Jail

Jail (pronounced jeyl)

(1) A prison (in some places used generally of institutions of incarceration, in others tending to be applied to structures used for the detention of those awaiting trial or convicted of minor offenses).

(2) To take into or hold in lawful custody; to imprison; to incarcerate.

(3) In horse racing, the condition created by the requirement that a horse claimed in a claiming race not be run at another track for some period of time (usually 30 days).

(4) In dodgeball (and related games), the area where players who have been struck by the ball are confined.

(5) In computing, as used by certain variants of Linux, an implementation of a sandbox in which can be run an instance of another OS (operating system).

1225–1275: From the Middle English gayole, gaylle, gaille, gayle, gaile, gaiole, jaiole & jaile, from the Old North French gaiole, gayolle & gaole and the Old French jaiole (cage), from the Medieval Latin gabiola, from the Vulgar Latin gaviola, a variant of the Late Latin caveola (small cage, cell), diminutive of the Classical Latin cavea (cavity, coop, cage).  Regionalism in language was one more common (especially in eras when population movement (particularly in rural areas)) was more limited and the two spellings in the Old French variants reflect the independent linguistic evolutions, the spelling “gaole” indicative of a pronunciation in use until the seventeenth century.  It fully displaced the native Middle English quartern (prison, jail, cell), from the Old English cweartern (jail, prison) and partially displaced the native Middle English lok, from the Old English loc (enclosure, pen; jail, prison) (from which English gained “lock”) and the Middle English carcern, from the Old English carcern, from the Latin carcer (prison, jail).  In the Old English, there were many words meaning jail (regionalism also a factor here) including heaþor & heolstorloca (the latter meaning also “jail cell”), clūstorloc, dung (the latter meaning also also “dungeon”), hlinræced, nirwþ, nīedcleofa, hearmloca and nearu.  Jail & jailing are nouns & verbs; enjail, rejail, jailor (or jailer) & jailoress (or jaileress) are nouns, jailed & enjailed are verbs, jailless, jailish, jailable, nonjailable & jaillike are adjectives; the noun plural is jails.

In English, there are seeming anomalies which must baffle those learning the tongue and make them wonder how such a messy and sometimes inconsistent language became something of the world’s lingua franca.  Were it possible to have a committee edit the lexicon and eliminate the pointlessly troublesome, not only might something be done about homophones like “razed” (demolished) and “raised” (built) but the “gaol” (still used in parts of the English-speaking world to mean “jail”) would be retired and “jail” would become universal.  Jail as a noun dates from the thirteenth century and the persistence of “gaol” as the preferred form in the UK is attributed to the continued use in statutes and other official documents although there may also have been some reluctance to adopt “jail” because this had come to be regarded as an Americanism.

Some idiomatic and slang uses

Things to find on the web.

A “jailbreak” literally is “an escape from jail” but it was adopted in the ecosystem created by the computer industry to refer to modification to the hardware or firmware of an electronic device (mobile phones, tablets, gaming consoles etc) to allow the installation and use of software not officially supported or explicitly excluded by the manufacturer.  With the coming of AI (artificial intelligence) LLMs (large language models), jailbreak also became the term for a prompt which in some way bypasses any ethical restrictions imposed by the vendor.  In ice hockey, the jailbreak is a rule applied in some leagues under which a penalty is ended if the short-handed team scores; the goal scored in such circumstances is a jailbreak.  Any prisoner who emerges from jail (whether by a jailbreak or by more regular means) is said to be a “jailbird” and there are more than a dozen formal & informal terms for “jail” including slammer, hoosegow, jailhouse, big house, Uncle Sam’s hotel etc.

2022 Dodge Challenger SRT Hellcat Redeye Widebody Jailbreak in Go Mango with satin black accents over black Laguna leather and Alcantara upholstery.  Because of the design of the front splitter, this model was supplied ex-factory with the one-piece yellow "underwire". 

Unexpectedly, during the 2010s, "underwire" entered the lexicon of automotive slang when it was used to describe a plastic part fitted temporarily as a protective piece.  The yellow plastic fitting (pictured above on the leading edge of the Challenger's splitter) was called a "splitter guard" which was unimaginative but the factory didn't envisage them as consumer items and the term was merely explanatory for the information of those preparing cars for sale.  Installed to prevent damage during shipping, it was part of dealer preparation instructions to remove the pieces but leaving them attached became a cult and some cars were even retro-fitted.  An element in that was the "end of an era" vibe and large number of the vehicles in Dodge's "Last Call" runs (of which there were many) were purchased as investments to be stored away for the day when V8s are no longer produced and collectors will be anxious to pay much for the way things used to be done.  How well that will work out remains to be seen but with the "Last Call" runs typically in batches of more than 3000, most of them weren't, in collectable terms, especially rare.  

2023 Dodge Challenger SRT Demon 170 Jailbreak in Panther Pink with satin black accents over black Alcantara and Laguna leather.

In the Demon 170 Jailbreak program, there were 40 exclusive paint colors and this is the sole example in Panther Pink.  The model was rated at 1025 HP and, with a different design of front splitter, was fitted with a two-piece underwire.  The first Supermarine Spitfires and Hawker Hurricanes which in 1940 fought the Messerschmitt Bf 109s & Bf 110s in English skies during the Battle of Britain were rated at 1030 HP and while the power characteristics of car and aeroplane were very different, the numbers are indicative of 80-odd years of progress. 

