Nerf

Nerf (pronounced nurf)

(1) A device, traditionally metal but of late also rubber or plastic, attached to the front or corners of boats or road vehicles for the purpose of absorbing impacts which would otherwise damage the device to which they’re attached.

(2) A slang term in motorsport which describes the (intentional) use of part of a vehicle to nudge another vehicle off its course; used also to describe the almost full-length protective bars used in some forms of dirt-track (speedway) racing (although the term may have be retrospectively applied, based on the use on hot-rods).

(3) As a trademark, the brand name of a number of toys, often modeled on sports equipment but made of foam rubber or other soft substances.

(4) In video gaming, a slang term for reconfigure an existing character or weapon, rendering it less powerful.

(5) By extension from the original use at the front and rear of 1950s hot rod cars and in motorsport, the name adopted (as nerf bar) for a step to ease entry and exit on pickup trucks or sport utility vehicles (SUV) and known also as step rails, step tubes, step bars or truck steps; also sometimes used to describe the extended foot-rests used on some motorcycles.

(6) As "nerf gun", a toy which fires foam darts, arrows, discs, or foam balls; the class is based on the original "Nerf Blaster" by Hasbro.

Circa 1955: Apparently an invention of US (specifically 1950s Californian hot-rod culture) English, the source of the word being speculative.  The later use, in computer-based gaming, etymologists trace (though there is dissent) from the primitive Indo-European mith- (to exchange, remove) from which Latin gained missilis (that may be thrown (in the plural missilia (presents thrown among the people by the emperors)), source (via the seventeenth century Middle French missile (projectile)) of the English missile ((1) in a military context a self-propelled projectile whose trajectory can sometimes be adjusted after it is launched & (2) any object used as a weapon by being thrown or fired through the air, such as stone, arrow or bullet).  Nerf is a noun & verb, nerfed is a verb & adjective and nerfing is a verb; the noun plural is nerfs.

Lindsay Lohan holding Herbie's nerf bar, Herbie: Fully Loaded (2005) premiere, El Capitan Theater, Hollywood, Los Angeles, 19 June 2005.

In the US, nerf bars were often fitted to cars with bumper bars mounted lower than were typically found on domestic vehicles.  What these nerf bars did was provide a low-cost, sacrificial device which would absorb the impact the bodywork would otherwise suffer because the standard bumper would pass under the bumper of whatever was hit in an accident.  On a large scale, the idea was in the 1960s implemented on trucks as the "Mansfield Bar", a (partial) solution to the matter (understood since the 1920s) of cars crashing into the rear of trucks, tending increasingly (as bodywork became lower) to “pass under” the rear of a truck's chassis, meaning it was the passenger compartment (at the windscreen level) which suffered severe damage.  The death toll over the decades was considerable and Jayne Mansfield (1933–1967) the most famous victim, hence the eponymy.  Design rules and regulations began to proliferate only in the late 1960s and remarkably as it must seem in these safety conscious times, in the US it wasn't until the early 1970s that cars were required to be built with standardized bumper-bar heights, front & rear.

The suggested etymology is said to account for the application of nerf to gaming where it means “to cripple, weaken, worsen, deteriorate or debuff” (“debuff” a linguistic novelty attributed to gamers) a character, a weapon, a spell etc.  The idea is apparently derived from the proprietary “Nerf” guns, large-scale (often realized in 1:1) toys which fire extremely soft (and therefore harmless) projectiles (al la missilis from the Latin); the Nerfball in 1970 apparently the first.  It doesn’t however account for the use either in motorsport or on hot-rods but the evidence suggests it was the hot-rod crew who used it first, based on an imperfect echoic, thinking the dirt-track (speedway) drivers using the protective bars running along the outside of the bodywork of their vehicles to nudge other competitors off the track and onto the grass were saying “to nerf” whereas they were actually saying “to turf”.  Because the hot-rods became widely known as part of the novel “youth culture” of the 1950s, the specifics of their slang also sometimes entered the wider vocabulary and the bars of the speedway cars, in an example of back-formation, also became “nerf bars”.

Nerf bars on a hot-rod.

AC Shelby Cobra 427 (replica) with naked nerf bars (top) and a real one with over-riders fitted (bottom).

The ultimate hot-rod was the AC Shelby Cobra (1962-1967) of which fewer than a thousand were made, a number exceeded more than fifty-fold by the replica industry which has flourished since the bulge-bodied original was retired in 1967, looming regulations proving just to onerous economically to comply with.  The first Shelby Cobra street cars used nerf bars as attachment points for chrome over-riders but, as a weight-saving measure, the latter were usually removed when the vehicles were used in competition, leaving the raw nerf bars exposed.  The raw look has become popular with customers of the replica versions and, surprisingly, the authorities in some jurisdictions appear to allow them to be registered in this state for street use.

On production vehicles, what are sometimes mistakenly called nerf bars are actually “bumperettes”, cut-down bumpers which in their more dainty iterations were sometimes little more than a decorative allusion to the weight-saving techniques used on genuine competition cars.  The increasing stringent impact regulations imposed during the 1970s ended the trend but modern engineering techniques have allowed designers to pick up the motif in the twenty-first century.

The concept of nerf bars as used on hot-rods existed long before the term became popular and can be found in depictions of Greek and Roman ships from antiquity and remain a common sight today, either as a specifically-designed product or simply as old car-tyres secured to the side of the hull and used especially on vessels such as tug-boats which need often to be maneuvered in close proximity to others.  The correct admiralty term for these is "fender" (ie in the sense of "fending-off" whatever it is the vessel has hit).  Manufactured usually from rubber, foam or plastic, there are also companion products, “marine fenders”, which are larger and permanently attached to docks on quay walls and other berthing structures.  Much larger than those attached to vessels, they're best thought of as big cushions (which often they resemble).  The construct was fend + er (the suffix added to verbs and used to form an agent noun); fend was from the Middle English fenden (defend, fight, prevent), a shortening of defenden (defend), from the Old French deffendre (which endures in modern French as défendre), from the Latin dēfendō (to ward off), the construct being dē- (of, from) +‎ fendō (hit, thrust), from the primitive Indo-European ghen- (strike, kill).

