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Sunday, March 16, 2025

Cup

Cup (pronounced kuhp)

(1) A small, open container now manufactured usually using ceramics, plastic, glass or metal, typically with a single handle and used as a receptacle from which to drink fluids (tea, coffee, soup etc) and often categorized by design according to their nominal use (tea cup, coffee cup etc); many cups are supplied in sets with a saucer on which the cup sits protecting surfaces from spillage and offer a place on which a stirring spoon may sit.  A cup can be made from glass but may not be a “glass” while a glass made from glass may also have a handle while mugs are essentially cups but called something else.

(2) The bow-like part of a goblet or the like.

(3) A cup with its contents (“a cup of tea” et al).

(4) The quantity contained in a cup (which can be a general reference to any cup or a precisely defined measure).

(5) As a customary unit of measure, a defined unit of capacity frequently used in cooking, the quantum of which varies between (and sometimes within) markets but historically based on a half pint (now usually expressed as 220-250 ml or 14-20 tablespoons).  Measuring cups are available with graduations.

(6) An ornamental bowl, vase, etc especially of precious metal, offered as a prize for a contest (the use of “cup” often persisting even when trophies have been re-designed in a different form); a sporting contest in which a cup (or some other trophy) is awarded to the winner (collective known as the “cup competitions”).

(7) Any of various mixed beverages with one ingredient as a base and historically served from a bowl (claret cup burgundy cup, gin cup, cider cup etc).

(8) In Christianity, the chalice used in the Eucharist (used also of the consecrated wine of the Eucharist).

(9) Something to be partaken of or endured; one's portion, as of joy or suffering.

(10) In many fields, any cup-like utensil, organ, part, cavity etc; anything resembling a cup in shape or function.

(11) In botany, parts such as the flower base of some plants.

(12) In women’s underwear, the two forms containing the breasts in a bra or other garment in which an apparatus with a similar function is integrated (camisoles, bathing suits etc).

(13) In certain sports, a concave protective covering for the male genitalia, reinforced with usually with rigid plastic or metal (in some markets called a “box”, “cup” the common form in North America).

(14) In golf-course construction, the metal receptacle within the hole or the hole itself.

(15) In astronomy, a constellation or a crater.

(16) In pre-modern medicine, as “cupping glass”, a glass vessel from which air can be removed by suction or heat to create a partial vacuum, formerly used in drawing blood to the surface of the skin for slow blood-letting (also called the “artificial leech”).  The concept (cupping) remains in use (though without the blood-letting) in certain beauty treatments popular in East-Asia.

(17) In metalworking, a cylindrical shell closed at one end, especially one produced in the first stages of a deep-drawing operation; to form (tubing, containers etc) by punching hot strip or sheet metal and drawing it through a die.

(18) In mathematics, the cup-like symbol , used to indicate the union of two sets.

(19) As CUP, the international standard (ISO 4217) currency code for the Cuban peso.

(20) In tarot card reading, a suit of the minor arcana or one of the cards from the suit.

(21) In ultimate frisbee competition, a defensive style characterized by a three player near defense cupping the thrower (or those three players).

(22) A flexible concave membrane used temporarily to attach a handle or hook to a flat surface by means of suction (the “suction cup”, the origins of which were in biomimicry (octopodes et al)).

(23) To take or place in, or as in, a cup.

(24) To form into a cuplike shape.

Pre-1000: From the Middle English cuppe & coppe, created by a blending of the Old English cuppe (cup) and the & Old Northumbrian copp (cup, vessel), from the Late Latin cuppa which etymologists list as being of uncertain origin but thought probably a variant of the earlier cūpa (tub, cask, tun, barrel) which may have been cognate with the Sanskrit kupah (hollow, pit, cave), the Greek kype (gap, hole; a kind of ship), the Old Church Slavonic kupu, the Lithuanian kaupas, the Old Norse hufr (ship's hull) and the Old English hyf (beehive).  Etymologists are divided on whether the source of the original Latin was the primitive Indo-European kewp- (a hollow) or the non Indo-European loanword kup- which was borrowed by and from many languages.  The Old English copp was from the Proto-West Germanic kopp (round object, bowl, vessel, knoll, summit, crown of the head), from the Proto-Germanic kuppaz, from the primitive Indo-European gew- (to bend, curve, arch), the source also of the obsolete English cop (top, summit, crown of the head) and the German Kopf (top, head).  The Middle English word evolved also under the influence of the Anglo-Norman cupe & the Old French cope & coupe.  The Late Latin cuppa begat many words meaning “cup” including the Old French coupe, the Saterland Frisian & West Frisian kop, the Old Frisian kopp, the Italian coppa, the Middle Dutch coppe, the Dutch kop & kopje, the Middle Low German kopp, the German Low German Koppke & Köppke, the Danish kop, the Spanish copa and the Swedish kopp.  It was a doublet of coupe, hive and keeve.  The German cognate Kopf now means exclusively “head”.  The first cups doubtlessly were formed by a “cupping” of the hands in order to drink and that action would have been pre-human and an important evolutionary step in the development of the brain.  Later, whatever fell conveniently to hand (sea-shells, the shells of nuts etc) would have been used before drinking vessels came to be fashioned from clay, wood or other materials.  Cup is a noun & verb, cupped & cupping are verbs; the noun plural is cups.