Dealers cautioned against the trend, noting the pieces weren't specifically molded to ensure a perfect fit so dirt and moisture were prone to being trapped in the gaps and this could scuff the paint.  They were known also as "damage guards" and "scuff guards" but more imaginative souls dubbed them the "underwire" while serious students of such things suggested a better simile might have been "pastie", while acknowledging Chrysler followed the lead of the underwear manufacturers in having available both single and two-piece "underwires" although this was coincidental and deterministic, dictated by the splitter design.  Women have been known to remove from bras especially intrusive underwires (a "comfort thing") but whether on splitters they were kept or discarded might have seemed an improbable subject for dispute but with cars, men always find a reason to argue about something.  Although probably it would have preferred to discuss horsepower, superchargers and such, Chrysler noted the cultural phenomenon and, while obviously reluctant to upset either faction, did issue a statement to a magazine which had requested comment:

"The splitter guards on Dodge Charger and Challenger have taken on a life of their own. They originally made their debut in the 2015 model year to protect the performance fascias on SRT models during shipment from the manufacturing facility to the dealer, and, yes, they are designed to be removed before delivery.  But today, they have their own Facebook page, and many of our performance enthusiasts have active debates on whether to keep or remove them. Some owners say they are even selling them in the aftermarket.  Obviously, they weren't part of the original design, so we started with yellow guards and shifted to pink, but they are still so popular that we may shift them yet again to black. Wherever we land, this is another example of how our customers are passionate about every part of their Dodge muscle cars."

1970 Dodge Challenger hardtop 440 Six Pack in Panther Pink High Impact (code FM3) over black vinyl (code X9) with houndstooth cloth inserts (code 5).  On the Challenger, Panther Pink (FM3) was offered only in the spring of 1970.

By the twenty-first century, long done were the days in the early 1950s when Chrysler Corporation was run by men with an ethos that cars should be designed so “a gentleman can drive one while wearing his hat” and if that dictated stodgy looking vehicles, so be it.  That changed with the release of the 1955 range and from then on, for better or worse it was all about style but by the early 2000s, the company reached the same conclusion as GM (General Motors) and Ford: automotive aesthetics attained their peak in the late 1960s and what’s been done since hasn’t been as good.  Accordingly, for the release of the third generation (although many don’t count the second because it was a badge-engineered Japanese import) Challenger (2008-2023), Dodge produced a most accomplished re-imagining of the first (1970-1974), a vehicle which was a costly commercial failure although that was due more to external conditions than the thing’s dynamic qualities.  Between 2008-2023 the Challenger was produced in a bewildering number of variants, many with some of the longer multi-part model names and it’s doubtful if any but the most devoted fan-boys could either recall or deconstruct the configuration of them all.

Designer colors and more: Publicity shot for the Porsche Sonderwunsch programme; note the rubber laid down on the concrete.

On intriguing piece of nomenclature was “Jailbreak” which Chrysler’s marketing types picked up from the use in various sub-cultures to circumvent manufacturers’ restrictions on devices like smartphones although this was a case of Dodge “hacking itself” (using “hack” loosely) because the Jailbreak “customization program” was explained as a way in which buyers could bypass the previous limitations on what could be ordered with which, enabling them to “mix ’n’ match”.  The concept is of course familiar in the fiscally rarefied air breathed in placed like the Porsche Sonderwunsch (special request) office but it wasn’t new to Detroit, Cadillac in the happy days of the 1960s, despite in a typical year offering literally over a hundred combinations of interior & exterior combinations also offered buyers the chance to make “special requests”.  There's no record of Cadillac attempting to act as the "good taste police" and presumably if some buyer did ask for an aesthetically dubious combination, duly it was built although the factory did refuse to use light colors on dashboard pads or package shelves because of the risk of reflections in the glass.  The deviations from the production line rationalization which was designed for optimal efficiency of course came at a cost and took additional time but everything was priced at a level to ensure the profitability to which Cadillac had become accustomed.

The jailbreak programme was also available on the Charger.

For Dodge the Jailbreak programme was run on similar lines and while not quite an “anything goes” approach, it was more permissive and for the Challenger’s final two seasons (2022-2023), buyers of SRT Hellcat or SRT Hellcat Redeye models could “fine-tune” things like paint, interior trim, wheels, stripes, badges and other items in a way the factory had not previously permitted.  As icing on the jailbreak cake, the SRT Hellcat Redeye Jailbreak cars received a more potent engine, rated at 807 horsepower, a number which would have seemed a fantasy in the era of the second generation Challenger when the most powerful engine offered probably generated (in comparable terms) around 435-445 HP.

The Royal Navy's Battle Cruisers opening fire in the opening stages of the Battle of Jutland, 31 May 1916, (1919), oil on canvas by Lionel Wyllie (1851–1931).

Fought in 1916 between the UK’s Royal Navy and the Navy of the German Empire (the so-called “Second Reich”), the battle of Jutland in 1916 was the closest the world got to the clash on the high seas of fleets of dreadnoughts, an event the navalists and theorists had for a generation be expecting or hankering.  For a variety of reasons it proved anti-climatic (though at a cost of over 8,000 lives) but while a tactical victory for the Germans (in terms of ships sunk or damaged and causalities), strategically the British succeeded in ensuring for the rest of of World War I (1914-1918) their opponents were confined to a pocket of the Baltic, denied access to the North Sea and thus the Atlantic; this enabled the Royal Navy’s blockade of Germany to be maintained.  Summing up, the New York Times concluded: “The prisoner gave his jailor a bloody nose but at the end of the day was back behind bars in his jail cell.”  Barely noticed except in the halls of the admiralties (where it made a great impression) was the vulnerability of the battlecruiser, a class of ship of which much had been expected although at Jutland they were used in a way the theorists who suggested the configuration had neither intended nor recommended.

