Monday, November 16, 2020

Wither

Wither (pronounced with-er)

(1) To shrivel; fade; decay.

(2) To lose the freshness of youth, as from age (often followed by away).

(3) To make flaccid, shrunken, or dry, as from loss of moisture; cause to lose freshness, bloom, vigour, etc.

(4) Harmfully to affect.

(5) To abash, as by a scathing glance (the withering look).

(6) The singular of withers (part of the back of a four-legged animal that is between the shoulder blades).

1530s: From the Middle English as an alteration of the late fourteenth century wydderen (dry up, shrivel), intransitive, apparently a differentiated and special use of wederen (to expose to weather), from the Old English hwider, an alteration of hwæder, from the Proto-Germanic hwadrê.  In German, there was verwittern (to become weather-beaten), from Witter (weather).  The transitive sense emerged in the 1550s.  Wither is a verb & adverb, withered is an adjective &  adverb, withering is a noun, verb & adjective and witheringly is an adverb.

Readers ancient & modern

There's also whither (To what place?) which is functionally equivalent to the relative adverb "whereto".  Except in poetry or other literary forms, "whither" is now rare to such an extent that it can be said to have vanished from popular use.  For many students, Shakespeare in the original is close to something in a foreign language and it’s not uncommon for high-school texts to be rendered more accessible.  This has be criticised as dumbing down (and at tertiary level probably is) but is probably a good idea.  One editor actually thought young readers would manage with wither but thought "riggish" too difficult.  In Antony and Cleopatra (Act 2 Scene 2), Shakespeare had Enobarbus say:

Never. He will not.
Age cannot wither her, nor custom stale
Her infinite variety. Other women cloy
The appetites they feed, but she makes hungry
Where most she satisfies, for vilest things
Become themselves in her, that the holy priests
Bless her when she is riggish.

The editor “translated” thus:

He’ll never leave her.
Age won’t wither her,
And her charms are so varied that she never grows boring.
With other women, the longer you know them the less appealing they become. 
Cleopatra, on the other hand, makes you desire her the more you see her.
Even her worst faults are charming
Holy priests bless her even when she acts the slut.


The Withered Garland (1800) by Karl Wilhelm Friedrich von Schlegel (1772–1829)

It was yet May when these you broke,
and in those flowers spoke,
yet a blossom yourself,
that which, now blooming, in your own heart
was awakening and,
in sacred wise, did already stir,
that childlike something your friend, ah! so cherished
when she her heart did lay
upon his own,
where now I do eternally weep.
 
These violets, which as a sign the child did send,
now do so soften my heart
that my eyes
may never bring to an end
the pain they now suck in,
and oft do still to her turn,
now finding but this garland, withered, in my hands.
Like this wreath did she,
chosen early to end,
lose herself self-unbeknownst.
 
Take hither this lofty, precious gift,
the only thing yet left to me
of the precious one,
that it might her image yet renew
when amid tears
my yearning so willingly flees
into death arms, escaping life’s vain notions.
Though let me first in tears
immerse my sweet remembrance!
 
We who found life in the pleasure of death,
who boldly nature understood
amid the flames,
where love and pain together
us unite:
let our foreheads be encircled
by the sign whose sense we have long since found.
For did not from these wounds
oft spring forth roses
in painful caress?
 
Hence may this girl’s own shadow surround us, hovering,
to melancholy devoted,
till in death as one we may again more intimately live,
and this deep striving wholly unite
those who, smiling, for one another weep.

Sunday, November 15, 2020

Vulpine

Vulpine (pronounced vuhl-pahyn or vuhl-pin)

(1) Of or resembling a fox.

(2) Possessing or being thought to posses the characteristics often attributed to foxes; crafty, clever, cunning etc.