Art Deco and the coffee cup.

By the late fourteenth century, “cup” had come to be used of just about in the shape of what is now understood as a cup, the sense of “quantity contained in a cup” emerging about the same time.  The sense of a “cup-shaped metal vessel offered as a prize in sport or games” dates from the 1640s, the origin thought to be the traditional ceremonial ritual of celebrating victory by drinking wine or some other alcoholic brew and while it’s speculative, anthropologists have suggested there may be some symbolic link with the idea of “drinking the blood of the vanquished”.  The idea obviously persists, and among the more disgusting versions is drinking from a shoe or boot worn by the victor during the event.  That particular form of podophilic mixology actually has a long history but of late it’s become something of a fetish on the podiums in motor-sport; the term “shoey” was coined in the barbarian nation of Australia.

The origin of the use of “one cup in life” is in the Biblical scripture: And he went a little further, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt. (Matthew 26:39 (King James Version (KJV, 1611))).

The word cup appears in many scriptural verses which refer to God's judgment or a time of great suffering, Christ Himself asking James and John if they could "drink the cup" (Matthew 20:22) assigned to Him (by which he meant the suffering that He would soon endure on the cross, experiencing God's judgment for the sins of humanity.  It’s an important theological point, emphasized (Hebrews 4:15) by Jesus seeming to be overwhelmed and saddened by the prospect and awfulness of his crucifixion, praying to God he be spared this fate.  Jesus was, although the son of God, also fully human and few humans wish to suffer humiliation, torture, and death so his prayer was natural but critically, almost at once he submits and resolves to obey the will of the Father.  Whatever his human anguish at what is to come, his absolute commitment is to obeying God.  The idea then is that “suffering is to be endured” was by the fourteenth century expressed in phrases like “the cup of life” and whatever may be the cup, it is “something to be partaken of” because it is the will of God.  In figurative use thus, “one’s cup” is that which is one’s lot to be endured; that which is allotted to one for good and bad.

The daffodil (one of the common names of flowers of the genus Narcissus); as in many flowers, the alternative name for the corona is the cup.

To be in one's cups was to be “intoxicated”, a use dating from the 1610s which may have been a direct development from the mid-fourteenth century Middle English cup-shoten (drunk, drunken).  One’s “cup of tea” is what interests one and came into use in the 1930s of things or concepts although it’s documented from 1908 applying to persons; tellingly, the use of “not my cup of tea” is more common.  The “cup-bearer” was an early fifteenth century job description to describe the “attendant at a feast who conveys wine or other liquor to guests” but a more specialized use was of the court official who carried with him the cups, plates and other utensils to be used by those fearing poisoning (usually royalty or feudal barons).  The phrase “storm in a tea cup” refers to a fuss being made over a trivial matter and is in the same vein as “much ado about nothing”, “tempest in a teapot”, “storm in a teapot”, “lightning in a bottle” and “make a mountain out of a molehill”.

America's Cup (left), FIFA World Cup (centre) and William Webb Ellis Cup (left).

In sport, cups are a popular choice as trophies and they range from small ones in anodised plastic to large, heavy constructions plated in gold or silver.  The America's Cup is contested in yacht racing and, first awarded in 1870, is the oldest international sporting competition still running.  Informally, competitors call it the “Auld Mug”.  The Fédération Internationale de Football Association’s (FIFA, the International Federation of Association Football) World Cup was first contested in 1930 with the tournament since run at four year intervals (skipping 1942 & 1946 because of World War II (1939-1945)).  The name “World Cup” remains although the trophy hasn’t, in the conventional sense of the word, actually been a cup since 1974, the last year the finals were contested by 16 teams (there will be 48 in 2026).  The Webb Ellis Cup is the premier trophy in international rugby and since 1987 tournaments have been run every four years.  The cup is named after English Anglican clergyman William Webb Ellis (1806–1872) who, according to legend, while a pupil at Rugby School, Webb Ellis ignored the rules of the football game he was playing, picking up the ball and running with it “…thereby creating rugby.  There’s no satisfactory evidence to support the tale and within the game there’s the joke what Webb Ellis invented was rugby's (some say Rugby School's) tradition of theft.

Example of the idiomatic use of cup in the phrase “one’s cups runneth over”: Model Adriana Fenice (b 1994) in 32G (10G or anything between 70-82G in some markets) bra.

The verb use “to cup” was a part of pre-modern medicine by the fourteenth century, describing the use of something cup-like to press against the skin to draw blood closer to the surface prior to “slow blood-letting”.  Medical dictionaries note there were two modes of cupping: one in which the part is scarified and some blood taken away to relieve congestion or inflammation of internal parts (“wet cupping”, or simply “cupping”), the other in which there was no scarification no blood was abstracted (“dry cupping”).  The concept (as “cupping” and without the bleeding) is still used in certain beauty treatments popular in East-Asia.  The cupful (quantity; that a cup holds, contents of a cup) was known in late Old English and persists to this day, the phrase “cup runneth over” is used to refer an over-supply of anything and was from the Hebrew Bible (Psalms:23:5) where the message was “I have more than enough for my needs” and thus a caution against greed, or in the words of Johann Sebastian Bach (1685–1750): Ich habe genug (I have enough) an unfashionable view in a materialist age although one with which Ms Fenice might concur.  Modifiers are appended as required, hyphenated and not including the teacup (circa 1700), the egg-cup (used for making the eating of boiled eggs easier (1773)) and the cupcake (1828).  Cupcakes were “small cakes intended for one” and were an invention of US English, the name derived either from cup-shaped containers in which they were baked or from the small measures of ingredients used.  The slang use to describe an “attractive young woman” was another American innovation from the 1930s.

