Voice

Voice (pronounced vois)

(1) The sound made by the vibration of the vocal cords, especially when modified by the resonant effect of the tongue and mouth; the sound or sounds uttered through the mouth of living creatures, especially of human beings in speaking, shouting, singing etc.

(2) The faculty or power of uttering sounds through the mouth by the controlled expulsion of air; speech.

(3) A range of such sounds to some extent distinctive to one person, or to a type of person or animal.

(4) The condition or effectiveness of the voice for speaking or singing (usually expressed in the phrases “in good voice” or “in poor voice” (although “in good voice” is also used sarcastically to refer to someone merely talkative or voluble).

(5) A sound likened to or resembling vocal utterance.

(6) Something likened to speech as conveying impressions to the mind (voice of the forest etc).

(7) Expression in spoken or written words, or by other means (to give voice); that which is communicated; message; meaning.

(8) The right to present and receive consideration of one's desires or opinions (usually in a political context, “the voice of the people” said to be expressed by voting in elections).

(9) An expressed opinion or choice (literally, electorally or behaviorally); an expressed will or desire, wish or injunction (“with one voice” meaning unanimous).

(10) The person or other agency through which something is expressed or revealed such as the notion of the Roman Catholic Pope being the “Vicar of Christ on Earth” and thus “The voice of God”.

(11) A warning that proved to be the voice of prophecy.

(12) In music, a substitute word which can apply to a singer, a voice part or that part of musical score which involves singing and (in harmony) an independent melodic line or parta fugue in five voices.

(13) In phonetics, the audible result of phonation and resonance; to pronounce with glottal vibration (and distinguished from the mere breath sounds heard in whispering and voiceless consonants).

(14) In grammar, a set of categories for which the verb is inflected in some languages (notably Latin) and which is typically used to indicate the relation of the verbal action to the subject as performer, under-goer, or beneficiary of its action; a particular way of inflecting or conjugating verbs, or a particular form of a verb, by means of which is indicated the relation of the subject of the verb to the action which the verb expresses.

(15) In grammar, a set of syntactic devices in some languages, as English, that is similar to this set in function; any of the categories of these sets (eg the English passive voice; the Greek middle voice).

(16) In the tuning of musical instruments, the finer regulation (expressed usually as intensity, color or shades of light), used especially of the piano and organ.

(17) To give utterance or expression to; declare; proclaim (“to voice one’s approval”, “to voice one’s discontent” etc).

(18) In sign languages, the interpretation into spoken language.

(19) In computers. of or relating to the use of human or synthesized speech (as voice to text, text to voice, voice-data entry; voice output, voice command etc).

(20) In telecommunications, of or relating to the transmission of speech or data over media designed for the transmission of speech (in classifications such as voice-grade channel, voice-data network, voice-activated, voice over internet protocol (VoIP) etc); in internet use, a flag associated with a user on a channel, determining whether or not they can send messages to the channel.

(21) A rumor; fame, renown; command precept; to vote; to elect; to appoint; to clamor; to cry out (all obsolete).

(22) In entertainment, to provide the voice for a character (as voice-over for purposes such as foreign translations).

(23) In literary theory (1) the role of the narrator, (2) as viewpoint, the position of the narrator in relation to their story & (3) the content of what is delivered behind a persona (mask), the most basic form of aesthetic distance.

1250–1300: From the Middle English noun voice, voys & vois (sound made by the human mouth), from the Anglo-French voiz, voys & voice or directly from the Old French voiz & vois (voice, speech; word, saying, rumor, report (which survives in Modern French as voix)), from the Latin vōcem (voice, sound, utterance, cry, call, speech, sentence, language, word (and accusative of vōx (voice)), from the primitive Indo-European wṓkws, root noun from wekw- (to utter, speak).  It was cognate with the Latin vocāre (to call), the Sanskrit वाच् (vāc) & vakti ((he) speaks), the Ancient Greek ὄψ (óps) (voice) & épos (word (and related to the later “epic”)) and the Persian آواز‎ (âvâz).  The Latin was the source also of the Italian voce and the Spanish voz. The Anglo-French borrowing displaced the native Middle English steven (voice), from the Old English stefn, from the Proto-Germanic stemno, from the primitive Indo-European stomen-.  The extension of use to mean "ability in a singer" dates from the early seventeenth century while the idea of "expression of feeling etc." (in reference to groups of people etc) was known as early as the late fourteenth century (and persists in uses such as the broadcaster “Voice of America”) The meaning "invisible spirit or force that directs or suggests, (used especially in the mental health community in the context of “voices in one's head” dates from 1911.  The verb was from the Middle English voysen & voicen, from the noun and emerged in the mid fifteenth century, initially in the sense of "to be commonly said" (familiar still in terms like “the Arab voice”) and from circa 1600s it was understood to mean "to express, give utterance to a feeling, opinion etc”.  From 1867 there was also the technical meaning "utter (a letter-sound) with the vocal cords", used often as voiced or voicing.  The spelling voyce is long obsolete.  Voice & voicer are nouns; voiced is a verb & adjective and voicing is a noun & verb; the noun plural is voices.