Catfish

Catfish (pronounced kat-fish)

(1) In ichthyology, any of the numerous mainly freshwater teleost fishes of the order or suborder Nematognathi (or Siluroidei), characterized by barbels around the mouth and the absence of scales, especially the silurids of Europe and Asia and the horned pouts of North America.

(2) A wolffish of the genus Anarhichas.

(3) In casual use, any of various other fishes having a fancied resemblance to a catfish.

(4) In slang, a person who assumes a false identity or personality on the internet, especially on social media, usually with an intent to deceive, manipulate, or swindle.

(5) To deceive, swindle, etc by assuming a false identity or personality online.

(6) In casual use, any piece of machinery having a fancied resemblance to a catfish (applied often to cars with "gaping grills" ). 

1605–1615: The construct was cat + fish.  Dating from circa 700, cat was from the Middle English cat or catte and the Old English catt (masculine) & catte (feminine).  It was cognate with the Old Frisian and Middle Dutch katte, the Old High German kazza, Old Norse köttr, Irish cat, Welsh cath (thought derived from the Slavic kotŭ), the Russian kot and the Lithuanian katė̃; the Old French chat enduring.  The curious Late Latin cattus or catta was first noted in the fourth century, presumably associated with the arrival of domestic cats but of uncertain origin.  The Old English catt appears derived from the earlier (circa 400-440) West Germanic form which came from the Proto-Germanic kattuz which evolved into the Germanic forms, the Old Frisian katte, the Old Norse köttr, the Dutch kat, the Old High German kazza and the German Katze, the ultimate source being the Late Latin cattus.

The noun fish was from the pre-900 Middle English fish, fisch & fyssh, from the Old English fisc (fish), from the Proto-West Germanic fisk, from the Proto-Germanic fiskaz (fish).  It was cognate with the West Frisian fisk, the Dutch vis, the Old Norse fiskr, the Danish fisk, the Norwegian fisk, the Gothic fisks, the Swedish fisk and the German Fisch, the ultimate source probably the primitive Indo-European peysḱ (fish) & pisk (a fish) although there are etymologist who speculate, on phonetic grounds, that it may be a north-western Europe substratum word.  It was akin to the Latin piscis, the Irish verb iasc, the Middle English fishen and the Old English fiscian, cognate with the Dutch visschen, the German fischen, the Old Norse fiska and the Gothic fiskôn.  The verb fish was from the Old English fiscian (to fish, to catch or try to catch fish).  It was cognate with the Old Norse fiska, the Old High German fiscon, the German fischen and the Gothic fiskon.  The catfish seems to have gained its name early in the seventeenth century following the practice adopted for the Atlantic wolf-fish, noted for its ferocity, the catfish picking up its moniker apparently because of the "whiskers" although the "purring" sound it sometimes makes upon being taken from the water has (less convincingly) been suggested as the origin; most zoologists and etymologists prefer the whiskers story while noting the correct name for the appendages is barbels.  Catfish & catfishing are nouns & verbs, catfisher is a noun, catfished is a verb and catfishlike & catfishesque (the latter listed by some as non-standard) are adjectives, the noun plural is catfish or catfishes.

Strictly speaking, the choice of the plural form (catfish or catfishes) should folow the usual convention in matters ichthyological.  The plural of "fish" is an illustration of the inconsistency of English.  As the plural form, “fish” & “fishes” are often (and harmlessly) used interchangeably but in zoology, there is a distinction, fish (1) the noun singular & (2) the plural when referring to multiple individuals from a single species while fishes is the noun plural used to describe different species or species groups.  The differentiation is thus similar to that between people and peoples yet different from the use adopted when speaking of sheep and, although opinion is divided on which is misleading (the depictions vary), the zodiac sign Pisces is referred to variously as both fish & fishes.  So, it is correct to speak of multiple catfish if all are of the same species but to use "catfishes" if there's a mix.  In cooking (the frequent collective being "catfish stew"), or any reference to use as food (or bait), the plural is without exception "catfish".

"Catfish" is now understood in a way which a generation earlier would have been baffling.  

The modern term catfishing describes a type on nefarious on-line activity in which a person uses information and images, typically taken from others, to construct a new identity for themselves.  In the most extreme examples, a catfisher can steal and assume another individual’s entire identity, enabling the possibility of using the fake persona to engage in fraud or other illegal activities.  Catfishing attacks may be targeted or opportunistic and have long been common on dating sites.  One niche activity is where only a few (or legally insignificant) elements are involved (usually in an attempt to tempt younger subjects on dating sites) and there is no attempt to engage in illegal activity; this has been called kitten fishing.  There is nothing new in the concept of catfishing, cases documented in the literature for centuries, the ubiquity of the internet just making such scams both easier to execute and detect so in its latest use, "catfish" is one of those terms which achieved critical linguistic mass because of the adoption of newly available technology, joining those words which have for centuries been either coined or re-purposed in a kind of technological determinism.  The term in this context is derived from the 2010 American documentary Catfish, which concerned a 26 year old man who, thinking he was building an on-line relationship with a 19 year old woman, discovered his digital interlocutor was actually a married women of 40.  The documentary (and thus the on-line behavior) gained the name from a mention the woman's husband made when comparing his wife’s conduct to the myth that it was once the practice to include one or more catfish in the tank when shipping live cod, the rationale said to be the cod would remain active in the presence of codfish whereas if shipped alone, would become pale and lethargic, reducing the quality of the flesh.  The source of the myth was the 1913 psychological novel Catfish by Charles Marriott (1869-1957), the fanciful story repeated that same year by Henry Wooded Nevinson (1856-1941) in his political treatise, Essays in Rebellion.  The emergence on the internet of "catfishing" begat "sadfishing, the technique (most associated with the emo) of posting about one's unhappiness or emotional state ("devastated" an emo favorite) on social media platforms, the object being to attract attention and sympathy; it's regarded in many cases as the seeking of "validation".

