Response

Response (pronounced ri-spons (U) or ree-spons (non-U))

(1) The act of responding; a reply or reaction; a reaction to a stimulus or provocation.

(2) In the card game bridge, a bid based on an evaluation of one's hand relative to the previous bid of one's partner.

(3) In liturgical use in Christianity, a word, phrase or short sentence recited or sung by the choir or congregation in reply to the priest or officiant at a church service (usually in the plural and used (loosely) also of any versicle or anthem said or sung during or after a lection).

(4) In electronics the ratio of the output to the input level, at a particular frequency, of a transmission line or electrical device.

(5) In pathology, any pattern of glandular, muscular, or electrical reactions induced by stimulation of the nervous system.

(6) In biology, any behavior of a living organism that results from an external or internal stimulus.

(7) In engineering, the reaction of a mechanical device to changes in energy input.

(8) In legal proceedings (and other forms), reply to an objection.

(9) In the calculation of online advertising performance metrics, a measure representing one click-through from an online ad to its destination URL.

1250–1300: From the Latin respōnsum (answer), noun use of the neuter past participle of respondēre (to reply, respond, answer, the construct being re- (in the sense of “again”) + spondere (to pledge), nominal use of the neuter form of respōnsus, the perfect passive participle of respondeō, the construct being from re- + spondeō (promise).  It replaced the Middle English respounse & respons, from the Middle French respons, from the Old French respons, respuns & response (which endures in Modern French as réponse), from the same Latin source.  Response, responsion, responsure & responsiveness are nouns, responsal, responsory & responsorial are nouns & adjectives, responsive is an adjective and responsively is an adverb; the noun plural is resposes.

Depending on context, a response might also be called a feedback, reply or return and in science, medicine and engineering, derived forms such as responseless, counter-response, allergic response, autonomous response, host response etc are coined as required.  In law enforcement and military use, the coinings include armed response, artillery response, naval response etc.  The adjective responsive was an early fifteenth century form meaning “making answer, responding” and was from the Old French responsif and directly from Late Latin responsivus (answering), from the Classical Latin respons-, past-participle stem of respondere.  The use in the sense of “responding readily to influence or action, able or inclined to respond” was documented first in 1762, the adverb responsively & noun responsiveness both appearing within a decade.  In Christianity, the use to mean “a part of the liturgy said or sung by the congregation in reply to the priest” dates from the 1650s.  The transferred sense (adopted in literature, poetry and psychology) of feelings or actions was part of the Romantic movement early in the nineteenth century.  One of the best known “responses” was the adjectival “Pavlovian Response” which dates from 1911 and came from the experimental work of Russian physiologist Ivan Petrovich Pavlov (1849-1936), the best known example of which was the conditioned salivary reflexes of dogs in response to the mental stimulus of the sound of a bell being associated with food.  The term “response time” seems first to have been used in the US in 1958 and was associated with the increasingly precise measurements needed as transistors replaced vacuum tubes in electronics.

Boris Yeltsin, who got a bit of fun out of life.

The phrase “diplomatic response” isn’t really part of the study of international relations.  It’s used in general discourse to describe ways of communicating that are polite, tactful and intended to ensure reasonable relationships are maintained and the self-help sections in bookshops often contain titles which include guides on the topic, their advice on the matter probably usually suggesting the salient points are (1) Politeness (using courteous language to show respect), (2) Neutrality (avoiding taking sides or making definitive statements that might be thought controversial), (3) Constructiveness (focusing on solutions and positive outcomes), (4), Empathy (acknowledging the other person's feelings or perspectives) and (5) Caution (being careful with word choice to avoid misunderstandings or offense).  In diplomacy proper, there are examples such as when Boris Yeltsin (1931–2007; President of Russia 1991-1999) announced he would decline a Japanese offer of help in dealing with a natural disaster because they might use it as leverage in territorial disputes, the Japanese Foreign Ministry responded by saying: “He must have been misquoted”.  Lindsay Lohan in 2017 followed the example when asked about comments made by Donald Trump in 2004 when he said she was: “probably deeply troubled and therefore great in bed. How come the deeply troubled women, you know, deeply, deeply troubled, they're always the best in bed?”  Her response was to say: “I wish him the best. We live in a world of societies that consistently find fault in people. I think it’s a really scary factor. Taking someone else down is never the answer, and I think we all know that.”  It’s not believed Mr Trump responded.

Responses of some who survived political assassination attempts

That photograph.

The compositional elements of the photograph destined to become one of the classics of US political history are so perfect it would have been assumed to be an AI (artificial intelligence) meme had the moment it captured not been witnessed by so many:  Donald Trump (b 1946; US president 2017-2021, fist raised in defiance, his blood staining his face, being hustled to safety by his Secret Service detail after an assassin’s bullet was a fraction of an inch to the left; one zephyr during its 125 metre (410 feet) travel and Trump would likely be dead.  The image, taken by AP (Associated Press) photographer Evan Vucci (b 1977) was a an extraordinary piece of serendipity for the Trump campaign, being almost entirely of red, white & blue with the Stars & Stripes flying as a backdrop, the whole thing recalling the famous photograph by AP’s Joe Rosenthal (1911–2006) which captured US Marines planting the flag atop Mount Suribachi during the Battle of Iwo Jima.  Quite how the incident will affect the election campaign can’t be assumed but it’s unlikely to be detrimental to the Trump cause and the photograph will help, the strident defiance of the stance exactly what appeals to the base and probably attractive to not a few of the undecided, the contrast with the less dynamic Biden obviously striking.  As a response from someone who has just cheated death, his presence of mind in having the Secret Service delay his evacuation from the stage by a few seconds so he could provide AP their photo-opportunity will guarantee publicity the Republican Party couldn’t buy no matter how many millions they spent.

Senator Marco Rubio (b 1971; senator (Republican) for Florida since 2011 and the "little Marco" of Mr Trump's 2016 nomination campaign) was quick to tweet "God protected" Mr Trump which was noted by those running the betting markets for the 2024 running mate on the Republican ticket.  On his own Truth social platform, Mr Trump said much the same thing and previously, there have been those who made much of being saved from assassination by "providence" and it's not impossible Mr Trump is now persuaded it was indeed "divine intervention".  In the last decade, Mr Trump has done well by pretending to be religious to court the Christian vote: they knew he was lying and he knew that they knew he knew but such was the political symbiosis that all involved ignored the facts and focused on outcomes.  Now, he may start believing his own publicity.          

