Showing posts sorted by relevance for query Vis-a-vis. Sort by date Show all posts
Showing posts sorted by relevance for query Vis-a-vis. Sort by date Show all posts

Tuesday, January 14, 2025

Vis-a-vis

Vis-a-vis (pronounced vee-zuh-vee or vee-za-vee (French))

(1) A French phrase, literally, “face to face” constructed with the prepositional use of the adjective.

(2) In numismatics (of a coin) having two portraits facing each other.

(3) As a preposition (some pedants disapprove of some of the extensions of meaning), in relation to; compared with; as opposed to.

(4) A type of horse-drawn carriage commonly made by Amish coachbuilders, mostly in the mid-western US; also produced for the tourist trade in various places.  In the horse-drawn era, vis-à-vis carriages were usually described as barouches, berlines or landaus depending on their configuration.

(5) A sofa in the shape of the letter “S” with seats for two, so arranged that the occupants can be face to face while sitting on opposite sides; sometimes called the tête-à-tête (literally head to head).

(6) One’s date or escort at a social event (obsolete).

(7) In limousines, a coach-builder’s term for a rear compartment configured with two rows of seats, facing each other.

1755: From the French prepositional use of the adjective vis-à-vis (face to face) from the Old French vis (face).  Vis is from the Old French viz, from the Latin vītis (vine) from the primitive Indo-European wéhitis (that which twines or bends, branch, switch), from wehiy- (to turn, wind, bend) which influenced also the Latin vieō and the English withe.  The à is from the Old French a, from the Latin ad, from the primitive Indo-European ád (near; at).  The French vis was an obsolete word for “face”, replaced in contemporary French by visage.  The literal meaning has long run in parallel with the modern meanings (“in comparison with; in relation to; as opposed to” although pedants disapprove because of the imprecision).  In French, the original sense is preserved also as real estate jargon meaning the windows of one house are within sighting distance of those of the neighboring house (literally that the occupants can see into each-other’s homes).  In English, the un-accented spelling vis-a-vis is now more common. 

The companion term tête-à-tête (from the French and literally “head-to-head”) means “a private conversation between two people, usually in an intimate setting”) and thus, strictly speaking, refers to a process rather than a seating arrangement and, since advances in communication technology, one can have a tête-à-tête over a phone call whereas to be vis-a-vis with them, physical closeness is demanded.  However, the two terms are often used interchangeably and the use of vis-a-vis is also sometimes the victim of linguistic promiscuity, suggesting sometimes just about any juxtaposition.  Furniture makers also variously describe the “S” shaped sofas using either term.  Occasionally, those who use vis-a-vis in its classic sense will baffle others as Horace Greeley Hjalmar Schacht (1877–1970) managed while being cross-examined during his trial before the International Military Tribunal (IMT) at Nuremberg (1945-1946):

Prosecutor: The position you took, as I understand it, was that the Wehrmacht was important not so much as an aggressive weapon against strong countries, Austria & Czechoslovakia, as against, or vis-a-vis, if you will, the larger powers, the concert of nations in Europe… in other words, the army stood there… as a weapon… vis-a-vis the Austrians.

Schacht: Not vis-à-vis the Austrians but vis-a-vis the Allies.

Prosecutor: I am a little naïve about these things, I must say.  You say… not vis-a-vis Austria but against the powers?

Schacht: Not against the powers but vis-a-vis the powers.

The rarely convivial Hjalmar Schacht, standing right behind Führer.

Although that exchange was not critical in Schacht securing one of the three acquittals the bench handed down, the judges doubtlessly enjoyed it more than the prosecution.  At various times during the Third Reich, Schacht had served as Minister of Economics, Plenipotentiary General for War Economy and President of the Reichsbank (the German central bank) and he’d been indicted on counts one (conspiracy to commit crimes against peace) & two (crimes against peace).  His acquittal on both disappointed many but there were many technical difficulties in the case and the prosecution lacked the expertise in matters of public finance and international banking needed to understand the details, let alone pursue them to the standard needed to convince the judges (except for the Russians, comrade Stalin (1878-1953; Soviet leader 1924-1953) convinced of the guilt of all) to convict.  To be fair, the matters were complex and the financial wizardry with which Schacht concocted the money to allow the Nazi’s rearmament programme to be paid for was hardly orthodox monetary policy.  In particular his invention of the Metallurgische Forschungsgesellschaft (thankfully abbreviated to Mefo) which essentially meant the Reichsbank loaned money to the government (which under any other circumstances would have been unlawful) without raising loans or increasing the money supply seemed mysterious to the lawyers.  It was quite a trick and indicative of the intricacies which littered the case.

The vis-a-vis limousines

1967 Lincoln Continental limousine in Black Satin over black leather (front) & light tan cloth (rear), by Lehmann-Peterson of Chicago, built originally for August "Gussie" Busch II (1899–1989; chairman of Anheuser-Busch 1946-1975).  Most of the Lehmann-Peterson “stretched” Continentals were badged “Executive Limousine” which may seem tautological but internally the company distinguished between “executive”, “government” and “funeral” limousines which all differed in the details of their interior fittings although the mechanical structure was shared.

