Braid & Plait

Braid (pronounced breyd)

(1) A braided length or plait, of hair; a hair style formed by interweaving three or more strands of hair.

(2) A narrow, rope-like band formed by plaiting or weaving together several strands of silk, cotton, or other material, used as trimming for garments, drapery, etc; a band, ribbon, etc, for binding or confining the hair.

(3) A weave of three or more strands of fibers, ribbons, cords and such for purposes functional or decorative.

(4) In electronics. a stranded wire composed of a number of smaller wires twisted together.

(5) A tubular sheath made of braided strands of metal placed around a central cable for shielding against electromagnetic interference.

(6) A tubular sheath made of braided strands of metal placed around a (usually) rubber) tube carrying (cooling or lubricating etc) fluids.

(7) as "to upbraid", to reproach; (archaic and probably extinct as both noun & verb).

(8) To mix, or make uniformly soft, by beating, rubbing, or straining, as in preparing food (a now rare verb still seen in some cookbooks).

(9) A jerk or other sudden movement; a wrench (obsolete since the 1600s).

(10) A capricious act or outburst of passion or anger (now rare). 

(11) A wicker guard for protecting newly grafted trees (English dialectal use).

(12) A moment, stound (obsolete).

(13) A turn of work, job (obsolete) .

(14) A trick; deception (obsolete).

(15) In mathematics & topology, given two sets of n points on corresponding positions on two parallel lines, a braid is a unique set of crossings (over or under) between n strands that connect each point on one line to a point on the other line such that all points represent the terminus of one and only one strand and the traversal of any strand from a starting point to an ending point never moves further away from the from the ending point. 

(16) To weave together strips or strands of; plait.

(17) To form by such weaving.

(18) To bind or confine (the hair) with a band, ribbon etc.

Pre 950: From the Middle English braiden, breiden & bræiden, from the Old English breġdan (to move quickly, pull, shake, swing, throw (wrestling), draw (sword), drag; bend, weave, braid, knit, join together; change color, vary, be transformed; bind, knot; move, be pulled; flash), from the Proto-Germanic bregdaną (to flicker, flutter, jerk, tug, twitch, flinch, move, swing), from the primitive Indo-European bhrēḱ- & bhrēǵ- (to shine, shimmer).  It was cognate with Scots brade & braid (to move quickly or suddenly), the Saterland Frisian braidje (to knit), the West Frisian breidzje, the Dutch breien (to knit), the Low German breiden, the Bavarian bretten (to move quickly, twitch), the Icelandic bregða (to move quickly, jerk), the Faroese bregða (to move quickly, react swiftly; to draw (sword)) and the Faroese bregda (to plaid, braid, twist, twine). From the same root came the Old High German brettan (to draw a sword).  Braid is a noun, verb & adjective, braidwork, braider & braidedness are nouns, braiding is a noun & verb, braided is a verb & adjective and braidlike & braidable are adjectives; the noun plural is braids. 

Yulia Tymoshenko (b 1960; Prime Minister of Ukraine 2005 & 2007-2010) braided (left) and unbraided (the JBF effect, right).

Despite a long and varied history, the verb & adverb abraid is also probably extinct or at least obsolete.  Between the tenth & thirteenth centuries it meant (1) to wrench (something) out or (2) to unsheathe a blade (in the sense of drawing a weapon).  From the eleventh century it meant "to spring, start, make a sudden movement" (and this endures as a literary & poetic device) but the contemporary sense of "to wake up" died out in the 1700s.  The fifteenth century use to mean "to shout out" vanished from use during the 1500s and the later meaning "to rise in the stomach with nausea was in general use between the sixteenth & nineteenth century but after the 1890s seems only to have appeared in a diminishing number of medical texts.  

Lindsay Lohan with asymmetric plait, Art Biennale Party, St Regis Venice San Clemente Palace, Venice, May 2015.

The sense of "a deceit, stratagem, trick" is attested from circa 1300, the related meaning "sudden or quick movement" (in part from the Old English stems gebrægd (craft, fraud) & gebregd (commotion)) noted in the same era.  The Old Norse bragð (deed, trick) existed in the same sense as the Old English.  The meaning "anything plaited or entwined" is from the 1520s and soon cam especially to be associated with hair.  Braided, the past-participle adjective from braid, came in 1901 to be used by geographers to describe the flow of certain rivers and streams.  The Old English upbregdan (bring forth as a ground for censure) the construct being the adverb up + bregdan (move quickly, intertwine) was mirrored by a similar formation in Middle Swedish: upbrygdha.  The meaning "scold" is first attested from the late thirteenth century.  Forms (hyphenated and not regardless of the conventions) such as microbraid, cobraided, re-braid, de-braid & un-braid are created as required.

Plait (pronounced pleyt or plat)

(1) A braid, especially of hair or straw.

(2) A pleat or fold, as of cloth.

(3) To braid, as hair or straw.

(4) To make, as a mat, by braiding.