The concept of a “black jail” is ancient; it’s a jail where people can, for whatever reason, be imprisoned by some agency of state, often in secret and with no recourse to legal remedies or other procedures.  It can be thought of as a particular example of “being disappeared” and the use of such institutions was the origin of the judicial writ of habeas corpus (from the Latin habeas corpus ad subjiciendum (“You (shall) have the body to be subjected to (examination)”) which in the common law tradition can be translated as “bring them before the court so the lawfulness of their detention may be assessed”.  First seen in England in the twelfth century, the writ to this day remains (in Western nations) one of the core protections afforded to citizens.  In 2002, shortly after it invaded the place as an administrative convenience, the US established such a jail in Afghanistan and apparently it was controlled by the Department of Defence’s (now again the Department of War) intelligence office and staff from Army Special Operations although other agencies were known to have provided “specialized services”.  Existing always on a “neither confirm nor deny” basis, the US Black Jail was an example of the way things get done when it’s required to process irregular combatants in extreme conditions.

It illustrated too the use of language: Among nations party to the relevant conventions, whereas prisoners of war (ie those combatants who meet the definition) are held in “PoW (prisoner of war) Camps” and never lose their military status; others can end up in “jails”.  Of course, it can’t be certain organs of the state in some Western countries aren’t still in secret maintaining “black jails”, possibly without the knowledge of elected governments.  The system of concentration camps created during the Third Reich (1933-1945) began as a way for the state to regularize what had unexpectedly “sprung-up” as a number of “black jails” created informally by party members to imprison their many opponents and enemies.  It was a classic example of the essentially criminal, gangster nature of the Nazi state and while the authorities didn’t object to most of those in the black jails being incarcerated, they wanted it done on an organized, professional basis.  Structurally, the operation of the concentration camps was also a microcosm of the whole Nazi project: Those who could send victims to the camps or have them released had no say of what happened within the camps while those running the places could order neither an individual’s jailing nor their release.

Jail juice comes pre-packaged.

In 2011, the Salt Lake Tribune reported a case of botulism in jail juice fermented in a cell in the Utah State Prison, the source traced to a “bad” potato.  The prisoner responsible for the brew (containing powdered juice mix and several types of fresh and canned fruit) told medical staff he added the “two-week old baked potato” because he thought it would “accelerate fermentation”.

Jail juice is prison slang (originally a US form but now widely used, even beyond the English-speaking world) for the various forms of improvised alcoholic beverages (typically fermented) brewed in correctional facilities.  There are other slang forms of the concoctions including “prison hooch”, “swish”, “prison wine”, “toilet wine” & “loaf brew” (some forms of white bread said to be a good additive in the process once crumbed) but most descriptive was “pruno”.  Dating from the late 1930s, the name was derived from the use of prunes, then in ample supply in many US prison kitchens.  The term pruno became generic, later applied regardless of the fruit used in the fermentation.  A “phone jail” is a place (usually in schools) in which the mobile phones of students are locked away for certain durations (which can be short or the whole school day).  “Jailbait” describes someone (almost always female) who is (1) obviously sexually mature yet (2) was (or appeared to be) under the legal age of consent and was (3) considered attractive or seductive.  The term references the legal concept of statutory rape under which an adult engaging in consensual sexual relations with someone under whatever is the relevant age in that jurisdiction can convicted and jailed.

Lindsay Lohan “Mug Shots” coffee mugs.

In November, 2011, in a hearing held at Los Angeles Superior Court Airport branch, Lindsay Lohan was sentenced to 30 days in jail at Lynwood's Century Regional Detention Facility.  The penalty was imposed after she admitted violating the terms of her probation from a 2007 DUI (driving under the influence) case; she had failed to attend community service appointments at a Los Angeles women's shelter.  However, just 4½ hours into the 30-day sentence, she was handed a “get out of jail free card”, released because of chronic over-crowding in California's jail system.  Sometimes, you get lucky.

At least one “Get out of jail free” card has been included in every version of the Monopoly board game since first it was released in 1935 although most editions have featured two, one from the “Chance” stack, the other from “Community Chest”.  What possession of the card confers is the ability (as the name implies) for a player to move on from the jail square without having to throw three doubles (of the dice) in a role or pay a fine although, in certain circumstances, it can be adventitious for a player not to use the card and “remain in jail”, something which sometimes happens IRL (in real life).  From the board game comes the idiomatic use of “a get-out-of-jail-free card” to refer to “a certain privilege or advantage providing relief from an undesirable situation or immunity from punishment or consequences”.  Historically, states have sometimes offered similar devices although they’ve never been available for those accused of serious offences.

Macy’s department store, Herald Square, Manhattan, New York City.

In George Orwell’s (1903-1950) novel Nineteen Eighty-Four (1949), the Ministry of Love was responsible for the dispensation of fear and suffering and its most dreaded institution was Room 101, located in the basement of their headquarters.  Room 101 was a torture chamber in which the ruling party subjected prisoners to their individual worst nightmares and greatest fears, the purpose being finally to destroy any residual resistance.  Less threatening though equally specific is Room 140 at Macy’s department store Herald Square flagship store in Manhattan, New York City.  One of a few private “jails” in New York, those accused of shoplifting are escorted by security guards to Room 140’s cells where they can be held for hours, the stories told suggesting the detained are asked to sign an admission of guilt and pay sometimes hundreds of dollars in “fines”, sometimes without any conclusive proof of an offence.  That may sound medieval but a majority of US states do have on the books legislation which offer retailers often a wide latitude forcefully to hold and subsequently fine suspects, even if, technically, nothing has been stolen or criminal charges have been dropped.  The US industry’s problem is real because as much as US$15 billion is each year lost to shoplifting and the purpose of the laws is both a tacit admission the state would prefer not to be involved in “low dollar value” matters and a way to enable stores to recoup some losses.  Under New York's long-standing law, retailers may collect a penalty of five times the cost of the stolen merchandise (up to US$500 per item), plus as much as US$1,500 if the “recovered” merchandise isn't in a condition to be sold.  A conviction is not a pre-condition to bring a civil claim.