The footage was viewed world-wide within minutes and almost immdeiately questions were asked including (1) why was a line-of-shot available within 150 m (500 feet) of the target and (2) why were Secret Service agents allocated who were not even tall enough to reach his shoulder (they are as a last resort, human body armor).  The photograph was political gold for the campaign but it should never have been allowed to happen; Mr Trump should have been smothered with Secret Service bodies and immediately taken from the stage.  Some agreed the presence of the shooter was an obvious lapse but that what happened on stage followed protocol and there's never been any policy (or practice) of allocating agents on the basis of their height matching that of the protectee.    

Portrait of Theodore Roosevelt (1903) by John Singer Sargent.

In October 1912, a man shot Theodore Roosevelt (TR, 1858–1919; US president 1901-1909) while he was on the campaign trail for that year’s presidential election.  What saved Roosevelt was the bullet having to pass through a metal spectacles case and, tellingly, a folded, 50 page copy of the speech he was about to deliver on behalf of his Progressive Party.  The enraged crowd were holding and threatening to lynch the shooter but Roosevelt intervened, ensuring he was handed to the safe custody of the Wisconsin police.  Roosevelt had spent much of his life hunting big game and, on the basis he was not coughing up blood, correctly concluded that bullet was lodged in his muscle and had not punctured the lung, the relative lack of external bleeding suggesting no vital artery or vein had been severed.  His response to what would have put most men into a state of shock was to proceed to the hall and deliver his speech as planned.  Lodged too precariously to extract, the bullet remained with him until, peacefully, he died in his sleep at Oyster Bay, New York.

Men in frock coats: The “Big Four” at the Paris Peace Conference (1919-1920), outside the Foreign Ministry headquarters, Quai d'Orsay, Paris.  Left to right: David Lloyd George (1863–1945; UK prime-minister 1916-1922), Vittorio Orlando (1860–1952; Italian prime minister 1917-1919), Georges Clemenceau (1841–1929; French prime minister 1906-1909 & 1917-1920) and Woodrow Wilson (1856–1924; US president 1913-1921).

Georges Clemenceau (1841–1929; Prime Minister of France 1906-1909 & 1917-1920) was a physician who turned to politics via journalism, a not unfamiliar trajectory for many; at a time of national crisis, he undertook his second term as premier, providing the country’s politics with the stiffness needed to endure what was by then World War I (1914-1918); he was nick-named le tigre (the tiger) in honor of his ferociously combative political demeanour.  In February 1919, while travelling from his apartment a meeting associated with the Paris Peace Conference (1919-1920), he was shot several times, his assailant an anarchist carpenter & joiner, Émile Cottin (1896-1937) and two decades on, another leader would learn carpenters can be assassins. Le tigre was lucky, the bullets missing his vital organs although one which passed through the ribcage ending up lodged close to his heart; too close to that vital organ to risk surgery, like Roosevelt, there it remained until his death (from unrelated causes) ten years later.  Cottin’s death sentence was later commuted to a ten year sentence and he would die in battle, serving with the anarchist Durruti Column during the early days of the Spanish Civil War.  The Tiger’s response to his survival was to observe: “We have just won the most terrible war in history, yet here is a Frenchman who misses his target six out of seven times at point-blank range.  Of course this fellow must be punished for the careless use of a dangerous weapon and for poor marksmanship. I suggest that he be locked up for eight years, with intensive training in a shooting gallery.”  In the circumstances, deploring the state of French marksmanship displayed a certain French sang froid.

Although the details of most at the time weren’t known, there were so many plots to kill Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) that books were written exploring the topic, the most comprehensive of which was Killing Hitler (b 2006) by British historian Roger Moorhouse (b 1968).  For a variety of reasons, none succeeded but the first to come close was in Munich in 1939 when a bomb (it would now be called an IED (improvised explosive device) was fabricated by German carpenter and joiner, Georg Elser (1903–1945) and secreted in a pillar directly behind where Hitler was scheduled to be standing while delivering to his old comrades one of his annual set-piece addresses.  However, on the night, because he wanted to return early to Berlin to resume planning his latest foreign policy adventure, he cut short his speech and the bomb detonated a quarter hour after he and his entourage had left; it killed eight and injured dozens.  Hitler’s response was to say his survival was “…proof to me that Providence wants me to reach my goal.”  Surprisingly, Herr Elser, apprehended almost by chance, wasn’t executed, the fate of many who had done much less, but until 1945 was a “privileged prisoner” in relatively pleasant conditions; Hitler, who for years clung to the idea the man must have had some connection with the British secret service, ordered him hanged only when it was obvious he’d be of no use as a hostage.

Hitler again thanked providence when he survived the most celebrated of the attempts, the bomb in July 1944 planted by an army colonel and timed to explode during a military conference.  Hitler on that occasion avoided death because (1) a table’s heavy socle deflected much of the blast, (2) only one of the planned two charged was primed and (3) the conference was moved from an enclosed underground bunker to a building on the surface with walls and windows which were “blown-out” in the explosion, dissipating much energy.  Those details were lost on the Führer who chose again to attribute this life being spared to “providence”.  One of those convince was the visiting Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943), by then a much diminished puppet dictator of a puppet statelet sustained by the German military.  Dutifully the vassal Duce responded to Hitler: “Absolutely I agree with you, it’s a sign from providence”.  That decided, Hitler’s response to this “stab in the back” from his own army was savage, some 7000 rounded up, 5000-odd of which would be executed, the leading figures in the conspiracy dying in an especially gruesome manner, a event filmed although there are contradictory reports about whether it was something Hitler ever chose to view.  In the way of Nazi crack-downs, not all those executed were actually connected with this or any other plot, the security services using the operation as a pretext to dispose of those of one of their many lists of “undesirables”.

A prototype Humber Imperial fitted with a 273 cubic inch (4.5 litre) Chrysler LA V8.  By the mid 1960s the Humber Super Snipe (1964-1967) was essentially a mid-1950s US sedan being produced in England, a phenomenon which was emblematic of a malaise afflicting much of the UK's motor industry.  The Imperial was an up-market, better-appointed Super-Snipe and after Chrysler took a stake in the company, perhaps as many as six V8 prototypes were built but the advantages gained were few and the project never proceeded to general production.  When Chrysler in 1967 took over Rootes Group (the corporation of which Humber was a part) the Super Snipe range was discontinued, replaced in the UK market by Australian-produced Chrysler Valiants, chosen in preference to the US-built versions because they were available in right-hand drive configuration and the Commonwealth Preference scheme meant they attracted lower import tariffs.  Although only ever a niche product in the UK market and never approaching the sales volumes achieved by the big Humbers, the Valiants remained available until 1976.      