Although the original company was in 1972 absorbed by another corporation, the Lehmann-Peterson brand is a rare survivor in the once well-populated world of coach-builders.  The company was founded in Chicago in 1963 by George Lehmann (1938-1972) & Robert "Pete" Peterson (1924-1995) with the conversion of a single Lincoln Continental sedan into a limousine, subsequently displayed to the Ford Motor Company.  Ford was impressed with the execution and taken especially by the layout of the rear compartment which was a most accomplished execution of the vis-à-vis seating, then rare in US limousines.  Because of the elongation, Ford’s concern was the limousine’s rigidity but their extensive testing at the company’s proving ground (covering a reputed 40,000 miles (64,300 km)) revealed the modified platform was a little stiffer than the donor vehicle, something they chose not to publicize.  That the structural integrity was able to be maintained (indeed, enhanced) was related to the platform of the 1961-1969 Lincolns being designed to accommodate the four-door convertible body available between 1961-1967 and was a development of the huge Lincolns of 1958-1960, then the largest cars ever produced with unitary construction.  Lehmann-Peterson during the 1960s enjoyed great success with their Continental limousines, building almost a thousand for government and private use.  One of the most notable was the popemobile (though that term was not then in use) used by Paul VI (1897-1978; pope 1963-1978) for his one-day visit to New York City on 4 October 1965 to address the United Nations General Assembly, calling for peace and disarmament, a recurring theme in papal pronouncements which seems little more effective now than then.  It was a packed itinerary for the pontiff who as well as celebrating Mass at Yankee Stadium, visited St. Patrick's Cathedral and enjoyed the pleasure of an audience with Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969).

The ex-comrade Marshal Tito 1968 Mercedes-Benz 600 Pullman Landaulet (six-door, long-roof) with jump seats. 

The optional vis-a-vis seating configuration in the rear compartment of the Mercedes-Benz 600 (W100;1963-1981) Pullman was something of a novelty, the competitor limousines from the UK or US built usually with an opulent rear bench for two or three with a pair of utilitarian fold-away (jump or occasional) seats for staff or other temporary occupants (even the infamous X-100, the Lincoln Continental in which John Kennedy (JFK, 1917–1963; US president 1961-1963) was assassinated used jump seats).  There had been the odd exception.  While the limousines or horse-drawn carriages of kings and emperors had side-by-side seats for two to accommodate a consort, the Roman Catholic popes were granted a single, raised, throne-like chair for, unlike less spiritual heads of state, the bachelor Bishop of Rome never (officially) had a consort to accommodate (there were a few concubines but (as far as is known) they predated the automobile.

1957 Imperial Limousine by Ghia (left), 1964 Crown Imperial Limousine by Ghia (centre) and 1967 Imperial Limousine by Theodorou with the unusual folding vis-a-vis seats (right).  

The 600’s much-admired vis-a-vis option arrangement did seem to affect the US coachbuilders, the configuration seating seen more frequently in the years that followed its debut.  Prior to that, the elongated editions of Cadillacs, Packards, Lincolns and Imperials usually had rear compartments (often trimmed in leather unlike the cars from the UK which traditionally used leather only in front (for the chauffeur) with “West of England cloth” for the passengers) equipped with jump seats.  Even the Imperial Limousine built for Chrysler with exquisite care and precision in Italy by Ghia (1957-1965) used them but when production was outsourced to US operators, coach-builders such as Chicago-based Andrew Theodorou included what they called “conversation seats” which, cleverly, were arranged vis-a-vis but folded in such a way that most of the additional space afforded by the conventional jump seats was retained.  During the stretch limousine era in the US, vis-a-vis seating was often used.

Mercedes-Benz 600 Pullman Landaulet (four-door, short-roof) with vis-a-vis seats.  Almost all the 600s delivered to North America, Australia and the UK were trimmed in leather but in Europe and some export markets, mohair wasn't unusual and the factory even made available its famously durable MB-Tex (a high quality vinyl rumored to verge on indestructible) but none were ever so equipped. 

Seated vis-a-vis, Lindsay Lohan (b 1986, right) and her sister Aliana (b 1993, left), enjoying a tête-à-tête (literally, head to head"), La Conversation bakery "& café, West Hollywood, California, April 2012.  Sadly, La Conversation is now closed.

