Eschew

Eschew (pronounced es-choo)

To abstain or keep away from; to refuse to use or participate in; stand aloof from; shun; avoid.

1300–1350: From the Middle English eschewen from the Old French eschiver & eschever (shun, eschew, avoid, dispense with (which in the third-person present was eschiu), from the Frankish skiuhan (to dread, shun, avoid), from the Proto-Germanic skeukhwaz (source also of the Old High German sciuhen (to avoid, escape) and the German scheuen (to fear, shun, shrink from), from scheu (shy, timid).  In German the evolution produced the Old High German sciuhen & skiuhan (to frighten away) and the German scheuchen (shoo, shoo away, drive away).  The Italian schivare (to avoid, shun, protect from) from schivo (shy, bashful) are both related loan words from the Germanic.  Eschew, eschewed & eschewing are verbs and eschewal & eschewance are nouns; the most common noun plural is eschewals.

Orson Wells (1915-1985) as Sir John Falstaff, Chimes of Midnight (1965).

The convention of use has evolved to suggest the verb eschew should not be applied to the avoidance or shunning of a person or specific physical object but only to the ideas, concepts, or other intangibles and William Shakespeare (1564–1616), in Sir John Falstaff and the Merry Wives of Windsor (1602), though the concept a binary: “What cannot be eschew'd must be embrac'd”.  Avoid is the most often used synonym, similar but not quite in the same sense are “circumvent”, “boycott” and “forgo”.  Eschew is a verb, the nouns are eschewment, eschewal & eschewer.

Lindsay Lohan eschewing some underwear and the fastening of a couple of buttons, Los Angeles, 2010.

The surviving dialectical variation is the Scots umbechew (umschew & umchew now extinct), the construct being umbe- +‎ eschew.  As a transitive, it meant “to avoid; shun” and as an intransitive “to get away; escape”.  The prefix umbe- is from the Middle English um-, umbe- & embe-, from Old English ymb- & ymbe- (around), from the Proto-Germanic umbi- (around, about, by, near), from the primitive Indo-European hzmbhi (round about, around).  It was cognate with the Dutch om- (around), the German um- (around), the Latin amb- (around, about), the Latin ambi- (both), the Ancient Greek ἀμφί (amphí) (around, about), the Sanskrit अभि (abhi) (against, about).  The prefix (meaning around; about) is no longer productive, obsolete outside mostly Scots dialects.

Chivalry

Chivalry (pronounced shiv-uhl-ree)

(1) The sum of the ideal qualifications of a knight, including courtesy, generosity, valor, and dexterity in arms; the combination of qualities expected of an ideal knight, especially courage, honour, justice and a readiness to help the weak.

(2) The rules and customs of medieval knighthood; Courtesy, respect and honourable conduct between opponents in wartime (often as a historical re-construction).

(3) The medieval system or institution of knighthood.

(4) Cavalry; horsemen armed for battle (historic use only).

(5) Collectively, knights, gallant warriors or gentlemen, fair ladies and noble chivalry (archaic).

(6) The ethical code(s) of the knight prevalent in Medieval Europe, having such primary virtues as mercy towards the poor and oppressed, humility, honour, sacrifice, fear of God, faithfulness, courage and courtesy to ladies.

(7) Courteous behaviour, especially of men towards women.

(8) In historic English law, a tenure of land granted by virtue of knightly service.

Circa 1300: From the Middle English chivalrie and the eleventh century Old French chevalerie (knighthood, chivalry, nobility, cavalry).  The early form was chevaler (knight) from the Medieval Latin caballarius (horseman), from the Latin caballus (nag, pack-horse).  The Medieval Latin caballaria (knighthood, status or fief of a knight) was the most familiar form by the twelfth century, the term chevaler long in use to describe "a knight or horseman".  The meaning (related to cavalier) "the nobility as one of the estates of the realm", dates from the fourteenth century whereas the more modern use "social and moral code of medieval feudalism" appears to be an eighteenth century historical revival.  Chivalry is a noun and chivalrous is an adjective; the noun plural is chivalries.

The Song of Roland

In Medieval Europe, there never was one universal code of chivalry.  The code was a moral construct which several authorities reduced to writing and, despite this disparate history, the concept was well understood in medieval times.  Although only parts of the codes were concerned with warfare, the texts formed the basis of the early rules of war and from here, can be traced the origins of much international law.  The epic-length poem The Song of Roland (written between 1098-1100) is a recount of the eighth century "Knights of the Dark Ages" and the wars fought by Charlemagne; it's essentially Charlemagne's Code of Chivalry but it is a literary work, a tale of betrayal and a normative text of what ought to be rather than a historical document of chivalrous warfare.  In summary, Charlemagne’s code can be reduced to:

To fear God and maintain His Church
To serve the liege lord in valor and faith
To protect the weak and defenseless
To give succor to widows and orphans
To refrain from the wanton giving of offence
To live by honour and for glory
To despise pecuniary reward
To fight for the welfare of all
To obey those placed in authority
To guard the honour of fellow knights
To eschew unfairness, meanness and deceit
To keep faith
At all times to speak the truth
To persevere to the end in any enterprise begun
To respect the honour of women
Never to refuse a challenge from an equal
Never to turn the back upon a foe

The Duke of Burgundy’s Code

In the fourteenth century, the Duke of Burgundy reduced Charlemagne’s code to a list (printed on pigskin), which knights could carry in their Bibles: Faith, Charity, Justice, Sagacity, Prudence, Temperance, Resolution, Truth, Liberality, Diligence, Hope & Valor.  One can credit the Duke of Burgundy with the invention of the credo card.

The High Court of Chivalry

Lindsay Lohan usurping the escutcheon of the Secret Society of the Les Clefs d’Or (digitally altered image).

In London, in December 1954, the High Court of Chivalry was summoned for the first time in two centuries to hear the case of a city council claiming their coat of arms had been usurped by a private company displaying it on their theatre.  Before substantive matters were introduced, the judge had to rule whether the ancient court still existed and if so, if it was the appropriate body to hear the case.  The judge found the court extant and with valid jurisdiction, his reasons a succinct sketch of the UK’s unwritten constitution in operation and a tale of how law and language interacted over several centuries.  The important principle established was to confirm, even in the modern era, there existed an enforceable law of arms and the law takes as much notice of bad heraldic manners as it does of more violent discourtesies, the judge disapproving of the “prevalent” notion that something cannot be unethical if it’s lawful.  That theme has of late been noted by royal commissioners though perhaps not politicians; in the judgement, the temptation to comment on whether chivalry was dead was resisted.

