Spandex

Spandex (pronounced span-deks)

(1) A synthetic fibre composed of a long-chain polymer, used chiefly in the manufacture of garments to add elasticity.

(2) Clothing made from such material.

1959: Spandex was coined as an anagram of the word expands.  A synthetic fibre known for its exceptional elasticity, it’s a polyether-polyurea copolymer invented by an industrial chemist at DuPont.  Spandex is the preferred name in North America.  In continental Europe it’s known by variants of elastane (élasthanne (France), elastan (Germany & Sweden), elastano (Spain), elastam (Italy) and elastaan (Netherlands).  In the UK, Ireland, Portugal, Spain, Brazil, Argentina, Australia, New Zealand and Israel, it’s described usually as Lycra.  The acronym MAMIL stands for "middle-aged man in lycra" and is usually applied to men of a certain age who have taken up cycling.

Lycra and Spandex

The Australian mamil in his natural habitat: Tony Abbott (b 1957; Prime Minister of Australia 2013-2015) wearing Spandex.

Spandex and Lycra are the same material.  The Dupont Company registered Lycra as a tradename for a Spandex fibre thread because their marketing people thought a word like Spandex (coined by an industrial chemist) wouldn’t appeal to the female demographic at which many of the products were aimed.  Dupont attached the trademark to a newly created subsidiary company called Invista but it was later sold to another corporation.  Spandex and Lycra are thus the same material, Spandex being a generic term to describe the cloth whereas Lycra is a brand name for a range of Spandex products manufactured, marketed or licenced by Invista.  In Australia, Middle-Aged Men In Lycra, usually on their bicycles, are known as Mamils.  It can be a disturbing sight.

Spandex fibers under an electron microscope.

Spandex is a lightweight synthetic fibre which gains its quality of exceptional elasticity from its long-chain polymers named polyurethane and is made by combining polyester with a diisocyanate.  The fibres can be stretched to almost five times their original length and has the characteristic of an elastomer, a material which, after being stretched, returns to its original shape.  Invented in 1958 by DuPont, Spandex was one of the many products of post-war US industry with origins in the research effort undertaken into artificial rubber in the early 1940s.  Even before the supply of Natural rubber was disrupted in the early days of World War II, some of the basic research involved the creation of strong, elastic synthetic polymers and the first polyurethane elastomers were produced in 1940.  After the war, the chemical industries in both Germany and the US continued polymer development and a spandex-like fibre was patented in Germany in 1952 but it was Dupont in 1958 which invented the process of synthesis suitable for mass-production and it was this which became Spandex, commercially released in 1962.

Lindsay Lohan in Spandex, promotional poster for Machete (2010).  Gun is an IMI Uzi.

One of many rapid-firing guns named after its designer (Uziel "Uzi" Gal (1923–2002), the Israeli-made Uzi was first issued to military special forces in 1952, becoming a general-issue weapon in the Israel Defense Forces (IDF) in 1954.  Originally classified as a light-machine gun, it's now usually regarded as a machine pistol and has for decades been one of the most widely used weapons of its type, said (officially) to have been exported to 103 countries.  The first releases used exclusively a 25 round magazine and 9mm cartridges but a 32 round magazine was later standardised.  Variants of the 9mm shell remain the most popular load but conversions are available for other calibres including the .45 ACP and the .22 LR (Rifle).

Fishnet

Fishnet (pronounced fish-net)

(1) A net for catching fish.

(2) A fabric with an open mesh, resembling a fishnet.

(3) Being of an open-mesh weave.

(4) In fashion as a clipping of “fishnet stockings” & “fishnet tights”, usually in the form “fishnets”.

(5) In mathematics, geometry and mapping, as “fishnet grid”, a grid of equally-sized (usually square or rectangular) cells which can be overlaid onto another representation for various purposes.  

