Thursday, July 6, 2023

Pravda

Pravda (pronounced prahv-duh)

(1) Formerly an official newspaper of the Communist Party of the USSR.

(2) A newspaper now run by the Communist Party of the Russian Federation (the digital presence (Russian, English & Portuguese) maintained by a nominally privately-controlled entity.

(3) In slang (in the West), a derisive term applied to any form of news media thought to be biased or distributing fake news or misinformation (often on the basis of them being a mouthpiece of the state or the corporate interests of the owners).

Pre 1600: From the Russian правда (pravda) (literally “the truth”), from the Proto-Slavic правъ (pravŭ) (used variously to denote concepts related to law, order, and correctness), the source also of other Slavic words such as the Bulgarian, Czech and Slovak право (pravo) which was formed in Polish as prawo, all of which variously conveyed “law”, “justice”, “right” or “righteousness”.  Over time, the word shifted in meaning, assuming the modern general sense of “truth” by the mid-nineteenth century. Pravda is a noun; the noun plural is pravdas.

Pravda mini pencil-skirt with hammer & sickle.

Officially, Pravda was first published in 1912 but it had actually existed in Moscow since 1903 although originally it showed no overt political orientation, something which changed after the abortive Russian Revolution of 1905 and editorial direction became contested before a leftist faction gained control.  In the manner in which the control of institutions passed between the factions in the years prior to the 1917 revolution, Pravda was for a while edited by Comrade Leon Trotsky (1879-1940; founder of the Fourth International) who moved the operation to Vienna to protect it from the attention of the Tsar’s police before it was taken over by Comrade Vladimir Lenin (1870–1924; head of government of Russia or Soviet Union 1917-1924).  Lenin was a lawyer who understood how a carefully designed corporate structure could take advantage of Russian law and moved the paper to Saint Petersburg (known as Leningrad in the days of the USSR).  His tactics substantially ensured ongoing publication until the outbreak of World War I (1914-1918) when the government (like many including some in the West) either suspended or changed any laws which looked inconvenient and wartime regulations were used to censor the press to the extent Pravda was closed and in a game of cat-and-mouse was forced to change both its name and the premises from which it operated on a number of occasions (officially eight but some editions never actually reached the printing stage and it may have been as many as eleven).  Despite it all, between 1912-1991, Pravda survived to operate as the organ of the Communist Party and after 1917 it was the voice of the state.  Pravda always enjoyed wide circulation but under an arrangement which must make modern editors and proprietors envious, there was never much interest in stimulating sales, it being compulsory for all the many parts of state institutions and the military to each day buy multiple copies.  Whenever additional funds were needed, department heads were ordered to order more.

Special Edition of Izvestia published in honor of Comrade Stalin’s state funeral, Moscow, 9 March 1953.  Both newspapers were integral to the manufacturing of Stalin's cult of personality.

The other Russian newspaper of note was Известия (Izvestia) which translates for most purposes as “the news”.  The Russian izvestiya means “bring news”, “tidings” or “herald” (in the medieval sense of an official messenger announcing news) and was from the verb izveshchat (to inform; to notify).  It was exclusively a creation of the party, founded in 1917 initially as a vehicle for the distribution of statements by and comment on behalf of the Supreme Soviet of the Soviet Union.  Unlike Pravda which to some extent still operated as a conventional newspaper (though without any dissenting views), Izvestia existed only to disseminate state propaganda.  Now controlled by the National Media Group, it survives to this day and is described as a “national newspaper of Russia” although, given the present-day influence the Kremlin, its original full-name Известия Советов народных депутатов СССР (Izvestiya Sovetov Narodnykh Deputatov SSSR) which translates as “Reports of Soviets of Peoples' Deputies of the USSR” hints at the source of editorial direction.  There are of course differences between the press in Russia and in the West but there are also similarities, notably in the cynicism of the readership, a favorite saying in Soviet times being there was no pravda in the Izvestia and no investia in the Pravda.  Another similarity with Western corporations is that Pravda enjoys an eponymous street address, its headquarters being at 24 Pravda Street, Moscow, emulating Apple (1 Apple Park Way, Cupertino, California) and Microsoft (One Microsoft Way, Redmond, Washington).

Pravda, 6 March 1953.  On the day the death of Comrade Joseph Stalin (1878-1953; Soviet leader 1924-1953) was announced, the first indication to Muscovites the news might be ominous was that Pravda and Izvestia, rather than appearing shortly after midnight, didn’t show up in the kiosks until after nine.  Pravda noted the event with an appropriately mournful black border around its front page which was devoted wholly to Stalin and included an editorial calling for “monolithic unity” and “vigilance”.  Presumably, Mr Putin (b 1952; president or prime minister of Russia since 1999) still feels much the same.

Lindsay Lohan attending the Just Sing It App Launch at Pravda, New York City, December 2013.