In Manchester Corporation v Manchester Palace of Varieties Ltd [1955] 1 All ER 387, the Manchester Corporation was successful and the court has not since sat but in 2012,  the council of the Welsh town of Aberystwyth issued a statement that they were prepared to lodge a writ against a Facebook page they alleged was usurping its coat of arms.  Before the council made clear whether they were intending to sue facebook.com or the author(s) of the page, the offending image had been removed.  As one of the findings in 1955 had been the High Court of Chivalry could be abolished only by an act of parliament, because New Labour’s judicial reforms didn’t do this, it appears the court would have to be convened in some form to hear similar matters although it's thought the marvellously flexible British constitution would allow a judge at an appropriate level to declare that their court was "sitting as the Court of Chivalry for the purposes of this case".  Given that constitutional flexibility, it's not impossible it may have crossed the minds of either Boris Johnson (b 1964; UK prime-minister 2019-2022) or Liz Truss (b 1975; UK prime-minister Sep-Oct 2022) that a re-constituted Court of Star Chamber might be a way quickly to solve "a few local difficulties". 

Ombre

Ombre (pronounced om-brey)

(1) A gradual blending of one color to another, often a blended shifting of tints and shades from light to dark within the range of one hue but it can also be applied when using contrasting colors.

(2) A card game of Spanish origin, dating from the late seventeenth century; played usually by three, it uses a deck of forty cards, the 8, 9 & 10 discarded and gained the name from the phrase “Soy el hombre” (I am the man), uttered at critical points during play.  As a fashionable game, it was superseded by quadrille.

(4) A large Mediterranean fish (Umbrina cirrosa), popular in cooking (archaic and better known as the shi drum, gurbell, sea crow, bearded umbrine or corb).

1840–1845: From the French ombré (shadowed, shaded), past participle of ombrer, from the Italian ombrare (to cover in shadow (in painting)), ultimately from the Latin umbra (shadow).  The name of the card game (as a reference to the player who attempts to win the pot) was from the French hombre, from the Spanish hombre (man), from the Latin homo, from the earlier hemō, from the Proto-Italic hemō, from the primitive Indo-European ǵm̥mṓ (earthling), from déǵōm (earth), from which Latin gained Latin humus (ground, floor, earth, soil).  It was cognate with the Old Lithuanian žmuõ (man), the Gothic guma and the Old English guma (man).  The link between the words for both earth and man wasn't unique to Latin and existed also in Semitic languages, illustrated by the Hebrew אָדָם‎ (adám) (man) & אֲדָמָה‎ (adamá) (soil).  Ombre is a noun & adjective (and conceivably a verb); the noun plural is ombres.

Ombre chiffon strapless bridesmaid dress from Dollygown (left) and Mansory’s Ferrari F8XX Spider Tempesta Turchese (right).  There seems no clear agreement about when a "bridesmaid dress" becomes a "bridesmaid gown" and most retailers avoid the latter term, presumably to avoid compressing relativities between "bridal gowns" and what the bridesmaids wear.

Mansory is a German operation based in Tirschenreuth, Bavaria, the core business of which is the modification of high-priced (mostly European) cars.  Their signature approach is the celebration of conspicuous consumption and they eschew subtlety in favor of an eye-catching appearance, a focus being “one-off” (the “one of one philosophy” as they describe it) creations where a particular combination of colors and modifications are not duplicated on another vehicle.  So, while not exactly bespoke (as the word traditionally was understood), their products are about the closest thing possible to actually displaying a price-tag somewhere on the bodywork;  high sales are said to have been achieved in Russia, China, the Middle East and India.  Mansory's work with specific components (notably carbon-fibre) is renowned in the industry as state-of-the-art and of the highest standard.  One recent one-off creation was the F8XX Spider Tempesta Turchese (Turquoise Storm), a variation of their modified Ferrari F8 Spider on which the ombre color scheme transitioned gradually from a specially blended white to a vivid turquoise, accented by Mansory’s traditional set of carbon-fibre pieces in black.  The company also modifies the 3.9 liter (238 cubic inch) twin-turbocharged V8, its output increased by some 22% to 868 bhp (648 kW) which propels the Tempesta Turchese to a top speed of 220 mph (355 km/h).

Lindsay Lohan in vintage Herve Leger bandage dress, Maxim Hot 100 Party, Gansevoort Hotel, New York City, May 2007 (left) and 1976 PDL Ford Mustang II, Baskerville Raceway, Tasmania, Australia, 1977 (right).

Incorrectly, ombre sometimes is used to describe color arrays or schemes where a variety of distinct shades are applied with a clear line of division between each and this is wrong because the ombre effect is one in which there's a gradual blending of one hue into another.  Where the multi-color (which can be just two) layers are distinct and differentiated, designers use the generic term “color block” to refer to the use of solid blocks of contrasting or complementary shades.  A special case is the “rainbow stripe”, applied to an array which recalls the pattern (not necessarily the curved shape) of a rainbow but this need not follow the classic ROYGBIV (the sequence of the visible spectrum: red, orange, yellow, green, blue, indigo & violet) model.  Indeed, an array of colors which in nature would never be seen in a rainbow can still be called “rainbow stripe”, based on the pattern. So, Ms Lohan's bandage dress is in rainbow stripe while the PDL Mustang II's is in a color block scheme.

Brochure for 1975 Ford Mustang II Ghia, the pitch summed up in the phrase “Economy is emphasized”; note the model's veavage dress.  Although the V8 had returned to the option list, the advertising continued to focus on “prestige” and “luxury” with the the new engine mentioned only in passing although Ford had good reason not to make too much of a fuss because to describe the much de-tuned V8 as “spirited” really was damning with faint praise in that it was justified only because the four and six-cylinder alternatives were more anaemic still.  For many reasons, it was a troubled decade which “started well, got worse and ended badly” and in the era, ombre color schemes could be a challenge because there were so many shades of brown. 

