Showing posts sorted by relevance for query Mania. Sort by date Show all posts
Showing posts sorted by relevance for query Mania. Sort by date Show all posts

Saturday, March 6, 2021

Bipolar

Bipolar (pronounced bahy-poh-ler)

(1) Having two poles, as the earth.

(2) Of, relating to, or found at both polar regions.

(3) Characterized by opposite extremes in opinions, nature etc.

(4) In electronics, relating to a semiconductor device, such as a transistor, that exploits the electrical characteristics of contact between two substances, one with an inherent positive charge, the other with an inherent negative charge.

(5) In electric power distribution, a power transmission line having two direct-current conductors in opposite polarity.

(6) In physics, a region of magnetic flux having two distinct poles

(7) In psychiatry, of, relating to, or having bipolar disorder (a major mood disorder that is characterized by episodes of mania and depression; once known as manic-depression.

(8) In physiology, having two poles; used especially of nerve cells in which the branches project from two usually opposite points.

(9) In geopolitics, of or relating to an international system in which two states wield most of the cultural, economic, and political influence (ie two states with hegemonies exerted over their respective spheres of influence.  The companion terms are unipolar and multipolar and all are sometimes used by analogy in fields like commerce or sporting competition to reference instances of specific dominance.

1800–1810: The construct was bi- + polar.  Pole (in this context) was from the Middle French pole & pôle, from the Latin polus, from the Ancient Greek πόλος (pólos) (axis of rotation).  The –ar suffix was from Latin -āris (of, pertaining to) and was appended to nouns to create adjectives (it came increasingly to be appended to words of non-Latin origin).  The bi- prefix came directly from the Latin bi-, from Latin bis (twice) & bīnus (double), from the Proto-Italic dwi-, from the primitive Indo-European dwi- and was one of the sequence of Latin number prefixes (uni-, bi, tri etc).  In English, it can be confusing because it can used to mean either (1) two, pair, both, duo or (2) half.  In chemistry, the use meaning half has been discontinued.  In general use, the ambiguity remains, illustrated by the use when applied to measures of duration which can variously be interpreted as “once every two periods” or “twice every period”, the classic examples of which are this like biweekly, bimonthly, and biannual.  Style guides now often suggest choosing unambiguous forms such as “fortnightly” or, where no such elegant alternative exists, spelling it out explicitly (twice a month; every two years etc).  Using semi- as a prefix can work but is imprecise although acceptable if the meaning is in other ways made clear.

In English, as a clipping (a use of the prefix as a stand-alone word) of bisexual (used as both noun & adjective), the meaning was clear and effortlessly “bi” moved from LGBTQQIAAOP slang to the general vocabulary.  Potentially misleading however is bigender, a coining of LGBTQQIAAOP activists which became linguistically necessary when gender and sex were re-assigned as separate constructs.  It’s recommended it be used as the hyphenated bi-gender (to be consistent “bi-sexual” should probably also adopt the form) lest one might ponder if a bigend is LGBTQQIAAOP slang for something (and at this point one’s mind may wander) unbeknown to one.  Additionally in engineering, a big-end bearing in an internal combustion engine is the one located “big end” of the connecting rod and attached to the crankshaft.  Mechanics may use “bigender” (pronounced big-end-ah) as slang which in oral use won’t be confused with something pronounced as by-jen-dah but if transcribed, were the latter hyphenated, there’ll be no mystified mechanics.  Bipolar is a noun & adjective and bipolarization & bipolarity are nouns; the noun plural is bipolar.

Lindsay Lohan following Edvard Munch's (1863–1944) The Scream (1893).  Much art has been analysed by those seeking insight into the mental health of the artist, schizophrenia and bipolar disorder two conditions frequently identified.

The adjective bipolar dates from 1810 in the figurative sense of "of double aspect" and was by 1859 used in the literature of anatomy (having two processes from opposite poles) to refer to nerve cells while the sometimes hyphenated noun bipolarity (state of having two poles) emerged in 1834.  The earliest known instance of the now familiar use in psychiatry as a technical term to describe what was then known as manic-depressive psychosis appears to date from 1957 in a publication by German psychiatrist Karl Leonhard (1904-1988), noted in the history of the profession for his extensive (though now mostly forgotten) classification of psychotic illnesses (a nosology (the construct being nos- + -ology, from the Ancient Greek νόσος (nosos) (disease) + -λογία (-logia) (study of), the branch of medical science dealing with the classification of diseases)) although still used in structural linguistics is the system of classification of non-verbal communication.  As the term “manic-depression” ascended the linguistic treadmill (a process accelerated by the negative connotations which attached to the word because in popular literature and films manic depressives were often characterised as psychopathic murderers or other flavours or madness) “bipolar disorder” was positioned as a preferable term, the reason being that bipolar was separated from both the connotations of “manic depression” and the two elements (“manic” & “depression”), each loaded with negative associations.  Accordingly, in 1980, bipolar disorder replaced manic-depressive psychosis in the third edition (DSM-III) of the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM).  According to tracking by dictionaries, it was in the mid-1990s that bipolar (in the context of mental health) gained traction in general use and, inevitably, appeared on the linguistic treadmill although even forty-odd years on there’s little to suggest it has yet reached the level of opprobrium which might prompt the DSM’s editorial board to discuss the need for a replacement although their processes can take a while, the term “mental retardation” (long regarded in the community as offensive and in some cases misleading) not replaced by term “intellectual development disorder (intellectual disability)” until the release of DSM-5-TR (text revision) in 2022.