Arthur Augustus Calwell (1896-1973; Australian Labor Party (ALP) leader of the opposition 1960-1967) was a rare Australian target of an attempted political assassination.  Two years after being knighted by Paul VI (1897-1978; pope 1963-1978) (his Pontifical Equestrian Order of St. Gregory the Great (KCSG) apparent unrelated to the attempt on his life), Calwell was sitting in the front passenger seat (it’s an Australian tradition) of his official car when 19 year-old student Peter Kocan (b 1947), at point blank range, fired a shell from a sawn-off rifle, aimed directly at his target.  In 1966, the Commonwealth’s car fleet still included their last intake of British-built cars and Calwell was sitting in a Series V Humber Super Snipe (1964-1967), an outdated machine but one which was stately & roomy and thus enjoyed by politicians who found their replacement, the lower Ford Galaxie, less comfortable, especially the ingress and egress.  Fortunately for Calwell, the side glass in the old-fashioned Humber was thick and instead of penetrating the pane, it shattered, absorbing most of the bullet’s energy; it was spent by the time it had travelled those few feet, lodging harmlessly in the lapel of the target’s jacket, Mr Calwell's injuries limited to some minor cuts from the broken glass.  Kocan was found guilty of attempted murder and sentenced to life imprisonment, sent initially to Sydney's Long Bay Gaol before being transferred to Morriset Psychiatric Hospital for the criminally insane.  There he studied literature and after his release became a prize winning poet and novelist, eventually graduating from the University of Newcastle with a BA (Hons) & MA.  Calwell’s response to the man who tried to kill him was to pay a visit to the hospital and, although a great hater in the ALP tradition, he was also a good Catholic, sending a letter of forgiveness.

Arthur Calwell leaving hospital in his Humber Super Snipe, the presence in numbers of the New South Wales (NSW) Police suggesting they were going to make sure nothing more happened to him before he returned to Victoria.  The police cars are locally assembled Rambler Classics and in Australia, various AMCs were in small volumes assembled and sold under the Rambler name until 1977.

In an example of how difficult it can be for security services to monitor and intercept those who plan to kill political figures, the motive of the man who in March 1981 shot Ronald Reagan (1911-2004; US president 1981-1989) was to impress an actress with whom he’d become obsessed.  That was something even less likely to attract the attention of the authorities than the earlier case when a botched attempt had been made by a member of Charles Manson’s (1934-2017) “Family” cult to assassinate Gerald Ford (1913–2006; US president 1974-1977).  Mr Reagan’s injury was life-threatening and was saved only by surgical intervention.  When greeted by the surgeons who were to perform the operation, his response was to tell them he hoped they “…were all Republicans”.  In an example of good bedside manner they assured him he was in safe political hands although one later confessed to being a lifelong Democrat.  When his wife arrived at the hospital, he delivered the line “Honey, I forgot to duck”, borrowed from boxer Jack Dempsey (1895–1983) who said it to Mrs Dempsey on the night he'd lost a bout to Gene Tunney (1897–1978).

Shemozzle

Shemozzle (pronounced sch-moz-il)

(1) In slang, a state of chaos or confusion (especially if noisy); an uproar.

(2) In slang, a quarrel (especially if noisy).

(3) In slang, to run away; to flee; to scarper (rare).

Late 1800s (in English and some sources cite 1889 as the first known instance of use): From the Yiddish שלימזל (shlimazl) (bad luck; difficulty; misfortune), the construct being shlim (bad, ill), from the Middle High German slimp (awry, not right) + the Hebrew מַזָּל (mazzāl), from the Late Hebrew mazāl (luck, fate, (one’s) star) and cognate with the US English schlimazel (an unlucky person).  There are many variations of the German joke (such things really exist, even in Prussia) to explain the related nouns shlemiel & shimazl but all are in the flavor of: “A shlemiel is the fellow who climbs to the top of a ladder with a bucket of paint and then drops it and a shimazl is the fellow on whose head the bucket falls.”  The colloquial German noun Schlamassel (plural Schlamassel) (trouble, difficult situation, misfortune) was from the same Yiddish source.  The gender of Schlamassel is usually masculine in Germany except in the southern state of Bavaria where, like the neighboring Austria it can also be neuter, this prevalent in the latter.  Because from the ninth century Yiddish evolved from its West-Germanic origins as a vernacular tongue which a number of forks & parallel streams in Europe, the Middle East and North America before being (sort of) standardized in the mid-twentieth century in “Western” and “Eastern” variants, many words spread by oral use and the a variety of spellings was not unusual and other spellings of shemozzle included: chemozzle, chermozzle, chimozzle, schemozzle, schimozzle, schlemozzle, schmozzle, shamozzle, shimozzel, shimozzle, shlemozel & shlemozzle.  The modern alternative spelling is schmozzle.  Schmozzle is a noun & verb and shemozzled & shemozzling are verbs; the noun plural is schmozzles (which is sometimes used also as a singular).  In humorous use, shemozzle is used also as a collective noun.

Because there’s rarely been reluctance by English-speakers to adopt words from other languages if they’re useful, better than what’s in use or just an attractive alternative, there no compelling reason to use shemozzle because there are so many other words and phrases to describe states of noisy chaos or confusion.  Obvious candidates include frenzy, mess, fiasco, snafu, chaos, clusterfuck (often sanitized as the clipped “cluster”), commotion, hubbub, kerfuffle, débacle, disarray, confusion, turmoil, ado, affray, altercation, argument, battle, bickering, brawl, brouhaha, bust-up, bustle, clash, combat, commotion, competition, conflict, contention, controversy, debate, discord, dispute, muddle, dissension, disturbance, dustup, fracas, quarrel, row, ruction, scandal, strife, struggle, tiff, tumult, uproar, wrangle, disorganized, disorder, mayhem, pandemonium, uproar, havoc & bedlam.  That the list is long suggests shemozzles are a significant and not infrequent feature of human interaction and the choice of which to use is one of nuance, the connotation one wishes, some of the words emphasizing the chaos, some the conflict.  Shemozzle is an attractive choice because (1) most know what it means, (2) it’s not commonly heard so has some novelty value and (3) it's a "fun" word to say.

