Lush

Lush (pronounced luhsh)

(1) Of vegetation, plants, grasses etc, luxuriant; succulent; tender and juicy; characterized by luxuriant vegetation.

(2) Of fruit (especially tropical varieties), succulent and fleshy; of food in general, savory, delicious (now rare).

(3) Characterized by luxuriousness, opulence etc.

(4) A habitual drinker of alcohol who is frequently intoxicated, applied usually as disparaging and offensive term and applied disproportionately to women.

(5) Alcoholic drink (archaic).

(6) In musical criticism (of sopranos in Opera), a notably rich, expressive voice; in music generally an antonym for austere or sparse, a use also extended to literature.

(7) In internet slang (of the young of any gender), beautiful, sexy; used also as a synonym generally for amazing, cool, fantastic, wicked (should be used only by the youthful).

(8) Of ground or the soil, in dialectal use, mellow; soft; easily turned; fertile.

1400–1450: From the late Middle English lusch (slack, relaxed, limp, loose), from the Proto-Germanic laskwaz (weak, false, feeble), from the primitive Indo-European lēy- (to let; leave behind).  It was akin to the Old English lysu (bad) & lǣc (lax), the Middle Low German las & lasch (slack), the Middle High German erleswen (to become weak), the Middle Low German lasch (slack, languid, idle),the Low German lusch (loose), the Old Norse lǫskr (weak, feeble) and the Gothic lasiws (weak, feeble).  A doublet of lusk.  Source was probably the Old French lasche (lax, lazy) from the Latin laxus (loose), from the Late Latin laxicare (become shaky) from the primitive European root sleg- (be slack, be languid).

Lindsay Lohan, on holiday in the tropical lushness of Thailand, 2017.

It began to be applied to dense vegetation circa 1600 when used that way by Shakespeare who was alluding to the languid appearance of foliage and the modern sense “luxuriant in growth" developed organically from there.  The Shakespearian origin is generally accepted but some etymologists have noted a link to a word in Gypsy (Romany) or Shelta (tinkers' jargon).  The use relating to alcoholic drink dates from circa 1790, the origin unknown but presumed to be a facetious link to the idea of juicy vegetation, saturated with liquid.  The early slang referred to the drink itself; in 1790 a “lush ken” was an alehouse but by 1890 had come to mean "drunkard" and as early as 1811 was used as a verb meaning “to drink heavily”, the adjective being lushey.    In 1823, Lushington was recorded as a humorous generic name for a heavy drinker which was perhaps unfortunate for some, it being a real surname.  It was in the twentieth century, perhaps in reaction to the greater social acceptability of women taking drink, that lush came to be an almost exclusively female descriptor; the linguistic shift part of the long (and continuing) tradition of men finding new ways to disparage women.  Lush is a noun & adjective, Lusher & lushest are adjectives, lushness is a noun and lushly an adverb.

Martha Mitchell, who got a bit of fun from life

John and Martha Mitchell, Washington DC, 1971.

Martha Mitchell (1918-1976) was the wife of John Mitchell (1913–1988; US attorney-general 1969–1972) who served under Richard Nixon (1913-1994; US president 1969-1974) as attorney general.  She gained a not undeserved reputation as a lush, Richard Nixon’s chief of staff (HR Halderman 1926-1993; chief of staff to the president 1969 1973) noting in his diary early in 1970 that “Martha’s behavior was sometimes outlandish, due to both emotional and drinking problems”.  More than once in the White House there was discussion about her being an embarrassment to her husband and the administration and a term emerged: "the Martha problem”.

Martha Mitchell, Time magazine cover, 30 November 1970.

The attorney-general’s wife being a lush not good but was tolerated, her husband actually attracting some sympathy, but, as the Nixon administration proceeded along its historic course, Martha’s drunken ramblings, including to journalists, raised real concerns.  Pillow-talk being a thing, she raised concerns about the dirty tricks and actual illegalities in which the administration was involved, especially the conduct of the 1972 election campaign which included the famous Watergate building break-in.  Figures in the administration then arranged to kidnap her so she could be kept incommunicado, the idea being the cover-up that was the Watergate affair would be better conducted without her around, part of the kidnapping having her forcefully sedated and locked up.  However, her accusations soon emerged and in little more than a year, Nixon would be forced to resign.  Martha had raised many of matters in an attempt to defend her husband who she believed was being set-up as the administration's “fall-guy” but, early in the scandal he resigned, later to be convicted of perjury, obstruction of justice, and conspiracy and jailed for some two years.  Soon after his resignation, the couple separated; they would never meet again.  To his dying day Nixon blamed Martha for the Watergate scandal, insisting she was such a distraction for the attorney-general that he neglected the oversight of the 1972 campaign, allowing others in the team to do bad things.

The Martha Mitchell Effect

The "Martha Mitchell Effect" is from the literature of psychiatry and refers to instances where a clinician labels a patient's accurate description of actual events as delusional, resulting in a misdiagnosis.  The significance of the Martha Mitchell Effect is that, strictly speaking, its application should be limited to those instances of misdiagnosis which arise because the clinician either relied upon or was unduly influenced by factors particular to the patient but not directly relevant to case being discussed.  Thus, because Martha was a notorious lush given to rambling, drunken accusations and claims of conspiracies, she was erroneously assumed to be displaying symptoms of mental illness.

New York Daily News, 26 June 1972.