The bipolar world in 1980.  The geopolitical architecture of the Cold War (circa 1948-circa 1990) revolved around Moscow (the Warsaw Pact) and Washington DC (NATO).

Bipolar disorder was actually introduced to the DSM when the multi-axial system (Axis I to Axis V) was created:

Axis I: Clinical Disorders (including bipolar disorder)

Axis II: Personality Disorders and Mental Retardation

Axis III: General Medical Conditions

Axis IV: Psychosocial and Environmental Problems (stressors)

Axis V: Global Assessment of Functioning

This structure was modified with the release in 2000 of DSM-IV-TR which, within the axis system, divided diagnoses and symptoms into sections or "decision trees," including which symptoms must be included for a diagnosis and which must not be present.  The sectional approach was carried over to the DSM-5 (2013) when the axis system was abandoned, replaced by 20 chapters containing categories of related disorders of which “Bipolar and Related Disorders” is one, others including Anxiety disorders, Obsessive-compulsive and related disorders, Depressive disorders, Feeding and eating disorders and Personality disorders.  Within its category, bipolar disorder was subject to some refinements, including those reflected in other areas (such as objectum sexuality) that attempted to reduce the medicalization of behaviour that although statistically aberrant, was part of the normal human condition.  Childhood bipolar disorder for example, although long well-defined and accepted as a diagnosis, was effectively rolled into a new category of depressive disorders called disruptive mood dysregulation disorder (DMDD), reflecting the concern that the diagnosis of pediatric bipolar disorder was being inconsistently and overly applied to behaviour better understood as variations of childhood irritability.  Possibly too, the editors may have been influenced by work in labelling theory which suggested the early appearance in an individual’s medical history of conditions such as depression or bipolar disorder could have life-long consequences.

In the DSM-5, the diagnostic sub-categories of bipolar disorder were extended to seven:

(1) Bipolar I disorder

(2) Bipolar II disorder

(3) Cyclothymic disorder

(4) Substance/medication-induced bipolar and related disorder

(5) Bipolar and related disorder due to another medical condition

(6) Other specified bipolar and related disorder

(7) Unspecified bipolar and related disorder

Other changes included (1) the elimination of “mixed episode”.  Instead, a manic, hypomanic, or depressive episode can be specified as “with mixed features” a specifier with its own DSM definition. (2) The bipolar II diagnosis in the DSM-IV excluded a history of mixed episodes and this exclusion has been removed, something many long advocated. (3) There was a standardization of the text.  The word “abnormally” was not included in the DSM-IV criterion A for a hypomanic episode, while it was in criterion A for a manic episode; in DSM-5 the same language is used for both, the full criteria for the two distinct types of episodes thus closer together. (4) Each type of bipolar disorder gained specifiers (such as “with mixed features”, “with anxious distress” & “with rapid cycling”) which serve further to clarify the illness.

The DSM-5-TR was released in 2022 and among the changes were amendments to the section covering disorder.  Criterion B in bipolar I disorder was refined to make explicit that a manic episode can't be “superimposed on” (ie bolted-onto to run simultaneously with) an existing diagnosis of schizophrenia, schizophreniform disorder, delusional disorder, or other specified or unspecified psychotic disorder.  A similar procedural clarification was made to criterion C for bipolar II.  The specifiers indicating the severity of a manic episode were also updated.  Under DSM-5, the bipolar severity specifiers were mild, moderate, and severe which certainly made sense when labeling depressive episodes but when of clinical significance, that was less helpful when categorizing manic episodes because, in the nomenclature of the DSM, “mild” indicated “no impairment in functioning” whereas manic episodes inherently impaired function.  The specifiers for manic episodes accordingly were updated in the DSM-5-TR to (1) Mild (the manic episode meets the minimum symptom criteria), (2) Moderate (the manic episode causes a very significant increase in impairment and (3) Severe (the patient needs nearly continual supervision to prevent harm from being done to themselves and/or others).

2:365 by Kim Rask & Missy Douglas (2014), Ucki Ood, pp 400 (ISBN-100615950620).  A collection of 365 works painted in 2013 as a document of bipolar disorder.