Pre 1000: from the Middle English, from the Old English fiscnett, the construct being fish + net.  Fish was from the Middle English fisch, from the Old English fisċ (fish), from the Proto-West Germanic fisk, from the Proto-Germanic fiskaz (fish).  It may be compared with the West Frisian fisk, the Dutch vis, the German Fisch, the Danish, Norwegian & Swedish fisk and the Icelandic fiskur, from the primitive Indo-European peysḱ- (fish) (the equivalent form in was iasc and in Latin piscis.  Net was from the Middle English nett, from the Old English net & nett, from the Proto-West Germanic nati, from the Proto-Germanic natją, from the primitive Indo-European ned- (to turn, twist, knot).  It was cognate with the West Frisian net, the Low German Nett, the Dutch net, the German Netz, the Danish net and the Swedish nät.  Fishnet is a noun & adjective; the noun plural is fishnets.

The most obvious “fishnet grid” is of course the fishnet, used by fishers to catch fist and one of the oldest technologies still in use with its essential design unchanged although much has changed in terms of materials, scale and techniques of use.  The same design (a grid structure with equal sized cells) is used in various field including (1) concreting where the steel reinforcing for slabs is used in this form, either in pre-made sections or assembled on-site.  (2) In agriculture, the grids are used as a support structure for climbing plants like beans which grow up the grid, gaining enhanced exposure to airflow and sunlight; ultimately, the arrangements also make harvesting easier and cheaper.  Made now with slender, strong, cheap and lightweight plastic strands which don’t absorb moisture, like the nets used to harvest fish, the agricultural mesh is produced in a variety of cell sizes, the choice dictated by the crop. (3) In architecture and interior decorating, grids are common design element, sometimes integrated into structural members and sometimes merely decorative.  (4) In fashion, the most famous fishnet grids are of course those used on stockings & tights where the most frequently seen patterns are diamonds or squares displayed with points perpendicular.  When used of other garments, the orientation of the cells can vary. (5) In industrial design, fishnet grids made of durable materials like steel or synthetic fibers are widely used, providing structures which can be lighter than those made with solid materials yet, in a seeming paradox, be stronger, at least in the direction of the stresses to which they’ll be exposed.  Such constructions are often used in support structures, fencing and other barriers.

North America with the lines of latitude & longitude as traditionally depicted in maps using a fishnet grid (left) and in a form which reflects the effects of the curvature of the earth.

In cartography, the most famous fishnet grid is that made up from the lines of latitude & longitude which, east & west, north & south, encircle the globe and have for centuries been used for navigation.  However, the familiar representation of the lines of latitude and longitude as a fishnet grid is illusory because the common, rectangular map of the world is just a two-dimensional rendering of a three dimensional sphere.  For most purposes, the flat map is ideal but when lines of latitude & longitude were added, so were distortions because the lines of longitude converge at the poles, becoming progressively closer as they move away from the equator.  Never parallel on the sphere which is planet Earth, on a map the lines are exactly parallel; a perfect fishnet grid.

The politics of the Mercator Map

The Mercator projection was developed in 1568 by Flemish geographer, cosmographer & cartographer Gerardus Mercator (1512–1594) as a navigation tool with spherical planet earth depicted on a flat rectangular grid with parallel lines of latitude and longitude.  Its functionality was such that in the west, it became the standard technique of projection for nautical navigation and the de facto standard for maps and charts.  For seafarers it was invaluable; all they needed do was follow the line on the chart and, barring accidents, they would arrive where intended.  However, the Mercator map is a most imprecise representation of the precise shapes and relative sizes of land masses because the projection distorts the size of objects as the latitude increases from the Equator to the poles, where scale becomes infinite.  That’s why land-masses such as Greenland and Antarctica appear much larger than they actually are, relative to equatorial areas such as central Africa.

The Mercator map (left), the distorting effect of the Mercator projection with the real size in the darker shade (centre) and the actual geography of Earth's land masses (right).

In the twentieth century, that distortion attracted criticism on the grounds the projection tended to increase the size of the land-masses of the European colonial powers while reducing those in the colonized south.  However, neither Gerardus Mercator nor other cartographers had social or political axes to grind; the geographical distortion was an unintended consequence of what was designed as a navigational device and it's anyway impossible accurately to depict the surface of a sphere as a two-dimensional rectangle or square (the so-called "orange-segment" renditions are dimensionally most accurate but harder to read).  The Mercator map is no different from the map of the London Underground; a thing perfect for navigation and certainly indicative but not to exact scale.  Modern atlases generally no longer use the Mercator map (except for historical or artistic illustrations) but they’re still published as wall-maps.