In the profession, the Martha Mitchell Effect is something which can affect many (cognitive bias, misdiagnosis, diagnostic overshadowing, iatrogenic & over-diagnosis) of the circumstances which can produce false positives, a particular problem in psychiatry, where there are few objective clinical tests for most disorders, diagnosis relying so often on the subjectivity of both the patient report and interpretation of these symptoms by clinicians.  In real-world conditions, there’s no obvious way to create protocols to ensure the Martha Mitchell Effect doesn’t infect a diagnosis.  However, the fifth edition of the Diagnostic and Statistical manual of Mental Disorders (DSM-5, 2013) did change some of the criteria for delusional disorders, notably no longer requiring that delusions must be non-bizarre, a change which while obviously not removing subjectivity from the process, did offer some equality between patient and clinician.  The specifier for bizarre type delusions carried over from DSM-IV (1994), the demarcation of delusional disorder from psychotic variants of obsessive-compulsive disorder and body dysmorphic disorder augmented with a new exclusion criterion, which required the symptoms must not be better explained by conditions such as obsessive-compulsive or body dysmorphic disorder with absent insight/delusional beliefs.  In DSM-5, a delusional disorder is no longer separated from a shared delusional disorder.  In theory, the changes in DSM-5 might have gained Martha a more sympathetic diagnosis, one she'd doubtless have celebrated with a drink.

Bohemian

Bohemian (pronounced boh-hee-mee-uhn)

(1) A native or inhabitant of Bohemia.

(2) A person, as an artist or writer, who lives and acts free of regard for conventional rules and practices (technically should be lowercase but rule often not observed.)

(3) The Czech language, especially as spoken in Bohemia.

(4) Slang term sometime applied to Gypsies (Roma or Travelers), especially in central and eastern Europe.

(5) Of or relating to Bohemia, its people, or their language, especially the old kingdom of Bohemia; a Czech.

(6) Pertaining to or characteristic of the unconventional life of a bohemian (again, should be lowercase).

(7) Living a wandering or vagabond life.

1570-1580:  The construct was Bohemi(a) + -an (the adjectival suffix).  The modern meaning "a gypsy of society" dates from 1848, drawn from the fifteenth century French bohemién, from the country name.  Meaning is thus associative, from the prevailing French view that gypsies (Roma or Travelers) came from Bohemia (and technically, their first appearance in Western Europe may have been directly from Bohemia).  An alternative view is it’s from association with fifteenth century Bohemian Hussite heretics who had been driven from their country about that time; most etymologists prefer the former.  A bohemian was thus something of “a gypsy of society; a person (especially a painter, poet etc) who lives a free and somewhat dissipated life, rejecting the conventionalities of life and having little regard for social standards”.  The transferred sense, in reference to unconventional living, is attested in French by 1834 and was popularized by Henri Murger's (1822-1861) stories from the late 1840s, later collected as Scenes de la Vie de Boheme (which formed the basis of Puccini's La Bohème).  It appears in English in that sense in William Makepeace Thackeray's (1811–1863) Vanity Fair (1848); the Middle English word for "a resident or native of Bohemia" was Bemener.

Modern-day Bohemia is the westernmost and largest historical region of the Czech Republic.  In the way things shift in Eastern Europe over the centuries, Bohemia has been a duchy of Great Moravia, an independent principality, a kingdom in the Holy Roman Empire and one of the many constituent parts of the multi-ethnic Habsburg monarchy and Austrian Empire.  Part of the independent Czechoslovak state created after World War I (1914-1918), between 1938-1945 Bohemia was part of the region annexed by the Nazis in 1938 and ultimately became part the Protectorate of Bohemia and Moravia.  At the end of World War II (1939-1945), the lands of Bohemia (from which the German-speaking population was expelled) were restored to the re-established Czechoslovakia which in 1993 (as the Warsaw Pact bloc fragmented after the fall of the Berlin Wall (1989)) broke up; at that point the separate Czech & Slovak republics were created.

1934 German 40 Pf postage stamp.  President von Hindenburg once vowed never to appoint Hitler Chancellor (head of government), saying the highest office he's grant would be as a postmaster where "he could lick the stamps with my head on them."

As a descriptor of lifestyle, in the West, bohemian sometimes has a romantic association with freedom but it can also be a put-down.  In translation it can also be misunderstood.  Paul von Hindenburg (1847–1934; Field Marshal and German head of state 1925-1934) dismissively called Adolf Hitler (1889-1945; Nazi head of government 1933-1945 & head of state 1934-1945) a Böhmischer Gefreiter which is usually translated in English as “bohemian corporal”, leading many to conclude it was a reference to his famously erratic routine and self-described (and promoted) artistic temperament.  Actually Hindenburg was speaking literally.  In the Austro-Prussian War of 1866, he’d served as an officer in the Prussian Army, at one point passing through the Bohemian village named Broumov (Braunau in German and now located in the Czech Republic) and knowing Hitler had been born in Braunau, assumed the future Führer had been born a Bohemian.  Hitler however was actually born in the Austrian town of Braunau in Austria although the Field Marshal was right about him being a Gefreiter (an enlisted rank in the military equating with a lance corporal or private first class (PFC)), that being Hitler’s rank in World War I).  If vague on geography, one would expect Hindenburg to get the military terminology correct; he once claimed the only books he ever read were the Bible and the army manual.