(5) A loaf of bread of several twisting or intertwining parts

(6) A rare spelling of pleat

1350–1400: From the Middle English pleit & pleyt, from the Middle French pleit, from the Old French ploit, from the Latin plicitum, neuter of plicitus, past participle of plicāre (to fold).  The Latin plectō was akin to Old Norse flétta, the Danish flette and the Russian сплетать (spletatʹ).  Ultimate root was the primitive Indo-European plek- (to plait).  The late fourteenth century spelling of the verb was pleiten, (to fold (something), gather in pleats, double in narrow strips (also "to braid or weave (something)) directly from the noun plait and the Old French pleir (to fold), a variant of ploier & ployer (to fold, bend), again from the Latin plicāre (to fold).  

Lindsay Lohan (bottom row, centre) in Sesame Street's "Braid-y Bunch" (episode 3357, 1994).

The sometimes confused platt is from the Middle English platten, and is an obsolete spelling of plat (material made by interweaving, especially material made by interweaving straw, used to make hats); thus the connection.  The verb plat (to interweave) was a late fourteenth century variant of plait, the related forms being platted & platting.  Pleat (to fold or gather in pleats) was from the 1560s, used as the verb version of the noun plait and may even have represented an alternative pronunciation.  The noun pleat (a fold) is from the 1580s and was another variant of the noun plait.  Etymologists note the curious absence of the word from the printed records of the in the seventeenth and eighteenth centuries so either it continued only as an oral form or was revived, most suspecting the former.  Forms (hyphenated and not regardless of the conventions) such as microplait, re-plait, de-plait & un-plait are created as required.  Plait, plaiter & plaitting are nouns & verbs, plaiter & plaitwork are nouns, plaited is a verb, and plaitless & plaitlike are adjectives; the noun plural is plaits.

Famous weather forecaster Greta Thunberg (b 2003) often appeared with either a single plait or a pair.  One of the few questions she was never asked was what went through her mind when deciding which.  She recently got a bob cut which was good because long braids, in aggregate, do contribute to climate change.

Although it’s a modern convention to make a distinction when involving hair, plaits and braids are the same thing.  A braid is a structure created by interlacing three or more strands of flexible material such as textile yarns, wire, or hair.  Whereas weaving usually involves two separate, perpendicular groups of strands (warp and weft), a braid is usually long and narrow, with each component strand functionally equivalent in zigzagging forward through the overlapping mass of the others.  The most simple and common hair braid is a flat, solid, three-stranded structure but more complex braids can be constructed from an arbitrary number of strands to create a wider range of structures.

Honeywell Genesis Unshielded Twisted Pair (UTP) Plenum Communication Cable (Cat6).

In engineering uses such as hoses (typically those which need to withstand high throughput volumes, temperature or pressure) “braided” is a common convention, even if “woven mesh” would often be a more accurate description of the description.  In data cabling (where usually only two strands are involved), the convention is to describe the result as a “twisted” length, a concept of some significance over the last half-century.  In 2023 the industry noted (rather than celebrated) the 50^th anniversary of Ethernet, the networking protocol which prevailed while others died; Ethernet at times wasn’t the best of the fastest of the competing alternatives but it was accessible and it turned out to be adaptable to new technologies with scope for development.  Cables were central to Ethernet and as the protocol evolved, so did the cables which along which travelled most of the packets transmitted: even data sent or received via a WiFi connection has probably spent some time in a twisted pair cable.  The twists are expressed in TpI (twists per inch) or the less common TpC (twists per centimetre) although surprisingly in an industry laden with standards, these are neither an ISO (a specification set by the International Standards Organization) nor an industry convention, both determined by the manufacturer.  Cables with untwisted wires used to be common (and are fondly remembered by cablers because of the ease of use) but since the advent of the Cat5e standard, twisted pairs have become almost universal, the advantage being the reduction in EMI (electromagnetic interference) and crosstalk between adjacent pairs, twisting also helping to maintain signal integrity over longer distances.

Braided radiator hose on Chevrolet 427 cubic inch (7.0 litre) V8 (L89).

Once curious exception is the braided hose.  These are flexible, metallic structures used to strengthen the rubber, synthetic or composite hoses used to carry often pressurised fluids in a variety of machinery.  Fabricated usually with stainless-steel strands, they provide a wrapping around the hose and retain the necessary flexibility of movement while greatly increasing strength, pressure capacity and resistance to wear.  Why the hoses, which technically are a weaved mesh, are called braided is undocumented but it’s presumed the origin was in ad-hoc modifications created out of necessity, probably using braided fibres and the nomenclature became part of the pre-modern engineering vernacular, later to be adopted by commerce.  Used extensively in aviation, they’re popular too with those who build heavy-duty engines and even some who just like the cool visual effect.  However, despite the acknowledged superiority in durability, the originality police proscribe after-market braided hoses on the basis that almost nothing should vary from the state in which a car left the factory.  They'll allow changes to the fluids and the air in the tyres but not much else.    

A truly splendit, thick, three-strand braid which, by convention, is regarded as a hybrid, becoming a plait at the point at which the construction begins to hang free from the scalp.  The perception of thickness is accentuated by the use of a loose weave.  