First diagnosed with bipolar disorder at 19 while a student of art at Cambridge, Dr Missy Douglas (b 1977) in 2013 undertook for that year, each day to paint a canvas which would express her feelings at that moment.  To ensure the works reflected her condition rather than the effects of medication, during this year she went un-medicated, hoping the paintings would more accurately reflect the highs and lows of bipolarity.  When going to sleep each evening, Dr Douglas had no idea how she would feel the next morning, some days ecstatic, some days depressed.  Although the change in name to bipolar was probably helpful, Dr Douglas' experiment does illustrate why “manic depression” was so evocative of the condition.  Interestingly, on not one day was a painting not completed, not does the set include a blank canvas or one simply black or rendered otherwise monochromatically.  What this indicates would be something to ponder but is perhaps indicative of how a spectrum condition can manifest, Dr Douglas presumably a high-functioning bipolar.  For a BBC piece, Dr Douglas provided brief notes for six of the works:

Day 5: “I was really anxious, angry and feeling trapped.”

Day 177: “I was really in a dark place here. I was completely in a depressive phase.”

Day 236: “I was burying feelings and my emotions were all over the place.  Very turbulent.”

Day 242: “I was at the height of mania here, but there was a massive wave of white depression heading towards me.”

Day 314: “Mania.  I was buzzing and everything was technicolor and beautiful.  I was flying and felt invincible."

Day 359: “Christmas Day 2013.  I was feeling very depressed yet I completely compartmentalised and concealed it.  The twinkly forced jollity hid the sadness.”

Tuesday, August 13, 2024

Frisbee

Frisbee (pronounced friz-bee)

(1) A brand of plastic concave disk, used for various games by sailing it through the air, thrown by making it spin as it's released with a flick of the wrist.

(2) By extension & genericization (without an initial capital), a disk-shaped gliding toy of any brand.

(3) The sport or pass-time involving flying disks.

1957: The brand name Frisbee was trademarked in 1959 and later acquired by Wham-O.  Frisbee was an alteration of Frisbie, the name applied to the disk game by students who tossed the pie plates which came with the “Mrs Frisbie’s Pies” from the Frisbie Pie Company which operated from the Frisbie Bakery in Bridgeport, Connecticut.  Frisbie supplied pies to Yale University and it was at Middlebury College in Vermont during the 1930s a campus craze started for tossing empty pie tins stamped with the company's logo, the aeronautical qualities apparently uniquely good (students at both Yale and Princeton claiming to have discovered the aerodynamic properties).  The spelling of the name was changed on legal advice and frisbee is a genericization of the trademark.  Frisbee is a noun & verb and frisbeeing & frisbeed are verbs; the noun plural is frisbees.  The adjectives frisbesque & frisbeeish are both non standard.

Lindsay Lohan carrying her frisbee in its protective case.

The family name Frisbie exists in English records from 1226, from a place name in Leicestershire (Frisby on the Wreak), attested from 1086, from the toponym attested 1086 in Frisby on the Wreak, Leicestershire, from the Old Danish Frisby (Frisian village; farmstead or village of the Frisians), from the Old Norse Frisa, genitive plural of Frisr.  Not unusually for the age, there were two hamlets in county Leicestershire called Frisby but genealogists seem certain the origin of the family name is associated with Frisby on the Wreak.  In the parish records of 1239 there is a priest named de Frysby who was vicar of the church at Welham, a village about 13 miles (21 km) south-east of the city of Leicester, England and he may be the same Roger de Frysbey who in 1246 was curate of the church at Barkestone, ten miles (16 km) north of Melson Mowbray.  As a geographical name, the now lost Frisbys were two of many in the British Isles which derived their names from the Old Norman frisir (someone from the area of Frisia or Friesland).  The names were illustrative of the vast movement of people from Europe after the Norman Conquest of England in 1066.  A multitude of spelling variations characterize Norman surnames, many because the Old and Middle English lacked definite spelling rules and in an age of limited mobility, regional evolutions were common and gave rise to many dialectical forms (the introduction of Norman French to England also had an effect, as did the court languages of Latin and French).  It was not unknown for one person’s name to be spelled several ways during their single lifetime and Frisbie was just one of many including Frisbie, Frisby, Frisbee, Frisebie, Frisebye & Friseby.  The Frisbie motto was Semper fidelis (Always faithful).

Serial stalkers from Rupert Murdoch's (b 1931) News Corp found US singer Billie Eilish (b 2001), wearing a Siouxsie and the Banshees T-Shirt and tossing a frisbee while on tour, Sydney, Australia, March 2025.  Siouxsie and the Banshees were an English post-punk band active between 1976-1966 (there was a 2002-2003 revival), the name from the lead singer Siouxsie Sioux (Susan Janet Ballion, b 1957).

At much the same time students in the north-east US were tossing Mrs Frisbie’s pie tins to each other, a young couple were enjoying similar fun with a popcorn can lid but, unlike the students, they had an entrepreneurial streak and began selling the cardboard bases sold to cake makers for five times the cost, changing only the labeling.  World War II (1939-1945) interrupted business between 1942-1945 but, once hostilities ceased, the designer applied to the re-purposed disk some lessons learned from service with the US Army Air Force (USAAF), improving the aerodynamic properties.  The zeitgeist of the late 1940s was also influential.  In June 1947, a commercial pilot claimed to have seen nine "flying discs" zipping across Washington state at a speed he estimated at 1,200 mph (1931 km/h) and, without waiting for verification, the Associated Press (AP) wire service distributed the story.  The Hearst press ran the piece with a "flying saucers" headline and that phrase went viral about as quickly as things now spread on social media.  Saucer-mania had begun and soon there were hundreds of reported sightings, a trend which continued, spiking in response to events such as the launch of the USSR’s Sputnik satellite in 1957.  Taking advantage, the prototype Frisbee, by then mass-produced in plastic, was renamed from Whirlo-Way to Flyin' Saucer.

