Macrocephalic

Macrocephalic (pronounced mak-roh-sef-a-lee)

The condition of having an abnormally large head or skull, the diagnostic criterion usually the circumference being beyond the normal range.

1851: From the Ancient Greek makrokephalos, the construct being māk ros (large, long), from the primitive Indo-European root māk- (long, thin) + the Ancient Greek κεφαλή (kephalḗ) (head).  English borrowed cephaly from the French -céphalie or the German -zephalie, from the Latin -cephalia, from the Ancient Greek kephalḗ.  The form macrocephalous (having a long head) dates from 1810.  The primitive Indo-European root māk (long, thin) forms part of emaciate, macro, macro-, macrobiotic, macron, meager & paramecium.  It’s thought to be the source of the Ancient Greek makros (long, large) & mēkos (length), the Latin macer (lean, thin), the Old Norse magr & the Old English mæger (lean, thin).  The less commonly used terms in pathology are megacephaly and megalocephaly and a related term is sub-macrocephaly.  Macrocephalic & macrocephalous are adjectives, macrocephalous and macrocephaly are nouns; the noun plural is macrocephalies

DPRK generals in their big hats, leaving the monthly hat ceremony, wearing the millinery badges they've been awarded.

There’s no evidence heads in the DPRK (Democratic People’s Republic of Korea (North Korea) differ, on a population basis, from the those of the rest of the human race.  Even though the DPRK has to a high degree been physically isolated from the outside population since the early 1950s, the gene pool in the population is sufficiently diverse that most in the field expect there’d be no change to aggregate outcomes in human physiology.  Indeed, those changes which have been noted (stunting etc), are thought the consequence of nutritional deficiencies rather than anything genetic.

Suleiman I (Süleyman the Magnificent, 1494-1566, Sultan of the Ottoman Empire 1520-1566) (far left), Pius XII (1876-1958; pope 1939-1958) in the papal triple tiara (triple crown) at his coronation, 1939 (centre left), depiction of Süleyman the Magnificent in his retaliatory four tier helmet (centre right) and Officer of the 4th (Royal Irish) Dragoon Guards (1826), watercolor by Richard Simkin (1850-1926) (far right).  The dragoons always had famously good hats.

Kim Jong-un, looking at DPRK generals in their big hats.

In military uniforms, ecclesiastical dress and fashion, big hats have been a thing for thousands of years, the earliest presumably a form of biomimicry, inspired by examples like the plumage of birds or the manes of lions.  In human society, the purpose would not have been dissimilar to that of the other animals: wishing to appear (1) larger and more threatening to deter attacks, (2) of a higher status than others or (3) more attractive to attract a mate and this procreate.  Some uses would of course have been for mere function, headwear serving as protection from the elements or impacts, modern examples including the wide-brimmed hats adopted to shade one from the sun, the Mexican sombrero emblematic of this.  In the modern era (and it's a trend noted since at least late antiquity), extravagant headwear exists for no purpose other than to attract whatever is the currency of the age, photographers at the fashion shows or clicks on the internet.  On the catwalks, some creations can hardly be described as functional or conventionally attractive so clickbait is the only explanation and whether some of that worn by figures such as Lady Gaga (b 1986) was inspired by the millinery of Süleyman the Magnificent isn't known but the thematic similarities can't be denied.  Of course, over thousands of years, there's going to be some stylistic overlap; there are only so many ways to adorn a head.

DPRKesque fashion: Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945, left) and Victor Emmanuel III (1869–1947; King of Italy 1900-1946, right) observing the Italian Navy conduct maneuvers, Gulf of Naples, 1938 (left) and Lindsay Lohan in a promotional image from her campaign for US hair and skin beauty care corporation Nexxus, 2024.