1974 Ford Mustang II.

Although of the seven generations it's the least fondly remembered, commercially, the Mustang II (1973-1978) was a great success.  Smaller and lighter than what its predecessor had evolved to become, serendipitously, it had been released just weeks before the first oil shock began on 17 October, 1973.  It's sometimes forgotten the shift in the US to also produce smaller cars pre-dated the oil crisis of the 1970s and was a reaction to changing public tastes and success of imported cars, most notably those from Japan.  Upon debut, the Mustang II surprised some (and appalled others) because a V8 engine wasn't even on the option list (and wouldn't re-appear until the 1975 season although what was offered was a far cry from the potent units which had been fitted not half-a-decade earlier) but it was the right car at the right time and a great success although it's the only Mustang not to have some sort of following in the collector market.  That said, the car's front sub-frame proved most attractive to builders wanting a quick way to splice in the combination of IFS (independent front suspension), disk brakes, a V8 engine and rack & pinion steering which meant at least part of the Mustang II didn't last long in wreckers yards.  Being cannibalized for a higher purpose isn't the most desirable fate but it was a contribution to the ecosystem the original incarnation never achieved.

1970 PDL Mustang.

“Electric Blue and 180 mph” (290 km/h) was a good hook for a company in the business of producing electrical components but the livery was adopted only in 1975, the car in the previous four seasons having been variously white, orange, green and a fetching fuchsia.  Although by 1975 New Zealand’s transition from imperial to metric measures was almost complete (phased in, 1969-1976), Electric Blue and 290 km/h wouldn’t have had the same cachet.

Since 2001 owned by Schneider Electric, Plastic & Die Casting Ltd was founded in 1937 in Christchurch, New Zealand and in 1957 was re-branded with the snappier name PDL Industries Ltd.  The core business was the company’s highly-regarded electric switches and fittings but beyond the industry what generated most “brand-awareness” were the two PDL Mustangs used in racing.  The first was a genuine 1970 Mustang Boss 429 (one of 499 built that year with the special 429 cubic inch (7.0 litre) V8) which had been stolen and recovered without its valuable engine and transmission.  Purchased for what was in retrospect the bargain price of US$500, it was a good basis for a circuit racer because Kar Kraft (the specialist operation to which Ford had out-sourced the Boss 429 installation programme (1969-1970) was compelled to widen the front track to accommodate the width (the “semi-hemi” cylinder heads with their huge intake ports (nicknamed “shotgun” because the sight of two of them recalled a side-by-side 12 gauge shotgun) were unusually bulky), something that, when fitted with an iron-block 351 cubic inch (5.8 litre) unit, greatly improved the handling.  Later, in the quest for more pace, it would be fitted with one of the rare, aluminum-block 351s.      

1976 PDL Mustang II.

The PDL Mustang II was a space-frame race car built in 1976 to conform with the commendably liberal rules which at the time applied in New Zealand, then something of a parallel universe which had continued to follow the path other regulatory bodies a decade earlier had abandoned because the machines were becoming to too removed from their origin.  So extensive were the modifications from the donor vehicle that any relationship with an actual Ford Mustang II wasn’t even skin deep and it used the all-aluminum (Cleveland; 335 series) 351 its predecessor had run the previous season.  Both cars enjoyed much success but so radical were the modifications to the Mustang II, eventually it was compelled to wander the planet to find events where the organizers were prepared to let it run.  When unleashed, it was fast, loud and spectacular and made a good case for there being more Formula Libre races.  That case can still be made.

Fumblerule

Fumblerule (pronounced fumm-bull-roule)

A rule of language or linguistic style, written in a way that violates the rule; technically a form of self-reference which relies on the inherent contradiction for the humor.

1979: A portmanteau word, the construct being fumble + rule.  In the context of fumblerule, “fumble” is used in the sense of “a blunder; awkwardly to seek”.  The mid-fifteenth century fumble (the obsolete English famble & fimble had much the same meaning) was from the Late Middle English, possibly from either the Low German fommeln or the Dutch fommelen, the alternative etymology being a Scandinavian or North Germanic source and there’s likely some relationship with the Old Norse fálma (to fumble, grope), the Swedish fumla, the Danish fumle and the German fummeln.  The history is certainly murky and the ultimate source could even be onomatopoeia (imitative of sounds associated with someone fumbling (bumble or stumble) or from the primitive Indo-European pal- (to shake, swing) from which Classical Latin gained palpo (I pat, touch softly) or (entirely speculatively) the Proto-West Germanic fōlijan (to feel).  The intransitive sense "do or seek awkwardly" was from the 1530s and the noun dates from the 1640s.

In the context of fumblerule, “rule” is used in the sense of “a regulation, law or guideline”.  The noun in the sense of “measure; measurement” dates from circa 1175, the verb first noted circa 1200 from the Middle English riwlen, reulen & rewellen from the Old French riuler, rieuler & ruler from the Late Latin rēgulāre (derivative of rēgula).  The sense of "principle or maxim governing conduct, formula to which conduct must be conformed" is from the Old French riule & the Norman reule (rule, custom, (religious) order) which, in Modern French, has been partially re-Latinized as règle.  The meaning "regulation governing play of a game” is from 1690s. The notion of a rule of law (supremacy of impartial and well-defined laws to any individual's power), as a phrase, emerged surprisingly recently, dating only from 1883.  The sense "to control, guide, direct" came from the Old French riuler (impose rule) from the Latin regulare (to control by rule, direct) from the Latin regula (rule, straight piece of wood) from the primitive Indo-European root reg- (move in a straight line) with derivatives meaning "to direct in a straight line," thus "to lead, rule."  The legal sense "establish by decision" is recorded from the early fifteenth century.

Fumblerule was coined by right-wing US commentator Bill Safire (1929-2009) in a November 1979 edition of his column On Language in the New York Times.  Safire extended this in the later book Fumblerules: A Lighthearted Guide to Grammar and Good Usage (1990) (ISBN 0-440-21010-0), which, in 2005, was re-printed as How Not to Write: The Essential Misrules of Grammar.  Physicist George L Trigg (1925-2014) also published a list of these rules.

Bill Safire (right) on Air Force Two with Spiro Agnew, November 1972 (US presidential election campaign).

