Natation

Natation (pronounced ney-tey-shuhn or na-tey-shuhn)

(1) The act of swimming

(2) The craft or skill of swimming.

1535-1545: From the Latin natātiōn(em) (nominative natātiō) (a swimming; a swimming-place) noun of action from the past-participle stem of natāre (to swim), from the primitive Indo-European root sneh & neh- (to flow, to swim).  The –ion suffix was from the Middle English -ioun, from the Old French -ion, from the Latin -iō (genitive -iōnis).  It was appended to a perfect passive participle to form a noun of action or process, or the result of an action or process.  The construct of the Latin natātiō was natō (swim, float), the construct being the frequentative of nō +‎ -tiō.  Nō was used in the sense of “to swim” or “to” and as a poetic device “to sail”, “to flow”, “to fly”) and was from the Proto-Italic snāō, from sneh-yé-ti & neh-yé-ti, from sneh & neh- (to flow, to swim).  It was cognate with the Ancient Greek νάω (náō).  In English, “swimming lessons” sound mundane but to English-speaking ears, the French leçons de notation sounds poetic; a French swimming pool is a natatorium.  Natation, natatorium, natator & natatory are nouns and natant, natatorial & natational are adjectives; the noun plural is natators.

Lindsay Lohan in a natatorial image, floating in the azure waters of the Aegean, June 2022.

Although notation does have some technical uses in scientific publications, it’s most often used as a poetic or literary device to refer to swimming, floating in water or some imagery of floating, flying, drifting etc.  In poetry, as well as often searching for words which rhyme or suit the rhythm of the text, poets need to avoid repetition unless obviously it’s a deliberate device; even in epic-length works a too frequent appearance of a distinctive word can be jarring.  Natation can hardly be thought a common word so a poet must be sparing in its use; they might speak of a subject’s slow notation through their Beoetian life.  Boeotia was a region in Ancient Greece and the cosmopolitan Athenians would disparage the place’s inhabitants as provincial, dull and lacking cultural refinement (their district was one of the “flyover” states of Antiquity).  Nor need the word be applied only to people because the “silent notation” taken by the reflection of a full moon gliding across the silvery waters of a placid lake is an image evocative enough to appeal to any poet.  While in verse natation can be used of those actually splashing about, it’s as metaphor or symbolism that it’s more effective: a life can be a natation through the endless tides of life which can wash one onto sharp rocks or a tranquil shore.  Structurally, it is too just another word and one which a poet must use to construct the sounds which build the lyrical quality of the text and the act of notation is not an abstraction because just as a swimmer can flow with the currents, they can be compelled also to fight those tides and sometimes those battles are lost; often swimmers drown in the depths.

Model Adriana Fenice (b 1995) in bikini, ready to enjoy some natation (cautiously).

One not uncommon criticism of the literary novel is that authors are sometimes inclined to use obscure or archaic words for no reason other than "showing off", what Henry Fowler (1858–1933) in his A Dictionary of Modern English Usage (1926) damned as "pride of knowledge".  Done well, it can make reading an exhilarating experience but over done, it becomes just hard work.  In prose, use is more difficult than in a poem because, although usually a longer form which makes repetition less intrusive, with such rare words, they're most effective if used but once in a text.  Natation is is though distinctive and can be an evocative choice , even if a reader has to turn to a dictionary, an imposition most readers of literary novels will likely forgive in exchange for an elegant passage.  It can be deployed as something merely descriptive; a synonym for “swimming”, there to add a splash of novelty but used carefully, it can convey a the quality of movement in water as well the movement: somehow the path of a swan’s natation suggests a peaceful and picturesque setting.

Two natators in a natatorium.  Mosaic floor of a bath from the Roman villa of Pompianus in Cirta, Algeria, fourth century AD.  In historical writing, being a word of Latin origin, it can be used to add a sense of authenticity: a discussion of a Roman mosaic showing athletes or soldiers swimming might mention it being a depiction of a "natatorial setting".

Patterns of use (lower case, initial capital & all capitals): Because of the way Google harvests data for their ngrams, they’re not literally a tracking of the use of a word in society but can be usefully indicative of certain trends, (although one is never quite sure which trend(s)), especially over decades.  As a record of actual aggregate use, ngrams are not wholly reliable because: (1) the sub-set of texts Google uses is slanted towards the scientific & academic and (2) the technical limitations imposed by the use of OCR (optical character recognition) when handling older texts of sometime dubious legibility (a process AI should improve).  Where numbers bounce around, this may reflect either: (1) peaks and troughs in use for some reason or (2) some quirk in the data harvested.

Cosmopolitan

Cosmopolitan (pronounced koz-muh-pol-i-tn)

(1) One free from local, provincial, or national ideas, prejudices, or attachments; an internationalist.

(2) One with the characteristics of a cosmopolite.

(3) A cocktail made with vodka, cranberry juice, an orange-flavored liqueur, and lime juice.

(4) Sophisticated, urbane, worldly.

(5) Of plants and animals, wildly distributed species.

(6) Common name for the vanessa cardui butterfly. 