A media shemozzle snapping Lindsay Lohan walking into LA Superior Court, Los Angeles, February 2011.

A shemozzle can be used to illustrate chaos theory, a conceptual model of the phenomenon of an event’s ultimate trigger being something distant and apparently unconnected with its consequences.  Physicists illustrate the idea by speculating that waving one’s hands in the air might, some billions of years hence, alter the Earth’s speed of rotation and the most commonly quoted thought experiment is the metaphor for the behavior: “Can a butterfly flapping its wings in Brazil cause a tornado in Texas?”  It’s an intriguing topic for those building big-machine models which can both explore and reveal patterns in what was once thought randomness.

The shemozzle of reporters and photographers clustered when Lindsay Lohan in February 2011 walked to one of the well-publicized (and not infrequent) court appearances of her “troubled Hollywood starlet” phase wasn’t unexpected and nor would she have found it an unfamiliar environment, the yellow & black plastic “Police Line: DO NOT CROSS” tape strung between the bollards vaguely reminiscent of the velvet rope & stanchions which define the limits for photographers at red-carpet events.  What was unpredicted was the almost immediate effect in commerce, the white Kimberly Ovitz (b 1983) Glavis Albino bandage dress from the houses pre-fall collection reported as “sold out worldwide” within hours of the images appearing on-line, a reasonable achievement for a piece listed at US$575 made in a run of a few hundred.

The matter before the court raised no novel legal points and thus attracted little analysis but the re-purposing of the walk to the arraignment as an impromptu catwalk strut triggered a shemozzle of its own as women around the world clamoured to buy their own Glavis Albino and media companies sought comment from Kimberly Ovitz, anxious to learn if the appearance was some sort of “sponsored promotion”.  A representative from the company was soon quoted as saying “Kimberly had no role in Lindsay Lohan wearing the dress” which Ms Lohan had purchased.  Apparently disappointed, the journalists resorted to dutifully noting her “signature Chanel 5182 sunglasses.”

Ms Lohan that evening tweeted: “What I wear to court shouldn’t be front page news. It’s just absurd” although her choice of wardrobe for subsequent court appearances hinted she may have concluded absurdity has its place and at Kimberley Ovitz’s corporate headquarters the reaction was equally pragmatic, the company offering retailers a “re-cut” (the industry term for a second production run, a la a “second printing” in the publishing world) of the Glavis Albino in response to the phones “ringing off the hook”.  “It’s been a frenzy!” CBS News quoted an Ovitz sales associate as saying.  So that’s a case study in how the choice should be made: A rabble of photographers milling behind the bollards while shouting questions is “a shemozzle” while desperate fashionistas and boutiques besieging a designer for a frock is “a frenzy”.  Now we know.

Frock

Frock (pronounced frok)

(1) A gown or dress worn by a female, consisting of a skirt and a cover for the upper body.

(2) A loose outer garment worn by peasants and workers; a smock.

(3) A coarse outer garment with large sleeves, worn by monks in some religious orders; a habit.

(4) In naval use, a sailor's jersey.

(5) In military use, an undress regimental coat (now less common).

(6) To clothe (somebody) in a frock.

(7) To make (somebody) a cleric (to invest with priestly or clerical office).

(8) In US military use, to grant to an officer the right to the title and uniform of a rank before the formal appointment is conferred.

1300–1350: From the Middle English frok, frokke and froke and twelfth century Old French froc (a monk’s habit; clothing, dress), from the Frankish hrok and thought probably related to the Old Saxon and Old High German hroc (mantle, coat) which appears to have spawned the Old Norse rokkr, the Old English rocc, and Old Frisian rokk.  Most etymologists seem to think it’s most likely all ultimately derived from the primitive rug or krek (to spin or weave); the alternative view suggests a link with the Medieval Latin hrocus, roccus and rocus (all of which described types of coats) which they speculate was the source of the Old French from, again from the Old Frankish hroc and hrok (skirt, dress, robe), from the Proto-Germanic hrukkaz (robe, jacket, skirt, tunic).  That does seem at least plausible given the existence of the Old High German hroch and roch (skirt, dress, cowl), the German rock (skirt, coat), the Saterland Frisian Rok (skirt), the Dutch rok (skirt, petticoat), the Old English rocc (an over-garment, tunic, rochet), the Old Norse rokkr (skirt, jacket) and Danish rok (garment).  Another alternative (more speculative still) traces it from the Medieval Latin floccus, from the Classical Latin floccus (flock of wool).  The meaning "outer garment for women or children" was from the 1530s while frock-coat (also as frock-cost & frockcoat) dates from the 1820s, the garment itself fading from fashion a century later although revivals have been attempted every few decades, aimed at a rather dandified market ignored by most.  Frock & frocking are nouns & verbs, frocked is a verb and frockless, frocklike & frockish are adjectives; the noun plural is frocks.

Frocks and Brass Hats

The phrase “frocks and brass hats” was coined in the years immediately following World War I (1914—1918) in reaction to the large volume of memoirs, autobiographies and histories published by some of the leading politicians and military leaders involved in the conflict, the phrase derived from (1) the almost universal habit of statesmen of the age wearing frock coats and (2) the hats of senior military personnel being adorned with gold braid, emulating the physical polished brass of earlier times.  Many of the books were polemics, the soldiers and politicians writing critiques of the wartime conduct of each other.  Politicians no longer wear frock coats and although some of the hats of military top brass still feature a bit of braid, it’s now less often seen.  However, the term persists although of late, academics studying institutional conflict in government have extended it to “frock coats, mandarins and brass hats”, reflecting the increase in importance of the part played by public servants, especially the military bureaucracy, in such matters.  So structurally, the internecine squabbles within the creature of the state have changed, the most obvious causes the twin threads of (1) the politicization of the upper reaches of the public service and (2) the creation of so many organs of government as corporate entities which enable the frocks (the politicians) to distance themselves from unpalatable policies and decisions by asserting (when it suits them), the “independence” of such bodies.  Of course, such functionaries will find their “independence” counts for little if the frocks start to feel the heat; then brutally the axe will fall, just as it did on some of the Great War generals.

Men in frock coats: The “Big Four” at the Paris Peace Conference (1919-1920), outside the Foreign Ministry headquarters, Quai d'Orsay, Paris.  Left to right: David Lloyd George (1863–1945; UK prime-minister 1916-1922), Vittorio Orlando (1860–1952; Italian prime minister 1917-1919), Georges Clemenceau (1841–1929; French prime minister 1906-1909 & 1917-1920) and Woodrow Wilson (1856–1924; US president 1913-1921).