Art Deco and the tea cup: 1934 "Tango" trio by Royal Doulton in bone china, the cup with the classic pointed handle.

The use of “cup” in recipes is probably one of the less helpful uses of the word and for those not familiar with the conventions, they were probably baffled and wondering which of the various sized cups they had should be used.  The origin of “cup” as a measure lies in the old English unit which was ½ an imperial pint and thus (10 imperial ounces (284 ml), often later rounded to 300 ml.  Elsewhere, countries did their own thing: In Australia & New Zealand it was set at 250 ml after the conversion to metric measurements in 1973; In the US it was a liquid measure equal to 8 fluid ounces (237 ml which was usually rounded to 240); In Canada it was set at 8 imperial ounces (227 ml and rounded to 250).  The “metric cup” is now a universal 250 ml and for recipes this appears to be the preferred use even in North America.

Bra cups

Example of the idiomatic use of cup in the phrase "storm in a D Cup": Lindsay Lohan in demi-cup bra, from a photoshoot by Terry Richardson (b 1965) for Love magazine, 2012.

If in cooking "cup" has been (just about) standardized around the world, the bra cup, that other use of cup as an expression of volume is bafflingly diverse, anomalies appearing even within a manufacturer's catalogue.  The use of cup in the bra business seems to have begun in the 1930s although among historians of the bra (a surprisingly well populated niche in the discipline of the history of fashion) many differ in detail; the vague consensus seems to be the term was first used in this context in the early 1930s, was wide-spread by 1940 and almost universal by the early 1950s.  The principle of the cup size was compelling simple in that there were two variables (1) the torso and (2) the breasts.  The measurement of the torso was expressed by the bra band size (measured under the bust) in inches (or its metric equivalent) such as 30”, 32”, 34” etc, the graduations between the numbers handled by the fastening mechanism (usually a hook & eye arrangement) allowing a “tight” or “loose” fit so a 32” band could be worn by someone with a torso measurement in a 31-33 inch range.  The cup size range corresponded with the volume of the breast and (in ascending order) these were expressed in letters: A, B, C, D etc so when combined, the products were called 32B, 34C etc.  In theory, the two values worked progressively (up & down: alphabetically & numerically) so the cup size of a 32C was the same as a 30D and a 34B; in the industry, the concept is called "sister sizes", each cup the same dimensions but mounted on a different sized structure (defined by the back-band) and labelled accordingly.  That's the theory and within a manufacturer's single range it may often be true but there is no recognized definition for cup sizes so not only are any two 32Cs from different manufacturers likely to be a slightly different size, nor can it be expected the dimensions of the cup of any 30D will align exactly with that of any other 34B.  It may but it can't be predicted and the expectation should be it will likely "tend towards".

English borrowed the word brassiere from the French brassière, from the Old French braciere (which was originally a lining fitted inside armor which protected the arm, only later becoming a garment), from the Old French brace (arm) although by then it described a chemise (a kind of undershirt) but in the US, brassiere was used from 1893 when the first bras were advertised and from there, use spread.  The three syllables were just too much to survive the onslaught of modernity and the truncated “bra” soon prevailed, being the standard form throughout the English-speaking world by the early 1930s.  Curiously, in French, a bra is a soutien-gorge which translates literally and rather un-romantically as "throat-supporter" although "chest uplifter" is a better translation.  The etymological origin of the modern "bra" lying in a single garment is the reason one buys "a bra" in the same department store from which one might purchase "a pair" of sunglasses or trousers, both of which, centuries ago, began as two separate items.     

Bra size multi-national conversion chart by Fredericks of Hollywood.  Like the footwear business, it seems an industry crying out for an ISO (International Organization for Standardization) but while something buyers might welcome, it seems unlikely industry would share the enthusiasm.  Sizing systems for shoes and bras evolved independently in different regions, based either on local traditions and preferences or just wholly arbitrary choice and there would be much commercial resistance to having to change long-established conventions, something which would necessitate updating labels, packaging & advertising, as well as re-educating initially baffled consumers.  Obviously, that would be costly and therefore lobbied against.  ISO 19407:2015 does provide guidelines for converting shoe sizes between regions but that’s more an acknowledgement of a problem (and a “sort-of”) work-around than a solution and the ISO seems never to have contemplated bras.  Probably, the only way such ISOs could successfully be imposed would be to give industry a long lead-time (perhaps 25-30 years) to permit an orderly and phased world-wide introduction but realistically, few are expecting progress.