Mercedes-Benz offered the vis-a-vis configuration, in a choice of leather or mohair, in both the 600 Pullman’s closed form and the rare landaulets with their fold-back roof.  The landaulets however were often parade vehicles, used to percolate along crowd-lined boulevards with a prince, president, pope or potentate standing and waving and for this purpose, the vis-a-vis seats intruded too much and the fold-away jump seats, which afforded more standing room, were preferred.  That’s why illustrious 600 Landaulet owners such as comrade Marshall Tito, North Korea’s Great Leader, Dear Leader & Supreme Leader, the Shah of Iran, Robert Mugabe, Saddam Hussein, Mobutu Sese Seko, Idi Amin, Nicolae Ceaușescu, P W Botha and a dozen-odd others of varying degrees of virtue, all eschewed the vis-a-vis arrangement because it made it harder to stand and wave.  Only ever produced in small numbers (although such was the factory’s misplaced optimism they hoped they might make a thousand a year) the 600 was introduced at the Internationale Automobil-Ausstellung (IAA, the  Frankfurt Motor Show, September 1963) and in a run of eighteen-odd years (1964-1981), only 2,677 were made, 2,190 of the standard-length sedan (referred to often as the short-wheelbase (SWB), a relative term given it was over eighteen feet (5.5 m) long), 487 of the twenty and a half foot long Pullmans of which 59 were landaulets.  Of the rare landaulets, most had a convertible top which exposed only rear-most of the back seats, twelve being built with a longer fabric roof which rendered open the entire rear compartment, this dozen often called the “presidential landaulets” although this was never an official name.  Although the specification sometimes varied, the Pullmans with the jump-seats usually were configured with six doors while the vis-a-vis models used four.

Vis-à-vis: Matra 530: The LX (left) and the SX (right).  The SX was France's most notable contribution to the small community of "bug-eyed" cars.

Thursday, March 26, 2020

Macro

Macro (pronounced mak-roh)

(1) Anything large in scale, scope, or capability.

(2) In the colloquial language of economics, of or relating to macroeconomics.

(3) In computing, an instruction that represents a sequence of instructions in abbreviated form (also rarely called macroinstruction) or a statement, typically for an assembler, that invokes a macro definition to generate a sequence of instructions or other outputs.

(4) In photography, producing larger than life images, often a type of close-up photography or as image macro, a picture with text superimposed.

(5) As the acronym MACRO, the Museum of Contemporary Art of Rome (Museo d'Arte Contemporanea di Roma).

1933: A word-forming element from the Ancient Greek μακρός (macros), a combining form of makrós (long), cognate with the Latin macer (lean; meagre) and from the primitive Indo-European root mak (long, thin); now a general purpose prefix meaning large.  The English borrowing from French appears to date from 1933 with the upsurge in writings on economics during the great depression.  It subsequently became a combining form meaning large, long, great, excessive etc, used in the formation of compound words, contrasting with those prefixed with micro-.  In computing, it covers a wide vista but describes mostly relatively short sets of instructions used within programs, often as a time-saving device for the handling of repetitive tasks, one of the few senses in which macro (although originally a clipping in 1959  of macroinstruction) has become a stand-alone word rather than a contraction.  Other examples of use vis-a-vis include macrophotography (photography of objects at or larger than actual size without the use of a magnifying lens (1863)), macrospore (in botany, "a spore of large size compared with others (1859)), macroeconomics (pertaining to the economy as a whole (1938), macrobiotic (a type of diet (1961)), macroscopic (visible to the naked eye (1841)), macropaedia (the part of an encyclopaedia Britannica where entries appear as full essays (1974)), macrophage (in pathology "type of large white blood cell with the power to devour foreign debris in the body or other cells or organisms" (1890)).

Dieting and the macro fad

In the faddish world of dieting, the macrobiotic (macro- + -biotic (from the Ancient Greek βιωτικός (biōtikós) (of life), from βίος (bios) (life)) diet is based on the precepts of Zen Buddhism.  It’s said to seek to balance what are described as the yin & yang elements of food and even the cookware used in its preparation.  The regime, first popularised by George Ohsawa san (1893-1966) in the 1930s, suggests ten food plans which, if followed, will achieve what is said to be the ideal yin:yang ratio of 5:1.  Controversial, there’s no acceptance the diet has any of the anti-cancer properties its proponents often claim beyond that expected if one follows the generally recommended balanced diets which differ little from the macrobiotic.  It was Ohsawa san's 1961 book Zen Macrobiotic which introduced the word to a wider audience although he acknowledged the system had been practiced in Germany in the late eighteenth century.

In macro: Lindsay Lohan's left eye.

A later fad, macronutrients, is distinct from macrobiotics and describes another form of a balanced diet, the three classes of macronutrients being the familiar proteins, fats, and carbohydrates.  The macro diet puts a premium on whole rather than processed foods and requires calorie counting because of the need to track intake and maintain the metrics within a certain range.  Where the macro diet differs is that the metrics vary between individuals rather than requiring conformity to the unchanging yin:yang ratio .  Depending on factors such as body type, life-style, age and health, a nutritionist will construct a target macro ratio (eg 40% carbohydrates, 40% protein and 20% fat) although that may change depending upon outcomes achieved.  The pro ana community seems to view the macrobiotic diet with uninterest rather than scepticism, noting it’s optimised around a concept of balance rather than weight-loss and, while perhaps useful in some aspects, is just another fad diet and that’s fine because, if followed, all diets probably work but for pro ana purposes there are better, faster, more extreme ways.

Macrophotography (also known as photomacrography, macrography or macro-photography) is a specialised niche in imagery, usually in the form of close-up photographs of small subjects, typically living organisms like insects, the object being to create an image greater than life size.  The word is used also by processing technicians to refer to the creation of physically large photographs regardless of the size of the subject or the relation between subject size and finished photograph.