Either way, the president’s slight was a deliberate, class-based put-down, the army’s often aristocratic (and predominately Prussian) officer corps regarding a corporal from somewhere south as definitely not “one of us” and one didn’t even have to come from as far south as Austria to earn Prussian disapprobation; Otto von Bismarck (1815–1898; Chancellor of the German Empire 1871-1890) once described Bavarians as “halfway between an Austrian and a human being”.  Even a Bavarian officer however could think himself superior to an Austrian corporal and Ernst Röhm (1887-1934; the most famous victim of the 1937 Nacht der langen Messer (Night of the Long Knives (Unternehmen Kolbri (Operation Hummingbird)) and referred to by the Nazis as the Röhm Putsch) more than once dismissed Hitler as a lächerlicher Gefreiter (ridiculous corporal).  Hindenburg’s phrase was well-known among the officer corps and generals were known to repeat it when among friends.  Most famously it was reprised by Field Marshal Friedrich Paulus (1890–1957) who is now remembered only for commanding the doomed Sixth Army at Stalingrad (Tsaritsyn 1589–1925 and Volgograd since 1961), surrendering the remnants to Soviet forces in February 1943.  Hitler promoted him to field marshal just before the city fell, explaining he wanted to give him “this last satisfaction”, the sub-text being that no German field marshal had ever been captured and Paulus should draw his own conclusions and commit suicide like a gentlemen.  Paulus however decline to blow his brains out for that that “Böhmischer Gefreiter” and was taken to Moscow, later appearing as a prosecution witness at the first Nuremberg Trial (1945-1946).  He ended his days in a pleasant retirement in the GDR (German Democratic Republic; the old East Germany).

La Bohème (1896) by Giacomo Puccini (1858-1924)

In 1830s Paris, some bohemian youths are living in squalid flats in the Latin Quarter.  Two of them, the writer Rodolfo and the frail Mimi, meet by chance when Mimi knocks on her neighbor Rodolfo’s door because her solitary candle has blown out.  He lights it for her and they fall in love; these days, they'd be thought a couple of emos.  They have their ups and downs, as Puccini’s lovers do, and Rodolfo, though finding Mimi a bit highly-strung, really loves her but fears her staying with him and living in such poverty will damage her fragile health.  Worried she may die, he decides to leave.  Hearing this, Mimi is overcome with feelings of love and they make a pact to stay together until spring, after which they can separate.  In early spring, in Rodolfo arms, Mimi falls gravely ill and the bohemians rush off to sell their meager possessions so they can buy her medicine.  Together the two lovers recall how they met and talk of their poor but happy days together.  She takes medicine but her condition worsens and she dies, leaving Rodolfo in inconsolable grief.

Maria Callas (1923-1977) was as improbable a Mimi as she was a Madam Butterfly and never performed the role on-stage.  However, in 1956, under Antonino Votto (1896-1985) in Milan, she, with Giuseppe di Stefano (1921-2008) as Rodolfo, recorded the Opera for Decca and it’s one of the great Callas performances.  To this day, it's the most dramatic La Bohème available on disc.

A generation later, under Herbert von Karajan (1908-1989), Mirella Freni (1935-2020) and Luciano Pavarotti (1935-2007) recorded it for Decca.  Karajan, better known for conducting Wagner with hushed intensity, produced a lush and romantic interpretation.

Lindsay Lohan in a bohemian phase, New York, 2014.

In fashion, the bohemian look (boho or boho chic for short) is sometimes said to be not precisely defined but that’s really not true because the style is well-understood and, done properly, can’t be mistaken for anything else.  Although the trick to the look is in the layering of the elements, the style is characterized by long flowing or tiered skirts and dresses, peasant blouses, clichéd touches like tunics or wood jewelry, embroidery or embellishment with beading, fringed handbags, and jeweled or embellished flat sandals (or flat ankle boots).  Boho dresses owe much to the pre-Raphaelite women of the late nineteenth century although in the popular imagination there’s more of an association with the hippies of the 1960s (and those of the 1970s who didn’t realize the moment had passed).  The terms bohemian & boho obviously long pre-dated the hippie era but as fashion terms boho & boho-chic didn’t come into widespread use until early in the twenty-first century.

Tsar

Tsar (pronounced zahr)

(1) An emperor or king.

(2) Title of the former emperors of Russia and several Slavonic states.

(3) Slang term for an autocratic ruler or leader.

(4) Slang term for a person exercising great authority or power in a particular field.

1545-1555: From the Old Russian tsĭsarĭ (emperor or king), akin to the Old Church Slavonic tsěsarĭ, the Gothic kaisar and the Greek kaîsar, all ultimately derived from the Latin Caesar (an emperor, a ruler, a dictator) while the Germanic form of the word was the source of the Finnish keisari and the Estonian keisar.  The prehistoric Slavic was tsesar, Tsar first adopted as an imperial title by Ivan IV (Ivan Vasilyevich, 1530–1584 and better remembered as Ivan the Terrible, Grand Prince of Moscow and all Russia 1533-1584 & Tsar of all Russia 1547-1584) in 1547.  There’s a curious history to spelling tsar as czar.  Spelled thus, it’s contrary to the usage of all Slavonic languages; the word was so spelt by the Carniolan diplomat & historian Baron Siegmund Freiherr von Herberstein (1486–1566) in his work (in Latin) Rerum Moscoviticarum Commentarii (Notes on Muscovite Affairs (1549)) which was such a seminal early source of knowledge of Russia in Western Europe that "czar" passed into the Western languages; despite that history, "tsar" definitely is the proper Latinization.  It still appears and some linguistic academics insist the lineage means it should be regarded as archaic use rather than a mistake and, as a fine technical point, that’s correct in that, for example, the female form czarina is from 1717 (from Italian czarina and German zarin).  In Russian, the female form is tsaritsa and a tsar’s son is a tsarevitch, his daughter a tsarevna.