1828:  An adoption in Modern English, borrowed from the French cosmopolite (citizen of the world), ultimately derived from the Ancient Greek kosmopolitēs (κοσμοπολίτης), the construct being kósmos (κόσμος) (world) + politēs (πολίτης) (citizen); word being modeled on metropolitan.  The US magazine Cosmopolitan was first published in 1886.

An aspect of Soviet Cold War policy under comrade Stalin

The phrase rootless cosmopolitans was coined in the nineteenth century by Vissarion Belinsky (1811-1848), a Russian literary critic much concerned about Western influences on both Russian literature and society.  He applied it to writers he felt “…lacked Russian national character” but as a pejorative euphemism, it’s now an anti-Semitic slur and one most associated with domestic policy in the Soviet Union (USSR) between 1946 and comrade Stalin’s death in 1953.  Stalin (1878–1953; leader of the USSR 1922–1953) liked the phrase and applied it to the Jews, a race of which he was always suspicious because he thought their lack of a homeland made them “mystical, intangible and other-worldly”.  Not a biological racist like Hitler and other rabid anti-Semites, Stalin’s enemies were those he perceived a threat; Leon Trotsky (1879-1940), Grigory Zinoviev (1883–1936) and Lev Kamenev (1883–1936) were disposed of not because they were Jewish but because Stalin thought they might threaten his hold on power although the point has been made that while it wasn’t because he was Jewish that Trotsky was murdered, many Jews would come to suffer because Stalin associated them with Trotsky.

Comrade Stalin signing death warrants.

It was the same with institutions.  He found disturbing the activities of Moscow’s Jewish Anti-Fascist Committee (JAC) and did not approve them being accepted by Western governments as representing the USSR.  Further, he feared the JAC’s connections with foreign powers might create a conduit for infiltration by Western influences; well Stalin knew the consequences of people being given ideas; the campaign of 1946-1953 was thus more analogous with the Chinese Communist Party’s (CCP) opposition to the Falun Gong rather than the pogroms of Tsarist times.  Authoritarian administrations don’t like independent organisations; politics needs to be monolithic and control absolute.  In a speech in Moscow in 1946, he described certain Jewish writers and intellectuals, as “rootless cosmopolitans” accusing them of a lack of patriotism, questioning their allegiance to the USSR.  This theme festered but it was the creation of the state of Israel in 1948, fostering as it did an increased self consciousness among Soviet Jews, combined with the Cold War which turned Stalin into a murderous anti-Semite.

Rootless cosmopolitan Comrade Trotsky, murdered with an ice axe on comrade Stalin's orders.

Before the formation of the state of Israel, Stalin's anti-Semitism was more a Russian mannerism than any sort of obsession.  For years after assuming absolute power in the USSR, he expressed no disquiet at the preponderance of Jews in the foreign ministry and it was only in 1939, needing a temporary diplomatic accommodation with Nazi Germany, that he acted.  Having replaced the Jewish Foreign Commissar, Maxim Litvinov (1876–1951; People's Commissar for Foreign Affairs of the Soviet Union 1930–1939) with Vyacheslav Molotov (1890-1986; USSR Minister of Foreign Affairs 1939-1949 & 1953-1956), he ordered him to purge the diplomatic corps of Jews, his memorable phrase being "clean out the synagogue".  Concerned the presence of Jews might be an obstacle to rapprochement with Hitler, Stalin had the purge effected with his usual efficiency: many were transferred to less conspicuous roles and others were arrested or shot.

Meeting of minds: Joachim von Ribbentrop (left), comrade Stalin (centre) and comrade Molotov (right), the Kremlin, 23 August 1939.

Negotiations began in the summer of 1939, concluding with German Foreign Minister Joachim von Ribbentrop (1893–1946; Nazi foreign minister 1938-1945) leading a delegation to Moscow to meet with Molotov and Stalin.  It proved a remarkably friendly conference of political gangsters and agreement was soon reached, the German-Soviet Nonaggression Pact (usually called the Nazi-Soviet Pact or Molotov-Ribbentrop Pact) being signed on 23 August.  The pact contained also a notorious secret protocol by which the two dictators agreed to a carve-up of Poland consequent upon the impending Nazi invasion and the line dividing Poland between the two was almost identical to the Curzon Line, a demarcation between the new Polish Republic created in the aftermath of World War I (1914-1918) and the emergent Soviet Union which had been proposed by Lord Curzon (1859–1925; UK foreign secretary 1919-1924).  At the Yalta Conference in 1945, during the difficult negotiations over Polish borders, Molotov habitually referred to "the Curzon Line" and the UK Foreign Secretary, Anthony Eden (1897–1977; thrice UK foreign secretary & prime minister 1955-1957), in a not untypically bitchy barb, observed it was more common practice to call it the “Molotov-Ribbentrop line”.  "Call it whatever you like" replied Stalin, "we still think it's fair and just".  Comrade Stalin rarely cared much to conceal the nature of the regime he crafted in his own image.  When asked by Franklin Roosevelt (FDR, 1882–1945, US president 1933-1945) if Molotov had been to New York during his visit to the US, Stalin replied: "No, he went to Chicago to be with the other gangsters".