When macro photography depended on a camera with a macro lens committing images to film stock, it was a genuinely specialised skill.  Now, advances in the sensor technology used in small, general purpose digital cameras mean anyone can produce raw images very close to those attainable using a DSLR (digital single-lens reflex) or SLR (single-lens reflex) with a true macro lens and editing software exists to enhance the images.  The emergence of very high definition (8K+) OLED (organic light-emitting diode) televisions in sizes larger than human beings has introduced a new subset to macrophotography for home use.  The 8K devices are currently available in sizes up to 150" (3.8m) and the technology exists to join together edgeless screens to create one vast panel, the size limited only by the software support.

Tuesday, May 25, 2021

Vice

Vice (pronounced vahys)

(1) An immoral or evil habit or practice.

(2) Immoral conduct; depraved or degrading behavior.

(3) A particular form of depravity.

(4) A fault, defect, bad habit or shortcoming.

(5) A character in the English morality plays, a personification of a general or particular vice, serving as the buffoon (with initial capital letter).

(6) In clinical pathology, a physical defect, flaw or infirmity (archaic).

(7) Instead of; in the place of.

(8) A combining form meaning “deputy,” used in the formation of compound words, usually titles of officials who serve in the absence of the official denoted by the base word.  Can be (1) pre-nominal (eg vice-president) if serving in the place of or as a deputy for or (2) in combination (eg viceroy).

(9) Any of various devices, usually having two jaws that may be brought together or separated by means of a screw, lever, or the like, used to hold an object firmly to permit things to be done to it.

Meanings (1– 6); 1250-1300: Middle English, borrowed from the Anglo-French & Old French from the Latin vitium (a fault or defect) which charmingly persists in Modern Italian as vezzo (usage, entertainment).  In the English-speaking world, police vice-squads attested from 1905.  The French construction vice anglais (corporal punishment; literally "the English vice") dates from 1942.

Meanings (7-8): 1760–1770; From the Latin vice (instead of) ablative of vicis (genitive; not attested in nominative) (interchange, alternation).

Meaning (9): 1300–1350; From the Middle English vis, borrowed from the Old French vis (a screw), from the Latin vītis (vine, plant with spiralling tendrils).  From the early fourteenth century, the meaning "device like a screw or winch for bending a crossbow or catapult" was widely applied to any tool or appliance which winds.  Root was the Latin viere (to bind, twist) and was used to describe the modern vice meaning “clamping tool with two jaws closed by a screw.

Vice Magazine, 13 December 2017.

Los Angeles based Vice Media on 15 May 2023 formally filed for Chapter 11 bankruptcy, a mechanism in US corporate law which protects insolvent companies from immediate action by their creditors, enabling them to continue trading while undergoing a restructure or as a prelude to sale as a going concern.  It was one of the better known (along with BuzzFeed) of the media creations of the internet age which have recently struggled in the unforgiving environment which has emerged as the post-pandemic, high inflation economy has unfolded while institutions like Instagram and TikTok have proved more attuned to the demographic once presumed to be their audience, thus the precipitous shrinking of a revenue base so reliant on advertising.  The magazine was founded in 1994 and, edgy before the term was in general use, was successful and it adapted well to the then embryonic digital world and in addition to a website, soon branched into film production, music distribution and publishing.  Audaciously (or so it at the time seemed to some), Vice took on news gathering and distribution, this at a time when people still read, paid for and were advertised to in printed newspapers.  Among what came to be called the “legacy media” however, the threat was thought real and News Corporation invested tens of millions of dollars in Vice; others took notice and a recently as 2017 Vice Media Group was valued at US $5.7 billion.  In a statement issued shortly after the Chapter 11 filing, Vice said it expected “…to emerge as a financially healthy and stronger company in two to three months”. In the circumstances that seemed optimistic but if an ongoing entity emerges it will be have to be very different to what Vice was, its high-cost model never adaptable to a business model in which free on-line content was sustained by advertising, even when such revenue was considerably higher than now.  Vice's lenders have agreed to provide US$20m to maintain the operation during “an orderly sale process”, during which other corporations or investors can submit bids.  If no sale is achieved, Vice Media's lenders will acquire all assets for US$225 million, the process is expected to take about two-three months.

Vice in the UK and US

In the sense of “deputy”, the use of vice in the UK (and the Commonwealth including Australia) can differ from that in US.  In the UK and Australia for example, a university vice-chancellor is really the CEO and the chancellor a ceremonial figurehead.  In the US a university president is in charge and their vice-president either an assistant or deputy.  It’s because these structures follow their respective country’s constitutional arrangements for government.  The UK has many such appointments, some of which became mere sinecures, others being active positions.  Vice-Admirals of the United Kingdom (and the earlier VAs of England and GB) have existed almost continuously since their creation in 1545 by Henry VIII and was the second most powerful office of the Admiralty, indeed until 1801, styled as Lieutenant of the Admiralty and the VA was deputy to the Lord High Admiral.  It’s another of those now honorary offices which litter the British establishment.

Portrait of Emma, Lady Hamilton (circa 1782), oil on canvas by George Romney (1734-1802).  Emma Hamilton (1765-1815) was the mistress of Vice-Admiral Lord Nelson (1758-1805) and muse of the society portraitist, George Romney.