The Tube

The classic "map" of the London underground is an ideal navigational aid but, conceptual rather than being drawn to scale, applying a fishnet grid would be both pointless and without meaning.  Professional cartographers refer to such things as "diagrams" or "mud maps", the latter a colloquial term which began life in the military and was a reference to the improvised "maps" drawn in the soil by soldiers in the field.  While not precise, to scale or a detailed representation of an area, they were a simple visual aid to assist in navigation.

Fishnet fan Lindsay Lohan: Confessions of a Teenage Drama Queen (2004), (left), Elle Style Awards, London, February 2015 (centre) and Cannes Film Festival, May 2017 (right).  

There are both fishnet tights and fishnet stockings and unless worn in a manner to permit an observer to discern which, whether it’s one or another is often known only to the wearer, the distinction blurred further by manufacturers being sometimes inclined to be a bit loose with their labeling.  While both items of leg-wear, there are technical differences in the construction, coverage and style.  Tights should be made of a thicker, more opaque material which affords complete coverage from the waist to the toes.  Although a fashion item, the historic purpose of tights was to keep the legs warm in cold weather and they were a garment of some importance when there were dress codes which denied women the right to wear trousers.  Constructed almost always in one piece, tights have an elastic waistband which has the primary purpose of keeping them in place but there are some tights which technically are “shapewear”, the midsection an expanded, all-round elastic panel which has a mild compression effect on the areas around and immediately above the hips, rendering a more trim silhouette.  Except for a handful of high-priced products, tights use relatively thick materials like nylon or spandex (sold as lycra in some markets).  There are also composite materials now available which has meant the range of thicknesses, colors and patterns offered has been expanded and the finishes range from semi-sheer to opaque, making them suitable for casual and formal occasions while still providing protection from the cold.  The essential difference between tights and leggings is the later are shorter, stopping anywhere from the ankle to the upper calf (although some specialized sports leggings extend only to somewhere above the knee).

Classically, stockings were designed to cover only the legs between the upper-thigh and the toes.  Made typically from a sheer material, they are held in place by a device called a “garter belt” or “suspender belt” which sits around the hips, two (sometimes three) elastic “suspender slings” (a marvelous name) are attached to each side at the ends of which are metal clips into which a rubber or silicone disc is inserted through the stocking material, holding it permanently in place.  Usually sheer in a color spectrum from black to white (with a solid emphasis of “skin tone” although sensitivity to the implications of that term means it now less used), patterns are also available and among the most popular is the single, emulated “seam” running vertically up the back of the leg.  Until the mid twentieth century, stockings were made almost exclusively from silk are they remain available but the majority use some form of synthetic, either nylon or a nylon-mix and are thought to impart both a more delicate and refined look and are thus associated with formal attire.  The modern hybrid which has since the 1970s captured most of the stocking market is “pantyhose” (the construct being a portmanteau of the modified clippings of panties (panty) + hosiery (hose).  Pantyhose used the design of tights and the sheer material of stockings, the obvious advantage being the convenience of not needing the belt apparatus with its alluring but fiddly “suspender slings”.  Fishnet pantyhose are available.

Goodly

Goodly (pronounced good-lee)

(1) Of a substantial size or quantity.

(2) Of a good or fine appearance (rare).

(3) Of fine quality (obsolete).

(4) Highly virtuous (obsolete unless quantity is thought virtuous which does seem possible).

