity, his pamphlet was quite a change from the verbose and discursive stuff of the era and attracted much attention although its uncompromising was too much for many, the second party congress of the Russian Social-Democratic Workers’ Party in 1903 ending in acrimony although Lenin did secure one pyrrhic victory, his faction winning a majority in the congress vote, enabling him to label his group the Bolsheviki (Majoritarians), the opposition responding, with some implied irony, that they were therefore the Mensheviki (Minoritarians).  The Bolsheviki accused the Mensheviki of being anti-revolutionaries and the Mensheviki labelled the Bolsheviki (and especially Lenin) dictatorial and intolerant.  Had the word fascist then existed, both sides would have used it.  As things soon transpired, defections meant Lenin didn’t long have the numbers and the Mensheviki became the majority (although both sides kept their names), prompting Lenin to damn them as usurpers and it was in this spirit the congress ended, the two factions setting up their own newspapers and network of spies, little time devoted to the revolution because of the internecine conflict.  The outbreak of revolutionary protest in 1905 was thus a surprise to both Mensheviki and Bolsheviki and neither side was sufficiently organized to take advantage of the situation which the Tsar’s forces soon suppressed with a mixture of carrot and stick.

Whether the revolution was to be in than hands of the Mensheviks or Bolsheviks was decided in the war-time chaos of 1917.  Without the war, the Tsarist regime might have endured but when in February it became clear the army were either unable or unwilling to act against the strikes and demonstrations, it became apparent to all the Tsar must abdicate which he did on 15 March (under the Gregorian calendar or 2 March under the Julian calendar then used.  The “administration” which formed in the wake of the revolution (of which the Mensheviks were a part) was from the start beset with problems, some of its own making and few were responsive to the methods adopted, the factionalized and quasi-democratic structures adopted ill suited to deal with the multiple crises of the time.  Strikes and other industrial disruptions may not have made the subsequent Bolshevik insurrection inevitable but the failure to extricate Russia from the war and the not unrelated shortages of food and medical supplies probably did.  What’s remembered as the October revolution (on 7 November (Gregorian calendar) or 25 October (Julian calendar)) was organized by the Bolshevik party and, having seized power, it wasn’t for decades relinquished.  Were there any doubt about the methods and morality of the Bolsheviks, the tsar and his family, under house arrest since March 1917, were on 16 July 1918 murdered although historians continue to debate whether Lenin personally ordered the shootings, documentary evidence impossible to assess because comrade Lenin order it all burned.

Tsar

Tsar (pronounced zahr)

(1) An emperor or king.

(2) Title of the former emperors of Russia and several Slavonic states.

(3) Slang term for an autocratic ruler or leader.

(4) Slang term for a person exercising great authority or power in a particular field.

1545-1555: From the Old Russian tsĭsarĭ (emperor or king), akin to the Old Church Slavonic tsěsarĭ, the Gothic kaisar and the Greek kaîsar, all ultimately derived from the Latin Caesar (an emperor, a ruler, a dictator) while the Germanic form of the word was the source of the Finnish keisari and the Estonian keisar.  The prehistoric Slavic was tsesar, Tsar first adopted as an imperial title by Ivan IV (Ivan Vasilyevich, 1530–1584 and better remembered as Ivan the Terrible, Grand Prince of Moscow and all Russia 1533-1584 & Tsar of all Russia 1547-1584) in 1547.  There’s a curious history to spelling tsar as czar.  Spelled thus, it’s contrary to the usage of all Slavonic languages; the word was so spelt by the Carniolan diplomat & historian Baron Siegmund Freiherr von Herberstein (1486–1566) in his work (in Latin) Rerum Moscoviticarum Commentarii (Notes on Muscovite Affairs (1549)) which was such a seminal early source of knowledge of Russia in Western Europe that "czar" passed into the Western languages; despite that history, "tsar" definitely is the proper Latinization.  It still appears and some linguistic academics insist the lineage means it should be regarded as archaic use rather than a mistake and, as a fine technical point, that’s correct in that, for example, the female form czarina is from 1717 (from Italian czarina and German zarin).  In Russian, the female form is tsaritsa and a tsar’s son is a tsarevitch, his daughter a tsarevna.