Etymologically unrelated (although not wholly dissimilar in practice) was the earlier internet slang "phishing" which described a kind of social engineering in which an attacker sends a deceptive message designed to trick a person into revealing sensitive information or induce them in some way to install malicious software such as key-stroke grabbers or ransomware.  Phishing is a leetspeak variant of "fishing" which compares the digital activity to actual angling, the idea being the casting of lines with lures in the hope there will be bites at the bait.  The first known reference to phishing dates from 1995 but there was apparently an earlier mention in the magazine 2600: The Hacker Quarterly, the word coined following the earlier phreaking.  Phishing has for years been the most common attack performed by cybercriminals.

The "Catfish Cars"

Catfish and some cars they inspired.

First seen on a few eccentric examples during the 1930s, the distinctive, if not always pleasing “catfish look” emerged on volume production automobiles during the 1950s.  Even then the look was a stylistic curiosity but it was an age of extravagance and among the macropteric creations of the era, the catfish cars represented just one of many directions the industry could have followed.  Nor was the catfish look wholly without engineering merit, the low bonnet (hood) line improving aerodynamic efficiency, the wide, gaping aperture of the grill permitting adequate air-flow for engine cooling with headlamps able still to satisfy regulatory height requirements.  Classic examples of catfish styling includes the original Citroen DS (top left), the Packard Hawk (top centre) and the Daimler SP250 (top right).

Daimler SP250 (1959-1964).

The Daimler SP250 was first shown to the public at the 1959 New York Motor Show and there the problems began.  Aware the little sports car was quite a departure from the luxurious but rather staid range Daimler had for years offered, the company had chosen the pleasingly alliterative “Dart” as its name, hoping it would convey the sense of something agile and fast.  Unfortunately, Chrysler’s lawyers were faster still, objecting that they had already registered Dart as the name for a full-sized Dodge so Daimler needed a new name and quickly; the big Dodge would never be confused with the little Daimler but the lawyers insisted.

Using one of his trademark outdoor settings, Norman Parkinson (1913-1990) photographed model Suzanne Kinnear (b 1935) adorning a Daimler SP250, wearing a Kashmoor coat and Otto Lucas beret with jewels by Cartier.  The image appeared on the cover (left) of Vogue's UK edition in November 1959, the original's (right) color being "enhanced" in the Vogue pre-production editing tradition (women thinner, cars shinier).  The "wide" whitewall tyres were a thing at the time, even on sports cars and were a popular option on US market Jaguar E-Types (there (unofficially) called XK-E or XKE) in the early 1960s.  The car on the Vogue cover was XHP 438, built on prototype chassis 100002 at Compton Verney in 1959; it's the oldest surviving SP250, the other two prototypes (chassis 100000 & 100001 from 1958) dismantled when testing was completed.  XHP 438 was the factory's press demonstrator and was used in road tests by Motor and Autocar magazines before being re-furbished (motoring journalists subjecting the press fleet to a brief but hard life) and sold.

Imagination apparently exhausted, Daimler’s management reverted to the engineering project name and thus the car became the SP250 which was innocuous enough even for Chrysler's attorneys and it could have been worse.  Dodge had submitted their Dart proposal to Chrysler for approval and while the car found favor, the name did not and the marketing department was told to conduct research and come up with something the public would like.  From this the marketing types gleaned that “Dodge Zipp” would be popular and to be fair, dart and zip(p) do imply much the same thing but ultimately the original was preferred and Darts remained in Dodge’s lineup until 1976, for most of that time one of the corporation's best-selling and most profitable lines.  The name was revived between 2012-2016 for an unsuccessful and unlamented compact sedan.

1962 Daimler SP250 (B-Spec).

Daimler’s SP250 didn’t enjoy the same longevity, the last of the 2654 produced in 1964, sales never having approached the projected 3000 per year, most of which were expected to be absorbed by the lucrative US market.  The catfish styling probably didn’t help, a hint being the informal poll taken at the 1959 show when the thing was voted “the ugliest car of the show” but lurking beneath the feathers of the ugly duckling was a virile swan.  The heart of the SP250 was a jewel-like 2.5 litre (155 cubic inch) hemi-headed V8 which combined the structure of Cadillac’s V8 with advanced cylinder heads which owed much to those of the Triumph Thunderbird motorcycle engine.  Indeed, the designer, Edward Turner (1901–1973), owned a Cadillac and was responsible for the Triumph heads so the influences weren’t surprising and the little engine had an interesting gestation.  It was Turner’s first car engine and so tied was he to the principles which had proved so successful for his motorcycles that the original concept was air-cooled and fed by eight carburetors.  Automotive reality however prevailed and what emerged was a compact, light (190 KG (419 lb)), water-cooled V8 with the inevitable twin SU carburetors, the project yielding also an only slightly bulkier (226 KG (498 lb)) 4.6 litre (278 cubic inch) version which would be tragically under-utilized by a British motor industry which could greatly have benefited from a wider deployment of both instead of some engines which proved pure folly.  The Daimler V8s are notable too for their intoxicating exhaust notes, perhaps not a critical aspect of engineering but one which adds much to the pleasure of ownership.

Daimler SP250, winner of the 1962 Bathurst 6 Hour Classic, driven by brothers Leo Geoghegan (1936-2015) and Ian (Pete) Geoghegan (1939-2003).