Pre 1000: From the Middle English, from the Old English gōdlīc, from the Proto-Germanic gōdalīkaz (equivalent to the Old English gōd (good)).  The construct was good + -ly.  Good was from the Middle English good & god, from Old English gōd (that which is good, a good thing; goodness; advantage, benefit; gift; virtue; property), from the Proto-West Germanic gōd, from the Proto-Germanic gōdaz, from the primitive Indo-European ghed (to unite, be associated, suit).  It was cognate with the Dutch goed, the German gut, the Old Norse gōthr, the Gothic goths & the Russian го́дный (gódnyj) (fit, well-suited, good for) & год (god) (year). The –ly prefix was from the Middle English -ly, -li, -lik & -lich, from the Old English -līċ, from the Proto-West Germanic -līk, from the Proto-Germanic -līkaz (having the body or form of), from līką (body) (from whence Modern German gained lich); in form, it was probably influenced by the Old Norse -ligr (-ly) and was cognate with the Dutch -lijk, the German -lich and the Swedish -lig.  It was used (1) to form adjectives from nouns, the adjectives having the sense of "behaving like, having a likeness or having a nature typical of what is denoted by the noun" and (2) to form adjectives from nouns specifying time intervals, the adjectives having the sense of "occurring at such intervals".  Goodly, goodlier & goodliest are adjectives and goodliness is a noun.

Lindsay Lohan with a largifical show of skin and a goodly sprinkle of freckles in Lynn Kiracofe tiara & Frye boots with Calvin Klein Original’s blue cotton jeans over white polyester and spandex XT Trunk briefs, W Magazine photo shoot, April 2005.

In English, goodly was long used to mean (1) someone or some act thought commendable or virtuous, (2) an item of high quality, (3) something or someone attractive and (4) ample or numerous in quality.  It was thus variously a synonym of many words including ample, big, biggish, burly, capacious, comprehensive, decent, extensive, good, great, gross, hefty, husky, jumbo, largish, major, massive, ponderous, respectable, sensible, beautiful & virtuous.  However, by the mid-twentieth century most senses of goodly had gone extinct and the word was only ever used of something quantitative.  Even then it was (and remains) rare but it exists in a niche populated by poets and literary novelists so its audience is thus limited.  As an example of the inconsistency in English’s evolution, the sense of virtue did survive in the noun goodliness.  An alternative to goodly when speaking of quantities was largifical and unlike goodly, it did not survive although large obviously has flourished.  The adjective largifical was from the Latin largificus, from largus (bountiful, liberal), the construct being an adaptation (via facere (in fact)) of larg(us) + faciō (do, make), from the Proto-Italic fakjō, from the primitive Indo-European dheh- (to put, place, set), the cognates of which included the Ancient Greek τίθημι (títhēmi), the Sanskrit दधाति (dádhāti), the Old English dōn (from which English ultimately gained “do”) and the Lithuanian dėti (to put).  So, beyond the confines of the literary novel, the preferred alternatives to goodly and largifical include sufficient, adequate, plenty, abundant, enough, satisfactory, plentiful, copious, profuse, rich, lavish, liberal, generous, bountiful, large, huge, great, bumper, flush, prolific, overflowing, generous & ample, the choice dictated by the nuances of need.

Legging

Legging (pronounced leg-ing)

(1) A covering for the leg, usually extending from the ankle to the knee but sometimes higher, worn by soldiers, riders, workers, etc. 

(2) The pants of a two-piece snowsuit.

(3) In the plural, as leggings, (1) close-fitting trousers worn by mostly by women and girls (as fashion items) & (2) close fitting trousers worn as support in sporting competitions.

(4) In slang, as “legging it”, (1) to proceed somewhere by foot or (2) to proceed somewhere by any means with some alacrity, a variation of the latter being “shake a leg”.

1745–1755: The construct was leg(g) + -ing (the more illustrative alternative spelling being leggin (leg(g) + in).  The noun leg was from the Middle English leg & legge, from the Old Norse leggr (leg, calf, bone of the arm or leg, hollow tube, stalk), from the Proto-Germanic lagjaz & lagwijaz (leg, thigh) which may have been from the primitive Indo-European (ǝ)lak- or lēk- (leg; the main muscle of the arm or leg).  It was cognate with the Scots leg (leg), the Icelandic leggur (leg, limb), the Norwegian Bokmål legg (leg), the Norwegian Nynorsk legg (leg), the Swedish Swedish lägg (leg, shank, shaft), the Danish læg (leg), the Lombardic lagi (thigh, shank, leg), the Latin lacertus (limb, arm) and the Persian لنگ‎ (leng).  It almost wholly displaced the native Old English sċanca (from which Modern English gained shank) which may have been from a root meaning “crooked”.  The origin of the Germanic forms remains uncertain and the Old Norse senses may be compared with Bein (“leg” in German) which in the Old High German meant "bone, leg".