At the time, nothing quite like or on the scale of the Paris Peace Conference had ever been staged.  Only Orlando anticipated the future of fashion by preferring a lounge suit to a frock coat but he would be disappointed by the outcome of the conference, leaving early and to his dying day content his signature never appeared on the treaty’s final declaration, a document he regarded as flawed.  Not even John Kennedy (JFK, 1917–1963; US president 1961-1963) or Barack Obama (b 1961; US president 2009-2017) on their tours of European capitals received anything like the adulation Wilson enjoyed when he arrived in Paris in 1919.  His successors however were there more as pop-culture figures whereas Wilson was seen a harbinger of a "lasting peace", a thing of much significance to the French after four years of slaughter.  Ultimately Wilson's hopes would be dashed (in the US Senate as well as at the Quai d'Orsay's conference table) although, historians will likely continue to conclude his Nobel Peace Prize (1919) was more deserved than the one awarded to Obama (apparently on the basis he wasn't George W Bush (George XLIII, b 1946; US president 2001-2009)).  Lloyd George's ambitions in 1919 were more tempered by realism and he too regarded the terms of final document as a mistake, prophesying that because of the punitive terms imposed on the defeated Germany: “We shall have to fight another war again in 25 years' time.”  In that, he was correct, even if the expected wait was a little optimistic.  Only Clemenceau had reasons to be satisfied with what was achieved although, has his instincts been allowed to prevail, the terms of the Treaty of Versailles (1920) would have been more onerous still.  It was the Englishman Eric Geddes (1875–1937; First Lord of the Admiralty (the civilian head of the Royal Navy) 1917-1919) who coined the phrase "...squeeze the German lemon until the pips squeak." but it's doubtful that sentiment was ever far from Clemenceau's thoughts.

Lindsay Lohan in a nice frock.  V Magazine Black & White Ball, New York City, September 2011.

In idiomatic use, “frock” has proved as serviceable as the garment.  A “frock flick” is a film or television production noted for the elaborate costuming and most associated with costume dramas (typically sixteenth-nineteenth centuries) in which the frocks of the rich are depicted as big & extravagant.  To “frock up” is used by young women to describe “dressing-up” for some event or occasion and in the (male) gay community to refer either to much the same thing or cross-dressing.  A “cock in a frock” (“cocks in frocks” the collective) is a type of trans-woman (one without the relevant medical modification) and what used to be called a transvestite (a once technical term from psychiatry now (like “tranny”) thought derogatory except in historic use).  A “smock frock” was a garment of coarse, durable material which was worn over other clothing and most associated with agricultural and process workers (and usually referred to either as “smock” or “frock”.  In fashion there’s the “sun frock” (one of lightweight material which exposes more than the usual surface area of skin, often in a strappy or strapless style.  A “housefrock” was a piece of everyday wear form women which was self-explanatory: a simple, practical frock to be worn “around the house” and well suited to wear while performing “housework”.  “Underfrock” was a now archaic term for a slip or petticoat.  The A coat with long skirts, worn by men, now only on formal occasions.  The “frock coat” (also listed by some as the “Prince Albert coat”) is characterized by a knee-length skirt cut all around the base, ending just above the knee.  Among the middle & upper classes, it was popular during the Victorian and Edwardian eras (1830s–1910s) although they were widely into the 1920s.  Although some fashion houses may have had lines with detail differences, there was really no difference between a “cocktail dress” and a “cocktail frock” except the latter seems now to be used only humorously.

Variations on the theme of the cocktail dress: Lindsay Lohan in vintage Herve Leger at Arrivals For Cartier’s Declare Your Love Day VIP cocktail reception, Cartier Store, New York, June 2006 (left) and in black Dion Lee cocktail dress with illusion panels and an off-the-shoulder silhouette, January 2013 (right).

A cocktail dress does however differ from a cocktail gown because they straddle the gap between daywear and ball gowns.  Intended to be worn at formal or semi-formal occasions (classically of course, the “cocktail party”) including wedding receptions or dinner parties, they’re typically shorter in length than a gown, the hemline falling somewhere between just above the knee to mid-calf.  There’s no exact template for a cocktail dress but they should be identifiable by their simplicity and elegance, thus the utility of their versatility.  While not exactly post-modern, they appear in many fabrics and just about any style including empire, bandage, A-line or sack, featuring a range of necklines, sleeve lengths, and embellishments.  Historically, befitting the sophistication once associated with the cocktail party, the dresses were characterized by modesty and severity of line, the classic motif the tailored silhouette, relatively uncluttered by details.  Vogue magazine labeled the accessories (shoes, jewelery, a clutch and sometimes a wrap) the “cocktail dress ensemble” but in recent decades there’s been a rise in stylistic promiscuity and some discordant elements have intruded.

Men of the frock: Cardinal George Pell (1941-2023; left) and Benedict XVI (1927–2022; pope 2005-2013, pope emeritus 2013-2022; right) at an inter-faith meeting in Sydney, Australia, July 2008.

A “man of the frock” is a clergyman of some description (almost always of some Christian denomination) and the apparent anomaly of nuns never being described as “women of the frock” (despite always wearing something at least frock-like) is explained presumably by all women once being assumed to wear frocks.  To “defrock” (literally “to divest of a frock”) is in figurative use used widely to mean “formally to remove the rights and authority of a member of the clergy” and by extension this is casually applied also to “struck-off” physicians, lawyers etc.  “Disfrock” & “unfrock” are used as synonyms of “defrock” but none actually appear in Roman Catholic canon law, the correct term being “laicization” (ie “returned to the laity).  Despite the popular impression, the Vatican has revealed most acts of laicization are pursuant to the request of the priest and performed because they feel, for whatever reason, unable to continue in holy orders (ex priests marrying ex-nuns a thing and there must be some theological debate around whether they’ve been “brought together by God” or “tempted by the Devil”).  Defrock dates from the 1580s in the sense of “deprive of priestly garb” and was from the fifteenth century French défroquer, the construct being from de- (used her as a negative prefix) + froque (frock) and familiar also as the verb “defrocked”.  The modern English verb “frock” (supply with a frock) seems to have come into use only in the 1820s and was either a back-formation from defrock or an evolution from the noun.  The verb was picked up by the military and “to frock” is used also as a jocular form of “to dress”.