Ms Effie Krokos, this time in black jacket.

In 2019, Ms Effie Krokos (b 1999) and her fiancé were in the front yard of his house in Loveland (a wonderful name), 40 miles (64 km) north of Denver, enjoying some frisbee tossing.  Because it was a hot day, she removed her shirt and continued to play while topless.  Several hours later, a Loveland police officer (there are comedic possibilities in that) arrived and issued an indecent-exposure citation, invoking a city ordinance prohibiting exposure in public places or places open to public view.  Ms Krokos told the officer of a recent circuit court ruling against the public nudity ordinance in the neighboring city of Fort Collins but the officer maintained the ruling didn’t apply in Loveland.

Loveland Police cruiser.

Denver civil rights attorney David Lane (b 1954) agreed to take the case as part of the #FreetheNipple movement, explaining the Circuit Court of Appeals had ruled in February 2019 that Fort Collins’ public nudity ordinance, which had no restrictions on male toplessness but prohibited women from baring their breasts, was in violation of the Equal Protection Clause of the 14th Amendment.  Free the Nipple v City of Fort Collins (17-1103 (10th Cir. 2019)) established that ordinances based on gender are unconstitutional.  Anywhere it’s legal for a man to appear in public topless, it’s legal for a woman to do the same” Lane said.  Loveland accepted the offer of a US$50,000 settlement in Krokos’ case in to prevent a federal lawsuit.  The case was dismissed with prejudice (meaning that it cannot be reintroduced in another lawsuit) and the city suspended enforcement of the provision, pending a review.  Ms Krokos said she wants to show that "it isn’t fair for women to be treated differently than men by law enforcement" and hopes that the case will make more women aware of their rights.

Boston University's women’s "Ultimate Frisbee" team (the Lady Pilots), ran an "I Need Feminism Because..." campaign.  The campaign was an effort to draw attention to the need for gender equity, apparently prompted by crooked Hillary Clinton's (b 1947; US secretary of state 2009-2013) loss in that year’s presidential election to a man whose reported comments about women would have ended the political career of anyone else.  Each of the players wrote their own message on the underside of a frisbee.

By the mid 1950s, the design had been refined to the form which exists to this day and had the changes were judged sufficiently innovative to be granted a US design patent; this was the product released as the Pluto Platter and the final evolution of the name came in 1957 when the named Frisbee was applied.  Remarkably, it had taken until then for the knowledge of the casual student game of the 1930s to become known to the manufacturers after an article appeared in a newspaper which revealed students were calling the Pluto Platter the Frisbie.  It was clearly a catchier name and it caught on, persuading the manufacturers to adopt the name to Frisbee, the change in spelling on legal advice, lest the pie makers object though that would soon become moot, the Frisbie Pie Company ceasing operations in 1958, something apparently unrelated to flying disks and attributed to the sharp US recession of that year.

Paige Pierce about to execute a backhand drive.

Because Frisbee is a registered trademark, the name isn’t use in formal competition.  The World Flying Disc Federation (WFDF) applied to the Olympic Organizing Committee, seeking inclusion in the program of the 2028 summer games in Los Angeles but didn’t make the short list which was restricted to baseball, softball, break dancing, cricket, flag football, karate, kickboxing, lacrosse, motorsport and squash.  WFDF expressed disappointment, noting that “Flying Disc sports is actively practiced on a competitive level in 103 countries in the world and appeared to satisfy all of the objective criteria agreed between the IOC and LA28. These criteria included not adding cost and complexity to the games by utilizing full venue sharing on the beach or grass stadium, having total gender equality with our gender-balanced mixed format, having youth appeal, and ensuring that the top athletes were involved. There are few other sports that can boast an equivalent Californian DNA as frisbee and we felt our Ultimate 4s format requiring a total athletes’ quota of only 48 would fit well given the overall cap on the Games. We are also strongly convinced that our sport is unique in upholding integrity and fairness with our self-refereeing concept of Spirit of the Game.”  The WFDF have indicated they’ll make representations to be included in the 2032 Olympic Games in Brisbane, Australia.  The game is certainly growing and a tiny elite are already finding Flying Disk a lucrative pursuit, the top athletes attracting sponsorship deals from disk manufacturers.  Paul Mcbeth’s (b 1990) contract is worth a reported US$10 million over five years while the highest paid woman is Paige Pierce (b 1991), earning US$3 million over three years.  Both are under contract to Discraft.

