Dynasty

Dynasty (pronounced dahy-nuh-stee (US English); din-uh-stee (UK English)

(1) A sequence of rulers from the same family, stock, or group.

(2) The rule of such a sequence.

(3) A series of members of a family who are distinguished for their success in business, wealth creation etc.

(4) In sport, a team or organization which has an extended period of success or dominant performance (technically unrelated to family links or even and great continuity in personnel).

(5) As used specifically in East Asian history, the polity or historical era under the rule of a certain dynasty.

1425-1475: From the Middle English dynastia, from the Middle French dynastie, from the Late Latin dynastia, from the Ancient Greek δυναστεία (dunasteía) (power, dominion, lordship, sovereignty) from dynasthai (have power), of unknown origin.  The adjective dynastic (from 1800) is used when speaking or, relating to or pertaining to a dynasty; dynastical attested since 1730.  A dynast (hereditary ruler) is from the 1630s, from the Late Latin dynastes, from the Greek dynastes (ruler, chief, lord, master).  The synonyms include house & lineage.  Dynasty & dynast are nouns, dynastic & dynastical are adjectives and dynastically is an adverb; the noun plural is dynasties.

The word is widely used of the ruling families of nations associated with royalty (Hapsburg dynasty, Romanov dynasty, Hohenzollern dynasty etc) and remains the standard term in the historiography of Imperial China (Ming dynasty, Qing dynasty, Song dynasty, Tang dynasty, Yuan dynasty etc).  In political science it’s a popular use (verging on a slur) to describe the political arrangements concocted when a ruler attempts (sometimes with success) to pass the office (and thus their country) to a descendent (usually the eldest or most demonstrably ruthless son), examples including the Congo, Syria, Cambodia and the Islamic Republic of Iran.  Sometimes, polities organized in this manner can give rise to what is known as a subdynasty (which seems never to hyphenated), an idea borrowed from European history when royal families routinely would provide offspring to serve as kings of other states, thereby creating a new dynasty; sometimes this worked well, sometimes not.

In politics, families which some characterize as appearing dynastic can be very sensitive to anything which seems even to hint at the suggestion and the Lee family in Singapore is the standard case study.  Between the rule of Lee Kuan Yew (1923–2015; Prime Minister of Singapore 1959-1990) and that of his son Lee Hsien Loong (b 1952; Prime Minister of Singapore since 2004-2024) there was gap of over a dozen years (which must not be called an interregnum) and there was of some interest in whether a similar mechanism would be engineered to enable a third generation to assume office, the previous successor designate having been removed from the plan because of “some unsuitability”.  According to certain Western commentators, Mr Lee delayed stepping down from the premiership (to become "Senior Minister", the same path taken by his father and not wholly different for the approach of Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022)) so a “long runway” cold be laid onto which the next prime minister can emerge (the word “runway” used in the modern sense of the “catwalk” on which models strut their stuff rather than anything to do with aviation).

Something in common: Lee Hsien Loong and Klyie Jenner.

As things turned out, in 2024, Lawrence Wong Shyun Tsai (b 1972) became the city state's fourth prime minister.  While Li Hongyi (b 1987; first-born child of Lee Hsien Loong), has disavowed any interest in a political career, there’s still plenty of time and if, in the fullness of time, “drafted” by the ruling PAP (the People’s Action Party which has been in power since independence in 1959), he may feel it his duty to be “be persuaded”.  Li Hongyi may however believe his lineage is too great a disadvantage to overcome.  Earlier, Lee Hsien Loong dismissed suggestions his stellar career (becoming at becoming at 32 the youngest brigadier-general in the history of the Singapore military and prime minister at 53) owed anything to family connections, claiming being the prime minister’s son actually hindered him because people were so anxious to avoid accusations of favoritism.  Interestingly, entertainment personality Kylie Jenner (b 1997) made much the point, claiming it was belonging to a famous family which saw her denied some modelling work.  The Lee family though do seem unusually sensitive to suggestions the scions might unduly benefit from the connection, the Financial Times in 2007 even having to apologize for having published not anything libellous (actually easily done in Singapore) but simply a list of Lee family members appointed to high positions in the state.  The current derogatory slang is “nepo baby”, a clipping of "nepotism baby", a term one is unlikely to read in the Singaporean press.

Kim I, II & III: The Kim Dynasty, Democratic People’s Republic of Korea (DPRK, aka North Korea)

Kim I: Kim Il-Sung (1912-1994; The Great Leader of DPRK, 1948-1994, left).  Like his descendants, The Dear Leader and The Supreme Leader, The Great Leader enjoyed food.  He’s pictured here at lunch with another foodie, comrade Stalin (1878-1953; Soviet leader, 1924-1953, right).

Kim Il-Sung held an array of titles during his decades as the DPRK’s dictator, the proliferation not unusual in communist nations where the ruling party’s structures are maintained alongside the formal titles of state with which governments conduct relations with foreign powers.  In office for a remarkable 45 years, he was designated premier (head of government) between 1948-1972 and president 1972-1994.  He was head of the WPK (Workers' Party of Korea) between 1949-1994 and in that role successively was styled as Chairman (1949-1966) and General Secretary (after 1966).  During his 45-year rule, there were ten US presidents, six RoK (Republic of Korea (South Korea)) presidents, nine British prime ministers and ten Australian prime ministers.  He tenure in office also spanned the era of the Soviet Union from its apotheosis under comrade Stalin to its collapse in 1991.  Being dead however proved no obstacle to The Great Leader extending his presidency, the collective office Chuch'ejosŏnŭi yŏngwŏnhan suryŏng (Eternal leaders of Juche Korea) created in 2016 by the insertion of an enabling line in the preamble to the constitution.  What this amendment did was formalise the position of The Great Leader and his late son comrade Kim Jong-Il (1941–2011; The Dear Leader of DPRK 1994-2011)) as the “eternal leaders” of the DPRK.  Juche is the term used to describe the DPRK’s national philosophy, a synthesis of The Great Leader’s interpretation of (1) Korean tradition and (2) Marxist-Leninist theory.

