Press

Press (pronounced pres)

(1) To act upon with steadily applied weight or force.

(2) To move by weight or force in a certain direction or into a certain position.

(3) To compress or squeeze, as to alter in shape or size.

(4) To hold closely, as in an embrace; clasp.

(5) To flatten or make smooth, especially by ironing.

(6) To extract juice, sugar, etc from by pressure.

(7) To manufacture (phonograph records, videodiscs, or the like), especially by stamping from a mold or matrix.

(8) To exert weight, force, or pressure.

(9) In weightlifting, to raise or lift, especially a specified amount of weight, in a press.

(10) To iron clothing, curtains, etc.

(11) To bear heavily, as upon the mind.

(12) To compel in another, haste, a change of opinion etc.

(13) Printed publications, especially newspapers and periodicals.  Collectively, all the media and agencies that print, broadcast, or gather and transmit news, including newspapers, newsmagazines, radio and television news bureaus, and wire services.

(14) The editorial employees, taken collectively, of these media and agencies.

(15) To force into military service.

1175-1225: From the Middle English press & presse (throng, trouble, machine for pressing) from the Old French, from presser (to press) from the Latin pressāre, frequentative of premere (past participle pressus).  In Medieval Latin it became pressa (noun use of the feminine of pressus).  The noun press (a crowd, throng, company; crowding and jostling of a throng; a massing together) emerged in the late twelfth century and was from the eleventh century Old French presse (a throng, a crush, a crowd; wine or cheese press), from the Latin pressare.  Although in the Late Old English press existed in the sense of "clothes press", etymologists believe the Middle English word is probably from French.  The general sense of an "instrument or machine by which anything is subjected to pressure" dates from the late fourteenth century and was first used to describe a "device for pressing cloth" before being extended to "devices which squeeze juice from grapes, oil from olives, cider from apples etc".  The sense of "urgency, urgent demands of affairs" emerged in the 1640s.  It subsequently proved adaptable as a technical term in sports, adopted by weightlifting in 1908 while the so-called (full-court press) defense in basketball was first recorded in 1959.

The specific sense "machine for printing" was from the 1530s, extended by the 1570s to publishing houses and to publishing generally (in phrases like freedom of the press) from circa 1680 although meaning gradually shifted in early 1800s to "periodical publishing, journalism".  The phrase “the press” meaning "journalists collectively" is attested from 1921 but this has faded from use with the decline in newspapers and the preferred reference has long been “the news media”.  The first gathering called a press conference is attested from 1931, though the thing itself had been around for centuries (and in some sense formalized during the First World War (1914-1918) although a politician appears first to have appointed a “press secretary” as late as 1940.  The term “press release” (an official statement offered to a newspaper and authorized for publication) is from 1918.

The sense "force into military (especially naval) service" emerged (most famously in the “press-gang” (a detachment under command of an officer empowered to press men into public service)) in the 1570s, an alteration (by association with the verb press) of the mid-fourteenth century prest (engage by loan, pay in advance (especially in reference to money paid to a soldier or sailor on enlisting), from the Latin praestare (to stand out, stand before; fulfill, perform, provide), the construct being prae- (before) + stare (to stand), from the primitive Indo-European root sta- (to stand, make or be firm).  The verb was related to praesto (ready, available).

Most meanings related to pushing and exerting pressure had formed by the mid-fourteenth century and this had been extended to mean "to urge or argue for" by the 1590s.  The early fourteenth century pressen (to clasp, hold in embrace) extended in meaning by the mid century also to mean "to squeeze out" & "to cluster, gather in a crowd" and by the late 1300s, "to exert weight or force against, exert pressure" (and also "assault, assail" & "forge ahead, push one's way, move forward", again from the thirteenth century Old French presser (squeeze, press upon; torture)", from the Latin pressare (to press (the frequentative formation from pressus, past participle of premere (to press, hold fast, cover, crowd, compress), from the primitive Indo-European root per- (to strike)).  The sense of "to reduce to a particular shape or form by pressure" dates from the early fifteenth century while the figurative (“to attack”) use was recorded some decades earlier.  The meaning "to urge; beseech, argue for" dates from the 1590s.