Sunday, November 12, 2023

Efficacy

Efficacy (pronounced ef-i-kuh-see)

(1) A capacity for producing a desired result or effect; effectiveness; an ability to produce a desired effect under ideal testing conditions.

(2) The quality of being successful in producing an intended result; effectiveness; a measure of the degree of ability to produce a desired effect.

1520-1530: From the Old French efficace (quality of being effectual, producing the desired effect), from the Late Latin efficācia (efficacy), from efficāx (powerful, effectual, efficient), genitive efficacis (powerful, effective), from stem of efficere (work out, accomplish).  In eleventh century English, in much the same sense was efficace from the Old French eficace from the same Latin root efficācia; there was also the early fifteenth century efficacite from the Latin efficacitatem.  The sixteenth century adjective efficacious (certain to have the desired effect) was often used of medicines (presumably a favorite of apothecaries), the construct being the Latin efficaci-, stem of efficax from the stem of efficere (work out, accomplish)  + -ous.  The –ous suffix was from the Middle English -ous, from the Old French –ous & -eux, from the Latin -ōsus (full, full of); a doublet of -ose in an unstressed position.  It was used to form adjectives from nouns, to denote possession or presence of a quality in any degree, commonly in abundance.  In chemistry, it has a specific technical application, used in the nomenclature to name chemical compounds in which a specified chemical element has a lower oxidation number than in the equivalent compound whose name ends in the suffix -ic.  For example, sulphuric acid (H2SO4) has more oxygen atoms per molecule than sulphurous acid (H2SO3).  The noun inefficacy (want of force or virtue to produce the desired effect) dates from the 1610s, from the Late Latin inefficacia, from inefficacem (nominative inefficax), the construct being in- (not, opposite of) + efficax.

The most familiar related form in modern use is efficacious but in general use this is often used in a more nuanced way than the pass/fail dichotomy of "efficacy" familiar in medical trials.  In general use, efficacious is a "spectrum word" which describes degrees of the ameliorative effects of treatments although while the comparative is "more efficacious", a more common form is "quite efficacious"; the superlative "most efficacious" appears to be popular among the small subset of the population who use efficacious at all.  Efficacy, efficacity & efficaciousness are nouns, effectuate is a verb, effectual & efficacious are adjectives and efficaciously is an adverb; the noun plural is efficacies.

Clinical trials in the pharmaceutical industry

In the development of vaccines (and medicinal drugs in general), efficacy trials (sometimes called phase III or explanatory trials) determine the percentage reduction of disease in a vaccinated group of people compared to an unvaccinated group, under the most favorable conditions, which is with the subjects housed in a hospital equipped to handle intensive care patients.  Conducted on human subjects if tests on animals proved satisfactory, it’s a purely clinical exercise, practiced since 1915 and can be done as a double-blind, randomized study if no safety concerns exist.  One potentially distorting aspect of both efficacy and (particularly) safety trials is a historic bias towards healthy young males as the subjects.  The antonym of the adjective efficacious is inefficacious but the word is rarely used when drug trials produce unsatisfactory results: the punchier "failed" is almost always used.  Under normal circumstances, the testing process can take many years, the industry usually referring to trials as phases:

Phase I: Safety Trial

Phase I trials are done to test a new biomedical intervention for the first time in a small group of people (typically 20-100) to evaluate safety.  Essentially, this determines the safe dosage range and identifies side effects.

Phase II: Efficacy Trial

Phase II trials are done to study an intervention in a larger group of people (several hundred or more depending on the product) to determine efficacy (ie whether it works as intended) and further to evaluate safety.

Phase III: Clinical Study

Phase III studies are done to study the efficacy of an intervention in large groups of trial participants (often thousands) by comparing the intervention to other standard or experimental interventions (or to non-interventional standard care).  Phase III studies are also used to monitor adverse effects and to collect information that will allow the intervention to be used safely.

Phase IV: Efficiency Study

Phase IV studies are done after the drug has been released and is being prescribed.  These studies are designed to monitor the effectiveness of the approved intervention in the general population and to collect information about any adverse effects associated with widespread use over longer periods of time.  They may also be used to investigate the potential use of the intervention in a different condition, or in combination with other therapies.

Proven efficacy: Adderall.

Adderall and Mydayis are trade names for a combination drug called mixed amphetamine salts (a mix of four salts of amphetamine).  In all Western jurisdictions  Belonging to a class of drugs known as stimulants, Adderall is a prescription medication and it contains two active ingredients: the amphetamines and dextroamphetamine.  As a prescribed medicine, primarily Adderall is used in the treatment of attention deficit hyperactivity disorder (ADHD), a neurobehavioral disorder characterized by symptoms such as inattention, hyperactivity, and impulsivity.  Adderall works by increasing the levels of certain neurotransmitters (most critically dopamine and norepinephrine) in the brain, these both mechanisms which play some role in regulating attention, focus, and impulse control.  Beyond ADHD, Adderall is sometimes prescribed off-label for the treatment of narcolepsy, a sleep disorder characterized by excessive daytime sleepiness and sudden, unpredictable episodes of sleep.