Funeral cortege of The Great Leader, 1994.

It was an interesting move.  Constitutionally, the office of president in its executive form was codified only in 1972; prior to that the role of head of state had been purely ceremonial and held by trusted party functionaries, all power exercised by The Great Leader in his capacity as premier and WPK general secretary.  However, merely by being president The Great Leader vested the office with such an aura that upon his death in 1994, the position was left vacant, The Dear Leader not granted the title.  That nuance of semi-succession for a while absorbed the interest of the DPRK watchers but attempts to invest the move with any significance abated as DPRK business, though in the more straitened circumstances of the post Soviet world, continued as usual.  The constitution was again revised in 1998.  Being a godless communist state, no fine theological points stood in the way of declaring The Great Leader the DPRK’s "Eternal President", the latest addition to the preamble declaring:

Under the leadership of the Workers' Party of Korea, the Democratic People's Republic of Korea and the Korean people will hold the great leader Comrade Kim Il-Sung in high esteem as the eternal President of the Republic.

The constitution, as revised and promulgated after the death of The Dear Leader, again referred to The Great Leader as "Eternal President of the Democratic People's Republic of Korea" but in 2016 (The Dear Leader having apparently been dead for what must have been judged a decent duration), another amendment to the preamble changed the administrative nomenclature of executive eternity to "eternal leaders of Juche Korea", the honor now jointly held by the leaders great & dear, one dead, one alive.  It was another first for the Kims.

Kim II: Kim Jong-Il (1941–2011; The Dear Leader of DPRK, 1994-2011) in Prussian blue pantsuit, 593 Military Unit's Commander School (secret location undisclosed), 21 June, 2010.

DPRK generals wear big hats and always carry a notebook in case the closest Kim says something interesting.  They write it down and because every thing said is interesting, all in the entourage go through many notebooks.  DPRK watchers have concluded that because of the nature of the regime, it's unlikely any of these notebooks have been discarded so there must be a large number of them stored around the country. 

As a political construct, the DPRK is best thought of as a hereditary theocracy because what's expected of citizens is not mere veneration of the Kims but a form of worship.  Although opaque, its dynamics are now better understood but when in 1994 The Great Leader died, neither within the country nor beyond was there wide understanding how much of the power structure he controlled had passed to The Dear Leader.  Following the collapse of the Soviet Union which had provided the DPRK with much financial and other aid, the economic circumstances were hardly propitious but there seems never to have been any doubt about the formal succession, The Dear Leader having been anointed for more than a decade.  The DPRK’s propaganda machine, while not in the conventional Western sense having a middle class to be made “quite prepared”, did have the had the rest of the country to work on and for years Kim Jong-Il had gradually been eased into photo opportunities with The Great Leader, eventually making even solo appearances, sometimes in the role of Supreme Commander of the KPA (Korean People's Army) to which he’d been appointed in 1991, despite having no military background.  However, given most of the generals and admirals (despite their impressive display of decorations and other medals) also have little experience of active combat, this was less of a problem than it might have seemed.

There must in the mind of the Great Leader been some concerns a dynasty might not evolve because, perhaps now aware of his own mortality, The Great Leader in the years before death made the effort to "clear the decks" for the succession, purging the military and civilian ranks of any difficult types who might prove potential obstacles in the path of Kim Jong-Il's ascent.  Some of the purged went into enforced retirement while the deaths of others (presumably suspected recalcitrants) was announced although that may have been a coincidence; the DPRK may be a theocracy but its military and political elite are gerontocracies so senior figures dropping dead from old age is not rare.  Anyway, the path was smoothed and, the military command settled, in 1992, The Great Leader announced Kim Jong-Il was now in charge of all the DPRK’s internal affairs.  Curiously, shortly after that, the media began using of him the honorific “Dear Father” instead of “Dear Leader” but for whatever reason, all official communications soon reverted to the latter which first had appeared a couple of years earlier.

Kim Jong-Il with the judging committee at the annual "DPRK Biggest Watermelon Competition", Pyongyang, August, 2010.

Despite all the dynastic help, indications are it took The Dear Leader sometime fully to assert his authority.  Seriously weird it may appear but, the WPK is just another political party and it too has factions; in the difficult post-Soviet environment of the 1994 succession, DPRK-watchers detected signs of genuine internal debates about how to deal with the economic problems faced.  The adjustments frankly didn’t go well for many North Korean citizens (some of whom starved to death) but while The Dear Leader may not have learned much economic theory, he proved adept at consolidating his power, adopting the Songun (military first) policy, granting the military priority in resource allocation and political influence, not out of any concern about foreign invasion but to ensure the loyalty of what was, in effect, a giant police apparatus tasked with protecting the Kim dynasty from "problems from within", the slightest hint of dissent met with the "good, hard crackdown" which is a signature tactic of dictatorships in managing their highest priority: regime survival.  Secure in office, spasmodically, The Dear Leader did attempt the implement the odd economic reform but the results were not impressive; despite that, efficient internal repression ensured the family's business as usual continued.

Dynastic family planning.

Kim Jong-Il shaking hands with Japanese-born singer Ko Yong-hui (aka Takada Hime, 1952-2004) circa 1972.  She became his consort and would later give birth to Kim Jong-Un.  Within the DPRK, her name must never be spoken and she's referred to only by honorific forms, the most commonly used being: “The Respected Mother who is the Most Faithful and Loyal 'Subject' to the Dear Leader Comrade Supreme Commander”.

By 1997, The Dear Leader sufficiently was entrenched in power to engineer his appointment to The Great Leader's old post as General Secretary of the WPK and, a year later, a constitutional amendment declared his role as chairman of the NDC (National Defence Commission) was "the highest post of the state", presumably among those still alive because the same constitutional reform proclaimed The Great Leader to be the DPRK’s "Eternal President".  Complicating things further, the Dear Leader's career progression was mapped onto the 2012 constitutional amendments in which The Dear Leader’s had been declared "Eternal General Secretary of the WPK and Eternal Chairman of the National Defence Commission".  In any other country this may have been thought an anomaly to be clarified but in the DPRK it's all part of the mystique of the personality cults of the Kims.  In 2016, after a decent period of mourning, the new title "Eternal Leaders of Juche Korea" was created and conferred on both The Great Leader & Dear Leader, the internal logic again perfect.

