Echo

Echo (pronounced ek-oh)

(1) A repetition of sound produced by the reflection of sound waves from a wall, mountain, or other obstructing surface.

(2) A sound heard again near its source after being reflected.

(3) Any repetition or close imitation, as of the ideas or opinions of another.

(4) A person who reflects or imitates another.

(5) A sympathetic or identical response, as to sentiments expressed.

(6) A lingering trace or effect.

(7) In classical mythology, a mountain nymph who pined away for love of the beautiful youth Narcissus until only her voice remained (initial capital letter).

(8) In certain card games, the play of a high card and then a low card in the suit led by one's partner as a signal to continue leading the suit, as in bridge, or to lead a trump, as in whist.

(9) In electronics, the reflection of a radio wave, as in radar, sonar or the like.

(10) In the history of US aerospace, one of an early series of inflatable passive communications satellites (initial capital letter).

(11) In communications, the representation of the letter E in the NATO/ICAO Phonetic Alphabet.

(12) In linguistics, as imperfect echoic, the accidental creation of new words based on (an often phonetic) mishearing of the original.

(13) In the musical instrument the organ, a manual (or stop) that controls a set of quiet pipes that give the illusion of sounding at a distance

(14) In electronic music, an effect that adds vibration or resonance

(15) In computing, the command to display a character on the screen of a visual display unit as a response to receiving that character from a keyboard entry (@echo on & @echo off in some scripting languages).

(16) In medicine, the colloquial term for echocardiography or echocardiogram.

1300-1350: From the Middle English eccho, ecco & ekko (sound repeated by reflection) from the Medieval Latin ēchō, from the Classical Latin echo, from the Ancient Greek ἠχώ (ēkhṓ), from ἠχή (ēkhḗ) (sound) & ēkhein (to resound) from the primitive Indo-European wagh-io-, an extended form of the root wagh or swagh (to resound), the source also of the Sanskrit vagnuh (sound), the Latin vagire (to cry) and the Old English swogan (to resound).  The first echo chambers date from 1937 and literally were chambers (rooms) designed to enable the generation of echoes under controlled conditions for purposes such as the enhanced & directed reflections needed to manufacture sound effects (EFX).  In the social media age, the term was used to describe the tendency of people to restrict themselves to sources of information which confirmed or re-enforced their existing views & prejudices.  Echo & echoing are nouns & verbs and echoed is a verb; the noun plural is echoes.

Echo and Narcissus

In one telling in Greek mythology, Echo was a nymph who lived on Mount Cithaeron.  Zeus, god of the sky and thunder and the Silvio Berlusconi of his age, enjoyed the company of beautiful nymphs, often visiting Cithaeron during his journeys on Earth. However, like Signora Berlusconi, Zeus's wife Hera became suspicious and one day left Mount Olympus planning to catch Zeus cavorting with minors.  Echo tried to protect Zeus (which she did under Zeus’ orders, a similar suspicion of witness tampering by Signore Berlusconi never proven in an Italian court) which only angered Hera more and in vengeance she cast a curse upon Echo, rendering the once loquacious nymph unable to say anything but the last words spoken to her.

Woodcut by WM Wilson of Landscape with Narcissus and Echo (1644) by François Vivares (1709-1780).

Soon after being cursed, Echo saw the beautiful young Narcissus, out hunting with his friends.  An emo even before being cursed, Echo fell immediately in love and infatuated, followed him, wishing she could call to him but silenced by Hera’s curse.  Narcissus became lost and called out, “Is anyone there”, and heard the nymph repeat his words.  Surprised Narcissus answered “Come here”, only to be hear the same.  Confused, he shouted, "This way, we must come together" and Echo concurred.  That was enough for Echo who rushed to him, only to be rejected.  Heartbroken, as emos often are, Echo followed Narcissus, longing for his love.

Narcissus’ cruel rejection was noticed by Nemesis, the goddess of revenge.  Deciding to punish him, she lured him to a pool where he gazed into the water and saw himself in the bloom of youth.  Not realising it was but his own reflection, such was the beauty he beheld he fell deeply in love and was unable to depart the allure of the image.  When finally he realised the love he felt could not be, he melted away, his last words being “I loved you in vain, farewell”.  To which Echo replied “farewell”.  Mourning his loss, Echo wasted away, her bones turned to stone and all that remained was her voice.  Narcissus turned to ash, becoming eventually a gold and white flower.

Lindsay Lohan in Marc Ecko's (b 1972) Cut & Sew multi-media marketing campaign (Fall 2010), based on the themes of cultural navigator, disruptor, entrepreneur, passionate craftsman & artist.  Shot by New York City photographer Zach Gold (b 1972), each image was then rendered in the style of works by American illustrator Robert McGinnis (b 1926), most associated with the graphical art used on James Bond 007 movie posters in the 1970s.

Ping

Ping (pronounced ping)

(1) To produce a short, high-pitched resonant sound, like that of a bullet striking a sheet of metal (as a verb used without object).

(2) In computing, to send an echo-request packet to an IP address and use the echo reply to determine whether another computer on the network is operational and the speed at which the data is being transferred.

(3) Informally, to make contact with someone by sending a brief electronic message (text messages and later variations).  A ping can also be a notification in response to a message.

(4) A pinging sound.

(5) An infrasonic or ultrasonic sound wave created by sonar in echolocation or an acoustic signal transmitted to indicate a location.

(6) The Lord Chancellor, one of the courtiers in Giacomo Puccini's (1858-1924), opera Turandot (1926).

