Rorschach

Rorschach (pronounced raw-shack)

(1) A canton and town in Switzerland.

(2) A personality test using ink-blots

1927: The ink-blot based personality analysis was first published in codified form in 1927, the genesis of which was a 1921 paper by Swiss psychiatrist Hermann Rorschach (1885-1922).  Rorschach (Wahlkreis) is a constituency of the canton of Saint Gallen, Switzerland and Rorschach is its largest town.  The town lies on the Swiss side of Lake Constance, the construct of the name an early form of the German Röhr (reeds) + Schachen (lakeside).

The Rorschach test was for some time a standard clinical diagnostic tool in psychology & psychiatry.  It was a collection of ten “ink blots”, five rendered in grey scale, two in grey & red and three in color, all printed on separate cards and presented to the subjects who were asked (1) What might this mean? & (2) What parts of the card made you say that?  The usual protocol was to provide a pencil and have the subject write their responses in the space underneath the image although, depending on the circumstances, a clinician might engage with the subject and obtain more of their thoughts or the tests could immediately be taken for analysis.  Fond of jargon, the profession even took the opportunity to coin a word to describe specific responses, a subject thought to be especially demonstrative in their response to a Rorschach ink blot said to be exhibiting "extratensive" tendencies.  As an adjective it was thus a synonym of "extroverted" and is occasionally seen outside of psychology where it probably adds little but confusion.  It served also as a noun, the relevant subjects being labelled "extratensives".

Lindsay Lohan in Rorschach Ink-Blot Test inspired gold beaded cocktail dress at the Source Code premiere, Crosby Street Hotel, New York City, March 2011.  The dress was paired with black patent ankle strap platform pumps shoes and matching opaque tights.

The idea of using indeterminate and ambiguous shapes as a way of assessing an individual's personality had been around for centuries before Dr Rorschach began his research and in the nineteenth century there were even popular parlor games which used the idea although they were designed to amuse rather than analyze.  What made Dr Rorschach’s work different was the sheer quantity of the data with with he worked, his research encompassing some 300 patients in mental institutions (with a control group of 100 “normal” subjects) to whom to he exposed over 400 ink-blots before selecting the ten which had proved to be of the greatest diagnostic utility.  Although the method was not greatly different from the games, the Rorschach test was genuinely scientific in its design and the systematic approach linking impressionistic responses to ambiguous shapes, this producing evidence of certain tendencies.  Within the still embryonic psychiatric profession, his approach was thought novel and initially received little support.  His book (a 174-page monograph Psychodiagnostik (Psychodiagnostics)), when eventually published in 1921 contained the structure of the ink-blot tests and the results of the 300 patient survey yet it attracted more interest from intrigued literary reviewers than the medical journals and he died little more than a year after its release.  Even the appearance of reviews in the odd literary magazine however did little to stimulate appeal because the book was very much a work by a scientist for other scientists and Dr Rorschach had made no attempt to make his findings accessible to a general audience.  It wasn’t until the work was republished and others began to refine the methodology that others saw potential, especially after professional mathematicians added rigor to the statistical models used to generate the scores from which conclusions were drawn.

However, those who inherited the work also shifted the goal posts.  While Dr Rorschach had always intended the ink-blots to be only a helpful tool in the diagnosis of schizophrenia, such was the expansion of the profession in the inter-war years that many became interested and, by 1938, the test had been adapted and was being promoted as a kind of “personality testing kit”.  It was quite a departure from Dr Rorschach’s original vision which had been designed deliberately to maintain some ambiguity in the images, his belief that the diagnosis of schizophrenia lay in the margins between the possible responses whereas when used as a personality testing tool, the answers took on the character of a parameter which, when collectively assessed with the provided statistical tool, placed patients in categories.

