Chic (pronounced sheek)
(1) Attractive and fashionable; style and elegance,
especially in dress (particularly when applied to women).
(2) Modishness, a casual and understated style, as in
dress or décor, that expresses a specified trendy lifestyle or activity.
(3) As a noun, when used with an attributive noun or
adjectival modifier, a descriptor for just about any defined style (shabby
chic, boho chic etc).
1856: Adopted in English with the general sense of “style
in fine art, artistic skill, faculty of producing excellence rapidly and easily”,
from the French chic (stylishness; elegant
(the original sixteenth century meaning was "subtlety")), of unknown
origin but probably from the German Schick
(elegant appearance; tasteful presentation) & Geschick (tact, skill, aptness), from Middle Low German schikken (arrange appropriately), from the
Middle High German schicken (to
outfit oneself, fit in, arrange appropriately), causative of the Middle High
German geschehen & geschēn (to happen, rush), from the Old
High German giskehan (to happen),
from the Proto-West Germanic skehan,
from the Proto-Germanic skehaną (to
run, move quickly), from the primitive Indo-European skek- (to run, jump, spring).
The Germanic forms were akin to the Dutch schielijk (hasty) & schikken
(to arrange) and the Old English scēon
(to happen). The alternative etymology
is a link to the French chicane, from chicanerie
(trickery) which in the 1610s English picked up as chicanery (legal
quibbling, sophistry, mean or petty tricks).
The meaning "Parisian elegance and stylishness
combined with originality" emerged in English by 1882, used to convey the
sense of a style which was tied specifically to the most identifiably elegant
street wear of the ladies of Paris, the influencers of the day noting chic was "an
untranslatable word, denoting an indispensable quality"; something of the je ne sais quoi then. The use as an adjective to describe the
appearance of individuals dates from 1879 in English but interestingly, the
Oxford English Dictionary (OED) pointed out the use of chic was nowhere near as
frequent among French speakers in France although Gustave Flaubert (1821-1880) in
Madame Bovary (1857) used chicard
(one who is chic), the then current Parisian slang for "classy" before
waspishly adding that it was “bourgeoisie”, one indication of why it's as rewarding (and less time-consuming) to read Flaubert as it is Proust (Marcel Proust
(1871–1922; author of the multi-volume À
la recherche du temps perdu (In Search of Lost Time (1913-1927))).
One adjectival variation was chi-chi (extremely chic,
sophisticated) which by 1908 was recorded also as a noun meaning “pretentious
fussiness", from the French chichi
(airs, fuss). Etymologists think this,
like frou-frou (showy or frilly
ornamentation but in its original sense "the rustling of a woman's skirt as it
swishes around the legs"), likely imitative.
Chic is either used invariably, in which case the spelling of the plural
is chic, or has the plural chics for both the masculine and the feminine forms. While the spelling chic is correct for the
uninflected adjective, all inflected forms are nonstandard (to be correct, inflected
forms must be derived from the preferred spelling schick). The accepted homophones
are sheik & sheikh, the pronunciation “chik” is non-standard except when
used facetiously.
Lindsay Lohan, 2013 Jingle Ball, New York City.
Chic fills a most narrowly specific niche and is thus without no exact synonym. Words like exclusive, mod, modern, current, sharp, smart, dap, dapper, dashing, faddish, modish, natty, with it, elegant, stylish, dapper, fashionable, natty, trendy, voguish, fancy, posh, or swank tend in the direction and in many cases run at least in parallel but none quite capture the sense of chic. Nor are the likely antonyms (inelegant, unfashionable or unstylish helpful; there is unchic but is so rare as to be probably obscure and it’s unnecessary: someone or something is either chic or not. Chic is a verb & noun, chicly an adverb, chicness a noun and chicer & chicest are adjectives. The noun chic is very often used with an attributive noun or adjective modifier, indicating the kind of style, such as boho-chic, heroin-chic, shabby-chic, eco-chic, geek-chic, radical-chic, porno-chic, communist-chic, terrorist-chic, Ayatollah-chic, scruffy-chic, super-chic, uber-chic, goth-chic, ultra-chic, industrial-chic et al. There were also forms designed deliberately to insult such as chav-chic (also in the form council house-chic), gypsy-chic & hillbilly-chic. Chiconomics was a clever coining which deconstructed the ways of looking chic on a budget and très chic was a way to emphasize the French connection.
Heroin chic
Heroin
chic, an aesthetic characterized by a painfully thin (preferably tall) build,
pale skin, dark circles under the eyes, disheveled hair and a vacuous, haunted
expression, was first noted in the late 1980s before the following decade becoming
prominent in the modeling industry, an allusion not only to (a not actually
typical) the look of an addict but also the alleged popularity of the drug in
the business. However, the look wasn’t
new, examples existing from the early twentieth century and Bob Richardson (1928-2005)
photographed Anjelica Huston (b 1951) very much in the mode as early as 1971.