The letter-press referred to matter printed from relief surfaces and was a term first used in the 1840s (the earlier (1771) description had been "text," as opposed to copper-plate illustration.  The noun pressman has occasionally been used to refer to newspaper journalists but in the 1590s it described "one who operates or has charge of a printing press" and was adopted after the 1610s to refer to "one employed in a wine-press".  A similar sharing of meaning attached to the pressroom which in the 1680s meant "a room where printing presses are worked" and by 1902 it was also a "room (in a courthouse, etc.) reserved for the use of reporters".  To press the flesh (shake hands) came into use in 1926 and a neglected use of “pressing” is as a form of torture.  Under a wide variety of names, pressing was a popular method of torture or execution for over four-thousand years; mostly using rocks and stones but elephants tended to be preferred in south and south-east Asia.  It’s a medieval myth that Henry VIII (1491–1547; King of England 1509-1547) invented pressing but he certainly adopted it as a method of torture with his usual enthusiasm.  Across the channel, under the French civil code, Peine forte et dure (forceful and hard punishment) defined pressing.  Used when a defendant refused to plead, the victim would be subjected to having heavier and heavier stones placed upon his or her chest until a plea was entered, or as the weight of the stones on the chest became too great for the subject to breathe, fatal suffocation would occur.

Pressed Duck

The sequence of pressing a duck: The duck press (left), pressing the duck (centre) & pressed duck (right).

(1) Select a young, plump duck.

(2) Wringing the neck, quickly asphyxiate duck, ensuring all blood is retained.

(3) Partially roast duck.

(4) Remove liver; grind and season liver.

(5) Remove breast and legs.

(6) Take remaining carcass (including other meat, bones, and skin) and place in duck-press.

(7) Apply pressure in press to extract and collect blood and other juices from carcass.

(8) Take extracted blood, thicken and flavor with the duck's liver, butter, and Cognac.  Combine with the breast to finish cooking.  Other ingredients that may be added to the sauce include foie gras, port wine, Madeira wine, and lemon.

(9) Slice the breast and serve with sauce as a first serving; the legs are broiled and served as the next course.

The tabloid press: On 29 November 2006, News Corp's New York Post ran its front page with a paparazzi photo Paris Hilton, Britney Spears and Lindsay Lohan, the snap taken just prior to dawn in outside a Los Angeles nightclub.  Remembered for the headline Bimbo Summit, the car was a Mercedes-Benz SLR McLaren (C199 (2003-2009)).

The term "tabloid press" refers to down-market style of journalism designed to enjoy wide appeal through an emphasis on scandals, sensation and sport, featuring as many celebrities as possible.  The word tabloid was originally a trademark for a medicine which had been compressed into a small tablet, the construct being tab(let) + -oid (the suffix from the Ancient Greek -ειδής (-eidḗs) & -οειδής (-oeidḗs) (the ο being the last vowel of the stem to which the suffix is attached), from εἶδος (eîdos) (form, likeness)).  From the idea of the pill being the small version of something bigger, tabloid came to be used to refer to miniaturized iterations of a variety of stuff, newspapers being the best known use.  A tabloid is a newspaper with a compact page size smaller than broadsheet but despite the name, there is no standardized size for the format but it's generally about half the size of a broadsheet.  In recent decades, economic reality has intruded on the newspaper business and there are now a number of tabloid-sized newspapers which don't descend to the level of tabloid journalism (although there has been a general lowering of standards).

Golgotha

Golgotha (pronounced gol-guh-thuh or gol-goth-uh)

(1) In the Bible’s canonical Gospels, the hill near Jerusalem on which Jesus Christ was crucified; the ancient (and now alternative) name for Calvary.

(2) A place of suffering, sacrifice or martyrdom.

(3) A place of burial (rare and usually without an initial capital).

(4) In eighteenth & nineteenth century Oxbridge slang, rooms of the heads of the colleges (obsolete).

(5) In UK slang, a hat (an allusion to "the place of the skulls" (obsolete)).

(6) A charnel house (an alternative name for a crypt or ossuary).

(7) In the Eastern Orthodox Church, a representation of Christ crucified.

1590–1600: From the Late Latin Golgotha, from the Ancient Greek Γολγοθᾶ (Golgothâ) from the Aramaic (Semitic) גּוּלְגּוּלְתָּא‎ (gulgultā) (literally “place of the skull”) and cognate with the Hebrew gulgōleth (skull).  The hill gained the name because its shape was skull-like.  In Dutch the spelling was originally Golgota which influenced use in some early English translations of the Bible.  The use of Calvary to refer to the mount on which Christ was crucified dates from the late fourteenth century.  It was from the Latin Calvariae, Calvariae & Calvaria (related to calvus (bald)), from the Ancient Greek Kraniou topos, a translation of the Aramaic gulgultā and the Old English used Heafodpannan stow as a loan-translation.

A cleaning woman on the steps of Munich's Roman Catholic Cathedral, washing a carving of Christ crucified on his Cross, Munich, 1939.  In the Eastern Orthodox Church, these installations are called Golgothas.