Whatever the motives of Stalin, rootless cosmopolitans has joined the code of dog-whistle politics, a part of the core demonology to label the Jews a malign race, a phrase in the tradition of Christ killer, Rothschild-Capitalist and Untermenschen (the sub-humans).  Despite that, there are always optimists, Jewish writer Vincent Brook (b 1946), suggesting the term could convey the positive, a suggestion the Jews possess an “adaptability and empathy for others”.  It’s not a view widely shared and rootless cosmopolitan remains an anti-Semitic trope although it's not unknown for Jews to use it ironically.

Lindsay Lohan, Cosmopolitan, various international editions: April, May & June, 2006.

Cosmopolitan Magazine was launched in 1886 as a family journal of fashion, household décor, cooking, and other domestic interests.  It survived in a crowded market but its publisher did not and within two years Cosmopolitan was taken over by another which added book reviews and serialized fiction to the content.  This attracted the specialist house founded by John Brisben Walker (1847-1931), which assumed control in 1889, expanding its circulation twenty-fold to become one of America’s most popular literary magazines.  The Hurst Corporation acquired the title in 1905, briefly adding yellow-journalism before settling on a format focused on short fiction, celebrities and public affairs.  The formula proved an enduring success, circulation reaching two million by 1940 and this was maintained until a decline began in the mid 1950s, general-interest magazines being squeezed out by specialist titles and the time-consuming steamroller of television.

It was the appointment in 1965 of Helen Gurley Brown (1922–2012) as editor which signalled Cosmopolitan’s shift to a magazine focused exclusively on an emerging and growing demographic with high disposable income: the young white women of the baby boom.  In what proved a perfect conjunction, a target market with (1) economic independence, (2) social freedom, (3) an embryonic feminist awareness and (4) the birth control pill, the magazine thrived, surviving even the rush of imitators its success spawned.  Gurley Brown had in 1962 published the best seller advice manual, Sex and the Single Girl and Cosmopolitan essentially, for decades, reproduced variations on the theme in a monthly, glossy package.  It was clearly a gap in the market.  The approach was a success but there was criticism.  Conservatives disliked the choices in photography and the ideas young women were receiving.  Feminists were divided, some approved but others thought the themes regressive, a retreat from the overtly political agenda of the early movement into something too focused on fun and fashion, reducing women yet again to objects seeking male approbation.

Still published in many international editions, Cosmopolitan Australia was one casualty of market forces, closed after a final printing in December 2018.  However, surprising many, Katarina Kroslakova (b 1978) in April 2024 announced her publishing house KK Press, in collaboration with New York-based Hearst Magazines International, would resume production of Cosmopolitan Australia as a bi-monthly, the first edition of the relaunched version scheduled for release in August 2024.  Other than appearing in six issues per year rather than the traditional twelve, the format is expected to be much the same, echoing Elle Australia which reappeared on newsstands in March, ending a four-year hiatus.  Both revivals would have surprised industry analysts as recently as 2023 when the conventional wisdom was the post-Covid, social media age was no longer the place for time consuming and expensive glossy titles.  Ms Kroslakova clearly sees a business model and was quoted as saying print magazines are “the new social media” which was an interesting way of putting it but she explained the appeal by adding: “We need that 15 minutes to drop everything and actually have something tangible and beautiful in our hands to consume.  If we can present content which is multi-layered and deep and has authenticity and connection with the reader – that’s a really excellent starting point.”  She may have a point because in an age where screen-based content is intrinsically impermanent, the tactile pleasure of the traditional glossy may have genuine appeal, at least for an older readership who can remember the way things used to be done, something perhaps hinted at by her “15 minutes” reference, now regarded by many media analysts as a long-term connection.  The revival of the print editions of Elle and Cosmopolitan will be an interesting experiment in a difficult economic environment which may get worse before it gets better.  Whether the novelty will attract enough of the "affluent readers" (what used to be called the A1, A2 & B1 demographic) to convince advertisers that it's a place to run their copy will likely decide the viability of the venture and while it's not impossible that will happen, Cosmopolitan is a couple of points down from the "prestige" titles which have maintained an advertising base.   

Mach

Mach (pronounced mak, mahk or moch)

A number indicating the ratio of the speed of an object to the speed of sound in the medium through which the object is moving.  Also known as the Mach number; standard abbreviation is M.

1937: Named after Austrian physicist and philosopher Dr Ernst Waldfried Josef Wenzel Mach (1838–1916) who devised the system of speed measurement based on the Mach number. He’s remembered also as the founder of logical positivism, asserting the validity of a scientific law is proved only after empirical testing.  The Mach number is important in the understanding of fluid dynamics and represents the ratio of flow velocity past a boundary to the local speed of sound (Mach 1.0).  It’s most applied to aircraft which are classified:

Subsonic      Mach <1.0
Transonic     Mach =1.0
Supersonic   Mach >1.0
Hypersonic   Mach >5.0

The speed of sound varies, reducing at higher altitudes and if aircraft exceed about 250 mph (400 km/h), air near the aircraft is disturbed, locally changing the density.  This compression, increasing with speed, alters the force on the aircraft and is of great importance to aerodynamicists and structural engineers.  The Mach number is within the science of fluid dynamics because air is fluid and, at hypersonic speeds, the energy of the airframe affects the chemical bonds which hold together the nitrogen and oxygen molecules of air, the heated atmosphere becoming an ionized plasma of gas.  That’s why spacecraft re-entering earth’s atmosphere need to be insulated from high temperatures.  Mach 1 was first exceeded by an aircraft in level flight in 1947 but man-made objects travelling at that speed had long-existed, even before modern ballistics.  The crack of a whip is actually the sonic boom caused by the tip exceeding Mach 1.