Safire was also a White House speech writer for Richard Nixon (1913–1994; US president 1969-1974 & Spiro Agnew (1918–1996; US vice president 1969-1973).  Impressionistically, it would seem right-wingers tend to outnumber the left in the authorship of texts lamenting the decline in standards of English writing and it is one of the theatres of the culture wars.  In English, although there are the plenty of pedants and not a few of the infamous grammar Nazis still obsessing over stuff like a split infinitive, it’s not the sort of language which needs pointless “rules” to be enforced, many of which were never rules in the first place.  English spelling and grammar evolves usually according to a practical imperative: the transmission of meaning in an economical, precise and elegant way.  Criticism from the (notional) left is more political than linguistic: their objections to “correct” English is essentially that it’s just another way of maintaining white privilege and that all dialects within English are of equal cultural value and none should be regarded as “incorrect” or spoken by the “uneducated”.

Some of Bill Safire’s fumblerules

Avoid run-on sentences they are hard to read.

Don't use no double negatives.

Use the semicolon properly, always use it where it is appropriate; and never where it isn't.

Reserve the apostrophe for it's proper use and omit it when its not needed.

Do not put statements in the negative form.

Verbs has to agree with their subjects.

No sentence fragments.

Remember to never split an infinitive.

Proofread carefully to see if you any words out.

Avoid commas, that are not necessary.

If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.

A writer must not shift your point of view.

Eschew dialect, irregardless.

And don't start a sentence with a conjunction.

Don't overuse exclamation marks!!!

Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.

Writers should always hyphenate between syllables and avoid un-necessary hyph-ens.

Write all adverbial forms correct.

Don't use contractions in formal writing.

Writing carefully, dangling participles must be avoided.

It is incumbent on us to avoid archaisms.

If any word is improper at the end of a sentence, a linking verb is.

Steer clear of incorrect forms of verbs that have snuck in the language.

Take the bull by the hand and avoid mixed metaphors.

Avoid trendy locutions that sound flaky.

Never, ever use repetitive redundancies.

Everyone should be careful to use a singular pronoun with singular nouns in their writing.

If I've told you once, I've told you a thousand times, resist hyperbole.

Also, avoid awkward or affected alliteration.

Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death.

Always pick on the correct idiom.

"Avoid overuse of 'quotation "marks."'"

The adverb always follows the verb.

Last but not least, avoid cliches like the plague; seek viable alternatives.

Kink

Kink (pronounced kingk)

(1) A twist or curl, as in a thread, rope, wire, or hair, caused by its doubling or bending upon itself.

(2) An expression describing muscular stiffness or soreness, as in the neck or back.

(3) A flaw or imperfection likely to hinder the successful operation of something, as a machine or plan (differs from a bug in that kinks or their consequences tend immediately to be obvious.

(4) A mental twist; notion; whim or crotchet (and in a pejorative sense an unreasonable notion; a crotchet; a whim; a caprice).

(5) In slang, a flaw or idiosyncrasy of personality; a quirk.

(6) In slang, bizarre or unconventional sexual preferences or behavior; a sexual deviation (Defined as paraphilia; the parameters of paraphilic disorders (essentially that which is non-normophilic) are (to some extent) defined in the American Psychiatric Association's Diagnostic and Statistical Manual of Mental Disorders (DSM) but the public perception of kinkiness varies greatly between and within cultures).

(7) In slang, a person characterized by such preferences or behavior (a kinkster).

(8) To form, or cause to form, a kink or kinks, as a rope or hairstyle or a physical construction like a road; to be formed into a kink or twist.

(9) Loudly to laugh; to gasp for breath as in a severe fit of coughing (now rare except in Scotland).

(10) In mathematics, a positive 1-soliton solution to the sine-Gordon equation.

(11) In the jargon of US railroad maintenance as “sun kink”, a buckle in railroad track caused by extremely hot weather, which could cause a derailment.

(12) In fandom slang as “kinkmeme” (or kink meme), an online space in which requests for fan fiction (generally involving a specific kink) are posted and fulfilled anonymously (a subset thus of the anon meme).

(13) In slang, as “kinkshame” (or kink-shame or kink shame), to mock, shame, or condemn someone (a kinker) for their sexual preferences or interests and fetishes.

1670–1680: From the Middle English kink (knot-like contraction or short twist in a rope, thread, hair, etc (originally a nautical term), from the Dutch kink (a twist or curl in a rope), from the Proto-Germanic kenk- & keng- (to bend, turn), from the primitive Indo-European geng- (to turn, wind, braid, weave) and related to the Middle Low German kinke (spiral screw, coil), the Old Norse kikna (to nod; to bend backwards, to sink at the knee as if under a burden”) and the , the Icelandic kengur (a bend or bight; a metal crook).  It’s thought related to the modern kick although a LCA (last common ancestor) has never been identified.  The intransitive verb emerged in the 1690s and the transitive by the early nineteenth century.  The adjective kinky (at that stage of physical objects such as ropes or hair full of kinks, twisted, curly) seems first to have been used in 1844.  Words with a similar meaning (depending on context) include crimp, wrinkle, flaw, hitch, imperfection, quirk, coil, corkscrew, crinkle, curl, curve, entanglement, frizz, knot, loop, tangle, cramp, crick, pain &, pang  The sense familiar in Scottish dialect use (a convulsive fit of coughing or laughter; a sonorous in-draft of breath; a whoop; a gasp of breath caused by laughing, coughing, or crying) was from the From Middle English kinken & kynken, from the Old English cincian (attested in cincung), from the Proto-West Germanic kinkōn, from the Proto-Germanic kinkōną (to laugh), from the primitive Indo-European gang- (to mock, jeer, deride), and related to the Old English canc (jeering, scorn, derision).  It was cognate with the Dutch kinken (to kink, to cough).  One curious adaptation was the (nineteenth century) use of kinker to describe circus performers, presumably on the basis of their antics (kinky in the sense of a twisted rope).  Kink is a noun & verb, kinkily is an adverb, kinkiness & kinkster are nouns, kinked is a verb & adjective, kinky and kinkier & kinkiest are adjectives; the noun plural is kinks.

Bridge with kinks: Lucky knot bridge, Dragon King Harbor River in Meixi Lake District, Changsha, China.  The design was inspired by the Möbius strip although the structure is not a true representation of a Möbius.