(7) In colloquial use, to flick something, usually with a finger-tip.

(8) In colloquial use, to be detected committing an offence (by a police officer, an umpire or referee) and subsequently penalized.

(9) In internal combustion engines (also referred to as pinking, knocking or detonation), when the combustion of the fuel/air mixture in the cylinder does not begin correctly in response to ignition by the spark plug.  The usual form in this context is the adjective "pinging".

1835: Partly onomatopoeic (imitative of the sound of a bullet whistling through the air or striking something sharply) and partly reflecting the influence of the (continuing) Middle English pingen (to push, shove, pierce, stab, prod, goad, urge, feel remorse, incite), from the Old English pyngan (to prick); used as a verb since 1855.  The meaning "short, high-pitched electronic pulse" is attested from 1943, the reference being to the sonar systems used on both submarines and surface vessels.  The noun plural was pings, the present participle pinging, the past participle pinged.  The non-standard forms are pang & pung (past participle) although one can understand why those learning English might assume they should exist.  Pingdemic was an invention of computer programmers.

The noun ping-pong was also based on sound and dates from 1901 as Ping-Pong, the trademark for table tennis equipment registered by Parker Brothers, both words imitative of the sound of the ball hitting a hard surface (said by some to have been attested since 1823; the game was much in vogue in the US 1900-1905.  In the figurative sense of "move or send back and forth without progress, resolution, or purpose", use dates from 1952, later extended (though a little more hopefully) to “ping-pong diplomacy” which referred to the US and the PRC (Communist China) agreeing to exchange ping-pong teams before sending diplomats.  The electronic arcade game “Pong” (1972) was an abbreviation of ping-pong although there is evidence pong had for some years been a truncated reference to the game proper.

Example of using ping to identify the ip address using the host name.

Ping is one of a small subset of commands which constitute the lingua franca of computer network administration software, included in almost all network tool bundles regardless of the local or network operating systems.  It is a utility which tests the connectivity and speed of a host running on any Internet Protocol (IP) network by measuring the round-trip time for messages sent from the originating host to a destination computer, echoed back to the source.  Originally run exclusively from a command prompt, GUI (graphical user interface) versions have long been available and are handy for infrequent users who have never needed to memorize the syntax.  Ping sends Internet Control Message Protocol (ICMP) echo request packets to the target host and waits for an ICMP echo reply, reporting errors, packet loss, and a statistical summary of the results, most usefully the duration (in milliseconds) of the minimum, maximum & mean round-trips.

The name ping was a borrowing from naval sonar terminology that sends a pulse of sound and listens for the echo to detect objects under water to determining their location, direction and speed.  The sonar systems used at sea included audible pings and some computer ping utilities include one as a novelty.  The original software was a Q&D (quick & dirty) utility created in 1983 to diagnose tiresome problems on a network, the name chosen because the method was analogous with sonar's echolocation.  The occasionally mentioned Packet InterNet Groper is a backronym created some years after the first versions of ping were distributed.

Turandot

Turandot (1926) was Giacomo Puccini's (1858-1924) last opera and one which remained uncompleted at his death.  Puccini based the opera on the play Turandot (1762) by Venetian playwright Count Carlo Gozzi (1720–1806) which borrowed from one of the seven stories in the epic-length work by Persian poet Nizami (circa 1141–1209), the motif of seven aligned with the days of the week, the Persian seven-color scheme and the seven planets at that time known.  Turandot as told by Nizami is the story attached to Tuesday, the protagonist a Russian princess (Turan-Dokht (daughter of Turan)), a name often used in Persian poetry for Central Asian princesses.  Puccini seems to have moved the site of his Opera to China for no reason other than his interest in incorporating into the work Chinese musical themes, much as he’d been attracted to Japanese sounds for his earlier Madama Butterfly (1904).  Most people on the planet have never heard of Puccini and his operas but many will be at least vaguely familiar with one fragment of Turandot, Nessun dorma (Let no one sleep), among the most famous of the tenor arias, because of the global broadcast of a performance during the 1990 FIFA World Cup.

Puccini completed the three-act structure before his death and it was in this form it was first performed at La Scala in Milan in April 1926, conducted by Arturo Toscanini (1867-1957), the conductor refusing to go beyond the point where Puccini stopped.  With an ending added by Franco Alfano (1875-1954), it was presented again the very next evening but performances have varied over the years, a few sticking to the original, some using one of the variations written by Alfano and others with different ending entirely, some better received than others.  Opera buffs and professional musicians have always been drawn to Turandot because it’s Puccini at his most musically innovative but audiences have never embraced it quite as they did the seductive butterfly which is a set-piece love story packed with melodies.  However, it’s now viewed also through a political lens, the specter of cultural appropriation and accusation of racial stereotyping looming over every aria.

From various stage productions: Ping, Lord Chancellor (baritone), Pang, Chief Steward of the Imperial Household (tenor) & Pong, Executive Chef of the Imperial Kitchen (tenor) are the triumvirate of courtiers in Puccini's Turandot.

The critique is that the depiction of a barbaric Chinese princess is an outdated orientalist construct of Chinese people and the idea of white people dressing and being made up as caricatures of those from the far east goes beyond mere cultural appropriation, the use of Chinese music, traditional dress and the perpetuating historical Western imagery being demeaning.  Beyond that, white audiences who are either oblivious to these concerns or dismissive of them are (at the very least) guilty of committing microaggressions and are casually asserting cultural superiority, if not actual white supremacy.

