Trope

Trope (pronounced trohp)

(1) In art and literature, any literary or rhetorical device, as metaphor, metonymy, synecdoche, and irony, that consists in the use of words in other than their literal sense and which tends to become a motif.

(2) In rhetoric, a figure of speech in which words or phrases are used with a non-literal or figurative meaning, such as a metaphor.

(3) In geometry, a tangent space meeting a quartic surface in a conic or the reciprocal of a node on a surface (archaic).

(4) In music, a short cadence at the end of the melody in some early music; a pair of complementary hexachords in twelve-tone technique.

(5) In the rituals of Judaism, a chanting (cantillation) pattern, or one of the marks that represents it.

(6) In medieval Christianity (and preserved in the rituals of certain factions in Roman Catholicism), either a phrase or verse added to the Mass when sung by a choir or a phrase, sentence, or verse formerly interpolated in a liturgical text to amplify or embellish.

(7) In Athenian philosophy, any of the ten arguments used in scepticism to refute dogmatism.

(8) In Santayanian philosophy, the principle of organization according to which matter moves to form an object during the various stages of its existence.

(9) In metaphysics, a particular instance of a property, as contrasted with a universal.

1525–1535: From the Latin tropus (a figure of speech (in rhetoric)) from the Ancient Greek τρόπος (trópos) (a turn, direction, course, way; manner, fashion; a mode in music; a mode or mood in logic (in rhetoric, "a turn or figure of speech)) and related to τροπή (tropḗ) (solstice; trope; turn) and τρέπειν (trépein) (to turn).  Root was the primitive Indo-European trep (to turn), related also to the Sanskrit trapate (is ashamed, confused, literally "turns away in shame") which Latin picked up trepit (he turns), the Latin adoption in the figurative.  The meaning is now understood as something more diffuse but technically, in rhetoric, a trope was "a figure of speech in which a word or phrase is used in a sense other than the usual definition".  In English, the word is found often in combined form (such as heliotrope) and occurs also in concrete nouns that correspond to abstract nouns ending in -tropy or -tropism.  Trope is a noun & verb, troper, tropist, tropology & tropism are nouns and tropey is an adjective; the noun plural is tropes.

When younger, Lindsay Lohan's signature trope was playing dual roles (The Parent Trap (1998), Freaky Friday (2003) and I Know Who Killed Me (2007).  During her “troubled starlet” phase, she became emblematic of the “downward spiral” trope.  In 2022, she appeared in Falling for Christmas, Netflix's latest take on the "Christmas movie trope".  Although the scripts for tropes have long followed an algorithm, the studios are said now to be using a predictive form of artificial intelligence (AI) to hone the generation of whatever should have the most audience appeal.  The screen-writers (most of whom drive cars and use other products manufactured using processes in which machines substantially have displaced the human labor content) are are unlikely ultimately to succeed in keeping AI out of their profession and, in the medium term, their future may lie in the creation of the quirky and bizarre but in the economy, that's a niche.  For the formulaic stuff (most commercial cinema), the studios are likely to find the AI path "better, cheaper, faster" and the history of US industrial relations suggests these imperatives will prove irresistible.               

The Stage Five Clinger Trope

Most sources cite origin of the Stage 5 Clinger trope as the movie Wedding Crashers (2005) although there are claims it merely popularized the use; without earlier citations however, the trope’s origin appears to be the movie.  As a technical point, a stage one clinger isn’t initially labelled as such, the term applied retrospectively after syndrome is diagnosed.  If men are smart or lucky, they’ll recognize this by stage two but some men are so stupid they don’t realize until stage four.  While in movie there was no discussion of stages other than “5”, by implication five was most extreme and memes soon fleshed out 1-4:

Stage 1 Clinger: She seems fine

First date goes well, she’s attentive, interested, even gets the drinks sometimes and she makes breakfast.  Afterwards, text messages are fun and flirtatious.

Stage 2 Clinger: Hunter and game

The text messages become frequent, the first hint of the lure / engage / trap strategy of the lone hunter.  SMSs start out OK which lulls you into a false sense of security.  Before long, a few messages have been exchanged, most of which have required you to agree with her about innocuous stuff like the weather or today’s traffic.  Then, she’ll suggest a second date and extract a commitment to a specific time/date/place.  That will be soon.       

Stage 3 Clinger: Manoeuvres

Second date not something you’ll wish to repeat.  Bit creepy, how much she knew about you, clearly adept at mining the web.  To escape, you agree to third date while finding pretext to avoid confirming time.  Within hours, text messages become frequent to the point of nuisance.  Check Facebook and you’ll see she’s friended everyone you know.  Ignore SMS and eventually it goes quiet… for about an hour.  Then she phones.  Third date will not be possible to avoid, the illusion you’ll use it to end things still something you convince yourself to believe.  The S3C stage can frequently be the point of no return.  Acquaint yourself with the tale of Julius Caesar (100-44 BC; Roman general and dictator of Rome 49-44 BC) crossing the Rubicon and ponder.      

Stage 4 Clinger: The circling vulture

By stage four, clinging has slurred effortlessly into stalking and S4C is likely to send your mother flowers on her birthday and attempt at avoidance will prompt texting and calling from other phones.  Those who drive are even more of a threat because, where you go, she can follow so you’ll run into her in the most improbable places, and usually she’ll suggest taking advantage of the coincidence by going to lunch, dinner or whatever else might be close.  No matter how studiously you watch the rear-vision mirror, she’ll hunt you down and find you.

"I've got a stage five clinger", Wedding Crashers (2005).  

Stage 5 Clinger: Thrill of the kill

At this point, her life is scheduled around your own, even to the point where she may now work in the same building, expects to have lunch together every day and a drink after work whenever possible.  When you try to avoid these, emotional meltdowns ensue, the only way to avoid a scene being to agree.  Many of your friends start asking you out as a couple and tell you you’re lucky because she’s wonderful.  She’s been to their dinner parties where she talks about your plans together.  Stage five clinger can also be APC ("actual psycho-chick", the two not synonymous but there’s frequent overlap).  Pursuing another relationship in an attempt to dissuade her brings its own problems, the S5C-APC will spray-paint CHEATER on either their car or yours (in red; unless car is red, then she’ll use black).  At this point, faking your own death begins to look like good tactic.

Cling on and no matter what, never let go: Crooked Hillary (b 1947) and Bill Clinton (b 1946) in the rain at the formal dedication of the William J Clinton Presidential Center, Little Rock, Arkansas, November 2004.  