The 1969 Ford Mustang Mach 1

Unlike Ford’s later Boss 302 and Boss 429 Mustangs, both powered by genuine racing engines, 1969’s outwardly similar Mustang Mach 1 was a less ambitious machine for street and strip and available with a variety of engines, one of which, thanks to a little Dearborn mendacity, was very competitive in the then highly popular sport of pro-stock drag-racing.  A moniker like Mach 1 is known in contract law as mere puffery, the notion being that in advertising it's possible to assert things which (1) can be neither proven nor disproven or (2), are so absurd no reasonable person would take them seriously.  In 1969 nobody took literally the idea a Mustang could break the speed of sound which was just as well because, at ground level, Mach 1 is 767 mph (1235 km/h) while the top speed of the most powerful Mustang Mach 1 was about 130 mph (210 km/h) or Mach 0.171.  Actually, most were built for drag-racing and geared for acceleration rather than top-end speed so few were capable of more than 115 mph (185 km/h) or Mach 0.151.

1969 Ford Mustang Mach 1 with 428 (FE Series) CobraJet V8.

Hankering for a seven litre (427 cubic inch) version, Ford had added their 427 V8 (FE Series) to the Mustang’s option list for 1968 but none were built (although Shelby did one (or two depending on how such things are counted) and an uncertain number were fitted by dealers pursuant to customer request.  Probably now most remembered from service in the Ford GT40 and the AC Shelby Cobra, the 427 was a famously powerful and robust unit, a trophy winner on circuits from Daytona to Le Mans but was also cantankerous, noisy, an oil-burner and, perhaps most importantly for Ford, expensive to build because of its complex lubrication and cylinder width at the extreme limit of the block’s capacity.  It had also reached the end of its development so, until their new Boss 429 V8 (385 series) became available, Ford hotted-up the previously unremarkable 428 V8 (FE), used until then smoothly to propel big luxury cars like the Thunderbird and LTD.  Pleasingly for Ford, the 428 developed for the Mach 1 gained its increased output from bolt-on bits and pieces and was cheap to produce.

1969 Ford Mustang Mach 1 with 351 (Windsor Series) V8.

Belying its dramatic appearance, the nose-heavy 428 Mach 1 was actually pretty bad at just about everything except the straight-line, quarter-mile sprints at which it excelled though Ford cheated to achieve even these 400 metre-long successes.  Upon its debut in 1968, the National Hot Rod Association (drag-racing’s sanctioning body) allocated vehicles to competition classes on the basis of manufacturers’ declared power-outputs.  Ford claimed the new 428 CobraJet generated 335 horsepower which was quite an understatement, something which allowed it to dominate that year’s national championships.  After that, the authorities cracked down and used their own assessments but by then the 428 CobraJet had done its job and such was the glow of the reflected glory that Ford sold over 70,000 Mach 1 Mustangs in 1969.  Not all were equipped with the big block 428 (a 390 cubic inch (6.5 litre) FE was also available which was about as heavy as the 428 but less powerful) and as road cars, those fitted with the small block (Windsor) 351 cubic inch (5.8 litre) V8 were probably more suited to what most people did most of the time.  Ford produced the Mustang Mach 1 between 1969 and 1978 although the 1974-1978 models are not well regarded, the name revived in 2003-2004 for a small production run and in 2021 the Mach 1 returned to the Mustang range.

Thrust SST, Nevada, 1997.

Almost fifty years to the day after US Air Force (USAF) pilot Chuck Yeager (1923-2020), flying a rocket-powered Bell X-1 aircraft, broke the sound barrier in Earth's atmosphere, RAF Pilot Andy Green (b 1962) set the absolute land speed record (LSR) driving the Thrust SST to a speed of 763.035 mph (1,227.985 km/h) over the stipulated flying mile (1.6 km).  It was the first time a land vehicle officially broke the sound barrier.  Powered by two afterburning Rolls-Royce Spey turbofan engines (the same type used by the British version of the F-4 Phantom II jet fighter) developing a net thrust of some 50,000 lb/f (223 kN) which equates to something in excess of 100,000 bhp (76 MW), the Thrust SST's record still stands.  Weighing a impressive 10 tons, at full throttle the fuel burn-rate was some 4.0 gallons (4.8 US gallons; 18 litres) per second or a tiny fraction of a mile per gallon.  Under the LSR rules mandated by the World Motor Sport Council, for a record officially to be sanctioned, there must be two runs in opposite directions within a certain elapsed time and the council confirmed the speed of sound was exceeded on both runs on 15 October 1997 at Black Rock Desert, Nevada (USA).