Dictator

Dictator (pronounced dik-tey-ter)

(1) A person exercising absolute power, especially a ruler who (at least ostensibly) has absolute control (ie effectively not restricted by a constitution, laws, recognized opposition, etc) in a government (and officially without hereditary succession); applied particularly to those exercising tyrannical rule.

(2) In republican ancient Rome, a person vested by the senate with supreme authority during a crisis, the regular magistracy being subordinated to him until the crisis was met (typically by conducting a war).

(3) A person who makes pronouncements, as on conduct, fashion etc, which are regarded as authoritative.

(4) A person who dictates text to someone or some sort or mechanical or electronic recording device.

(5) In Ancient Rome (during certain periods), an elected chief magistrate.

1350–1400: From the Middle English dictatour, from the Old French dictator, from the Latin dictātor (genitive dictātōris), (Roman chief magistrate with absolute authority) the construct being dictā(re) (inflection of dictō (I repeat, say often; I dictate (to someone for writing))), frequentative of dicere (to say, speak); I compose, express in writing; I prescribe, recommend, order, dictate)) frequentative of dicere (to say, speak)" (from the primitive Indo-European root deik- (to show (also "solemnly to pronounce") (and related to dīcō (say, speak) + -tor (from the Proto-Italic -tōr, from the primitive Indo-European -tōr from -tor-s; the suffix added to the fourth principal part of a verb to create a third-declension masculine form of an agent noun).  The feminine forms were dictatress or dictatrix, both probably now obsolete except in historic reference or as a jocular form; the old alternative spelling dictatour is obsolete.  Some European languages (including Dutch and Romanian) were like English and borrowed directly the Latin spelling while others used variations including Catalan (dictador), French (dictateur) Italian (dittatore), Piedmontese (ditator), Polish (dyktator), Portuguese (ditador), Russian (дикта́тор (diktátor)), Sicilian (dittaturi), Spanish (dictador) and German (Diktator).  Dictator is a noun, dictatorially is an adverb and dictatorial is an adjective; the noun plural is dictators.

The noun dictatorship (office or term of a (Roman) dictator) came into use in the 1610s to describe the historically specific terms of office the Roman senate sometimes granted individuals in extraordinary and reprehensible circumstances while the now familiar general sense of "a ruler exercising absolute authority" evolved by the late seventeenth century.  The noun dictator had already proceeded along this path, the historical sense being the first used in English circa 1600, the extension to “one who has absolute power or authority" (in any context and not just political power) noted by the 1690s.  The nasty and not infrequently genocidal nature of some of the dictators of the twentieth century and beyond certainly influenced the understanding of the word which, as late as the 1800s could be used neutrally, effectively as a synonym for president.

The adjective dictatorial (pertaining to a dictator; absolute, unlimited), dating from 1901 evolved also to enjoy use outside of descriptors of absolute government and by 1704 had acquired the general sense of "imperious, overbearing", usefully (and often applied as required to husbands, mothers-in-law, parish priests et al; the related for was the adverb dictatorially.  In that vein, to convey the notion of "pertaining to a dictator" there had been dictatorian (1640s) & dictator-like (1580s).  Etymologists insist the dictatorial’s historic duality of implication (1) a disposition to rule and (2) a sharp insistence upon having one's orders accepted or carried out has survived in modern use but instances of the former are now probably rare.

Adolf Hitler (1889-1945; German head of government 1933-1945 and of state 1934-1945) is of course the dictator who for decades has loomed over the word and “Hitler” was used figuratively for "a dictator" from as early as 1934, a use which has persisted despite there being no shortage of dictatorial tyrants in the years since his assumption of power.  One amusing variation emerged in England in the early years of the Second World War (1939-1945), a “little Hitler” being someone appointed to a minor post (archetypically someone employed to walk the streets during a “black-out” telling folk to extinguish their lights) and, cloaked in this brief, unaccustomed authority, soon intoxicated by their power.  In post-revolutionary (1979-) Iran, the regime encouraged a similar put-down aimed at opponents, the US being شيطان بزرگ (Shaytân-e Bozorg (the great Satan)) and Israel شیطان کوچک, (Shaytân-e Kuchak (the little Satan)) and it’s even worse than it sounds because “great” is not the perfect translation, the idea of the great Satan being one of derision rather than awe.  When the Ayatollahs are in a bad mood (which does happens), sometimes the UK is also described as a “little Satan”.

Because of the evil of Hitler and his many spiritual successors in this century and the last, dictator really doesn’t cry out for synonyms but autocrat, despot, tyrant, absolutist, authoritarian, oppressor & totalitarian all tend in the direction.  Historically, the closest is probably the noun generalissimo (supreme military commander), dating from the 1620s and a borrowing of the Italian generalissimo, superlative of generale, from a sense development similar to the French general.  However, despite the title being used by the dictators comrade Stalin and General Franco, it’s never come into use as a general descriptor in the manner of dictator.

1935 Studebaker Dictator phaeton (left) & 1936 Studebaker Dictator sedan (right).

The Studebaker Dictator was produced between 1927-1937 and was part of a naming scheme which used titles from government service to indicate a car’s place in the hierarchy, the Dictator replacing the Standard Six as the entry-level model, the progressively more expensive being the Commander and President.  Briefly (only for 1927) there was also the Chancellor but, presumably because it wasn’t a title which much resonated in the American imagination, it was short- lived.  Other manufacturers have adopted a similar idea, Opal once also merging admiralty and political ranks, offering the Kapitän, Commodore, Admiral & Diplomat.  