1973 Maserati Bora 4.9 with the early (1971-1975) aluminium wheels fitted with "frisbee" (not dogdish) hubcaps (left), 1977 Maserati Bora 4.9 with the later (1975-1978) aluminium wheels without frisbees (centre) and 1974 Maserati Merak 3.0 (right), a model never frisbeed.

Between 1971-1975, the mid-engined Maserati Bora (Tipo AM117; 1971-1978) was equipped with removable, polished stainless steel hubcaps (which the Maserati cognoscenti call frisbees) on its 7½ x 15 inch (190.5 x 381 mm) Campagnolo aluminium wheels.  Although structurally different, the less expensive Merak (Tipo AM122; 1972-1983) used a similar body but was equipped with 2.0 & 3.0 V6 engines rather than the Bora’s 4.7 & 4.9 litre V8s, the smaller engines meaning the Merak was able to be fitted with two rear seats (most suitable for small children or contortionists).  The Merak used wheels in the same style without the frisbees and after 1975 this configuration extended to the Bora.  Rarely has there been a hubcap plainer than the those used on the Bora but anyone calling it a “poverty cap” (slang in the US for the least elaborate hubcaps) would be shocked by the price they command as used parts; on the rare occasions they’re available, they've been listed at US$700-2000 apiece.  Unlike the Merak which was named after a star in the constellation of Ursa Major, the Bora borrowed its name from a wind which blows along the Adriatic coast, the company over the years having used the names of a number of (usually hot) winds from North Africa and the Middle East including Ghibli, Khamsin, Shamal and Karif.

Thursday, October 14, 2021

Bubble

Bubble (pronounced buhb-uhl)

(1) A spherical globule of gas (or vacuum) contained in a liquid or solid.

(2) Anything that lacks firmness, substance, or permanence; an illusion or delusion.

(3) An inflated speculation, especially if fraudulent.

(4) The act or sound of bubbling.

(5) A spherical or nearly spherical canopy or shelter; dome.

(6) To form, produce, or release bubbles; effervesce.

(7) To flow or spout with a gurgling noise; gurgle.

(8) To speak, move, issue forth, or exist in a lively, sparkling manner; exude cheer.

(9) To seethe or stir, as with excitement; to boil.

(10) To cheat; deceive; swindle (archaic).

(11) To cry (archaic Scots).

(12) A type of skirt.

(13) In infection control management, a system of physical isolation in which un-infected sub-sets population are protected by restricting their exposure to others.

1350-1400: From the Middle English noun bobel which may have been from the Middle Dutch bubbel & bobbel and/or the Low German bubbel (bubble) and Middle Low German verb bubbele, all thought to be of echoic origin.  The related forms include the Swedish bubbla (bubble), the Danish boble (bubble) and the Dutch bobble.  The use to describe markets, inflated in value by speculation widely beyond any relationship to their intrinsic value, dates from the South Sea Bubble which began circa 1711 and collapsed in 1720.  In response to the collapse, parliament passed The Bubble Act (1720), which required anyone seeking to float a joint-stock company to first secure a royal charter.  Interestingly, the act was supported by the South Sea Company before its failure.  Ever since cryptocurrencies emerged, many have been describing them as a bubble which will burst and while that has happened with particular coins (the exchange collapses are something different), the industry thus far has continued with only the occasional period of deflation.  Bubble & bubbling are nouns & verbs, bubbler is a noun, bubbled is a verb, bubbly is a noun & adjective, bubbleless & bubblelike are adjectives and bubblingly is an adverb; the noun plural is bubbles.

An artificial tulip in elisa mauve.

However although the South Sea affair was the first use of “bubble” to describe such a market condition, it wasn’t the first instance of a bubble which is usually regarded as the Dutch tulpenmanie (tulip mania) which bounced during the 1630s, contract prices for some bulbs of the recently introduced and wildly fashionable tulip reaching extraordinarily high levels, the values accelerating from 1634 until a sudden collapse in 1637.  Apparently just a thing explained by a classic supply and demand curve, the tulip bubble burst with the first big harvest which demonstrated the bulbs and flowers were really quite common.  In history, there would have been many pervious bubbles but it wasn’t until the economies and financial systems of early-modern Europe were operating that the technical conditions existed for them to manifest in the form and to the extent we now understand.  Interestingly, for something often regarded as the proto-speculative asset bubble and a landmark in economic history, twentieth-century revisionist historians have suggested it was more a behavioral phenomenon than anything with any great influence on the operation of financial markets or the real economy, the “economic golden age” of the Dutch Republic apparently continuing unaffected for almost a century after the bottom fell out of the tulip market.  The figurative uses have been created or emerged as required, the first reference to anything wanting firmness, substance, or permanence is from 1590s.  The soap-bubble dates from 1800, bubble-shell is from 1847, bubble-gum was introduced in 1935 and bubble-bath appears first to have be sold in 1937.  The slang noun variation “bubbly” was first noted in 1920, an invention of US English.  