Although etymologists insist plait and braid are synonyms, hairdressers distinguish between the two.  To them, a braid is a braiding of the hair where the strands are arranged in a manner which follows the contour of the scalp without hanging free.  A plait is a braid which separates from the scalp and hangs free.  There are also hybrids where the braid begins tightly adhered to the scalp before cascading free.

Celebrity Kim Kardashian (b 1980) with Fulani braids, 2018.

Hair has for millennia been braided across many cultures although it’s only in recent years the politics of hair-styles have been absorbed into identity politics.  Attempts have been made to assert exclusive cultural ownership of certain styles with the claim their adoption by the hegemonic class constitutes cultural appropriation.  In modern identity politics it means it’s wrong for the dominant group which enjoys inherent privilege to borrow cultural signifiers from minorities if they’re to be used merely for purposes of fashion or any other purpose beyond the original cultural context.  By contrast, defined minorities may adopt from the dominant culture because this is an aspect of assimilation (although within minority communities such acts may be criticized as a kind of "constructive cultural imposition").  Still, some continue to test the waters and Condoleezza Rice’s (b 1954; US secretary of state 2005-2009) performances of the works of Frédéric Chopin (1810–1849) have only ever been admired while recently, a clip circulated of African American musician Jon Batiste (b 1986) playing the opening notes of Ludwig van Beethoven’s (circa 1770–1827) Bagatelle No. 25 in A minor for solo piano (Für Elise (For Elise)) in the vein of Blues and Gospel Music without (much) adverse comment.

Singer Adele (b 1988), Notting Hill Carnival, 2020.  Instagram responded; posting on X (formerly known as Twitter) would probably have unleashed something worse.

The only exception to the rule appears to be where one is granted a kind of informal certificate as one who practices “cultural appreciation”.  This has no precise meaning and seems to be considered issued when the social media consensus (ie the volume of one pack shouting down another) emerges and is a thing based on the history of the individual who is a suspected appropriator rather than a specific act.  In other words, white folks with runs on the woke board are granted greater leeway.  Conscious perhaps there are no points to be gained from participation in this culture-battle, libertarians have generally stayed uncharacteristically silent but the right has objected.  Generally insensitive to the importance of signifiers to any culture except their own, the prevailing conservative view seems to be (1) that it’s absurd mere hair styles can be taken seriously and (2) part of the culture into which minorities wish to assimilate includes a tradition of tolerance.  The left has also commented, noting that in focusing on matters such as hair braids, activists are allowing themselves to be distracted from the issue of structural economic disadvantage which is the basic causative factor in inequality.  The debate continues.

Students and their mannequins, Pints & Ponytails, London, March 2026.  Presumably, there would be some inverse correlation between symmetry of braids and consumption of pints of beer.  As a quirk of English, while one doing the braiding is a braider, there is no companion word braidee for the one being braided; the same convention applies to plait.

So the braiding and platting of hair has for some time been political because certain styles are claimed to have specific cultural or religious connections so anyone not of the background adopting those looks risk being accused of a gamut of offences ranging from microaggression to cultural appropriation.  Recently, the braid has also entered the “toxic masculinity” debate after self-proclaimed misogynist Andrew Tate (b 1986 and dubbed by some the “high priest of toxic masculinity”) disapprovingly shared a video from a “Pints and Ponytails” event in London.  The novel P&Ps are conducted to train men in the art of creating their daughters’ braids, plaits and pony-tails, something which to most probably doesn’t look challenging until they make an attempt and find out it’s something of an art, the tresses just one component in a process which extends also to the mysteries of pins, brushes, detangler spray, leave-in conditioner and hair-ties.

A recent victim of inexpert braiding: More practice required.

To hairdressers, braids and plaits are a “basic style” taught to entry-level apprentices, but even for those familiar with tasks such as stranding cables, early results are likely to be disappointing; to assure those concerned, no daughter was damaged by the neophyte stylists, the P&P sessions conducted using the same mannequins salons use in their training.  The courses have proved popular with men as might be expected of any event including pints of beer but the serious rationale was an attempt to improve bonding between fathers and daughters as well as increasing the participation of men in child-raising chores.  As the organizers expected, the sessions also provided a time and place in which men could discuss the problems and challenges of fatherhood, the unique environment of drinking beer while learning to plait tending to encourage conversation on topics probably not often raised in situations where men gather; in other words, the sort of discussions familiar to young mothers.  Cultural critic Andrew Tate cast aspersions on the masculinity of the men taking part although one might have thought he’d see benefits in women being relieved of responsibility for the daily pony tail(s), thereby leaving them more time for cooking & cleaning.

As a general principle, the longer and thicker the hair, the more spectacular will be the braid or plat.  Ms Alyona Kravchenko (left) from Odessa last had a haircut some 27 years ago, her hair now 72 inches (1.8 m) in length.  Moscow-based Ms Olga Naumova (right) didn't make clear if she was truly an acersecomic but did reveal that in infancy her hair was so thin her parents covered her head, usually with a babushka headscarf.  It's obviously since flourished and her luxuriant locks are now 62 inches (1.57 m) long.  These are both classic three-strand braid-plait hybrids.