Nicholas II (Nikolai II Alexandrovich Romanov, 1868–1918; last Tsar of Russia, 1894-1917).  He cut an imposing figure for the portraitists but his cousin Kaiser Wilhelm II (1859–1941; German Emperor & King of Prussia 1888-1918) reckoned the tsar's mental abilities rendered him most suitable to "a cottage in the country where he can grow turnips".  Wilhelm got much wrong in his life but historians seem generally to concur in this he was a fair judge of things.

Tsar and its variants were the official titles of (1) the First Bulgarian Empire 913–1018, (2) the Second Bulgarian Empire (1185–1396), (3) the Serbian Empire (1346–1371), (4) the Tsardom of Russia (1547–1721) (technically replaced in 1721 by imperator, but remaining in use outside Russia (also officially in relation to certain regions until 1917) and (5) the Tsardom of Bulgaria (1908–1946).  So, although most associated with Russia, the first ruler to adopt the title was Simeon I (usually written as Simeon the Great; circa 865-927, ruler of Bulgaria 893-927) and that was about halfway through his reign and nobody since Simeon II (Simeon Borisov Saxe-Coburg-Gotha, b 1937; (last) Tsar of the Kingdom of Bulgaria 1943-1946) has been a tsar.  The transferred sense of "person with dictatorial powers" seems first to have appeared in English in 1866 as an adoption in American English, initially as a disapproving reference to President Andrew Johnson (1808–1875; US President 1865-1869) but it has come to be applied neutrally (health tsar, transport tsar) and use does sometimes demand deconstruction: drug tsar has been applied both to organised crime figures associated with the distribution of narcotics and government appointees responsible for policing the trade.  In some countries, some overlap between the two roles has been noted.

Comrade Stalin agitprop.

Volgograd, the southern Russian city was between 1925-1961 named Stalingrad (Stalin + -grad).  Grad (град in Cyrillic) was from the Old Slavic and translates variously as "town, city, castle or fortified settlement"; it once existed in many languages as gord and can be found still as grad, gradić, horod or gorod in many place-names.  Before it was renamed in honour of comrade Stalin (1878-1953, leader of the USSR 1924-1953), between 1589-1925, the city, at the confluence of the Tsaritsa and Volga rivers was known as Tsaritsyn, the name from the Turkic-related Tatar dialect word sarisin meaning "yellow water" or "yellow river" but because of the similarity in sound and spelling, came in Russia to be associated with Tsar.  Stalingrad is remembered as the scene of the epic and savage battle which culminated in the destruction in February 1943 of the German Sixth Army, something which, along with the strategic failure of the Wehrmacht in the offensive (Unternehmen Zitadelle (Operation Citadel) in the Kursk salient five months later, marked what many military historians record as the decisive moment on the Eastern Front.  It has become common to refer to comrade Stalin as the "Red Tsar" whereas casual comparisons of Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999) don't often reach to Russia's imperial past; they seem to stop with Stalin.

Caesar (an emperor, a ruler, a dictator) was from the late fourteenth century cesar (from Cæsar) and was originally a surname of the Julian gens in Rome, elevated to a title after Caius Julius Caesar (100-44 BC) became dictator and it was used as a title of emperors down to Hadrian (76–138; Roman emperor 117-138).  The name ultimately is of uncertain origin, Pliny the Elder (23–79) suggested it came from the Latin caesaries (head of hair) because the future dictator was born with a lush growth while others have linked it to the Latin caesius (bluish-gray), an allusion to eye color.  The "probity of Caesar's" wife (the phrase first recorded in English in the 1570s) as the figure of a person who should be above suspicion comes from the biography of Julius Caesar written by the Greek Middle Platonist priest-philosopher & historian Plutarch (circa 46–circa 123).  Plutarch related the story of how Julius Caesar divorced his wife Pompeia because of rumors of infidelity, not because he believed the tales of her adultery but because, as a political position, “the wife of Caesar must not even be under suspicion”.  That’s the origin of the phrase “the probity of Caesar’s wife, a phrase which first appeared in English in the 1570s.

In late nineteenth century US slang, a sheriff was "the great seizer" an allusion to the office's role in seizing property pursuant to court order.  The use of Caesar to illustrate the distinction between a subject’s obligations to matters temporal and spiritual is from the New Testament: Matthew 22:21.

They say unto him, Caesar's. Then saith he unto them, Render therefore unto Caesar the things which are Caesar's; and unto God the things that are God's.

Christ had been answering a question posed by the Pharisees to trap Him: Is it lawful to pay taxes to Caesar (Matthew 22:15–20)?  To answer, Jesus held up a denarius, the coin with which pay the tax and noted that on it was the head of Caesar, by then Caesar had become a title, meaning emperor of Rome and its empire.  It was a clever answer; in saying "render unto Caesar that which is Caesar's and render unto God that which is God's", Jesus dismisses the notion of believers being conflicted by the demands of the secular state as a false dilemma because, one can fulfil the requirements of the sate by a mere payment of coin without any implication of accepting its doctrines or legitimacy.  Over the years much has been made of what is or should be "rendered unto Caesar", but more interesting is inference which must be drawn: if we owe Caesar that which bears his image, what then do we owe God?  It can only be that we owe God that which bears the image of God, an impressive inventory listed in the book of Genesis and now interpreted by some Christians as "the whole universe".  To Caesar we can only ever owe money; to God we owe ourselves.