The word "bubble" spiked shortly after the start of the Covid-19 pandemic.  Over time, use has expanded to encompass large-scale operations like touring sporting teams and even the geographical spaces used for the 2022 Beijing Winter Olympics but the original meaning was more modest: small groups based on close friends, an extended family or co-workers.  These small bubbles weren't supposed to be too elastic and operated in conjunction with other limits imposed in various jurisdictions; a bubble might consist of a dozen people but a local authority might limit gatherings to ten in the one physical space so two could miss out, depending on the details in the local rules.  Bubble thus began as an an unofficial term used to describe the cluster of people outside the household with whom one felt comfortable in an age of pandemic.

Tulips

Bubbles were however a means of risk-reduction, not a form of quarantine.  The risks in a bubble still exist, most obviously because some may belong to more than one bubble, contact thus having a multiplier effect, the greater the number of interactions, the greater the odds of infection.  Staying home and limiting physical contact with others remained preferable, the next best thing to an actual quarantine.  The more rigorously administered bubbles used for events like the Olympics are essentially exercises in perimeter control, a defined "clean" area, entry into which is restricted to those tested and found uninfected.  At the scale of something like an Olympic games, it's a massive undertaking to secure the edges but, given sufficient resource allocation can be done although it's probably misleading to speak of such an operation as as a "bubble".  Done with the static-spaces of Olympic venues, they're really quarantine-zones.  Bubble more correctly describes touring sporting teams which move as isolated bubbles often through unregulated space.

The Bubble Skirt

A type of short skirt with a balloon style silhouette, the bubble dress (more accurately described as a bubble skirt because that’s the bit to which the description applies) is characterized by a voluminous skirt with the hem folded back on itself to create a “bubble” effect at the hemline.  Within the industry, it was initially called a tulip skirt, apparently because of a vague resemblance to the flower but the public preferred bubble.  It shouldn’t be confused with the modern tulip skirt and the tulip-bubble thing is just a linguistic coincidence, there’s no link with the Dutch tulipmania of the 1630s.  Stylistically, the bubble design is a borrowing from the nineteenth century bouffant gown which featured a silhouette made of a wide, full skirt resembling a hoop skirt, sometimes with a hoop or petticoat support underneath the skirt.   While bouffant gowns could be tea (mid-calf) or floor length, bubble skirts truncate the look hemlines tend to be well above the knee.  Perhaps with a little more geometric accurately, the design is known also as the “puffball” and, in an allusion to oriental imagery, the “harem” skirt.  Fashion designer Christian Lacroix (b 1951) became fond of the look and a variation included in his debut collection was dubbed le pouf but, in English, the idea of the “poof skirt” never caught on.

Lindsay Lohan in Catherine Malandrino silk pintuck dress with bubble skirt, LG Scarlet HDTV Launch Party, Pacific Design Center, Los Angeles, April 2008.

It must have been a memorable silhouette in the still austere post-war world, a sheath dress made voluminous with layers of organza or tulle, the result a cocoon-like dress with which Pierre Cardin (1922-2022) and Hubert de Givenchy (1927-2018) experimented in 1954 and 1958, respectively. A year later, Yves Saint Laurent (1936-2008) for Dior added the combination of a dropped waist dress and bubble skirt; post-modernism had arrived.  For dressmakers, bubble fashion presented a structural challenge and mass-production became economically feasible only because of advances in material engineering, newly available plastics able to be molded in a way that made possible the unique inner construction and iconic drape of the fabric.  For that effect to work, bubble skirts must be made with a soft, pliable fabric and the catwalk originals were constructed from silk, as are many of the high end articles available today but mass-market copies are usually rendered from cotton, polyester knits, satin or taffeta.

The bubble in the 1950s by Pierre Cardin (left), Givenchy (centre) & Dior (right).

The bubble skirt was never a staple of the industry in the sense that it would be missing from annual or seasonal ranges, sometimes for a decade or more and sales were never high, hardly surprising given it was not often a flattering look for women above a certain age, probably about seven or eight.  Deconstructing the style hints at why: a hemline which loops around and comes back up, created sometimes by including a tighter bottom half with the bulk of additional material above, it formed a shape not dissimilar to a pillow midway through losing its stuffing.  For that reason, models caution the look is best when combined with a sleek, fitted top to emphasize the slimness of the waistline, cinched if necessary with a belt some sort of delineating tie.  The bubble needs to be the feature piece too, avoiding details or accessories which might otherwise distract; if one is wearing a partially un-stuffed pillow, the point needs to be made it’s being done on purpose.

The bubble is adaptable although just because something can be done doesn’t mean it should be done.  The bubble skirt has however received the Paris Hilton (b 1981) imprimatur so there’s that.

TikTok and Instagram influencer Ella Cervetto (b 2000) in Oh Polly Jessamy (an off-shoulder layered bubble hem corset mini dress) in True Red (available also in Ivory), Sydney, Australia, November 2024.