A pair of lappet-faced vultures.  Native to parts of Africa and the Arabian Peninsula, there's no evidence the lappet-faced vulture (Nubian vulture (Torgos tracheliotos)) influenced the development of the early leggings.

The slang use is derived from the circa 1500 verb which from the start was usually in the form “leg it”, meaning “proceed on foot by walking or running”.  The meaning "part of pants which cover the leg" is from 1570s and by the 1870s as an adjective it had a acquired the salacious hint of artistic displays focused on the female form with most of the leg exposed.  In the jargon of the theatre, leg-business was slang for "dance; ballet."  The idea of a leg as "a part or stage of a journey or race" dates only from 1920 and was based on the earlier sense (from 1865) applied to sailing ships which meant "a run made by a ship on a single tack when beating to windward" which sailors defined as long leg or short leg, the notion being the leg ending when the direction had to be altered.  The theatre slang “shake a leg” by 1869 meant “dance” and this by 1800 spread to the general population where it meant "hurry up".  To be “on (one's) last legs” meant “close to death”, the earliest known instance in print being from the 1590s.  To take “leg bail” was late eighteenth century underworld and legal slang for "run away" in the sense either of escaping from apprehension or not appearing in court as summonsed.  The phrase “having the legs” meant “enduring success, staying power" emerged in the late 1960s to describe Broadway shows which enjoyed an extended session while “long legged” was an automotive term which referred to a vehicle with an ability effortlessly to cruise at high speed.  Leg-side and off-side are the two hemispheres of a cricket ground, divided down the middle of the batting pitch.  The leg-side is that closest to a batsman's legs while the off-side is that closest to the bat when the normal batting position is adopted; leg and off-side thus swap identities depending on whether the batsman is left or right-handed.  The distinction explains the origin of many fielding positions (long off, deep backward square leg, leg slip etc) but, confusingly, the leg designation is only used for the "leg quarter" of the field, positions forward of square leg using "on" (as opposed to "off") thus long on, long off etc.   

The suffix –ing was from the Middle English -ing, from the Old English –ing & -ung (in the sense of the modern -ing, as a suffix forming nouns from verbs), from the Proto-West Germanic –ingu & -ungu, from the Proto-Germanic –ingō & -ungō. It was cognate with the Saterland Frisian -enge, the West Frisian –ing, the Dutch –ing, The Low German –ing & -ink, the German –ung, the Swedish -ing and the Icelandic –ing; All the cognate forms were used for the same purpose as the English -ing).  Legging & leggings are nouns, legging (in its slang sense) is a verb and legginged is an adjective.  The noun plural is leggings.

Henry VIII (1491–1547; King of England 1509-1547) & Lindsay Lohan illustrate the enduring appeal of leggings.

In the West, so ubiquitous for so long have been leggings that they seem less a trend than a fixture but historians of fashion have noted that leggings have been in and out of style since first they were worn in the fourteenth century, “going out” and “coming back” for hundreds of years.  Although now (except in sport or hidden under layers when worn by scuba-divers, mountaineers or those on ski fields) associated almost exclusively with women and girls, leggings appear first to have been worn by men in fourteenth century Scotland.  The early leggings were two separate, hip-high, boot-like apparatuses made of either leather or chainmail, intended for both civilian and military use and they evolved into thick garments (like tights), worn under cotehardies (a kind of blend of a cardigan, coat and hoodie (ankle-length for women, shorter for men), from the Old French cote-hardie, the construct being cote (coat) + hardie (hardy)) for the mid-Renaissance until the late eighteenth century (although they fell from favor with women more than a hundred years earlier.  Men abandoned them too as the combination of trousers, shirts and jackets became the standard form of dress, something which endures to this day.