Kink appears to have entered English in the 1670 from the interaction of English & Dutch seafarers, the first use of the word being nautical, French & Swedish gaining it in a similar manner.  The figurative sense of “an odd notion, a mental twist, a whim, a capricious act” was first noted in US English in 1803 in the writings of Thomas Jefferson (1743–1826; US president 1801-1809).  It was one of the many terms applied to those thought “sexually abnormal”, the first use noted in 1965 (although the adjective kinky had been so applied as early as 1959) and the use as a synonym for “a sexual perversion, fetish, paraphilia” is thought by most etymologists to have become established by the early 1970s.  The slang, “kinkshame” means “to mock, shame, or condemn someone (a kinker) for their sexual preferences or interests and fetishes”.  Dictionaries tend to list this only as a verb (ie that directed at another) but it would seem also a noun (a feeling of kinkshame), such as that suffered by Umberto Nicola Tommaso Giovanni Maria di Savoia (1904–1983; the last King of Italy (May-June 1946) who, while heir to the throne (and styled Prince of Piedmont), Benito Mussolini’s (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943) secret police discovered the prince was a sincere and committed Roman Catholic but one unable to resist his “satanic homosexual urges” and his biographer agreed, noting he was “forever rushing between chapel and brothel, confessional and steam bath” often spending hours “praying for divine forgiveness.”  He would seem to have been suffering kinkshame.

Lindsay Lohan with kinked hair. 

Car & Driver "Fastest American Car" comparison test, April 1976.

Although the word kinky had by then for some time been in use to describe sexual proclivities beyond the conventional, in April 1976, when the US magazine Car & Driver chose to describe a pickup truck as “kinky” it was using the word in the sense of “quirky” or “different” and certainly not in a pejorative way.  While testing the Chevrolet C-10 stepside in an attempt to find the fastest American built “car”, the editors noted that although the phenomenon hadn’t yet travelled south of the Mason-Dixon Line. “…kinky pickups are one of the more recent West Coast fascinations”.  A few years earlier, it would have been absurd to include a pickup in a top-speed contest but the universe had shifted and ownership of the fast machines of the pre-1972 muscle car era had been rendered unviable by the insurance industry before being banned by the legislators; by earlier standards, high-performance was no longer high.  Some demand for speed however remained and General Motors found a loophole: the Environmental Protection Agency (EPA) didn't impose power-sapping exhaust emission controls on anything with a gross vehicle weight rating above 6000 pounds (2722 kg).  Thus emerged Chevrolet’s combination of the heavy-duty version of the pickup chassis (F44) with the big-block, 454 cubic inch (7.4 litre) V8, a detuned edition of the engine which half-a-decade earlier had been offered with the highest horsepower rating Detroit had ever advertised.  Power and brutish enjoyment was ensured but the aerodynamic qualities of the pickup were such it could manage only third place in Car & Driver’s comparison, its 110 (177 km/h) mph terminal velocity shaded by the Pontiac Trans Am (118/190) and the Chevrolet Corvette (125/201) which won although both were slow compared with what recently had been possible.  The pickup did however outrun Ford’s Mustang Mach 1 which certainly looked the part but on the road prove anaemic, 106 mph (171 km/h) as fast as it could be persuaded to go.  In second place was what turned out to be the surprise package, the anonymous-looking Dodge Dart which, although an old design, was powered by a version of the Chrysler LA small-block V8, one of the best of the era and clean enough to eschew the crippling catalysts most engines by then required.  Its 122 mph (196 km/h) capability made it the fastest American sedan.

Kinkiness in 1964-1965: 1965 Dodge D-100 with 426 Street Wedge V8.

The kinky pickup however was a harbinger for where went California, so followed the other forty-nine.  The idea of the kinky pickup had actually begun in 1964 when Chrysler quietly slipped onto the market a high-performance version of the the Dodge D-100, a handful of which were built with a 413 (6.7 litre) cubic inch V8 but with little more fanfare, the 426 cubic inch (7.0 litre) Street Wedge was next year added to the option list which, rated at 365 horsepower, was more than twice as powerful than the competition.  Ahead of its time, the big-power in the engines D-100 were withdrawn in 1966 but it was the first muscle truck and the spiritual ancestor of the C-10 which a decade later was faster than the hottest Mustang, damning with faint praise though that may be.  The trend continued and Dodge early in the twenty-first century even sold pickups with an 8.3 litre (505 cubic inch) V10.  The market has since shown little sign of losing its desire for fast pickups and the new generation of electric vehicles are likely to be faster still.

The adjective "kinky" evolved from the noun but a linguistic quirk in the use of "kink" in the gay community is that etymologically it was technically a back-formation from "kinky".  In the LGBTQQIAAOP movement, there is some debate whether displays of “kink” should be part of “pride” events such as public parade.  One faction thinks group rights trumps all else and there can be no acceptance of any restrictions whereas others think the PR cost too high.  One implication of some representation of this or that kink being included in pride parades is that presumably, once accepted as a part of public displays, it ceases to be kinky and becomes just another place on the spectrum of normality.  Kinky stuff surely should be what goes on only behind closed doors; if in public it can even be hinted at, it can't truly be a kink because a kink must be something seriously twisted.  

1962 BMW 1500 (Neue Klasse, left), the incomparable BMW E9 (1968-1975, centre) and the 2023 BMW 760i (G70, right).

In automotive design, the “Hoffmeister kink” is a description of the forward bend in the C-pillar (D-pillar on SUVs) and it’s associated almost exclusively with BMW (Bayerische Motoren Werke) vehicles built since the early 1960s.  The kink is named after Wilhelm Hofmeister (1912–1978; BMW design chief 1955-1970) who used the shape on the BMW Neue Klasse (The “New Class”, the first of which was the 1500 and in various forms was in production 1962-1975) although the BMW 3200 CS (1962-1965) which was styled by Giuseppe "Nuccio" Bertone (1914–1997) also used the lines and design work of both began in 1960.  However, the name “Hoffmeister kink” stuck not because it originated with Herr Hoffmeister but because BMW has for decades stuck with it so it’s now perhaps even more of an identifiable motif than their double-kidney grill which is now less recognizable than once it was.  Herr Hoffmeister deserves to be remembered because the work of his successors has been notably less impressive and none has matched his E9 coupe (1968-1975) although it gained as much infamy for its propensity to rust as admiration for its elegance.

Some pre-Hoffmeister kinks:  1949 Buick Super Sedanette (left), 1951 Kaiser Deluxe (centre) and 1958 Lancia Flaminia Sport Zagato (right).

Built-in kink: 1964 Ford Galaxie four-door hardtop.