The reputation of the DPRK as a hermit state cloaked in secrecy is not wholly undeserved but what was published by the energetic and highly productive KCNA (Korean Central News Agency) was an official biography of The Dear Leader and it must from his earliest years have been obvious he was extraordinary.  He was born inside a log cabin beneath Korea’s most sacred mountain and in the moment of delivery, a shooting star brought forth a spontaneous change from winter to summer and there appeared in the sky, the biggest, brightest rainbow ever seen.  The Dear Leader turned out to be not subject to bowel movements, never needing to defecate or urinate (although evidence suggests this is not a genetic characteristic of the dynasty and not shared by his son & successor).  He had a most discriminating palette so prior to his meals being prepared, several staff assiduously by hand inspected every grain of rice to ensure each was of uniform length, plumpness, and color, The Dear Leader eating only "perfect" rice.  Although he only ever played one round of golf and that on the country’s notoriously difficult 7,700 yard (7040 metre) course at Pyongyang, he took only 34 strokes to complete the 18 holes, a round which included five holes-in-one.  Although the scorecard was verified by all 17 of the bodyguards on duty at the course, experienced golfers have cast doubt on the round of 34 (not commenting on the holes-in-one) but the diet of individually inspected & polished grains of rice was thought "at least plausible".  

Funeral cortege of The Dear Leader, 2011.

The funeral cars were 1975 or 1976 Lincoln Continentals, built by Moloney Standard Coach Builders on an extended wheelbase.  Lincoln experts say it's a different car to the similar model used in The Great Leader's funeral, the dynasty said to own several and it's believed they were obtained "through sources in Japan".  Nor are the big Lincolns are the only machines of note in the state mews.  Uniquely, the Kim dynasty is the only family believed also to own a brace of Mercedes-Benz 600 (M100; 1963-1981) long-roof Landaulets, only twelve of which were built.  Fittingly, these variants with an extended length folding top casually are known as the "presidentials" but the factory never officially used the designation.  There were also 47 "standard" Landaulets with a shorter fabric soft-top.  

The Kims certainly are the subjects of some of the most elaborate personality cults ever but it’s not only the DPRK administration that creates retrospective honours to acknowledge the uniqueness of a special individual. George Washington (1732–1799; POTUS, 1789-1797) will forever be the first POTUS so that distinction was always secure but he retired from the army as a lieutenant general; that others since have been appointed to more senior ranks did disturb some in the military, concerned his primacy in the hierarchy wasn’t adequately honoured.  Perhaps surprisingly, in the US military, the system was finalized only this century and prior to 1944, the matter of stars and titles for generals had been a little confused, the whole order of precedence in the army since the Declaration of Independence only properly codified with some retrospective creations in 1976 and 2024.  Historically, the most senior rank in the US Army had been lieutenant general with first significant change effected in the post Civil War (1861-1865) era when the rank of “General of the Army” was gazetted and while nominally a four star appointment, structurally, it was the equivalent of what would in 1944 be formalized as five star rank.  However, in 1866, the significance of the title “General of the Army” was it reflected the appointee being the general with authority over the whole army which meant there could be only ever be one in active service.  In other words, that meant the four star general was commander-in-chief of the army and the paperwork had years earlier been prepared for Washington to be raised thus but this was never done because of concern among lawyers it might set a precedent and be seen to impinge upon a president’s authority as commander in chief of all forces.  Indeed, although later the US military would use titles such as “Commander in Chief, US Pacific Command”, Donald Rumsfeld (1932–2021: US defense secretary 1975-1977 & 2001-2006) in 2002 ended the practice (and use of the acronym CINC) by re-asserting there was in the US: “only one commander in chief in America - the president”, spelled out in Article II, Section 2 of the US Constitution: “The President shall be Commander in Chief of the Army and Navy of the United States, and of the Militia of the several States, when called into the actual Service of the United States."  The matter of civilian authority over the military was one of the founding principles of the republic.

The next change came when General John "Black Jack" Pershing (1860–1948) who had commanded the US expeditionary forces in World War I (1914-1918) was in 1919 appointed to the then unique rank of “General of the Armies of the United States”.   At the time, the war was known as the "World War" (a suggestion by Woodrow Wilson (1856–1924; POTUS 1913-1921)), the vast and bloody conflict already regarded as “the war to end all wars” and the feeling was the conflict had in scale and awfulness been unique so some special recognition was deserved.  Pershing however remained a four star general and confusingly, when the spate of five star appointments was made between 1944-1950, the old wording “General of the Army” was revived with the pecking order based on the gazetted date of appointment to the rank which no longer implied an individual having authority over the entire army.  There have since been no five star creations (although many other armies have continued to appoint field marshals which is the equivalent).  In the US, some historians and many in the military fretted over the untidiness of it all and in 1976, George Washington formerly was gazetted “General of the Armies of the United States with rank and precedence over all other grades of the Army, past or present”, meaning he will for all time be the US Army’s senior officer.  In 1944, there was also an amusing footnote which, according to legend, resulted in the decision to use the style “general” and not “marshal” (as many militaries do) because the first to be appointed was George Marshall (1880–1959; US Army chief of staff 1939-1945) and it was thought “Marshal Marshall” would be a bit naff, something Joseph Heller’s (1923-1999) character “Major Major” in Catch-22 (1961) would prove.  So, retrospective adjustments to hierarchies are not unique to the DPRK.

Kim III: Kim Jong-Un (b circa 1982; The Supreme Leader (originally The Great Successor) of DPRK since 2011).  The Supreme Leader is pictured here with South Korean foreign minister, Chung Eui-yong (b 1946).  In the North, the KCNA refers to South Korea as "the puppet state" [of the US].