The only known photograph of the Anglo-French Concorde flying at Mach 2 (at 25,000 feet (7600 m) Mach 2 is 1,356 mph; 2,186 km/h; 1,185 knots), taken from a Royal Air Force (RAF) Panavia Tornado fighter while over the Irish Sea, April 1985.

Machboos

Lindsay Lohan in an interview published in the November 2022 edition of Cosmopolitan magazine revealed her favorite Middle-Eastern dish to cook was machboos, part of Arab cuisine throughout the region and prepared almost always with chicken with rice and vegetables.  A kind of blend of biryani and risotto, the rice is cooked in the spiced broth of the meat or chicken, melding the spices and ingredients.  Rice is a core component of Arabic cooking and interestingly, in Arabic it’s known as ruz but in the Khaleeji dialect it is aish (life) while in Egyptian Arabic, aish refers to bread, an indication of its centrality to the diet.  Like hummus, between nations (and even families) in the Middle East, there’s often disagreement about how machboos should be prepared, most of the arguments revolving around the bzar (the spice mix) but it’s certainly adaptable, able to be served with achaar (mango or lime pickle), daqoos (a spicy tomato sauce), or yoghurt with chopped cucumber and mint.

Ingredients (for serving 4-6) (from Table Tales: Exploring Culinary Diversity in Abu Dhabi (Rizzoli)).

6 tablespoons plain yogurt, divided
2 tablespoons Emirati bzar spice mix, divided
1½ kg chicken, cut into pieces
500 g basmati rice
80 mls vegetable oil
5 cardamom pods, crushed
1 cinnamon stick
10 black peppercorns
2 whole lumi, cracked
450 grams onions, chopped
1 tablespoon ginger, crushed
1 tablespoon garlic, crushed
4 small green chilies, halved
1 teaspoon turmeric
1 teaspoon cumin
1 teaspoon coriander powder
285 grams canned tomatoes, chopped
1 teaspoon salt
Cooking oil as required
450 grams potatoes, peeled and cubed
Handful of fresh coriander, chopped

Garnish

3 tablespoons cooking oil
2 onions, thinly sliced
85 grams raw cashews
55 grams raisins
Fresh coriander, chopped

Instructions

(1) Combine 4 tablespoons of yoghurt with 1 tablespoon of the bzar in a large bowl.  Coat the chicken and then marinade for 1 hour or longer.  Rinse the rice and soak in enough water to cover for 1 hour; drain.

(2) Heat the oil in a Dutch oven over medium heat. Add the cardamom pods, cinnamon stick, peppercorns and lumi and stir for 2 minutes.  Add the onions and sauté until golden.  Add ginger, garlic, and green chilies and stir for 2 minutes.

(3) Add the chicken and marinade and then cook for a few minutes on each side.  Sprinkle in the turmeric, the remaining bzar, cumin, and the coriander powder.

(4) Add the tomatoes, salt, and 2 cups of water; bring to a boil.  Cover, lower the heat, and simmer for 30 to 45 minutes, until the chicken is done.  Transfer the chicken to a roasting pan.

(5) Remove the cinnamon stick and lumi from the stock and discard.  Add the potatoes and fresh coriander and boil until the potatoes are just tender.  Adjust the stock to get a one-to-one ratio with the rice.  Stir in the remaining yoghurt until dissolved and then add the rice.  Seal the Dutch oven with aluminum foil, cover, and cook over low heat for 30 minutes until the rice is done.

(6) Turn on the oven broiler.  Brush the chicken with some oil and broil until golden.  Serve the rice on a platter with the chicken pieces on top.  Garnish with sautéed onions, cashews, raisins, and fresh coriander.

Garnish Instructions

(7) Place a large skillet over medium-high heat and add the oil and onions; sauté until they are dark brown, but not burnt.  Remove the onions with a slotted spoon and drain on paper towels.  Sauté the cashews in the same oil until golden brown.  Finally, add the raisins during the last few minutes to complete.

Cosmopolite

Cosmopolite (pronounced koz-mop-uh-lahyt)

(1) A person cosmopolitan in their ideas, lifestyle, etc; one who is at home in every place; a citizen of the world; a cosmopolitan person.

(2) In biology, an animal or plant of worldwide distribution; having a wide geographical distribution.

(3) An alternative word for cosmopolitan (now rare to the point of being probably misleading).

(4) In lepidopterology, the painted lady butterfly (Vanessa cardui); the use restricted mostly to the US.

(5) In cultural anthropology, oriented, exposed to or open to ideas and influences outside one's own social system or group.

1590-1600: From the French cosmopolite (man of the world; citizen of the world), from the Latin cosmopolītēs from the Koine Greek κοσμοπολίτης (kosmopolítēs), (citizen of the world), the construct being the Ancient Greek κόσμος (kósmos) (world) + πολίτης (polítēs) (citizen (the pólis a “city or state)) + -ītēs (the noun forming suffix denoting adherence to someone or some school of thought.  The -ite suffix was from the French -ite, from the Old French, from the Latin -ītēs, from the Ancient Greek -ῑ́της (-ī́tēs).  It had a wide application including (1) the formation of nouns denoting the followers or adherents of a individual, doctrine or movement etc, (2) the formation of nouns denoting descendants of a certain historic (real or mythical) figure (widely used of biblical identities), (3) the formations of demonyms, (4) in geology the formation of nouns denoting rocks or minerals, (5) in archeology, the formation of nouns denoting fossil organisms, (6) in biology & pathology to form nouns denoting segments or components of the body or an organ of the body, (7) in industry & commerce to form nouns denoting the product of a specified process or manufactured product & (8) in chemistry to form names of certain chemical compounds (historically especially salts or esters of acids with names with the suffix -ous.  Cosmopolite and cosmopolitism are nouns; the noun plural is cosmopolites.