A curiosity in the tale of the Hofmeister kink is that between 1957-1963, the Ford Motor Company (FoMoCo) in the US produced as an assembly (made of several part-numbers) a Hofmeister kink which was “bolted-on” to the rear door of four-door Ford and Mercury four-door hardtops.  The doomed Edsels and more exalted Lincolns didn’t use them and after 1961 Lincoln for a while abandoned the body-style although a dozen-odd prototypes & pre-production examples were produced and there are competing theories about why it never reached the showrooms.  The appendage existed apparently because it was a quick and cheap way to ensure the rear-windows of the four-door hardtops could fully retract into the door when wound down.

Bolt-on kink; how it was done on Ford & Mercury four-door hardtops (1957-1963): Sedans with (central) B-pillar un-kinked (left) and pillarless hardtops with bolted-on kink (right).

Because of the multi-part complexity of the pressings and the need for precise tolerances (something Detroit often didn’t quite manage) to ensure a good “open & shut”, doors are expensive to tool for so Ford’s temptation to do a “bolt-on” was understandable.  However, despite that, for the body’s fourth and final season in 1964, the kink was integrated into the door but the look was banished when the new range appeared for 1965, the leading edge of the C pillar re-located in the industry-standard way.

Pro-ana

Pro-ana (pronounced pro-anna)

(1) Of or relating to the position anorexia is a legitimate lifestyle choice.

(2) The on-line community advocating this view.  The most uncompromisingly pure among the community actively deny anorexia nervosa is a clinical condition.

(3) A movement for the promotion of behaviors related to anorexia nervosa. 

(4) A member of this movement or one of the related communities.

Circa 1998-2001:  The construct is pro + ana.  Pro was from the Classical Latin prō (in favor of, on behalf of), from the Proto-Italic por-, from the primitive Indo-European pr- & pro.  Ana is a clipping of of anorexia (an(orexi)a), a phonetic diminutive of the 1957 scientific term anorexia nervosa, the construct being the Ancient Greek ἀν (an) (without) + ὄρεξις (órexis) (appetite, desire) + the Latin nervōsa (nervous).  The clipping of "anorexia" was created both as verbal shorthand and coded language (so the matters of diet and related matters could be discussed without the risk of "outsiders" understanding.  "Ana" was thus a form of personification and a "cover", the outsiders hopefully assuming a young lady named Anna was being spoken of.  Pro-ana is a noun; the noun plural is pro-anas.

Only a matter of time: Lonaniana.

Ana in this context is thus obviously unrelated to the suffix -ana (familiar in forms such as “Victoriana” (of the era of the rein of Victoria (1819–1901; Queen of the UK 1837-1901)), “Americana” (of matters specific to US culture, politics etc), Holmesiana (memorabilia or writings related to the fictional detective Sherlock Holmes created by Sir Arthur ConanDoyle (1859–1930)) etc) that became popular after being adopted in continental literature.  It was from the Latin -āna (neuter plural of –ānus (feminine -āna, neuter -ānum) and was applied to create formations meaning “of or pertaining to”.  In English the specific sense originally was “a collection of things that relate to a specific place, person etc”; the suffices -ic & -ica now fulfil a similar function.  All formations created by appending –ana are pluralia tantum (from the Latin plūrāle tantum (plural as such; plural only); the term describes a noun (either in certain or all its senses) that does not generally have a singular form.  In his A Dictionary of the English Language (1755), Samuel Johnson (1709-1784) defined the suffix thus: “Books so-called from the last syllables of their titles; as Scaligerara, Thuaniana; they are loose thoughts, or casual hints, dropped by eminent men, and collected by their friends.”  An early exemplar was Thraliana, something of a gallimaufry of diary entries, jokes, poems and anecdotes, complied between 1776-1809 by Dr Johnson's dear friend by Mrs Hester Thrale (1741-1821) although those wanting something meatier will more enjoy the two volume Addisoniana (1803), a two-volume biographical and anecdotal anthology of the writings and conversations of the English essayist politician Joseph Addison (1672-1719), compiled and edited by Sir Richard Phillips (1767–1840); it’s a fine relic of a troubled time.

Palindromic elements: A collection of material relating to pro-ana would properly be titled “Pro-anaiana”.

Dr Johnson’s notion of “loose thoughts, or casual hints, dropped by eminent men, and collected by their friends” is familiar also as “table talk”.  Table talk literally is conversation (especially if informal or gossipy) among a group seated together for a meal or other social activity.  The point about table talk is it’s held to represent an individual’s “true” thoughts in unvarnished form (ie not “sanitized” for public consumption and for that reason the table talk of the illustrious or infamous often attracts interest when assembled and published.  However, such collections rarely are true transcripts and even if not deliberately misleading in that what can appear can be a verbatim account of what was spoken and an accurate summary of views and opinion, much can be lost in the transcription.  Classic examples of the difficulties historians encounter in the absence of audio recordings are the several editions of Tischgespräche im Führerhauptquartier (Table Talks at the Führer's Headquarters), published between the 1950s and 1980s, containing what were alleged to be transcriptions of (mostly) monologues delivered by Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) to guests at his lunches or dinners between 1941-1944.  As well as being edited at the time they were written, Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) pointed out the printed copy omits so much of the repetition, pauses and linguistic stumbles that could make meals with Hitler “stiflingly boring” for “the regulars who’d heard it all, many times before”.

Etymologists are inclined insist the correct form can be only "pro-ana" and there are traditions in English which supports this but the community itself uses ana, pro ana and proana interchangeably, the most common form the short-form ana, following the practice with anorexia nervosa which is truncated to anorexia in all but formal academic or clinical work.  Over two-odd decades, pro-ana has also spawned words such as thinspiration (often clipped to thinspo) and thinology, used to describe specialized editorial content of the calling; the much less-used term pro-mia referring to bulimia nervosa.  Pro-anas are purists who maintain high-standards; those who aspire to the anahood but in some way fail are dismissed as wannarexics.

Lindsay Lohan wearing (non-ana) red wrist-string.

The ana's standard means of social identification is a simple, beaded red bracelet, the beading of some significance because variations of red bracelets, some as simple as a wrist-string, have long been used by many cultures, usually with some sort of link to the idea of a good-luck charm.  Famously, a חוט השני (the khutt hasheni, a thin scarlet or crimson string) is sometimes worn as Jewish folk custom as a way to seek protection from those misfortunes which may be aimed at one by the עין הרע (evil eye).  It's most associated with the Kabbalah sect and Kabbalic scholars say there's nothing in ancient Jewish texts about wrist-strings of any color and the "tradition" is a recent folk practice which seems to have begun in the north-eastern United States early in the twentieth century.  Anas thus need always to check for beading before reaching out.