Inheriting the family business, the country and its population at a much younger age than The Dear Leader, The Supreme Leader, didn’t benefit (or suffer) from the long public gestation period his father was provided by The Great Leader.  It was in 2009, about two years before The Dear Leader’s death that the media began reporting the youngest son was to be the DPRK’s next leader although at that stage, he was referred to as The Brilliant Comrade, the honorific The Great Successor not adopted until after The Dear Leader’s death and it was soon replaced by The Supreme Leader.  For whatever reason, and the speculation and conspiracy theories are many, Kim III more quickly assumed his panoply of offices and titles than his immediate ancestor.

The Supreme Leader leads the bowing ceremony before the portraits of the Great Leader (left) and Dear Leader (right), 9^th Congress of the WPK (Workers' Party of Korea), April 25 House of Culture, Pyongyang, 19-25 February 2026.  Unanimously, delegates paid tribute to the Supreme Leader and declared it the “best congress ever”.

Portraits of the Kims are of great significance to the regime.  In August 2023, with tropical storm Khanun bearing down on the DPRK coast, state media issued instructions that all citizens must “with urgency” and “at any cost” focus on “ensuring the safety” of items depicting the three members of the Kim dynasty.  Presumably because they would be more susceptible to the storm’s heavy rain and strong winds than sturdier objects like statues, the Rodong Sinmun (official newspaper of the ruling WPK) emphasized citizens’ “foremost focus” must be ensuring the preservation of portraits of the Kims although they did caution the need also to safeguard the large number of statues, mosaics, murals and other monuments to the dynasty which has ruled North Korea since its foundation in 1948.

Meeting of the WPK to commemorate the Supreme Leader’s tenth anniversary of his assumption of leadership of the party, Pyongyang, April 2022.  The Supreme Leader’s portrait is displayed in an oval which is not unusual in DPRK Kim iconography.

The order was an interesting insight into the way the regime regards the symbolism of representational objects as a part of its legitimacy but they have set the population an onerous task given the sheer volume of portraits which exist.  At least one each of the Great Leader & Dear Leader are known to hang in every house, café, bus, train carriage or shop and in larger public buildings there might literally be dozens.  In whatever form, the depictions are regarded as not merely symbolic but as sacred icons; just as every citizen must be willing (anxious even) to die protecting the leader, so must they be prepared to sacrifice themselves to save his portrait.  It's never been revealed whether any of the Kims read Oscar Wilde's (1854–1900) The Picture of Dorian Gray (1890) but if so, they've learned well. 

The Supreme Leader in black leather.

Fashionistas note the perception of black as a “slimming color” but caution the effect is attained through the interplay of optics, contrast perception and even cultural expectations rather than the color’s inherent properties.  Done well, it can work but success depends on design and fit; there are limitations so expectations have to be “realistic”.  Essentially, what use of solid black can do is: (1) Reduce visible contour information (although something really shiny like patent leather can make things worse) because less light is reflected, meaning shadows, folds and changes in body shape appear less are less visually distinct, details to some degree “flattened out”; (2) Minimize edge definition and contrasts in hues, human vision (for sound evolutionary reasons) drawn to highlights & boundaries so while light-colored fabrics generate stronger visual cues of volume and curvature, these black tends to suppress; (3) Exploit a trick from visual art in which darker tones appear to “recede” while the lighter “advance”.  The technicalities however operate in conjunction with the long-established cultural expectation; because the notion “black is a slimming color” has become a popular orthodoxy, viewers perceptions can be “pre-conditioned” and appearances interpreted accordingly.  Fashion critics suggest the effect is overstated and all else being equal, design and the quality of fabric is much more significant than the color, a well-cut garment in a light shade able to be more “slimming” that anything ill-fitting or of poor design in black.  They note the effect anyway can to some extent be achieved with other solid, dark colors (Prussian blue, charcoal, deep olive etc) because again, the uninterrupted expanse reduces visual segmentation.  Perceptions are also sometime gleaned from professional photography with angles and lighting optimized whereas IRL (in real life) there’s movement so expectations must be tempered down to the art of the possible.

Official portrait of the Supreme Leader, issued by the KCNA at 7th Congress of the the WPK, 6-9 May 2016, April 25 House of Culture, Pyongyang.

Announced by the KCNA on state television as The Great Successor, The Supreme Leader was appointed General Secretary of the WPK, Chairman of the Central Military Commission, and President of the State Affairs Commission, followed soon afterwards by a promotion to the army’s highest military rank, Marshal of the Korean People's Army, adding to his position as Supreme Commander of the Armed Forces (exactly the same constitutional arrangement adopted by Hitler as commander-in-chief of both OKH (Oberkommando des Heeres (High Command of the Army)) and OKW (Oberkommando der Wehrmacht (High Command of the Armed Forces)).  Great minds do think alike.  Confusingly, having already morphed from The Brilliant Comrade to The Great Successor to The Supreme Leader, references also appeared calling him The Dear Respected Leader but thankfully the proliferation seems now to have stopped and for more than a decades it's been "The Supreme Leader" all the way.  In office, he has pursued 병진 (byungjin (literally "parallel development")), a refinement of The Great Leader’s policy simultaneously to develop both the economy and the military, his particular emphasis in the latter a focus on nuclear weapons and inter-continental delivery systems.  It may be an attempt to avoid the problems inherent in the “Waffen und Butter” (guns and butter) programme pursued seriously by the Nazi regime (1933-1945) only by as late as 1938, the latter element loosing resource allocation after 1943 as fortunes turned in World War II (1939-1945).

Kim Jong-Un, looking through binoculars across the DMZ (Demilitarized Zone), observing the “provocative maneuvers” of the South Korean Army.