Under-capitalized and lacking the funds needed to revitalize their dated range, let alone develop new high-volume models, the SP250 was created on a shoestring budget, the platform blatantly reverse-engineered (ie copied) from the Triumph TRs with a body built in the then still novel GRP (Glass Reinforced Plastic which became better known as fibreglass), not by deliberate choice but because the tooling and related production facilities could be fabricated for a fraction of the cost had steel or aluminum been used.  It also lessened the development time and promised a simpler and cheaper upgrade path in the future but also brought problems of its own.  New to the material, Daimler’s engineers were confronted with many of the same problems which Chevrolet encountered during the early days of the Corvette, issues which even with the vast resources of General Motors, proved troublesome.  Other than the fibreglass body, the SP250 was technologically conventional, using a chassis little different from that of the Triumph TR3, built in a 14 gauge box section with central cruciform bracing.  The chassis was designed to be light and that was certainly achieved but at the cost of structural rigidity, again an issue of the use of fibreglass, the engineers (in pre-CAD times) under-estimating the stiffness which would be demanded in a structure without metal panels further to distribute the loadings. 

1962 Daimler SP250 in British Racing Green (BRG) with factory hardtop and Minilite wheels.

The lack of sufficient torsional rigidity meant the SP250s were beset with the same teething problem as the first Corvettes: the fibreglass panels could become crazed or even crack and, most disconcertingly, doors were prone to springing open during brisk cornering and the bonnet (hood) sometimes popped open as the body flexed at high speed.  The SP250 was a genuinely fast car so these were not minor issues.  Still, there was much to commend the SP250.  Wind-up windows and the availability of an automatic transmission sound hardly ground-breaking but they were an innovation unknown on the MG, Triumph and Austin-Healy roadsters of the time and the V8 was unique.  The suspension was conventional but competent, an independent front end with upper and lower arms, coil springs, and telescopic shock absorbers while the rear used semi-elliptic leaf springs with lever arm shock absorbers.  The unassisted cam and peg system steering lacked the precision the Italians achieved even without using a rack and pinion system but, aided by a larger than usual steering wheel, it offered a reasonable compromise for the time although at low speed it was far from effortless.  More commendable were the brakes.  The four-wheel disks had no power assistance but the SP250 was a light car and the servo systems of the time, lacking feel and impeding the progressiveness inherent in the design of the early disks, meant unassisted systems were preferable for sports cars although, efficient and fade-free though they were, an emergency stop from speed did demand high pedal effort.  One curiosity in the configuration was the bumper bars.  Considering the issue bumpers would become in the 1970s, that they were once optional is an indication of how different the regulatory environment was at the time. The A spec SP250s had no bumpers as standard equipment but were fitted at the front with what are sometimes mistakenly called nerf-bars but are actually “bumperettes” although the English seem to like “whiskers”. At the rear were over-riders attached to nerf-bars. The B spec models didn’t include these but, like the A spec, the full bumpers were an optional extra and this setup was continued for the C spec. The SP250s used by the British Metropolitan Police as high speed pursuit cars always had the optional bumpers because of the need to mount the warning bell and auxiliary spotlight.

1960 Daimler SP250 (automatic) in UK police pursuit specification.  The automatic transmission was the robust Borg-Warner Model 8 and after the run of police cars was complete, the option was made available to the public.

So, developed to the extent possible with the resources available, production began in 1959, shortly before the Birmingham Small Arms Company (BSA) announced the sale of Daimler to Jaguar.  Jaguar, attracted by Daimler’s extensive manufacturing facilities and its skilled workforce regarded most of the Daimler range as antiquated but allowed some production to continue although their engineers decided the chassis of the SP250 needed significant modifications to improve rigidity.  The strengthening was undertaken and the revised cars became known as the “B-Spec” models, introduced in between April 1961, original specification (1959-1961) retrospectively labeled as “A-Spec”.  Although transformative, the changes were not extensive, a steel box section hoop added to connect the windscreen pillars, two steel outrigger sill beams along each side of the chassis, complimented with a couple of strategically placed braces but the stiffer structure solved the most of the problems.  Apart from the attention to the structure, product development was restricted to equipment, the B-Spec cars gaining (from the A-Spec option list) a reserve petrol tank with switch, windscreen washers and exhaust finishers; additionally, although technically still an option, many were factory-fitted with the chrome bumpers.   The C-spec range included luxuries such as a cigar lighter, heater/demister and trickle charger socket and When when production ended in 1964, the final count was something like  A-Spec: 1900; B-Spec: 500 and C-Spec 254 (and there was overlap in the inclusion of specific features as the factory transitioned from one to another).  More than sixty years on, the SP250 survival rate is high, assisted by the rust-proof body and robust mechanicals but because so many have over the years been upgraded to "B" & "C" Spec (or a mixture), truly original specimens are rare. 

Daimler SP252 prototype (1964)

Unfortunately, Jaguar was never enthusiastic about Daimler except as a badge which could be used on up-market Jaguars sold at a nice profit.  However, whatever the opinions of the catfish styling, the SP250 had proved itself in motorsport and, capable of a then impressive 122 mph (196 km/h), had been used as a high-speed pursuit vehicle by a number of police forces, interestingly usually with an automatic transmission, the choice made in the interest of reduced maintenance, a conclusion rental car companies would soon reach.  For that reason, the potential was clear and Jaguar explored a way to extend the appeal with a restyled body.  The result was the SP252, rendered still in fibreglass but now more elegantly done, hints of both the MGB and Jaguar E-Type (XK-E) while the rear owed some debt to Aston Martin’s DB4.  Aesthetically accomplished though it was, economic reality prevailed.  The factory was tooled-up to produce no more than 140 of the V8 engines each week, demand for which was already exceeding supply since it had been offered in the Jaguar Mk2-based Daimler 2.5 (later 250) saloon and Jaguar lacked the production capacity even to make enough E-types to meet demand.  Given that and the engineering resources it required to devote to the new V12 engine and the XJ6 saloon for which it was intended, another relatively low-volume project couldn’t be justified.