Audrey Hepburn in capri pants, 1954.

The first modern day revival was stimulated by fashion designers in the 1950s using the capri pants in their early post-war shows, the slender waist-defining cropped black pants ideal emphasizing the preferred shape of the era and while they weren’t the now familiar skin-tight leggings, they offered a dramatic contrast with the wider-leg styles associated with the 1940s.  It was the debut of Lycra (spandex) in 1959 which made possible leggings in their modern form and fashion photographers soon honed techniques best suited when they were paired with the new generation of mini-skirts, the lines and allure of leg, paradoxically, emphasized when covered.

Bella Hadid (b 1996) in leggings coming from and going to the gym.  She looks good, coming or going.

The industry notes a brief lull in their popularity during the hippie era when many restraining devices were discarded (and sometime even ceremonially burned) but by the late 1970s they were back and the trend accelerated in the 1980s when the new popularity of active-wear spread beyond the gym to the street and, significantly, the new influencer platform of the music video and the stretchy things survived the onslaught of leg warmers.  Lycra was well suited to bright, shiny colors and the leotard over leggings look became a motif of the decade.  It was perhaps a bit much and things got darker and baggier in the 1990s but the practicality of the things was ultimately irresistible and the innovation of stirrup-leggings was a harbinger of the new century.  It does seem they’re now here to stay and full-length, liquid leggings have in a sense replaced pants, something which upset some Middle-Eastern airlines which were compelled to remind passengers their dress code allowed pants for women but that “leggings are not pants”, a rule enforced in the West on female visitors to some men’s prisons.

Gym pants are a variation of leggings.  Cut usually to calf-length, the design is optimized for exercise.  Ina-Maria Schnitzer (b 1986; who modeled as Jordan Carver) demonstrates the advantages.

Cage

Cage (pronounced keyj)

(1) A boxlike enclosure having wires, bars, or the like, for confining and displaying birds or animals or as a protective barrier for objects or people in vulnerable positions (used in specific instances as battery cage, bird-cage, birdcage, Faraday cage, tiger cage, fish cage etc).

(2) Anything that confines or imprisons; prison and figuratively, something which hinders physical or creative freedom (often as “caged-in”).

(3) The car or enclosed platform of an elevator.

(4) In underground mining, (1) an enclosed platform for raising and lowering people and cars in a mine shaft & (2) the drum on which cable is wound in a hoisting whim.

(5) A general descriptor for any skeleton-like framework.

(6) In baseball (1) a movable backstop for use mainly in batting practice & (2) the catcher's wire mask.

(7) In ice hockey and field hockey, a frame with a net attached to it, forming the goal.

(8) In basketball, the basket (mostly archaic).

(9) In various sports which involve putting a ball or other object into or through a receptacle (net, hole), to score a goal or something equivalent.

(10) In fashion, a loose, sheer or lacy overdress worn with a slip or a close-fitting dress.

(11) In ordnance, a steel framework for supporting guns.

(12) In engineering (1) various forms of retainers, (2) a skeleton ring device which ensures the correct space is maintained between the individual rollers or balls in a rolling bearing & (3) the wirework strainers used to remove solid obstacles in the fluids passing through pumps and pipes

(13) To put (something or someone) into some form of confinement (which need not literally be in a cage).

(14) In underwear design, as cage bra, a design which uses exposed straps as a feature.

(15) In computer hardware, as card cage, the area of a system board where slots are provided for plug-in cards (expansion boards).

(16) In anatomy (including in zoology) as rib-cage, the arrangement of the ribs as a protective enclosure for vital organs.

(17) In athletics, the area from which competitors throw a discus or hammer.

(18) In graph theory, a regular graph that has as few vertices as possible for its girth.

(19) In killer Sudoku puzzles, an irregularly-shaped group of cells that must contain a set of unique digits adding up to a certain total, in addition to the usual constraints of Sudoku.

(20) In aviation, to immobilize an artificial horizon.