1620-1630: From the Latin vulpīnus (foxy, fox-like, of or pertaining to a fox), the construct being vulp(ēs) (fox) + -īnus.  Vulpēs was from the earlier volpes (genitive vulpisvolpis) of unknown origin, though though probably from the  primitive Indo-European wl(o)p and cognate with the Welsh llywarn (fox), the Classical Greek λώπηξ (alpēx) (fox), the Armenian աղուէս (ałuēs), the Albanian dhelpër, the Lithuanian vilpišỹs (wildcat) and the Sanskrit लोपाश (lopāśa) (jackal, fox).  The Latin suffix -inus was from the Proto-Italic -īnos, from the primitive Indo-European -iHnos and cognate with the Ancient Greek -ινος (-inos) and the Proto-Germanic -īnaz.  It was used to indicate "of or pertaining to, usually a relationship of position, possession, or origin.

The Holy Fox: Lord Halifax

The Rt Hon Edward Frederick Lindley Wood, First Earl of Halifax, KG, OM, GCSI, GCMG, GCIE, TD, PC, was a leading Tory politician of the inter-war and wartime years.  Among other appointments, he was Viceroy of India, Foreign Secretary and Ambassador to the United States.  He was known as the Holy Fox because of his devotion to church, the hunt and Tory politics.  More holy than foxy and perhaps too punctilious ever to be truly vulpine, he was born too late.  Had he lived a century earlier, he’d likely be remembered as a leading statesman of the Victorian era but even before 1945, he seemed a relic of the past.

A fox and other beasts.  Count Galeazzo Ciano (1903–1944; Italian Foreign Minister 1936-1943), Edward Wood, Lord Halifax (1881–1959; UK Foreign Secretary 1938-1940), Neville Chamberlain (1869–1940; UK Prime Minister 1937-1940) and Benito Mussolini (1883–1945; Duce & Prime Minister of Italy 1922-1943), Rome, January 1939.

Some three months after signing the infamous Munich Agreement that permitted Hitler’s occupation of Czechoslovakia, the UK's  prime minister Neville Chamberlain and foreign secretary Lord Halifax visited Rome to confer with the Italian Duce & prime-minister premier Benito Mussolini.  Although it had long been obvious the Duce had been drawn into the German orbit, British foreign policy was still based on the hope war could be avoided and, having seen appeasement prevent immediate conflict over Berlin's demands about Czechoslovakia, the hope was to find a way to appease Rome, a goal no more ambitious than the maintenance of the status quo in the Mediterranean.  Pointless in retrospect, the meeting, held between 11-14 January 1939, was the last attempt through official channels to tempt the Duce away from the entanglement with Hitler to which, in reality, he was already committed although, he certainly didn't expect war to be declared quite so soon.

The spirit of the meeting was well captured in Count Ciano's diary.  Ciano's entries are not wholly reliable but he was one of the century's great diarists, an astute observer and too clever to be much bothered by principles, he painted vivid pictures of some of the great events of those troubled years.  Mussolini, already seeing himself as a Roman emperor, after his meetings with Hitler, must have thought he was being visited by the ghosts of the past, Chamberlain looking like the provincial lord-mayor he'd once been and Halifax the archbishop he probably wished he'd become.  “In substance, the visit was kept on a minor tone, since both the Duce and myself are scarcely convinced of its utility. . . . How far apart we are from these people!" Ciano noted in his diary.  "It is another world."

Foxy Eyes by Skinklink.

After dinner with Mussolini he recorded the Duce's feelings: "These men are not made of the same stuff as the Francis Drakes and the other magnificent adventurers who created the British Empire.  These, after all, are the tired sons of a long line of rich men, and they will lose their Empire,... The British do not want to fight. They try to draw back as slowly as possible, but they do not want to fight."  Whatever other mistakes he may have made, on that night in Rome, Mussolini made no error in his summary of the state of thought in Downing Street and the Foreign Office.  "Our conversations with the British have ended" Ciano concluded and "Nothing was accomplished."  He closed the diary that evening with the note "I have telephoned Ribbentrop (Joachim von Ribbentrop (1893–1946; Nazi Foreign Minister 1938-1945) that the visit was a big lemonade [ie a farce].”