Accouterment

Accouterment (pronounced uh-koo-ter-muhnt or uh-koo-truh-muhnt)

(1) A clothing accessory or a piece of equipment regarded as an accessory (sometimes essential, sometimes not, depending on context).

(2) In military jargon, a piece of equipment carried by a soldier, excluding weapons and items of uniform.

(3) By extension, an identifying yet superficial characteristic; a characteristic feature, object, or sign associated with a particular niche, role, situation etc.

(4) The act of accoutering; furnishing (archaic since Middle English).

1540-1550: From the Middle French accoutrement & accoustrement, from accoustrer, from the Old French acostrer (arrange, sew up).  As in English, in French, the noun accoutrement was used usually in the plural (accoutrements) in the sense of “personal clothing and equipment”, from accoustrement, from accoustrer, from the Old French acostrer (arrange, dispose, put on (clothing); sew up).  In French, the word was used in a derogatory way to refer to “over-elaborate clothing” but was used neutrally in the kitchen, chefs using the word of additions to food which enhanced the flavor.  The verb accouter (also accoutre) (to dress or equip" (especially in military uniforms and other gear), was from the French acoutrer, from the thirteenth century acostrer (arrange, dispose, put on (clothing)), from the Vulgar Latin accosturare (to sew together, sew up), the construct being ad- (to) + consutura (a sewing together), from consutus, past participle of consuere (to sew together), the construct being con- + suere (to sew), from the primitive Indo-European root syu- (to bind, sew).  The Latin prefix con- was from the preposition cum (with), from the Old Latin com, from the Proto-Italic kom, from the primitive Indo- European ḱóm (next to, at, with, along).  It was cognate with the Proto-Germanic ga- (co-), the Proto-Slavic sъ(n) (with) and the Proto-Germanic hansō.  It was used with certain words to add a notion similar to those conveyed by with, together, or joint or with certain words to intensify their meaning.  The synonyms include equipment, gear, trappings & accessory.  The spelling accoutrement (accoutrements the plural) remains common in the UK and much of the English-speaking world which emerged from the old British Empire; the spelling in North America universally is accouterement.  The English spelling reflects the French pronunciation used in the sixteenth century.  Accouterment is a noun; the noun plural (by far the most commonly used form) is accouterments.

In the military, the equipment supplied to (and at different times variously worn or carried by) personnel tends to be divided into "materiel" and "accouterments".  Between countries, at the margins, there are differences in classification but as a general principle:  Materiel: The core equipment, supplies, vehicles, platforms etc used by a military force to conduct its operations.  This definition casts a wide vista and covers everything from a bayonet to an inter-continental ballistic missile (ICBM), from motorcycles to tanks and from radio equipment to medical supplies.  Essentially, in the military, “materiel” is used broadly to describe tangible assets and resources used in the core business of war.  Accouterments: These are the items or accessories associated with a specific activity or role.  Is some cases, an item classified as an accouterment could with some justification be called materiel and there is often a tradition associated with the classification.  In the context of clothing for example, the basic uniform is materiel whereas things like belts, holsters, webbing and pouches are accouterments, even though the existence of these pieces is essential to the efficient operation of weapons which are certainly materiel.

The My Scene Goes Hollywood Lindsay Lohan Doll was supplied with a range of accessories and accouterments.  Items like sunglasses, handbags, shoes & boots, earrings, necklaces, bracelets and the faux fur "mullet" frock-coat were probably accessories.  The director's chair, laptop, popcorn, magazines, DVD, makeup case, stanchions (with faux velvet rope) and such were probably accouterments.

In the fashion business, one perhaps might be able to create the criteria by which it could be decided whether a certain item should be classified as “an accessory” or “an “accouterment” but it seems a significantly pointless exercise and were one to reverse the index, a list of accessories would likely be as convincing as a list of accouterments.  Perhaps the most plausible distinction would be to suggest accessories are items added to an outfit to enhance or complete the look (jewelry, handbags, scarves, hats, sunglasses, belts et al) while accouterments are something thematically related but in some way separate; while one might choose the same accessories for an outfit regardless of the event to be attended, the choice of accouterments might be event-specific.  So, the same scarf might be worn because it works so well with the dress but the binoculars would be added only if going to the races, the former an accessory to the outfit, the latter an accouterment for a day at the track.  That seems as close as possible to a working definition but many will continue to use the terms interchangeably.

Tiger

Tiger (pronounced tahy-ger)

(1) A large, carnivorous, tawny-colored and black-striped feline, Panthera tigris, of Asia, ranging in several subspecies from India and the Malay Peninsula to Siberia.

(2) In non-technical use, the cougar, jaguar, thylacine, or other animal resembling the tiger (in wide use in southern Africa of leopards).

(3) A person of some fierceness, noted for courage or a ferocious, bloodthirsty and audacious person.

(4) In heraldry, a representation of a large mythological cat, used on a coat of arms, often with the spelling tyger or tygre (to distinguish the mythological beast from the natural tiger (also blazoned Bengal tiger), also used in heraldry).

(5) A pneumatic box or pan used in refining sugar.

(6) Any of several strong, voracious fishes, as a sand shark.

(7) Any of numerous animals with stripes similar to a tiger's.

(8) A servant in livery who rides with his master or mistress, especially a page or groom (archaic).

(9) In entomology & historic aviation, a clipping of tiger moth (in the family Arctiidae), tiger beetle or tiger butterfly (in tribe Danaini, especially subtribe Danaina).

(10) Any of the three Australian species of black-and-yellow striped dragonflies of the genus Ictinogomphus.

(11) In US, slang, someone noted for their athleticism or endurance during sexual intercourse.

(12) In southern African slang, a ten-rand note.

(13) As TIGR (pronounced as for “tiger”), the abbreviation for Treasury Investment Growth Receipts: a bond denominated in dollars and linked to US treasury bonds, the yield on which is taxed in the UK as income when it is cashed or redeemed.