When first coined, heroin chic was intended as a
criticism but, in the democratic way English works, it was quickly embraced by
popular culture and soon, even in the early days of the internet and long
before even embryonic social media platforms, guides were soon circulating,
detailing how to achieve the look which, proved so popular they were reprinted
in mainstream magazines. Had it been
just a fashionable look it might not have attracted the disapprobation but, for
all sorts of reasons (in part related to the symbiotic economics of drug
production, distribution and enforcement regimes), the look happened at a time
when heroin use in the West spiked, along with a sudden increase in overdoses
and drug-related deaths.
Itself a reaction to the more voluptuous models in the 1980s, heroin chic departed the catwalks rather abruptly, 1997 noted as the end-point, induced by what was a classic moral panic, ostensibly in reaction to a general concern about heroin use and overdoses but really triggered by the drug-related deaths of a number of white pop-culture celebrities. Although seemingly oblivious to the the death-rate among ethnic minorities and the poor, the toll of the high-profile caught the attention of the White House staff and in May 1997, President Clinton became involved, his speech on the subject a carefully choreographed interruption to a prayer breakfast in which he condemned heroin chic, saying “You do not need to glamorize addiction to sell clothes, the glorification of heroin is not creative, it’s destructive. It’s not beautiful; it’s ugly. And this is not about art; it’s about life and death. And glorifying death is not good for any society.”
Still, the thought police can only suppress but not kill an idea. Given the political pressure, the industry remains too timid to reprise the look on covers or cat-walks but there remains a counter-culture which finds irresistibly alluring the sight of a slender models walking as if in a drug-induced stupor and although it never entirely went away, impressionistically, it does appear heroin-chic is enjoying, on-line and on the street, a post-pandemic renaissance. The pro-ana community, always supportive of forks of fashion which build on their framework, will sometimes include style-guides but does caution it’s an aesthetic which works only on the thin (you need not be statuesque; any height can work but not any weight). So, the first goal is to be thin and pro-ana is there to help with any number of guides available and all work but only if rigidly they’re followed. Techniques can vary but an indicative approach to the mechanics of heroin-chic is:
(1) Get thin.
(2) Begin the process formerly when able successfully to shop in the (US) size zero to one section. Clothes need to be loose and baggy (if they’re not, return to step (1)).
(3) Never buy anything clingy or with a bare back. Structurally, the core elements you’re trying to achieve are emaciation and androgyny.
(4) Never buy anything with giant polka dots or made with fabrics of bright colors. It sounds an unimportant point but is essential; heroin-chic simply doesn’t work with vibrant colors or certain designs. The preferred colors are black, white, grey, the darker purples and navy blue.
(5) Buy layered items or those made with fluffy fabrics.
(6) Avoid vertical lines unless the stripes are really wide and the color contrasts distinct.
(7) Wear boots wherever possible.
(8) Prime the eyelids, then use a medium to dark brown eye shadow, packing it on to the eyelids. Unlike the conventional approach to eye-styling, using the fingers is best because it creates an inherently messy finish and the result will inevitably be asymmetric which is good. When content, add some eye shadow under the eyes and again, strive to achieve coverage but not neatness.
(9) Wait a few minutes (which isn’t a necessity with all eye shadows but there are variations even within the ranges of the one manufacturer. When ready, run jet-black eye shadow along the top and bottom lash-lines. This is best done with a small eye shadow brush and, once applied, smudge as desired using the fingers. Experienced users claim Nyx Cosmetics eyebrow cake is the best product available and for touch-ups or quick corrections, recommend Urban Decay’s 24/7 pencils.
(10) The look is convincing only with clumpy eyelashes. Take a mascara and use the tip to stick the lashes together, forming something which looks vaguely what you imagine spider legs so treated might resemble. What you’re after is a variation of what eyelash stylists call “the spiky” except instead of being neatly separated, the lashes are in irregular clumps.
(11) The rest of the make-up should tend to the neutral. The aim remember is pale skin (avoid exposure to sunlight) so use just a BB cream rather than foundation, accentuated only with just a bronzer to emphasize the shape of the cheekbones. Illamasqua’s cream pigment is highly regarded.
(12) Perhaps counter-intuitively, the hair needs to be washed and conditioned according to the normal routine (heroin-chic is a look, not a consequence). The idea is to achieve a stringy, un-kept look but, again counter-intuitively, that can really be constructed only if the hair is clean and well kept and with most hair-types, it’s not difficult using nothing more exotic than inexpensive product such as spray, wax or fudge. In most cases the styling technique is a variation of what hair-dressers call the JBF but because hair types vary, you may need to experiment. However it’s done, heroin-chic works best with straight hair so, if you’re after the optimal look, straighten first.
(13) There’s no consensus about which color should be used on the lips or even if it should be glossy or matt. However, unlike the eyes, lip-stick should be applied with precision; it’s just a convention of use.
(14) Juxtaposition. As a look, heroin-chic works only if at a second glance it's apparent everything is expensive (think of it as a sub-set of shabby chic); it's not something done with cheap clothing and needs a pair of diamond studs and a good watch to complete the effect but jewelry should be chosen with some restraint, too much and it detracts from what is a very specific construction and silver will always work better than gold.