Celebrities like big hats for a number of reasons.  Jacqueline Kennedy (1929-1994; US First Lady 1961-1963) told Lyndon Johnson (LBJ, 1908–1973; US president 1963-1969) she wore wide-brimmed hats to prevent him kissing her while the diminutive Victor Emmanuel III (1869–1947; King of Italy 1900-1946) had the royal milliners craft a number of unusually tall hats (including military caps) to add two inches (50 mm) odd to his  stature.  The elevation was especially obvious when he was standing with those wearing conventionally sized military headwear and it's doubtful anyone was fooled.  Technically, Victor Emmanuel didn’t fit the definition of dwarfism which sets a threshold of adult height at 4 feet 10 inches (1.47 m), the king about 2 inches (50 mm) taller (or less short) and it’s thought the inbreeding not uncommon among European royalty might have been a factor, both his parents and grandparents being first cousins.  However, although not technically a dwarf, that didn’t stop his detractors in Italy’s fascist government calling him (behind his back) il nano (the dwarf), a habit soon picked up the Nazis as der Zwerg (the dwarf) (although Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945) was said to have preferred der Pygmäe (the pygmy)).  In court circles he was knows also (apparently affectionately) as la piccola sciabola (the little sabre) a nickname actually literal in origin because the royal swordsmith had to forge a ceremonial sabre with an unusually short blade for the diminutive sovereign to wear with his many military uniforms.  His French-speaking wife (Princess Elena of Montenegro (1873–1952; Queen of Italy 1900-1946)) stood a statuesque six feet (1.8 m) tall and always called him mon petit roi (my little king).  It was a long and happy marriage and genetically helpful too, his son and successor (who enjoyed only a brief reign) very much taller although his was to be a tortured existence.  Still, in his unhappiness the scion stood tall and that would have been appreciated by the late Prince Philip, Duke of Edinburgh (1921–2021) who initially approved of the marriage of Lady Diana Spencer (1960-1997) to the Prince of Wales (b 1948) on the basis that she “would breed some height into the line”.

Kim Jong-un at a military briefing, conducted by DPRK generals in their big hats.

The papal triple tiara is a crown which has been worn by popes of the Roman Catholic Church since the eighth century.  Traditionally it was worn for their coronation but no pontiff has been so crowned since Saint Paul VI (1897-1978; pope 1963-1978) in 1963 and he abandoned its use after the Second Vatican Council (Vatican II, 1962-1965).  The name tiara refers to the entire headgear and it has used a three-tiered form since a third crown was added during the Avignon Papacy (1309–1378).  It's also referred to as the triregnum, triregno or Triple Crown.  In a piece of one- (or perhaps four-) upmanship, Süleyman the Magnificent commissioned from Venice a four tier helmet to show, in addition to the authority claimed by popes, he could add the symbol of his imperial power, his secular sovereignty.  Often put on display as the centrepiece of Ottoman regalia to impress visitors, there's no documentary evidence the sultan ever wore the four layer tiara, crowns not part of the tradition and, fashioned from gold and gemstones, it would anyway have been extraordinarily heavy and it may be it was worn only for brief, static, set piece ceremonies because an incautious movement could have risked neck injury.

A younger, more svelte Kim Jong-un at a military field conference, noting one general not issued with big hat.

A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the papacy and appears on papal documents, buildings and insignia.  Remarkably, there’s no certainty about what the three crowns symbolize.  Some modern historians link it to the threefold authority of the pope, (1) universal pastor, (2) universal ecclesiastical jurisdiction and (3) temporal power.  Others, including many biblical scholars, interpret the three tiers as meaning (1) father of princes and kings, (2) ruler of the world and (3) vicar of Christ on Earth, a theory lent credence by the words once used when popes were crowned:  Accipe tiaram tribus coronis ornatam, et scias te esse patrem principum et regum, rectorem orbis in terra vicarium Salvatoris nostri Jesu Christi, cui est honor et gloria in saecula saeculorum (Receive the tiara adorned with three crowns and know that thou art father of princes and kings, ruler of the world, vicar on earth of our Savior Jesus Christ, to whom is honor and glory for ever and ever).

Kim Jong-un on an afternoon stroll with DPRK generals, discussing the politics of big hair and big hats.

The preference in the DPRK armed forces for big hats is appears to be a matter of military fashion rather than physiological need and big hats are part of a military tradition which, although now restricted mostly to ceremonial use, were once functional in that they provided warmth, an impression of greater height and some degree of protection from attack.  Being made from animal fur, the hats are now controversial but, as a natural material, they have proved more durable and resistant to the weather than synthetic alternatives, factors which military authorities long cited as the reason for their retention.

Bearskin cap of the UK Foot Guards, made traditionally with the fur of Canadian bears (left) and model Lucy Clarkson (b 1982, right), fetchingly body-painted in the uniform of the Queen's Guards, in a demonstration organized by People for the Ethical Treatment of Animals (PETA) to draw attention to the slaughter of the bears due to the use of real bearskins in the Guard's ceremonial headdress, Westminster Bridge, London 2010.  Whether the Ministry of Defence was persuaded by PETA's arguments, Ms Clarkson's charms or some analysis which revealed the exorbitant cost of purchasing and maintaining the bearskin hats isn't clear but recently it was announced the traditional ones will be "phased out" in favor of units made from “faux” bearskin.

Kim Jong-un discussing millinery ethics with DPRK generals wearing big hats.