The significance of dividing the path of the clinger into stages is it’s vital to extricate yourself from their clutches during the earliest stage possible; it needs to be remembered progression can be rapid, some clingers so adept at the art they're able to skip one or even two stages.  The longer delayed the excision, the harder it becomes and if allowed to reach the later stages, you may be stuck with her forever and for that, you can’t blame her: you're trapped and it's all your fault; you have only yourself to blame.

Cosmopolitan

Cosmopolitan (pronounced koz-muh-pol-i-tn)

(1) One free from local, provincial, or national ideas, prejudices, or attachments; an internationalist.

(2) One with the characteristics of a cosmopolite.

(3) A cocktail made with vodka, cranberry juice, an orange-flavored liqueur, and lime juice.

(4) Sophisticated, urbane, worldly.

(5) Of plants and animals, wildly distributed species.

(6) Common name for the vanessa cardui butterfly. 

1828:  An adoption in Modern English, borrowed from the French cosmopolite (citizen of the world), ultimately derived from the Ancient Greek kosmopolitēs (κοσμοπολίτης), the construct being kósmos (κόσμος) (world) + politēs (πολίτης) (citizen); word being modeled on metropolitan.  The US magazine Cosmopolitan was first published in 1886.

An aspect of Soviet Cold War policy under comrade Stalin

The phrase rootless cosmopolitans was coined in the nineteenth century by Vissarion Belinsky (1811-1848), a Russian literary critic much concerned about Western influences on both Russian literature and society.  He applied it to writers he felt “…lacked Russian national character” but as a pejorative euphemism, it’s now an anti-Semitic slur and one most associated with domestic policy in the Soviet Union (USSR) between 1946 and comrade Stalin’s death in 1953.  Stalin (1878–1953; leader of the USSR 1922–1953) liked the phrase and applied it to the Jews, a race of which he was always suspicious because he thought their lack of a homeland made them “mystical, intangible and other-worldly”.  Not a biological racist like Hitler and other rabid anti-Semites, Stalin’s enemies were those he perceived a threat; Leon Trotsky (1879-1940), Grigory Zinoviev (1883–1936) and Lev Kamenev (1883–1936) were disposed of not because they were Jewish but because Stalin thought they might threaten his hold on power although the point has been made that while it wasn’t because he was Jewish that Trotsky was murdered, many Jews would come to suffer because Stalin associated them with Trotsky.

Comrade Stalin signing death warrants.

It was the same with institutions.  He found disturbing the activities of Moscow’s Jewish Anti-Fascist Committee (JAC) and did not approve them being accepted by Western governments as representing the USSR.  Further, he feared the JAC’s connections with foreign powers might create a conduit for infiltration by Western influences; well Stalin knew the consequences of people being given ideas; the campaign of 1946-1953 was thus more analogous with the Chinese Communist Party’s (CCP) opposition to the Falun Gong rather than the pogroms of Tsarist times.  Authoritarian administrations don’t like independent organisations; politics needs to be monolithic and control absolute.  In a speech in Moscow in 1946, he described certain Jewish writers and intellectuals, as “rootless cosmopolitans” accusing them of a lack of patriotism, questioning their allegiance to the USSR.  This theme festered but it was the creation of the state of Israel in 1948, fostering as it did an increased self consciousness among Soviet Jews, combined with the Cold War which turned Stalin into a murderous anti-Semite.

Rootless cosmopolitan Comrade Trotsky, murdered with an ice axe on comrade Stalin's orders.

Before the formation of the state of Israel, Stalin's anti-Semitism was more a Russian mannerism than any sort of obsession.  For years after assuming absolute power in the USSR, he expressed no disquiet at the preponderance of Jews in the foreign ministry and it was only in 1939, needing a temporary diplomatic accommodation with Nazi Germany, that he acted.  Having replaced the Jewish Foreign Commissar, Maxim Litvinov (1876–1951; People's Commissar for Foreign Affairs of the Soviet Union 1930–1939) with Vyacheslav Molotov (1890-1986; USSR Minister of Foreign Affairs 1939-1949 & 1953-1956), he ordered him to purge the diplomatic corps of Jews, his memorable phrase being "clean out the synagogue".  Concerned the presence of Jews might be an obstacle to rapprochement with Hitler, Stalin had the purge effected with his usual efficiency: many were transferred to less conspicuous roles and others were arrested or shot.

Meeting of minds: Joachim von Ribbentrop (left), comrade Stalin (centre) and comrade Molotov (right), the Kremlin, 23 August 1939.

Negotiations began in the summer of 1939, concluding with German Foreign Minister Joachim von Ribbentrop (1893–1946; Nazi foreign minister 1938-1945) leading a delegation to Moscow to meet with Molotov and Stalin.  It proved a remarkably friendly conference of political gangsters and agreement was soon reached, the German-Soviet Nonaggression Pact (usually called the Nazi-Soviet Pact or Molotov-Ribbentrop Pact) being signed on 23 August.  The pact contained also a notorious secret protocol by which the two dictators agreed to a carve-up of Poland consequent upon the impending Nazi invasion and the line dividing Poland between the two was almost identical to the Curzon Line, a demarcation between the new Polish Republic created in the aftermath of World War I (1914-1918) and the emergent Soviet Union which had been proposed by Lord Curzon (1859–1925; UK foreign secretary 1919-1924).  At the Yalta Conference in 1945, during the difficult negotiations over Polish borders, Molotov habitually referred to "the Curzon Line" and the UK Foreign Secretary, Anthony Eden (1897–1977; thrice UK foreign secretary & prime minister 1955-1957), in a not untypically bitchy barb, observed it was more common practice to call it the “Molotov-Ribbentrop line”.  "Call it whatever you like" replied Stalin, "we still think it's fair and just".  Comrade Stalin rarely cared much to conceal the nature of the regime he crafted in his own image.  When asked by Franklin Roosevelt (FDR, 1882–1945, US president 1933-1945) if Molotov had been to New York during his visit to the US, Stalin replied: "No, he went to Chicago to be with the other gangsters".

Whatever the motives of Stalin, rootless cosmopolitans has joined the code of dog-whistle politics, a part of the core demonology to label the Jews a malign race, a phrase in the tradition of Christ killer, Rothschild-Capitalist and Untermenschen (the sub-humans).  Despite that, there are always optimists, Jewish writer Vincent Brook (b 1946), suggesting the term could convey the positive, a suggestion the Jews possess an “adaptability and empathy for others”.  It’s not a view widely shared and rootless cosmopolitan remains an anti-Semitic trope although it's not unknown for Jews to use it ironically.