Nicholas II (Nikolai II Alexandrovich Romanov, 1868–1918; last Tsar of Russia, 1894-1917).  He cut an imposing figure for the portraitists but his cousin Kaiser Wilhelm II (1859–1941; German Emperor & King of Prussia 1888-1918) reckoned the tsar's mental abilities rendered him most suitable to "a cottage in the country where he can grow turnips".  Wilhelm got much wrong in his life but historians seem generally to concur in this he was a fair judge of things.

Tsar and its variants were the official titles of (1) the First Bulgarian Empire 913–1018, (2) the Second Bulgarian Empire (1185–1396), (3) the Serbian Empire (1346–1371), (4) the Tsardom of Russia (1547–1721) (technically replaced in 1721 by imperator, but remaining in use outside Russia (also officially in relation to certain regions until 1917) and (5) the Tsardom of Bulgaria (1908–1946).  So, although most associated with Russia, the first ruler to adopt the title was Simeon I (usually written as Simeon the Great; circa 865-927, ruler of Bulgaria 893-927) and that was about halfway through his reign and nobody since Simeon II (Simeon Borisov Saxe-Coburg-Gotha, b 1937; (last) Tsar of the Kingdom of Bulgaria 1943-1946) has been a tsar.  The transferred sense of "person with dictatorial powers" seems first to have appeared in English in 1866 as an adoption in American English, initially as a disapproving reference to President Andrew Johnson (1808–1875; US President 1865-1869) but it has come to be applied neutrally (health tsar, transport tsar) and use does sometimes demand deconstruction: drug tsar has been applied both to organised crime figures associated with the distribution of narcotics and government appointees responsible for policing the trade.  In some countries, some overlap between the two roles has been noted.

Comrade Stalin agitprop.

Volgograd, the southern Russian city was between 1925-1961 named Stalingrad (Stalin + -grad).  Grad (град in Cyrillic) was from the Old Slavic and translates variously as "town, city, castle or fortified settlement"; it once existed in many languages as gord and can be found still as grad, gradić, horod or gorod in many place-names.  Before it was renamed in honour of comrade Stalin (1878-1953, leader of the USSR 1924-1953), between 1589-1925, the city, at the confluence of the Tsaritsa and Volga rivers was known as Tsaritsyn, the name from the Turkic-related Tatar dialect word sarisin meaning "yellow water" or "yellow river" but because of the similarity in sound and spelling, came in Russia to be associated with Tsar.  Stalingrad is remembered as the scene of the epic and savage battle which culminated in the destruction in February 1943 of the German Sixth Army, something which, along with the strategic failure of the Wehrmacht in the offensive (Unternehmen Zitadelle (Operation Citadel) in the Kursk salient five months later, marked what many military historians record as the decisive moment on the Eastern Front.  It has become common to refer to comrade Stalin as the "Red Tsar" whereas casual comparisons of Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999) don't often reach to Russia's imperial past; they seem to stop with Stalin.

Caesar (an emperor, a ruler, a dictator) was from the late fourteenth century cesar (from Cæsar) and was originally a surname of the Julian gens in Rome, elevated to a title after Caius Julius Caesar (100-44 BC) became dictator and it was used as a title of emperors down to Hadrian (76–138; Roman emperor 117-138).  The name ultimately is of uncertain origin, Pliny the Elder (23–79) suggested it came from the Latin caesaries (head of hair) because the future dictator was born with a lush growth while others have linked it to the Latin caesius (bluish-gray), an allusion to eye color.  The "probity of Caesar's" wife (the phrase first recorded in English in the 1570s) as the figure of a person who should be above suspicion comes from the biography of Julius Caesar written by the Greek Middle Platonist priest-philosopher & historian Plutarch (circa 46–circa 123).  Plutarch related the story of how Julius Caesar divorced his wife Pompeia because of rumors of infidelity, not because he believed the tales of her adultery but because, as a political position, “the wife of Caesar must not even be under suspicion”.  That’s the origin of the phrase “the probity of Caesar’s wife, a phrase which first appeared in English in the 1570s.