Pre 1000: From the Middle English tygre & tigre, from the Old English tīgras (plural) and the Anglo-Norman tigre (plural), from the Latin tīgris, from the Ancient Greek τίγρις (tígris), from an Iranian source akin to the Old Persian tigra- (sharp, pointed) and related to the Avestan tighri & tigri (arrow) and tiγra (pointed), the reference being to the big cats “springing” on to their prey but the Oxford English Dictionary (OED) notes no application of either word (or any derivative) to the tiger is known in Zend.  It was used of “tiger-like” people since the early sixteenth century and that could be complementary or pejorative although the female form (tigress) seems only to have been used in zoology since the 1610s and was never applied to women.  The tiger's-eye (yellowish-brown quartz) was first documented in 1886.  The word “liger”, like the creature it described, was a forced mating of lion and tiger.  As a modifier, tiger is widely used including the forms: American tiger, Amur tiger, Asian Tiger, Mexican tiger, Siberian tiger, tiger barb, tiger beetle, tiger bench, tiger-lily, tiger lily, tiger's eye, tiger shark & tiger's milk.  The alternative spellings tigre & tyger are both obsolete.  Tiger & tigerishness are nouns, tigerly, tigerish & tigerlike are adjectives and tigerishly is an adverb; the noun plural is tigers (feminine tigress).

Lindsay Lohan with tiger in Kult Magazine (Italy), January 2012, photograph by Vijat Mohindra, makeup by Joyce Bonelli.

In idiomatic use, a country said to have a “tiger economy” (rapid and sustained economic growth), especially if disproportionate to population or other conventional measures.  “Tiger parent” (and especially “tiger mother”) refers to a strict parenting style demanding academic excellence and obedience from children; it’s associated especially with East Asian societies.  The “tiger cheer” dates from 1845 and originated in Princeton University, based on the institution’s mascot and involved the cheerleaders calling out "Tiger" at the end of a cheer accompanied by a jump or outstretched arms.  Beyond Princeton, a “tiger cheer” is any “shriek or howl at the end of a cheer”.  The phrase "paper tiger" was apparently first used by comrade Chairman Mao Zedong (1893–1976; chairman of the Chinese Communist Party (CCP) 1949-1976) when discussing his thoughts about the imperialist powers.  A calque of the Chinese 紙老虎／纸老虎 (zhǐlǎohǔ), it referred to an ostensibly fierce or powerful person, country or organisation without the ability to back up their words; imposing but ineffectual.  Phrases in the same vein include "sheep in wolf's clothing" and "a bark worse than their bite".  To be said to “have a tiger by the tail” suggests one has found one’s self in a situation (1) that has turned out to be much more difficult to control than one had expected and (2) difficult to extricate one’s self from, the idea being that while holding the tiger’s tail, things are not good but if one lets go, things will likely become much worse.

Men in frock coats: The “Big Four” at the Paris Peace Conference (1919-1920), outside the Foreign Ministry headquarters, Quai d'Orsay, Paris.  Left to right: David Lloyd George (1863–1945; UK prime-minister 1916-1922), Vittorio Orlando (1860–1952; Italian prime minister 1917-1919), Georges Clemenceau (1841–1929; French prime minister 1906-1909 & 1917-1920) and Woodrow Wilson (1856–1924; US president 1913-1921).

Georges Clemenceau (1841–1929; Prime Minister of France 1906-1909 & 1917-1920) was a physician who turned to politics via journalism, a not unfamiliar trajectory for many; at a time of national crisis, he undertook his second term as premier, providing the country’s politics with the stiffness needed to endure what was by then World War I (1914-1918); he was nick-named le tigre (the tiger) in honor of his ferociously combative political demeanour.  In February 1919, while travelling from his apartment a meeting associated with the Paris Peace Conference (1919-1920), he was shot several times, his assailant an anarchist carpenter & joiner, Émile Cottin (1896-1937) and two decades on, another leader would learn carpenters can be assassins.  Le tigre was lucky, the bullets missing his vital organs although one which passed through the ribcage ending up lodged close to his heart; too close to that vital organ to risk surgery, there it remained until his death (from unrelated causes) ten years later.  Cottin’s death sentence was later commuted to a ten year sentence and he would die in battle, serving with the anarchist Durruti Column during the early days of the Spanish Civil War.  The Tiger’s response to his survival was to observe: “We have just won the most terrible war in history, yet here is a Frenchman who misses his target six out of seven times at point-blank range.  Of course this fellow must be punished for the careless use of a dangerous weapon and for poor marksmanship. I suggest that he be locked up for eight years, with intensive training in a shooting gallery.”  In the circumstances, deploring the state of French marksmanship displayed a certain French sang froid.

The Sunbeam Tigers

Sunbeam Tiger, LSR run, Southport Beach, March 1926.

There have been three Sunbeam Tigers, the first illustrious, the second fondly remembered and the last so anti-climatic it’s all but forgotten.  The first was a dedicated racing car, built between 1923-1925 and, those being times when there was less specialization, it was used both in circuit racing and, most famously, in setting the world Land Speed Record (LSR).  Although aerodynamic by the standards of the time (the techniques of streamlining learned in World War I (1914-1918) military aviation applied), there was little innovation in the platform except for the engine, the nature of which ensured the Tiger’s place in history.  For Grand Prix events conducted for cars with a maximum displacement of 2.0 litres (122 cubic inches), Sunbeam had earlier built a two litre straight-six, the limitations imposed by the relatively small size being offset by the use of the then still novel double overhead camshafts (DOHC) which allowed both more efficient combustion chambers and much higher engine speeds, thereby increasing power.  It was a robust, reliable power-plant and when contemplating an attempt on the LSR, instead of developing anything new or using the then popular expedient of installing a big & powerful but heavy and low-revving aero engine, the engineers paired two of the blocks and heads on a single crankcase, creating a 75° 3,976 cm³ (243 cubic inch) V12.  When supercharged, power outputs as high as 312 hp (233 kW) were registered.

Deteriorating weather conditions meant there wasn’t time even to paint the bodywork before the Tiger was rushed to the banked circuit at Brooklands for testing in September 1925 where performance exceeded expectations.  Over the winter, further refinements were made including a coat of most un-British bright red paint and it was in this color (and thus nick-named “Ladybird”) it was in March 1926 taken to the flat, hard sands of Southport Beach where duly it raised the LSR mark to 152.33 mph (245.15 km/h).  That was broken within a year but the Tiger still holds the record as the smallest displacement internal combustion-engine ever to hold the LSR and a hundred-odd years on, it’s a distinction likely to be retained forever.  After the run on the beach, it returned to the circuits.  A sister car was built and named Tigress; fitted with one of the big Napier Lion W12 aero engines, it still competes in historic competition but the Tiger is now a museum piece although, 65 years on, it did have a final fling when in 1990 it made one last run and this time set a mark of 159 mph (256 km/h).