Lindsay Lohan, Cosmopolitan, various international editions: April, May & June, 2006.

Cosmopolitan Magazine was launched in 1886 as a family journal of fashion, household décor, cooking, and other domestic interests.  It survived in a crowded market but its publisher did not and within two years Cosmopolitan was taken over by another which added book reviews and serialized fiction to the content.  This attracted the specialist house founded by John Brisben Walker (1847-1931), which assumed control in 1889, expanding its circulation twenty-fold to become one of America’s most popular literary magazines.  The Hurst Corporation acquired the title in 1905, briefly adding yellow-journalism before settling on a format focused on short fiction, celebrities and public affairs.  The formula proved an enduring success, circulation reaching two million by 1940 and this was maintained until a decline began in the mid 1950s, general-interest magazines being squeezed out by specialist titles and the time-consuming steamroller of television.

It was the appointment in 1965 of Helen Gurley Brown (1922–2012) as editor which signalled Cosmopolitan’s shift to a magazine focused exclusively on an emerging and growing demographic with high disposable income: the young white women of the baby boom.  In what proved a perfect conjunction, a target market with (1) economic independence, (2) social freedom, (3) an embryonic feminist awareness and (4) the birth control pill, the magazine thrived, surviving even the rush of imitators its success spawned.  Gurley Brown had in 1962 published the best seller advice manual, Sex and the Single Girl and Cosmopolitan essentially, for decades, reproduced variations on the theme in a monthly, glossy package.  It was clearly a gap in the market.  The approach was a success but there was criticism.  Conservatives disliked the choices in photography and the ideas young women were receiving.  Feminists were divided, some approved but others thought the themes regressive, a retreat from the overtly political agenda of the early movement into something too focused on fun and fashion, reducing women yet again to objects seeking male approbation.

Still published in many international editions, Cosmopolitan Australia was one casualty of market forces, closed after a final printing in December 2018.  However, surprising many, Katarina Kroslakova (b 1978) in April 2024 announced her publishing house KK Press, in collaboration with New York-based Hearst Magazines International, would resume production of Cosmopolitan Australia as a bi-monthly, the first edition of the relaunched version scheduled for release in August 2024.  Other than appearing in six issues per year rather than the traditional twelve, the format is expected to be much the same, echoing Elle Australia which reappeared on newsstands in March, ending a four-year hiatus.  Both revivals would have surprised industry analysts as recently as 2023 when the conventional wisdom was the post-Covid, social media age was no longer the place for time consuming and expensive glossy titles.  Ms Kroslakova clearly sees a business model and was quoted as saying print magazines are “the new social media” which was an interesting way of putting it but she explained the appeal by adding: “We need that 15 minutes to drop everything and actually have something tangible and beautiful in our hands to consume.  If we can present content which is multi-layered and deep and has authenticity and connection with the reader – that’s a really excellent starting point.”  She may have a point because in an age where screen-based content is intrinsically impermanent, the tactile pleasure of the traditional glossy may have genuine appeal, at least for an older readership who can remember the way things used to be done, something perhaps hinted at by her “15 minutes” reference, now regarded by many media analysts as a long-term connection.  The revival of the print editions of Elle and Cosmopolitan will be an interesting experiment in a difficult economic environment which may get worse before it gets better.  Whether the novelty will attract enough of the "affluent readers" (what used to be called the A1, A2 & B1 demographic) to convince advertisers that it's a place to run their copy will likely decide the viability of the venture and while it's not impossible that will happen, Cosmopolitan is a couple of points down from the "prestige" titles which have maintained an advertising base.   

Psychache

Psychache (pronounced sahyk-eyk)

Psychological pain, especially when it becomes unbearable, producing suicidal thoughts.

1993: The construct was psyche- + ache.  Psychache was coined by US clinical psychologist Dr Edwin Shneidman (1918-2009) and first appeared in his book Suicide as Psychache: A Clinical Approach to Self-Destructive Behavior (1993).  The prefix psych- was an alternative form of psycho-.  Psycho was from the Ancient Greek ψῡχο- (psūkho-), a combining form of ψυχή (psukhḗ) (soul).  Wit was used with words relating to the soul, the mind, or to psychology.  Ache was from the Middle English verb aken & noun ache (noun), from the Old English verb acan (from the Proto-West Germanic akan, from the Proto-Germanic akaną (to ache)) and the noun æċe (from the Proto-West Germanic aki, from the Proto-Germanic akiz), both from the primitive Indo-European heg- (sin, crime).  It was cognate with the Saterland Frisian eeke & ääke (to ache, fester), the Low German aken, achen & äken (to hurt, ache), the German Low German Eek (inflammation), the North Frisian akelig & æklig (terrible, miserable, sharp, intense), the West Frisian aaklik (nasty, horrible, dismal, dreary) and the Dutch akelig (nasty, horrible).  Historically the verb was spelled ake, and the noun ache but the spellings became aligned after Dr Johnson (Samuel Johnson (1709-1784)) published A Dictionary of the English Language (1755), the lexicographer mistakenly assuming it was from the Ancient Greek ἄχος (ákhos) (pain) due to the similarity in form and meaning of the two words.  As a noun, ache meant “a continuous, dull pain (as opposed to a sharp, sudden, or episodic pain) while the verb was used to mean (1) to have or suffer a continuous, dull pain, (2) to feel great sympathy or pity and (3) to yearn or long for someone or something.  Pyscheache is a noun

Psychache is a theoretical construct used by clinical suicidologists and differs from psychomachia (conflict of the soul).  Psychomachia was from the Late Latin psӯchomachia, the title of a poem of a thousand-odd lines (circa 400) by Roman Christian poet Prudentius (Aurelius Prudentius Clemens; 348-circa 412), the construct being the Ancient Greek Greek psukhē (spirit) + makhē (battle).  The fifth century poem Psychomachia (translated usually as “Battle of Spirits” or “Soul War”) explored a theme familiar in Christianity: the eternal battle between virtue & vice (onto which can be mapped “right & wrong”, “good & evil” etc) and culminated in the forces of Christendom vanquishing pagan idolatry to the cheers of a thousand Christian martyrs.  An elegant telling of an allegory familiar in early Christian literature and art, Prudentius made clear the battle was one which happened in the soul of all people and thus one which all needed to wage, the outcome determined by whether the good or evil in them proved stronger.  The poem’s characters include Faith, Hope, Industry, Sobriety, Chastity, Humility & Patience among the good and Pride, Wrath, Paganism, Avarice, Discord, Lust & Indulgence in the ranks of the evil but scholars of literature caution that although the personifications all are women, in Latin, words for abstract concepts use the feminine grammatical gender and there’s nothing to suggest the poet intended us to read this as a tale of bolshie women slugging it out.  Of interest too is the appearance of the number seven, so familiar in the literature and art of Antiquity and the Medieval period as well as the Biblical texts but although Prudentius has seven virtues defeat seven vices, the characters don’t exactly align with either the canonical seven deadly sins, nor the three theological and four cardinal virtues.  In modern use, the linguistic similarity between psychache and psychomachia has made the latter attractive to those seduced by the (not always Germanic) tradition of the “romance of suicide”.