If ever Macy's comes under new management, hopefully the new operators will have a better sense of the sardonic and rename "Room 140" to "Room 101".

In operation, application has been controversial with claims retailers abuse the law by engaging in “racial profiling”, targeting minorities and holding customers for hours as a form of duress; Macy’s has in the past paid a settlement to the state to settle a number of claims.  Macy’s maintain their corporate policies prohibit coercion when recovering fines, recently issuing a statement: “Our policy of exercising our right to pursue a civil recovery payment is consistent with common practice in the retail industry and within the parameters of the law.”  Many retailers detain suspected shoplifters although few have their own jail cells and Macy’s is unusual in requesting the on-the-spot payment of fines.

Lectern

Lectern (pronounced lek-tern)

(1) A reading desk in a church on which is placed the Bible and from which lessons are read (as a lection) during a church service.

(2) A stand (usually with a slanted top), used to hold a book, papers, speech, manuscript, etc, sometimes adjustable in height to suit the stature of different speakers.

1400s: From the late Middle English lectryn, from the Middle English lectron, lectrone and the early fourteenth century lettorne & letron, from the Middle French letrun, from the Old French leitrun & lettrun, from the Medieval Latin lēctrīnum from the Late Latin lēctrum (lectern), from lectus (from which English gained lecture), the construct being the Classical Latin leg(ere) (to read) (or legō (I read, I gather)) + -trum (the instrumental suffix).  The Latin legere (to read (literally "to gather, choose") was from the primitive Indo-European root leg- (to collect, gather) which begat derivatives meaning "to speak” (in the sense of “to pick out words”).  In linguistics, the process by which in the fifteenth century the modern form evolved from the Middle English is called a partial re-Latinization.  The related noun lection was from the Old French lection, from the Latin lēctiōnem, a form of lēctiō, again from legō.  A long obsolete meaning was “the act of reading” but it endured in ecclesiastical use in the sense of (a reading of a religious text; a lesson to be read in church etc (ie the idea of something read aloud from a text “sitting on the lectern” as opposed to sermons and such, delivered from the pulpit).  It was a doublet of lesson.  The noun & vern lecture (something often delivered from a lectern comes from the same Latin source.  Lectern is a noun; the noun plural is lecterns.

Crooked Hillary Clinton (in pantsuits), on the podium, behind the lectern, during her acclaimed lecture tour “The significance of the wingspan in birds & airplane design”.

Some words are either confused with lectern or used interchangeably and in one case there may have been a meaning shift.  In English use, a lectern was originally a stand on which was placed an open Bible.  Made usually either from timber or brass (depending on the wealth or status of the church), they were fashioned at an angle which was comfortable for reading and included some sort of ledge or stays at the bottom to prevent the book sliding off.  A pulpit (inter alia "a raised platform in a church, usually partially enclosed to just above waist height)" was where the minister (priest, vicar, preacher etc) stood when delivering the sermon and in many cases, there were lecterns within pulpits.  Pulpit was from the Middle English pulpit, from the Old French pulpite and the Latin pulpitum (platform).  Podium (inter alia "a platform on which to stand; any low platform or dais") was a general term for any raised platform used by one or more persons.  A lectern might be placed upon a podium and in an architectural sense most pulpits appear on a permanent structure which is podium-like although the term is not part of the language of traditional church architecture.  Podium was from the Latin podium, from the Ancient Greek πόδιον (pódion) (base), from the diminutive of πούς (poús) (foot) and was an evolution of podion (foot of a vase).

Behind what is now the world’s best known lectern, Karoline Leavitt (b 1997; White House Press Secretary since 2025) responds to a question.

In formal settings, the US use often prefers podium and one of the world's more famous podiums is that used for the White House's press briefings, a place that has proved a launching pad for several subsequent, usually lucrative, careers in political commentary.  Some press secretaries have handled the role with aplomb and some have been less than successful including Donald Trump's (b 1946; US president 2016-2021 and since 2025) first appointee Sean Spicer (b 1971; White House Press Secretary & Communications Director 2017), whose brief, not always informative but often entertaining tenure was characterized as "weaponizing the podium", memorably parodied by the Saturday Night Live crew.  

Lindsay Lohan (during brunette phase) at a lectern some might call a rostrum, World Music Awards, 2006.

A dais (inter alia "a raised platform in a room for a high table, a seat of honor, a throne, or other dignified occupancy, such as ancestral statues or a similar platform supporting a lectern or pulpit") is for most practical purposes a podium and thus often effectively a synonym although dais probably tends to be used of structures thought more grand or associated with more important individuals (dead or alive).  There's also a literature detailing support of or objections to the various pronunciations (dey-is, dahy-is & deys-s), most of which are class or education-based.  Dais was from the Middle English deis, from the Anglo-Norman deis, from the Old French deis & dois (from which modern French gained dais), from the Latin discum, accusative singular of discus (discus, disc, quoit; dish) and the Late Latin discum (table), from the Ancient Greek δίσκος (dískos) (discus, disc; tray), from δικεῖν (dikeîn),(to cast, to throw; to strike).  It was cognate with the Italian desco and the Occitan des.

A rostrum (inter alia "a structure used by dignitaries, orchestral conductors etc") is really a lectern with a built in dais.  It's thus an elaborate lectern.  Rostrum was a learned borrowing from the Latin rōstrum (beak, snout), the construct being from rōd(ō) (gnaw) + -trum, from the primitive Indo-European rehd- + -trom.  The early uses were in zoology (beak, snout etc) and naval architecture (eg the prow of a warship), the use in sense of lecterns a back-formation from the name of the Roman Rōstra, the platforms in the Forum from which politicians delivered their speeches (the connection is that the Rōstra were decorated with (and named for) the beaks (prows) of ships famous for being victorious in sea battles.