Unfortunately the manufacturers complicated things in a number of ways.  Given the A,B,C,D ascending sequence, it would have been reasonable to assume E,F,G & H would follow and in some cases they did but not all, some adopting a double letter convention yielding DD, EE etc but these did not represent fractional sizing-steps between single letters; what was to some manufacturers a DD was an E to others and some were so taken with the idea they added triple lettered sizes so a 32DDD was nominally the equivalent of a 32F from another house.  Some quirks were understandable such as the one which explains the rarity of the I cup, the explanation being the character might be confused with a numeric "1" which, given the syntax of the system, seems improbable but one can see their point.  Although there are a few "I cup" bras, most manufacturers skip the letter and either leave a nominal gap between the "H" & "J" cups or include a "HH" cup in the range.  It's only the descriptions where there's a lacuna, the actual cup sizes on offer still graduated although it can be mystifying because, between manufacturers, the same size can actually be tagged as "H", "I", "HH", "J" or even "GGG" and while that can make in-store shopping merely time-consuming, for on-line shoppers it makes life especially difficult.  

1962 Chrysler 300H (left) and 1963 Chrysler 300J (right).

Chrysler in the US, not wanting the market to think there was a "3001", was in 1963 guided by the same rationale when for the first time since 1956 a letter was skipped in the designation of the 300 “letter series” cars; there’s nothing to suggest the corporation ever pondered a “300HH”.

The BUFF: The new version of the Boeing B-52 Stratofortress (replacing the B-52H) will be the B-52J, not B-52I or B-52HH.   

The US Air Force also opted to skip “I” when allocating a designation for the updated version of the Boeing B-52 Stratofortress (1952-1962 and still in service).  Between the first test flight of the B-52A in 1954 and the B-52H entering service in 1962, the designations B-52B, B-52C, B-52D, B-52E, B-52F & B-52G sequentially had been used but after flirting with whether to use B52J as an interim designation (reflecting the installation of enhanced electronic warfare systems) before finalizing the series as the B-52K after new engines were fitted, in 2024 the USAF announced the new line would be the B-52J and only a temporary internal code would distinguish those not yet re-powered.  Again, the “I” was not used so nobody would think there was a B-521.  Although the avionics, digital displays and ability to carry Hypersonic Attack Cruise Missile (HACM, a scramjet-powered weapon capable exceeding Mach 5) are the most significant changes for the B-52J, visually, it will be the replacement of the old Pratt & Whitney TF33 engines with new Rolls-Royce F130 units which will be most obvious, the F130 promising improvements in fuel efficiency of some 30% as well as reduction in noise and exhaust emissions.  Already in service for 70 years, apparently no retirement date for the B-52 has yet been pencilled-in.  In USAF (US Air Force) slang, the B-52 is the BUFF (the acronym for big ugly fat fellow or big ugly fat fucker depending on who is asking).  From BUFF was derived the companion acronym for the LTV A-7 Corsair II (1965-1984, the last in active service retired in 2014) which was SLUFF (Short Little Ugly Fat Fellow or Short Little Ugly Fat Fucker).

Under the A-B-C-D etc cup-sizing system, a given designation varies in dimensions (and thus volumetric capacity) according to the band size, the cup of a 28A smaller than that of a 32A (which should share size and shape with that used on a 30B).   

The theory: Individual results may vary.

Then there was the band size.  Most countries of course use the metric system so dimensions had to be converted but the convention for those advertised in inches was to use increments of 2 (28, 30, 32 etc) while for metric users it was in jumps of 5 cm (70, 75, 80 etc) which is close but not quite the same (28” = 71.12 cm; 30” = 76.2 cm; 32 = 82.28 cm).  More of a problem was that for the system to work, some math was required because the number from the under-bust measurement didn’t directly translate to the advertised bra size: What the buyer had to do was take the number and add 5 inches (12.7 cm) so if one’s under-bust measurement was 29” (73.7 cm), one (at least in theory) needed something with a 34” band (86.4 cm, the closest in the metric countries being the 85 cm range).  However, if the number was over 33” (83.8 cm), then one added only 3” (7.6 cm).  At that point, one needed to determine the appropriate cup.  This required a further measurement, one taken which represented the bust at its fullest projection, the somewhat misleadingly named “over-bust” number which was actually taken following the nipple line.  Many recommended taking it while wearing a bra but if that was a poor fit, that would hardly be helpful and the ideal method turned out to be (and usually this was necessary only if the volume was above a certain point) holding the breasts in place at the desired location while another did the measuring.  An ideal project then in which to involve one’s boyfriend or girlfriend, the only instructions needed being (1) the tape should rest lightly on the skin and (2) it should straight across the back, parallel to the floor.  The relationship between the over-bust measurement and the band size indicated the needed cup size: if the difference is 1” (2.54 cm) then it dictates an A cup; 2” (5.08 cm) and it’s a B cup and so on.  In many cases the simple under/over equation will work but not in all and some authorities have added additional measurements to be taken while in different positions, the 6 listed including lying flat on one's back and leaning forward so the breasts are perpendicular to the ground.  Definitely, the more dimensions which are taken, the more this seems a job for two.  

The math of cup sizes.