A pioneer in the field of suicidology, Dr Shneidman’s publication record was indicative of his specialization.

Dr Edwin Shneidman (1918-2009) was a clinical psychologist who practiced as a thanatologist (a practitioner in the field of thanatology (the scientific study of death and the practices associated with it, including the study of the needs of the terminally ill and their families); the construct of thanatology being thanato- (from the Ancient Greek θάνατος (thánatos) (death)) +‎ -logy.  The suffix -ology was formed from -o- (as an interconsonantal vowel) +‎ -logy.  The origin in English of the -logy suffix lies with loanwords from the Ancient Greek, usually via Latin and French, where the suffix (-λογία) is an integral part of the word loaned (eg astrology from astrologia) since the sixteenth century.  French picked up -logie from the Latin -logia, from the Ancient Greek -λογία (-logía).  Within Greek, the suffix is an -ία (-ía) abstract from λόγος (lógos) (account, explanation, narrative), and that a verbal noun from λέγω (légō) (I say, speak, converse, tell a story).  In English the suffix became extraordinarily productive, used notably to form names of sciences or disciplines of study, analogous to the names traditionally borrowed from the Latin (eg astrology from astrologia; geology from geologia) and by the late eighteenth century, the practice (despite the disapproval of the pedants) extended to terms with no connection to Greek or Latin such as those building on French or German bases (eg insectology (1766) after the French insectologie; terminology (1801) after the German Terminologie).  Within a few decades of the intrusion of modern languages, combinations emerged using English terms (eg undergroundology (1820); hatology (1837)).  In this evolution, the development may be though similar to the latter-day proliferation of “-isms” (fascism; feminism et al).

Death and the College Student: A Collection of Brief Essays on Death and Suicide by Harvard Youth (1973) by Dr Edwin Shneidman.  Dr Shneidman wrote many papers about the prevalence of suicide among college-age males, a cross-cultural phenomenon.

Dr Shneidman was one of the seminal figures in the discipline of suicidology, in 1968 founding the AAS (American Association of Suicidology) and the principal US journal for suicide studies: Suicide and Life-Threatening Behavior.  The abbreviation AAS is in this context used mostly within the discipline because (1) it is a specialized field and (2) there are literally dozens of uses of “AAS”.  In Suicide as Psychache: A Clinical Approach to Self-Destructive Behavior (1993) he defined psychache as “intense psychological pain—encompassing hurt, anguish, and mental torment”, identifying it as the primary motivation behind suicide, his theory being that when psychological pain becomes unbearable, individuals may perceive suicide as their only escape from torment.

Although since Suicide as Psychache: A Clinical Approach to Self-Destructive Behavior appeared in 1993 there have been four editions of American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM), “psychache” has never appeared in the DSM.  That may seem an anomaly given much in the DSM revolves around psychological disturbances but the reason is technical.  What the DSM does is list and codify diagnosable mental disorders (depression, schizophrenia. bipolar disorder et al), classifying symptoms and behaviors into standardized categories for diagnosis and treatment planning.  By contrast, psychache is not a clinical diagnosis; it is a theoretical construct in suicidology which is used to explain the subjective experience of psychological pain that can lead to patients taking their own lives.  It thus describes an emotional state rather than a psychiatric disorder.

Lindsay Lohan and her lawyer in court, Los Angeles, December, 2011.

Despite that, mental health clinicians do actively use the principles of psychache, notably in suicide risk assessment and prevention and models have been developed including a number of “psychache scales”, self-reporting tools used to generate a metric measuring the intensity of psychological pain (categorized with headings such as shame, guilt, despair et al).  The approaches do in detail differ but most follow Dr Shneidman’s terminology in that the critical threshold is the point at which the patient’s pain becomes unbearable or inescapable and the objective is either to increase tolerance for distress or reframe troublesome thoughts.  Ultimately, the purpose of tools is to improve suicide risk assessments and reduce suicide rates.

DSM-5 (2013).

Interestingly, Suicidal Behavior Disorder (SBD) was introduced in Section III of the DSM-5 (2013) under “Conditions for Further Study”.  Then, SBD chiefly was characterized by a self-initiated sequence of behaviors believed at the time of initiation to cause one’s own death and occurring in the last 24 months.  That of course sounds exact but the diagnostic criteria in the DSM are written like that and the purpose of inclusion in the fifth edition was to create a framework so systematically, empirical studies related to SBD could be reviewed so primary research themes and promising directions for future research could be identified.  Duly, over the following decade that framework was explored but the conclusion was reached there seemed to be little utility in the clinical utility of SBD as a device for predicting future suicide and that more research was needed to understand measurement of the diagnosis and its distinctiveness from related disorders and other self-harming behaviors.  The phase “more research is required” must be one of the most frequently heard among researchers.

In the usually manner in which the APA allowed the DSM to evolve, what the DSM-5s tentative inclusion of SBD did was attempt to capture suicidality as a diagnosis rather than a clinical feature requiring attention.  SBD was characterized by a suicide attempt within the last 24 months (Criterion A) and that was defined as “a self-initiated sequence of behaviors by an individual who, at the time of initiation, expected that the set of actions would lead to his or her own death”.  That sounds uncontroversial but what was significant was the act could meet the criteria for non-suicidal self-injury (ie self-injury with the intention to relieve negative feelings or cognitive state in order to achieve a positive mood state (Criterion B) and cannot be applied to suicidal ideation or preparatory acts (Criterion C).  Were the attempt to have occurred during a state of delirium or confusion or solely for political or religious objectives, then SBD is ruled out (Criteria D & E).  SBD (current) is given when the suicide attempt occurred within the last 12 months, and SBD (in early remission), when it has been 12-24 months since the last attempt.  It must be remembered that while a patient’s behavior(s) may overlap across a number of the DSM’s diagnosises, the AMA’s committees have, for didactic purposes, always preferred to “silo” the categories.