Cosmopolite was in common use in the seventeenth century but faded from used until a revival in the early 1800s though the use then was often derogatory (in the sense of hinting at a lack of patriotism towards one’s own state), a sense which has endured in instances such as comrade Stalin’s (1878-1953; Soviet leader 1924-1953) description of the Jews as “rootless cosmopolitans” and the critique of elites by those of the anti-globalist movement (and others) as “anywhere” people (as opposed to “somewhere” people” with a specific attachment to a nation-state.).

In the milieu of the Congress of Vienna (1814-1815) which convened to re-establish the primacy and stability of the nation-states after Napoleon’s Napoleon Bonaparte (1769–1821; leader of the French Republic 1799-1804 & Emperor of the French from 1804-1814 & 1815) supra-natural project was thwarted, the adjective cosmopolitan emerged in 1815.  It convey the sense of “one free from local, provincial, or national prejudices and attachments” and was an explicit development of cosmopolite (citizen of the world) on model of metropolitan (one who lives in a city).  In academic use (notably the embryonic discipline of sociology), by 1833 it meant “belonging to all parts of the world, limited to no place or society” and this was extended in political discourse by 1840 to “composed of people of all nations; multi-ethnic” although it seems to have been racially exclusive in application, the notion of a cosmopolitan then usually white.  The adoption as the title of the US women's magazine in 1886 was capitalism using the word in the elitist sense the publication’s buyers would thing a positive association.

Modern cosmopolite Lindsay Lohan wandering our little spot in the cosmos: Istanbul, Nice, Los Angeles & Mykonos (top row), Dubai, Athens, London & Tokyo (middle row) and Washington DC, Melbourne, New York & Venice (bottom row).

Although the idea of radical cosmopolitanism is assumed by many to be a modern concept and one associated with the implications of globalism and neo-liberalism, its antecedents long pre-date the thoughts of comrade Stalin or even the nineteenth century nationalists.  Cosmopolitanism as an expression of human unity was a feature of the philosophy of the Stoics of Antiquity, from Cleanthes (circa 330-circa 230 BC) & Seneca the Younger (circa 4 BC–65) to Cicero (106–43 BC) but long before them, there were the Cynics.  Diogenes the Kynic (from kyon & kynos (dog)) (circa 404-323 BC) was the founder of school and identified as a kosmopolitē on the basis of a rejection of the vanities of life: wealth, luxury and all that was not essential for mere survival.  The cosmopolism of the Cynics was an expression that the earthly, natural world provided all that was needed for a simple, satisfied life, thus Diogenes, except for his own existence, commanded nothing and owned nothing, living (according to the legend) in an upturned storage jar.  The life of the Cynics was thus simple but as unappealing to most Greeks as it would be to modern tastes, Diogenes’ explanation that the ability to manifest a non-coercive, emancipatory power (the power to control oneself) was a gift attainable only if worldly goods and ambitions were forsaken persuaded few.

Diogenes (1860), oil on canvas by Jean-Léon Gérôme (1824-1904).

Diogenes here is depicted in his “home” (an upturned earthenware tub in the Metroon, Athens).  He’s lighting the lamp in daylight with which it was his habit (later abandoned as futile) to wander the streets looking for “an honest man”, his companions the dogs which became emblematic of the Cynic’s (from the Greek kynikos (dog-like)) philosophy of an austere existence.

In his time though, he was a celebrity philosopher and though the tale may be apocryphal, the historian Plutarch claimed even an intrigued Alexander III of Macedon (Alexander the Great, 356-323 BC), no stranger to the lure of wealth and power, sought a meeting.  When he visited Diogenes at Corinth, Alexander offered to grant the (doubtlessly scruffy and even dirty) Cynic any wish he’d care to make, the king receiving the famous reply: "Move away, you're blocking my sun".   That’s always been thought a demonstration of the striking autonomy enjoyed by the Cynics, “sovereign spirits” living an authentic life free from the intimidation and coercion of others or even their own unworthy desires.  Asked where it was from which he came, Diogenes is said to have replied: “I am a cosmopolite, a citizen of the cosmos”.  From that fragment of Cynical thought came not only the word cosmopolitan but the core of its meaning which endures still, the individual around whom moves the world from which the individual takes what he needs, the assertions of kings, nations and states that their sovereignty exists over spaces through which an individual may travel either unnoticed or ignored as irrelevant.  However impractical as a mode of existence in a civilized society, the internal logic is perfect because, the cosmopolite being a citizen of the cosmos (the universe), it’s possible to recognize it’s only the universal which deserves priority.