Adderall also has something of a cult following among those who seek to experience some of its more desirable side-effects.  Like many of the earlier amphetamines (most famously Tenuate Dospan (diethylpropion or amfepramone) an appetite suppressant of legendary efficacy), Adderall can assist in weight-loss and can safely be used for this by most people but because of its potential for dependence, it should be taken (for whatever purpose) only under clinical supervision.  For those prescribed Adderall, in some circumstances, it may continue to be taken (at the prescribed level) even if one is in a substance rehabilitation facility as was the case in 2013 when Lindsay Lohan completed a 48-hour drug detox at the Betty Ford Clinic in Indio, California.  Ms Lohan was prescribed Adderall after being diagnosed with ADHD but the standard protocol used by rehab clinics is that doctors routinely re-evaluate (1) the ADHA diagnosis and (2) the efficacy of the treatment regime.  Depending on their findings, doctors can prescribe alternative drugs or cease drug intervention entirely.  Ms Lohan was quoted as saying she’d been using Adderall "for years" and that she cannot function without it and her choice of rehab facility was once which would permit both smoking (tobacco) and the use of Adderall.

As she earlier explained it: “I have severe ADD. I can’t stand still.  So, I take Adderall for that; it calms me.”  Ms Lohan further noted she was not unaware there were those who took Adderall for its side-effects, notably weight loss or the ability to function effectively for extended durations without needing to sleep but that she wasn’t someone who needed to regulate her weight and that her sleeping patterns were normal.  However, the cult if anything is growing and in the US shortages of Adderall were reported (not for the first time) in late 2022.  The US Food and Drug Administration (FDA) responded by issuing a statement noting that while there was nothing unusual about episodic shortages of generic drugs at any given time because the profit margins are low and production is sometimes restricted to avoid a sacrifice in the opportunity cost vis-a-vis higher margin products, Adderall was “a special case because it is a controlled substance and the amount available for prescription is controlled by the Drug Enforcement Administration (DEA).”  The FDA added that because there had been “a tremendous increase in prescribing” because of virtual medicine (e-consultations) and a general trend towards over-prescribing and over-diagnosing, the periodic shortages were likely to continue.  THE FDA’s conclusion was that “if only those who needed these drugs got them, there probably wouldn't be a [stimulant medication] shortage” but the diagnosis of ADHD continues to grow and the desire for rapid weight-loss solutions remains strong.

Friday, February 21, 2025

Dick-pic & Slot-shot

Dick-pic (pronounced dik-pik)

A picture of a human’s penis, if taken and disseminated in a certain context.

Dick became the pet-form name circa 1550 (though some etymologists suspect it had earlier been in use) for Richard via being the rhyming nickname for Rick, Richard's original affectionate diminutive.  Richard being (1) among the commonest English names and (2) exclusively male, it quickly become a synonym for "fellow; lad" and thereby a generally used word to refer to men, individually and collectively; from this connection came the use of dick as slang for that exclusively male body part.  Anything claimed to be an authoritative list of the slang senses must be viewed with scepticism because many forms are very old and the surviving written records are not a comprehensive catalogue of what was often an exclusively oral dialect so the date of origin is uncertain.  The meaning "penis" is attested from 1891 in a dictionary of farmer's slang and was said (predictably) to have been well-known British army slang but, perhaps regionally, the use could date back a century or more.  Most sources note "dick" in this context is thought now less offensive than once it was but for those still disturbed, there's a goodly number of alternatives. 

Pic of Dick Face: The Honorable Richard Face (1943-2023), former New South Wales (NSW) minister of gaming & racing (1995-2003).

The vulgar slang nouns dickhead & dickface (a stupid or contemptible person) are attested only from circa 1969 so Richard Face’s parents can't be accused of making what might now be thought an unwise choice.  Interestingly, although presumably not unaware of the linguistic possibilities his name offered, Richard Face was either indifferent or saw some political advantage in brand-name awareness because he chose to remain a Richard (and, by implication, a "Dick") despite being christened Jack Richard Face.  Whether he ran the usual focus groups to find which worded best (Dick Face or Jack Face) isn't known.  In time, he did live up to his name, in 2004 fined Aus$2500 an given a three-year good behaviour bond for lying to the NSW Independent Commission against Corruption (ICAC), the magistrate's rationale for not imposing a custodial sentence being (1) he was no longer a police officer and therefore "not directly involved in the administration of justice", (2) had an "exemplary record of public service", (3) had been under stress, was depressed and a heavy drinker at the time of his lie, (4) had shown remorse and pleaded guilty, (5) had "not committed perjury" or "sworn false evidence" and (6) "did not engage in persistently false swearing over sustained periods of time."

Pic of Richard Face the cat.