DSM-5-TR (2022).

When in 2022 the “text revision” of the DSM-5 (DSM-5-TR) was released, SBD was removed as a condition for further study in Section III and moved to “Other Conditions That May Be a Focus of Clinical Attention” in Section II. The conditions listed in this section are intended to draw to attention of clinicians to the presence and breadth of additional issues routinely encountered in clinical practice and provide a procedure for their systematic documentation.  According to the APA’s editorial committee, the rationale for the exclusion of SBD from the DSM-5-TR was based on concerns the proposed disorder did not meet the criteria for a mental disorder but instead constituted a behavior with diverse causes and while that distinction may escape most of us, within the internal logic of the history of the DSM, that’s wholly consistent.  At this time, despite many lobbying for the adoption of a diagnostic entity for suicidal behavior, the APA’s committees seem still more inclined to conceptualize suicidality as a symptom rather than a disorder and despite discussion in the field of suicidology about whether suicide and related concepts like psychache should be treated as stand-alone mental health issues, that’s a leap which will have to wait, at least until a DSM-6 is published.

How to and how not to: Informatie over Zorgvuldige Levensbeëindiging (Information about the Careful Ending of Life, 2008) by Stichting Wetenschappelijk Onderzoek naar Zorgvuldige Zelfdoding (The Foundation for Scientific Research into Careful Suicide) (left) and How Not to Kill Yourself: A Phenomenology of Suicide (2023) by Clancy Martin (right).

Informatie over Zorgvuldige Levensbeëindiging (Information about the Careful Ending of Life, 2008) was published by a group of Dutch physicians & and researchers; it contained detailed advice on methods of suicide available to the general public, the Foundation for Scientific Research into Careful Suicide arging “a requirement exists within society for responsible information about an independent and dignified ending of life.”  It could be ordered only from the foundation’s website and had the advantage that whatever might be one’s opinion on the matter, it was at least written by physicians and scientists and thus more reliable than some of the “suicide guides” which are sometimes found on-line.  At the time research by the foundation had found that despite legislation in the Netherlands which permit doctors (acting within specific legal limits) to assist patient commit suicide, there were apparently several thousand cases each year of what it termed “autoeuthanasia” in which no medical staff directly were involved.  Most of these cases involved elderly or chronically ill patients who refused food and fluids and it was estimated these deaths happened at about twice the rate of those carried out under the euthanasia laws.  Since then the Dutch laws have been extended to included those who have no serious physical disease or are suffering great pain; there are people who simply no longer wish to live, something like the tragic figure in Blue Öyster Cult’s (Don't Fear) The Reaper (1976) © Donald Roeser (b 1947):

Came the last night of sadness
And it was clear she couldn't go on
Then the door was open and the wind appeared
The candles blew then disappeared
The curtains flew then he appeared
Saying don't be afraid

There is a diverse literature on various aspects of suicide (tips and techniques, theological & philosophical interpretations, cross-cultural attitudes, history of its treatment in church & secular law etc) and some are quite personal, written variously by those who later would kill themselves or those who contemplated or attempted to take their own lives.  In How Not to Kill Yourself: A Phenomenology of Suicide (2023) by Canadian philosopher Clancy Martin (b 1967), it was revealed the most recent of his ten suicide attempts was “…in his basement with a dog leash, the consequences of which he concealed from his wife, family, co-workers, and students, slipping back into his daily life with a hoarse voice, a raw neck and series of vague explanations.”

BKA (the Bundeskriminalamt, the Federal Criminal Police Office of the FRG (Federal Republic of Germany (the old West Germany)) mug shots of the Red Army Faction's Ulrike Meinhof (left) and Gudrun Ensslin (right).

The song (Don't Fear) The Reaper also made mention of William Shakespeare's (1564–1616) Romeo and Juliet (1597) and in taking her own life (using her dead lover’s dagger) because she doesn’t want to go on living without him, Juliette joined the pantheon of figures who have made the tragedy of suicide seem, to some, romantic.  Politically too, suicide can grant the sort of status dying of old age doesn’t confer, the deaths of left-wing terrorists Ulrike Meinhof (1934–1976) and Gudrun Ensslin (1940–1977) of the West German Red Army Faction (the RAF and better known as the “Baader-Meinhof gang”) both recorded as “suicide in custody” although the circumstances were murky.  In an indication of the way moral relativities aligned during the high Cold War, the French intellectuals Jean-Paul Sartre (1905–1980) and Simone de Beauvoir (1908–1986) compared their deaths to the worst crimes of the Nazis but sympathy for violence committed for an “approved” cause was not the exclusive preserve of the left.  In July, 1964, in his speech accepting the Republican nomination for that year’s US presidential election, proto-MAGA Barry Goldwater (1909–1998) concluded by saying: “I would remind you that extremism in the defense of liberty is no vice!  And let me remind you also that moderation in the pursuit of justice is no virtue!”  The audience response to that was rapturous although a few months later the country mostly didn’t share the enthusiasm, Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969) winning the presidency in one of the greatest landslides in US electoral history.  Given the choice between crooked old Lyndon and crazy old Barry, Americans preferred the crook.

Nor was it just politicians and intellectuals who could resist the appeal of politics being taken to its logical “other means” conclusion, the Canadian singer-songwriter Leonard Cohen (1934-2016) during the last years of the Cold War writing First We Take Manhattan (1986), the lyrics of which were open to interpretation but clarified in 1988 by the author who explained: “I think it means exactly what it says.  It is a terrorist song.  I think it's a response to terrorism.  There's something about terrorism that I've always admired.  The fact that there are no alibis or no compromises.  That position is always very attractive.”   Even in 1988 it was a controversial comment because by then not many outside of undergraduate anarchist societies were still romanticizing terrorists but in fairness to the singer the coda isn’t as often published: “I don't like it when it's manifested on the physical plane – I don't really enjoy the terrorist activities – but Psychic Terrorism.”

First We Take Manhattan (1986) by Leonard Cohen

They sentenced me to twenty years of boredom

For tryin' to change the system from within

I'm coming now, I'm coming to reward them

First we take Manhattan, then we take Berlin

 

I'm guided by a signal in the heavens

I'm guided by this birthmark on my skin

I'm guided by the beauty of our weapons

First we take Manhattan, then we take Berlin

 

I'd really like to live beside you, baby

I love your body and your spirit and your clothes

But you see that line there moving through the station?