In late nineteenth century US slang, a sheriff was "the great seizer" an allusion to the office's role in seizing property pursuant to court order.  The use of Caesar to illustrate the distinction between a subject’s obligations to matters temporal and spiritual is from the New Testament: Matthew 22:21.

They say unto him, Caesar's. Then saith he unto them, Render therefore unto Caesar the things which are Caesar's; and unto God the things that are God's.

Christ had been answering a question posed by the Pharisees to trap Him: Is it lawful to pay taxes to Caesar (Matthew 22:15–20)?  To answer, Jesus held up a denarius, the coin with which pay the tax and noted that on it was the head of Caesar, by then Caesar had become a title, meaning emperor of Rome and its empire.  It was a clever answer; in saying "render unto Caesar that which is Caesar's and render unto God that which is God's", Jesus dismisses the notion of believers being conflicted by the demands of the secular state as a false dilemma because, one can fulfil the requirements of the sate by a mere payment of coin without any implication of accepting its doctrines or legitimacy.  Over the years much has been made of what is or should be "rendered unto Caesar", but more interesting is inference which must be drawn: if we owe Caesar that which bears his image, what then do we owe God?  It can only be that we owe God that which bears the image of God, an impressive inventory listed in the book of Genesis and now interpreted by some Christians as "the whole universe".  To Caesar we can only ever owe money; to God we owe ourselves.

In the Old English the spelling was casere, which would under the expected etymological process have evolved into coser, but instead, circa 1200, it was replaced in the Middle English by keiser, from the Norse or Low German, and later by the French or Latin form of the name.  Cæsar also is the root of German Kaiser, the Russian tsar and is linked with the Modern Persian shah.  Despite the common assumption, "caesar" wasn’t an influence on the English "king".  King was from the Middle English king & kyng, from the Old English cyng & cyning (king), from the Proto-West Germanic kuning, from the Proto-Germanic kuningaz & unungaz (king), kin being the root.  It was cognate with the Scots keeng (king), the North Frisian köning (king), the West Frisian kening (king), the Dutch koning (king), the Low German Koning & Köning (king), the German König (king), the Danish konge (king), the Norwegian konge (king), the Swedish konung & kung (king), the Icelandic konungur & kóngur (king), the Finnish kuningas (king) and the Russian князь (knjaz) (prince) & княги́ня (knjagínja) (princess).  It eclipsed the non-native Middle English roy (king) and the Early Modern English roy, borrowed from Old French roi, rei & rai (king).

The Persian Shah was from the Old Persian xšāyaθiya (king), once thought a borrowing from the Median as it was compared to the Avestan xšaϑra- (power; command), corresponding to the Sanskrit (the Old Indic) kṣatra- (power; command), source of kṣatriya (warrior).  However, recent etymological research has confirmed xšāyaθiya was a genuine, inherited Persian formation meaning “pertaining to reigning, ruling”.  The word, with the origin suffix -iya was from a deverbal abstract noun xšāy-aθa- (rule, ruling) (Herrschaft), from the Old Persian verb xšāy- (to rule, reign).  In the Old Persian, the full title of the Achaemenid rulers of the First Empire was Xšāyaθiya Xšāyaθiyānām (or in Modern Persian, Šāhe Šāhān (King of Kings)), best as "Emperor", a title with ancient, Near Eastern and Mesopotamian precedents.  The earliest known instance of such a title dates from the Middle Assyrian period as šar šarrāni, used by the Assyrian ruler Tukulti-Ninurta I (1243–1207 BC).