The tall bearskin cap, usually associated with parade ground manoeuvres around Buckingham palace, was historically the headgear of the Grenadier Guards and, remarkably, it was sometime part of battlefield dress even in the twentieth century.  It remains part of the ceremonial uniforms in many armed forces and not just those once part of the British Empire.  That up to a hundred Canadian bears are each season slaughtered "just so men could wear big hats while marching around in circles" is claimed by the activists to be of "no obvious military value but merely a tourist attraction".  While there's merit in the argument there is a legitimate military purpose in the maintenance of traditions, extending that to fur hats does seem quite abstract.  

Kim Jong-un (right) looking at Jang Song-thaek's big hat (left).

In the DPRK, Jang Song-thaek (1946-2013) was married to Kim Kyong-hui (b 1946; believed still alive), only daughter Kim Il-sung (1912-1994; Great Leader of DPRK 1949-1994) and only sister of (1941-2011; Dear Leader of DPRK; 1994-2011). He was thus the uncle (by marriage) of Kim Jong-un (b circa 1983; Supreme Leader of DPRK since 2011).  Within the party, he had a mixed career but ups and downs within the structure were not unusual and later in the reign of the Dear Leader, he emerged as a important figure in both the political and military machines around which things in the DPRK revolve.  His position appeared to be strengthened when the Supreme Leader assumed power but in 2013 he was accused of being a counter-revolutionary, was expelled from the party, dismissed from his many posts and was un-personed by having his photograph and mention of his name digitally erased from all official records.  In December that year, the KCNA (Korean Central News Agency, the regime's energetic and highly productive state media organization) announced his execution.

Obviously guilty as sin: Jang Song-thaek (left) being brought before the court (right).

On the basis of the official statement issued by the KCNA, he must have been guilty, highlights of the press release including confirmation he was “an anti-party, counter-revolutionary factional element and despicable political careerist and trickster…, a traitor to the nation for all ages who perpetrated anti-party, counter-revolutionary factional acts in a bid to overthrow the leadership of our party and state and the socialist system”.  It noted that despite receiving much trust and benevolence by the “peerlessly great men … The Great Leader, The Dear Leader and The Supreme Leader”, he behaved “worse than a dog, perpetrated thrice-cursed acts of treachery in betrayal of such profound trust and warmest paternal love”.  Of note was his subversion of interior decorating, preventing “the Taedonggang Tile Factory from erecting a mosaic…” as a monument to the Great Leader, not in its deserved place in the sun but “…in a shaded corner”.  Perhaps worse of all, he “let the decadent capitalist lifestyle find its way to our society by distributing all sorts of pornographic pictures among his confidants since 2009. He led a dissolute, depraved life, squandering money wherever he went.”  In summary, the release added Jang was a “thrice-cursed traitor without an equal in the world” and that “history will eternally record and never forget the shuddering crimes committed by Jang Song Thaek, the enemy of the party, revolution and people and heinous traitor to the nation”.

Details of such matters are hard to confirm so it’s not known if the rumors of him being executed by anti-aircraft gun fire or a flame-thrower are true.  Nor is it known if whatever remained of the corpse was thrown to a pack of wild dogs but the KCNA's press release did add: “…the revolutionary army will never pardon all those who disobey the order of the Supreme Commander and there will be no place for them to be buried even after their death” so the dog-food theory was at least plausible.

KCNA’s official photograph, commemorating the Supreme Leader’s tour of “inspection and field guidance” of the Taedonggang Tile Factory, September 2012.  Included in the Supreme Leader’s entourage was Jang Song-thaek (in army uniform on top platform).

The Supreme Leader learned in detail about factory operations including the processes used in the microlite shop and artificial marble tile shop, the latter able to produce tiles in the same colors and patterns as those of natural marble.  Addressing the workers, the Supreme Leader underlined the need to continue directing big efforts to improving the quality of products, noting that the quality of tiles depends on plane and right angle tolerable numerical value, contraction rate, intensity and resistance to cold.  When seeing tiles of diverse colors and sizes, he expressed great satisfaction that, figuratively speaking, “all clothes and underwear are locally made”, a thoughtful observation which attracted much applause.  It was on this visit the Supreme Leader became aware of the subversive and treasonous order from Jang Song-thaek that the mosaic erected as a monument to the Great Leader must be installed not in its deserved place in the sun but in a shaded corner.

Kim Jong-un, looking through binoculars across the Demilitarized Zone (DMZ) at the small hats worn by RoK (Republic of Korea (South Korea)) generals.

Coronet

Coronet (pronounced kawr-uh-nit, kawr-uh-net, kor-uh-nit, or kor-un-net)

(1) A small crown.

(2) A crown worn by nobles or peers (as distinct from those worn by sovereigns).

(3) A crown-like ornament for the head, as of gold or jewels.

(4) An ornament, tending to the pedimental in form, situated over a door or window.