I told you, I told you, told you, I was one of those

 

Ah you loved me as a loser, but now you're worried that I just might win

You know the way to stop me, but you don't have the discipline

How many nights I prayed for this, to let my work begin

First we take Manhattan, then we take Berlin

 

I don't like your fashion business, mister

And I don't like these drugs that keep you thin

I don't like what happened to my sister

First we take Manhattan, then we take Berlin

 

I'd really like to live beside you, baby

I love your body and your spirit and your clothes

But you see that line there moving through the station?

I told you, I told you, told you, I was one of those

First We Take Manhattan performed by Jennifer Warnes (b 1947), from the Album Famous Blue Raincoat (1986). 

Whatever they achieved in life, it was their suicides which lent a lingering allure to German-American ecofeminist activist Petra Kelly (1947–1992) & the doomed poet American poet Sylvia Path (1932-1963) and the lure goes back for millennia, the Roman Poet Ovid (Publius Ovidius Naso; 43 BC–17 AD) in his Metamorphoses telling an ancient Babylonian tale in which Pyramus, in dark despair, killed herself after finding her young love lifeless.  Over the centuries it’s been a recurrent trope but the most novel take was the symbolic, mystical death in Richard Wagner's (1813–1883) Tristan und Isolde (1865).  Mortally wounded in a duel before the final act, Tristan longs to see Isolde one last time but just as she arrives at his side, he dies in her arms.  Overwhelmed by love and grief, Isolde sings the famous Liebestod (Love-Death) and dies, the transcendent aria interpreted as the swansong which carries her to join Tristan in mystical union in the afterlife.  This, lawyers would call a “constructive suicide”.

Austrian soprano Helga Dernesch (b 1939) in 1972 performing the Liebestod aria from Wagner’s Tristan und Isolde with the Berlin Philharmonic under Herbert von Karajan (1908–1989).  While she didn’t possess the sheer power of the greatest of the Scandinavian sopranos who in the mid-twentieth century defined Wagner, Dernesch brought passion and intensity to her roles and while, on that night in 1972, the lushness of what Karajan summoned from the strings was perhaps a little much, her Liebestod was spine-tingling.  By then however, Karajan had been forgiven for everything.

Mean

Mean (pronounced meen)

(1) To have or convey a particular idea; connote, denote, import, intend, signify.

(2) To have in mind as a goal or purpose; aim, contemplate, design, intend, plan, project, propose, purpose, target.

(3) Characterized by intense ill will or spite; black, despiteful, evil, hateful, malevolent, malicious, malign, malignant, nasty, poisonous, spiteful, venomous, vicious, wicked, bitchy.

(4) Having or proceeding from low moral standards; base, ignoble, low, low-down, sordid, squalid, vile.

(5) Ungenerously or pettily reluctant to spend money; cheap, close, close-fisted, costive, hard-fisted, miserly, niggard, niggardly, parsimonious, penny-pinching, penurious, petty, pinching, stingy, tight, tight-fisted.

(6) Of low or lower quality; common, inferior, low-grade, low-quality, mediocre, second-class, second-rate, shabby, substandard.

(7) Of little distinction; humble, lowly, simple.

(8) Lacking high station or birth, baseborn, common, declassed, humble, ignoble, lowly, plebeian, unwashed, vulgar; base.

(9) Affected or tending to be affected with minor health problems; ailing indisposed, low, off-color, rocky, sickly; under the weather (now rare).

(10) So objectionable as to deserve condemnation; abhorrent, abominable, antipathetic, contemptible, despicable, detestable, disgusting, filthy, foul, infamous, loathsome, lousy, low, nasty, nefarious, obnoxious, odious, repugnant, rotten, shabby, vile, wretched.

(11) Having or showing a bad temper, cantankerous, crabbed, cranky, cross, disagreeable, fretful, grouchy, grumpy, ill-tempered, irascible, irritable, nasty, peevish, petulant, querulous, snappish, snappy, surly, testy, ugly, waspish.

(12) In mathematics, something, as a type, number, quantity, or degree that represents a midpoint between extremes on a scale of valuation; average, median, medium, norm, par.

(13) In the plural (as means), that by which something is accomplished or some end achieved.

(14) In the plural (as means) all things, such as money, property or goods having economic value.

(15) In statistics, the expected value (the mathematical expectation).

(16) In music, the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument); now only of historic or academic interest.

As a verb:

Pre 900: From the Middle English mēnen (to intend; remember; lament; comfort), from the Old English mǣnan (to mean, signify; lament; intend to do something) from the Proto-West Germanic menjojanan & mainijan, from the Proto-Germanic mainijaną (to mean, think; lament), from the primitive Indo-European meyn- (to think), or alternatively perhaps from the primitive Indo-European meino- (opinion, intent) & meyno-, an extended form of the primitive Indo-European mey- (source also of Old Church Slavonic meniti (to think, have an opinion), the Old Irish mian (wish, desire) & the Welsh mwyn (enjoyment)).  It was related to the Old Saxon mēnian (to intend) and cognate with the West Frisian miene (to deem, think) the Old Frisian mēna (to signify), the Dutch menen (to believe, think, mean), the Middle Dutch menen (to think, intend), the German meinen (to think, mean, believe) and the Old Saxon mēnian.  The Indo-European cognates included the Old Irish mían (wish, desire) and the Polish mienić (to signify, believe).  It was related to the modern moan.  The present participle was meaning and the simple past and past participle was meant although the now obsolete meaned was once a standard spelling.

The transitive (to convey (a given sense); to signify, or indicate (an object or idea) or, of a word, symbol etc (to have reference to, to signify), was documented as early as the eighth century.  The transitive, usually in passive (to intend (something) for a given purpose or fate; to predestine was from the sixteenth century. The transitive (to have conviction in (something said or expressed) or to be sincere in (what one says) is from the eighteenth century.  The transitive (to cause or produce (a given result) or to bring about (a given result) is from the nineteenth century.  The synonyms included convey, signify & indicate.  The annoying (and frequently redundant) conversational question “You know what I mean?” is not recent, attested since 1834.