Saturday, November 14, 2020

Westphalia

Westphalia (pronounced west-fey-lee-uh or weat-feyl-yua)

(1) Of or relating to the historic north-west German region of Westphalia or its inhabitants (now a subdivision (landschaftsverband) of North Rhine-Westphalia and Lower Saxony).

(2) A term in the Holy Roman Empire to describe the power of second sight for which the peasants of Westphalia were said to be noted

(3) One of the major dialect groups of West Low German spoken in Westphalia.

(4) In geology, a European phase of the upper-Carboniferous period.

(5) A warm-blood horse bred in the Westphalia region.

(6) A term to describe the treaty (Peace of Westphalia) ending the Thirty Years' War (1618-1648).

(7) A description of the international system of co-existing sovereign states said to have originated with the Treaty of Westphalia and formalised first in the new political order created in Europe.

Circa 1200:  A regional & geographical name, from Middle Dutch falen, from Old French faillir (From Old French falir, from Vulgar Latin fallire, from Latin fallere, present active infinitive of fallo.)  The term "Westphalia" contrasts with the much less used term "Eastphalia", which roughly covers the south-eastern part of the present-day state of Lower Saxony, western Saxony-Anhalt and northern Thuringia.

The nation-state and Westphalian sovereignty

Although never a part of the negotiations which culminated in the Peace of Westphalia which in 1648 ended the Thirty Years War (1618-1648), the concept of Westphalian (or state) sovereignty emerged and was refined over the subsequent three-hundred years.  The principle, one of the foundation concepts in international law, is that each state enjoyed exclusive sovereignty within its territory, a principle upheld in its purest form in the nineteenth and early twentieth centuries.  Opinion of its desirably has always been contested, especially by those poor, misguided souls who attempt to inject ethics into international relations but as power-realist Henry Kissinger (B 1923, US national security advisor (1969-1975) & secretary of state 1973-1977)  noted, it was “a practical accommodation to reality, not a unique moral insight…[which depended on] states refraining from interference in each other's domestic affairs and …[maintaining stability and a balance of power].”

The doctrine of absolute state sovereignty began most obviously to fray in the 1920s when the League of Nations was formed, lawyers and political scientists there developing theories which inherently justified intervention in sovereign states.  The League prove ineffectual in translating these theories and policies into effective action but the legal principles subsequently developed for the Nuremberg trials (1945-1946) provided the basis of the framework of what came to be called the “doctrine of the international community", a school of thought which has produced both quasi-legal gestures such as the “responsibility to protect” (R2P) and actual institutions like the international criminal courts.

Treaty of Westphalia in Münster, 24 October 1648, Woodcut after a painting, circa 1900, by Fritz Grotemeyer (1864–1947).

Friday, November 13, 2020

Homonym

Homonym (pronounced hom-uh-nim)

(1) In phonetics, a word pronounced the same as another but differing in meaning, whether spelled the same way or not, as heir and air; a homophone.

(2) In phonetics, a word of the same written form as another but of different meaning and usually origin, whether pronounced the same way or not; a homograph.

(3) In phonetics, a word that is both a homophone and a homograph, that is, exactly the same as another in sound and spelling but different in meaning.

(4) A namesake (a person with the same name as another) (obsolete).

(5) In taxonomy, a name given to a species or genus (that should be unique) that has already been assigned to a different species or genus and that is thus rejected.

1635–1645: The construct was homo- + -onym.  From the French homonyme and directly from the Latin homōnymum, from the Greek homnymon, neuter of homnymos (homonymous) (of the same name).  Homo was from the Ancient Greek μός (homós) (same).  The –onym suffix was a creation for the international scientific vocabulary, a combining from the New Latin, from the Ancient Greek νυμα (ónuma), Doric and Aeolic dialectal form of νομα (ónoma) (name), from the primitive Indo-European root no-men- (name); the related form –onymy also widely used.