The ups and downs of the greasy pole: 10 Downing Street's prime-ministerial lectern.  The brace of cast iron fittings on the doorstep were there so people could scrape the mud and muck from the soles of the boots before entering the house.  They were in the eighteenth and nineteenth centuries a common sight because, like most cities, London’s streets often were an agglomeration of dirt, mud, horse shit and worse.  These days marketing departments would conjure up enticing product names for the things but commerce used to be punchier and, unambiguously, they were advertised variously as “boot scrapers”, “door scrapers”, “shoe scrapers” or “scraper irons”.  Paved streets mean the fittings are now mostly redundant although Number 10 has seen many "boot lickers" (one or two rewarded with a life-peerage and seat in the House of Lords).  Unlike a few recent prime ministers, the boot scrapers have proved durable.

The Times of London published a hexaptych noting the evolution of the prime-ministerial lectern which has become a feature of recent British politics, especially since the increase in the churn-rate.  Whether any psychological meaning can be derived from the style of the cabinet maker’s craft is debatable although some did ponder the use of a dark stain for Boris Johnson (b 1964; UK prime-minister 2019-2022) and the twisted plinth of that made for Liz Truss (b 1975; UK prime-minister Sep-Oct 2022).  The Times did however note a few things including the modest origins of the concept in the lecterns used by Tony Blair (b 1953; UK prime-minister 1997-2007) and later by Gordon Brown (b 1951; UK prime-minister 2007-2010).  Then, the lectern was a simple, off-the-shelf item on dually castors ("casters" in the US and "dually" means each having two wheels, the term borrowed from the US truck market where dual rear-wheels are used on vehicles above a certain load capacity rating although "the look" is popular and often appears on pick-ups rarely used to cart anything) familiar to anyone who has endured PowerPoint presentations and the cables trailing over Downing Street were a reminder of those (now almost forgotten) times when WiFi wasn’t sufficiently robust to be trusted even a few steps from a building.  Also commented upon was that unlike his most recent predecessors who enjoyed their own, custom-made lectern, Rishi Sunak (b 1980; UK prime-minister since 2022) had to use a item recycled from Downing Street stocks (not so bad because in Australia, sometimes prime-ministers are recycled).  Number 10 didn't have a chance to commission a new one because the premiership of Liz Truss was so short (a not quite Biblical "50 days & 49 nights") and her demise so sudden; in her photograph, the fallen autumnal leaves do seem poignant.

Weaponizing the podium: SNL's (NBC's Saturday Night Live) take on then White House Press Secretary & Communications Director Sean Spicer, 2017.

Beret

Beret (pronounced buh-rey)

A soft, visor-less cap, made usually of a soft wool material or felt, styled with a close-fitting headband and a wide, round top, often with a tab at the center.

1827: From the French béret (round, flat, woolen cap), from the dialectal form béarn, from the Occitan (Gascon) & Old Provençal berret (cap), from the Medieval Latin birrettum (a flat woollen cap that was worn by peasants), a diminutive of the Late Latin birrus (a large hooded cloak), a word perhaps of Gaulish origin but the ultimate root probably was the Proto-Celtic birros (short) and related to the Welsh byr and the Middle Irish berr.  The similar clerical variation is called a biretta and in Spanish, the spelling is boina.  Some military units are associated with the color of their berets (green berets; blue berets etc).  Beret is a noun; the noun plural is berets,

A rendering of the famous photograph of Che Guevara (1928–1967) at the La Coubre memorial service by Alberto Korda (1928-2001), 5 March 1960.

Long culturally associated with France, it may vary in popularity as a fashion piece but it’s never gone away, examples found by archaeologists in bronze age tombs and berets are common in art since Antiquity, notably especially in European sculpture from the twelfth century.  The floppiness certainly varied, apparently in something close to a direct relationship with size, suggesting all were made, as they appeared, from felt or some similar material with the same properties.  Felt was actually one of the oldest forms of processed cloth, a serendipitous creation by the shepherds who, for warmth and comfort, filled their shoes with tufts of wool; as they walked and worked, they sweated and felt was made.  Berets were adopted first by Basque peasants, then royalty, then the military and then artists but in the twentieth century, picked up an anti-establishment association, influenced by French existentialists and the famous photograph of Che Guevara.

Lindsay Lohan in beret, promotional image for Saturday Night Live, episode 37-16, March 2012.

The military, the counterculture and the fashionistas have shared the once humble cap since.  One aspect of it however proved as vulnerable as any object of mass-manufacture to the arithmetic of unit-labour costs and world trade.  In France, early in the post-war years, there had been fifteen beret factories in the district of Oloron-Sainte-Marie in the Pyrénées where most French berets were made yet by the turn of the century there was but one and it catered for only for the upper reaches of the market, catering for those few who simply didn’t wear clothes made east of Suez and Laulhère is the last remaining historic beret-maker still operating in France.  Dating from 1840 when the Laulhère family opened its first factory, such was the struggle to survive the national textile industry crisis as well as the erosion of its market by low-priced products of dubious quality that in 2013 the decision was taken by Laulhère finally to end production.  However, just as Charles de Gaulle (1890-1970; President of France 1959-1969) had une certain idée de la France, upon hearing the news of the closure, the industry decided there was une certaine idée de la mode française and a rescue package was organized by the Gascon based Cargo Group and its sister company, Blancq-Olibet.  In a press release issued almost immediately after the new broke, Cargo Group confirmed they had acted because the beret was “…such an important part of our history and patrimoine (cultural heritage).  Clearly, the beret is as important to the French as the baguette.  Cargo’s business model was simultaneously to use Laulhère’s expertise and skilled workforce to introduce new, more modern lines but maintain the availability of the traditional styles and it appears to have been successful, the classic berets still on sale.  It’s one of those dependable industry staples which can every year be promoted by a label, a magazine or a stylist as one of the trends to watch in the next season.  Unlike something like the polka-dot which tends to be cyclical with sometimes a decade between spikes, the classic, timeless beret is always there, running the gamut from revolutionary chic to French-girl accessory, something able to be worn in all four seasons and the ultimate mix & match fall-back; stripes, spots and vivid or dark solids all available.