Ogee

Ogee (pronounced oh-jee)

(1) A double curve, resembling the letter S, consisting of two arcs that curve in opposite directions so that the ends are parallel.   An ogee is a kind of sigmoid curve, technically formed by the union of a concave and a convex line.

(2) In architecture, a molding with such a curve for a profile; cyma, also called gula or talon.

(3) In fluid mechanics, a specific aerodynamic profile.

(4) In mathematics, an inflection point.

(5) In cosmetic surgery, a desired shape for the curve of the malar or cheekbone prominence transitioning into the mid-cheek hollow.

(6) In distillation, the bubble-shaped chamber of a pot still connecting the swan neck to the pot which allows distillate to expand, condense and fall back into the pot.

1275-1325: From the Middle English ogeus (plural oggez), ogeve, egeve & egeove, variants by assimilation from the French oggif (diagonal rib of a vault) from the Old French œgive, ogival, ogive & augive, from the Late Latin augiva of uncertain origin.  In the Late Latin there was ogis (a support, prop), thought derived from the Classical Latin augeō (to increase, strengthen) from which Spanish gained auge (highest point of power or fortune; apogee); a doublet of ogive.  The use in architecture to describe regular & irregular S-shaped moldings began in the 1670s, supplanting the earlier augive, from the Late Latin augiva of uncertain origin but perhaps related to the Latin via (way; road).  In the Middle English, the late thirteenth century ogif was "a stone for the diagonal rib of a vault", derived from the French and the Medieval Latin ogiva.

An Ogee arch.

An ogee is a curved shape vaguely like an “S”, consisting of two arcs that curve in opposite senses, so that the ends are tangential.  In architecture, it’s used to describe a molding with a profile made by a lower concave arc flowing into a convex arc.  Used first in Persian and Greek architecture from Antiquity, it’s most familiar now as a part of the Gothic style.  Because the upper curves of the ogee arch are reversed, it’s not suitable where the load-bearing rates are high and it’s thus used mostly in self-supporting structures exposed to their own weight and not subject to high external forces.

An inflection point.

In mathematics, an ogee is an inflection point, a point on a curve at which the sign of the curvature (ie the concavity) changes; inflection points may be stationary but are neither local maxima nor local minima.  Inflection Points merely mark the point on the curve where it changes from concave upward to concave downward (or vice versa), it is not a directional measure.  Calculus is needed to find where a curve goes from concave upward to concave downward and for this mathematicians use derivatives, one which determines the slope and a second which defines whether the slope increases or decreases.

The cosmetic surgeon's template.

When cosmetic surgeons speak of the ogee curve, they’re referring to the elongated S curve which, when looking at a patient’s face at a three-quarter aspect, describes the curve from the eye through the cheek down to below the cheek (technically the malar or cheekbone prominence transitioning into the mid-cheek hollow).  As people age, the face loses volume in our face and the ogee curve flattens out. With facelifts and related procedures, the cosmetic surgeon aims to create an ogee curve, restoring the chiseled refinement of youth.

Lindsay Lohan, Cosmopolitan, October 2022 edition (photographs by Ellen Von Unwerth (b 1954)).  The photographs illustrate the ideal ogee curve in the facial structure and Ms Lohan shows how a model's pout can be used to optimize the effect.  The car is a second generation AMC Javelin (1971-1974).

Shapes derived from the ogee curve are popular design motifs used for just about everything where they can be applied but it's most associated with large, flat surfaces because it's in such spaces the geometric repetition can be most effective, thus the prevalence in fabrics, wallpaper and floor-coverings.  The mind visualizes the shape as something like a two-headed onion and it's probably the association with the architectural style so often seen on mosques or other structures in the Arab world that in there's presumed to be some Islamic influence but ogee long pre-dates Islam.  There are few conventions of use except that the designs tend to be displayed in either a horizontal or vertical aspect; diagonal deployment is rare.

In fluid mechanics, the ogee describes the shape used to create certain aerodynamic profiles, the classic example being the delta wing of the Concorde airplane.  The ogee-type wing used on the Concorde one flavor of the compound delta (sometimes called double delta or cranked arrow) where the leading edge is not straight.  Typically the inboard section has increased sweepback, creating a controlled high-lift vortex without the need for a foreplane and the shape of the sweepback is defined by the parameters of the ogee.  On the Concorde, the two sections and cropped wingtip merge into a smooth ogee curve.

Balkanize

Balkanize (pronounced bawl-kuh-nahyz)

(1) To divide a country, political entity or other geographical territory into small, quarrelsome, ineffectual states (can be initial upper or lower case depending on context of use).

(2) To divide groups or other constructs into contending and usually ineffectual factions (should always be initial lower case).

Circa 1920: A compound word balkan + ize.  Balkan is (1) the descriptor of the geographical Balkan Peninsula and (2) a general term of description for all or some of the countries within and beyond that geographical space.  Word is of Turkic origin, related to the Turkish balkan (wooded mountain range).  The ize suffix is from the Middle English isen (ise, ize), from the Old French iser (ize) from the Latin izāre (ize), derived from the Ancient Greek ίζειν (ízein), the ultimate root being the primitive Indo-European verbal suffix idyé.  It was cognate with other verbal suffixes, the Gothic itjan, the Old High German izzen and the Old English ettan.  It’s often used in conjunction with the suffix ation to produce the suffix forming nouns denoting the act, process, or result of doing something, or of making something, ie a noun of action (eg balkanization).  It’s from the Middle English acioun & acion, from the Old French acion & ation, derived from the Latin ātiō, an alternative form of tiō (from whence tion).  The alternative spelling is balkanise, a mostly British form.