For a word which some insist has a narrow definition, it’s used by many to mean quite different things, the related forms being (1) homograph which is a word that has the same spelling as another word but has a different sound and a different meaning (such as bass which can be wither “a low, deep sound” or “a type of fish”) & (2) homophone which is a word that has the same sound as another word but is spelled differently and has a different meaning (such as to, two & too).  Homograph and homophone are uncontested but homonym is used variously either to mean (1) a word that is spelled like another but has a different sound and meaning (a homograph), (2) a word that sounds like another but has a different spelling and meaning (a homophone) or (3) a word that is spelled and pronounced like another but has a different meaning (a homograph & homophone).  According to the purists, a homonym must be both a homograph and a homophone and prescriptive dictionaries still tend in this direction but the descriptive volumes (usually while noting the strict construction), acknowledge that as used in modern English, a homonym can be a homograph or a homophone.  The sage advice seems to be (1) to stick to the classics and use all three words in their strict sense, (2) maintain consistency in use and (3) don’t correct the more permissive (on the Christian basis of “forgive them for they know not what they do”).

Crooked Hillary Clinton and the crooked spire of the Church of St Mary and All Saints, Chesterfield, Derbyshire, England.  Crooked has two meanings and pronunciations but is the one word used in two senses and thus not homonymic.  Crooked (pronounced krookt) is the past tense of the verb crook (bend or curve out of shape), from the Old English crōcian (to crook, to bend) which was cognate with Danish kroget (crooked; bent) whereas crooked (pronounced lrook-id) is an adjective meaning "bent or not straight" and may be used literally or figuratively to describe someone untrustworthy or dishonest.  Crooked is thus also an example of a hetronym (same spellings with different pronunciations and meanings

Adding to the murkiness, Henry Fowler (1858-1933) noted in Modern English Usage (1926) that some confusion has long clouded homonym and synonym, something he blamed on the “loose” meaning of the latter, explaining that homonyms are “separate words happen to be identical in form” while synonyms exist as separate words which happen to mean the same thing”.  However, at this point an etymological layer intrudes, Fowler noting “pole” in the sense of “a stake or shaft” is a native English word whereas when used to mean “the terminal point of an axis” the origins lie in the Greek.  Rather than one, “pole” is thus two separate words but being identical in form are thought homonyms.  By contrast “cat” the feline and “cat” as a clipping of the Admiralty’s flogging device “cat o' nine tails” “although identical in form and meaning different things are not separate words but the one used in two senses and thus not homonymic.

Lindsay Lohan on the couch, sofa, chesterfield or settee, depending on one’s view.

Layers attach also to synonyms, a word used anyway with notorious sloppiness, true synonyms (separate words identical in meaning in the context in which they’re applied) are actually rare compared with pairs or sets frequently cited, many of which enjoy only a partial equivalence of meaning.  The imprecise use isn’t necessarily bad and often is essential for poetic or literary reasons but technically, synonyms should be separate words identical in denotation (what they reference) and connotation (what they mean); pure synonyms may thus be interchanged with no effect but such pairs or sets are rare although in technical fields (IT & various flavors of engineering) they have in recent decades became more numerous.  However, even when words satisfy Henry Fowler’s standards, nuances drawn from beyond etymology and phonetics can lend a layer of meaning which detract from the purity of the synonymousness.  Sofa & couch for example are often used interchangeably and regarded by most as synonymous but to a student of the history of furniture, because couch is from the French noun couche (a piece of furniture with no arms used for lying) from the verb meaning “to lie down”, it differs from a sofa (a long, upholstered seat usually with arms and a back).  That’s fine but “sofa” is used by some as a class-identifier, being the “U” (upper-class) form while couch, settee and such are “non-U”.

Thursday, November 12, 2020

Closet

Closet (pronounced kloz-it)

(1) A small room, enclosed recess, cupboard or cabinet for storing clothing, food, utensils etc.

(2) A small private room, especially one used for prayer, meditation etc.

(3) A state or condition of secrecy or carefully guarded privacy.

(4) A clipping of “closet of ease” and later “water closet” (WC), early names for the flushing loo (toilet; lavatory; privy with a waste-pipe and means to carry off the discharge by a flush of water).