Some of the opposition to crooked Hillary Clinton's presidential campaign in 2016 accused her of wanting to turn the US into a dictatorship.  That was hyperbolic because, although it may have been what she wanted, the US constitution would make it almost impossible to achieve.  The meme makers responded with agitprop.

It probably now seems strange a US manufacturer would call one of its products the Dictator but in 1927 the Nazis were years from power and Mussolini, in office since 1922 was far from the tainted character he would later become and the public perception of his rule was still at the stage of admiring him for “making the trains run on time” (although it’s thought unlikely any improvements in punctuality were noted by many).  Studebaker anyway had always explained the name as suggesting “a fine car at a moderate price” that would “dictate the standards” for the mid-priced field.  That was fair enough but in hindsight, when the option of a straight-eight engine was offered as an upgrade from the straight-six, Studebaker probably would not to have used the marketing slogan “a brilliant example of excess power”.  By 1937, the use of excess power by the Third Reich’s dictator was becoming obvious and Studebaker quietly dropped the Dictator name for 1938, re-positioning the Commander as the base model, the cars exported to the Europe, the UK and the British Empire having early been renamed Director.  With those changes, probably just about everyone except Henry Ford approved.

So Studebaker’s tale is an example of how the shifting meaning of words can influence many things.  Still, even if in 1937 any association with Hitler had become distasteful for a US corporation, even by 1940, some two years after the Nazi’s most publicized pogrom against the Jews (Kristallnacht (Night of Broken Glass)), Charlie Chaplin, 1889–1977) released his satirical comedy The Great Dictator which parodied both dictators (Hitler and Mussolini), his argument being that however controversial it might be, “…Hitler must be laughed at."  He later admitted that had he known in 1940 what would later be understood, he’d never have produced the film.

The Hijab Police

Of the many “morality police” forces which have existed in countries with a majority Islamic population, the best known was Afghanistan's Committee for the Propagation of Virtue and the Prevention of Vice which actually pre-dated the Taliban takeover in 1996 but they certainly deployed it with an enthusiasm which went much beyond it functioning as “burka police” and in one form or another, it actually operated for most of the (first) post-Taliban era.  When the Taliban regained power in 2021, immediately they created the "Ministry of Invitation, Guidance and Promotion of Virtue and Prevention of Vice" and, in a nice touch, allocated as its headquarters the building formerly used by the Ministry of Women’s Affairs.

The institution is infamous also in Iran.  In the West, it’s usually referred to as the “morality police” and among women the sardonic slang is “hijab police” but technically, the instrument of the Islamic Republic of Iran which enforces, inter alia, the laws governing the wearing of the hijab is گشت ارشاد (Gašt-e Eršād (Guidance Patrol)).  On 16 September 2022, the hijab police arrested Mahsa Amini (b 2001) because she was wearing her hijab in “an un-Islamic way”.  While in custody, Ms Amini suffered a medical event, dying two days later without recovering consciousness, the hijab police claiming the cause of death was heart failure, induced by pre-existing conditions.  Her family dispute this, saying the evidence suggests she was severely beaten and many witnesses have confirmed she was tortured in the back of a van before arriving at a hijab police office.

Handy guide for the hijab police.  Not only must hijab must be worn correctly but clothing must also be (1) not brightly colored, (2) not patterned with extravagant designs or shapes and (3) be loose enough that the shape of the body is not discernable.

Her death triggered waves of protests in Iran, which, on the basis of footage seen in the West, seem dominated by school girls and young women which, in the context of political protest, is historically unusual.  With protest signs and banners rendered in YouTube & TikTok friendly English, the headline issue is of course the matter of the hijab and whether women should be beaten to death for letting a lock of hair slip from beneath but the women and girls are making clear they're protesting about corruption (noting the poverty of most while the clerical elite have become very rich), the structure of the state, the economy and the very question of whether the republic should be an Islamic theocracy.  The Ayatollahs are no doubt well aware that the standard calculation in political science is that if 3½% of the population can be mobilized to revolt, regimes can be toppled and most recently, the Afghan Taliban did it with a fraction of that.  For many reasons, Afghanistan may be a special case and the Iranian state, on paper, is much better equipped to suppress internal dissent but then the security apparatuses around Hosni Mubarak (1928-2020; Egyptian dictator 1981-2011) and Muammar Gaddafi (circa 1942–2011; Libyan dictator 1969-2011) both looked impregnable until the volume of the protesters reached critical mass.  These things are however hard to judge from afar, Bashar al-Assad (b 1965; Syria dictator since 2000) looked vulnerable long before Gaddafi and Mubarak fell yet today he sits still as dictator in Damascus.  The Ayatollahs are of course watching things with concern but so will individuals in the Kremlin, aware their security apparatus has proved inadequate to execute the battle plan of the recent special military action (war) in Ukraine and, in a nice echo of the 1979 revolution, the protesters are again chanting the cry once spat against the Shah: “Death to the Dictator!”.

Basketweave

Basketweave (pronounced bah-skit-weev (U) or bas-kit-weev (non-U))

(1) A plain woven pattern with two or more groups of warp and weft threads are interlaced to render a checkerboard appearance resembling that of a woven basket; historically applied especially (in garment & fabric production) to wool & linen items and (in furniture, flooring etc), fibres such as cane, bamboo etc.

(2) Any constructed item assembled in this pattern.

(4) In the natural environment, any structure (animal, vegetable or mineral) in this pattern.

(5) In automotive use, a stylized wheel, constructed usually in an alloy predominately of aluminum and designed loosely in emulation of the older spooked (wire) wheels.   