1175–1225: From the Middle English cage (and the earlier forms kage & gage), from the Old French cage (prison; retreat, hideout), from the Latin cavea (hollow place, enclosure for animals, coop, hive, stall, dungeon, spectators' seats in a theatre), the construct being cav(us) (hollow) + -ea, the feminine of -eus (the adjectival suffix); a doublet of cadge and related to jail.  The Latin cavea was the source also of the Italian gabbia (basket for fowls, coop).  Cage is a noun, verb and (occasional) adjective, caged & caging are verbs (used with object) and constructions include cage-less, cage-like, re-cage; the noun plural is cages.

The noun (box-like receptacle or enclosure, with open spaces, made of wires, reeds etc) typically described the barred-boxes used for confining domesticated birds or wild beasts was the first form and form circa 1300 was used in English to describe "a cage for prisoners, jail, prison, a cell".  The noun bird-cage (also birdcage) was in the late fifteenth century formed to describe a "portable enclosure for birds", as distinct from the static cages which came to be called aviaries.  The idiomatic use as “gilded cage” refers to a place (and, by extension, a situation) which is superficially attractive but nevertheless restrictive (a luxurious trap) and appears to have been coined by the writers of the popular song A Bird in a Gilded Cage (1900).  To “rattle someone's cage” is to upset or anger them, based on the reaction from imprisoned creatures (human & animal) to the noise made by shaking their cages.  The verb (to confine in a cage, to shut up or confine) dates from the 1570s and was derived from the noun.  The synonyms for the verb include crate, enclosure, jail, pen, coop up, corral, fold, mew, pinfold, pound, confine, enclose, envelop, hem, immure, impound, imprison, incarcerate, restrain & close-in.

Wholly unrelated to cage was the adjective cagey (the frequently used derived terms being cagily & caginess), a US colloquial form meaning “evasive, reticent”, said to date from 1896 (although there had in late sixteenth century English been an earlier cagey which was a synonym of sportive (from sport and meaning “frolicsome”)).  The origin of the US creation (the sense of which has expanded to “wary, careful, shrewd; uncommunicative, unwilling or hesitant to give information”) is unknown and despite the late nineteenth century use having been attested, adoption must have been sufficiently hesitant not to tempt lexicographers on either side of the Atlantic because cagey appears in neither the 1928 Webster’s Dictionary nor the 1933 supplement to the Oxford English Dictionary (OED).

John Cage (1912–1992) was a US avant-garde composer who, inter alia, was one of the pioneers in the use of electronic equipment to create music.  He’s also noted for the 1952 work 4′33″ which is often thought a period of literal silence for a duration of that length but is actually designed to be enjoyed as the experience of whatever sounds emerge from the environment (the space, the non-performing musicians and the audience).  It was an interesting idea which explored both the definitional nature of silence and paralleled twentieth century exercises in pop-art in prompting discussions about just what could be called music.

The related forms jail and goal are of interest.  Jail as a noun dates from circa 1300 (although it had by then been used as a surname for at least a hundred years) and meant "a prison; a birdcage".  It was from the Middle English jaile, from the Old French jaiole (a cage; a prison), from the Medieval Latin gabiola (a cage (and the source also of the Spanish gayola and the Italian gabbiula)), from the Late Latin caveola, a diminutive of the Latin cavea.  The spellings gaile & gaiole were actually more frequent forms in Middle English, these from the Old French gaiole (a cage; a prison), a variant spelling thought prevalent in the Old North French, which would have been the language most familiar to Norman scribes, hence the eventual emergence of goal which emerged under that influence.  It’s long been pronounced jail and the persistence of gaol as the preferred form in the UK is attributed to the continued use in statutes and other official documents although there may also have been some reluctance to adopt “jail” because this had come to be regarded as an Americanism.

The cage bra

The single strap cage bra.