As an adjective:

Pre 900: From the Middle English mēne (shared by all, common, general), a variant of imene & imeane (held or shared in common), from the Old English mǣne & gemǣne (common, public, general, universal, mutual), from the Proto-West Germanic gamainī, from the Proto-Germanic gamainiz (common; possessed jointly) and related to the Proto-West Germanic & the Old High German gimeini (common, mean, nasty) and the Latin commūnis (common (originally with no pejorative sense (as in shared, general))) from the Old Latin comoinem and cognate with the Danish gemen, the West Frisian mien (general, universal), the Gothic gamains, (common, unclean), the Dutch gemeen (common, mean), the German gemein (common), the Gothic gamains (in common) and the primitive Indo-European mey- (to change, exchange, share).  The comparative was meaner and the superlative, meanest

The sense of “common or general” is long obsolete.  What endured was “common or low origin, grade, or quality; low in quality or degree; inferior; poor; shabby; without dignity of mind; destitute of honor; low-minded; spiritless; base; of little value or worth; worthy of little or no regard; contemptible; despicable.  The sense of parsimonious, ungenerous or stingy is known throughout the English-speaking world but tends to be less prevalent in the US because of the dominance of the other meaning.  The meaning “cruel or malicious has survived but is now less common.  The colloquial form meaning “accomplished with great skill; deft; well-executed is used also in the negative with the same effect: (1) She rolls a mean joint and (2) she’s no mean roller of a joint.  However, to say (3) she’s mean with the weed in her joints has the opposite meaning so in that context anyway, the meaning of mean needs carefully to be deconstructed.  This inverted sense of mean as "remarkably good" appears not to have existed prior to circa 1900.  The derived forms from the adjectival sense include (and some are less common than others) bemean, meandom, meanie, meanness, mean streak & meany.

The pejorative sense of "without dignity of mind, destitute of honor, low-minded" dates from the 1660s; the specific sense of "stingy, niggardly" noted since 1755 whereas the weaker sense of "disobliging, pettily offensive" didn’t emerge until 1839, originally as American English slang.  This evolution in meaning was influenced by the coincidence in form with mean in the sense of "middle, middling," which also was used in disparaging senses.

As a noun:

1300–1350: From the Middle English meene, mene & meine, from the Middle French meen & mean, a variant of meien, from the Old French moien & meien (from which French gained moyen), from the Latin mediānus (middle, in the middle; median (in context)) from the Latin medius (middle).It was cognate with mid, and in the musical sense, the cognate was the Italian mezzano.  A doublet of median and mizzen.

A specific meaning of mean (in the sense of middle) was “middling; intermediate; moderately good, tolerable” which is long obsolete.  The sense of “a method or course of action used to achieve some result”, now used almost exclusively in the plural, is from the fourteenth century.  The sense of something which is intermediate or in the middle; an intermediate value or range of values (a medium) is from the fourteenth century although the use of mean (in the singular) meaning “an intermediate step or intermediate steps” is obsolete.  Originally from the fifteenth century, the use in music is now of historical or academic interest.  It referred to the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument).  In statistics, since the fifteenth century, mean is simply understood as the average of a set of values, calculated by summing them together and dividing by the number of terms (the arithmetic mean).  In mathematics a mean can be (1) any function of multiple variables that satisfies certain properties and yields a number representative of its arguments, (2) the number so yielded (a measure of central tendency) or (3) either of the two numbers in the middle of a conventionally presented proportion.

In mathematics and statistics, the mean is what is informally called “the average”, the sum of a set of values divided by the number (count) of those values.  The median is the middle number in a set of values when those values are arranged from smallest to largest, while the mode of a set of values is the most frequently repeated value in the set.

Mean is one of those words which pepper English; one word, one spelling, one pronunciation, yet a dozen or more meanings.  Mean however doesn’t come close to the top ten words in English with the most meanings, the Oxford English Dictionary (OED) list is below but the editors caution by the time the next edition of the OED is released in 2037, for some there could be more meanings still; the influencing of computing has apparently already added several dozen to “run”.

Run: 645 definitions

Set: 430 definitions

Go: 368 definitions

Take: 343 definitions

Stand: 334 definitions

Get: 289 definitions

Turn: 288 definitions

Put: 268 definitions

Fall: 264 definitions

Strike: 250 definitions

Kimberley Kitching (1970–2022) was an Australian Labor Party (ALP) Senator for Victoria (2016-2022) who died from a heart attack in March 2022 at the age of 52.  Her death gained instant attention because in the days prior, two prominent sportsmen had also suffered heart attacks at the same age (one of them fatal) and there was the inevitable speculation about the possible involvement of the mysterious long-COVID or vaccinations.  No connection with either has yet been established.  One connection quickly made was with a triumvirate of female politicians, the ALP’s senate leadership group who were quickly dubbed “the mean girls”, a reference to 2004 Lindsay Lohan movie in which the eponymous girls were the “plastics” three self-obsessed school students whose lives were consumed by material superficialities and plotting & scheming against others.  

The mean girls (2022), left to right: Penny Wong (b 1968; cabinet minister in the Rudd / Gillard /Rudd governments 2007-2013, senator for South Australia since 2002), Katy Gallagher (b 1970; chief minister of the Australian Capital Territory (ACT) 2011-2014, senator for the ACT 2015-2018 & since 2019) & Kristina Keneally (b 1968; premier of New South Wales 2009-2011, senator for New South Wales since February 2018).

The mean girls (2004), left to right: Karen Smith (Amanda Seyfried (b 1985)), Regina George (Rachel McAdams (b 1978) & Gretchen Wieners (Lacey Chabert (b 1982)).

Allegations the mean girls had bullied the late senator emerged just hours after her death and on social media there was little reluctance to link the events.  In a carefully-worded statement, Senators Gallagher, Keneally & Wong responded to what they described as “hurtful statements” denying they had bullied Senator Kitching and that other assertions were “similarly inaccurate” although they did concede “robust contests and interactions” were frequent in politics.  Senator Wong did admit to having made one unfortunate comment to Senator Kitching two years earlier and that, after it came to public attention, she had apologized.  Her office later expanded on this, issuing a statement saying “Senator Wong understood that apology was accepted.  The comments that have been reported do not reflect Senator Wong's views, as those who know her would understand, and she deeply regrets pain these reports have caused.”  Rather than discuss the suggestions of bullying, most (ie the usual suspects) focused on the use of a “gender-tainted lexicon”, sexist language clearly thought the greater sin.  Interestingly, the trio had previously been known as “the angels”, a reference to the 1970s television show Charlie's Angels which featured three admirably decorative young ladies being sent by their male controller to solve crimes; the implication of course being the “mean girls” tolerated as long as they did the bidding of the leader of the opposition.  “Misogyny, sexism, every day in every way...” as Julia Gillard (b 1961; Australian prime minister 2010-2013) might have again remarked but at least the pop-culture reference was updated for later generations and it could have been worse: they might have been labelled "the good, the bad and the ugly".