While Kim III is no longer referred to as The Great Successor, there have been great successes.  Despite Western propaganda, there are elections in the DPRK and when The Supreme Leader sought a seat in the Supreme People's Assembly, there was a record turnout of voters and he received 100% of the votes cast.  Although it’s hard to determine the veracity of many of the reports, it’s suggested also he’s an innovator in matters of military discipline, new methods used by firing squads said to include flame throwers, and anti-aircraft cannons, both said to make quite a mess although it's difficult to know how high is the body count, some reported executed later turning up alive and well.  Worth a mention though is the assassination in 2017 of his exiled half-brother Kim Jong-Nam (1971-2017), killed with the nerve agent VX while walking through Kuala Lumpur International Airport, a novel twist on the extra-judicial execution being the use of two aspiring starlets to deliver the toxin; they believed they were being filmed as part of a reality TV show (as assassinations go, genuinely that was innovative and yet another first for the Kims). Most celebrated has been the nuclear programme and the increasingly bigger and longer-range missiles paraded from time to time.  Underground nuclear tests being hard to monitor, it remains unclear whether some of the devices tested are the long de rigueur plutonium weapons or, for the first time since the one-off A-Bomb used in Hiroshima in 1945, made using uranium.  Most impressively, the KCNA reported an almost complete success in the DPRK for some time avoiding outbreaks of COVID-19 with no cases reported in the republic so, on any basis of calculation, The Supreme Leader supervised the most successful COVID-19 strategy on Earth.  Unfortunately, because of neglect by lazy and incompetent officials (who were executed with the next two generations of their families consigned to labor camps) an outbreak did happen and the DPRK's borders remain almost wholly closed, only small number of carefully vetted tourists from Russia and the PRC (People's Republic of China) permitted entry for carefully supervised visits.   

The Supreme Leader has also at times drawn the interest of the pro ana community because of his weight loss has at times been striking and achieved before the general availability of GLP-1s (glucagon-like peptide-1).  Whether his motivation was (1) concerns about his health, being a bit chubby, (2) a wish to look more sexy and attractive to younger women or (3) display solidarity with his subjects, many of whom were suffering food shortages, his weight-loss regimes have on occasions been an obvious success, experts estimating (on the basis of photographic evidence), as much as 25-30 kg (65-80 lb) may have be shed.  That was commendable but did elsewhere create a problem for the small number of people in the entertainment business working as as Kim Jong-il impersonators, some of whom sought guidance from the pro ana community.  For security reasons, the regime employs "Supreme Leader body doubles" (doppelgangers) and it's not known if, during his "slim phases" they're starved until the meet the required dimensions or simply shot and replaced with thinner models.  Conspiracy theorists in the West did speculate the "slimmed down version" may really be a body-double who was paraded for the cameras just to assure hungry citizens the Supreme Leader was sharing (at least to some extent) their deprivations.  The KCNA does have "a bit of previous" in being "economical with the truth" so who knows?  However, regardless of his weight, The Supreme Leader seems in such rude good health that, still barely 40, he may well rule the DPRK even longer than his grandfather’s 45 years.  Ever since the demise of the USSR in 1991, analysts have been predicting the imminent demise of the communist regimes in both Pyongyang and Havana but they seem to muddle through, the DPRK of late enjoying new sources of foreign exchange, branching out from industrial-scale drug production and the smuggling of oil and minerals to the new field of cybercrime; even in the niche market of fake news they're said to run a small operation.

Doppelgangish.

US actor Elizabeth Gillies (b 1993) appeared as Fallon Carrington in the television drama Dynasty (2017–2022), a revival of the 1980s soap opera; it was shown in the US on the CW Television Network (episodes streamed internationally on Netflix the next day).  She appeared (far left) in Ariana Grande's (b 1993) music video Thank U, Next (2019), taking the part of Lindsay Lohan in the segment which was a homage to Mean Girls (2004).  While not technically a doppelganger, the degree of resemblance was sufficient for the theme to work.  The concept of Ms Grande's Thank U, Next could be applied to the DPRK's succession model ("just one Kim after another" as it were).

An artist’s depiction of how a statute in bronze of Daniel Andrews might be cast.

News the ALP (“Australian Labor Party” although more cynical souls prefer “Agitprop, Lies & Propaganda”) government in the Australian state of Victoria was allocating some Aus$134,000 (US$95,000) to erect a bronze statue of Daniel Andrews (b 1972; premier of the Australian state of Victoria 2014-2023) was greeted by most taxpayers with a resigned indifference although at least some presumably would have preferred attention be devoted to violent crime, the crumbling transport infrastructure and the troubled health system.  However, from the usual suspects in the commentariat came the predictable critique that given Victoria’s debt level and other acknowledged "issues", this might not be the most propitious moment to announce so much (borrowed) money was being spent for the aggrandizement of the politician under whom so much debt was accumulated and billions apparently squandered.  Unimpressed by such carping, Premier Jacinta Allan (b 1973; premier of Victoria since 2023) defended the move, calling Mr Andrews “a fantastic premier” and not bothering to deny suggestions her government was so resigned to losing the next election the focus had shifted to looting the exchequer for funds to build monuments to themselves.  Nor did she refer to analysis concluding the last ALP administration (under John Cain (1931–2019; Premier of Victoria 1982-1990) & Joan Kirner (1938–2015; Premier of Victoria 1990-1992)) had left the state in an even worse financial position so maybe she really has stopped trying.  Politically, though, she must find the similarities striking: a woman handed the job because the situation is hopeless and all that remains is for her to go down with the sinking ship, most of the men having already taken to the (taxpayer-funded) lifeboats.

A visiting tour group of Australians from Victoria bow before the three statues.  As the bronze of comrade Dan's statue weathers, it will appear in the same, darker hue as his illustrious companions.