A cage bra is built with a harness-like structure which (vaguely) resembles a cage, encapsulating the breasts using one or more straps.  Few actually use the straps predominately to enhance support and the effect tends to be purely aesthetic, some cage bras with minimal (or even absent) cup coverage and a thin band or multi-strap back.  Designed to be seen, cage bras can be worn under sheer fabrics, with clothes cut to reveal the construction or indeed worn alone, the effect one borrowed from engineering or architecture where components once concealed (air conditioning ducting, plumbing, electrical conduits etc) are deliberately exposed.  It’s thus a complete reversal of the old rule in which the sight of a bra strap was a fashion-fail.  The idea has even been extended to sports bras which actually have long often used additional, thick straps to enhance support and minimize movement, especially those induced by lateral forces not usually encountered.  The cage bra's salient features include:

Lindsay Lohan in harness cage bra with sheer cups and matching knickers.

(1) The straps are a cage’s most distinctive feature.  The most simple include only a single additional strap across the centre while others have a pair, usually defining the upper pole of each cup.  Beyond that, multiple straps can be used, both at the front and back, some of which may have some functional purpose or be merely decorative.  Single strap cage bras are often worn to add distinctiveness to camisoles while those with multiple straps are referred to as the harness style and have the additional benefit (or drawback depending on one’s view) of offering more frontal coverage, the straps sometimes a framework for lace or other detailing; this is a popular approach taken with cage bralettes.

Front and back views of modestly-styled criss-cross cage bras.

(2) Many cage bras are constructed around a traditional back band, especially those which need to provide lift & support while those (usually with smaller cups) have a thin band (merely for location) or none at all.  In this acknowledgement of the laws of physics, they’re like any other bra.  Those with a conventional back band (both bras and bralettes) are often constructed as the V-shaped cage, the symmetrical straps well suited to v-necks or even square necks and paired with cardigans or more structured jackets or blazers, they’re currently the segment's best-sellers.  A more dramatic look is the criss-cross cage but fashionistas caution this works well only in minimal surroundings so accessories should be limited to earrings or stuff worn on the wrist or beyond.

Example of the cage motif applied to a conventional bra, suitable for larger sizes.

(3) As a general principle, the cage bras manufactured tend to be those with cup sizes in the smaller range, reflecting the anticipated demand curve.  However, even the nominal size (A, B C etc) of the cups of cage bras can be misleading because they almost always have less coverage than all but the most minimal of those used by conventional bras and should be compared with a demi cup or the three-quarter style of plunge bras.  That said, there are strappy designs which include molded cups with underwires suitable for larger sizes but it’s a niche market and the range is limited, the scope for flourishes being limited by the need to preserve functionality, a demand which, all else being equal, tends to increase with as mass grows.

Examples of designs used to fabricate harness cage bras which can be worn under or over clothing or, in some cases, to augment a more conventional bra or bralette.

(4) Despite the specialized nature of cage bras, some are multi-purpose and include padding with all the usual advantages in concealment and additional volume, permitting use as an everyday garment rather than one used exclusively for display.  Some include removable padding so the bra can be transformed into a see-through design.

Choker cage bra.

(5) The methods of closure type vary.  The most uncompromising designs actually have no closure mechanism; the idea being one would detract from the purity of the lines so this requires the wearer to pull it over the head.  Other types use both front and back closures, usually with conventional hook & clasp fittings (so standard-sized extenders can sometimes be used) but there are some which borrow overtly from the traditions of BDSM underwear (the origin of the cage bra motif) and use extravagantly obvious buckles and even the occasional key-lock.  The BDSM look is most obviously executed in the choker cage bra which includes a neck choker as a focal point to accentuate the neck and torso, something best suited to a long, slender neck.  Buyers are are advised to move around when trying these on because the origins of the BDSM motif lay in devices used in Medieval torture routines so a comfortable fit is important.

Cage bralette.

(6) Almost all cage bras continue to use the same materials as conventional garments, the fabrics of choice being nylon or spandex, their elasticity permitting some adjustments to accommodate variations in shape or location.  Sometimes augmented with lace, fabric, mesh or metal rings, straps can also be made from leather.

(7) Ricki-Lee Coulter in illusion dress, March 2022.

Although usually worn under or over clothing, the cage bra concept can be integrated and the gaps inherent in the use of straps mean the style is ideal for illusion clothing.