Tsar Bomba: the Tsar bomb

Tupolev Tu-95 in flight (left) and a depiction of the October 1961 test detonation of the Tsar Bomb.

Царь-бомба (Tsar Bomba (Tsar-bomb)) was the Western nickname for the Soviet RDS-220 hydrogen bomb (Project code: AN602; code name Ivan or Vanya), the most powerful nuclear weapon ever detonated.  The test on 30 October 1961 remains the biggest man-made explosion in history and was rated with a yield of 50-51 megatons although the design was technically able to produce maximum yield in excess of 100.  For a long time the US estimated the yield at 54 megatons and the Russians at 58 but after the fall of the Soviet Union in 1991, it was confirmed the true yield was 50-51 megatons.  Only one was ever built and it was detonated on an island off the Russian arctic coast.  The decision to limit the size blast was related to the need to ensure (1) a reduced nuclear fall-out and (2) the aircraft dropping the thing would be able to travel a safe distance from the blast radius (the Kremlin's attitude to the lives of military personnel had changed since comrade Stalin's time).  No nuclear power has since expressed any interest in building weapons even as large as the Tsar Bomb and for decades the trend in strategic arsenals has been more and smaller weapons, a decision taken on the pragmatic military grounds that it's pointless to destroy things many times over.  It's true that higher yield nuclear weapons would produce "smaller rubble" but to the practical military mind such a result represents just "wasted effort".

Progress 1945-1961.

The Tupolev Tu-95 (NATO reporting name: Bear) which dropped the Tsar Bomb was a curious fork in aviation history, noted also for its longevity.  A four-engined turboprop-powered strategic bomber and missile platform, it entered service in 1956 and is expected still to be in operational use in 2040, an expectation the United States Air Force (USAF) share for their big strategic bomber, the Boeing B-52 which first flew in 1952, the first squadrons formed three years later.  Both airframes have proven remarkably durable and amenable to upgrades; as heavy lift devices and delivery systems they could be improved upon with a clean-sheet design but the relatively small advantages gained would not justify the immense cost, thus the ongoing upgrade programmes.  The TU-95's design was, inter-alia, notable for being one of the few propeller-driven aircraft with swept wings and is the only one ever to enter large-scale production.  It's also very loud, the tips of those counter-rotating propellers sometimes passing through the sound barrier.

Footage of the Tsar Bomb test de-classified and released after the dissolution of the Soviet Union (1922-1991).

The Tsar Bomb was in a sense the “ultimate” evolution of the centuries long history of the bomb although it wasn’t the end of innovation, designers seemingly never running out of ideas to refine the concept of the device, the purpose of which is to (1) blow stuff up and (2) kill people.  Bomb was from the French bombe, from the Italian bomba, from the Latin bombus (a booming sound), from the Ancient Greek βόμβος (bómbos) (booming, humming, buzzing), the explosive imitative of the sound itself.  Bomb was used originally of “projectiles; mortar shells etc”, the more familiar “explosive device placed by hand or dropped from airplane” said by many sources to date from 1908 although the word was in the former sense used when describing the anarchist terrorism of the late nineteenth century.  As a footnote, the nickname of Hugh Trenchard (1873-1956), the first Marshal of the Royal Air Force (RAF) was “boom” but this was related to his tone of voice rather than an acknowledgement of him being one of the earliest advocates of strategic bombing.

The figurative uses were wide, ranging from “a dilapidated car” (often as “old bomb”, the use based presumably on the perception such vehicles are often loud).  The bombshell was originally literally a piece of military equipment but it was later co-opted (most memorably as “blonde bombshell) to describe a particularly fetching young women.  So, used figuratively, “bomb” could mean either “very bad” or “very good” and in his weekly Letter from American (broadcast by the BBC World Service 1946-2004), Alistair Cooke (1908–2004) noted a curious trans-Atlantic dichotomy.  In the world of showbiz, Cooke observed, “bomb” was used in both the US & UK to describe the reaction to a play, movie or whatever but in the US, if called “a bomb”, the production was a flop, a failure whereas in the UK, if something was called “quite a bomb”, it meant it was a great success.