Historians agree Golgotha lay immediately beyond Jerusalem's city walls but there’s no certainty about the exact location although the tradition of pilgrimage has since the early Medieval period focused on the southern chapels of the Church of the Holy Sepulchre, probably because the site received the imperial imprimatur within a century of Rome adopting Christianity.  However, speculation has always been encouraged by the apparently contradictory passages in surviving texts which can be interpreted in different ways, thus the suggestions of alternative sites, a matter of some interest to scholars in the field but ignored usually by most of Christendom for whom the Church of the Holy Sepulchre has for so long been a place of veneration.  Beginning in the nineteenth century, there have been archeological excavations but, two-thousand years on, the fragments and remains unearthed have provided only material for speculative interpretation.

The uncertainty about the exact location of Golgotha casts no doubt on the crucifixion of Jesus Christ as a historical event, described in the Book of Mark 15:22-27 (King James Version (KJV (1611)):

And they bring him unto the place Golgotha, which is, being interpreted, The place of a skull.  And they gave him to drink wine mingled with myrrh: but he received it not.  And when they had crucified him, they parted his garments, casting lots upon them, what every man should take.  And it was the third hour, and they crucified him.  And the superscription of his accusation was written over, THE KING OF THE JEWS.  And with him they crucify two thieves; the one on his right hand, and the other on his left.

From what was done of the slopes of Golgotha followed the resurrection, the central event of Christianity and the only vital component for if one accepts the story of the resurrection then Christianity makes sense.  If one’s faith can’t make that leap, Christianity is just another of the competing constructs of moral theology. 

For if we believe that Jesus died and rose again, even so them also which sleep in Jesus will God bring with him.  For this we say unto you by the word of the Lord, that we which are alive and remain unto the coming of the Lord shall not prevent them which are asleep.  For the Lord himself shall descend from heaven with a shout, with the voice of the archangel, and with the trump of God: and the dead in Christ shall rise first:  Then we which are alive and remain shall be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord.  Wherefore comfort one another with these words.  1 Thessalonians 4: 14-18 (King James Version (KJV (1611)).

Canada's Golgotha (1918), sculpture in bronze by Francis Derwent Wood RA (1871-1926), photograph by F Hilaire d'Arcis (1845-1935), Royal Academy of Arts Collection, London.

Canada's Golgotha is a sculpture in bronze depicting a Canadian soldier allegedly crucified on a barn door in occupied Belgium, surrounded by the jeering German troops responsible for the atrocity, said to have taken place in 1915.  There was during the First World War (1914-1918) an extensive catalogue of atrocity stories including some quite graphical imagery and there were an accepted part of the propaganda efforts on both sides of the conflict but the event carved by Wood was never verified, the contemporary witness statements later discredited.  Immediately after the end of hostilities, the German government objected to the sculpture being put on public display unless documentary evidence could be produced which proved the incident took place.  The Canadian government asserted such evidence was in their hands but declined to furnish copies which provoked further complaints from Berlin and ultimately, the sculpture was withdrawn from the exhibition.  It was kept in storage until 1992 and has since been exhibited though the curators were careful to explain the work was to be treated as an example of Christian art rather than something part of the historic record of war.  That didn’t prevent controversy.

Controversial too was the event remembered as the Nemmersdorf massacre, a series of atrocities against civilians perpetrated by Red Army soldiers during their advance into East Prussia in October 1944.  The German army swiftly (though temporarily) retook Nemmersdorf and gathered evidence of the violence, including a number of crucified bodies.  The material was passed to the Nazi Propaganda Ministry which immediately organized a publicity campaign illustrating this “Bolshevik Barbarism”, intending to inculcate the population with a fanatical desire to resist lest they suffer a similar fate.  However, there were still memories of the false atrocity stories from the earlier war and the Nazi’s propaganda efforts, increasingly disconnected from reality, had come to be regarded by many as the “fake news” of the day and the most notable consequence of the campaign was panic and a flood of civilians evacuating the eastern territories to trek west.

Spade & Splayd

Spade (pronounced speyd)

(1) A garden or farming tool for digging, having an iron blade adapted for pressing into the ground with the foot and a long handle commonly with a grip or crosspiece at the top, and with the blade usually narrower and flatter than that of a shovel.

(2) Some implement, piece, or part resembling this.

(3) A heavy metallic projection on the bottom of a gun trail, designed to dig into the earth to restrict backward movement of the carriage during recoil.

(4) To dig, cut, or remove with a spade.

(5) In four-suit card-games, , a black figure shaped like an inverted heart and with a short stem at the cusp opposite the point; a card of the suit bearing such figures.

(6) In slang, a disparaging and offensive term for a person with black skin (based on the spade in packs of cards) (obsolete).

(7) In nautical use, a type of oar blade that is comparatively broad and short (as opposed to a spoon).

(8) A cutting tool for stripping the blubber from a whale or skin from a carcass.

(9) As “in spades”, a term synonymous with the idiomatic “laying it on with a trowel” to indicate something done to excess or in an emphatic way.