For over seventy years, the two newspapers existed as documents, if not of news and truth in the conventional sense of the words, a uniquely accurate record of the official Soviet world-view and the way it wish to be represented.  It was influential too in that many of its stock phrases and modes of expression were picked up by political scientists in the West and, given the paucity of information from other sources, analyzing Pravda and Izvestia became a staple of the diet of the Kremlinologists who inhabited university departments and later think tanks, parsing and deconstructing the text in search of the hidden meanings of what Winston Churchill (1975-1965; UK prime-minister 1940-1945 & 1951-1955) described as “a riddle, wrapped in a mystery, inside an enigma”.

Echo

Echo (pronounced ek-oh)

(1) A repetition of sound produced by the reflection of sound waves from a wall, mountain, or other obstructing surface.

(2) A sound heard again near its source after being reflected.

(3) Any repetition or close imitation, as of the ideas or opinions of another.

(4) A person who reflects or imitates another.

(5) A sympathetic or identical response, as to sentiments expressed.

(6) A lingering trace or effect.

(7) In classical mythology, a mountain nymph who pined away for love of the beautiful youth Narcissus until only her voice remained (initial capital letter).

(8) In certain card games, the play of a high card and then a low card in the suit led by one's partner as a signal to continue leading the suit, as in bridge, or to lead a trump, as in whist.

(9) In electronics, the reflection of a radio wave, as in radar, sonar or the like.

(10) In the history of US aerospace, one of an early series of inflatable passive communications satellites (initial capital letter).

(11) In communications, the representation of the letter E in the NATO/ICAO Phonetic Alphabet.

(12) In linguistics, as imperfect echoic, the accidental creation of new words based on (an often phonetic) mishearing of the original.

(13) In the musical instrument the organ, a manual (or stop) that controls a set of quiet pipes that give the illusion of sounding at a distance

(14) In electronic music, an effect that adds vibration or resonance

(15) In computing, the command to display a character on the screen of a visual display unit as a response to receiving that character from a keyboard entry (@echo on & @echo off in some scripting languages).

(16) In medicine, the colloquial term for echocardiography or echocardiogram.

1300-1350: From the Middle English eccho, ecco & ekko (sound repeated by reflection) from the Medieval Latin ēchō, from the Classical Latin echo, from the Ancient Greek χώ (ēkh), from χή (ēkh) (sound) & ēkhein (to resound) from the primitive Indo-European wagh-io-, an extended form of the root wagh or swagh (to resound), the source also of the Sanskrit vagnuh (sound), the Latin vagire (to cry) and the Old English swogan (to resound).  The first echo chambers date from 1937 and literally were chambers (rooms) designed to enable the generation of echoes under controlled conditions for purposes such as the enhanced & directed reflections needed to manufacture sound effects (EFX).  In the social media age, the term was used to describe the tendency of people to restrict themselves to sources of information which confirmed or re-enforced their existing views & prejudices.  Echo & echoing are nouns & verbs and echoed is a verb; the noun plural is echoes.

Echo and Narcissus

In one telling in Greek mythology, Echo was a nymph who lived on Mount Cithaeron.  Zeus, god of the sky and thunder and the Silvio Berlusconi of his age, enjoyed the company of beautiful nymphs, often visiting Cithaeron during his journeys on Earth. However, like Signora Berlusconi, Zeus's wife Hera became suspicious and one day left Mount Olympus planning to catch Zeus cavorting with minors.  Echo tried to protect Zeus (which she did under Zeus’ orders, a similar suspicion of witness tampering by Signore Berlusconi never proven in an Italian court) which only angered Hera more and in vengeance she cast a curse upon Echo, rendering the once loquacious nymph unable to say anything but the last words spoken to her.

Woodcut by WM Wilson of Landscape with Narcissus and Echo (1644) by François Vivares (1709-1780).

Soon after being cursed, Echo saw the beautiful young Narcissus, out hunting with his friends.  An emo even before being cursed, Echo fell immediately in love and infatuated, followed him, wishing she could call to him but silenced by Hera’s curse.  Narcissus became lost and called out, “Is anyone there”, and heard the nymph repeat his words.  Surprised Narcissus answered “Come here”, only to be hear the same.  Confused, he shouted, "This way, we must come together" and Echo concurred.  That was enough for Echo who rushed to him, only to be rejected.  Heartbroken, as emos often are, Echo followed Narcissus, longing for his love.

Narcissus’ cruel rejection was noticed by Nemesis, the goddess of revenge.  Deciding to punish him, she lured him to a pool where he gazed into the water and saw himself in the bloom of youth.  Not realising it was but his own reflection, such was the beauty he beheld he fell deeply in love and was unable to depart the allure of the image.  When finally he realised the love he felt could not be, he melted away, his last words being “I loved you in vain, farewell”.  To which Echo replied “farewell”.  Mourning his loss, Echo wasted away, her bones turned to stone and all that remained was her voice.  Narcissus turned to ash, becoming eventually a gold and white flower.

Lindsay Lohan in Marc Ecko's (b 1972) Cut & Sew multi-media marketing campaign (Fall 2010), based on the themes of cultural navigator, disruptor, entrepreneur, passionate craftsman & artist.  Shot by New York City photographer Zach Gold (b 1972), each image was then rendered in the style of works by American illustrator Robert McGinnis (b 1926), most associated with the graphical art used on James Bond 007 movie posters in the 1970s.