(5) Of or pertaining to that which is private; secluded or concealed; undertaken unobserved and in isolation.

(6) To shut up in a private room for some purpose.

(7) A private room used by women to groom and dress themselves (obsolete).

(8) A private room used for prayer or other devotions (archaic).

(9) A place of (usually either fanciful or figurative in that typically it referred to the state of thought rather than where it took place) contemplation and theorizing (archaic).

(10) The private residence or private council chamber of a monarch accompanied by a staff establishment (page of the chamber; clerk of the closet et al) and related to the bedchamber (archaic).

(11) In a church, a pew or side-chapel reserved for a monarch or feudal lord (regarded as obsolete but the concept endures in that the order of precedence is often used when seating is allocated for ceremonial events conducted in churches).

(12) In heraldry, an ordinary similar to a bar but half the width.

(13) A sewer (Scots dialectical, now obsolete).

1300-1350: From the Middle English closet (a small private room for study or prayer), from the Old French closet (small enclosure, private room), the construct being clos (private space; enclosure) + -et (the suffix used to form diminutives), from the Latin clausum (closed space, enclosure, confinement), the neuter past participle of claudere (to shut).  In French, it tended to be applied to small, open-air enclosures.  The suffix –et was from the Middle English -et, from the Old French –et & its feminine variant -ette, from the Late Latin -ittus (and the other gender forms -itta & -ittum).  It was used to form diminutives, loosely construed.  Some European languages picked up the Old French spelling while others used variations including Czech (klozet) & Spanish (clóset).  Closets can be tiny or fair-sized rooms so the appropriate synonym depends on context and architecture and might include: cabinet, container, locker, room, vault, wardrobe, bin, buffet, depository, receptacle, recess, repository, safe, sideboard, walk-in, ambry, chest of drawers & cold storage.  Closet is a noun, verb & adjective, closeting is a verb (which some dispute) & adjective (plural closets) and closeting is a noun & verb.  The noun plural is closets.

The adjective dates from the 1680s in the sense of “private, done in seclusion”, extended by 1782 as "fitted only for scholarly seclusion, not adapted to the conditions of practical life" (ie in the sense of the “ivory tower”).  The meaning "secret, not public, unknown" was first applied to alcoholism in the early 1950s but by the 1970s had come to be used principally of homosexuality.  This, and the earlier forms (closet anarchist, closet alcoholic, closet Freemason, closet smoker et al) were all based on the idiomatic “skeleton in the closet” (which existed also as “skeleton in the cupboard”), describing some undisclosed fact which, if revealed would cause reputational damage (or worse) to a person.  Literally, the imagery summoned was of someone with a human corpse secreted in a closet in their house, one which had sat there so long the flesh had decomposed to the bone.  The earliest known appearance in print was in 1816 but it’s not known how long it’d been in oral use and it usually implied culpability for some serious offence though not necessarily anything involving a corpse.

Lindsay Lohan's walk-in closet.  To optimize space utilization, the hangers are very thin and covered with black velvet to ensure no fabrics are marked.  In a well-organized closet, items can be arranged in a number of ways such as color, season or type and Ms Lohan does it by manufacturer, the name of the label printed on rail-tags.

The phrase “come out of the closet” (admit something openly) was first recorded 1963 and the use rapidly became exclusive to homosexuals and lent a new meaning to the word “out”.  This meaning itself became nuanced: “To come out” (openly avowing one's homosexuality) emerged as a phrase in the 1960s and was an overtly political statement (obviously different from the earlier “a confessed homosexual” whereas “outing” and “outed” came to be used in the 1970s to refer to people making the homosexuality of others public knowledge.  Outing became controversial because of the argument (made sometimes by those within the gay community) that it was justified if exposing hypocrisy (usually a conservative politician who publicly condemned homosexuality while in private indulging in the practice).  In Spanish use (most notably in Latin America) the noun clóset is used to refer to the state of being secretly gay (from salir del clóset), the plural being clósets.

Lindsay Lohan in another part of her walk-in closet, here choosing what to pack for an appearance at the Cannes Film Festival, May 2014.