On the catwalks however, again seemingly every decade or so, the bubble returns, the industry relying on the short attention span of consumers of pop culture inducing a collective amnesia which allows many resuscitations in tailoring to seem vaguely original.  Still, if ever a good case could be made for a take on a whimsical 1950s creation to re-appear, it was the staging of the first shows of the 2020-2021 post-pandemic world and the houses responded, Louis Vuitton, Erdem, Simone Rocha and JW Anderson all with billowy offerings, even seen was an improbably exuberant flourish of volume from Burberry.  What appeared on the post-Covid catwalk seemed less disciplined than the post-war originals, the precise constraints of intricately stitched tulle forsaken to permit a little more swish and flow, a romantic rather than decadent look.  The reception was generally polite but for those who hoped for a different interpretation, history suggests the bubble will be back in a dozen-odd years.

Friday, May 15, 2020

Tantrum

Tantrum (pronounced tan-truhm)

(1) A violent demonstration of rage or frustration; a sudden burst of ill temper, most associated with children but widely applied to the childish outbursts of adults.

(2) To have a tantrum.

1714: One of English’s etymological mysteries, other than being derived from the earlier tanterum, the origin is so obscure there’s no evidence on which to base speculation and while the first known reference in writing is from 1714, it’s likely it had been in (presumably colloquial) oral use for some time.  There are conventions of use such as “temper tantrum” & the common intransitive “throw a tantrum”; synonymous words and phrases include angry outburst, flare-up, fit of rage, conniptions, dander, huff, hysterics, storm, wax, hissy fit & dummy spit.  Tantrum is a noun & verb, tantrumming & tantrumed are verbs and tantrumy is an adjective; the noun plural is tantrums.  The noun tantrummery (on the model of constructions like poltroonery) is non-standard but is sometimes used in political commentary.

Social media, SMS or email posts in ALL CAPS or with an extravagant use of question marks (?????) or exclamation marks (!!!!!) convey shouting and are the textual version of a tantrum although this understanding was learned behaviour; many early systems (Telix etc) available only with upper case characters so there was a greater dependency on (?????) & (!!!!!) to denote anger, the asterisk (*****) & hash (#####) symbols inserted to permit vulgarities (f**k, sh## et al) to be understood without being spelled out.  That was a work-around of some significance because the telecommunication legislation in many nations actually prohibited swearing (even on telephone voice calls) over what was then called a “carriage service”, typical wording in the acts being something like: It shall be unlawful for any person in the operation of any telephone installed within the city, to make use of any vulgar vituperation or profane language into and over such telephone.  (Profanity over telephone: (Code of ordinances, Colombus Georgia, USA, (§ 663 (1914)), Section 14-49).  Such laws probably still exist in many places but instances of enforcement doubtless;y are rare.

Disruptive Mood Dysregulation Disorder (DMDD)

Remarkably, as a definable condition, the temper tantrum wasn’t medicalized (as a distinct diagnosis) until 2013 when the fifth edition of the American Psychiatric Association’s (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM-5) was published.  Named Disruptive Mood Dysregulation Disorder (DMDD), it was classified as a mood disorder noted as affecting children aged 6-18, an unusual concession by the industry that tantrums in very young children are a normal and healthy (if annoying) aspect of human development.

DMDD was thus a new diagnosis but it really was a shift in classification, reflecting the early twenty-first century view that both the autism spectrum and bipolar disorder (BD, the old manic-depression) were being over-diagnosed.  Also a condition that can cause extreme changes in mood, it was noted that misdiagnosing BD can result in unnecessary medications being prescribed, the long-term use of which were associated with side effects including weight gain, lipid & glucose abnormalities and  reduced brain volume (and a diminished number of neurons in the brain).  Thus it being undesirable that BD be over-diagnosed in the young, DMDD exists as an alternative and, although many of the mood-related symptoms overlap with BD, there are as yet no FDA (the US Food and Drug Administration) approved medications for children or adolescents with DMDD and in the recent history of the DSM, that’s unusual.  There have been instances of updates to the DSM removing diagnoses while the specified drug remains on the FDA schedule but it’s rare for one to appear without an approved medication, the symbiosis between the industries usually well-synchronized.  Advice to clinicians continue to include the note that stimulants, antidepressants, and atypical antipsychotics can be used to help relieve a child’s DMDD symptoms but that side effects would need to be monitored, individual and family therapy to address emotion-regulation skills a desirable alternative to be pursued where possible.  The behavioral distinction between DMDD and BD is that subjects don’t experience the episodic mania of a child with BD and they’re at no greater risk of later developing BD although there is a higher anxiety as an adult.  Because of the potentially stigmatizing effects (possibly for life) of a diagnosis of BD, that’s something which should be applied only with a strict application of the criteria.

The tabloid press like the word "tantrum" and uses it often of certain celebrities, politicians and such.