The noun voicemail (originally voice mail) dates from 1982 and was one of the bolt-ons to fixed-line telephony which was among the most popular features of the early cellular (mobile) phones but, interestingly, by the late 1990s users had come much to prefer SMS (short message service or text).  The adjective voiceless began in the 1530s as a doctor’s description of one who had “lost their voice” but within a century was used to refer to those who had no say in affairs of Church and state: The voiceless masses”.  It was first used in the sense of "unspoken, unuttered" to refer to non-verbal communication in 1816 and in phonology "unvoiced" dates from 1867.  In idiomatic use, the phrases include “at the top of one's voice”, chest voice, chipmunk voice. liking the sound of one's own voice, outdoor voice, raising one's voice, voice changer, voice coil, voiceprint & voice quality.  In formal grammar, there’s active voice, anti-passive voice, middle voice, neuter voice & passive voice.

The Australian Labor Party, the “Voice to Parliament” and the referendum process.

With great enthusiasm from one faction and a feeling of impending dread from the other, Australia’s brand new Labor Party (ALP) government has confirmed the election promise to submit to the people a referendum to append to the Constitution of Australia a “Voice to Parliament” for the indigenous peoples will be honored, the vote scheduled for the second half of 2023.  In Australia, even to submit a referendum is ambitious given that of the 44 submitted since 1901, only eight have been approved and the bar to success is high, demanding (1) an absolute majority of voters nationally and (2) a majority in at least four of the six states.

The “Voice to Parliament” does seem to be wholly symbolic given the consensus view among legal academics that it neither “confers upon Indigenous Australians any special rights” nor “takes away any right, power or privilege from anyone who is not indigenous”.  In other words, it will have the same constitutional effect as the words “…humbly relying on the blessing of Almighty God” have had since being enacted as part of the constitution in 1901: Nothing.  The view seems to be that the voice will provide “a strong basis on which to conduct further consultation”, the implication being the creation of a mechanism whereby there’s a standing institution of communication between the political elite and an indigenous elite.  So logical and efficient does that appear, it looks like one of the classic colonial fixes at which the British were so adept under the Raj.  In India they were the key to minimizing troubles while in Fiji they worked so well even the British administrators were astonished.  There, the Great Council of Chiefs, an institution entirely of the Raj’s imagination became so culturally entrenched that within a generation, the chiefs themselves were speaking of the council as if it had existed a thousand years.

2023 Toyota Land Cruiser Sahara ZX.

The ALP government has been at pains to ensure there’s nothing to frighten the horses, repeatedly confirming the voice will have “no veto power over the functions or powers of the parliament or the executive” and is limited to a purely advisory role in “making representations to the parliament and the executive government about matters, including existing or proposed laws, policies or decisions that have a connection to Aboriginal and Torres Strait Islander peoples.”  It also maintains the opportunity to make these representations will be “…available to any individual or organisation”.  That of course is unlikely to mean that all voices will be created equal and the government, like the Raj, will find the system most agreeable once it decides which are the Indigenous Australians whose representations prove most helpful and thus worthy of a salaried position, an expense account and a new Toyota Land Cruiser every year.  This will give the voice a coherent form and in a nice piece of political window-dressing, will likely include mostly (reasonably) tame “Brezhnev approved dissident” types there to protest just enough to seem edgy but not enough to forsake a salaried position, expense account and a new Toyota Land Cruiser every year.  Those who get ideas above their station will be offered a trip to New York to address the United Nations General Assembly or a six month "study tour" taking in Rome, Venice and Paris in the late spring; it will be a job for those "hard faced men and women who have done very well out of colonization".

The government has said “the ultimate model was still being debated by internal groups, and would be subject to negotiation” but given the need to create something which gives the appearance of being much yet has absolutely no constitutional effect, it difficult to see what the basis for discussion might be other than details about Toyota Land Cruisers.  Despite that, there is opposition, one source of which comes from within the ALP, certain figures convinced (and the history of referendums in Australia is not encouraging) it’s impossible to get a vote to pass unless both side of politics advocate a “yes” vote.  So sensitive has become the issue of race they fear a no vote would be damaging internationally so are lobbying to find some excuse to “delay” the vote, even arguing it would be better first to pursue a treaty, the theory being if the can is kicked far enough down the road, by the time the matter re-surfaces, they’ll be retired and it’s someone else’s problem.