Geopolitics: The Balkans.

Balkanize was coined to describe the turmoil on the Balkan Peninsula circa 1878-1913 when the nominally European section of the Ottoman Empire fragmented into small, warring nations.  There’s no consensus among etymologists regarding the author, most preferring, on the basis of documentary evidence, the English writer James Louis Garvin (1868-1947) while other suggests earlier Germanic sources. The geographical concept of the Balkan Peninsula dates from 1808 which conveniently aligned with the European provinces of the Ottoman Empire although the first known use of the word appears in a fourteenth century Arab map which named the Haemus Mountains and Balkan and Ottoman diplomats used the word in the 1560s.  Otto von Bismarck (1815–1898; Chancellor of the German Empire 1871-1890), Chancellor of Germany during the early decades of the Second Reich, well understood the instability of the Balkans and the threat its squabbles posed to European civilization.  While he affected a complete uninterest in the place, once saying the Balkans wasn’t worth “…the bones of one German soldier” and claimed never to bother opening the diplomatic bag from Constantinople, the troubles of the place often absorbed much of his time.  Although the quote "…the great European War would come out of some damned foolish thing in the Balkans" attributed to him may be apocryphal, he may have predicted the origins of World War I (1914-1918), many sources documenting his prophecy “…it will start in the east” although, much of what he wrote in his memoirs may be retrospective foresight.  Some though recorded their thoughts on the Balkans when memory was fresh.  While working at the UK Foreign Office in 1915, the future politician Duff Cooper (1890–1954) was dealing with the seemingly intractable disputes between Serbia and Bulgaria while managing the effects on Macedonia and Roumania (sic),  He noted in his diary: "If only all those damned little states could be persuaded to pull together."  In the hundred-odd years since, that must have been a sentiment felt by many foreign ministers.  

Geography: The Balkan Peninsula.

To geographers, the Balkans is the peninsula south of Eastern Europe, surrounded by the Adriatic, the Ionian, the Aegean and the Black Sea; to the east lies Asia Minor.  Although there's little dispute among geographers, there have been many disputes about which states should be thought of as "Balkan".  Scholars have their reasons for their particular construct of what makes a geopolitical entity characteristically "Balkan" while others have their own agenda.  At the moment, the closest to a consensus is that eleven nations constitute (politically) the Balkans: (1) Albania, (2) Bosnia and Herzegovina, (3) Bulgaria, (4) Croatia, (5) Kosovo, (6) Moldova, (7) Montenegro, (8) North Macedonia, (9) Romania, (10) Serbia & (11) Slovenia.  It’s because of the historic construct of Greece as a cradle of Western civilization that, despite the geography, it’s not considered Balkan.  A different reservation is applied to the small portion of Türkiye (formerly Turkey) that lies northwest of the Sea of Marmara; because most of the Turkish land-mass lies in Asia-Minor, it’s thought part of West Asia although historically, when it constituted the core of the Old Ottoman Empire, it wasn’t unusual for it to be spoken of as “European”, Nicholas I’s (1796–1855; Tsar of Russia 1825-1855) the memorable phrase describing Turkey as the “sick man of Europe” ever since recycled when criticizing whichever European country was most obviously in economic decline.  In one form or another, Türkiye's application for membership of the EU has languished in various in-trays since 1959 (it was then seeking associate membership of the EEC (European Economic Community)) so the moment of it being thought European may have passed; even Ankara seems to have lost hope.

Lindsay Lohan on the cover of the Croatian edition of Cosmopolitan, May 2006.  Hearst also publishes a Serbian edition.

For centuries, wars, conquest and population movements have meant cross-cutting cleavages have beset the Balkan Peninsula, the bloody break-up in 1992 of the former Yugoslavia (formed at the end of World War II (1939-1945)) the most recent major event and some Balkan states are also considered "Slavic states" as they are typically defined as Slavic-speaking communities (Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Serbia, and Slovenia), something which influences their relations with nations to the east.  The other regional phrase of note is “Western Balkans”, used to refer to the countries on the western edge, along the Adriatic coast (Albania, Bosnia and Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, and Serbia).  The ripples of the convulsions of the last round of balkanization, triggered by the wars of 1991-1995 which followed the breakup of Yugoslavia, may have played out with the constructs of North Macedonia, Kosovo and Montenegro now formalized (although Kosovo remains a work in political progress).  Although there remains the hope the gradual integration of the Balkan states into the EU may impose a permanent peace, the history of the region does suggest it’s one of those places best managed by competing spheres of influence which can administer rolling truces punctuated by occasional, small ethnic wars to effect minor adjustments to borders.  One hopeful sign however is that whatever the antagonistic bellicosity of Balkan politicians, the countries do tend to vote for each other in the Eurovision Song Contest.