(10) As “to call a spade a spade”, to be candid; to speak plainly without resort to euphemisms.

(11) As “to do the spadework” to be thorough in preparation.

(12) A hart or stag three years old (rare).

(13) A castrated man or animal (archaic).

Pre-900: From the Middle English noun spade, from the Old English spada, spade & spadu.  It was cognate with the the Proto-Germanic spadǭ, spadô & spadō, the Dutch spade, the Old Frisian spada, the Old Saxon spado, the Old High German spato, the German Spaten, the Old Norse spathi (spade), the Hunsrik Spaad and the Ancient Greek spáthē (blade; broad, flat piece of wood).  The ultimate source was the primitive Indo-European spe-dh-, from which the Ancient Greek gained σπάθη (spáthē) (blade), Hittite išpatar (spear), Persian سپار‎ (sopār) (plow), Northern Luri ئەسپار‎ (aspār) (diging) and Central Kurdish ئەسپەر‎ (esper) & ئەسپەرە‎ (espere) (cross-piece on shaft of spade to take pressure of foot).  More recent descendants include the Scottish Gaelic spaid and the Fiji Hindi sipi.  Sometimes confused with the shovel, derived forms include the adjective spadelike, the nouns spader, spadework & spadeful and the verbs spaded & spading.  

Pentagon-authorized playing cards, 2003.

The use on playing cards dates from 1590–1600, from the Italian, plural of spada the meaning of which was originally “sword”, from the Latin spatha, from the Greek spáthē.  Historically, the ace of spades is the highest card in the deck and, dating from the reign of James I (James Stuart, 1566–1625; James VI of Scotland 1567-1925 &  James I of England and Ireland 1603-1625), the law required the ace of spades to bear the insignia of the printing house.  This was to ensure the stamp duty was paid and the method to certify its payment on playing cards was a physical stamp on the highest card of the deck.  Beginning in the seventeenth century, card manufacturers started putting their identification marks on the ace of spades and it was soon an industry tradition, maintained even when the tax was no longer payable, the intricate designs now serving to protect them from illegal copying.  The ace of spades has a (somewhat dubiously gained) reputation as the death card but its become part of the folk lore attached to various organized crime operations and has been used by some militaries in psychological warfare, the US army ordering bulk supplies of ace of spades cards to scatter around although the belief the Viet Cong soldiers feared the card appears to have been untrue.

The Pentagon still liked the imagery however.  In the run-up to the 2003 Iraq war, thousands of packs of cards decorated with pictures of the most-wanted of Iraqi regime were printed.  The doubtful honor of being the ace of spades was of course granted to President Saddam Hussein but, unfortunately, the regime's final official spokesman, Mohammed Saeed al-Sahhaf (محمد سعيد الصحاف‎; b 1937), despite his memorable war-time press conferences (as a result of which he was dubbed Comical Ali or Baghdad Bob by the press corps) quickly making him the best known figure in the government except the president himself, didn't rate card, the Pentagon deeming him not worth even the two of clubs, an act of some ingratitude in the circumstances.

Drain spade with comfort step and D-grip with fibreglass handle; available at Walmart.

Although a proliferation of modern hybrid designs for home gardeners has a little blurred the distinction, traditionally, a spade differs from a two-handed shovel mostly in the form and thickness of the blade.  The phase “to call a spade a spade" (using blunt language, call things by right names and avoid euphemisms) dates from the 1540s and was a translation of a Greek proverb (which was known to the Greek satirist and rhetorician Lucian of Samosata (Λουκιανός ό Σαμοσατεύς; circa 125-Circa 185) ten skaphen skaphen legein (to call a bowl a bowl) but Dutch Catholic theologian Desiderius Erasmus Roterodamus (Erasmus of Rotterdam; 1466–1536) mis-translated, confusing the Greek skaphe (trough, bowl) for a derivative of the stem of skaptein (to dig) and the mistake has forever stuck, possibly because, at least in English, it better conveys the meaning.

The trowel used by Queen Victoria when laying the foundation stone of the new buildings at the Victoria and Albert Museum, 17 May 1899, an act she managed to perform without leaving the comfort of her carriage.  A trowel is a kind of small hand-held spade, used in gardening and to apply the mortar in brick-laying.  The ornamental trowel was rendered in silver and enamel by the silversmith Nelson Dawson (1859-1941) and his wife Edith (1862-1928).

The phrase “in spades” (a suggestion of abundance) appeared first as recently as 1929 in a short story by US journalist and author Damon Runyon (1880-1946), a reference to the desirably of having many of the suit in bridge, spades the highest-ranking suit.  A similar phrase is that reported by the poet Matthew Arnold (1822-1888) and attributed to Benjamin Disraeli (1804–1881; UK prime- minister 1868 & 1874-1880) who, when discussing the techniques he adopted during his audiences with Queen Victoria (1819–1901; Queen of the UK 1837-1901), advised “everyone likes flattery and when you come to royalty, you should lay it on with a trowel”.