Wednesday, July 5, 2023

Spot

Spot (pronounced spot)

(1) A rounded mark or stain made by foreign matter, as mud, blood, paint, ink etc; a blot or speck, differing usually in colour or texture from its surroundings.

(2) A small blemish, mole, or lesion on the skin or other surface (popularly associated with pimple, zits, blackheads etc).

(3) A small, circumscribed mark caused by disease, allergic reaction, decay, etc.

(4) A comparatively small, usually roundish, part of a surface differing from the rest in color, texture, character etc.

(5) A place or locality (used also in the plural, often to describe places of entertainment, sightseeing locations, historic sites etc and also used of things like parking spots).

(6) In organisational structures, a specific position in a sequence or hierarchy.

(7) In playing cards, one of various traditional, geometric drawings of a club, diamond, heart, or spade indicating suit and value.

(8) A pip, as on dice or dominoes.

(9) In slang, a piece of paper money (5 spot=$5 etc).

(10) As a clipping of “spot illustration”, a small drawing, usually black and white, appearing within or accompanying a text.

(11) A small quantity of anything.

(12) In ichthyology, a small croaker (Leiostomus xanthurus) with a black spot behind the shoulders and fifteen oblique dark bars on the sides, the habitat of which is the US east coast; the southern redfish, or red horse (Sciaenops ocellatus), which has a spot on each side at the base of the tai; both popular as food fish.

(13) As a clipping of “spot market”, the informal terms for commodities (grain, oil, wool et al) sold for immediate delivery and payment at a price quoted at the point of sale.

(14) A slang term for a spotlight.

(15) To stain or mark with spots:

(16) In dry cleaning, to remove a spot or spots from clothing, prior to processing.

(17) In any context, to make a spot; to become spotted.

(18) In the military (often as target spotter or spotting), law enforcement or among criminals etc, to serve or act as a spotter.

(19) In billiards, a clipping of “spot ball” the white ball that is distinguished from the plain by a mark or spot; the player using this ball.

(20) To look out for and note; to observe or perceive suddenly, especially under difficult circumstances; to discern.

(21) In informal use (US) in some games and sports, to yield an advantage or concession to one's opponent.

(22) In zoology, a term used to describe various dot-like patterns (ladybirds, leopards et al) seen on the skin, wings, coats etc of some animals.

(23) In sports, an official determination of placement (where a referee or umpire places a ball, sets the point at which a penalty kick is to be taken etc).

(24) In broadcasting (radio & television), brief advertisement or program segment.

(25) In gymnastics, dance & weightlifting, one who spots (supports or assists a manoeuvre, or is prepared to assist if safety dictates); a spotter.

(26) A variety of the common domestic pigeon, so called from a spot on its head just above the beak.

(27) In the jargon of financial trading, the decimal point (used to ensure no ambiguities in oral exchanges).

(28) In physics, a dissipative soliton (a stable solitary localized structure that arises in nonlinear spatially extended dissipative systems due to mechanisms of self-organization); known also as a pulse.

(29) In slang (US), to loan a small amount of money to someone.

(30) In analogue & digital photograph editing, to remove minor flaws.

(31) In ballet, to keep the head and eyes pointing in a single direction while turning.

(32) To cut or chip timber in preparation for hewing.

(33) In naval aviation, to position an aircraft on the deck of an aircraft carrier ready for launch by catapult.

(34) In rail transport, to position a locomotive or car at a predetermined point (typically for loading or unloading).

1150-1200: From the Middle English spot & spotte (a moral blemish), partially from the Middle Dutch spotte (spot, speck, mark), and partially a merging with the Middle English splot, from the Old English splott (spot, speck, plot of land).  It was cognate with the East Frisian spot (speck), the North Frisian spot (speck, piece of ground), the Low German spot (speck) and the Old Norse spotti (small piece) and the Norwegian spot (spot, small piece of land); it was related also to splotch.  Describing originally some flaw of character, the idea of a “speck, stain left by something on a surface” emerged in the mid-fourteenth century, picked up from the Old English splott.  The late Middle English verb spotten (to stain, mark) was a derivative of the noun.  Variations of the form are common in Germanic languages but the nature of the spread and evolution remains murky.  From the early fourteenth century it was used to describe “a patch or mark on the fur of an animal while the sense of a “particular place, small extent of space (on a body, etc”) dated from the late 1300s, the general figurative use "a blemish, defect, distinguishing mark emerging at the same time, concurrent with the now familiar use to refer to pimple, zips etc, soon to be celebrated in the medical literature as “an eruption on the skin”.  The adjective spotless was from the late fourteenth century spotless (without flaw or blemish; pure).  The adjective spotty was from the mid-fourteenth century spotti, (marked with spots (of the skin, etc)) and it entered figurative use in the sense of “unsteady, irregular, uneven, without unity” in 1932.  Spot is a noun, verb & adjective, spotter & spotlessness are nouns, spotlike, spotless’ spotty & spottable are adjectives, spotting & spots are nouns & verbs, spotlessly is an adverb and spotted is a verb & adjective; the noun plural is spots.