1960 Sunbeam Alpine with the original tail fins.

Although successful in competition and the manufacturer of some much admired road cars, financial stability for Sunbeam was marginal for most of the 1920s and the Great Depression of the early 1930s proved its nemesis, the bankrupt company in 1934 purchased by the Rootes Group which was attracted by Sunbeam’s production facilities and their well-regarded line of commercial chassis for bus & truck operators.  Rootes over the years used the Sunbeam name in a desultory way, the vehicles little more than “badge engineered” versions of their Hillman, Singer, Humber & Talbot lines but one aberration was the Sunbeam Alpine, a small sports car (1959-1968).  Rootes had used the Alpine name before, adopted to take advantage of the success enjoyed in the 1953 Alpine Rally but the new roadster was very different.  Although the platform was taken, unpromisingly, from a small van and the rest of the structure was a mash up of components from the Rootes parts bin, as a package it worked very well and the body was modern and attractive, owing more to small Italian sports cars than the often rather agricultural British competition from MG and Triumph.  The rakish fins drew the eye (not always uncritically) but they were very much of their time (and soon pruned), taller even than those on the Daimler SP250 released the same year.  The Alpine was also pleasingly civilized with a heater which actually worked, a soft-top which didn’t leak (at least as much as others), external door handles and wind-up windows, none of which were guaranteed to exist on most of the local competition.  It was also commendably quiet, conversations possible and the radio able to be listened to even at cruising speed, then something novel in little roadsters.

1965 Sunbeam Tiger Mark 1.

With an engine capacity initially of 1.5 litres (91 cubic inch), the Alpine was never fast although that was hardly the point and Rootes advertising aimed at what was then known as the “ladies market”.  Slightly larger engines would improve things but the performance deficit was better addressed when in 1964, a version of the Alpine called the Tiger was released, this time with Ford’s then new 260 cubic inch (4.2 litre) “thinwall” Windsor V8, about to become well known from its use in both the Ford Mustang and Shelby’s Cobra, the latter based on a much-modified AC Ace.  The Windsor V8 was called a “thinwall” because genuinely it was small and light (by V8 standards) but even so it only just fitted in the Alpine’s engine bay and so tight was the fit that a small hatch was installed in the firewall (under the dashboard) so a mechanic could reach in to change one otherwise inaccessible spark plug.  Nevertheless, the package worked and all those who wrote test reports seemed to enjoy the Tiger, noting the effortless performance, fine brakes and predictable handling, all in something conveniently sized.  Even then though, more than one journalist observed that although the Ford V8 used was in the mildest state of tune Ford offered (the ones Shelby put in the Cobra producing over 100 hp (75 kW) more), it was clear the classis was probably close to the limit of what would be sensible.

Despite that, in the mid 1960s there was in the US quite an appetite for cars not wholly sensible for street use and for the North American market, a revised version was released, this time with a 289 cubic inch (4.7 litre) Windsor V8 and although there had been some attention to the underpinnings, it was now obvious that while still in the low-power state Ford used in station wagons, the 289's increased output exceeded the capability of the chassis.  For the journalists of course, that was highly entertaining and so they were prepared to forgive, one cautioning only that the Tiger:

“…doesn’t take kindly to being flung around.  It’s a car with dignity as asks to be driven that way.  That doesn’t mean slowly, necessarily, but that there’s sufficient power on tap to embarrass the incautious.  But if you treat it right, respecting it for what it is, the Tiger can offer driving pleasure of a very high order.”

In the era, there were other over-powered machines which could behave worse and those able to read between the lines would know what they were getting but there may have been some who were surprised and tellingly, the Tigers were never advertised to the “ladies market” although one pink 289 Tiger was in 1965 given as the traditional pink prize to Playboy’s Playmate of the Year.  Presumably she enjoyed it.

Jo Collins (b 1945), 1965 Playboy Playmate of the Year with Sunbeam Tiger Mark II.  The tail fins had by now been pruned.

The US was a receptive market for the little hot rod and one featured in the Get Smart TV series, although it’s said that for technical reasons, a re-badged Alpine was actually used, the same swap effected for the 2008 film adaptation, a V8 exhaust burble dubbed where appropriate, a trick not uncommon in film-making.  In 1967, after taking control of Rootes Group, Chrysler had intended to continue production of the Tiger, by then powered by the 289 but with Chrysler’s 273 cubic inch (4.4 litre) LA V8 substituted.  Unfortunately, while 4.7 Ford litres filled it to the brim, 4.4 Chrysler litres overflowed; the Windsor truly was compact.  Allowing it to remain in production until the stock of already purchased Ford engines had been exhausted, Chrysler instead changed the advertising from emphasizing the “…mighty Ford V8 power plant” to the vaguely ambiguous “…an American V-8 power train”.  Still a popular car in the collector community, so easily modified are the V8s that few survive in their original form and many have been fitted with larger Windsors, the 302 (4.9 litre) the most popular and some have persuaded even the tall-deck 351 (5.8) to fit.  The fate of Ms Collins' pink Tiger is not known.

1972 Hillman Avenger Tiger.  The Avenger is now remembered mostly for the distinctive  "boomerang (or hockey stick)" tail-lamps.

While not quite the sublime to the ridiculous, the third and final Tiger certainly lacked the lustre of its predecessors and was actually marketed under the Hillman and not the Sunbeam badge, the old Rootes group now owned by Chrysler.  Based on the Hillman Avenger (1970-1981), a competent if unexciting family car, the Avenger Tiger was initially a one-off built for motor shows (they used to be a thing) but such was the reaction a production run was arranged and, based on the Avenger GT, it was a genuine improvement, fitted with twin Weber carburettors on a high-compression cylinder head with larger valves and improved porting.  The power increase was welcome but wasn’t so dramatic as to demand any modification of the GT’s suspension beyond a slight stiffening of the springs.  On the road, the well-sorted rear wheel drive (RWD) dynamics meant it was good to drive and the performance was a notch above the competition although Chrysler never devoted the resources to develop it into a machine which could have been competitive with Ford’s Escort in racing and rallying.  The first run of 200-odd early in 1972 were all in “sundance yellow” with a black stripe (and in case that was too subtle, a “Tiger” graphic adorned the rear panels) but red was added as an option when another 400 made to meet demand.

Tigerish: Lindsay Lohan imagined in cara gata (cat face) by Shijing Peng.