I Know Who Killed Me (2007)

I Know Who Killed Me bombed (in the traditional US sense) but in the way these things sometimes happen, the film has since enjoyed a second life with a cult-following and screenings on the specialized festival circuit.  Additionally, DVD & Blu-Ray sales (it's said to be a popular, if sometimes ironic, gift) meant eventually it generated a profit although it has never exactly become a "bomb" (in the UK sense).  However, while it now enjoys a following among a small sub-set of the public, the professional critics have never softened their view.

Catharsis

Catharsis (pronounced kuh-thahr-sis)

(1) The purging of the emotions or relieving of emotional tensions, especially through certain kinds of art, as tragedy or music.

(2) In psychiatry, a form of psychoanalysis or psychotherapy that encourages or permits the discharge of repressed, pent-up, socially unacceptable affects.

(3) The discharge of pent-up emotions so as to result in the alleviation of symptoms or the permanent relief of the condition.

(4) In Aristotelian literary criticism, the purging or purification of the emotions through the evocation of pity and fear, as in tragedy.

(5) In medicine, purgation, especially of the bowels.

1770: From the New Latin catharsis, from the Ancient Greek kátharsis (a cleansing) equivalent to kathar, variant stem of kathaírein (to cleanse, purge, purify), from katharós (pure, clear of dirt, clean, spotless, open, free, clear of shame or guilt, purified) + sis.    Root was the Medieval Latin Catharī (the Pure), from the Byzantine Greek καθαροί or katharoí (the Pure), plural of καθαρός (katharós) (pure).  Most of the extended senses found in Modern English are of unknown origin, the original sense from 1770 being "a bodily purging" (especially of the bowels), then an important aspect of medical practice.  After 1872 it came to be applied to emotions when it was referred to as "a purging through vicarious experience"; the psychotherapy sense first recorded in 1909 in Abraham Brill's (1874–1948) translation of Sigmund Freud's (1856–1939) Selected Papers on Hysteria  (Dr Brill’s translation the first of Freud into English).  The alternative spelling cathartick went extinct in the mid-nineteenth century.  The adjective cathartic dates from its use in medical literature in the 1610s in the sense of preparations claimed to be "purgative; purifying"; more general use noted by the 1670s.  Presumably, the cures proved efficacious because the adjective cathartical soon emerged, existing also in the plural as the noun catharticals (laxatives).

Cathar (religious puritan (implied in Catharism)), dates from the 1570s and was from the Medieval Latin Cathari (the Pure), the name taken by the Novatians and other Christian sects, from the New Testament Greek katharizein (to make clean), from the Ancient Greek katharós (pure).  It was applied particularly to the twelfth century sects (Albigenses et al) in Languedoc and the Piedmont which denied and defied the authority of the pope.  The feminine proper name Catherine is from the French Catherine, from the Medieval Latin Katerina, from the Classical Latin Ecaterina, from the Ancient Greek Aikaterine.  The -h- was introduced in the sixteenth century, probably a tribute in folk etymology from the Greek katharos (pure).  Familiar in Modern English also as Katherine, Kate, Cate and other variations, the initial Greek vowel preserved in the Russian form Ekaterina.  For reasons unknown, Catherine began to be used as a type of pear in the 1640s.

The term “Catherine wheel” was originally from the early thirteenth century and described a torture device, the spiked wheel on which (according to some versions of what is thought to be a most dubious tale) the legendary virgin Saint Catherine of Alexandria was in 307 tortured and martyred by the pagan Marcus Aurelius Valerius Maxentius (circa 283–312; a Roman emperor, 306-312), thus becoming, in the associative way the Church did these things, patron saint of spinners.  She was a most popular saint in medieval times and popularized the name Catherine (and its variations), the favor enduring to this day.  It was applied from 1760 to a kind of firework which shot flame from a revolving spiral tube, creating the shape of a spinning wheel.