Notes

Although at the time it never reached the critical-mass needed to coalesce into a movement, the pro-ana concept actually pre-dates the web.  Among the bulletin boards the nerdiest connected to with 1200 or 2400 baud modems in the 1980s and early 1990s were both anorexia support boards and those which celebrated the condition but, once the indexed www (world-wide-web) was "bolted-on" to the internet the spread was rapid and, by the mid-late 1990s, pro-ana was global.

Pro-ana content tends to be (1) victim stories, (2) images & clips where ribcages & shoulder blades are often seen and clavicles much admired and (3), lists of helpful tricks and techniques.  Politically, the accepted pro-ana world view is they are not suffering from an illness; ana is a human right, an essential part of their identity and just another lifestyle choice.  As pieces of design, the sites tend to use pre-defined templates and in that are unremarkable although the preponderance of monochromic (in gray-scale) imagery is noted.  The pro-ana sites began to attract wider attention early in the twenty-first century, the irony being that much of the criticism came from the very publications many suggest contribute to eating disorders.  Off and on since then, pressure from the public and anti-ana organizations has compelled many hosts to shut down pro-ana sites although these efforts are Sisyphean, the relocations usually quick.

Sixteen Pro Ana Tips & Tricks for Beginners

Role model skinnytoker Trindalyn Mackenzie.

If followed with sustained rigor, what's in this list should result in weight-loss and the ability to maintain a lower mass.  If adhered to, there should be no need to resort to using the new generation of GLP (Glucagon-Like Peptide) receptor agonists which, while effective, are (1) expensive, (2) introduce often novel chemicals to the body and (3) don't in all cases mean weight loss will be sustained once the course of treatment stops.  The GLPs should be regarded (like the various surgical options available) as "last resorts" because D&E (diet & exercise) is the better path to follow and the pro-ana path, though demanding, is straight, narrow and well-lit.  For thinspiration, on TikTok, a place spiritually pro-ana is the SkinnyTok community.  According to some modern conventions, the expected form would be “SkinnyTok” but typically they eschew the CamelCase (partial capitalization), preferring “skinnytok” because letters have a physical character, lower case denoting “thin” and upper case “fat”). An illustrative example of content is skinnytoker Trindalyn Mackenzie skinnysplaining: “skinny isn't owned, it's rented”.  Her concept is right, the phrase encapsulating the pro-ana world view.

(1) Keep track of your calories.  Set an absolute number and NEVER exceed it while trying always, gradually, to lower the number.  Within the calorie limit, aim for a diet which is 75% leafy-green vegetables & legumes, 20% tart fruit and 5% seeds & nuts. Added sugar should be zero because enough is in the fruit but, if absolutely necessary, one daily barley-sugar boiled sweet (taken early) is OK (brush teeth immediately after; as well as good oral practice this will diminish the possibility of the appetite being stimulated).  This diet mix can at the margins be varied but must stay vegan.  Nothing should be fried and while most vegetables can be eaten raw (carrot & celery sticks the preferred pro-ana snack), there are advantages in cooking some with steaming usually the best method; steam only to the point necessary (it will vary) and at that point there should still be crunchiness.  In most cases, don't peel vegetables because some of the most valuable nutritional content lies just under the skin and one highly recommended technique is to base your selection of fruits & vegetables on skin & flesh color; eat a variety of colors.  Herbs & spices add much flavor and if you use the ones you most enjoy, they will tend to train the yearnings of your taste buds away from fat, salt & sugar.  Salt intake is essential but the daily requirement is little more than a teaspoon, much of which will be obtained from food.  If adding salt, stick to the terms in the cookbooks: sprinkle & pinch.

(2) Drink lots of water; try to aim for seven litres a day but anything over five is OK.  Being hydrated is anyway healthy and drinking water before taking food helps fill your stomach faster so you’ll eat less.  Remember to not drink a lot of water at once; instead keep hydrated by drinking little amount after every few minutes.  Always drink it as cold as possible, it forces the burning of more calories to restore body temperature.  Unless operating in extreme conditions with high fluid loss, do not go over eight litres a day; water can in extreme case be toxic and death has been reported among those who have ingested around 20 litres (less may be fatal in certain individuals, especially those with a lower body mass, hence the 5-7 litre recommendation). 

(3) Place a full-length mirror in your bedroom and evaluate yourself on daily basis. This is one of the best ways to stay motivated and remember, you’re there to be critical as well as admire.  If you can arrange multiple mirrors to provide for a 360^o view that's even better because it makes it easier to focus on problem areas (these can persist even as overall weight is falling).  Hanging a thinspiration photograph next to the mirror is recommended. 

(4) Have small meals.  It’s easier for the body to burn three 100 calorie meals than one of 300 and lends your body the illusion you’re eating enough to keep the stomach full, whereas you’re eating less.  Always eat slowly and chew thoroughly, it will hasten the digestive process.  After every meal, brush teeth; again, this is good dental hygiene but with freshly brushed teeth, you'll be less inclined to eat. 

(5) Find an ana-buddy.  The pro-ana routine can be a harsh mistress so an ana-buddy with whom you can talk about your problems and diet related stuff can be helpful but only if they're a kindred spirit.  This works not only by keeping each other motivated but you'll also teach each other new tricks or exercise routines.  You both must be 100% committed to the system and such noble souls are rare so, if need be, replace them with someone wholly committed.  You're in a war with weight so be harsh and accept only allies who will help in the fight.

(6) With the aggressive pro-ana diet, it’s very important to take vitamin pills.  Research suggests that for most people on what is the orthodox "balanced diet", vitamin supplements are probably unnecessary (some researchers suggest they can even be counter-productive) but because pro-ana doesn't include certain food groups, a daily multi-vitamin is recommended and usually adequate so resist the temptation to take two and do so only if you become light-headed or faint with any frequency; you may need specific additional supplements.  The most publicized deficiency associated with pro-ana is iron and it may thus be necessary greatly to increase the intake of leafy greens like spinach or peas, broccoli & string beans; seeds high in iron include pumpkin, sesame, hemp and flaxseeds.  One's family physician can obtain the tests to determine specific deficiencies and these should be dealt with by adjustment to the diet.  Remember though that doctors are inclined to be dictatorial and the recommended technique to deal with their negativity is just to agree with whatever they say.  Try to appear sincere and be deferential; they like that.   