1920–1925: The construct was basket + weave (and used variously as basketweave, basket-weave & basket weave depending on industry, product, material etc).  Basket was from the thirteenth century Middle English basket (vessel made of thin strips of wood, or other flexible materials, interwoven in a great variety of forms, and used for many purposes), from the Anglo-Norman bascat, of obscure origin.  Bascat has attracted much interest from etymologists but despite generations of research, its source has remained elusive.  One theory is it’s from the Late Latin bascauda (kettle, table-vessel), from the Proto-Brythonic (in Breton baskodenn), from the Proto-Celtic baskis (bundle, load), from the primitive Indo-European bhask- (bundle) and presumably related to the Latin fascis (bundle, faggot, package, load) and a doublet of fasces.  In ancient Rome, the bundle was a material symbol of a Roman magistrate's full civil and military power, known as imperium and it was adopted as the symbol of National Fascist Party in Italy; it’s thus the source of the term “fascism”.  Not all are convinced, the authoritative Oxford English Dictionary (OED) noting there is no evidence of such a word in Celtic unless later words in Irish and Welsh (sometimes counted as borrowings from English) are original.  However, if the theory is accepted, the implication is the original meaning was something like “wicker basket”, wicker one of the oldest known methods of construction.  The word was first used to mean “a goal in the game of basketball” in 1892, the use extended to “a score in basketball” by 1898.  In the 1980s, as operating systems evolved, programmers would have had the choice of “basket” or “bucket” to describe the concept of a “place where files are stored or reference prior to processing” and they choose the latter, thus creating the “download bucket”, “handler bucket” etc.  On what basis the choice was made isn’t known but it may be that baskets, being often woven, are prone to leak while non-porous buckets are not.  Programmers hate leaks.

A classic basketweave pattern.

Weave was from the Middle English weven (to weave), from the Old English wefan (to weave), from the Proto-West Germanic weban, from the Proto-Germanic webaną, from the primitive Indo-European webh (to weave, braid).  The sense of weave as “to wander around; not travel in a straight line” was also in the early fourteenth century absorbed by the Middle English weven and was probably from the Old Norse veifa (move around, wave), related to the Latin vibrare, from vibrō (to vibrate, to rattle, to twang; to deliver or deal (a blow)), from the  Proto-Italic wibrāō, denominative of wibros, from the primitive Indo-European weyp- (to oscillate, swing) or weyb-.  The root-final consonant has never been clear and reflexes of both are found across Indo-European languages.  The verb sense of “something woven” dates from the 1580s while the meaning “method or pattern of weaving” was from 1888.  The notion of “to move from one place to another” has been traced to the twelfth century and was presumably derived from the movements involved in the act of weaving and while it’s uncertain quite how the meaning evolved, it’s documented from early fourteenth century as conveying “move to and fro” and in the 1590s as “move side to side”,  In pugilism it would have been a natural technique from the moment the first punch was thrown but formally it entered the language of boxing (as “duck & weave”) in 1918, often as weaved or weaving.  By analogy, the phrase “duck & weave” came to be used of politicians attempting to avoid answering questions.  In the military, weave was also used to describe evasive maneuvers undertaken on land or in the air but not at sea, the Admiralty preferring zig-zag, as the pattern would appear on charts.  The fencing method known as teenage is a kind of basketweave.  Basketweave is a noun & adjective and (in irregular use) a verb and basketweaver is a noun; the noun plural is basketweaves.

Attentive basketweavers: Students in a lecture  (B.A. (Peace Studies)) at Whitworth University, Spokane, Washington, USA.

A basketweaver is of course “one who weaves baskets” but in idiomatic use, basketweaver is used also to mean “one whose skills have been rendered redundant by automation or other changes in technology”.  The term “underwater basketweaving” is used of university course thought useless (in the sense of not being directly applicable to anything vocational) and is applied especially to the “studies” genre (gender studies, peace studies, women’s studies et al).  Beyond education, it can be used of anything thought “lame, pointless, useless, worthless, a waste of time etc”.  Basketweaving is also a descriptor of a long and interlinked narrative of lies, distinguished from an ad-hoc lie in that in a basketweave of lies, there are dependencies between the untruths and, done with sufficient care, each can act to reinforce another, enabling an entire persona to be constructed.  It’s the most elaborate version of a “basket of lies” and can work but, like a woven basket, if one strand becomes lose and separates from the structure, under stress, the entire basket can unravel, spilling asunder the contents.

Official portrait of Representative the honorable George Santos.

A classic basketweaver is George Anthony Devolder Santos (b 1988) who, in the 2022 mid-term elections for the US Congress, was elected as a representative (Republican) for New York's 3rd congressional district.  Although he seems to have passed untroubled through the Republican Party’s candidate vetting process, after his election a number of media outlets investigated and found his public persona was almost wholly untrue and contained many dubious or blatantly false claims about, inter-alia, his mother, personal biography, education, criminal record, work history, financial status, ancestry, ethnicity, sexual orientation & religion.  When confronted, Mr Santos did admit to lying about certain matters, was vague about some and ducked and weaved to avoid discussing others, especially the fraud charges in Brazil he avoided by fleeing the country.  Although a life-long Roman Catholic, Mr Santos on a number of occasions claimed to be Jewish, even fabricating stories about his family suffering losses during the Holocaust.  Later, after the lies were exposed, he told a newspaper “I never claimed to be Jewish.  I am Catholic. Because I learned my maternal family had a Jewish background I said I was ‘Jew-ish.”  In the right circumstances, delivered on-stage by a Jewish comedian, it might have been a good punch-line.