(5) The lowest part of the pastern of a horse or other hoofed animal, just above the hoof.

(6) In heraldry, a crown-like support for a crest, used in place of a torse; also called crest coronet.

(7) The margin between the skin of a horse's pastern and the horn of the hoof.

(8) The knob at the base of a deer's antler.

(9) The traditional lowest regular commissioned officer rank in the cavalry (the equivalent of an ensign in the infantry or navy).

(10) Any of several hummingbirds in the genus Boissonneaua.

(11) A species of moth, Craniophora ligustri.

1350–1400: From the Middle English crownet & corounet, from the Middle French couronnette, from the Old French coronete (little crown) a diminutive of corone (crown) from the Latin corona (third-person singular present active subjunctive of corōnō) (crown), from the Ancient Greek κορώνη (korṓnē) (garland, wreath; a type of crown; a type of sea-bird, perhaps shearwater; a crow; anything curved or hooked (like a door handle or the tip of a bow).  Related in form, if not always function are diadem, wreath, crown, chaplet, circle, tiara, headdress, headband & anadem (a headband, particularly a garland of flowers).  Coronet is a noun; the noun plural is coronets.

Lindsay Lohan in coronet: Mean Girls (2004).

Crowns and coronet are both types of headgear worn as symbols of authority but there are technical differences between the two.  The crown is the traditional symbolic headpiece worn by a monarch and (in some cases) certain other members of royal families.  Fabricated usually from precious metals and adorned with jewels, crowns are by convention taller and more ornate than coronets but this is not an absolute rule and the symbolism of a crown as something representing sovereign power and regal authority doesn’t rely on its size.  Despite that, coronets tend to be smaller, less elaborate versions of crowns and they’re worn by members of the nobility who do not hold the rank of monarch and the consort of a monarch.  According to authoritative English sources, the general specification for a coronet dictates a small crown of ornaments  fixed on a metal ring and, as a general principle, a coronet has no arches and unlike a tiara, it wholly encircles the head.  Helpful as that may be, coronets in the wild are obviously rare (although that depends on the circles in which one moves) but are commonly seen as rank symbols in heraldry, emblazing coats of arms.  More opportunistically, they’re a popular symbol used in commerce.

Coronets of the United Kingdom.

In the UK, a country where there are more coronets than most, those worn by members of the House of Lords are of a defined designed according to the notch on the peerage one inhabits but surprisingly, they’re worn usually only for royal coronations (donning them for a lying in state or state funeral not the modern practice) so the 2023 event will be their first appearance en masse since 1953.  Outside of royalty, they were once exclusive to dukes but the right was granted to marquesses in the fifteenth century, to earls in the fifteenth, to viscounts (of which there are surprisingly few) in the sixteenth and barons in the seventeenth.  Coronets may not bear any precious or semi-precious stones.

1959 Dodge Silver Challenger

Chrysler’s Dodge division used the Coronet nameplate in a way typical of Detroit’s mid-century practices.  Between 1949-1959 it was a full-sized Dodge, beginning as a top-of-the-range trim before in 1955 being shifted downwards, seeing out its first iteration as an entry-level model.  One mostly forgotten footnote of the first Coronets is the 1959 range saw Dodge's first use of the Challenger name; in 1959 the Coronet-based Challenger was an early example of a model bundled with a number of usually optional accessories and sold at an attractive discount.  The concept would become popular and the Challenger name would later be twice revived for more illustrious careers as pony cars (and although the first attempt (1969-1974) was a financial disaster, the cars now much sought-after which, in their most desired configurations trade in the collector community well into six figures with the odd sale above US$1 million).

1979 Dodge Challenger (a "badge-engineered" Mitsubishi).

Although the Mopar crew don't much dwell on the matter, between 1978-1983, Dodge also applied the Challenger name to a "captive import" (the then current term describing an overseas-built vehicle sold under the name of domestic manufacturer through its dealer network), a Mitsubishi coupé sold in other markets variously as the Sapporo, Lambda and Scorpion.  Although somewhat porcine (until a mid-life facelift tightened things up), it was popular in many places (Australians especially took to it) but never achieved the same level of success in the US (where Plymouth also sold it as the Sapporo), even though that was where the "personal coupé" had become a very lucrative market segment.   

1969 Dodge Hemi Coronet.  By 1969 the writing was on the wall for engines like the Hemi and just 97 Coronet hardtops and ten convertibles were built.  In 1970, when the last two-door Coronets were made, production had dropped to 13 hardtops and just a brace of convertibles (one manual, one automatic).