The early nineteenth century use of “spotty” in art criticism was originally a critique and unrelated either to the later technique of divisionism (sometimes called chromoluminarism), most associated with Neo-Impressionist painting and defined by the colors being separated into individual dots or daubs or the “dot paintings” associated with some forms of Indigenous Australian art.  The meaning “short interval in a radio broadcast for an advertisement or announcement” dates from 1937, an extension of the earlier use in live theatre to describe “an act's position on a bill”, noted since as surprisingly late 1923.  Although it’s likely to have been longer in oral use, in 1901 it noted in the US as a term for a prison sentence (5 spot=5 years etc).

1971 Ford Mustang Boss 351.  Even when standing still the thing undeniably had a presence but the sheer volume of the rear coachwork created blind spots and the dramatic roofline (said to be highly aerodynamic) restricted rearward visibility, the glass close to horizontal.

The term “blind spot” began in optics in 1864 describing a “spot within one's range of vision but where one cannot see” which in 1872 was described scientifically as “the point on the retina insensitive to light (where the optic nerve enters the eye”.  The figurative use (of moral, intellectual matters etc) dates from 1907 while the literal (a field of vision blocked by some fixed object) was used by 1912, originally of those suffered by omnibus drivers and later it became familiar when describing defects in the visibility offered by the design of early automobiles.  Dating from 1888, “hot spot” was originally a term from dermatology which referred to the focal point of a skin irritation and was literal, the temperature at the (usually reddish) site slightly higher.  In 1931 it was use of “nightclubs or other entertainment venues" (which after 1936 were “nightspots” generally) while it came into use in fire-fighting in 1938 after research indicated the most effective way to prevent spread or lower intensity was to find the points of highest temperature.  It 1941, it came to be applied to “a place of international conflict”.  The famous g spot (also a g-spot and short for Gräfenberg spot, named for German gynecologist Ernst Gräfenberg (1881-1957)) entered English in 1981 although the doctor had described it in a paper published in 1950 but similar finding are in documents dating back centuries.  He also developed the intra-uterine device (IUD) but despite these notable contributions to science he died in obscurity.

The noun spotter (one who makes spots; one who observes things for some purpose) was first used in 1876 as a slang for “a detective”, picking up from the verb in the secondary sense of “catch with the eye” and by 1903 it was used in the general sense of a “look-out”, adopted with apparently equal enthusiasm by police and criminals alike.  It was a designated position in hunting and target practice by 1893 but the military appear not to have picked it up until the World War I (1914-1918) although such tasks had existed for centuries, pre-dating even artillery, batteries of archers supported by an observer who reported their accuracy of fire.  In the navy, they were also called “sighters” and the use of “spotter” for this purpose has even extended to electronic hardware.  The sunspot in 1818 was again from dermatology and referred to “a spot on the skin caused by exposure to the Sun”, the term picked up in 1849 by the early heliophysicists to describe the “spots on the surface of the Sun”.

Spotlights (actually anti-aircraft searchlights) used to create the Lichtdom (literally "Cathedral of Light") effect at the Nazi's Nuremberg Rallies during the 1930s.

The spotlight (source of artificial light casting a narrow, relatively intense beam) was first described in 1904 as a piece of theatrical equipment with the figurative sense dating from 1916 where it could carry either negative or positive connotations (unlike the companion “limelight” which was always positive).  The military did use the term spotlight but the “searchlight” was a more frequent entry in lists of materiel.  The hobby (which for some seems either a calling or obsession) of train-spotting was first documented in 1959 (the train spotter having been mentioned the previous year) and referred to those who observed, collected and collated the numbers of railway locomotives, one’s status in the field determined by the number of unique entries in one’s list.  The habit caught on and there are also car spotters, truck spotters, bus spotters and plane spotters, the last once causing an international incident when a group were arrested outside a Greek military airfield by police who confiscated their notebooks and cameras, accusing them of spying.  The matter was resolved.

Hitting the spot: Crooked Hillary Clinton enjoys a shot of Crown Royal Bourbon Whiskey, Bronko's restaurant, Crown Point, Indiana, Saturday 12 April, 2008.

In idiomatic use, the phrase “hit the spot” (satisfy, be what is required) was first document in 1857 while the companion “spot on” doesn’t seem to have been used until 1920.  Earlier, “on the spot” by the 1670s meant “at once, without moving or delay” and a decade later “in the precise place and time” hence to be “on the spot” implied one “doing just what is right and needed”, a form noted since 1884.  The term “man on the spot” assumed some importance in diplomatic and military chains of command in the times before modes of communications were global, convenient and real-time, a recognition the one best equipped to make a decision was “the man on the spot”; then all certainly were men.  To “put someone on the spot” or “leave them in “a bit of a spot (or a “tight spot”)” was to “place them in a difficult situation”, use dating from 1928 and 1929 respectively.  The “spot check” (an inspection of a sample chosen at random) was first described (though doubtless a long-established practice) in 1933 and was used as a verb by 1944.  The term “sweet spot” is a mid-twentieth century formation which means “the optimal point and is used to describe (1) in acoustics the point of optimal sound delivered by the positioning of speakers, (2) in economics the optional outcome in a cost-benefit analysis, (3) in sporting equipment the location on a tennis racquet, baseball bat etc which produces the most satisfactory effect on the ball, (4) in phonetics the state of harmonic resonance in the larynx which produces the perfect sound and (5) as a euphemistic, the clitoris, G-spot or other source of sexual pleasure.  Generally, it’s used to mean “any ideal location or situation.