Few are laughing however and Mr Santos is under investigation by both Brazilian and US authorities.  However, despite many calls (from Republicans and Democrats alike) that he resign from Congress, Mr Santos has refused and the Republican house leadership, working with an unexpectedly paper-thin majority, has shown no enthusiasm to pursue the matter.  What Mr Santos has done is expose the limitations of the basketweaving technique.  While a carefully built construct can work, it relies on no loose threads being exposed and while this can be manageable for those not public figures, for anyone exposed to investigation, in the twenty-first century such deceptions are probably close to impossible to achieve and Mr Santos was probably lured into excessive self-confidence because, in relative anonymity, he had for years managed to deceive, fooling many including the Republican Party and perhaps even himself.  In retrospect, he might one day ponder how he ever thought he’s get away with it.  One thing that remains unclear is how he should be addressed.  Members of the House of Representatives typically are addressed as "the honorable" in formal use but this is merely a courtesy title and is not a requirement.  The use is left to individual members and as far as is known, Mr Santos has not yet indicated whether he wishes people to address him as “the honorable George Santos”.

Borrani wire wheels on 1972 Ferrari 365 GTB/4 (Daytona) coupé (far left), “Hotwire” wheels on 1974 Holden Torana SL/R 5000 (centre left), “Basketweave” wheels on 1990 Jaguar XJS coupé (centre right) & 1986 Holden Piazza (far right).

Basketweave wheels remain popular (although some feelings may be strained when it comes time to clean the things) but the use of “basketweave” to describe the construction was a bit of a stretch and some prefer “lattice” which seems architecturally closer.  Were the motif of the classic basketweave to be applied to a wheel it would look something those used on the Holden Piazza, briefly (1986-1989) available on the Australian market.  Because it’s not easy successfully to integrate something inherently square or rectangular into a small, circular object, such designs never caught on although variations were tried.  The “basketweave” wheels which did endure owed little to the classic basketweave patters although there are identifiable hints in the construction so people understand the connection and rather than thought of as a continuation of the design elements drawn from the traditions of weaving, the wheels really established a fork of the meaning.  As a design, they were an evolution of the “hotwire” style popular in the 1970s when was a deliberate attempt to echo the style of the classic spoked (wire) wheels which, being lighter and offering better brake cooling properties than steel disk wheels, were for decades the wheel of choice for high performance vehicles.  That changed in the 1960s as speeds & vehicle weight rose and tyres became wider and stickier, a combination of factors which meant wire wheels were no longer strong enough to endure the rising stresses.  Additionally, the wire wheel was labor intensive to make in an era when that beginning to matter, wheels cast from an alloy predominately of aluminum were cheaper to produce as well as stronger.

Lindsay Lohan in Miami, clothes by Amiparism, Interview Magazine, December 2022.  The car is a Jaguar XJS convertible with the factory-fitted basketweave (or lattice) wheels.

Aggression

Aggression (pronounced uh-gresh-uhn)

(1) The action of a state in violating by force the rights of another state, particularly its territorial rights; an unprovoked offensive, attack, invasion, or the like.

(2) Any offensive action, attack, or procedure; an inroad or encroachment.

(3) The practice of making assaults or attacks; offensive action in general.

(4) In clinical psychiatry, overt or suppressed hostility, either innate or resulting from continued frustration and directed outward or against oneself.

(5) In the study of animal behavior and zoology, behavior intended to intimidate or injure an animal of the same species or of a competing species but is not predatory.  Aggression may be displayed during mating rituals or to defend territory, as by the erection of fins by fish and feathers by birds.

1605–1615: English borrowed the word directly from the French aggression, derived from the Latin aggressionem (nominative aggressio (a going to, an attack)), a noun of action from past participle stem of aggredi (to approach; attack) a construct of ad (to) + gradi (past participle gressus (to step)) from gradus (a step).  The Classical Latin aggressiōn (stem of aggressiō), was equivalent to aggress(us) + iōn derived from aggrēdi (to attack).  Psychological sense of "hostile or destructive behavior" had its origin in early psychiatry, first noted in English in 1912 in a translation of Freud.  Related forms are antiaggression (adjective), counteraggression and preaggression (nouns); most frequently used derived form is aggressor (noun).

Aggression and International Jurisprudence, Locarno, Kellogg–Briand and the Nuremberg Trial

For centuries, philosophers, moral theologians and other peripheral players had written of the ways and means of outlawing wars of aggression but in the twentieth century, in the aftermath of the carnage of World War I (1914-1918), serious attempts were made to achieve exactly that, the first of which was the Locarno Pact.

Gustav Stresemann, Austen Chamberlain & Aristide Briand, Locarno, 1926.

Although usually referred to as the Locarno Pact, technically the pact consisted of seven treaties, the name derived from the Swiss city of Locarno at which the agreements negotiated between 5-16 October, 1925 although the documents were formally signed in London on 1 December.  Cynically, it can be said the Locarno Pact was a device by the western European powers to ensure they’d not again be the victims of German aggression which, if and when if were to happen, would be directed against those countries on its eastern border.  Of the seven treaties, it was the first which mattered most, a guarantee of the existing frontiers of Belgium, France, and Germany, underwritten by the UK and Italy.  Of the other agreements, two were intended to reassure the recently created Czechoslovakia and the recreated Poland, both of which, presciently as it turned out, felt some threat from Germany.