In the Old English the spelling was casere, which would under the expected etymological process have evolved into coser, but instead, circa 1200, it was replaced in the Middle English by keiser, from the Norse or Low German, and later by the French or Latin form of the name.  Cæsar also is the root of German Kaiser, the Russian tsar and is linked with the Modern Persian shah.  Despite the common assumption, "caesar" wasn’t an influence on the English "king".  King was from the Middle English king & kyng, from the Old English cyng & cyning (king), from the Proto-West Germanic kuning, from the Proto-Germanic kuningaz & unungaz (king), kin being the root.  It was cognate with the Scots keeng (king), the North Frisian köning (king), the West Frisian kening (king), the Dutch koning (king), the Low German Koning & Köning (king), the German König (king), the Danish konge (king), the Norwegian konge (king), the Swedish konung & kung (king), the Icelandic konungur & kóngur (king), the Finnish kuningas (king) and the Russian князь (knjaz) (prince) & княги́ня (knjagínja) (princess).  It eclipsed the non-native Middle English roy (king) and the Early Modern English roy, borrowed from Old French roi, rei & rai (king).

The Persian Shah was from the Old Persian xšāyaθiya (king), once thought a borrowing from the Median as it was compared to the Avestan xšaϑra- (power; command), corresponding to the Sanskrit (the Old Indic) kṣatra- (power; command), source of kṣatriya (warrior).  However, recent etymological research has confirmed xšāyaθiya was a genuine, inherited Persian formation meaning “pertaining to reigning, ruling”.  The word, with the origin suffix -iya was from a deverbal abstract noun xšāy-aθa- (rule, ruling) (Herrschaft), from the Old Persian verb xšāy- (to rule, reign).  In the Old Persian, the full title of the Achaemenid rulers of the First Empire was Xšāyaθiya Xšāyaθiyānām (or in Modern Persian, Šāhe Šāhān (King of Kings)), best as "Emperor", a title with ancient, Near Eastern and Mesopotamian precedents.  The earliest known instance of such a title dates from the Middle Assyrian period as šar šarrāni, used by the Assyrian ruler Tukulti-Ninurta I (1243–1207 BC).

Tsar Bomba: the Tsar bomb

Tupolev Tu-95 in flight (left) and a depiction of the October 1961 test detonation of the Tsar Bomb.

Царь-бомба (Tsar Bomba (Tsar-bomb)) was the Western nickname for the Soviet RDS-220 hydrogen bomb (Project code: AN602; code name Ivan or Vanya), the most powerful nuclear weapon ever detonated.  The test on 30 October 1961 remains the biggest man-made explosion in history and was rated with a yield of 50-51 megatons although the design was technically able to produce maximum yield in excess of 100.  For a long time the US estimated the yield at 54 megatons and the Russians at 58 but after the fall of the Soviet Union in 1991, it was confirmed the true yield was 50-51 megatons.  Only one was ever built and it was detonated on an island off the Russian arctic coast.  The decision to limit the size blast was related to the need to ensure (1) a reduced nuclear fall-out and (2) the aircraft dropping the thing would be able to travel a safe distance from the blast radius (the Kremlin's attitude to the lives of military personnel had changed since comrade Stalin's time).  No nuclear power has since expressed any interest in building weapons even as large as the Tsar Bomb and for decades the trend in strategic arsenals has been more and smaller weapons, a decision taken on the pragmatic military grounds that it's pointless to destroy things many times over.  It's true that higher yield nuclear weapons would produce "smaller rubble" but to the practical military mind such a result represents just "wasted effort".

Progress 1945-1961.

The Tupolev Tu-95 (NATO reporting name: Bear) which dropped the Tsar Bomb was a curious fork in aviation history, noted also for its longevity.  A four-engined turboprop-powered strategic bomber and missile platform, it entered service in 1956 and is expected still to be in operational use in 2040, an expectation the United States Air Force (USAF) share for their big strategic bomber, the Boeing B-52 which first flew in 1952, the first squadrons formed three years later.  Both airframes have proven remarkably durable and amenable to upgrades; as heavy lift devices and delivery systems they could be improved upon with a clean-sheet design but the relatively small advantages gained would not justify the immense cost, thus the ongoing upgrade programmes.  The TU-95's design was, inter-alia, notable for being one of the few propeller-driven aircraft with swept wings and is the only one ever to enter large-scale production.  It's also very loud, the tips of those counter-rotating propellers sometimes passing through the sound barrier.

Footage of the Tsar Bomb test de-classified and released after the dissolution of the Soviet Union (1922-1991).

The Tsar Bomb was in a sense the “ultimate” evolution of the centuries long history of the bomb although it wasn’t the end of innovation, designers seemingly never running out of ideas to refine the concept of the device, the purpose of which is to (1) blow stuff up and (2) kill people.  Bomb was from the French bombe, from the Italian bomba, from the Latin bombus (a booming sound), from the Ancient Greek βόμβος (bómbos) (booming, humming, buzzing), the explosive imitative of the sound itself.  Bomb was used originally of “projectiles; mortar shells etc”, the more familiar “explosive device placed by hand or dropped from airplane” said by many sources to date from 1908 although the word was in the former sense used when describing the anarchist terrorism of the late nineteenth century.  As a footnote, the nickname of Hugh Trenchard (1873-1956), the first Marshal of the Royal Air Force (RAF) was “boom” but this was related to his tone of voice rather than an acknowledgement of him being one of the earliest advocates of strategic bombing.