The Rorschach cards

The test in that form proved highly successful, its proliferation assisted by the demands of wartime and the military’s need for psychological testing, the Rorschach kit easily produced, more popular with subjects than many other methods and, as a piece of mathematics, able easily to be collated into the big data sets electronic machines were beginning to make possible.  It had that those qualities the military so adore: Speed, standardization and simplicity.  It was therefore by the mid 1940s a standard part of psychological testing, used in everything from job applications to assessing an inmate’s eligibility for parole so it was perhaps inevitable it would be applied to the defendants in the Nuremberg trial (1945-1946).  Even before the International Military Tribunal (IMT; which would conduct the trial) assembled, the authorities in charge of the Nazis in custody insisted on psychiatrists and psychologists being available as soon as the prisoners had been assembled.  There were a number of reasons for this, notably that they wanted to ensure the prisoners had the support necessary to dissuade them from attempting suicide and there was the need also to ensure all were mentally competent to stand trial.  Additionally, there was genuine curiosity about the Nazis because never had there been such an opportunity to subject to tests two-dozen odd who were responsible for what was becoming clear were the greatest crimes in history.  The question then, as now was: Are “normal ordinary people” able to be drawn to commit evil acts or are some people evil.

The Rorschach tests were of course only one of the tools the clinicians assigned to Nuremberg used and the conclusion drawn was that all defendants were sane in the sense they were legally sane and thus mentally competent to stand trial even if they were depressed psychopaths (that seemed to be the most common phrase).  Quite what part the tests played in this isn’t clear but the test results themselves assumed a life independent of the trial because of a dispute between the two clinicians most involved in the testing and it wasn’t until the 1990s they were (almost) all published.  This psychological time capsule proved irresistibly tempting for one of the US’s foremost Rorschach experts who over the years had assembled records which could be used as an extraordinarily diverse control group which included (in the hundreds) medical students, Unitarian ministers, psychology students, criminals, business executives and random patients from private practice.  From this were selected the clerics and psychiatric outpatients, the purpose of a comparison with the Nuremberg Nazis being a critique of a recently published analysis of the test results which had concluded the defendants (as individuals and a representatives of the whole Nazi hierarchy) were “cursed beyond redemption” and thus profoundly of “the other”.  Their work was not entirely conventional by accepted scientific standards and they tacitly acknowledged some of the long acknowledged limitations of the test but never wavered from their finding “…the Nazis were not psychologically normal or healthy individuals”.

Defendants in the dock, Palace of Justice, Nuremberg, 1945-1946.

That was as controversial a view in the 1990s as it had been fifty years earlier and if a blind test could not distinguish of the Nazi’s data from the two control groups, at least some doubt would be cast.  Accordingly, ten Rorschach experts were assembled and asked to assemble them into three groups.  All that did was identify the high, medium and low-functioning of each group but there was nothing in them which separated the Nazis.  That was interesting but what was probably definitive was that even when told the nature of the data, the experts were unable to discern any difference between the responses which would enable the Nazis to be identified.  Perhaps sadly, the Nazis may have been as ordinary as they appeared in the dock, the implication being we're all capable of evil, given the right temptation, a nod to an earlier memorable phrase spoken of them: "The banality of evil".  

As that might indicate, like many tests in psychology, the Rorschach is probably useful if its limitations are recognized and the interpretations thought valid decades ago are no longer treated as proven science.  For example there may be something which can be deduced from a subject assessing the whole image in their response which is different for one who picks just a section or who finds something different in different parts but whether there’s anything substantive in the difference between seeing moth and a butterfly may be dubious.  The test is still widely used although many have abandoned it though it’s famously a cult in Japan where it’s one of the profession’s standard tools.  Elsewhere use is mixed.  Interestingly, while the fourth edition of the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM-IV (1994) did not endorse or recommend the use of any particular projective test, it did note many were used in clinical practice but cautioned that the validity and reliability of these tests had not been firmly established, urging caution.  Neither the DSM-5 (2013) nor DSM-5-TR (2022) make any reference to the Rorschach test.

Newmanesque

Newmanesque (pronounced new-min-esk)

The feelings of wonderment, awe, fear and enchantment induced in one when looking to the stars.