The Coronet’s second run was as an intermediate between 1965–1976 and it’s the 1968-1970 models which are best remembered, based on the corporate B-body platform shared with the Plymouth Belvedere and Dodge Charger.  Plymouth gained great success with their take on the low-cost, high-performance intermediate when they released the Road Runner, a machine stripped of just about all but the most essential items except for its high performance engines, including the 426 cubic inch (7.0 litre) HEMI V8.  It was a big hit, the sales wildly exceeding projections and it encouraged Dodge to emulate the approach with the Coronet Super Bee although for whatever reason, it didn’t capture the imagination as had the Road Runner and in the three seasons both were available, sold less than a third of its corporate stablemate.

1967 Dodge “Road Runner” advertisement.

Curiously though, Dodge may have missed what proved to be the priceless benefit of using the Road Runner name.  In 1967, Dodge had run advertisements for the Coronet R/T (“Road & Track” although “street & strip” would have been closer to the truth but Chevrolet had for years been using "SS" and S/S might have been thought slavishly imitative although the lawyers would have confirmed it would have been OK) which used the words “Road” & “Runner” although spaced as far apart as perhaps the lawyers advised would be sufficiently distant to avoid threats of litigation.  Plymouth solved that problem by legitimization, paying Warner Brothers US$50,000 for the Road Runner name and the imagery of the Wile E Coyote and Road Runner cartoon depictions, spending a reputed (though unverified) additional US$10,000 for the distinctive "beep, beep" horn sound, the engineering for which seems to have been as as simple as replacing the aluminium strands in the mechanism with copper windings.

Donald Trump (b 1946; US president 2017-2021 and since 2025) admiring the coronet worn by Miss USA Kristen Dalton (b 1986), Miss USA 2009 Pageant, Las Vegas, Nevada.  Although the beauty contest business called them crowns or cornets, most, like that worn by Ms Dalton, technically were tiaras.

Recursive

Recursive (pronounced ri-kur-siv)

(1) Pertaining to or using a rule or procedure that can be applied repeatedly; periodically recurring.

(2) Drawing upon itself, referring back.

(3) In mathematics, of an expression, each term of which is determined by applying a formula to preceding terms

(4) In computing, of a program or function that calls itself (often in the form of an endlessly repeating script).

(5) In computing theory, of a function which can be computed by a theoretical model of a computer, in a finite amount of time.

(6) In computing, a set whose characteristic function is recursive.

(7) In linguistics (as recursive acronym), an acronym in which the first letter of the first word represented by the acronym is the acronym itself.

1790: From the stem of Latin recursus, perfect passive participle of recurrō (I run or hasten back; I return, revert, recur), the construct being recurs(ion) + -ive.  The –ive suffix is from the Anglo-Norman -if (feminine -ive), from the Latin -ivus; the related forms are the adverb recursively and the noun recursiveness.  Until the fourteenth century, all Middle English loanwords from the Anglo-Norman ended in -if (actif, natif, sensitif, pensif etc) and, under the influence of literary Neolatin, both languages introduced the form -ive.  Those forms that have not been replaced were subsequently changed to end in -y (hasty, from hastif, jolly, from jolif etc).  Like the Latin suffix -io (genitive -ionis), the Latin suffix -ivus is appended to the perfect passive participle to form an adjective of action.  The use in mathematics dates from 1934.  Recursive is an adjective inflected form of recursion which is a noun.  Recursive is an adjective, recursivity & recursiveness are nouns and recursively is an adverb; the noun plural is recursivities.  

The recursive acronym

Although recursive acronyms had existed before, appearing in fiction as early as 1968, the term first gained wider attention when discussed in US physicist’s Douglas Hofstadter's (b 1945) 1979 book Gödel, Escher, Bach: an Eternal Golden Braid.  Recursive acronyms typically form backwardly: either an existing ordinary acronym is given a new explanation or, a name is turned into an acronym by giving the letters an explanation of what they stand for, in each case with the first letter standing recursively for the whole acronym.

Not an easy txt to absorb for those without a helpful background, even the title of Gödel, Escher, Bach is at first glance misleading because it’s not a look at the relationships between art, music and mathematics but instead an exploration of the abstract structures which exist within each.  These Hofstadter called “strange loops”, the logician Kurt Friedrich Gödel (1906–1978) having demonstrated their existence in any mathematical system of sufficient complexity.

Relativity, lithograph (1953) by MC Escher (1898–1972).

Hofstadter pursued these structural imperatives in music and art, suggesting it’s strange loops which creates consciousness, the connections and chemicals in the human brain creating the fundamental base of the framework on which are hung ideas, feelings, hopes and desires, all of which manifest further up the framework.  Consciousness became possible (and there are those who suggested inevitable) because the hierarchy clinging to the framework can twist back on itself: higher and lower levels influencing and interacting so the lower which once must have entirely determined the upper is also changed, ideas and feelings having an actual physical impact, this tangling of hierarchies being our sense of self.