However, the announcement from Melbourne was described as “long overdue” by Kim Jong-Un who in 2023 presided over the unveiling of a statue of Mr Andrews, erected on a plinth beside those of Kim Il-Sung & Kim Jong-Il.  The three statues, cast in bronze and 22 metres (72 feet) high, stand as the centre-piece of 만수대대기념비 (Mansudae Grand Monument), a complex in central Pyongyang at which have been erected over 200 other (appropriately smaller) statues of figures from the DPRK’s heroic past.  At the unveiling ceremony, 10,000 invited citizens were able to enjoy listening to an unusually brief oration by the Supreme Leader before two hours of extracts from speeches by Mr Andrews (in the original English, followed by a Korean translation) were broadcast over loudspeakers.  Topics covered by Mr Andrews included “modern techniques in debt management”, “fiscal discipline” and “locking citizens in tower blocks for their own good”.  At several points, the broadcast was for some minutes paused so citizens could applaud.  Unfortunately, the ceremony was conducted on what proved to be Pyongyang’s coldest day in 44 years and several dozen in the audience died after succumbing to hyperthermia while there were at least hundreds of cases of frostbite but the KCNA reported interviewed survivors saying that was a small price to pay to be able to hear the words of the one they called “The Great Leader of Victoria”.  Closing the ceremony from his double-glazed, centrally-heated, booth, the Supreme Leader concluded things with the words that were at once inspiring and modest: “For a thousand generations, the people the eternal nation of the DPRK will honor the memory of comrade Daniel Andrews and his untiring assaults on decadent bourgeois values such as freedom of assembly, privacy and free speech.  Comrade Dan was the great dictator that I aspire to become and deserves to stand on the plinth next to our Great Leader and Dear Leader.  If I can do to the DPRK what comrade Dan did to Victoria, perhaps one day a statue of me will be placed on the plinth.”

Weimar

Weimar (pronounced vahy-mahr, wahy-mahr, veye-mahr or weye-mahr)

(1) A city in Thuringia, in central Germany, the scene (in 1919) of the adoption of the constitution of the German state which came (retrospectively) to be known as the Weimar Republic.

(2) A German surname (of habitational origin).

(3) As Weimar Republic, the sovereign German republic (1918-1933), successor state to the German Empire (1871-1918 and now sometimes referred to as the “Second Reich”) and predecessor to the Nazi regime (the “Third Reich”, 1933-1945).  In the narrow technical sense of constitutional law, the "Weimar Republic" came into existence only in August 1919 but among historians it's common (and convenient) to date it from Kaiser Wilhelm II's (1859–1941; Emperor of Germany & King of Prussia 1888-1918) abdication in 1918.

Pre 1100: The construct was the Old High German wīh (holy; sacred) + meri (sea; lake; pond; standing water, swamp).  The name can therefore be analysed as something like “holy pond” or “sacred lake” but what religious significance this had or which aquatic feature was involved is not known.  A settlement in the area of what is now Weimar has existed since at least the early Middle Ages and there is a document dated 999 which makes reference to the town as Wimaresburg but how long this, or some related form had been in use is unknown.  Over time, the changes presumably reflected as desire for convenience and simplification (not an imperative always noted in evolution of the German language) and during the early centuries of the second millennium the place seems to have been known as Wimares, Wimari & Wimar before finally becoming Weimar.  In a manner not unusual in the Holy Roman Empire (800-1806 and for certain purposes dubbed First Reich”), it was the seat of the County of Weimar, one of the administrative and commercial centres of Thuringia but in 1062 merged with the County of Orlamünde to form Weimar-Orlamünde which existed until 1346 when the Thuringian Counts' War (a squabble between several local barons) erupted.  In the settlement which followed, Weimar was taken by the Wettin clan as an agreed fief and over time developed into a major city.  Weimar is a proper noun, Weimarization & Weimarize are nouns and Weimarian is a noun & adjective; the noun plural is Weimars.

One native to or an inhabitant of Weimar is a Weimarer (strong, genitive Weimarers, plural Weimarer, feminine Weimarerin).  The adjective Weimarian (of or relating to the Weimar period (1918-1933) in German can be used in any context but is most often applied to the art & culture associated with the era rather than politics or economics.  The comparative is “more Weimarian”, the superlative “most Weimarian”).  The noun Weimarization (a state of economic crisis leading to political upheaval and extremism) is used exclusively to describe the political and financial turmoil of the Weimar years.  The verb Weimarize (to cause to undergo Weimarization) is the companion term and is applied in much the same was as a word like “Balkanize” as a convenient word which encapsulates much in a way no other can.  The Weimaraner is a breed of dog, bred originally in the region as a hunting dog, the construct being Weimar + the German suffix -aner (denoting “of this place”).

In a constitutional sense, the Weimar Republic came into existence on 11 August 1919 when the national assembly of the German state met in the city to adopt the new Weimar Constitution.  Despite that, many historians use the label to cover the whole period between abdication on 9 November 1918 by Wilhelm II and the Nazis taking office on 30 January 1933.  The constitution created what structurally was a fairly conventional federal republic (known officially as the Deutsches Reich (German Reich)), the constituent parts of which were the historic Länder (analogous with the states in systems like the US, Canada or Australia though the details of the power sharing differed), each with their own governments, assemblies and constitutions.  Historians regards the inherent weakness of the structure as one of the factors which contributed to the political instability, economic turmoil and social unrest for which the era is remembered but the external forces are thought to have been a greater influence, notably the harsh terms imposed by the Treaty of Versailles (1919) and the extraordinary level of war reparations, the latter associated particularly with the hyper-inflation of 1923.  However, it was a time of unusual social & political freedom, marked by an outpouring of innovative cultural creativity.  One thing which tends to be obscured by what came later was that by 1928 the system had been stabilized and the economy was stable; in the last election prior to the Wall Street Crash (1929), the Nazi vote had slumped, rendering the party an outlier with no immediate prospect of success.  In democratic politics, the the so-called "protest vote" can at scale be attracted only if a critical mass of people think things are so bad they're prepared to "take a risk" on an unproven alternative; it was only the depression of the early 1930s which doomed Weimar and even then, the Nazis gained power not by achieving an electoral majority but through a series of back channel deals by establishment figures who (at the time, understandably) underestimated the threat posed.

Lindsay Lohan in court, Los Angeles, 2011.