Whatever the implications, the intent was clear and about as pure as anything in politics can be: an attempt to ensure European states would never again need to resort to war.  Although the structural imbalances appear, in retrospect, obvious, at the time there were expectations of continued peaceful settlements and there arose, for a while, what was called the "spirit of Locarno": Germany was admitted to the League of Nations in September 1926, with a permanent seat on its council and Nobel Peace Prizes were awarded to the lead negotiators of the treaty, Sir Austen Chamberlain (1863-1937; UK foreign secretary 1924-1929), Aristide Briand (1862-1932; French foreign minister 1926-1932) and Gustav Stresemann (1878-1929; German foreign minister 1923-1929).

Members of the Cabinet, Senate, and House are seen gathered in the East Room of the White House, after President Coolidge and Secretary of State Kellogg signed the Kellogg-Briand Pact.

The spirit of Locarno proved infectious and inspired the noble notion it might be possible for men to gather around tables and sign papers which for all time would outlaw war and the Kellogg–Briand Pact (known also as the Pact of Paris and technically the General Treaty for Renunciation of War as an Instrument of National Policy) was a product of this optimism.  Signed in 1928 and named after the two main authors, Briand and Frank Kellogg (1856-1937; US Secretary of State 1925-1929), it was soon ratified by dozens of countries, all the signatory states promising not to use war to resolve "disputes or conflicts of whatever nature or of whatever origin they may be, which may arise among them".  It gained Kellogg his Nobel Peace Prize but peace proved elusive and in little more than a decade, the world was at war.  Another point cynics note is that the real consequence of the pact was not the prevention of war but the unfashionability of declaring war; wars continuing with a thin veneer of legal high-gloss.  Anthony Eden (1897-1977; UK prime-minister 1955-1957) during the Suez Crisis (1956), noting no declaration had been made, distinguished between being “at war” and being in “a state of armed conflict” although those on the battlefield doubtless noticed no difference.  Because the pact was concluded outside the League of Nations, it remains afoot and the influence lingers; although hardly militarily inactive since 1945, the last declaration of war by the United States was in 1942.

Defendants at the International Military Tribunal for the Far East (IMTFE), popularly known as the Tokyo War Crimes Tribunal.

Kellogg–Briand thus failed but was a vitally important twentieth century instrument.  It was from Kellogg-Briand the prosecutors at the Nuremberg Trial in 1945-1946 were able to find the concept of a crime against peace as pre-existing law that was of such importance in establishing the legal validity of the incitements, both there and at the subsequent Tokyo Tribunal.  Without that legal framework from the 1920s, the construction of the legal basis for the concept of crimes against peace (the first two of the four articles of indictment at Nuremberg), may not have been possible.

At Nuremburg, the indictments served by the International Military Tribunals were:

(1) Conspiracy to plan the waging of wars of aggression.

(2) Planning, initiating and waging wars of aggression.

(3) War crimes.

(4) Crimes against humanity.

It’s always been the fourth which has attracted most attention because the crimes committed were of such enormity and on such as scale, the word genocide had to be invented.  However, the greater effect on international law was the creation of the notion that those who plan wars of aggression can be punished for that very act, punishments wholly unrelated to the mechanics or consequences of how the wars may be fought.  Form this point can be traced the end of the centuries-old legal doctrine of sovereign immunity for those waging wars of aggression.

So, after Nuremberg, the long tradition of the preemptive and preventative war as an instrument of political policy was no longer the convenient option it had for thousands of years been.  With section 4 of the United Nations (UN) Charter prohibiting all members from exercising "the threat or use of force against the territorial integrity or political independence of any state", there was obvious interest in the charter's phrase phrase of exculpation: "armed attack" which effectively limited the parameters of the circumstances in which the use of military force might be legitimate under international law.  Stretching things as far as even the most accommodating of impartial lawyers were prepared to reach, if no armed attack has been suffered, for an act of preemptive self-defense to be lawful, (1) a threat must be demonstratively real and not merely a perception of the possible and (2), the force applied in self-defense must be proportional to the harm threatened.  All this is why General Colin Powell's (1937–2021; US Secretary of State 2001-2005) statement of justification to the Security Council seeking authority to invade Iraq in 2003 took the tortured form it did.

Mr Putin.

The state of international law is why President Vladimir Putin (b 1952; prime-minister or president of Russia since 1999) has resorted to some unusual terminology and some impressive, if not entirely convincing, intellectual gymnastics in his explanations of geography and history.  While hardly the direct and unambiguous speech used by some of his predecessors in the Kremlin, it's certainly kept the Kremlinologists and their readers interested.  As early as December 2020, Mr Putin was already using the phrase "military-technical measures" should NATO (again) approach Russia's borders and the charm of that presumably was that having no precise meaning, it could at any time mean what Mr Putin wanted it to mean at that moment.  Mr Putin also claimed the government in the Ukraine is committing genocide against ethnic Russians within the territory and, in an echo of similar claims from the troubled 1930s "seemed to believe his own atrocity stories", later doubling-down, calling the Ukranian government a "Nazi regime" and said he was seeking a process of "de-Nazification" (an actual structured and large-scale programme run in post-war Germany by the occupying forces aimed at removing the worst elements of the Third Reich from public life).  