Others, tentatively had posed similar questions.  Eugene Charniak’s (b 1946) strangely neglected PhD thesis (MIT, 1974) at least hinted it might be fruitful to explore the relationship of knowledge and inference to natural language understanding and Gödel, Escher, Bach is a playful, clever, if sometimes obviously contrived way to offer one explanation of how cognition emerges from a mechanistic structure which is reflected in work that cognition can allow to be created.  As a technical point, remarkably for a piece so dependent on the nuances and interplay of language, Gödel, Escher, Bach has been translated.

Many recursive acronyms come from the field of computing; it’s nerd humor.

TLA: Three Letter Acronym

AROS: AROS Research Operating System

BAMF: BAMF Application Matching Framework

BIRD: BIRD Internet Routing Daemon

GNU: GNU's Not Unix

KGS: KGS Go Server

LAME: LAME Ain't an MP3 Encoder

MINT: MINT Is Not TRAC

MiNT: MiNT is Not TOS (which later became MiNT is Now TOS)

TIARA: TIARA is a recursive acronym

UIRA: UIRA Isn't a Recursive Acronym

WINE: WINE Is Not an Emulator (was originally Windows Emulator)

XINU: Xinu Is Not Unix

XNA: XNA's Not Acronymed

XNU: X is Not Unix

Goodly

Goodly (pronounced good-lee)

(1) Of a substantial size or quantity.

(2) Of a good or fine appearance (rare).

(3) Of fine quality (obsolete).

(4) Highly virtuous (obsolete unless quantity is thought virtuous which does seem possible).

Pre 1000: From the Middle English, from the Old English gōdlīc, from the Proto-Germanic gōdalīkaz (equivalent to the Old English gōd (good)).  The construct was good + -ly.  Good was from the Middle English good & god, from Old English gōd (that which is good, a good thing; goodness; advantage, benefit; gift; virtue; property), from the Proto-West Germanic gōd, from the Proto-Germanic gōdaz, from the primitive Indo-European ghed (to unite, be associated, suit).  It was cognate with the Dutch goed, the German gut, the Old Norse gōthr, the Gothic goths & the Russian го́дный (gódnyj) (fit, well-suited, good for) & год (god) (year). The –ly prefix was from the Middle English -ly, -li, -lik & -lich, from the Old English -līċ, from the Proto-West Germanic -līk, from the Proto-Germanic -līkaz (having the body or form of), from līką (body) (from whence Modern German gained lich); in form, it was probably influenced by the Old Norse -ligr (-ly) and was cognate with the Dutch -lijk, the German -lich and the Swedish -lig.  It was used (1) to form adjectives from nouns, the adjectives having the sense of "behaving like, having a likeness or having a nature typical of what is denoted by the noun" and (2) to form adjectives from nouns specifying time intervals, the adjectives having the sense of "occurring at such intervals".  Goodly, goodlier & goodliest are adjectives and goodliness is a noun.

Lindsay Lohan with a largifical show of skin and a goodly sprinkle of freckles in Lynn Kiracofe tiara & Frye boots with Calvin Klein Original’s blue cotton jeans over white polyester and spandex XT Trunk briefs, W Magazine photo shoot, April 2005.

In English, goodly was long used to mean (1) someone or some act thought commendable or virtuous, (2) an item of high quality, (3) something or someone attractive and (4) ample or numerous in quality.  It was thus variously a synonym of many words including ample, big, biggish, burly, capacious, comprehensive, decent, extensive, good, great, gross, hefty, husky, jumbo, largish, major, massive, ponderous, respectable, sensible, beautiful & virtuous.  However, by the mid-twentieth century most senses of goodly had gone extinct and the word was only ever used of something quantitative.  Even then it was (and remains) rare but it exists in a niche populated by poets and literary novelists so its audience is thus limited.  As an example of the inconsistency in English’s evolution, the sense of virtue did survive in the noun goodliness.  An alternative to goodly when speaking of quantities was largifical and unlike goodly, it did not survive although large obviously has flourished.  The adjective largifical was from the Latin largificus, from largus (bountiful, liberal), the construct being an adaptation (via facere (in fact)) of larg(us) + faciō (do, make), from the Proto-Italic fakjō, from the primitive Indo-European dheh- (to put, place, set), the cognates of which included the Ancient Greek τίθημι (títhēmi), the Sanskrit दधाति (dádhāti), the Old English dōn (from which English ultimately gained “do”) and the Lithuanian dėti (to put).  So, beyond the confines of the literary novel, the preferred alternatives to goodly and largifical include sufficient, adequate, plenty, abundant, enough, satisfactory, plentiful, copious, profuse, rich, lavish, liberal, generous, bountiful, large, huge, great, bumper, flush, prolific, overflowing, generous & ample, the choice dictated by the nuances of need.