In the thoughtful eulogy delivered at her funeral, Senator Kitching’s husband, Andrew Landeryou (b 1969; colorful ALP identity), referred on several occasions to the “unpleasantness” she had faced in the Senate, praising the moral courage his wife had displayed during her six years in the senate and her genuinely substantive contribution to public life, contrasting her with the “useful idiots, obedient nudniks and bland time-servers” so often seen sitting for decades on parliamentary benches.  “The simple truth of it is that Kimberley’s political and moral judgment was vastly superior to the small number who opposed her internally” he said, adding that “… of course, there’s a lot I could say about the unpleasantness of a cantankerous cabal - not all of them in parliament - that was aimed at Kimba, and the intensity of it did baffle and hurt her.”  Perhaps generously, he added he “…did not blame any one person or any one meeting for her death”, thought to be a reference to a recent meeting of the ALP’s Right faction at which her pre-selection for an electable Senate spot at the next election was reportedly threatened. 

Senators Gallagher, Keneally & Wong all attended the funeral as did the leader of the ALP and opposition leader Anthony Albanese (b 1963; leader of the opposition since 2019 and variously a minister or deputy prime-minister in the Rudd / Gillard / Rudd governments 2007-2013).  Mr Albanese rejected calls for an inquiry into claims of bullying, saying he had received “no complaints at any time” from Senator Kitching regarding bullies within the party and sought to shut down any further questions on the matter, saying they were disrespectful to Senator Kitching.  In saying that he certainly caught the spirit of the moment, none of the mainstream media making anything but the most oblique of references to the late senator’s colorful and sometimes controversial history as an ALP factional player and trade union operative but quite how long lasts the convention of not speaking ill of the dead will soon be revealed.

Mr Albanese wanting to kill the story is understandable and if he’s sure he has plausible deniability of prior knowledge it’s a reasonable tactic but it’s at least possible the best thing to do might have been to admit (1) all political parties have factions, (2) inter-faction bullying is the way business is done, (3) intra-faction bullying is endemic, (4) women and men are both victims and perpetrators but women tend to suffer more, (5) ‘twas ever thus and (6) it shall forever be thus.

Mr Albanese had used the “I know nothing” defense before and that too attracted a popular-culture comparison.  In 2013, ALP politician Craig Thomson (b 1964; former trade union official, member of parliament for the division of Dobell (NSW) 2007-2013, for the Australian Labor Party (ALP) until 2012, as an independent thereafter) was facing accusations of fraud, committed while a trade union official including the use of a union-issued credit card to pay for the services of prostitutes.  His legal problems have since worsened including further charges of fraud and domestic violence.

In 2013, in the midst of the scandal, Mr Albanese, then deputy prime-minister, and Mr Thomson were photographed having a couple of beers at Sydney’s Bavarian Bier Café.  It attracted some attention, even from within the party, one ALP luminary thinking it strange an ALP deputy prime minister should meet for a drink with someone accused of fraud and who the party had expelled from membership, labeling the meeting as “completely indefensible."  It was of interest too to the Liberal Party opposition which floated the idea that what was discussed over a few beers was a deal in case the ALP needed Mr Thomson's vote in another hung parliament, one spokesman framing things as "Fake Kevin Rudd (Kevin Rudd. b 1957; prime minister of Australia 2007-2010 & 2013) says, on the one hand, we're cleaning things up and, on the other hand, he is doing secret deals to try and run a minority government now and into the future."

Like Mr Albanese, Mr Rudd claimed to know nothing about his deputy’s meeting with Mr Thomson or its purpose.  Asked to comment, Mr Rudd said it was not his business who his deputy decided to drink with, saying he did “many things in life but supervising the drinking activities of my ministerial colleagues is not one of them."  "And who they choose to sit down with" he added.  Later, detailed questions were sent to Mr Rudd’s office which declined to comment about whether Mr Rudd knew beforehand of the meeting or if he had asked what had been discussed.  A spokesman said Mr Rudd had “nothing further to add.”  Mr Thomson insisted it was an innocent drink after the two former party colleagues ran into each other and there was no discussion of any political deals or of Mr Thomson returning to the ALP. "I'm not wooable" Mr Thomson was quoted as saying adding, “It was a completely innocent beer.  There is no conspiracy theory here.”

Mr Albanese said Mr Thomson was not a close friend of his but added that he often ran into colleagues at bars and that it was just “…a personal chat, that's all. No big deal."  That didn’t impress the Liberal Party’s then leader in the Senate, Senator Eric Abetz (b 1958; senator for Tasmania since 1994, minister in various Coalition governments 2001-2015) who questioned how the pair could drink together given Mr Thomson's legal team was suing the LP, claiming the NSW ALP state secretary Sam Dastyari (b 1983; senator for NSW 2013-2018 before resigning in the midst of a Chinese-related donations scandal) had pledged to pay his legal costs.  "What is the deputy prime minister doing consorting in a Sydney bar with disgraced MP Craig Thomson at the Mr Thomson's lawyer is suing the NSW ALP?” Senator Abetz asked, presumably rhetorically.

Sydney Daily Telegraph, front page, Thursday 8 August 2013.

The Sydney tabloid The Daily Telegraph took the “I know nothing” excuses of Albanese and Rudd to their front page, the trope being the Hogan’s Heroes TV show produced by US network CBS between 1965-1971, one of the signature lines from which was “I know nothing” by Kommandant Colonel Clink’s slow-witted but affable Sergeant of the Guard, Hans Schultz.  Technically it worked but tropes and memes do rely on the material used registering in the public consciousness and that can be difficult when using a forty year old TV show no longer in widespread syndication.  For the Telegraph’s readers, mostly of an older demographic, it probably did register but some research might have been necessary for younger people, many of whom receive news only through social media feeds. 

For the same reason Donald Trump was disappointed his jibe about Pete Buttigieg (b 1982; contender for Democratic Party nomination for 2020 US presidential election, US secretary of transportation since 2021) and the absurdity of imagining Americans would vote for “Alfred E Neuman”, didn’t resonate.  It was just too long ago and too few knew about Mad magazine.  While there was quite a resemblance, and decades before it would have been a good line, in 2020 Buttigieg could dismiss it a “...must be a generational thing”.  By contrast, the mean girls line worked as well as it did because the film it references is both much more recent and, having hardly dated, retains an ongoing appeal.