The figurative uses were wide, ranging from “a dilapidated car” (often as “old bomb”, the use based presumably on the perception such vehicles are often loud).  The bombshell was originally literally a piece of military equipment but it was later co-opted (most memorably as “blonde bombshell) to describe a particularly fetching young women.  So, used figuratively, “bomb” could mean either “very bad” or “very good” and in his weekly Letter from American (broadcast by the BBC World Service 1946-2004), Alistair Cooke (1908–2004) noted a curious trans-Atlantic dichotomy.  In the world of showbiz, Cooke observed, “bomb” was used in both the US & UK to describe the reaction to a play, movie or whatever but in the US, if called “a bomb”, the production was a flop, a failure whereas in the UK, if something was called “quite a bomb”, it meant it was a great success.

I Know Who Killed Me (2007)

I Know Who Killed Me bombed (in the traditional US sense) but in the way these things sometimes happen, the film has since enjoyed a second life with a cult-following and screenings on the specialized festival circuit.  Additionally, DVD & Blu-Ray sales (it's said to be a popular, if sometimes ironic, gift) meant eventually it generated a profit although it has never exactly become a "bomb" (in the UK sense).  However, while it now enjoys a following among a small sub-set of the public, the professional critics have never softened their view.

Dick-pic & Slot-shot

Dick-pic (pronounced dik-pik)

A picture of a human’s penis, if taken and disseminated in a certain context.

Dick became the pet-form name circa 1550 (though some etymologists suspect it had earlier been in use) for Richard via being the rhyming nickname for Rick, Richard's original affectionate diminutive.  Richard being (1) among the commonest English names and (2) exclusively male, it quickly become a synonym for "fellow; lad" and thereby a generally used word to refer to men, individually and collectively; from this connection came the use of dick as slang for that exclusively male body part.  Anything claimed to be an authoritative list of the slang senses must be viewed with scepticism because many forms are very old and the surviving written records are not a comprehensive catalogue of what was often an exclusively oral dialect so the date of origin is uncertain.  The meaning "penis" is attested from 1891 in a dictionary of farmer's slang and was said (predictably) to have been well-known British army slang but, perhaps regionally, the use could date back a century or more.  Most sources note "dick" in this context is thought now less offensive than once it was but for those still disturbed, there's a goodly number of alternatives. 

Pic of Dick Face: The Honorable Richard Face (1943-2023), former New South Wales (NSW) minister of gaming & racing (1995-2003).

The vulgar slang nouns dickhead & dickface (a stupid or contemptible person) are attested only from circa 1969 so Richard Face’s parents can't be accused of making what might now be thought an unwise choice.  Interestingly, although presumably not unaware of the linguistic possibilities his name offered, Richard Face was either indifferent or saw some political advantage in brand-name awareness because he chose to remain a Richard (and, by implication, a "Dick") despite being christened Jack Richard Face.  Whether he ran the usual focus groups to find which worded best (Dick Face or Jack Face) isn't known.  In time, he did live up to his name, in 2004 fined Aus$2500 an given a three-year good behaviour bond for lying to the NSW Independent Commission against Corruption (ICAC), the magistrate's rationale for not imposing a custodial sentence being (1) he was no longer a police officer and therefore "not directly involved in the administration of justice", (2) had an "exemplary record of public service", (3) had been under stress, was depressed and a heavy drinker at the time of his lie, (4) had shown remorse and pleaded guilty, (5) had "not committed perjury" or "sworn false evidence" and (6) "did not engage in persistently false swearing over sustained periods of time."

Pic of Richard Face the cat.

Pic was first recorded circa 1885 as a shortening of picture (image, likeness, photo, etc).  Picture was from the Middle English pycture, from the Old French picture, from the Latin pictūra (the art of painting, a painting), from pingō (I paint); a doublet of pictura.  The plural is pics but pix is common in casual & commercial use so the accepted alternative plural of dick-pics would be dick-pix.  The linguistically fastidious used to be troubled by spellings which respected only the pronunciation (pix, nite, lite, luv etc) but even before the internet their use in advertising and brand names had made them so common the battle obviously was lost.  In structural linguistics, the technical term for such words is “eye dialect”, used to describe a deliberate misspelling of words to suggest a particular pronunciation, dialect, or informal tone, even though the intended pronunciation remains the same.  The use (apart from alternative spellings or misspellings which would have predated the modern practice) seems to have been popularized (and to some extent thus legitimized) in commerce for purposes of advertising or branding and from here it was picked up in casual writing where it can impart variously feelings of playfulness or the "modern".  The Ford Ka (1996–2021) and Chevrolet Cruze (2008–2023) were both named using the technique and familiar examples include Krispy Kreme, Dunkin’ Donuts and Froot Loops but it was also a literary device in fiction as early as the nineteenth century, used by Mark Twain (1835-1910) to evoke Southern American speech patterns and Charles Dickens (1812–1870) to summon the sound of what was perceived as “typical” working-class speech.  George Bernard Shaw (GBS; 1856-1950), a proponent of the internationalist Esperanto language and often (understandably) critical of English spelling rules, in Pygmalion (1913) used phonetic spellings not only to reflect variations in diction and accents but also to contrast the difference between “proper” and informal speech, a central theme of the play.  In modern use, because the forms often use fewer characters, the practice became a staple of texting (SMS; short message service) which for a certain demographic in the now distant pre-social media, pre-smartphone era became the preferred means of communication.