Actually, rather than the pleasant city in Thuringia which lent the constitution its name, it was Berlin, the national and Prussian capital which came most to be associated with the artistic and sexual experimentation of the republic.  Although most of went on in the place was little different than in other conservative German cities it was the small but highly visible numbers of those enjoying the excesses which attracted attention.  In his novel Down There on a Visit (1962) Christopher Isherwood (1904–1986) wrote of the sort of warning respectable folk would in the 1920s offer to anyone who seemed to need the advice:

“Christopher - in the whole of Thousand Nights and One Night, in the most shameless rituals of the Tantra, in the carvings on the Black Pagoda, in the Japanese brothel-pictures, in the vilest perversions of the oriental mind, you couldn’t find anything more nauseating than what goes on there, quite openly, every day. That city is doomed, more surely than Sodom ever was."  And then and there I made a decision - one that was to have a very important effect on the rest of my life. I decided that, no matter how, I would get to Berlin just as soon as ever I could and that I would stay there a long, long time.

Weimar art: Der Künstler mit zwei erhängten Frauen (The Artist with Two Hanged Women), watercolour and graphite on paper by Rudolf Schlichter (1890-1955).  Note the high-heeled jackboots.   

Isherwood left London by the afternoon train for Berlin on 14 March 1929, taking a room next to the Hirschfeld Institute for Sexual Science from which he explored the city’s “decadence and depravity” enjoying just about every minute and by his own account every gay bar and club (of which there were many).  That niche was only one of many to which the Berlin of Weimer catered, all fetishes seemingly there from morphine, cocaine and opium houses to a club at which membership was restricted to a “coven of coprophagists [who] gorged a prostitute on chocolate, gave her a laxative and settled down to a feast.”  Actually, at the time, there was plenty of depravity among the Nazis, however much the public platform of the party might stress traditional values and they were as condemnatory as the Pope of communists, homosexuals and Freemasons (by contrast, it was institutions such as the Roman Catholic Church, the British Empire and comrade Stalin (1878-1953; Soviet leader 1924-1953) which attracted the sometimes grudging admiration of Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945).  Indeed, in his writings and the recollections of his contemporaries, Hitler didn’t much dwell on moral matters but ceaselessly would condemn those aspects of German culture he believed the Weimar generation were corrupting including “modernist architecture, Dadaist art, Jewish psychoanalysis, experimental theatre, short shirts, lipstick, bobbed hair, dances like the foxtrot and jazz” (the last of which he derided as “a degenerate negroid sound”).

Weimar art: Sonnenfinsternis (Eclipse of the Sun (1926)), oil on canvas by George Grosz (1893-1959).  Weimar was not untouched by surrealism.

The lurid tales of Weimar Berlin from the diaries of Christopher Isherwood now entertain rather than shock as once they would have managed but the expressionist art which flourished at the time remains striking.  A stridently experimental fork of the European avant-garde, the Weimar artists chose to ignore traditional aesthetic conventions and, according to some critics, the painters were fascinated by ugliness, the composers by atonal dissonance.  They were also artists who were predominately urban and focused upon the city, its decadence and corrosive influence upon the individual.  The Weimar period was the time also when the phrase magischer Realismus (magic realism) was coined, more accurately to describe what had come to be known as the Neue Sachlichkeit (new objectivity).  Magic realism is now thought of as a literary genre in which fantastical elements are interpolated into life-like depictions of the world but the first use was in 1925 by German art historian Franz Roh (1890–1965) who observed many artists in the Weimar Republic rejecting (or at least ignoring) the idealistic style (fashionable before World War I (1914-1918) and which had combined naturalistic depiction with an amplification of beauty and virtue), in favor of something recognizably realistic yet blended with uncanny elements.  Roh’s understanding of magic realism was at least partially an acknowledgement of technology: the influence of photography and moving pictures (film).  Then as now, there was debate about whether there was some point at which realism stopped and surrealism began but the distinction was that magic realism was a distortion of the actual material world for some political or other didactic purpose whereas surrealism explored the abstractions which lurked in the subconscious mind. 

In the Weimar style: The Rt Hon Theresa May MP (2023), a portrait of Lady May (b 1956; UK prime-minister 2016-2019) by Saied Dai (b 1958).

Painted by Tehran-born Saied Dai, it will hang in  Portcullis House, Parliament's office complex where many MPs have their offices and not since Graham Sutherland’s (1903–1980) portrait of Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) was unveiled in 1954 has a painting of one of the country’s prime-ministers attracted so much interest, the reception of such works not usually much more than perfunctory.  Sutherland was commissioned (as second choice; Sir Herbert Gunn's (1893–1964) fee deemed too high) by the ad hoc “Churchill Joint Houses of Parliament Gift Committee” to paint a portrait to mark the prime minister’s 80^th birthday and, on 30 November 1954, members of the Commons & the Lords assembled in Westminster Hall to mark the occasion.  Paid for by parliamentary subscription (the idea of paying for such a thing from their own pockets would appal today’s politicians), it was intended the work would remain with Churchill until his death after which it would be gifted to the state to hang in the Palace of Westminster.

Winston Churchill (1954) by Graham Sutherland.

Things didn’t work out that way.  Churchill, not anyway much enjoying the aging process loathed the painting and felt betrayed by the artist, the preliminary sketches he’d been shown hinting at something rather different.  Initially, he sulked, first saying he wouldn’t attend the event, then that he’d turn up only if the painting wasn’t there but his moods often softened with a little coercion and he agreed to make a short speech of thanks at the unveiling, his most memorable lines being: “The portrait is a remarkable example of modern art. It certainly combines force and candour.”  It wasn’t hard to read between the lines and when delivered to Churchill’s country house, the painting was left in a storeroom, never unwrapped and never again to be seen, Lady Churchill (Clementine Churchill (Baroness Spencer-Churchill; 1885–1977) in 1956 incinerating it in what was described as “a huge bonfire”.  That she'd executed one of history’s most practical examples of art criticism wasn't revealed until 1979.  Curiously, when first she saw it in 1954 she admired the work, Somerset Maugham (1874–1965) who was with her at the time noting she “liked the portrait very much” and was much “moved and full of praise for it.”  Her view soon changed.