Bridget Bardot (b 1934) in beret.

The beret certainly has a long history, floppy head coverings appearing in archaeological record of the Early Bronze Age (circa 3300-2000 BC) and they have remained a feature in European clothing ever since.  At least partially, this was technological determinism in action: felt was the material constantly used and, being non-woven, it is one of the easiest materials to produce without complex machinery or skills.  Felt is made by matting and pressing wet natural fibres (classically wool) and its is famously versatile and durable, peasants favouring it for the linings of jackets, footwear and of course hats, as valued for its warmth as its capacity to resist moisture.  By the seventeenth century, black felt hats (less a fashion choice than it simply being the most simple colour to produce) were virtually an item or uniform among the working class, farmers and artisans although it wasn’t until 1827 the French coined béret, from the Medieval Latin birretum (a flat woollen cap that was worn by peasants).

Bridget Bardot and Andre Bourvil (1917-1970) in Le Trou Normand (Crazy for Love, 1952); it was her first feature film.

This being pre-EEC (European Economic Community (1957), the predecessor of the European Union (1993)) Europe, the beret of course became a political statement and as tensions grew in the mid-nineteenth century between France & Spain, the fashion lines were drawn: French berets were blue and Spanish red although in a gesture which might have pleased the Marxists, the working class everywhere continue to wear black although they were drawn by the price rather than international solidarity (and that too vindicates Marxist theory).  However, it’s from the early twentieth century that historians of fashion trace the ascent of the black beret as an essentially classless chic accessory which could be worn by men & women alike although such are the memories of Bridget Bardot and Catherine Deneuve (b 1943) that about the only men remembered for their berets are revolutionaries, Che Guevara, the Black Panthers and such.  One political aspect of the beret definitely is a myth: it’s not true the Nazis banned the hat during the occupation of France (1940-1944).  The origin of that tale seems to lie in the publication in the 1970s of a number of propaganda suggestions by the SOE (Special Operations Executive, the UK government's department of “dirty tricks” with a mandate to “set Europe ablaze”), one of which was to spread in France the story the Germans were going to “ban the beret”, something with some basis in fact because there was, briefly, a local campaign to deprive Alsatians of the hat, on the basis it was a (Basque) manifestation of Frenchness.  Strange as it sounds, such things had been done before, the UK parliament in 1746 responding to the failure of the Jacobite rising of 1745 by passing the Dress Act which restricted the wearing of tartan in Scotland.  Quickly, Berlin put a stop to the wacky scheme and there's no evidence the SOE's plan was ever used although the organization remained active in the disinformation business.  One curiosity of the crackdown on berets was it didn't extend to onion sellers although that wasn't enough to save Robert Wagner (1895–1946; civil administration of Alsace during the Nazi occupation) who, an unrepentant Nazi to the end, was sentenced to death by a French court and executed.  

Snarge

Snarge (pronounced snn-arj)

(1) In military & civil aviation, slang, the remains of a bird after it has collided with an airplane (ie bird strike), originally of impacts with turbine engines but latterly applied also to residue left on wings, fuselages etc.

(2) By adoption, the remains of birds and insects left on the windscreens of trains, cars, motorcycle fairings etc,

Early 2000s (probably): A portmanteau word, a blend of sn(ot) + (g)ar(ba)ge.  Snot (used here in the usual sense of “mucus, especially that from the nose”) was from the Middle English snot & snotte, from the Old English ġesnot & snott, from the Proto-West Germanic snott & snutt, from the Proto-Germanic snuttuz (nasal mucus), from the same base as snout and related to snite.  It was cognate with the North Frisian snot (snot), the Saterland Frisian Snotte (snot), the West Frisian snotte (snot), the Dutch snot (snot), the German Low German Snött (snot), the dialectal German Schnutz (snot), the Danish snot (snot) and the Norwegian snott (snot).  Trans-linguistically, “snot” is commendably consistent and its other uses (a misbehaving (often as “snotty”) child; a disreputable man; the flamed-out wick of a candle all reference something unwanted or undesirable).  That said, snot (mucus) is essential for human life, being a natural, protective, and lubricating substance produced by mucous membranes throughout the body to keep tissues moist and act as a barrier against pathogens and irritants like dust and allergens, working to trap foreign particles; it also contains antimicrobial agents to fight infection.  So, when “out-of-sight & out-of-mind” it’s helpful mucus but when oozing (or worse) from the nostrils, it’s disgusting snot.

Garbage (waste material) was from the late Middle English garbage (the offal of a fowl, giblets, kitchen waste (though in earlier use “refuse, that which is purged away”), from the Anglo-Norman, from the Old French garber (to refine, make neat or clean), of Germanic origin, from the Frankish garwijan (to make ready).  It was akin to the Old High German garawan (to prepare, make ready) and the Old English ġearwian (to make ready, adorn).  The alternative spelling was garbidge (obsolete or eye dialect).  Garbage can be used of physical waste or figuratively (ideas, concepts texts, music etc) judged to be of poor quality and became popular in computing, used variously to mean (1) output judged nonsensical (for whatever reason), (2) corrupted data, (3) memory which although allocated was no longer in use and awaiting de-allocation) or (4) valid data misinterpreted as another kind of data.  Synonyms include junk, refuse, rubbish, trash & waste.  Charlie Chaplin (1889–1977) used “Herr Garbage” as the name of the character who in The Great Dictator (1940) represented Dr Joseph Goebbels (1897-1975; Nazi propaganda minister 1933-1945).  Snarge is a noun and no derived forms have ever been listed but a creature which has become snarge would have been snarged and the process (ie point of impact) would have been the act of snarging.  Snarge is inherent the result of a fatality so an adjective like snargish is presumably superfluous but traces of an impact which may not have been fatal presumably could be described as snargelike or snargesque.