Dating from the 1520s, the spatula, now familiar as a kitchen tool used to scrape the contents of bowls, is derived from the early fifteenth century medical instrument, from the Latin spatula (broad piece), diminutive of spatha (broad, flat tool or weapon) from the Ancient Greek spathe (broad flat blade (used by weavers); the erroneous form spattular is attested from circa 1600.

Mid-twentieth century silver-plated cake server by Viners of Sheffield (left) & early twentieth century Danish silver-plated cake spades (right).

The cake spade was a curious alternative to the cake (or pie) server, the latter a utensil styled to conform to the size and shape of the typical domestic slice of cake or pie.  Where the cake spade differed was in the use of a regular or irregular trapezoid shape which, although it would make it difficult to maneuver something cut in the traditional, elongated triangle used with circular cakes or pies, offered advantages in stability for anything served is a squarer form including stuff like lasagna.  Horses for courses.

Splayd (pronounced splade)

An eating utensil combining the functions of spoon, knife and fork.

1943: The splayd was created by William McArthur of Sydney, Australia with manufacturing licensed to several manufacturers, the best known of which was Viners of Sheffield.  Although several variations of the spork (a utensil combining the functionality of spoon and fork) already existed, the splayd’s innovation was the refinement of two outer fork tines each having a hard, flat edge, suitable for cutting through soft food and they tended to have a geometric rather than a rounded bowl, with two longitudinal folds in the metal.  Mrs McArthur used and sold splayds in her Martha Washington Café in Sydney between 1943-1967 and in 1960 sold the manufacturing rights to the Stokes company which instituted some minor changes to the design, making them more easily mass-produced.

Set of six splayds plated in 24 carat gold; most splayds were rendered in 18-8 stainless steel although, especially in England, silver plate was also used in limited quantities.

Among some of the middle class seeking to add a layer of something to their dinner parties, splades were often seen and during its heyday of popularity during the 1950s and 1960s, they were a popular wedding gift.  The design also served a useful purpose in aged care and medical rehabilitation, recommended for those with feeding difficulties following or during treatment of the arm.  A range was manufactured with the Selectagrip system which featured customizable handles to assist people who had difficulties gripping or manipulating standard utensils.  

Lindsay Lohan's Royal Routine in spades in The Parent Trap (1998).

Dictator

Dictator (pronounced dik-tey-ter)

(1) A person exercising absolute power, especially a ruler who (at least ostensibly) has absolute control (ie effectively not restricted by a constitution, laws, recognized opposition, etc) in a government (and officially without hereditary succession); applied particularly to those exercising tyrannical rule.

(2) In republican ancient Rome, a person vested by the senate with supreme authority during a crisis, the regular magistracy being subordinated to him until the crisis was met (typically by conducting a war).

(3) A person who makes pronouncements, as on conduct, fashion etc, which are regarded as authoritative.

(4) A person who dictates text to someone or some sort or mechanical or electronic recording device.

(5) In Ancient Rome (during certain periods), an elected chief magistrate.

1350–1400: From the Middle English dictatour, from the Old French dictator, from the Latin dictātor (genitive dictātōris), (Roman chief magistrate with absolute authority) the construct being dictā(re) (inflection of dictō (I repeat, say often; I dictate (to someone for writing))), frequentative of dicere (to say, speak); I compose, express in writing; I prescribe, recommend, order, dictate)) frequentative of dicere (to say, speak)" (from the primitive Indo-European root deik- (to show (also "solemnly to pronounce") (and related to dīcō (say, speak) + -tor (from the Proto-Italic -tōr, from the primitive Indo-European -tōr from -tor-s; the suffix added to the fourth principal part of a verb to create a third-declension masculine form of an agent noun).  The feminine forms were dictatress or dictatrix, both probably now obsolete except in historic reference or as a jocular form; the old alternative spelling dictatour is obsolete.  Some European languages (including Dutch and Romanian) were like English and borrowed directly the Latin spelling while others used variations including Catalan (dictador), French (dictateur) Italian (dittatore), Piedmontese (ditator), Polish (dyktator), Portuguese (ditador), Russian (дикта́тор (diktátor)), Sicilian (dittaturi), Spanish (dictador) and German (Diktator).  Dictator is a noun, dictatorially is an adverb and dictatorial is an adjective; the noun plural is dictators.