In zoology, the nomenclature can mislead non-specialists: The black spotted estuary cod (left) is a fish with black spots whereas the black spotted pond turtle  (right) is a black amphibian with white spots.

Spot in its original sense a taint, stigma, stain or blemish on the character of a person is still used to suggest some moral flaw and is related to “can’t change one’s spots” & “a leopard can’t change its spots”, the implication being character flaws are inherent.  A “weak spot” is a specific deficiency and a “soft spot” is a “particular sympathetic affection or weakness for a person or thing” which should not be confused with the “soft underbelly”; such is a vulnerability.  To “hit the spot” is an acknowledgement a need has perfectly be satisfied (typically used to mean hunger has been sated or thirst quenched.  In the matter of the weather, if it’s “just spotting”, the rain is light.  A “black spot” is something bad or dangerous while a “bright spot” is a highlight or something positive in a sea of bad news.  The use of the phrase “X marks the spot” has expanded somewhat but originally meant “one will find what one is looking for under an obvious sign”.  Spotted fever was a term for a number of tropical diseases (the reference to the symptoms which appeared on the skin) dating from the 1640s.  The spotted dick (suet pudding with currants and raisins) appeared in recipe books in 1849 although the date of its creation is uncertain.

Spotted dick (sometimes known as spotted richard) with custard.

In June 2018, it was reported the Strangers' Dining Room the UK’s House of Commons in Westminster had changed the name of “Spotted Dick” to “Spotted Richard” although in other parts of the country, the suet & dried fruit sponge dessert remained on sale under the traditional name.  Derided by many as “wokeness” or “political correctness gone mad” the restaurant staff confirmed the change had been made in case anyone found the conjunction of spotted and dick “confronting”.  There’s no suggestion any complaints had been received which might have prompted the change but ideas soon flowed about the way people might be protected from other culinary micro-aggressions: Apple crumble was thought to be potentially offensive to those diagnosed with anxiety disorders so it might better be called apple support while the extra virgin olive oil offered with breads could be triggering for the Incels (involuntary celibate men).  Perhaps such oil could be labelled young because one certainly doesn’t wish to trigger the Incels.  The sight of Cock-a-leekie soup on a menu would be challenging for both the incontinent and those recovering from certain STIs (sexually transmitted infections which were once known as STDs (sexually transmitted diseases and before that venereal disease (VD)) so it would be better to play it straight and re-brand as chicken & leek soup.  It wasn’t until the 1970s VD began to be replaced by STD (VD thought to have to have gained too many specific associations) but fortunately for AT&T, in 1951 they renamed their STD (Subscriber Toll Dialing) service to DDD (Direct Distance Dialing), apparently for no better reason than the alliterative appeal although it's possible they just wanted to avoid mentioning “toll” with all that implies.  Many countries in the English-speaking world continued to use STD for the phone calls, even after the public health specialists had re-purposed the initialization.

Famous for his sartorial daring: Tennis player Roger Federer (b 1981), Wimbledon, July 2023.

A long-standing orthodoxy in fashion is (1) stripes and spots should never be mixed, (2) either should be worn only with a solid and (3) there's the added caveat care should be taken with color choices.  However, neither all stripes nor all spots are created equal; dimensionality matters so if small enough and in the right color combination, either can for these purposes work as solids and thus be available for mix & match.  To illustrate the technique, style guru Elisabeth McKnight explains pattern mixing with polka dots:

(1) Pick a color palette: Black and white is an easy starter palette, but even if adding color, stick to only a few.  Find patterns with the same colors in them or keep it easy by mixing colors of the same tone together (pastels with pastels or jewel tones with jewel tones, for example).

(2) Mix patterns of different scales: Pair a small print with a large and avoid prints of the same size. If using only one print (like a tiny polka dot skirt) with a very small print, essentially it acts as a neutral.  So, when wearing polka dots and stripes together, ensure dots are small if the stripes are bold.  Alternatively, if the print of the stripe is small, it can be paired with bigger dots.  As a rule of thumb, use the “ten foot rule”.  At that distance, to the naked eye, the fabric with small dots or strips should be had to distinguish from a solid.

(3) Mix textures for added dimension: Although it can be a dramatic look, especially with statements like red or purple, interest can be added if different fabrics are used for top and bottom garments.

How it's done: Lindsay Lohan demonstrates how spots and stripes work best with solids.