Dr Carla Dove at work in the Smithsonian's Feather Identification Laboratory, Washington DC.

The patronymic Dr Carla Dove (b 1962) is manager of the Feather Identification Laboratory at the Smithsonian Institution’s National Museum of Natural History in Washington DC where she heads a team identifying the types or species of birds that collide with military and civil aircraft.  She calls snarge “a term of art” (clearly she’s of the “eye of the beholder” school) and notes that although the scientific discipline of using snarge to determine the species involved in bird strikes began at the Smithsonian in 1960, the term doesn’t seem to have been coined there and its origin, like much slang with a military connection, is murky.  Although a 2003 article in Flying Safety magazine is sometimes cited as the source of the claim the word was “invented at the Feather Identification Laboratory”, Dr Dove is emphatic the staff there “borrowed it” from preparators (the technicians who prepare bird specimens for display or other uses by museums).  It certainly seems to have been in general use (in its specialized niche in military & aviation and wildlife safety circles) by at least the early-to-mid 2000s and the zeitgeisters at Wired magazine were in 2005 printing it without elaboration, suggesting at least in their editorial team it was already establish slang.  So, it may long have been colloquial jargon in museums or among those working in military or civil aviation long before it appeared in print but there no documentary evidence seems to exist.

The Feather Detective: Mystery, Mayhem, and the Magnificent Life of Roxie Laybourne (2025) by Chris Sweeney.

The origin of the scientific discipline is however uncontested and the world’s first forensic ornithologist was the Smithsonian’s Roxie Laybourne (1910–2003).  In October, 1960, a Lockheed L-188 Electra flying as Eastern Airlines Flight 375 out of Boston Logan Airport had cleared the runway by only a few hundred feet when it flew into a flock of birds, the most unfortunate of which damaged all four engines, resulting in a catastrophic loss of power, causing the craft to nosedive into Boston Harbor, killing 62 of the 72 aboard.  Although the engines were turbo-props rather than jets, they too are highly susceptible to bird-strike damage.  At the time, this was the greatest loss of life attributed to a bird-strike and the FAA (Federal Aviation Authority) ordered all avian remains be sent to the Smithsonian Institution for examination.  There, Ms Laybourne received  the box of mangled bone, blood & feathers and began her investigation, her career taking a trajectory which would include not only the development of protocols designed to reduce the likelihood of bird strikes damaging airliners but also involvement with the USAF (US Air Force) & NASA (National Aeronautics and Space Administration).  Additionally, her work with the FBI (Federal Bureau of Investigation) and various police forces proved forensic ornithology could be of use a diagnostic tool in crime-solving; her evidence helping to convict murderers, kidnappers and poachers.  In 2025, journalist Chris Sweeney published The Feather Detective: Mystery, Mayhem, and the Magnificent Life of Roxie Laybourne, a vivid telling of the tale of a woman succeeding in a world where feminism had not yet wrought its changes.

Snarge on the nosecone of a Cessna Citation, Eisenhower Airport, Wichita, Kansas, July 2021.  The dent indicates the point of impact, the airflow holding the corpse in place.  By the time of landing, the leaked body fluids had congealed to act as a kind of glue.

The study of aviation bird strikes is obviously a specialized field but snarge has come also to be used in the matter of insect deaths, specifically what has come to be called the “windscreen phenomenon” (also as “windshield phenomenon” depending on linguistic tradition).  What that refers to is the increasingly common instances of people reporting they are seeing far fewer dead insects on the windscreens of their cars, many dating the onset of the decline to the late 1990s and the most common explanations offered for this are (1) climate change, (2) habitat loss and (3) the increasing use (or potency) of pesticides.  Individual observations of one’s windscreen now tending to accumulate less snarge than in years gone by is of course impressionistic and caution must be taken not to extrapolate the existence of a global trend from one piece of glass in one tiny part of the planet: what needs to be avoided is a gaboso (the acronym for Generalized Association Based On Single-Observation (also as the derived noun & verb) which is the act of taking one identifiable feature of someone or something and using it as the definitional reference for a group (it ties in with logical fallacies).  However, the reports of increasingly snargeless windscreens were widespread and numerous so while that didn’t explain why it was happening, it did suggest that happening it was.

There was also the matter of social media platforms which have meant the volume of messages about a particular topic in the twenty-first century is not comparable with years gone by.  It’s simply impossible to calculate the extent to which these mass-market (free) platforms have operated as an accelerant (ie a force-multiplier of messaging) but few doubt it’s a considerable effect.  Still, it is striking the same observations were being made in the northern & southern hemispheres and the reference to the decline beginning in the late 1990s was also consistent and a number of studies in Europe and the US have found a precipitous drop in insect populations over the last three decades.  One interesting “quasi theory” was the improved aerodynamic efficiency of the modern automobile meant the entomological slaughter was reduced but quickly aeronautical engineers debunked that, pointing out a slippery shape has a “buffer zone” very close to the surface which means "bugs" have a greater chance of being sucked-in towards the speeding surface because of the differential between negative & positive pressure.  However, on most older vehicles, the “buffer zone” could be as much as 3 feet (close to a metre) from the body.  A bug heading straight for the glass would still be doomed but the disturbed air all around would have deflected a few

Lindsay Lohan with Herbie in Herbie: Fully Loaded (2005).