The noun dictatorship (office or term of a (Roman) dictator) came into use in the 1610s to describe the historically specific terms of office the Roman senate sometimes granted individuals in extraordinary and reprehensible circumstances while the now familiar general sense of "a ruler exercising absolute authority" evolved by the late seventeenth century.  The noun dictator had already proceeded along this path, the historical sense being the first used in English circa 1600, the extension to “one who has absolute power or authority" (in any context and not just political power) noted by the 1690s.  The nasty and not infrequently genocidal nature of some of the dictators of the twentieth century and beyond certainly influenced the understanding of the word which, as late as the 1800s could be used neutrally, effectively as a synonym for president.

The adjective dictatorial (pertaining to a dictator; absolute, unlimited), dating from 1901 evolved also to enjoy use outside of descriptors of absolute government and by 1704 had acquired the general sense of "imperious, overbearing", usefully (and often applied as required to husbands, mothers-in-law, parish priests et al; the related for was the adverb dictatorially.  In that vein, to convey the notion of "pertaining to a dictator" there had been dictatorian (1640s) & dictator-like (1580s).  Etymologists insist the dictatorial’s historic duality of implication (1) a disposition to rule and (2) a sharp insistence upon having one's orders accepted or carried out has survived in modern use but instances of the former are now probably rare.

Adolf Hitler (1889-1945; German head of government 1933-1945 and of state 1934-1945) is of course the dictator who for decades has loomed over the word and “Hitler” was used figuratively for "a dictator" from as early as 1934, a use which has persisted despite there being no shortage of dictatorial tyrants in the years since his assumption of power.  One amusing variation emerged in England in the early years of the Second World War (1939-1945), a “little Hitler” being someone appointed to a minor post (archetypically someone employed to walk the streets during a “black-out” telling folk to extinguish their lights) and, cloaked in this brief, unaccustomed authority, soon intoxicated by their power.  In post-revolutionary (1979-) Iran, the regime encouraged a similar put-down aimed at opponents, the US being شيطان بزرگ (Shaytân-e Bozorg (the great Satan)) and Israel شیطان کوچک, (Shaytân-e Kuchak (the little Satan)) and it’s even worse than it sounds because “great” is not the perfect translation, the idea of the great Satan being one of derision rather than awe.  When the Ayatollahs are in a bad mood (which does happens), sometimes the UK is also described as a “little Satan”.

Lindsay Lohan never forgave dictator Hosni Mubarak (1928–2020; president of Egypt 1981-2011) for shouting at Bill Clinton (b 1946; US president 1993-2001).  When told in 2011 he’d fallen from power as one of the victims of the Arab Spring, she responded: “Cool.”  When told it was brought about by a military coup she replied: “Gross!”  Lindsay Lohan doesn’t approve of coups d'état and believes soldiers should "stay in the barracks", allowing due constitutional process to be followed.   

Because of the evil of Hitler and his many spiritual successors in this century and the last, dictator really doesn’t cry out for synonyms but autocrat, despot, tyrant, absolutist, authoritarian, oppressor & totalitarian all tend in the direction.  Historically, the closest is probably the noun generalissimo (supreme military commander), dating from the 1620s and a borrowing of the Italian generalissimo, superlative of generale, from a sense development similar to the French general.  However, despite the title being used by the dictators comrade Stalin and General Franco, it’s never come into use as a general descriptor in the manner of dictator.

1935 Studebaker Dictator phaeton (left) & 1936 Studebaker Dictator sedan (right).

The Studebaker Dictator was produced between 1927-1937 and was part of a naming scheme which used titles from government service to indicate a car’s place in the hierarchy, the Dictator replacing the Standard Six as the entry-level model, the progressively more expensive being the Commander and President.  Briefly (only for 1927) there was also the Chancellor but, presumably because it wasn’t a title which much resonated in the American imagination, it was short- lived.  Other manufacturers have adopted a similar idea, Opal once also merging admiralty and political ranks, offering the Kapitän, Commodore, Admiral & Diplomat.  

Some of the opposition to crooked Hillary Clinton's presidential campaign in 2016 accused her of wanting to turn the US into a dictatorship.  That was hyperbolic because, although it may have been what she wanted, the US constitution would make it almost impossible to achieve.  The meme makers responded with agitprop.

It probably now seems strange a US manufacturer would call one of its products the Dictator but in 1927 the Nazis were years from power and Mussolini, in office since 1922 was far from the tainted character he would later become and the public perception of his rule was still at the stage of admiring him for “making the trains run on time” (although it’s thought unlikely any improvements in punctuality were noted by many).  Studebaker anyway had always explained the name as suggesting “a fine car at a moderate price” that would “dictate the standards” in the vital mid-priced field.  That was fair enough but with the benefit of post-Nazi hindsight, when the option of a straight-eight engine was offered as an upgrade from the straight-six, Studebaker probably would not to have used the marketing slogan “a brilliant example of excess power”.  By 1937, the use of excess power by the Third Reich’s dictator was becoming obvious and Studebaker quietly dropped the Dictator name for 1938, re-positioning the Commander as the base model, the cars exported to the Europe, the UK and the British Empire having early been renamed Director.  Of those changes, probably just about everyone except Henry Ford (1863-1947) approved.