Voice

Voice (pronounced vois)

(1) The sound made by the vibration of the vocal cords, especially when modified by the resonant effect of the tongue and mouth; the sound or sounds uttered through the mouth of living creatures, especially of human beings in speaking, shouting, singing etc.

(2) The faculty or power of uttering sounds through the mouth by the controlled expulsion of air; speech.

(3) A range of such sounds to some extent distinctive to one person, or to a type of person or animal.

(4) The condition or effectiveness of the voice for speaking or singing (usually expressed in the phrases “in good voice” or “in poor voice” (although “in good voice” is also used sarcastically to refer to someone merely talkative or voluble).

(5) A sound likened to or resembling vocal utterance.

(6) Something likened to speech as conveying impressions to the mind (voice of the forest etc).

(7) Expression in spoken or written words, or by other means (to give voice); that which is communicated; message; meaning.

(8) The right to present and receive consideration of one's desires or opinions (usually in a political context, “the voice of the people” said to be expressed by voting in elections).

(9) An expressed opinion or choice (literally, electorally or behaviorally); an expressed will or desire, wish or injunction (“with one voice” meaning unanimous).

(10) The person or other agency through which something is expressed or revealed such as the notion of the Roman Catholic Pope being the “Vicar of Christ on Earth” and thus “The voice of God”.

(11) A warning that proved to be the voice of prophecy.

(12) In music, a substitute word which can apply to a singer, a voice part or that part of musical score which involves singing and (in harmony) an independent melodic line or parta fugue in five voices.

(13) In phonetics, the audible result of phonation and resonance; to pronounce with glottal vibration (and distinguished from the mere breath sounds heard in whispering and voiceless consonants).

(14) In grammar, a set of categories for which the verb is inflected in some languages (notably Latin) and which is typically used to indicate the relation of the verbal action to the subject as performer, under-goer, or beneficiary of its action; a particular way of inflecting or conjugating verbs, or a particular form of a verb, by means of which is indicated the relation of the subject of the verb to the action which the verb expresses.

(15) In grammar, a set of syntactic devices in some languages, as English, that is similar to this set in function; any of the categories of these sets (eg the English passive voice; the Greek middle voice).

(16) In the tuning of musical instruments, the finer regulation (expressed usually as intensity, color or shades of light), used especially of the piano and organ.

(17) To give utterance or expression to; declare; proclaim (“to voice one’s approval”, “to voice one’s discontent” etc).

(18) In sign languages, the interpretation into spoken language.

(19) In computers. of or relating to the use of human or synthesized speech (as voice to text, text to voice, voice-data entry; voice output, voice command etc).

(20) In telecommunications, of or relating to the transmission of speech or data over media designed for the transmission of speech (in classifications such as voice-grade channel, voice-data network, voice-activated, voice over internet protocol (VoIP) etc); in internet use, a flag associated with a user on a channel, determining whether or not they can send messages to the channel.

(21) A rumor; fame, renown; command precept; to vote; to elect; to appoint; to clamor; to cry out (all obsolete).

(22) In entertainment, to provide the voice for a character (as voice-over for purposes such as foreign translations).

(23) In literary theory (1) the role of the narrator, (2) as viewpoint, the position of the narrator in relation to their story & (3) the content of what is delivered behind a persona (mask), the most basic form of aesthetic distance.

1250–1300: From the Middle English noun voice, voys & vois (sound made by the human mouth), from the Anglo-French voiz, voys & voice or directly from the Old French voiz & vois (voice, speech; word, saying, rumor, report (which survives in Modern French as voix)), from the Latin vōcem (voice, sound, utterance, cry, call, speech, sentence, language, word (and accusative of vōx (voice)), from the primitive Indo-European wkws, root noun from wekw- (to utter, speak).  It was cognate with the Latin vocāre (to call), the Sanskrit वाच् (vāc) & vakti ((he) speaks), the Ancient Greek ψ (óps) (voice) & épos (word (and related to the later “epic”)) and the Persian آواز‎ (âvâz).  The Latin was the source also of the Italian voce and the Spanish voz. The Anglo-French borrowing displaced the native Middle English steven (voice), from the Old English stefn, from the Proto-Germanic stemno, from the primitive Indo-European stomen-.  The extension of use to mean "ability in a singer" dates from the early seventeenth century while the idea of "expression of feeling etc." (in reference to groups of people etc) was known as early as the late fourteenth century (and persists in uses such as the broadcaster “Voice of America”) The meaning "invisible spirit or force that directs or suggests, (used especially in the mental health community in the context of “voices in one's head” dates from 1911.  The verb was from the Middle English voysen & voicen, from the noun and emerged in the mid fifteenth century, initially in the sense of "to be commonly said" (familiar still in terms like “the Arab voice”) and from circa 1600s it was understood to mean "to express, give utterance to a feeling, opinion etc”.  From 1867 there was also the technical meaning "utter (a letter-sound) with the vocal cords", used often as voiced or voicing.  The spelling voyce is long obsolete.  Voice & voicer are nouns; voiced is a verb & adjective and voicing is a noun & verb; the noun plural is voices.