Dick pics and their role in politics.

As the downfall of disgraced New York politician Anthony Weiner (b 1964) illustrates, politicians should avoid dick-pics on the basis of “good rarely come of it” but, done carefully, they do have a place.  In 1956, the Republican Party’s campaign committee for the 1956 US presidential election included the slogan “I Like Ike”, taking advantage of the great popularity of Dwight Eisenhower (1890-1969; US president 1953-1961) who was seeking re-election.  As a companion slogan, the committee used “We Like Dick” to support Eisenhower’s running mate Richard Nixon (1913-1994; US vice-president 1953-1961 & president 1969-1974).  To cover both, there were also posters and campaign buttons with “I Like Ike and Dick” and the party enjoyed great success, their ticket securing 57.4% of the popular vote and carrying the Electoral College 457-73 (41 states to 7).  Thus encouraged, when Nixon ran for president in 1960, among the promotional materials used were posters and campaign buttons using a variation: “The Nation Needs Dick!”  In 1960, things didn’t go so well with the Democratic Party’s nominee John Kennedy (JFK, 1917–1963; US president 1961-1963) winning by “an electoral eyelash”: the popular vote split 49.72-49.55% in Kennedy’s favour and he took the Electoral College 303-219 although he carried on 22 states to Nixon’s 26.  So, the “The Nation Needs Dick!” campaign nearly worked because in the popular vote Kennedy prevailed only by the twentieth century’s narrowest margin: 34,220,984 to 34,108,157.  That tight result has always fuelled the idea the documented electoral fraud in several states robbed Nixon of a victory and he had no doubts, hosting a subdued Christmas party in Washington DC a few months later he told his guests: “We won, but they stole it from us.”  Despite that, things were done differently in 1960 and although he’d be told by advisors there was enough evidence of fraud for him to challenge the result, he declined on the basis of the damage it might do to the country, telling his staff: “Nobody steals the presidency of the United States.”    

Slot-shot (pronounced slot-shot)

A picture of a human female’s genitalia, if taken and disseminated in a certain context.

Slot in the sense of a "bar or bolt used to fasten a door, window etc" entered Middle English circa 1300 from the Middle Dutch or Middle Low German slot, from the Old High German sloz & German Schloss (bolt, bar, lock, castle), from the Proto-Germanic stem slut- (to close).  The anatomical use to describe the "hollow at the base of the throat above the breastbone" was a late fourteenth century adoption from the Old French esclot (hoof-print of a deer or horse) of uncertain origin, but this sense is probably obsolete except in historic references.  Slot meaning a "a narrow, elongated depression, groove, notch, slit, or aperture, especially a narrow opening for receiving or admitting something" dates from the 1520s, the idea later developed to suggest putting something "where it belongs" but this seems to have been adopted only in the mid-1960s.

Shot (in the sense of the firing of a bow (later applied to firearms etc)) was from pre-900 Middle English, from the Old English sc(e)ot & (ge)sceot and was cognate with the German Schoss & Geschoss.  It was related to the Old Norse skot and the Old High German scoz (missile).  The sense of shot as the "view from a camera" isn't attested until 1958 although it had been used in the cinematic sense since 1922 to describe the process of recording movies (mov(ing picture) + -ies) since 1922 and may thus have enjoyed earlier use.  As used to refer to individual pictures, printed usually on cardboard or special photographic paper, it dates from the late 1930s, the specialized use in law enforcement (as mugshot) began in the US in 1950.

Of context

A “Liz & Dick pic”: Lindsay Lohan (b 1986) & Grant Bowler (b 1968) during the filming of Liz & Dick (2012), a “biopic” of the famously tempestuous relationship between the actors Elizabeth Taylor (1932–2011) & Richard Burton (1925–1984).  The car is a Mercedes-Benz 600 (W100; 1963-1981) four-door Pullman with the vis-a-vis seating.  The flag-staffs (fitted in this instance above the front wheel arches) were usually fitted to cars used by the governments or the corps diplomatique.

The dick-pic, the practice of someone (usually male) sending another (usually female) an unsolicited picture of (what is usually their own) penis isn’t a recent invention but the extraordinary latter day spike in the numbers sent is a genuine cultural phenomenon.  It’s socially and technologically deterministic, something made possible by (1) the permissive social attitude of the participating demographic, (2) the ubiquity of their possession of high-definition cameras, (3) the removal from the process of third-parties (especially those who once developed and printed the physical images), (4) the extent of digital connectivity between members of the demographic and (5), the marginal financial cost of the transactions.  It’s an interesting development in that in the West, the history of the depiction of nudity is overwhelmingly female so “pictures of genitalia sent by phone” is a genre in the annals of the nude (technically probably the naked) untypically dominated by the male body.

Generally uncontroversial if either requested or welcomed by a recipient with whom an appropriate level of emotional capital has already been built, dick-pics are notorious for the negative emotions induced in those receiving them as something unsolicited and unwelcome.  So, unless the intention is actually to shock, offend or upset (and among the demographic, that is sometimes a thing) they’re best avoided; good rarely seems to come of them and in some jurisdictions, there are circumstances in which sending a dick-pic can be an offence which can result in the sender being placed for life on a sex-offender’s register; it depends on the context.