The verb closet (shut up as in a closet) was originally usually for purposes of concealment or private consultation and dates from the 1680s.  The water closet (WC and described also in the delightful phrase “closet of ease”) was the ancestor of the familiar modern loo (toilet; lavatory; privy with a waste-pipe and means to carry off the discharge by a flush of water), the term first used in 1755 and later perfected by the famous plumber, Mr Thomas Crapper.  The phrase “walk-in” was used first in the 1890s as a slang term by hotel check-in clerks to refer to those arriving without a reservation (it’s now a standard statistical category in hotels) and by 1928 was used in many forms of commerce to mean “customer who arrived without an appointment”.  The “walk-in closet” was first advertised in the US in 1946 where it described a built-in wardrobe large enough to walk into, some equipped with mirrors, tables, chairs etc).

The Gay Bob Doll

Gay Bob with man-bag.

There’s evidence that for much of human existence, homosexuality has been at least widely tolerated and often accepted but in the West, under the influence of the Christian churches, it came to attract much disapprobation though even in the nineteenth century there were those who (without much success) campaigned for legislative and social change, the odd self-declared homosexual sometimes urging others to out themselves.  However, it wasn’t until the 1960s that the still embryonic “gay liberation” movement understood that “coming out en masse” was of importance because with critical mass came political influence.  Social attitudes did change and it was perhaps an indication of acceptance that in 2005 the cartoon show South Park could run an episode called Trapped in the Closet in which the Scientologist film star Tom Cruise (b 1962) refuses to come out of a closet.  Not discouraged by the threat of writs, South Park later featured an episode in which the actor worked in a confectionery factory packing fudge.  Attitudes and legislative changes didn't always move in unison and things unfolded gradually but that process was still incomplete when, in 1977, the Gay Bob doll was released.

Clothes and accessories were available, including those for dressing the “gay farmer”.

The winds of change were clearly blowing by 1977 because in that year Harvey Milk (1930–1978; member of the San Francisco Board of Supervisors, 1978) became the first openly gay man elected to public office in California (and it’ll never be known how many of his predecessors were still in the closet).  However, if Milk was out of the closet, Gab Bob came neatly packaged in his own (cardboard) closet buyers able to out him and put him back as required.  Designed to look like popular film stars of the era, Gay Bob’s creator described the doll as perfect for “…an executive’s desk, dash board ornament, the attaché case, the bathtub rim or a health club gym bag”, a notable feature was the doll’s “anatomical correctness”, presumably a sales feature but one which necessitated production being out-sourced to Hong-Kong because US manufacturers declined the contract. 

Gay Bob stepping out of the closet.

Just so there were no misunderstandings, Gay Bob was supplied with a fashion catalog which contained an explanation:  Hi boys, girls and grownups, I’m Gay Bob, the world’s first gay doll.  I bet you are wondering why I come packed in a closet. “Coming out of the closet” is an expression which means that you admit the truth about yourself and are no longer ashamed of what you are.  Gay people are no different than straight people.  If everyone came out of their closets, there wouldn’t be so many angry, frustrated, frightened people.  It’s not easy to be honest about what you are, in fact it takes a great deal of courage.  But remember, if Gay Bob has the courage to come out of his closet, so can you!

Popular since the nineteenth century, mail-order was the on-line shopping of the analogue era.

Conservative activists were of course appalled by Gay Bob, his anatomical correctness and his threateningly optimistic message, describing it all as “a threat to family values” and more “…evidence of the desperation the homosexual campaign has reached in its effort to put homosexual lifestyle, which is a death style, across to the American people”.  The forces of capitalism either agreed or were unwilling to risk a backlash because attempts have the big department stores stock Gay Bob on their shelves were unsuccessful so the doll was sold via mail order, advertisements placed in gay magazines.  One doll cost US$19.50 (including shipping and handling within the US) while a pair could be purchased at a discounted US$35 (and to take advantage of the anatomical correctness, buying a brace was presumably in vogue.  Over two thousand were sold within months and in liberal New York and San Francisco, some boutiques would later carry the product.  Something of a footnote to the LGBTQQIAAOP timeline, Gay Bob is a now a collector’s item, examples in good condition realizing over US$200 at on-line auction sites and of course, those with a pristine, un-violated closet will command a premium.