The noun voicemail (originally voice mail) dates from 1982 and was one of the bolt-ons to fixed-line telephony which was among the most popular features of the early cellular (mobile) phones but, interestingly, by the late 1990s users had come much to prefer SMS (short message service or text).  The adjective voiceless began in the 1530s as a doctor’s description of one who had “lost their voice” but within a century was used to refer to those who had no say in affairs of Church and state: The voiceless masses”.  It was first used in the sense of "unspoken, unuttered" to refer to non-verbal communication in 1816 and in phonology "unvoiced" dates from 1867.  In idiomatic use, the phrases include “at the top of one's voice”, chest voice, chipmunk voice. liking the sound of one's own voice, outdoor voice, raising one's voice, voice changer, voice coil, voiceprint & voice quality.  In formal grammar, there’s active voice, anti-passive voice, middle voice, neuter voice & passive voice.

The Australian Labor Party, the “Voice to Parliament” and the referendum process.

With great enthusiasm from one faction and a feeling of impending dread from the other, Australia’s brand new Labor Party (ALP) government has confirmed the election promise to submit to the people a referendum to append to the Constitution of Australia a “Voice to Parliament” for the indigenous peoples will be honored, the vote scheduled for the second half of 2023.  In Australia, even to submit a referendum is ambitious given that of the 44 submitted since 1901, only eight have been approved and the bar to success is high, demanding (1) an absolute majority of voters nationally and (2) a majority in at least four of the six states.

The “Voice to Parliament” does seem to be wholly symbolic given the consensus view among legal academics that it neither “confers upon Indigenous Australians any special rights” nor “takes away any right, power or privilege from anyone who is not indigenous”.  In other words, it will have the same constitutional effect as the words “…humbly relying on the blessing of Almighty God” have had since being enacted as part of the constitution in 1901: Nothing.  The view seems to be that the voice will provide “a strong basis on which to conduct further consultation”, the implication being the creation of a mechanism whereby there’s a standing institution of communication between the political elite and an indigenous elite.  So logical and efficient does that appear, it looks like one of the classic colonial fixes at which the British were so adept under the Raj.  In India they were the key to minimizing troubles while in Fiji they worked so well even the British administrators were astonished.  There, the Great Council of Chiefs, an institution entirely of the Raj’s imagination became so culturally entrenched that within a generation, the chiefs themselves were speaking of the council as if it had existed a thousand years.

2023 Toyota Land Cruiser Sahara ZX.

The ALP government has been at pains to ensure there’s nothing to frighten the horses, repeatedly confirming the voice will have “no veto power over the functions or powers of the parliament or the executive” and is limited to a purely advisory role in “making representations to the parliament and the executive government about matters, including existing or proposed laws, policies or decisions that have a connection to Aboriginal and Torres Strait Islander peoples.”  It also maintains the opportunity to make these representations will be “…available to any individual or organisation”.  That of course is unlikely to mean that all voices will be created equal and the government, like the Raj, will find the system most agreeable once it decides which are the Indigenous Australians whose representations prove most helpful and thus worthy of a salaried position, an expense account and a new Toyota Land Cruiser every year.  This will give the voice a coherent form and in a nice piece of political window-dressing, will likely include mostly (reasonably) tame “Brezhnev approved dissident” types there to protest just enough to seem edgy but not enough to forsake a salaried position, expense account and a new Toyota Land Cruiser every year.  Those who get ideas above their station will be offered a trip to New York to address the United Nations General Assembly or a six month "study tour" taking in Rome, Venice and Paris in the late spring; it will be a job for those "hard faced men and women who have done very well out of colonization".

The government has said “the ultimate model was still being debated by internal groups, and would be subject to negotiation” but given the need to create something which gives the appearance of being much yet has absolutely no constitutional effect, it difficult to see what the basis for discussion might be other than details about Toyota Land Cruisers.  Despite that, there is opposition, one source of which comes from within the ALP, certain figures convinced (and the history of referendums in Australia is not encouraging) it’s impossible to get a vote to pass unless both side of politics advocate a “yes” vote.  So sensitive has become the issue of race they fear a no vote would be damaging internationally so are lobbying to find some excuse to “delay” the vote, even arguing it would be better first to pursue a treaty, the theory being if the can is kicked far enough down the road, by the time the matter re-surfaces, they’ll be retired and it’s someone else’s problem.

The leader of the opposition has announced the Liberal Party will be advocating a “no” vote, something which has doomed every referendum submitted without bipartisan support.  The leader of the opposition didn’t articulate any coherent reason to oppose the voice but history suggests saying “no” when the government says “yes” can be a successful approach and Lord Randolph Churchill’s (1849-1895) dictum that “the duty of the opposition is to oppose” remains good politics.  Of interest too among those opposing the voice is their language: Eschewing the popular (if contested) phrase “first nations” to describe Indigenous Australians for “first peoples”, they are anxious to ensure that any notion of sovereignty can’t be part of the discussion although, given the indivisibility of the doctrine (as opposed to land title) under law, it’s hard to see how this could be part of the debate about the voice.  Perhaps they are fretting about negotiating treaties and perhaps they should.