Tie

Tie (pronounced tahy)

(1) A knot; a fastening.

(2) A knot of hair (as at the back of a wig).  (a tiewig is (1) a wig having a tie or ties, or one having some of the curls tied up or (2) a wig that is tied upon the head; a court-wig tied with ribbon at the back).

(3) A long narrow piece of material worn, most often by men, under the collar of a shirt, tied in a knot close to the throat with the ends hanging down the front.  Also called necktie (a bow tie is never truncated to tie).

(4) A lace-up she or boot, historically as Oxford ties, Derby ties etc (now a rare use).

(5) As “twist tie”, a piece of wire embedded in paper or a strip of plastic, wound around something (typically a bag, cable etc) and tightened to secure it.

(6) A connection between people (or groups of people) or between people and institutions, ideologies etc, especially a strong connection (familiar in the phrases “ties of friends”, “ties of allegiance”, “ties that bind” etc).

(7) In construction, any of various structural members (beams, rods, stringers etc) used to keep two objects (rafters; haunches of an arch etc), from spreading or separating.

(8) In rail track construction, any of a number of closely spaced transverse beams of concrete, metal or (historically and still mostly) wood, for holding the rails forming a track at the proper distance from each other and for transmitting train loads to the ballast and roadbed (in other places known as a “sleeper”).

(9) In sport and related competitions, the situation in which two or more participants in a competition are placed equally (known variously as a “draw” or stalemate”.  The exception is long-form cricket (test & first class) where a tie (both sides having the same total of runs when the last ball has been delivered) is distinct form a draw (neither side able to force a win).

(10) In sport and related competitions, a meeting between two players or teams in a competition (mostly UK & Commonwealth use).

(11) In music, a curved line connecting two notes of the same pitch denoting that they should be played as a single note with the combined length of both notes (distinct from a slur).

(12) In typography & phonetic transcription, a curved line connecting two letters (⁀), used in the IPA to denote a co-articulation, as for example /d͡ʒ/.

(13) In statistics, one or more equal values or sets of equal values in the data set.

(14) In surveying, a bearing and distance between a lot corner or point and a benchmark or iron off site; a measurement made to determine the position of a survey station with respect to a reference mark or other isolated point.

(15) In graph theory, a connection between two vertices.

(16) To bind, fasten, or attach with a cord, string, or the like, drawn together and knotted.

(17) To draw together the parts of with a knotted string or the like.

(18) To fasten, join, or connect in any way.

(19) To confine, restrict, or limit.

(20) To bind or oblige, as to do something.

Pre 900: From the Middle English teye, tiegh & tegh (cord, rope; chain) from the Old English tēag, tēah, tēagh and tēgh (cord; chain), from the Proto-West Germanic taugu, from the Proto-Germanic taugō, from the Old Norse taug (rope) & tygill, from the primitive Indo-European dewk- and ultimately from the from the prehistoric deuk (to pull, to lead).  It was cognate with the Danish tov.  The Middle English tien and the Old English tīgan (to tie) were both derivative of the noun and related to the Old Norse teygja (to draw, stretch out) and the Old English tēon (to pull).  Tie is a noun & verb, tying is a noun & verb, tied is a verb & adjective; the noun plural is ties.

The figurative sense dates from the 1550s and the adoption in the US to describe railway sleepers is from 1857.  The meaning "equality between competitors" was first noticed in the 1670s although the meaning “to finish equal to a competitor” seems not to have been formalized until the late 1880s.  The tie-breaker (a mechanism used to force a tied match to a win) was first mentioned in 1938 and is most familiar from tennis when it was first widely used in the early 1960s.  In mist forms of sport, the “tie” is interchangeable with “draw “ except in the four-innings cricket in which, apparently uniquely, four results are possible, win, lose, draw and the (rare) tie.  The sense of a “cravat’; necktie” (usually a simple one knotted in front) dates from 1761.  The idea of the bow tie (a necktie tied in the form of a bow or a knot with two loops) was familiar by 1887 although the earlier use in the sense “a ribbon or other fabric tied in a bow-knot) was in use in 1874.

Black tie invitation: Lindsay Lohan interprets with skull & crossbones tie.