Pic was first recorded circa 1885 as a shortening of picture (image, likeness, photo, etc).  Picture was from the Middle English pycture, from the Old French picture, from the Latin pictūra (the art of painting, a painting), from pingō (I paint); a doublet of pictura.  The plural is pics but pix is common in casual & commercial use so the accepted alternative plural of dick-pics would be dick-pix.  The linguistically fastidious used to be troubled by spellings which respected only the pronunciation (pix, nite, lite, luv etc) but even before the internet their use in advertising and brand names had made them so common the battle obviously was lost.  In structural linguistics, the technical term for such words is “eye dialect”, used to describe a deliberate misspelling of words to suggest a particular pronunciation, dialect, or informal tone, even though the intended pronunciation remains the same.  The use (apart from alternative spellings or misspellings which would have predated the modern practice) seems to have been popularized (and to some extent thus legitimized) in commerce for purposes of advertising or branding and from here it was picked up in casual writing where it can impart variously feelings of playfulness or the "modern".  The Ford Ka (1996–2021) and Chevrolet Cruze (2008–2023) were both named using the technique and familiar examples include Krispy Kreme, Dunkin’ Donuts and Froot Loops but it was also a literary device in fiction as early as the nineteenth century, used by Mark Twain (1835-1910) to evoke Southern American speech patterns and Charles Dickens (1812–1870) to summon the sound of what was perceived as “typical” working-class speech.  George Bernard Shaw (GBS; 1856-1950), a proponent of the internationalist Esperanto language and often (understandably) critical of English spelling rules, in Pygmalion (1913) used phonetic spellings not only to reflect variations in diction and accents but also to contrast the difference between “proper” and informal speech, a central theme of the play.  In modern use, because the forms often use fewer characters, the practice became a staple of texting (SMS; short message service) which for a certain demographic in the now distant pre-social media, pre-smartphone era became the preferred means of communication.    

Slot-shot (pronounced slot+shot)

A picture of a human female’s genitalia, if taken and disseminated in a certain context.

Slot in the sense of a "bar or bolt used to fasten a door, window etc" entered Middle English circa 1300 from the Middle Dutch or Middle Low German slot, from the Old High German sloz & German Schloss (bolt, bar, lock, castle), from the Proto-Germanic stem slut- (to close).  The anatomical use to describe the "hollow at the base of the throat above the breastbone" was a late fourteenth century adoption from the Old French esclot (hoof-print of a deer or horse) of uncertain origin, but this sense is probably obsolete except in historic references.  Slot meaning a "a narrow, elongated depression, groove, notch, slit, or aperture, especially a narrow opening for receiving or admitting something" dates from the 1520s, the idea later developed to suggest putting something "where it belongs" but this seems to have been adopted only in the mid-1960s.

Shot (in the sense of the firing of a bow (later applied to firearms etc)) was from pre-900 Middle English, from the Old English sc(e)ot & (ge)sceot and was cognate with the German Schoss & Geschoss.  It was related to the Old Norse skot and the Old High German scoz (missile).  The sense of shot as the "view from a camera" isn't attested until 1958 although it had been used in the cinematic sense since 1922 to describe the process of recording movies (mov(ing picture) + -ies) since 1922 and may thus have enjoyed earlier use.  As used to refer to individual pictures, printed usually on cardboard or special photographic paper, it dates from the late 1930s, the specialized use in law enforcement (as mugshot) began in the US in 1950.

Of context

A “Liz & Dick pic”: Lindsay Lohan (b 1986) & Grant Bowler (b 1968) during the filming of Liz & Dick (2012), a “biopic” of the famously tempestuous relationship between the actors Elizabeth Taylor (1932–2011) & Richard Burton (1925–1984).  The car is a Mercedes-Benz 600 (W100; 1963-1981) four-door Pullman with the vis-a-vis seating.  The flag-staffs (fitted in this instance above the front wheel arches) were usually fitted to cars used by the governments or the corps diplomatique.

The dick-pic, the practice of someone (usually male) sending another (usually female) an unsolicited picture of (what is usually their own) penis isn’t a recent invention but the extraordinary latter day spike in the numbers sent is a genuine cultural phenomenon.  It’s socially and technologically deterministic, something made possible by (1) the permissive social attitude of the participating demographic, (2) the ubiquity of their possession of high-definition cameras, (3) the removal from the process of third-parties (especially those who once developed and printed the physical images), (4) the extent of digital connectivity between members of the demographic and (5), the marginal financial cost of the transactions.  It’s an interesting development in that in the West, the history of the depiction of nudity is overwhelmingly female so “pictures of genitalia sent by phone” is a genre in the annals of the nude (technically probably the naked) untypically dominated by the male body.

Generally uncontroversial if either requested or welcomed by a recipient with whom an appropriate level of emotional capital has already been built, dick-pics are notorious for the negative emotions induced in those receiving them as something unsolicited and unwelcome.  So, unless the intention is actually to shock, offend or upset (and among the demographic, that is sometimes a thing) they’re best avoided; good rarely seems to come of them and in some jurisdictions, there are circumstances in which sending a dick-pic can be an offence which can result in the sender being placed for life on a sex-offender’s register; it depends on the context.

Dick-pic detail from Michelangelo Buonarroti’s (1475–1564) David (1501-1504), Galleria dell'Accademia, Florence.