Dick-pic detail from Michelangelo Buonarroti’s (1475–1564) David (1501-1504), Galleria dell'Accademia, Florence.

Michelangelo’s David, a six-ton, 17-foot (5.2 m) tall symbol of divine victory over evil is art as a sculpture or in depiction and, despite the visible penis, in the West is usually thought not obscene.  In another context it can be, the erection of some inventive interior decorating required to conceal the offensive bits when a 3D-printed replica was displayed at the 2021 Dubai Expo.  It happens in the West too.  In the nineteenth century the Grand Duke of Tuscany presented Queen Victoria with a full-sized replica of the original which she found so confronting that hurriedly a proportionally accurate fig leaf was crafted, kept in readiness for any royal visits to be hung from two strategically placed hooks.  Even in the twenty-first century, replicas have attracted complaints, the argument being the context of a museum which people choose to visit being different for places where encounters may happen by chance.  Obscenity and offensiveness thus are situational constructs and a dick-pic exchanged between consenting adults is different from discovered in other circumstances; it depends on the context.

The SSSSS: Svakom Siime Sex Selfie Stick.

It’s assumed because there are few reports of women sending pics of their genitalia that the practice is notably less common than the dick-pic and while that’s not an accepted way to draw a definitive conclusion from two data sets, few doubt it’s true.  There are surely many reasons that’s the case and the paucity of examples is probably the reason a standardized female equivalent of “dick-pic” seems not to have evolved.  Suggestions have included “gash-flash”, “trap-snap” and “clamagram” but the most phonetically pleasing are probably “pussy-portrait” and “slot-shot”, the latter a metaphor which references the slot on a machine which is a perfect fit for coins of a certain denomination.  For women who find artistically limiting the idea of a static slot-shot, for US$149, there’s the Svakom Siime Sex Selfie Stick (SSSSS), a USB-rechargeable video-recorder-vibrator which offers, especially for those with basic video-editing skills, the chance to create a clip of an organism from the inside.  Thus the "clit-clip", a bit of digital one-upmanship (that may not be quite the right noun) on any "dick-pic".  

Available in violet, khaki & black, she can be connected to the USB port of a PC or Mac and there's a downloadable app for MacOS, Windows (XP SP2 onwards), iOS and Android.  The camera is a seemingly modest .3 megapixel unit but given the environment in which she'll be operating, that's more than adequate; videos are saved in the familiar mp4 format, the product & software manuals are both downloadable and there's an instructional video on the Svakom website.  Whisper-quiet to ensure privacy, battery-life is said to be around two hours of "continuous use" so one can understand why women might prefer such a device to most men.  The manufacturer refers to the SSSSS as "she" rather than "he" (or even "it"), an interesting assignment of notional gender given the anatomical emulation.

L'Origine du monde (The Origin of the World (1866)), oil on canvas by Gustave Courbet (1819-1877), Musée d'Orsay, Paris.

The recumbent female has, off and on, been a staple of Western art since Antiquity but there was something about French artist’s Gustave Courbet’s L'Origine du monde which was so provocative that publicly, it wasn’t exhibited for 120 years.  A slot-shot writ large, it’s still a work which many institutions avoid, even those sanguine about female nudity (and nakedness) in artistic and other contexts, one columnist noting recently the painting “… if indeed it can be called erotic…” was “…still unsuitable for publication in a paper with a general readership.”  Perhaps it’s because it so differs from the long traditions of the nude, a study more gynecological than artistic or maybe it’s the lush and untended growth of pubic hair, something which seems often to disturb though it may be anatomically accurate: One Russian gynecologist was asked whether the model was a virgin and, after casting his professional eye, answered with an emphatic “Nyet”.  There’s also the objectification, the decapitation of the subject reducing the work somehow to a slot-shottish case-study for the male gaze, a reductionism which has for decades attracted criticism from feminists.  When depictions of L'Origine du monde have appeared in bookshops and galleries, there’s often been controversy, sometimes requiring the summoning of the gendarmerie although the Musée d'Orsay reports the work appears on one of their gift-shop’s best-selling post-cards so there's that.

The head presumptive (publicized in 2013).

Commissioned by Ottoman-Egyptian diplomat Halil Şerif Pasha (Khalil Bey 1831-1879) as an addition to his famous collection of erotica, ever since first it was seen, historians of art have debated among themselves the identity of the model, their short-list with some glee referred to as Les suspects habituels de Gustave (Gustave’s usual suspects).  No conclusion has ever been agreed although the factions promote their theories, one based on an analysis of the joining edges of the respective canvases, an allegedly matching upper-section displayed in 2013.  The Musée d'Orsay issued a statement saying L'Origine du monde is, as it exists, a complete work and not part of a larger whole.  The mystery continues.

Highlight of Coastal Carolina University vs East Carolina University, Clark-LeClair Stadium, East Carolina University, Greenville, North Carolina, 8 March, 2025. 

There are also “butt pics”.  In March 2025 a user posted on X (formerly known as Twitter) a clip from ESPN’s coverage of a baseball game between Coastal Carolina University and East Carolina University (Coastal Carolina won 9-11-1 to 1-6-0) which showed two women, one snapping what quickly was described as a “butt-pic” of the other.  Almost instantly viral, the tweet gained more than 10 million views, numbers the ESPN programmers doubtless wish college baseball could generate.  The two protagonists were said to be “not identified” but presumably promotional opportunities on Instagram and TikTok beckon and there may soon be OnlyFans accounts.