Jaguar missed an opportunity by not making better use of the Daimler V8s.  The smaller unit could have been enlarged to 2.8 litres to take advantage of the taxation rules in continental Europe and in the XJ would have been a more convincing powerplant than the 2.8 XK six which was always underpowered and prone to overheating.  When fitted to a prototype Jaguar Mark X, the 4.6 litre V8 had proved outstanding and, easily able to be expanded beyond five litres, it would have been ideal for the lucrative US market and the thought of a 4.6 V8 E-Type (XKE) remains tantalizing.  Unfortunately, Jaguar was besotted with the notion of the V12 and it wasn't until the 1990s they admitted what was needed was a 4-5 litre V8, the very thing they'd acquired with the purchase of Daimler in 1960.   

Produced between 1955-1975, the Citroën DS, although long regarded as something quintessentially French, was actually designed by an Italian.  In this it was similar to French fries (actually invented in Belgium) and Nicolas Sarközy (b 1955; President of France 2007-2012), who first appeared in the same year as the shapely DS and was actually from here and there.  It was offered as the DS and the lower priced, mechanically simpler ID, the names apparently an deliberate play on words, DS in French pronounced déesse (goddess) and ID idée (idea).  The goddess nickname caught on though idea never did; a curiously configured version built exclusively for the UK market was called the DW which appears to have meant nothing in particular.  The frontal aspect, combined with the efficiency of the rest of the body, delivered outstandingly good aerodynamics but the catfish look was tempered a little because the low, gaping grill associated with the motif well-concealed, reputedly because the ancient engine, a long-stroke, agricultural relic of the 1930s, produced so little power there wasn’t enough surplus energy to induce overheating, the need for a cooling flow of air correspondingly low.  That’s wholly apocryphal but later progress in design anyway softened the catfish effect.  It was most obvious on the series 1 cars (top) which were made between 1955-1962.  The Series 2 changes (1964-1967; centre) were effected further to improve aerodynamics and permitted also some increase to the airflow ducted for interior ventilation; the changes in appearance were said to be incidental to the process.  The catfish look vanished entirely when the series 3 cars (bottom) were introduced in 1967.

Now with four headlamps mounted behind glass canopies, the shape of which was integrated into the front fenders (top left), the arrangement was noted for the novelty of the inner set of lens being controlled by the steering (top right), the light thus being projected “around the corner” in the direction of travel, swiveling by up to 80°.  It was a simple, purely mechanical connection and the idea had during the 1930s used with auxiliary driving or fog-lights and the central (Cyclops) unit on the abortive Tucker Torpedo (1948) had been configured the same way but the DS was the first car to use adaptive headlights in volume.  Both the covers and the turning mechanism fell afoul of US regulations (lower left) so there the lens were fixed and exposed.  Another variation was in Scandinavia where miniature wipers were sometimes fitted to conform with local law.  In the collector market, the small feature can add a remarkable premium to the value of a car, rare factory options highly sought.

1958 Packard Hawk

Fittingly perhaps, the gaping-mouth of the catfish style was applied to what proved one of the last gasps for Packard, a storied marque with roots in the nineteenth century which in the inter-war years had been one of the most prestigious in the US and it had been the sound of the V12 Packards which inspired Enzo Ferrari (1989-1988) to declare Una Ferrari è una macchina a dodici cilindri (a Ferrari is a twelve cylinder car).  The appeal was real because it was a 1936 Packard phaeton Standard Eight which comrade Stalin (1878-1953; Soviet leader 1924-1953) used as his parade car and the ZiS-115 limousine (1948-1949 and based on the ZiS 110 (1946-1958), all better known in the West as ZILs) he used in his final years was a reversed-engineered (ie copy) version of the 1942 Packard.  Reverse-engineering was a notable feature of Soviet industry and much of its post-war re-building of the armed forces involved the process, exemplified by the Tupolev Tu-4 heavy bomber (1947) which was a remarkably close copy of the US Boeing B-29 (1942).  Other countries also adopted the practice which in some places continues to this day for mot civilian and military output.  After spending World War II engaged in military production, notably a version of the Merlin V12 aero-engine built under license from Rolls-Royce, Packard emerged in 1945 in sound financial state but found the new world challenging, eventually in 1953 merging with fellow struggling independent, Studebaker.  Beset with internal conflicts from the start, things went from bad to worse and after dismal sales in 1958-1959 of the final Packards (which were really modified Studebakers and derided by many as "Packardbakers"), the Packard brand was retired with the coming of 1959.  The Studebaker-Packard Corporation in 1962 reverted to again become Studebaker but it was to no avail, the last Studebaker being produced in 1967.

The mashup of period styling motifs (fins, dagmars, curved glass, scallops & scoops) on the 1958 Packard was not untypical in the era and the catfish treatment at the front was really the most restrained part of the package.     

1957 Studebaker Golden Hawk.  Whatever the criticism of the catfish-like Packard, the car on which it was based was perhaps even more ungainly.

The origins of Packard’s swansong, the Hawk, lay in a 1957 Studebaker Golden Hawk 400 which was customized in-house for executive use.  The front end and bonnet (hood) were rendered in fiberglass, eliminating the familiar upright grille and small side inlets which were replaced with the low, wide air intake so characteristic of the catfish look.  Covering all bases, for those unconvinced by the catfish look, a pair of modest (by Cadillac standards) dagmars were added.  Because the engine was supercharged, like the Studebaker, the hood included a bulge but because of the lower lines, it rose higher on the Packard.  Lacking the funds to create anything better, the Hawk was approved for production as a standard 1958 model but it was from the start doomed.  It was expensive and its debut coincided with the recession of that year when all auto-makers suffered downturns but, with the rumors swirling of Studebaker-Packard's impending demise, Packard suffered more than most and only 588 Hawks were built.