Wednesday, November 11, 2020

Blueprint

Blueprint (pronounced bloo-print)

(1) A process of photographic printing, used chiefly in copying architectural and mechanical drawings, which produces a white line on a blue background; also called a cyanotype.

(2) A physical print made by this process.

(3) A slang term for a digital rendition of the process.

(4) A slang term for such a drawing, whether blue or not.

(5) By analogy, a detailed outline or plan of action (in text or image).

(6) To make a blueprint.

(7) A technique for optimizing the performance of internal combustion engines by machining (or matching) components to their exact specifications.

1887: The construct was blue + print (blue print and blue-print (1882) were the rarely used alternative spellings).  The figurative sense of "detailed plan" dates from 1926 and use as a verb is from 1939.

Blue dates from the sixteenth century and was from the Middle English blewe, from the Anglo-Norman blew (blue), from the Frankish blāu (blue) (possibly via the Medieval Latin blāvus & blāvius (blue)), from the Proto-Germanic blēwaz (blue, dark blue), from the primitive Indo-European bhlēw (yellow, blond, grey).  It was cognate with the dialectal English blow (blue), the Scots blue, blew (blue), the North Frisian bla & blö (blue), the Saterland Frisian blau (blue), the Dutch blauw (blue), the German blau (blue), the Danish, Norwegian & Swedish blå (blue), the Icelandic blár (blue).  It was cognate also with the obsolete Middle English blee (color) related to the Welsh lliw (color), the Latin flāvus (yellow) and the Middle Irish blá (yellow). A doublet of blae.  The present spelling in English has existed since the sixteenth century and was common by circa 1700.  Many colors have in English been productive in many senses and blue has contributed to many phrases in fields as diverse as mental health (depression, sadness), semiotics (coolness in temperature), popular music (the blues), social conservatism (blue stocking; blue rinse), politics (conservative (Tory) & Whig identifiers and (unrelated) the US Democratic Party), labor-market segmentation (blue-collar), social class (blue-blood), stock market status (blue-chip) and, inexplicably, as an intensifier (blue murder).

Print dates from circa 1300 and was from the Middle English printen, prenten, preenten & prente (impression, mark made by impression upon a surface), an apheretic form of emprinten & enprinten (to impress; imprint).  It was related to the Dutch prenten (to imprint), the Middle Low German prenten (to print; write), the Danish prente (to print), the Swedish prenta (to write German letters).  The late Old French preinte (impression) was a noun use of the feminine past participle of preindre (to press, crush), altered from prembre, from the Latin premere (to press, hold fast, cover, crowd, compress), from the primitive Indo-European root per- (to strike).  The Old French word was also the source of the Middle Dutch (prente (the Dutch prent) and was borrowed by other Germanic languages.

The sense of "a printed publication" (applied later particularly to newspapers) was from the 1560s.  The meaning "printed lettering" is from the 1620s and print-hand (print-like handwriting) from the 1650s.  The sense of "picture or design from a block or plate" dates from the 1660s while the meaning "piece of printed cloth or fabric" appeared first in 1756.  The photographic sense emerged apparently only by 1853, some three decades after the first photographs, the use evolving as printed photographs became mass-market consumer products.  Print journalism seemed to have been described as such only from 1962, a form of differentiation from the work of those employed by television broadcasters.

Blueprinting internal combustion engines is the practice of disassembling the unit and machining the critical components (piston, conrods etc) to the point where they exactly meet the stated specifications (dimensions & weight).  Essentially, the process is one of exactitude, using precision tools to make components produced using the techniques of mass production (which inherently involves wider tolerances) and modifying them by using tighter tolerances, meeting exact design specifications.  It’s most associated with high-performance racing cars, especially those which compete in “standard-production” classes which don’t permit modifications to most components.  In some cases, especially with factory-supported operations, the components might be specially selected, prior to assembly.