In practice it transpired the human body wasn’t so accommodating of production line rationalization but the system worked well enough for it to have endured for decades although only a percentage of women find an ideal fit without the help of an in-store fitter.  Quite what that number is depends on who is asked but it’s clear it’s a long way short of 100%.  The outcome for bra wearers wasn’t helped by the lack of standardization in either the labeling or the technical specification of the cup size.  The inches vs centimetres thing was manageable but even in some countries which had long switched to the metric system, bras sizes were often expressed in inches (a similar aberration to the (almost) universal use of inches for certain products including the wheels used on cars and computer monitors) and because of the internationalized nature of the market with so much imported product, in many countries, both sizing regimes simultaneously were on sale, often in the same shop.  Helpfully, many displayed wall charts with conversion tables.  For some reason, in Australia and New Zealand, the decision was taken to use the dress sizing standard used in the antipodes (8 = 30”, 10 = 32” etc), thus bra sizes like 8C, 10D etc which local users presumably adapted to but it seems a needless complication.  Additionally, regardless of what country one was in, there was no guarantee a given size from one manufacturer would exactly align with that from another and in England, a comparison by a consumer organization revealed band and cup size differences existed in stated sizes even between various styles produced by the same manufacturer; not all 32Ds were created equal.  Given that, it seems obvious it’s best to seek the assistance of a fitter but in the internet age, customers found capitalism offered a handy on-line, home delivered alternative, the trick being to order half a dozen bras of slightly different declared sizes (eg 32C, 30D, 32E etc), the ones not quite right being able to returned for credit at no cost, the site paying all the P&H (postage & handling).  That approach has attracted much criticism because of the environmental impact and it’s a significant cost to the distributor and some have now moved to restrict the practice.

Details of fifteenth century bras in Linen from Austria.

Although it wasn’t until well into the twentieth century the idea of cup sized was codified (though to this day not standardized), the concept turned out to be ancient, something confirmed in 2008 when, as part of her PhD research, Austrian anthropologist Beatrix Nutz was undertaking at the University of Innsbruck in Austria, retrieved from the dirt, wood and straw (all discarded stuff apparent used as insulation) of centuries ago in the foundations of an Austrian castle, four linen bras among some 4000 textile fragments.  What was striking was the medieval garment was the similarity to the version first patented in the United States in 1914 something perhaps unsurprising as there really is only one way to achieve the functional effect desired if a minimalist approach is pursued and that’s what was done, a few centuries apart.

Fifteenth century "longline" bra in Linen from Austria, the midriff-enveloping fabric originally extending beneath the cups.

The detailing on the garments would be familiar to those bra shopping in the twenty-first century, the lower ends decorated with finger-loop-laces, sown on with lace-stitches, resulting some simple needle-lace decoration.  There’s structural overlap too, one of the unearthed bras in the style of the “longline” bras which first became popular in the 1930s, both representing the practical expedient of combining a type of corset with a bra.  Clearly, while not necessarily something with wide commercial availability, garments in the style of the linen bras must have been well-known (at least in certain circles because in French texts as early as 1315 CE there are mentions of the “breast bags” or “shirts with bags” women used to support and restrain their breasts and one disapproving author called them “indecent” although it seems his objection was to “breasts too large” rather than the pre-modern lingerie used to minimize their appearance and the longest known surviving fragment in this vein is a verse from fifteenth century Vienna:

Ir manche macht zwen tuttenseck
Damit so snurt sie umb die eck,
Das sie anschau ein ieder knab,
Wie sie hübsche tütlein hab;
Aber welcher sie zu groß sein,
Die macht enge secklein,
Das man icht sag in der stat,
Das sie so groß tutten hab.

Translation:

Many a woman makes two bags for the breasts,
with them she roams the streets,
so that all the guys look at her,
and see what beautiful breasts she has got;
But whose breasts are too large,
makes tight pouches,
so it is not told in the city
that she has such big breasts.

Nursing bras use specialized cups: Lindsay Lohan inspects the apparatus in Labor Pains (2009).

The most obvious specialized cup is that used with nursing bras which feature an arrangement whereby most of the cup’s fabric can be semi-separated from the superstructure, enabling breast-feeding without the need to remove the whole garment.  Among bra manufacturers, there are different implementations by which the functionality of a nursing bra's apparatus is achieved and presumably chest-feeders (the preferred term among the woke to describe those who used to be called “breast-feeding women”) choose whichever best suits them; it may simply be that for manufacturers the production-line rationalization achieved by being able to adapt the specialized cups to the structures used for conventional bras is compelling, dictating the designs.  Which chest-feeders choose is of some significance given how often heard is the complaint the process is “tiring”.  To those who will never be chest-feeders it sounds more a pleasant and diverting relaxation rather than anything tiring but they all say it so it must be true.

The "push-up" bra (the best-known of which is the "Wonderbra") lives up to its name by using strategically placed padding which has the effect of "pushing up" the breast tissue (it has nowhere else to go), creating the visual effect of something bigger and higher.  Most padding is purely functional but there are also novelty items such as the one above which is variant of the "hand bra", also a thing.  

The cupless: A "special purpose" bra available in S, M, L & XL.