1958 Packard 

Packard’s rather plaintive swansong was another set of cobbled-together Packardbakers, available as a two-door hardtop and a four-door sedan or wagon.  In 1958, fins were a thing at the rear but what really exited the stylists was that quad headlamps were now permitted in all 48 states.  Unlike the majors however, the corporation had no funds to re-tool body dies to accommodate the change so hurriedly, fibreglass pods were created which when fitted, looked as tacked-on as they really were.  Also tacked on were the new fins which sat atop the old although these were at least genuine steel rather than fibreglass.

1958 Chrysler Royal (AP2) and 1960 Chrysler Royal (AP3) (Australian)

They were also definitely always standard equipment on all the Packards, unlike the 1958 Australian Chrysler Royal (AP2) which featured similar appendages grafted to pre-existing fins, Chrysler listing them as an optional extra called "saddle fins".  However, no Royal apparently was sold without saddle fins attached so either (1) they were very popular option or (2) Chrysler changed their mind after the promotional material was printed and decided to invent "mandatory options", a marketing trick Detroit would soon widely (and profitably) adopt.  In 1960, the Australians also solved the problem of needing to add quad headlamps without either a re-tool or plastic pods, changing instead the grill and mounting the lights in a vertical stack, an expedient Mercedes-Benz had recently used to ensure their new W111 (Heckflosse) sedans (1959-1968) satisfied US legislation.

Carburetor

Carburetor (pronounced kahr-buh-rey-ter or kahr-byuh-yey-tor)

(1) A device for mixing vaporized fuel with air to produce a combustible or explosive mixture for use in the cylinder(s) or chambers of an internal-combustion engine.

(2) In the slang of drug users, a water pipe or bong; a device for mixing air with burning cannabis or cocaine (rare since the 1970s and then usually in the form “carb” or “carby”).

1866: From the verb carburate, from the Italian carburate (to mix (air) with hydrocarbons”), an inflection of carburare & the feminine plural of carburato.  As a transitive verb carburet was used mean “to react with carbon”.  Strangely, the exact origin of the word is uncertain but it was likely a portmanteau of carbon (in the sensor of a clipping of hydrocarbon) + burette (a device for dispensing accurately measured quantities of liquid).  The construct was carb (a combined form of carbon) + -uret (an archaic suffix from Modern Latin) (uretum to parallel French words using ure).  The earlier compound carburet (compound of carbon and another substance; now displaced by carbide) was from 1795 and it was used as a verb (to combine with carbon) after 1802.  The use with reference to the fuel systems used in the internal combustion engines of vehicles dates from 1896.  Carburator, carbureter and carburetter were the now obsolete earlier forms and the standard spelling in the UK, Australia & New Zealand is carburettor.  Carb & carby (carbs & carbies the plural) are the the universally used informal terms (gasifer was rare) and although most sources note the shortened forms weren’t recorded until 1942 it’s assumed by most they’d long been in oral use.  Outside of a few (declining) circles, “carb” is probably now more generally recognized as the clipping of carbohydrate.  Carburetor & carburetion are nouns; the noun plural is carburetors.

One carburetor: 1931 Supercharged Duesenberg SJ with 1 x updraft Stromberg (left; the exhaust manifold the rare 8-into-1 monel "sewer-pipe") (left), 1966 Ford GT40 (Mark II, 427) with 1 x downdraft Holly (centre; the exhaust headers were referred to as the "bundle of snakes") and 1960 Austin Seven (later re-named Mini 850) with 1 x sidedraft SU.

Except for some niches in aviation, small engines (lawnmowers, garden equipment etc) and for machines where originality is required (historic competition and restorations), carburetors are now obsolete and have been replaced by fuel-injection.  There is the odd soul who misses the challenge of tinkering with a carburetor, especially those with the rare skill to hand-tune multiple systems like the six downdraft Webers found on some pre-modern Ferraris, but modern fuel injection systems are more precise, more reliable and unaffected by the G-forces which could lead to fuel starvation.  Fuel injection also made possible the tuning of induction systems to produce lower emissions and reduced fuel consumption, the latter something which also extended engine life because all the excess petrol which used to end up contaminating the lubrication system stayed instead in the fuel tank.

Two carburetors: 1970 Triumph Stag with 2 x sidedraft Strombergs (left), 1960 Chrysler 300F with 2 x Carter downdrafts on Sonoramic cross-ram (long) manifold (centre) and 1969 Ford Boss 429 with 2 x Holly downdrafts on hi-riser manifold.

Until the 1920s, all but a handful of specialized devices were simple, gravity-fed units and that was because the engines they supplied were a far cry from the high-speed, high compression things which would follow.  In the 1920s, influenced by improvements in military aviation pioneered during World War I (1914-1918), the first recognizably “modern” carburetors began to appear, the conjunction of adjustable jet metering and vacuum controls replacing the primitive air valves and pressurized fuel supply mechanisms allowed engineers to use a more efficient “downdraft” design, replacing the “updraft” principle necessitated by the use of the gravity-feed.  Between them, the “downdraft” and “sidedraft” (a favorite of European manufacturers) would constitute the bulk of carburetor production.  The next major advance was the “duplexing” of the carburetor’s internals, doubling the number of barrels (known now variously as chokes, throats or venturi).  Although such designs could (and sometimes were) implemented to double the capacity (analogous with the dual-core CPUs (central processing units) introduced in 2005), the greatest benefit was that they worked in conjunction with what was known as the “180^o intake manifold”, essentially a bifurcation of the internals which allowed each barrel to operate independently through the segregated passages, making the delivery more efficient to the most distant cylinders, something of real significance with straight-eight engines.  Few relatively simple advances have delivered such immediate and dramatic increases in performance: When the system was in 1934 applied to the them relatively new Ford V8 (the “Flathead”), power increased by over 25%.