Herbie was a 1963 Volkswagen Type 1 (Beetle, 1938-2003) and despite the curves which made it look streamlined, its measured Cd (drag coefficient) was typically around 0.48-0.50, some 8% worse than contemporary vehicles of comparable frontal area.  What that meant was its buffer zone would extend somewhat further than the “New Beetle” (1997-2011) which had a Cd between 0.38-0.41, again not as good as the competition because it was compromised by the need to maintain a visual link with the way things were done in 1938.  On the 1963 models (like Herbie) the flat, upright windscreen created significant drag and was obviously a good device for “snarge harvesting” but the later curved screen (introduced in 1973 with the 1303) probably didn’t spare many insects.

Dr Manu Saunders' graphic example of insect snarge on a windscreen during the 2010 "locust plague" in western NSW (New South Wales), Australia, April 2010.

Dr Manu Saunders is a Senior Lecturer in Ecology and Biology and the School of Environmental and Rural Science in Australia’s UNE (University of New England) and she pointed out that “anecdata is not scientific evidence” and just because anecdotes are commonly presented as “evidence of global insect decline” (the so-called “insectageddon”), that doesn’t of necessity make locally described conditions globally relevant.  The problem she identified was that although there have been well-conducted longitudinal studies of snarge on windscreens using sound statistical methods, all have used data taken from a relatively small geographical area while around the planet, there are more than 21 million km (13 million miles, (ie more than 80 round trips to the Moon) of “roads”).  Dr Saunders does not deny the aggregate number of insects is in decline but cautions against the use of one data set being used to assess the extent of a phenomenon with a number of causal factors.

Still snarge-free: The famous photograph of the 25 917s assembled for inspection outside the Porsche factory, Stuttgart, 1969.  The FIA’s homologation inspectors declined the offer to test-drive the 25 which was just as well because, hastily assembled (secretaries, accountants and such drafted in to help), some of were capable of driving only a short distance in first gear.

Fortunately for Porsche, in 1969, although the decline in global insect numbers may already have begun, they were still buzzing around in sufficient numbers to produce the snarge which provided the necessary clue required to resolve the problem of chronic (and potentially lethal) instability which was afflicting the first 917s to be tested at speed.  In great haste, the 917 had been developed after the Fédération Internationale de l'Automobile (the FIA; the International Automobile Federation and world sport's dopiest regulatory body) “relaxed” the rules which previously had set a threshold of 50 identical units for cars classified as Group 4 (5 litre (305 cubic inch)) sports cars, reducing this to a minimum of 25.  What that meant was Porsche needed to develop both a car and a twelve cylinder engine, both items bigger and more complex than anything they’d before attempted, things perhaps not overly challenging had the typical two years been available but the factory needed something which would be ready for final testing in less than half the time.  Remarkably, they accomplished the task in ten months.

Porsche 917 Chassis 001 in IAA (Internationale Automobil-Ausstellung (International Automobile Exhibition) Frankfurt Motor Show livery.

The brief gestation period was impressive but there were teething problems.  The fundamentals, the 908-based space-frame and the 4.5 (275 cubic inch) litre air-cooled flat-12 engine (essentially, two of Porsche’s 2.25 (137 cubic inch) litre flat-sixes joined together) were robust and reliable from the start but, the sudden jump in horsepower (HP) meant much higher speeds and it took some time to tame the problems of the car’s behaviour at high-speed.  Aerodynamics was then still an inexact science and the maximum speed the 917 was able to attain on Porsche’s test track was around 180 mph (290 km/h) but when unleashed on the circuits with long straights where over 210 mph (338 km/h) was possible the early 917s proved highly unstable, the tail “wandering from side-to-side” which, at around 200 mph (320 km/h), drivers found disconcerting.  The solution was delivered serendipitously: after one alarming high speed run, noticed that while the front and central sections of the bodywork were plastered with snarge, the fibreglass of the rear sections was a pristine white, the obvious conclusion drawn that while the airflow was inducing the desired degree of down-force on the front wheels, it was passing over the rear of body, thus the lift which induced the wandering.  Some improvisation with pieces of aluminium and much duct tape to create an ad-hoc, shorter, upswept tail transformed the behaviour and was the basis for what emerged from more extensive wind-tunnel testing by the factory as the 917K for Kurzheck (short-tail).  The rest is history.

Dodge Public Relations announces the world now has "spoilers".  Actually they'd been around for a while but, as Dodge PR knew, until it happens in America, it hasn't happened.

What happened to the 917 wasn’t novel.  In 1966, Dodge had found the slippery shape of its new fastback Charger had delivered the expected speed on the NASCAR ovals but it came at the cost of dangerous lift at the rear, drivers’ graphically describing the experience at speed as something like “driving on ice”.  The solution was exactly what Porsche three years later would improvise, a spoiler on the lip of the trunk (boot) lid which, although only 1½ inches (38 mm) high, at some 150 mph (240 km/h) the fluid dynamics of the air-flow meant sufficient down-force was generated to tame the instability.  Of course, being NASCAR, things didn’t end there and to counter the objection the spoiler was a “non-stock” modification and thus not within the rules, Dodge cited the “safety measure” clause, noting an unstable car on a racetrack was a danger to all.  NASCAR agreed and allowed the device which upset the other competitors who cited the “equalization formula clause” and demanded they too be allowed to fit spoilers.  NASCAR agreed but set the height at maximum height at 1½ inches and specified they could be no wider than the trunk lid.  That left Dodge disgruntled because, in a quirk of the styling, the Charger had a narrower trunk lid than the rest of the field so everybody else’s spoilers worked better which seemed unfair given it was Dodge which had come up with the idea.  NASCAR ignored that objection so for 1967 the factory added to the catalogue two small “quarter panel extensions” each with its own part number (left & right); once installed, the Charger gained a full-width spoiler.