(7) Avoid butter and oils.  Treat them like sugar or drugs of dependency.

(8) Resist the temptation to smoke or vape.  While it's true some short-term weight loss often is achieved by smoking cigarettes, (1) in the medium-long term weigh-gain is the typical consequence, (2) the nicotine in cigarettes is addictive making it difficult to use tobacco as a short-term or occasional "quick-fix" and (3) it's a carcinogenic product which, on average, appears to reduce life-expectancy by around a decade.  Not enough is yet known about vapes but there are many reports of adverse outcomes, presumed to be a consequence of inhaling that many chemicals.       

(9) Sleep at least eight hours a day, preferably more.  Less sleep means tiredness and hunger and you can’t eat while asleep.

(10) Keep setting a target weight.  Because of fluid retention and other cyclical variations, it’s probably counter-production to set daily targets and a weekly goal is better although true obsessives will monitor at least once and maybe several times a day; this is not discouraged.  To stay motivated, hang on the wall thinspiration photographs of slender models to observe while weighing-in.  Many non-ana diet sites suggest avoiding weighing-in daily and clinically they may be right it achieves little but they just don't understand the nature of obsessions.  Record the weigh-ins so you can chart progress over weeks and months; this requires nothing more demanding than the most basic open-source spreadsheet but math nerds who enjoy such things can do it with pen & paper.  Although for most purposes pencils are better than pens, ink is permanent so it's harder to cheat.  You will be tempted to cheat but you must not; pro-ana does often demand you lie to others but you must never lie to yourself.

Example of a thinspiration photo: Model Lululeika Ravn Liep (b 1998), Cover magazine, February 2015.  Although the use of this image was condemned by the thought police, a true pro-anaite should think: “She could lose a few pounds.”

(11)  Do NOT drink any alcoholic beverages; for variety only soda-water or carbonated mineral water are acceptable.  Coffee and tea are good appetite suppressants so drink only black coffee or tea and NO milk or sugar.  Avoid caffeine drinks; they’ll contain either sugar or chemicals about which there exists no reliable research on how they affect the appetite.  Avoid the inherently sweet herbal teas; they do tend to stimulate the appetite in a way black tea and coffee don't.  Black tea and coffee are also useful in training the palette away from sweetness and towards the tart.  After a while, this will start to influence your choice of fruits and vegetables; as a general principle the darker and more bitter in taste, the better.  Care must of course be taken.  In its pure form, caffeine can be fatal in tiny quantities although in the form usually enjoyed (coffee), one would need to drink dozens of cups in a day to approach toxicity.  The French philosopher Voltaire (François-Marie Arouet; 1694–1778), often at the Café de Procope in Paris, drank a reputed forty-odd cups a day, enjoying it so much he ignored the advice of his doctors to stop.  He lived to 84 but there’s no evidence the often attributed quotation: “It may be poison, but I have been drinking it for sixty-five years, and I am not dead yet” was his.  The more likely source is French author Bernard Le Bovier de Fontenelle (1657–1757) whose actual words were: “I think it must be [a slow poison], for I’ve been drinking it for eighty-five years and am not dead yet.”   Fontenelle died a month short of his hundredth birthday.  The sensible approach is to restrict yourself to one strong (ie short black and such) coffee at the start of the day and otherwise just have cups of weak (even decaffeinated) instant coffee; think of it not as a stimulant but a companion.

(12) Wearing short clothes can be very motivating. Wear short or revealing clothes so when looking at yourself in the mirror it will be obvious there's still work to do, something often disguised by the garments worn in public.  Wear in private clothes you'd never dare to wear in public and make it a goal to be able to wear them out without looking fat.    

(13) Drink the juice of a squeezed lemon in hot water first thing each morning and last thing each evening; it has the general effect of adding to the stomach acids which break up food.  Because of this acid, always brush teeth afterwards.

(14) If you have to eat in company (it can be unavoidable), wear baggy clothes with big pockets able to be lined with plastic bags.  Then, when no one is looking, you can dispose of food and people will think you eat normally.  It sounds a difficult thing surreptitiously to manage and to start with it will be but you’ll learn to adopt techniques like always sitting in a corner or at the end of the table and soon become an expert.  It's easier than it sounds.

(15) Exercise every day.  Gyms are optional because you can do even better with ana-specific routines such as running up stairs or hills, both of which have an extraordinary multiplier-effect on whatever distance is achieved.  Unlike gyms, it's also free; remember the goal is weight-loss, not an abstractions like muscle tone.  Success is not looking fit & toned, success is looking thin & frail.  If possible, exercise in darkness to avoid sun exposure; if this is not possible (and there may be good reasons to restrict this to daylight hours) cover as much skin as possible with protective clothing and use the highest available SPF (sun protection factor) sun-block lotion, wear a wide brim hat and never forget the sunglasses.  Never use elevators and escalators; always take the stairs.  Wherever possible, replace travel by cars, trains and busses with walking or biking.  This is also good for the planet which is the only one we have.

(16) Eat ice; ice can be an alternative to a meal, it really works.  Shaved ice is best because it avoids dental damage; there are many things to consider when eating ice and curiously, sometimes it's advantageous to take more, sometimes less.  For a discussion on the mechanics of ice-eating: The eating of ice

Anorexia nervosa was included in the (1952) first edition of the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM) as a psycho-physiological reaction. The DSM-II (1968) moved it to Special Symptoms–Feeding Disturbances and in 1980, a new eating disorders section was created for the DSM-III.  The most significant structural change came in 1994 when in DSM-IV the condition was afforded its own section.  The DSM-5 (2013) relaxed some of the diagnostic criteria including, for the first time, rendering it all entirely gender-neutral, a gesture to conform with practices elsewhere rather than anything suggesting clinical experience was noting a greater gender-spread in the patient count.  Announcing DSM-5, the board noted it wished to reduce the number of patients in the former EDNOS (Eating Disorder Not Otherwise Specified) category, now reclassified as the OSFED (Other Specified Feeding or Eating Disorder) group.  Thus the psychiatrists staked their claim in this low-cal demarcation dispute by capturing the wannarexics.