Other variations include the demi-cup (also called the half-cup ("semi-cup" not a recognized term)), the bullet cup, the adhesive cup (an enlarged & shaped adaptation of the so-called "tit-tape" technology), the padded cup and the seemingly paradoxical cupless (or open-cup), the last a niche market.  Those wanting to have "their cake and eat it too" who like to go braless while enjoying the benefit of some support can buy clothes with a "built-in bra" or a "shelf-bra" although the law of physics continue to operate and beyond a certain size (and more to the point: weight), these things simply: "don't work".  The cups of a "push-up bra" include thick padding towards the bottom of the structure, this having the effect of "pushing up" the breast tissue, lending things a higher, fuller look.  There are degrees to which this can be implemented: the more the padding, the greater the effect.

Vaquera’s crew neck T-shirt with trompe l'oeil underwear.  Despite the model’s expression (it’s part of their training for the catwalks), the look really should be worn for fun.  The skin-tone of the legs is because of tights, not Photoshopping.

Bra cups can even be virtualized.  The technique called Trompe-l'œil (from the French and literally “trick the eye” describes an optical illusion created by rendering on a two-dimensional surface something which appears as a three-dimensional object and the trick had been around for millennia when first the term was used in 1800 by French artist Louis-Léopold Boilly (1761-1845) for a painting he exhibited in the Paris Salon.  While it wasn’t for a few decades trompe-l'œil (usually in English as trompe l'oeil) was accepted by the academy as a legitimate part of high-art, architects and interior decorators continued to exploit the possibilities and the term entered their lexicons.  It has of course for years also been used in the prints on T-shirts but of late this has extended to depictions of underwear.  For most of the twentieth century, the sight of an exposed bra strap was a social faux pas, Vogue and other dictators of fashion publishing helpful tips recommending (for the well-organized) sewing on Velcro strips and (for everyone else) the industry’s DLR (device of last resort): the safety pin.  By the 1980s things had changed and the bra emerged as a fashion piece which might in part (or even in whole) be displayed.  It’s a look which waxes and wanes in popularity but one which has never gone away although it’s one of those things where ageism remains acceptable: beyond a certain age, it shouldn’t be used.  Now, fashion houses are promoting trompe l'oeil bras, knickers and other underwear printed on T-shirts, one attraction being it’s possible to create depictions of garments with an intricacy and delicacy not possible IRL (in real life).

A mastectomy bra with prostheses (left) and with the prostheses inserted in the cups' pockets (centre & right).

There are also bras for those who have lost a breast, the cups of which are “double-skinned” in that they feature internal “pockets” into which a prosthetic breast form (a prosthesis) can be inserted.  Those who have had a unilateral (or single) mastectomy (the surgical amputation of one breast) can choose a cup size to match the remaining while those who have lost both (a bilateral or double mastectomy) can adopt whatever size they prefer.  There are now even single cup bras for those who have lost one breast but opt not to use a prosthetic, an approach which reflects both an aesthetic choice and a reaction against what is described in the US as the “medical-industrial complex”, the point being that women who have undergone a mastectomy should not be subject to pressure either to use a prosthetic or agree to surgical reconstruction (a lucrative procedure for the industry).  This has now emerged as a form of advocacy called the “going flat” movement which has a focus not only on available fashions but also the need for a protocol under which, if women request an AFC (aesthetic flat closure, a surgical closure (sewing up) in which the “surplus” skin (often preserved to accommodate a future reconstructive procedure) is removed and the chest rendered essentially “flat” ), that is what must be provided.  The medical industry has argued the AFC can preclude a satisfactory cosmetic outcome in reconstruction if a woman “changes her mind”  but the movement insists it's an example of how the “informed consent” of women is not being respected.  Essentially, what the movement seems to be arguing is the request for an AFC should be understood as an example of the legal principle of VAR (voluntary assumption of risk).  The attitude of surgeons who decline to perform an AFC is described by the movement as the “flat refusal”.

Sunday, December 8, 2024

Pheasant

Pheasant (pronounced fez-uhnt)

(1) Any of various long-tailed gallinaceous birds of the family Phasianidae, esp Phasianus colchicus (ring-necked pheasant), having a brightly-coloured plumage in the male: native to Asia but now widely dispersed.

(2) Any of various other gallinaceous birds of the family Phasianidae, including the quails and partridges

(3) Any of several other gallinaceous birds, especially the ruffed grouse.

(4) The meat of such a bird, served as food.

1250–1300: From the Middle English fesaunt & fesant, from the Anglo-French fesaunt, from the Old French fesan, from the Latin phāsiānus, from the Ancient Greek φσιανός (phāsiānós órnis) (Phasian bird; bird of the river Φσις (Phâsis (in Colchis in the Caucauses were the birds existed in prolific number)), named after the River Phasis, in which flows into the Black Sea at Colchis in the Caucauses.  It replaced the native Old English wōrhana, a variant of mōrhana.  The ph- from the Greek was restored in English by the late fourteenth century while the wholly unetymological -t exists because of confusion with –ant (a suffix of nouns, formed from present participle of verbs in first Latin conjugation (ancient, pageant, tyrant, peasant; also talaunt, a former Middle English variant of talon, etc.).  The Latin was the source also of the Spanish faisan, the Portuguese feisão, the German Fasan and the Russian bazhantu; the Welsh was ffesant and the Cornish fesont.  In England, Pheasant was used as surname from the mid-twelfth century (and assumed occupational (pheasant farmer)).  The form in the Medieval Latin was fasianus.  A pheasantry is a place for keeping and rearing pheasants and the most common collective noun for a group of pheasants is bevy (less commonly a bouquet (when flushed), or nye.  Pheasant & pheasantry are nouns, pheasantless & pheasantlike are adjectives; the noun plural is pheasants.