So Studebaker’s tale is an example of how the shifting meaning of words can influence many things.  Still, if in 1937 any association with Hitler had become distasteful for a US corporation, even by 1940, some two years after the Nazi’s most publicized pogrom against the Jews (Kristallnacht (Night of Broken Glass)), Charlie Chaplin (1889–1977) released his satirical comedy The Great Dictator which parodied both dictators (Hitler and Mussolini), his argument being that however controversial it might be, “…Hitler must be laughed at."  He later admitted that had he known in 1940 what would later be understood, he’d never have produced the film.

The Hijab Police

Of the many “morality police” forces which have existed in countries with a majority Islamic population, the best known was Afghanistan's Committee for the Propagation of Virtue and the Prevention of Vice which actually pre-dated the Taliban takeover in 1996 but they certainly deployed it with an enthusiasm which went much beyond it functioning as “burka police” and in one form or another, it actually operated for most of the (first) post-Taliban era.  When the Taliban regained power in 2021, immediately they created the "Ministry of Invitation, Guidance and Promotion of Virtue and Prevention of Vice" and, in a nice touch, allocated as its headquarters the building formerly used by the Ministry of Women’s Affairs.

The institution is infamous also in Iran.  In the West, it’s usually referred to as the “morality police” and among women the sardonic slang is “hijab police” but technically, the instrument of the Islamic Republic of Iran which enforces, inter alia, the laws governing the wearing of the hijab is گشت ارشاد (Gašt-e Eršād (Guidance Patrol)).  On 16 September 2022, the hijab police arrested Mahsa Amini (b 2001) because she was wearing her hijab in “an un-Islamic way”.  While in custody, Ms Amini suffered a medical event, dying two days later without recovering consciousness, the hijab police claiming the cause of death was heart failure, induced by pre-existing conditions.  Her family dispute this, saying the evidence suggests she was severely beaten and many witnesses have confirmed she was tortured in the back of a van before arriving at a hijab police office.

Handy guide for the hijab police.  Not only must hijab must be worn correctly but clothing must also be (1) not brightly colored, (2) not patterned with extravagant designs or shapes and (3) be loose enough that the shape of the body is not discernable.

Her death triggered waves of protests in Iran, which, on the basis of footage seen in the West, seem dominated by school girls and young women which, in the context of political protest, is historically unusual.  With protest signs and banners rendered in YouTube & TikTok friendly English, the headline issue is of course the matter of the hijab and whether women should be beaten to death for letting a lock of hair slip from beneath but the women and girls are making clear they're protesting about corruption (noting the poverty of most while the clerical elite have become very rich), the structure of the state, the economy and the very question of whether the republic should be an Islamic theocracy.  The Ayatollahs are no doubt well aware that the standard calculation in political science is that if 3½% of the population can be mobilized to revolt, regimes can be toppled and most recently, the Afghan Taliban did it with a fraction of that.  For many reasons, Afghanistan may be a special case and the Iranian state, on paper, is much better equipped to suppress internal dissent but then the security apparatuses around Hosni Mubarak (1928-2020; Egyptian dictator 1981-2011) and Muammar Gaddafi (circa 1942–2011; Libyan dictator 1969-2011) both looked impregnable until the volume of the protesters reached critical mass.  These things are however hard to judge from afar, Bashar al-Assad (b 1965; Syria dictator since 2000) looked vulnerable long before Gaddafi and Mubarak fell yet today he sits still as dictator in Damascus.  The Ayatollahs are of course watching things with concern but so will individuals in the Kremlin, aware their security apparatus has proved inadequate to execute the battle plan of the recent special military action (war) in Ukraine and, in a nice echo of the 1979 revolution, the protesters are again chanting the cry once spat against the Shah: “Death to the Dictator!”.

Hijab

Hijab (pronounced hi-jahb, hi-jab, hee-jahb or hee-jab)

(1) A traditional scarf or veil worn by Muslim women to cover the hair and neck and sometimes the face.

(2) The traditional dress code of Muslim women, calling for the covering of the entire body except the face, hands, and feet (except in places where the interpretation is more strict and all or some of the hands, face and feet must be concealed).