It’s further noted that DMDD is a diagnosis that should apply to a specific type of mood (the tantrum) distinguished by being extreme and/or frequent; it should thus (as parents have doubtless always regarded tantrums) be thought a spectrum condition.  The markers include (1) severe, chronic irritability, (2) severe verbal or behavioral tantrums, several times weekly for at least a year, (3) reactions out of proportion to the situation, (4) difficulty functioning because of outbursts and tantrums, (5) aggressive behavior & (6) a frequent transgression of rules.  Observationally, DMDD may be indicated by (7) trouble in socializing and forming friendships, (8) physically aggression towards peers and family and even (9) difficulties in the cooperative aspects of playing team sports (although not merely a preference for individual disciplines).  The diagnostic criteria for DMDD require a child to have experienced tantrums (which are severe and/or of long duration) at least three times weekly for at least a year’ especially if between episodes they’re also chronically irritable.  However, if the tantrums are geographically or situationally specific (ie happen only at school or only at church etc) then DMDD may not be the appropriate diagnosis and other disorders (childhood bipolar disorder (CBD), autism, oppositional defiant disorder (ODD) or attention deficit hyperactivity disorder (ADHD)) may need to be considered.  A particular difficulty in the diagnostic process is that not only is there a significant overlap of symptoms in these disorders but instances of conditions themselves can co-exist.  With children, it’s recommended that when possible, DMDD treatment begins with therapy (psychotherapy and parent training), medications prescribed only later in treatment or at least starting in conjunction with therapy, cognitive behavioral therapy (CBT) thought helpful.

Noted temper tantrums

3 Ketchup Bottles (2021) by Kristin Kossi (b 1984), Acrylic on Canvas, US$8000 at Singulart.

Details of Donald Trump (b 1946; US president 2017-2021 and since 2025) tantrum which included his ketchup laden lunch ending up oozing down an Oval Office wall were recounted during the congressional hearings into matters relating to the attempted insurrection on 6 January 2021.  Although apparently not the first time plates were smashed in the Trump White House during episodic presidential petulance, such outbursts by heads of government are not rare.  Indeed, given the stress and public scrutiny to which such folk are subject, it’s surprising there aren’t more although it’s usually only years later, as memoirs emerge, that the tales are told.  However, as far as is known, only Mr Trump has ever been implicated in a "ketchup incident".

Warren Harding (1865–1923; US president 1921-1923) was once observed strangling a government official with his bare hands although that might have been understandable, his administration notoriously riddled with corruption.  When Harding dropped dead during his term, it was probably a good career move.  Adolf Hitler’s (1889-1945; head of state (1934-1945) and government (1933-1945) in Nazi Germany) ranting meltdown in the Führerbunker on 21 April 1945 as the Red Army closed on Berlin became a tantrum of legend and was the great set piece of the film Downfall (2004) about the last days of the Third Reich, a scene which has since generated hundreds of memes.  Even before the Watergate scandal began to consume his presidency, Richard Nixon (1913-1994; US president 1969-1974) was known for his temper tantrums, often under the influence of alcohol.  His aides would later recount his expletive-laden tirades during which, apparently seriously, he would order bombings, missile launches and assassinations.  All such instructions Nixon issued during these drunken tantrums were ignored and if informed the next day that the relevant military action or murder had not been carried out, usually he would respond: "Good".  His predecessor’s, (Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969)) moods were said to be just as volatile and during episodes he would sometimes wish for whole countries to be destroyed although he stopped short actually of ordering it.

Admiring glance: George Stephanopoulos looking at crooked Hillary Clinton.

Reports of Bill Clinton’s (b 1946; US president 1993-2001) tantrums tend to emphasize their frequency and intensity but note also how quickly they subsided.  In the memoir of George Stephanopoulos ((b 1961; White House Communications Director 1993 & presidential advisor 1993-1996)) focusing on his time as communications director, it’s recounted that Clinton regularly lost his temper and would yell at the staff, the in-house code for the outbursts being “purple fits”, so named because of how red Clinton’s face became during the SMOs “Standard Morning Outbursts”.  Secret Service staff later interviewed were kinder in their recollections of the president but seemed still traumatized when describing his wife’s volcanic temper and Bill Clinton’s outbursts do need to be viewed in the context of him being married to crooked Hillary Clinton (b 1947; US secretary of state 2009-2013).

Anthony Eden (1897–1977; UK prime-minister 1955-1957) was elegant, stylish and highly strung; one of his colleagues, in a reference to his parentage, described Eden as “half mad baronet, half beautiful woman” and his great misfortune was to become prime-minister, the role for which he’d so long been groomed.  Ill-suited to the role and in some ways unlucky, his tantrums became the stuff of Westminster and Whitehall folklore, reflected in the diary entry of Winston Churchill’s (1875-1965; UK prime-minister 1940-1965 & 1951-1955) physician (Lord Moran, 1885-1975) on 21 July 1956: “The political world is full of Eden's moods at No 10 (Downing Street, the PM’s London residence)”.  The tales of his ranting and raging appeared in much that was published after his fall from office but in the years since, research suggests there was both exaggeration and some outright invention, one contemporary acknowledging that while Eden certainly was highly strung, “he seldom became angry when really important matters were involved, but instead did so over irritating trivialities, usually in his own home, and very seldom did he lose his temper in public”.  Unfortunately, the best-known "tantrum" story of the 1956 Suez Crisis in which Eden is alleged to have thrown an full inkwell at someone with whom he disagreed (a rubbish bin said to have been jammed on his head in response), is almost certainly apocryphal.