In idiomatic use, to “tie the knot” means “to form a union” (usually marriage) dates from 1707.  To “Tie one on” (get drunk) was first recorded in 1944)" is recorded from 1944.  The phrase “old school tie” has been in use since 1938 and refers literally to the neckties worn by former students of a certain English public (private) schools and is used as an allusion to the way the class system is maintained.  The “tie-in” (a specific connection) was first documented in 1934 and was said to be from a verbal phrase noted since 1793.  The verb “hog-tie” was literally the most efficient way of securing a body (by binding the hands and feet by crossing and tying them) and was first documented (it’s unclear how long the technique had been in use) in 1887.  The verb tie-dye is associated with hippies and their spiritual descendants but the technique was first patented in 1902.  In telecommunications, a "tie-line" is a dedicated line between two extensions.  The origin was in the physical wire which once ran point-to-point ("tying" the two together), the classic example the cables run by the military in the trenches of World War I (1914-1918).  The term is still used to refer to dedicated private services but most are now part of distributed networks and implemented with a combination of physical switching and software.

The RSVP - What to wear

White Tie Dress Code.

White tie, also called full evening dress or a dress suit, is now the most formal evening dress code in western culture.  For men, it consists of a black tailcoat worn over a white starched shirt, Marcella waistcoat and a white bow tie worn around a detachable collar.  High-waisted black trousers and patent leather pumps complete the ensemble; decorations need not be worn unless specified, top hats and canes the only permitted accessories.   White scarves were once frequently seen but seem now frowned upon.  For women, it’s a full-length gown.  Optional is jewelry, a tiara, a small bag and evening gloves though with accessories, fashion critics urge restraint.

Although now the most elaborate western dress code, white tie is derived from the eighteenth century movement towards a less elaborate aesthetic of style and by the 1840s was de rigueur for the small fragment of the population who moved “in society circles”.  The two great events of the twentieth century, the world wars, rent social fissures which rendered white tie extinct for all but a handful of ceremonial and state occasions such as balls at some of the old universities and royal households.  The white tie belongs mostly to the lost, pre-1914 world although still required for the annual Nobel Prize ceremony.

Black Tie Dress Code.

Transcending class distinctions, black tie is a dress code for evening events and social functions.  It emerged and evolved during the late nineteenth century, was essentially codified by the 1920s and, for men, little changed since.  For men, the elements are a white dress shirt with black bow tie, an evening waistcoat or cummerbund, a dinner jacket in black or midnight blue and polished black shoes.  This setup is known in the US as a tuxedo and in France as cravate noire.  Black tie permits variations, lighter colored jackets, dating from hot climates of the Raj, are now not unusual but variations need still to be on the theme.

By contrast with the essentially static men’s code, women's dress for black tie has been subject to trends, both in fashion and social mores.  Traditionally it was evening shoes and ankle or lower-calf length (depending on the hour) sleeveless evening gown, often set-off by a wrap or stole and, almost inevitability, gloves.  In the twenty-first century, women are essentially free to construct whatever seems to suit the occasion, a gown, a cocktail dress, a LBD (little black dress), even trousers and boots; black tie for women is now post-modern and thus more concept than code.

A Henry Poole & Co Dinner Jacket (Tuxedo).

According to the tailors Henry Poole & Co (1806) of 15 Savile Row, London, the evening wear now often referred to as the “tuxedo” was first created by them in 1865 when the Prince of Wales (1841-1910 and later Edward VII, King of the UK & Emperor of India 1901-1910) asked his tailor and friend Henry Poole to cut a short coat he could wear to informal dinners at Sandringham.  Mr Poole accordingly shortened a traditional tailcoat and presented the prince an “evening jacket” in celestial blue.  This, the company claims, was the origin of the British dinner jacket (DJ).  The origin of the more evocative American term “tuxedo” dates from gossip which circulated at New York’s Tuxedo Park Club, the tale being that when the prince visited in 1886, his notorious roving eye fell upon Mary Cora Brown–Potter (née Urquhart, 1857–1936), one of New York Society’s great beauties and the wife of coffee trader James Brown Potter (1853-1922).  The prince invited the couple to stay at Sandringham and Mr Potter, not well acquainted with royal protocol, requested sartorial guidance from Mr Poole who of course recommended one of his DJs in celestial blue.  Upon returning to the US, Mr Potter wore to garment often, including at fashionable events held at the Tuxedo Club.  Even Henry Poole & Co admits the story is likely apocryphal and the more likely explanation for the linguistic adoption in the US is that a number of the New York elite had clothing made by Henry Poole at the time the prince’s DJ was first tailored and the royal imprimatur would have been persuasion enough for them to order a DJ so the style was probably well-known in the Tuxedo Club by the time of the 1886 visit.  However, the company is emphatic the DJ, tuxedo, evening jacket or whatever it may in various places be called, began on Henry Poole’s cutting tables at 15 Savile Row.