1885–1890: From the Arabic حِجَاب‎ (ḥijāb) (veil, cover, curtain), from ḥajaba (to cover).  It first appeared in this sense in bilingual dictionaries in 1906 whereas in classical Arabic it meant both "partition, screen, curtain," and also generally "rules of modesty and dress for females.  One (1800) English lexicon of the “Hindoostanee language" suggested hijab was used to mean "modesty or shame," and other similar dictionaries (circa 1800) noted the connotations of "to cover, hide or conceal" and the 1906 publication (qv) also listed "modesty".  The alternative forms hejab, hijaab, hijāb; hajib & hijabi are all now regarded as non-standard, globalisation and the internet making hijab the preferred global spelling; the noun plural is hijabs.

Asif Ali Zadari and the late Benazir Bhutto, pictured on their wedding day, discussing head fashions.

The hijab is the most minimal of the Islamic veils.  Classically a square scarf of any color which covers the head and neck but leaves the face exposed, it can be of any shape, color or fabric but styles and shades tend to be more somber in more conservative cultures.  It can be used as just another fashion accessory, and, where local circumstances permit, some do drape it in a rather perfunctory way, exposing just as much as can be gotten away with.  Politicians attempting simultaneously to placate the local Mufti and assert their feminist credentials adopt this trick; former Pakistani prime-minister, the late Benazir Bhutto (1953-2007), was an expert.

Lindsay Lohan, wearing an al-amira, pictured here with aid worker Azize in Antep refugee camp, Gaziantep, Turkey, October 2016.

The al-amira and shayla are variations on a theme.  The former is two-piece, consisting of a close-fitting cap and a tube-like scarf, the latter a long, rectangular scarf, wrapped around the head and tucked or pinned in place at the shoulders.  Both are more closely-fitting than a hijab and are used when it’s important to ensure no hair is left exposed.

Lindsay Lohan, pictured here wearing a burka by Gucci while shopping in Dubai during her self-imposed exile from US while Donald Trump was president.

The almost identical niqab and burka are the highest evolution of the form.  The burka (also variously as burqa, burkha, burqua, boorka, bourkha (obsolete) & bourqa (rare)) is an all-enveloping garment, almost always in dark, solid colours which covers the entire body with a small (sometime mesh-covered) aperture through which to see.  The niqab is the same except it leaves the eyes exposed.  Until 2022, of the many “morality police” forces which have existed in countries with a majority Islamic population, the best known was Afghanistan's Committee for the Propagation of Virtue and the Prevention of Vice which actually pre-dated the Taliban takeover in 1996 but they certainly deployed it with an enthusiasm which went much beyond it functioning as “burka police” and in one form or another, it actually operated for most of the (first) post-Taliban era.  When the Taliban regained power in 2021, immediately they created the "Ministry of Invitation, Guidance and Promotion of Virtue and Prevention of Vice" and, in a nice touch, allocated as its headquarters the building formerly used by the Ministry of Women’s Affairs.  The protests in Iran which in September 2022 began over the conduct of their hijab police rapidly became a movement chanting "Death to the Dictator!". 

The khimar is a long, cape-like veil that hangs down to just above the waist. It covers the hair, neck and shoulders completely, but leaves the face clear. The chador, worn by many Iranian women when outside the house, is a full-body cloak that is favored over the similar looking burka because it is more easily put on and taken off.  A cloak, it's especially suited for wearing in cooler months when the clothing underneath tends to be bulkier.

Celebrated since 2013 on the first day of February, World Hijab Day is all encompassing in that it’s not restricted just to hijabs and includes other styles.  The day notes the long tradition attached to head-coverings mandated for religious purposes, the history pre-dating Islam by hundreds of years and the garment was anyway probably created out of necessity, those living under a hot Mesopotamian sun using linens to protect their heads from the sun and wind.  It seems head coverings were first written into law during the thirteenth century BC, in an ancient Assyrian text mandating women, daughters and widows cover their heads as a sign of piety. Notably, headscarves were forbidden for prostitutes and women of the lowest classes, an edict enforced by social ostracization or even arrest.  From this origin, the practice was adopted by the religions which emerged from the region, Judaism, Christianity & Islam and the bible (1 Corinthians 11:6-7) contains a typical injunction:

For it shall be a disgrace for a wife to cut off her hair or shave her head, let her cover her head.  For a man ought not to cover his head, since he is the image and glory of God, but woman is the glory of man.

Although the tradition has faded, even in some parts of the Islamic world, conservative sections still maintain the rule.  Even some post Vatican II Roman Catholic nuns continue to wear the habit, Orthodox Jewish women will don either the tichel (a type of headscarf) or sheitel (a wig) and in Islam, the Quran's verses about modesty have been interpreted in different ways, some insisting head covering is obligatory while others say it’s a choice.  Political systems, geography and ethnicity also interact with tradition in the politics of head coverings and several countries, including France, Germany and Austria, have limited women from wearing full-face coverings such as the niqab and burka in public spaces.