Michelangelo’s David, a six-ton, 17-foot (5.2 m) tall symbol of divine victory over evil is art as a sculpture or in depiction and, despite the visible penis, in the West is usually thought not obscene.  In another context it can be, the erection of some inventive interior decorating required to conceal the offensive bits when a 3D-printed replica was displayed at the 2021 Dubai Expo.  It happens in the West too.  In the nineteenth century the Grand Duke of Tuscany presented Queen Victoria with a full-sized replica of the original which she found so confronting that hurriedly a proportionally accurate fig leaf was crafted, kept in readiness for any royal visits to be hung from two strategically placed hooks.  Even in the twenty-first century, replicas have attracted complaints, the argument being the context of a museum which people choose to visit being different for places where encounters may happen by chance.  Obscenity and offensiveness thus are situational constructs and a dick-pic exchanged between consenting adults is different from discovered in other circumstances; it depends on the context.

It’s assumed because there are few reports of women sending pics of their genitalia that the practice is notably less common than the dick-pic and while that’s not an accepted way to draw a definitive conclusion from two data sets, few doubt it’s true.  There are surely many reasons that’s the case and the paucity of examples is probably the reason a standardized female equivalent of “dick-pic” seems not to have evolved.  Suggestions have included “gash-flash”, “trap-snap” and “clamagram” but the most phonetically pleasing are probably “pussy-portrait” and “slot-shot”, the latter a metaphor which references the slot on a machine which is a perfect fit for coins of a certain denomination.  For women who find artistically limiting the idea of a static slot-shot, for US$149, there’s the Svakom Siime Sex Selfie Stick (SSSSS), a USB-rechargeable video-recorder-vibrator which offers, especially for those with basic video-editing skills, the chance to create a clip of an organism from the inside.  Thus the "clit-clip", a bit of digital one-upmanship (that may not be quite the right noun) on any "dick-pic".  

Available in violet, khaki & black, she can be connected to the USB port of a PC or Mac and there's a downloadable app for MacOS, Windows (XP SP2 onwards), iOS and Android.  The camera is a seemingly modest .3 megapixel unit but given the environment in which she'll be operating, that's more than adequate; videos are saved in the familiar mp4 format, the product & software manuals are both downloadable and there's an instructional video on the Svakom website.  Whisper-quiet to ensure privacy, battery-life is said to be around two hours of "continuous use" so one can understand why women might prefer such a device to most men.  The manufacturer refers to the SSSSS as "she" rather than "he" (or even "it"), an interesting assignment of notional gender given the anatomical emulation.

L'Origine du monde (The Origin of the World (1866)), oil on canvas by Gustave Courbet (1819-1877), Musée d'Orsay, Paris.

The recumbent female has, off and on, been a staple of Western art since Antiquity but there was something about French artist’s Gustave Courbet’s L'Origine du monde which was so provocative that publicly, it wasn’t exhibited for 120 years.  A slot-shot writ large, it’s still a work which many institutions avoid, even those sanguine about female nudity (and nakedness) in artistic and other contexts, one columnist noting recently the painting “… if indeed it can be called erotic…” was “…still unsuitable for publication in a paper with a general readership.”  Perhaps it’s because it so differs from the long traditions of the nude, a study more gynecological than artistic or maybe it’s the lush and untended growth of pubic hair, something which seems often to disturb though it may be anatomically accurate: One Russian gynecologist was asked whether the model was a virgin and, after casting his professional eye, answered with an emphatic “Nyet”.  There’s also the objectification, the decapitation of the subject reducing the work somehow to a slot-shottish case-study for the male gaze, a reductionism which has for decades attracted criticism from feminists.  When depictions of L'Origine du monde have appeared in bookshops and galleries, there’s often been controversy, sometimes requiring the summoning of the gendarmerie although the Musée d'Orsay reports the work appears on one of their gift-shop’s best-selling post-cards so there's that.

The head presumptive (publicized in 2013).

Commissioned by Ottoman-Egyptian diplomat Halil Şerif Pasha (Khalil Bey 1831-1879) as an addition to his famous collection of erotica, ever since first it was seen, historians of art have debated among themselves the identity of the model, their short-list with some glee referred to as Les suspects habituels de Gustave (Gustave’s usual suspects).  No conclusion has ever been agreed although the factions promote their theories, one based on an analysis of the joining edges of the respective canvases, an allegedly matching upper-section displayed in 2013.  The Musée d'Orsay issued a statement saying L'Origine du monde is, as it exists, a complete work and not part of a larger whole.  The mystery continues.

Highlight of Coastal Carolina University vs East Carolina University, Clark-LeClair Stadium, East Carolina University, Greenville, North Carolina, 8 March, 2025. 

There are also “butt pics”.  In March 2025 a user posted on X (formerly known as Twitter) a clip from ESPN’s coverage of a baseball game between Coastal Carolina University and East Carolina University (Coastal Carolina won 9-11-1 to 1-6-0) which showed two women, one snapping what quickly was described as a “butt-pic” of the other.  Almost instantly viral, the tweet gained more than 10 million views, numbers the ESPN programmers doubtless wish college baseball could generate.  The two protagonists were said to be “not identified” but presumably promotional opportunities on Instagram and TikTok beckon and there may soon be OnlyFans accounts.