1860: From the writings of Cardinal Saint John Henry Newman (1801-1890), the construct being Newman + esque.  The -esque suffix was from the French -esque (-ish, -ic, -esque), from the Italian -esco, from the Latin -iscus, of Germanic origin, from the Lombardic -isc (-ish), from the Proto-West Germanic -isk, from the Proto-Germanic -iskaz (-ish), from the primitive Indo-European -iskos.  It was cognate with the Old High German -isc (from which German gained -isch), the Old English –isċ, the Old Norse –iskr and the Gothic -isks.   It was appended to nouns (particularly proper nouns) to form adjectives in the sense of (1) resembling or tending towards and (2) in the style or manner of.  English picked up the suffix directly as –ish; the -esque suffix technically means a stronger association than -ish or -ite but is often anyway preferred for literary effect.   

Cardinal Saint John Henry Newman (1801-1890).

John Henry Newman was a poet and theologian, first an evangelical Anglican priest (albeit one gradually assuming a higher ecclesiastical tone) who later, despite having once described the Roman church as "…polytheistic, degrading and idolatrous" became a Roman Catholic cardinal.  This appears to have happened because Newman the younger became haunted by the fourth century words of Saint Augustine of Hippo (354–430), Securus judicat orbis terrarum!, usually translated by scholars as “the verdict of the world is conclusive” and by theologians as “wherefore the entire world judges out of security, they are not good who separate themselves from the entire world, in whatever part of the entire world”.

To structuralists, it means “it is good to keep the sinners in our midst if this is the way we may convert them”.  Newman dwelt on this for some time, an indication it’s not good for impressionable souls to read Augustine, Emily Brontë (1818–1848) or Friedrich Nietzsche (1844–1900) at too young an age.  Among the laity, Newman is most remembered for what’s called the newmanesque or the newmanist: the sense of awe wonderment even atheists might feel when gazing at the heavens.  In July 2019, Pope Francis (b 1936; pope since 2013) announced at a Consistory of Cardinals (a formal meeting of the College of Cardinals which a pope can convene at any time and known within the Vatican as “a conspiracy of cardinals”) that Newman would be created a saint and his canonisation was formally announced on 13 October, thus becoming the first English saint since the seventeenth century.  It’s a long process: Newman was proclaimed "Venerable" by the Congregation for the Causes of Saints in 1991 and was beatified in 2010.  Canonisation was the final step.

The Newmanesque; some get it and some don't: Lindsay Lohan (left) and Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) (right).

The Newmanesque: Look back in awe

Hubble Space Telescope Image NGC 6302 (butterfly nebula), 27 July 2009.

Image NGC 6302, commonly called the butterfly nebula, was taken by the Hubble telescope on 27 July 2009.  Something of a celestial Rorschach test card, cosmic reality belies the delicate appearance of this butterfly, those fragile-looking wings actually boiling cauldrons of gas, swirling at some 36,000^o F (20,000^o C) and travelling through space at 600,000 mph (960,000 km/h), fast enough to travel between earth and the moon in little more than twenty minutes.  The butterfly is in our Milky Way galaxy, some 3800 light-years distant in the constellation of Scorpius, the glowing gas the star’s outer layers, expelled over two millennia, the wingspan more than two light-years across.

At the centre lies a dying star once five times the mass of the Sun but, with its envelope of gases ejected, it’s now unleashing the stream of ultraviolet radiation that gives the cast-off material its glow.  The central star can’t be seen because of the surrounding thick belt of dust which constricts its outflow, creating the classic “bipolar” or hourglass shape shared with many planetary nebulae.  The data from Hubble do however allow scientists to construct a picture with the surface temperature estimated to be over 400,000^o F (220,000^o C), making it one of the Milky Way’s hotter stars.  Before losing the extended outer layers, the star had evolved into a red giant, with a diameter a thousand times that of the Sun, some of the cast-off gas creating the doughnut-shaped ring while other gas was ejected perpendicular to the ring at higher speeds, producing the butterfly’s elongated wings.  Later, as the star heated, a faster stellar wind (a stream of charged particles), ploughed through the structure, again modifying the shape.