The better-received May portrait was commissioned this time by the Speaker's Advisory Committee on Works of Art at a cost to the taxpayer of Stg£28,000 (in adjusted terms somewhat less than the thousand guineas paid in 1954) and Mrs May (she doesn’t use the title gained in 2020 upon her husband being knighted (for “political service”) in Boris Johnson’s (b 1964; UK prime-minister 2019-2022) remarkable (and belated) Dissolution Honours List) was reported as saying she thought the portrait a “huge honour”.  When interviewed, the artist said his “…aim was to produce not just a convincing physical likeness, but also a psychological characterization, both individual and yet archetypal - imbued with symbolism and atmosphere.  A good painting needs to be a revelation and also paradoxically, an enigma. It should possess an indefinable quality - in short, a mystery.”

A work of careful composition, critics have found in it influences from the Renaissance and Mannerism but it’s most obviously in the spirit of the German expressionists identified with the Weimar Republic and the addition of a convallaria majalis (the "lily of the valley" which flowers in May) was the sort of touch they would have admired.  Interestingly, Mr Dai expressed relief he’d not been asked to render Mr Johnson on canvas which is understandable because while an artist could permit their interpretative imagination free reign and produce something memorable, Mr Johnson over the decades has been a series of living, breathing caricatures and it would be challenge for anyone to capture his “psychological characterization”.  The Weimaresque May in oil on canvas works so well because it’s so at variance with the one-dimensional image of the subject which has so long been in the public mind.  Whether it will change the perception of Mrs May in the minds of many isn’t known but critics mostly have admired the work and views of her premiership do seem to have been revised in the light of the rare displays of ineptitude which have marked the time in office of her three successors.

After Weimar: Der Bannerträger (The Standard Bearer (circa 1936)) oil on plywood by Hubert Lanzinger (1880-1950).  The post card with the inscription Ob im Glück oder Unglück, ob in der Freiheit oder im Gefängnis, ich bin meiner Fahne, die heute des Deutschen Reiches Staatsflagge ist, treu geblieben (Whether in good fortune or misfortune, whether in freedom or in prison, I have remained loyal to my flag, which is now the state flag of the German Reich) was issued in 1939, one of many such uses of the image which depicts Hitler as a knight in shining armor on horseback, bearing a Swastika flag.  As he did whenever a  postage stamp with his image was sold, the Führer received a tiny fee as a royalty; multiplied by millions, he gleaned quite a income from the use.  In one of the many examples of the fakery which underpinned Nazism (and fascism in general), in real life, Hitler was “terrible on horseback".

Der Bannerträger was an example of the type of art which proliferated in both Nazi Germany and the Soviet Union, works which constructed the the personality cult around Hitler and comrade Stalin, reinforcing the messaging of both regimes.  Although, understandably, biographers and others have much focused on the two as human characters, as historical figures they need also be understood as manufactured constructs something certainly understood by the Soviet leader who once explained the abstraction of the personality cult by pointing to one of his many huge portraits and saying “…you see, even I am not Stalin, THAT is Stalin!”  One remarkably succinct sketch of how these thing are done lies in the pages of Paris: The Memoir (2023) in which Paris Hilton (b 1981) detailed the way Paris Hilton (the blonde flesh & blood creature) has a full-time job being Paris Hilton (the blonde public installation), a dualism she treated seriously because its maintenance demands study and an understanding of the supply & demand curves of shifting markets; a personality cult needs to be managed because, while some aspects must remain static, others need to evolve.

Such imagery Hitler dutifully would acknowledge when they were presented but he really did think them a kind of kitsch and while understanding their utility as propaganda pieces, they aroused in him little interest.  What he really liked in a painting was beauty as he defined it and in this his differentiation was something like his views on architecture where the standards imposed on the “functional” varied from his expectations of the “representational”.  Hitler would admire modern architecture rendered in steel & glass if it was being used for a factory or warehouse; there it was a matter of efficiency and improving working conditions but for the public buildings of the Reich, he insisted on classical motifs in granite.  In painting, he distinguished between what was essentially “advertising” and “real” art which the expressionism of the Weimar era certainly was not; the “…sky is not green, dogs are not blue and anyone who paints them as such has a sick mind” was his summary of thought on the Weimar art movement.  His preference was for (1) the Neoclassical which drew inspiration from the Greek and Roman art of Antiquity and his fondness extended not only to the voluptuous female nudes historians like to mention but also to the idealized, heroic figures representing nobility and heroism; with these he identified, (2) realistic landscapes, particularly those of the German countryside at its most lovely, (3) German Academic Realism which produced intricately detailed realistic representations of subjects, (4) depictions from Norse mythology which created a link between the legends and the idealized vision of the Nazi project and (5), traditional portraiture, if realistic and flattering (certainly demanded of the many painted of him).

Women in Weimer art: Margot (1924), oil on canvas by Rudolf Schlichter (1890-1955) (left), Porträt der Tänzerin Anita Berber (Portrait of the Dancer Anita Berber (1925)), oil and tempera on plywood by Otto Dix (1891–1969) (centre) and Bean Ingram (1928), oil on canvas by Herbert Gurschner (1901-1975) (right). 

Books of which the Nazis didn’t approve could be burned and proscribed music not performed but the practical public servants in the finance ministry knew much of the Entartete Kunst (degenerate art) removed from German (and later Austrian) galleries was highly sought by collectors in other countries and valuable foreign exchange was obtained from these sales (some of which in the post-war years proved controversial because of the provenance of some pieces sold then and later; they turned out to have been “obtained” from occupied territories or Jews).  Hitler despised Dadaism, Expressionism, Cubism, Surrealism and just about every other modern "ism" in art and expected others in the Reich to share his view but an exhibition of Entartete Kunst in Munich in 1937 proved an embarrassing one-off for the regime because people from around the country travelled to see itm making it the most attended art show of the Third Reich.  It was Weimar’s revenge.