Finally, there are the “black-letter lawyers” who, noting that judicial activism seemed to be fashionable on the bench of the High Court of Australia not that long ago, worry some judges might find in the words of “the voice” things which on the basis of the usual techniques of linguistic or judicial construction would seem not to exist.  The High Court is the final arbiter on constitutional matters; what a majority there says the words of the constitution mean is what they mean and while parliaments can by legislative change impose their will upon laws, the only way the wording of a passage in the constitution can be changed is to have substitute words approved by referendum; a probably improbable prospect.

Still, it’s difficult to advocate anything but a yes vote.  Since white settlement, Indigenous Australians have at times endured dispossession, discrimination, conditions which can be described only as slavery and not a few instances of mass murder and it’s absurd to suggest the level of disadvantage so many continue to suffer is not a consequence of this history.  What’s remarkable is not that among them there are expressions of discontent but that so many manage to maintain such generosity of spirit and willingness to engage.  The Voice may appear, as the Holy Alliance seemed to Lord Castlereagh (1769–1822; UK foreign secretary 1812-1822) “a piece of sublime mysticism and nonsense” but it’s worth remembering he anyway recommended Britain signed the thing on the basis that although too vague to achieve anything substantive, it was unlikely to make things worse.  Something good may come from the Voice while little good can come from rejecting it.

Lindsay Lohan in promotional interview for debut album Speak (2004, Casablanca Records-UMG).

Lindsay Lohan’s sometimes hoarse voice has attracted comment, some finding the gravelly tone sexy, others expressing concern the change might be lifestyle induced. The voices of actors and singers are after all their stock-in-trade so something so distinctive can limit the one’s range of characters or repertoire although notable artists such as Marlene Dietrich (1901–1992) and Marianne Faithfull (b 1946) made a signature of what used to called a “gin-soaked voice”.  Still, Lindsay Lohan’s vocal dynamics piqued the interest of Dr Reena Gupta, Director of the Division of Voice and Laryngology at the Osborne Head & Neck Institute (OHNI) and she provided some explanatory notes, noting that while inherent for some, hoarseness can be a serious matter for those whose living depends on their voice, the condition sometimes reversible, sometimes not.  According to Dr Gupta, a clear voice requires (1) straight edges of the vocal cords, (2) regular and symmetric vibration of the vocal cords, (3) no space between the vocal cords, (4) no mucous on the vocal cords, healthy lungs and (5) a healthy vocal tract (and that includes the mouth, nose, sinuses etc).  Hoarseness occurs when there is damage to the vocal cords that either disrupts the straight edge of the vocal cords or disrupts their vibration, the other factors more important for ease of voice use and vocal tone.

Many injuries can cause the vocal edge to be irregular, thereby inducing hoarseness including polyps, cysts & nodules but even when the edges are straight, scarring can also dampen vibrations and make them irregular, scarred vocal cords having lost their ability to vibrate due to a loss of the vibrating layer and there is currently no cure for the loss of vibration due to scarring.  The scarring can happen for many reasons but is almost always caused by vocal trauma which can be induced by (1) talking loudly or frequent yelling, (2) singing with a flawed technique, (3) smoking (any substance) or (4) a chronic cough or habitual throat clearing.  Any behavior that causes inflammation of the vocal cords will result in a higher likelihood of scarring and a videostroboscopy is the only non-surgical procedure which can confirm the presence of scarring.  There’s nothing unusual or concerning about a hoarseness which lasts only a day or so but if it persists beyond that, a professional evaluation should be sought and many of the causes of are treatable, almost all able to be at least to some extent ameliorated.

Celebrity site ETOnLine.com in 2016 noted the “darkening” in Lindsay Lohan’s voice and posted examples of the variations.

However, prevention being better than cure, Dr Gupta provided the following guidelines for caring for one’s voice and there’s probably no other aspect of our physiology which, despite being so important, is so taken for granted:

(1) No smoking (that’s anything, including vaping).

(2) No heavy use of alcohol, though in moderation it’s OK.

(3) When in a loud environment (restaurants, clubs, parties, sporting events et al), restrict the use of the voice use to a minimum and resist the temptation to shout except in cases of life or death.

(4) Hydration is especially important when in a loud environment (always carry water).

(5) If the voice has been subject to loud or prolonged use, rest the vocal cords the next day.  Under extreme conditions (towards the end of epic-length Wagnerian opera, the voices of even the most skilled will sound a little ragged) there will always be some damage, just as many athletes will tear a few things in competition which is why the recovery protocols must be observed.

(6) If scheduled to need one’s voice in perfect shape, do not the previous evening go somewhere one may be required to shout.

(7) Avoid recreational drugs; their effects are always uncertain.

(8) Learn correct voice use.  Although actors & singers often undertake professional voice training for reasons of articulation and projection, they also learn techniques to ensure damage is minimized and a clinical vocal exam prior to these lessons is advisable to ensure that physically, all is well.