The golden pheasants

Chrysolophus pictus (the golden pheasant or Chinese pheasant).

There are more than two dozen taxonomic species within the family Phasianidae (pheasants), one of which is the golden pheasant (Chrysolophus pictus, known also as the “Chinese pheasant”), a game bird native to the forests of mountainous areas of western China.  The plumage of the males is famously vibrant which makes it a favorite among bird watchers and photographers while the female is a duller-mottled brown plumage, something common among many avian species including the peacock & peahen, the evolutionary advantage being the fine camouflage it afforded against the forest floor.

Nazi Kreisleiter (District Leader) standard four pocket open collar tunic (circa 1940).  The party’s regulations about uniforms first appeared in 1920 and the details were often revised until things were standardized in 1939.

In the Third Reich (1933-1945) the term Goldfasane (golden pheasants) was a derisive nickname used of high-ranking members of the Nazi Party (and their wives), the name an allusion to (1) the golden hue of the fabric of the party uniform, (2) their tendency to appear well fed (al la a plump pheasant fattened for slaughter) at a time when much of the population was living under harsh food rationing and (3) their ostentation and self-importance (like a colorful and strutting pheasant).  Shades of brown actually became the part’s official color only by chance.  When Germany lost its African and tropical Pacific colonies after World War I (1914-1948), a huge stock of khaki uniforms and other kit became available and these the party purchased at low cost.  As a general principle, the more exalted the office, the more golden the shade of fabric used for the garb.

Portrait of Auguste Escoffier.  The decoration is the Ordre national de la Légion d'honneur (National Order of the Legion of Honour, France’s highest order of merit, awarded to both civilians and the military.  It was established in 1802 by Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815)).  It’s a wholly appropriate honor for a French chef.

The Brigade de cuisine (kitchen brigade) was a hierarchical organizational chart for commercial kitchens, codified from earlier practices by French chef, Georges-Auguste Escoffier (1846–1935) who, following his service in the French army, had refined and codified the the kitchen structure which had existed since the fourteenth century.  The military-type chain-of-command became formalized but what was novel was what he dubbed the chef de partie system, an organizational model based on sections which were both geographically and functionally defined.  His design was intended to avoid duplication of effort and facilitate communication.  The economic realities of technological innovation, out-sourcing to external supply chains and the changing ratio of labour costs to revenue have meant even the largest modern kitchens now use a truncated version of the Escoffien system although the sectional chef de partie structure remains.  In the pre-modern era, Escoffier’s idealized structure was adopted only in the largest of exclusive establishments or the grandest of cruise liners and, like the Edwardian household, is a footnote in sociological, organizational and economic history.  In the late 1870s, after army service of some seven years, Monsieur Escoffier opened his own restaurant in Cannes.  It was called Le Faisan d'Or (The Golden Pheasant).

Kiji-shō (きじ章; Order of the Golden Pheasant).

There is also the Golden Pheasant Award (きじ章 (kiji-shō) or 金鳳賞 (Kinpōshō)), the highest award for adult leaders in the Scout Association of Japan and although it was first conferred in 1952, there’s no record of whether the earlier sardonic German slang was discussed when deciding on a name.  Officially awarded by the Chief Scout of Japan, recipients are chosen by a selection committee (an institution at which the Japanese excel) on the basis of their eminent achievement and meritorious service to the Association for a period of at least twenty years.  Most awards have been granted to Japanese citizens but the distinction may be granted to any member of a scout association affiliated with the World Organization of the Scout Movement (WOSM).  The golden pheasant has symbolic significance in Japanese culture, where pheasants (particularly the green pheasant (Phasianus versicolor), Japan's national bird) have been revered for their grace and connection to nature and they convey an aura of prestige and distinction due to the majestic appearance.  The award consists of a medallion depicting a stylized golden pheasant, suspended from a white ribbon with two red stripes worn around the neck.  The attendant uniform ribbon (worn above the left breast pocket), consists of two red stripes on a white background with a 5 mm golden device of the Japanese Scout emblem.

Lindsay Lohan with an honorary Order of the Golden Pheasant.  (Digitally altered image from Flaunt Issue 195, November 2024, original photograph by the Morelli Brothers).

It is of course a great honor to join the exclusive club of those with a Golden Pheasant but the evidence does suggest it’s something of a kiss of political death for those statesmen (Golden Pheasants a male thing) so dubbed, their careers ending often not well.  Richard Nixon (1913-1994; US president 1969-1974) was awarded his in 1953 during a visit to Japan while VPOTUS (vice-president of the US (an office he held 1953-1961), the brief ceremony conducted in Tokyo after his luncheon address to the America-Japan Society.  In 1974, Mr Nixon was forced to resign the presidency after revelations of his conduct during the Watergate Scandal.