Three carburetors: 1967 Jaguar E-Type (XKE) 4.2 with 3 x sidedraft SUs (left), 1967 Ferrari 275 GTB/C with 3 x downdraft Webers (centre) and 1965 Pontiac GTO with 3 x downdraft Rochesters.

Advances however meant the demand for more fuel continued and the first solution was the most obvious: new manifolds which could accommodate two or even three carburetors depending on the configuration of the engine.  Sometimes, the multiple devices would function always in unison and sometimes a secondary unit would cut-in only on demand as engine speed rose and more fuel was needed, an idea manufacturers would perfect during the 1960s.  World War II (1939-1945) of course saw enormous advances in just about every aspect of the design of internal combustion engines (ICE) and carburetors too were improved but in a sense, the concept had plateaued and it was fuel-injection to which most attention was directed, that being something which offered real advantages in flight given it was unaffected by G-forces, atmospheric pressure or acrobatics, working as well in inverted as level flight, something no carburetor could match.

Four carburetors: 1973 Jaguar XJ12 (S1) with 4 x sidedraft Zenith-Strombergs (left; the Jaguar V12 was unusual in that the carburetors sat outside the Vee), 1976 Aston Martin V8 with 4 x downdraft Webers (centre; Aston Martin-Lagonda originally fitted the V8 with fuel injection but it proved troublesome) and 1965 Ford GT40 (X1 Roadster 1, 289) with 4 x downdraft Webers (right, again with the "bundle of snakes" exhaust headers).

After the war, like the chip manufacturers with their multi-core CPUs in the early 2000s, the carburetor makers developed four-barrel devices.  In Europe, the preference for multiple single or two barrel (though they tended to call them “chokes”) induction but in the US, by the early-1950s just beginning the power race which would rage for almost two decades, for the Americans the four-barrel was ideal for their increasingly large V8s although sometimes even the largest available wasn’t enough and the most powerful engines demanded with two four-barrels and three two-barrels.  It was in the 1950s too that fuel-injection reached road cars, appearing first in a marvelously intricate mechanical guise on the 1954 Mercedes-Benz 300 SL (W198) Gullwing.  Others understood the advantages and developed their own fuel-injection systems, both mechanical and electronic but while both worked well, the early electronics were too fragile to be used in such a harsh environment and these attempts were quickly abandoned and not revisited until the revolution in integrated circuits (IC) later in the century.  Mechanical fuel-injection, while it worked well, was expensive and never suitable for the mass-market and even Mercedes-Benz reserved it for their more expensive models, most of the range relying on one or two carburetors.  In the US, Chevrolet persisted with mechanical fuel injection but availability dwindled until only the Corvette offered the option and in 1965 when it was made available with big-block engines which offered more power at half the cost, demand collapsed and the system was discontinued, the big engines fed either by three two barrels or one very large four barrel.

Other four barrel devices

Reggie (Reggie Bannister (b 1945) with Regman Quad-Barrel Dwarfcutter in Phantasm (1979).

 Four (and more) barrel weapons have long been common in fixed or mobile structures (warships, gun batteries etc) but are rare in anything hand-held because of the increases imposed in size & weight as well as the heat generated.  In fiction (notably video games and horror films) they’re a popular prop and the four barrel shotgun in Don Coscarelli’s cult classic Phantasm (1979) was among the more memorable.  An ad-hoc creation born of the need for more firepower (very much in the vein of the “…going to need a bigger boat” philosophy in the Film Jaws (1975), a line apparently improvised during filming because it appears neither in Peter Benchley’s (1940-2006) 1974 novel nor the original screenplay), it was made by welding together two double barrel shotguns and named the “Regman Quad-Barrel Dwarfcutter”.  It was that sort of film and freaks attracted to the design (which does seem hard to resist) have created Nerf-guns in the style.  Although rare, hand-carried, multi-barrel firearms have a history dating back centuries and provided the intended application is appropriate, they can be both effective and convenient, a number of manufacturers offering three and four barrel shotguns, all of which presumably include a section in the owner’s manual covering “recoil management”.  Very much in the spirit of those who took advantage of the modular construct of the early (and anyway already sometimes lethal) two-stroke Kawasaki triples (H1, H2, S1, S2 & S3; 1969-1975) to build a 48-cylinder version, nine-barrel(!) shotguns have been made... just in case.

Custom four barrel Vierling longarm by Johann Fanzoj (1790) of Ferlach, Austria.

The four-barrelled longarm was configured with a side-by-side double rifle (calibre: 9,3/9,3x74R), paired with an over-and-under shotgun (gauge 12/12/76).  Built to a customer specification to shoot four (plus two) times in sequence with “hot” barrels, the Vierling used H&H-type sidelocks with automatic ejectors.  An impressive example of the gunsmith's art, this was not a Phantasmesque welding job but an intricate design which had to regulate the rifle barrels two-times-two so they would shoot together to the same point of impact, in sequence.  First, the 9,3 barrels discharge, then by pushing the barrel selector forward, the shooter continues with the 12-gauge barrels with automatic ejection of the shotgun cartridges facilitating quick reloading… just in case.

English “Duck’s foot” four-barrelled pistol with walnut slab-sided butt and silver-wire scroll inlay, said to date from the early nineteenth century.  Note the angle of the barrels and thus the wide field of fire.