Of the Cathars: Catharism

With origins in Persia and the Byzantine Empire, Catharism was a dualist (or Gnostic revival) fork of Christianity, the movement most active during the twelfth and thirteenth centuries in what is now northern Italy and southern France.  It was not a good time to be promoting the notion of two Gods, one good, the other evil; this dualism was however the essential core of Cathar beliefs.  The good God was the God of the New Testament and the creator of the spiritual realm, contrasted with the evil Old Testament God, creator of the physical world whom many Cathars, and not a few of their persecutors, identified as Satan.  It was an exacting creed which meant all visible matter, including the human body, was created by the evil god and therefore tainted with sin.  Taint might be an understatement; Cathars thought human spirits were the lost spirits of angels trapped within the physical creation of the evil god, destined to be reincarnated until they achieved salvation through what they called the consolamentum, a highly ritualized form of baptism.

The Holy See's foreign policy when the pope did have a few divisions: The papal army, the Cathars & the Albigensian Crusade.

All this was heresy to the monotheistic Roman Catholic Church, founded on the fundamental principle of one God, the creator of all things temporal and spiritual.  The Church’s crackdown got serious during the pontificate of Innocent III (circa 1160-1216; pope 1198-1216), initially by means of political and theological persuasion but with the assassination of his emissary, Innocent abandoned diplomacy, declared his dead ambassador a martyr and launched a military operation, the twenty-year (1209-1229) Albigensian Crusade.  It was the beginning of the end of Catharism.  After 1244 when the great fortress of Montsegur near the Pyrenees was razed, the Cathars became an underground movement, many fleeing to Italy where the persecution was milder.  The hierarchy faded but the heresy lingered until it finally it vanished early in the fifteenth century.

Simone Weil.

Simone Weil (1909-1943) was a French philosopher and political activist who, in a manner unusual among left-leaning intellectuals of the era, returned to the religion ignored in her youth and became attracted to the mystical.  Remembered for her political writings and active service in both the Spanish Civil War and occupied France, she died tragically young in the self-sacrificial manner she had lived her life.  Among the more delicate historians, (typified by Arnold Toynbee (1889-1975)), there’s often an undisguised preference for Greek over Roman but few went as far as Weil who could find no virtue in the latter and was barely less dismissive of the medieval Church.  By contrast, in the Cathars, she found exemplars of goodness although she offered few reasons and fewer still shreds of evidence for this.  Most convincing is the notion that what Weil called affliction (malheur) goes beyond merely describing suffering and makes of it, if not a fetish, then certainly a calling.  Weil felt there were only some able truly to experience affliction: those least deserving of suffering.  Seduced by the lure of the tragic and having trawled history, she found in the Cathars the doomed victims with whom she could identify, drawn to them as Sylvia Plath was to Ted Hughes.

Simone Weil Agitprop.

Although her readership remains substantially limited to those clustered around a number of academic and feminist circles, Weil’s influence on literature has been profound.  She wrote neither fiction nor poetry but in her prolific output, existing mostly in letters and notebooks which in her lifetime were almost entirely unseen and edited for publication only posthumously, lay an extraordinary exploration of the contradictions and confusion of the modern world.  One gains much from reading Weil for despite her tone there’s pleasure in enjoying the lucidity and discovering an uncompromising critique of a world poisoned by the exclusivity of Christianity and its damnation of progress as heresy.  But guilt tinges the pleasure.  This tortured soul lived and died in anguish and dark despair because she knew she deserved no more in a world of where injustice had triumphed and probably forever would.  One fears that in all her brief years, she may never have felt a moment’s joy.

The modern catharsis is a public event, best enjoyed after emerging from rehab.  Lindsay Lohan and Oprah Winfrey, 2013.