Mohammed Reza Pahlavi (1919–1980; the last Shah of Iran 1941-1979) gained his Golden Pheasant in 1957.  In 1979 he was overthrown in the revolution which brought to power Ayatollah Ruhollah Khomeini (1900-1989; Supreme Leader, Islamic Republic of Iran, 1979-1989) and the establishment of the Islamic Republic.  Also honored in the same year was Sir Walter Nash (1882–1968; prime-minister of New Zealand 1957-1960); he lost the 1960 general election and never regained power.  A royal recipient was Constantine II (1940–2023; the last King of Greece 1964-1973) who was honored upon assuming the throne in 1964.  Constantine was forced into exile after a military putsch in 1967 (the so-called “Colonels' Coup”) and the monarchy was abolished in 1973, something confirmed by two subsequent referenda (1973 & 1974).

Golden Pheasant aspirant: A Japanese scout pack leader (left) with his pack of cub scouts, circa 1964.

Gerald Ford (1913–2006; US president 1974-1977) was in 1974 created a Golden Pheasant (while VPOTUS) and he went on to lose the 1976 presidential election.  He did however have the satisfaction of knowing not only did the man who beat him (Jimmy Carter (b 1924; US President 1977-1981)) never become a Golden Pheasant, but also turned out to be “a bit of a turkey”.  Paras Bir Bikram Shahdev (b 1971; last Crown Prince of Nepal, heir apparent to the throne 2001-2008) became a Golden Pheasant in 2005.  In 2001, there was what is now an uncommon act of regicide known as the Durbar Hatyakanda (Nepalese royal massacre) which was actually a family squabble, the assassin of nine members of the dynasty (including the king & queen) being Crown Prince Dipendra (1971-2001) who, by virtue of the constitutional arrangements, for three days reigned while in a coma before succumbing to a self-inflicted gunshot wound.  Subsequently, there was a peaceful transition to a republic and in 2008 the world’s last Hindu monarchy was abolished.  Ronald Reagan (1911-2004; US president 1981-1989) was the last POTUS to become a recipient and his second term was tainted by Iran-Contragate affair.  Given the history, it may be the State Department has instructed the ambassador to Tokyo quietly to inform the Chief Scout presidents prefer not to become Golden Pheasants and that perhaps a gift like a ceremonial woggle would be more appropriate.

Yoshirō Mori san OGP (centre) meeting the official mascots (boy in blue, girl in pink) for the Tokyo 2020 Olympics and Paralympics, Tokyo, 2018.  While serving as president of the Tokyo 2020 organizing committee, an international human rights advocacy group awarded him a “gold medal” for sexism after he complained women members of the committee “talked too much” due to their “strong sense of rivalry”: “If one says something, they all end up saying something.

Yoshirō Mori (森 喜朗, Mori Yoshirō san, b 1937; prime minister of Japan 2000-2001) actually anticipated the “curse of the Golden Pheasant” leaving office after a gaff-prone two year term some time before he gained the award in 2003.  Mori san was notable for his consistently low approval ratings while prime-minister and most public opinion polls published towards the end of his tenure hovered between 7-12% of Japanese voters having a positive view of his premiership.  However, one newspaper published a poll which reported he had a zero (0%) rating, believed to be the lowest suffered by any politician since polling became (more-or-less) scientific in the 1940s.  It can’t have been much fun for Mori san at breakfast; he’d have just started to enjoy his gohan (steamed rice), misoshiru (miso soup) yakizakana (grilled fish), tsukemono (pickled vegetables), tamagoyaki (rolled omelette) and ryokucha (green tea), only to open the morning paper and find out nobody in the country liked him.  Still, as a consolation, Mori san has his Golden Pheasant.

Pheasant wars: A golden pheasant and a Lady Amherst's pheasant contesting occupancy of a rock.

Pheasant Plucking

The pheasant features in a favorite schoolboy rhyme, said to have origins in an eighteenth century English village where it was composed by Elias, a wandering bard performing at one of the hamlet's “grand pheasant festivals”; he’d been much impressed by the efficient and rhythmic plucking of pheasants by champion pheasant plucker Tom Fletcher.  Whether or not that story is true isn’t known but it (and other variations) is a common tale.  In its modern form the tongue-twister appears usually as:

I'm not the pheasant plucker,
I'm only the pheasant plucker's son,
But I'll keep on plucking pheasants
'Till the pheasant plucker comes.

The verse was soon as much a part of the festivals as the pheasant plucking proper and was popular drinking game, those making a mistake during a recital having to drink a pint of ale before having another attempt.  The extended version read:

I'm not a pheasant plucker,
I'm a pheasant plucker's mate,
And I'm only plucking pheasants
'cause the pheasant plucker's late.
 
Plucking pheasants is a pleasure
when the pheasant plucker's near,
But when pheasants pluck at pheasants,
then the plucking's rather queer.
 
So, if I'm plucking pheasants,
where the pleasant pheasants roam,
I'll pluck enough for supper
till the pheasant plucker's home.
 
And when the pheasant plucker comes,
we'll pluck them side by side,
Through pleasant plains and pheasant fields
where pheasants love to hide.