Blueprint of the USS Missouri (BB-63), an Iowa-class battleship launched in 1944.  Missouri was the last battleship commissioned by the US Navy.

The first blueprint was developed in 1842 by English mathematician, astronomer, chemist & experimental photographer Sir John Herschel (1792-1871).  What he then termed a “cyanotype process” eliminated the need to copy original drawings by means of hand-tracing, a cumbersome, time consuming (and therefore expensive) process.  At what was then an astonishingly low cost, it permitted the rapid and accurate production of an unlimited number of copies.  The cyanotype process used a drawing on semi-transparent paper that was weighted down on top of a sheet of paper which was then placed over another piece of paper, coated with a mix of ammonium iron citrate and potassium ferrocyanide (derived from an aqueous solution and latter dried).  When the two papers were exposed to light, the chemical reaction produced an insoluble blue compound called blue ferric ferrocyanide (which became famous as Prussian Blue), except where the blueprinting paper was covered and the light was blocked by the lines of the original drawing. After the paper was washed and dried to preserve those lines, the result was a negative image of white (or whatever color the blueprint paper originally was) against a dark blue background.  White was by far the most used paper and the most common cyanotypes were thus blue with white lines.  At least by 1882 they were being described as “blue prints” but by 1887, they were almost universally called blueprints and in engineering and architecture had become ubiquitous, Herschel’s photochemical process producing copies at a tenth the cost of hand-tracing.

Factory blueprint (quotation drawing produced on diazo machine) of 1955 Mercedes-Benz 300 SLR (W196S Uhlenhaut Coupé).  Two were built, one of which sold in June 2022 for a world record US$142 million at a private auction held at the Mercedes-Benz Museum in Stuttgart.

Refinements and economies of scale meant that during the early twentieth century the quality of blueprints improved and costs further fell but by the 1940s, they began to be supplanted by diazo prints (known also as “whiteprints” or “bluelines”).  Diazo prints were rendered with blue lines on a white background, making them easier to read and they could be produced more quickly on machinery which was simpler and much less expensive than the intricate photochemical devices blueprints demanded.  Accordingly, reprographic companies soon updated their plant, attracted too by the lower running costs, the diazo machinery not requiring the extensive and frequent maintenance demanded by the physically big and intricate photochemical copiers.

1929 Mercedes-Benz SSKL printed in blueprint style.

One tradition of the old ways did however endure.  The diazo machines caught on but “diazo print”, “whiteprint” & “blueline” never did; the drawings, regardless of the process used, the color of the paper or the lines (and many used black rather than blue) continued to be known as “blueprints”.  That linguistic tribute persisted even after diazo printing was phased-out and replaced with the xerographic print process, the standard copy machine technology using toner on bond paper.  Used for some time in commerce, large-size xerography machines became available in the mid-1970s and although originally very expensive, costs rapidly fell and the older printing methods were soon rendered obsolete.  As computer-aided design (CAD) software entered the mainstream during the 1990s, designs increasingly were printed directly from a computer to printer or plotter and despite the paper used being rarely blue, the output continued to be known as the blueprint.

Blueprint of the Chrysler Building, New York City, 1930.

Even now, although often viewed only as multi-colored images on screens (which might be on tablets or phones), such electronic drawings are still usually called blueprints.  Nor have blueprints vanished.  There are many things (buildings, bridges, roads, power-plants, railroads, sewers et al) built before the 1990s which have an expected life measured in decades or even centuries and few of these were designed using digital records.  The original blueprints therefore remain important to those engaged in maintenance or repair and can be critical also in litigation.  Old blueprints can be scanned and converted to digital formats but in many cases, the originals are fragile or physically deteriorated and finer details are sometimes legible only if viewed on the true blueprint.  Centuries from now, magnifying glasses in hand, engineers may still be examining twentieth century blueprints.

Lindsay Lohan, blueprinted.