Most interestingly, Mr Putin said Ukraine wasn’t a real country, a significant point if true because it's only foreign countries which can be invaded.  If a government moves troops into parts of their own territory, it's not an invasion; it might be a police action, a counter-insurgency or a military exercise or any number of things but it can't be an invasion.  Technically of course, that applies also to renegade provinces.  It seemed an adventurous argument to run given Ukraine has for decades been a member of the UN and recognized by just about every country (including Russia) as a sovereign state.  To clarify, Mr Putin added the odd nuance, claiming Ukraine was "...not a real country..." and had "...never had its own authentic statehood."  "There has never been a sustainable statehood in Ukraine.”  The basis of that was his assertion that Ukraine was created by the Soviet Union's first leader, Vladimir Lenin (1870–1924; Leader of Soviet Russia 1917-1924 & the USSR 1922-1924) as either a sort of administrative zone or just as a mistake depending on interpretation.  Ignoring the wealth of historical material documenting the pre-Soviet history of the Ukraine, Mr Putin insisted it was part of Russia, an "...integral part of our own history, culture, spiritual space.”

Having established his case the Ukraine was no foreign country but just another piece of Russia, Mr Putin turned his thoughts to the nature of the threat the obviously renegade province posed.  Although after the collapse of the USSR, the Ukraine voluntarily (and gratefully) gave up the nuclear weapons in its territory in exchange for a security guarantees issued by the US, UK, and Russia, Mr Putin expressed concern the neo-Nazi regime there had both the knowledge and the desire to obtain nuclear weapons and delivery systems, adding: “If Ukraine acquires weapons of mass destruction, the situation in the world and in Europe will drastically change, especially for us, for Russia... we cannot but react to this real danger, all the more so since, let me repeat, Ukraine’s Western patrons may help it acquire these weapons to create yet another threat to our country.”

The internal logic of this was perfect to satisfy international law: (1) The territory which on maps is called Ukraine is not a country and just a part of Russia and (2), the illegal administration running the renegade province of Ukraine is plotting to acquire weapons of mass-destruction.  Under those conditions, military action by Moscow would be valid under international law but just to make sure, Mr Putin recognized Donetsk and Luhansk (two separatist regions in the Donbas), and deployed Russian troops as "peacekeepers".  Around the world, just about everybody except the usual suspects called it an invasion.

Many also discussed the legal position, perhaps not a great consolation to the citizens of Ukraine and the limitations of international law had anyway long been understood by those who were most hopeful of their civilizing power.  In his report to President Truman (1884–1972; US president 1945-1953) at the conclusion of the Nuremberg trial (1945-1946), Justice Robert Jackson (1892–1954; sometime justice of the US Supreme Court, US solicitor general & attorney general and chief US prosecutor at the Nuremberg trials), noted the judgment had "...for the first time made explicit and unambiguous what was theretofore, as the Tribunal has declared, implicit in International Law, namely, that to prepare, incite, or wage a war of aggression, or to conspire with others to do so, is a crime against international society, and that to persecute, oppress, or do violence to individuals or minorities on political, racial, or religious grounds in connection with such a war, or to exterminate, enslave, or deport civilian populations, is an international crime, and that for the commission of such crimes individuals are responsible. This agreement also won the adherence of nineteen additional nations and represents the combined judgments of the overwhelming majority of civilized people. It is a basic charter in the International Law of the future."  However, his idealism tempered by what he knew to be the nature of men, he conceded it would be "... extravagant to claim that agreements or trials of this character can make aggressive war or persecution of minorities impossible." although he did add that there was no doubt "they strengthen the bulwarks of peace and tolerance."  One of the US judges at Nuremburg had, whatever the theoretical legal position, reached an even more gloomy conclusion, Francis Biddle (1886–1968; US solicitor general 1940-1941 & attorney general 1941-1945 and primary US judge at the Nuremberg Trials) writing to the president that the judgements he'd helped deliver couldn't prevent war but might help men to "... learn a little better to detest it."  "Aggressive war was once romantic, now it is criminal."

Biddle was a realist who understood the forces which operated within legal systems and nation states.  Even the long-serving liberal judge William O Douglas (1898–1980; associate justice of the US Supreme Court 1939-1975) couldn’t bring himself to accept that the aggression which led to World War II (1939-1945) in which as many a sixty millions died was not reason enough to overcome his aversion to ex post facto law (the construct being the Latin ex (from) + post (after) + facto, ablative of factum (deed), (that which retrospectively changes the legal consequences of actions from what would have applied prior to the application of the law).  Douglas deplored the way the IMT had not only convicted but imposed capital sentences of those indicted for conduct which has at time been legal under metropolitan and international law:

“No matter how many books are written or briefs filed, no matter how finely the lawyers analyzed it, the crime for which the Nazis were tried had never been formalized as a crime with the definiteness required by our legal standards, nor outlawed with a death penalty by the international community. By our standards that crime arose under ex post facto law. Goering et al. deserved severe punishment. But their guilt did not justify us in substituting power for principle.”

Developments since in international law have seen progress.  The United Nations Charter, adopted in 1945, prohibits the use of force by one state against another, except in cases of self-defense or when authorized by the UN Security Council for the purpose of maintaining or restoring international peace and security, Article 2(4) of the UN Charter stating “all Members shall refrain in their international relations from the threat or use of force against the territorial integrity or political independence of any state."  That works in conjunction with the Nuremberg Principles which declared the planning, preparation, initiation, or execution of a war of aggression is a crime against peace and a violation of international law, a more concrete underpinning of customary international law than the Kellogg-Briand Pact which was in the same vein but always was of limited practical application because there existed no mechanism of enforcement or codification of penalties.  Despite that, the core concept of just what does constitute the crime of “aggressive war” has never been generally agreed and although the UN’s 1974 statement: “Aggression is the use of armed force by a State against the sovereignty, territorial integrity or political independence of another State, or in any other manner inconsistent with the Charter of the United Nations.” seems compelling, the debate continues.