Collectors also prize bizarre and ambitious designs such as the four-barreled “duck’s foot” pistol.  Historians have questioned whether these weapons really were manufactured in the Georgian or Regency eras and some suggest they were a product of entrepreneurial Victorians creating “relics” which played into prejudices about just how bad were what were then the “olden days”.  The legend is these were early crowd-control devices with which some worthy (squire, mill or mine owner etc) could deter the mob (revolting peasants, disgruntled factory workers, whatever) which would have been inclined to take a chance against someone armed only with a single-shot pistol.  There’s nothing in the historic record to suggest riots and strikes were ever “controlled” with such things but the Victorians of the late nineteenth century were well aware they were the first generations to benefit from a standing, regulated constabulary so the need for such things would have seemed at least plausible.  The legend is they were also carried by naval captains in case of mutiny and while the Admiralty apparently never issued them, it’s not impossible some officers bought their own… just in case.

Five carburetors:  Le Monstre's 331 cubic inch (5.4 litre) Cadillac V8 (left) with its unusual (and possibly unique) five-carburetor induction system; the layout (one in each corner, one in the centre) is a "quincunx", from the Latin quīncunx.  Le Monstre ahead of Petit Pataud, Le Mans, 1950 (right).  At the fall of the checkered flag, the positions were reversed.  

Le Monstre was a much-modified 1950 Cadillac which ran at that year's Le Mans 24 hour endurance classic. one half of a two car team the other being a close to stock 1950 Cadillac coupe.  The idea behind the five carburettors was that by the use of progressive throttle-linkages, when ultimate performance wasn’t required the car would run on a single (central) carburettor, the other four summoned on demand and in endurance racing, improved fuel economy can be more valuable than additional power.  That’s essentially how most four-barrel carburettors worked, two venturi usually providing the feed with all four opened only at full throttle and Detroit would later refine the model by applying “méthode Le Monstre” to the triple carburettor systems many used between 1957-1971.  As far as is known, the only time a manufacturer flirted with the idea of a five carburetor engine was Rover which in the early 1960s was experimenting with a 2.5 (153 cubic inch) litre in-line five cylinder which was an enlargement of their 2.0 litre (122 cubic inch) four.  Fuel-injection was the obvious solution but the systems then were prohibitively expensive (for the market segment Rover was targeting) so the prototypes ended up with two carburettors feeding three cylinders and one the other two, an arrangement as difficult to keep in tune as it sounds.  Rover’s purchase of the aluminium 3.5 litre (214 cubic inch) V8 abandoned by General Motors (GM) meant the project was terminated and whatever the cylinder count, mass-produced fuel injection later made any configuration possible.  Motor racing is an unpredictable business and, despite all the effort lavished on Le Monstre, in the 1950 Le Mans 24 hour, it was the less ambitious Petit Pataud which did better, finishing a creditable tenth, the much modified roadster coming eleventh having lost many laps while being dug from the sand after an unfortunate excursion from the track.  Still, the results proved the power and reliability of Cadillac’s V8 and Europe took note: over the next quarter century a whole ecosystem would emerge, crafting high-priced trans-Atlantic hybrids which combined elegant European coachwork with cheap, powerful, reliable US V8s, the lucrative fun lasting until the first oil crisis began in 1973.

Six carburetors: 1979 Honda CBX with six sidedraft Keihins (left), 1965 Lamborghini P400 Miura (prototype chassis) with 6 x downdraft Webers (centre) and 1970 Ferrari 365GTB/4 (Daytona) with 6 x downdraft Webers (right).

It was the development of these big four barrels which in the US reduced the place of the multiple systems to a niche reserved for some specialist machines and even the engineers admitted that for what most people did, most of the time, the multiple setups offered no advantage.  The research did however indicate they were still a selling point and because people were still prepared to pay, they stayed on the option list.  There were a handful of engines which actually needed the additional equipment to deliver maximum power but they were rare, racing derived units and constituted not even 1% of Detroit’s annual production.  Paradoxically, the main advantage of the multiple setups was economy, a six-barrel (ie 3 x two-barrel) engine running only on its central carburetor unless the throttle was pushed open.  As it was, the last of Detroit’s three-carb setups was sold in 1971, the configuration unable easily to be engineered to meet the increasingly onerous exhaust emission rules.

Eight carburetors: 1955 Moto Guzzi 500cm³ Ottocilindri V8 Grand Prix motorcycle with 8 x Dell'Ortos.  One carburetor per cylinder was long common practice in motorcycle design and the two 1959 Daimler V8s (2.5 & 4.6 litre, 1959-1969), were designed along the lines of a motorcycle power-plant, intended originally to be air-cooled and run 8 carburetors; the production versions were water-cooled and used 2 x sidedraft SUs.  The very thought of keeping eight carburetors synchronized would alarm most but clearly such intricacy doesn't scare the Italians because, in 1967, the Cooper-Maserati Formula One team, seeking that elusive quality of increased power and sustained reliability did ponder bolting a dozen Webers to what was their by then antiquated (pre-historic in F1 terms) 3.0 litre V12.  To the eternal regret of those who value mechanical complication for its own sake, that idea, like the notion of using three spark plugs per cylinder, never left the engineers' sketch pads and the more rational fuel injection was adopted.  

Lindsay Lohan admiring Herbie’s carburetor in Herbie: Fully Loaded (2005).

Before fuel-injection was late in the century used for some, most Volkswagen Type 1s (Beetles) were fitted with a single Solex carburettor although there were exceptions, some more expensive and higher performance (such things are relative) variants in Europe, Mexico and Brazil using twin Solexes.  Additionally, because it wasn’t difficult to swap in the twin carburettor units used in the Karmann Ghia (Types 14 & 34) and Type 3 cars, many were upgraded and over the years there were literally dozens of kits to create multi-carburetor induction systems using equipment from a variety of manufacturers including Solex, Weber, Dell'Orto and Kadron (Solex-Brosol).