The leader of the opposition has announced the Liberal Party will be advocating a “no” vote, something which has doomed every referendum submitted without bipartisan support.  The leader of the opposition didn’t articulate any coherent reason to oppose the voice but history suggests saying “no” when the government says “yes” can be a successful approach and Lord Randolph Churchill’s (1849-1895) dictum that “the duty of the opposition is to oppose” remains good politics.  Of interest too among those opposing the voice is their language: Eschewing the popular (if contested) phrase “first nations” to describe Indigenous Australians for “first peoples”, they are anxious to ensure that any notion of sovereignty can’t be part of the discussion although, given the indivisibility of the doctrine (as opposed to land title) under law, it’s hard to see how this could be part of the debate about the voice.  Perhaps they are fretting about negotiating treaties and perhaps they should.

Finally, there are the “black-letter lawyers” who, noting that judicial activism seemed to be fashionable on the bench of the High Court of Australia not that long ago, worry some judges might find in the words of “the voice” things which on the basis of the usual techniques of linguistic or judicial construction would seem not to exist.  The High Court is the final arbiter on constitutional matters; what a majority there says the words of the constitution mean is what they mean and while parliaments can by legislative change impose their will upon laws, the only way the wording of a passage in the constitution can be changed is to have substitute words approved by referendum; a probably improbable prospect.

Still, it’s difficult to advocate anything but a yes vote.  Since white settlement, Indigenous Australians have at times endured dispossession, discrimination, conditions which can be described only as slavery and not a few instances of mass murder and it’s absurd to suggest the level of disadvantage so many continue to suffer is not a consequence of this history.  What’s remarkable is not that among them there are expressions of discontent but that so many manage to maintain such generosity of spirit and willingness to engage.  The Voice may appear, as the Holy Alliance seemed to Lord Castlereagh (1769–1822; UK foreign secretary 1812-1822) “a piece of sublime mysticism and nonsense” but it’s worth remembering he anyway recommended Britain signed the thing on the basis that although too vague to achieve anything substantive, it was unlikely to make things worse.  Something good may come from the Voice while little good can come from rejecting it.

Lindsay Lohan in promotional interview for debut album Speak (2004, Casablanca Records-UMG).

Lindsay Lohan’s sometimes hoarse voice has attracted comment, some finding the gravelly tone sexy, others expressing concern the change might be lifestyle induced. The voices of actors and singers are after all their stock-in-trade so something so distinctive can limit the one’s range of characters or repertoire although notable artists such as Marlene Dietrich (1901–1992) and Marianne Faithfull (b 1946) made a signature of what used to called a “gin-soaked voice”.  Still, Lindsay Lohan’s vocal dynamics piqued the interest of Dr Reena Gupta, Director of the Division of Voice and Laryngology at the Osborne Head & Neck Institute (OHNI) and she provided some explanatory notes, noting that while inherent for some, hoarseness can be a serious matter for those whose living depends on their voice, the condition sometimes reversible, sometimes not.  According to Dr Gupta, a clear voice requires (1) straight edges of the vocal cords, (2) regular and symmetric vibration of the vocal cords, (3) no space between the vocal cords, (4) no mucous on the vocal cords, healthy lungs and (5) a healthy vocal tract (and that includes the mouth, nose, sinuses etc).  Hoarseness occurs when there is damage to the vocal cords that either disrupts the straight edge of the vocal cords or disrupts their vibration, the other factors more important for ease of voice use and vocal tone.

Many injuries can cause the vocal edge to be irregular, thereby inducing hoarseness including polyps, cysts & nodules but even when the edges are straight, scarring can also dampen vibrations and make them irregular, scarred vocal cords having lost their ability to vibrate due to a loss of the vibrating layer and there is currently no cure for the loss of vibration due to scarring.  The scarring can happen for many reasons but is almost always caused by vocal trauma which can be induced by (1) talking loudly or frequent yelling, (2) singing with a flawed technique, (3) smoking (any substance) or (4) a chronic cough or habitual throat clearing.  Any behavior that causes inflammation of the vocal cords will result in a higher likelihood of scarring and a videostroboscopy is the only non-surgical procedure which can confirm the presence of scarring.  There’s nothing unusual or concerning about a hoarseness which lasts only a day or so but if it persists beyond that, a professional evaluation should be sought and many of the causes of are treatable, almost all able to be at least to some extent ameliorated.

Celebrity site ETOnLine.com in 2016 noted the “darkening” in Lindsay Lohan’s voice and posted examples of the variations.

However, prevention being better than cure, Dr Gupta provided the following guidelines for caring for one’s voice and there’s probably no other aspect of our physiology which, despite being so important, is so taken for granted:

(1) No smoking (that’s anything, including vaping).

(2) No heavy use of alcohol, though in moderation it’s OK.

(3) When in a loud environment (restaurants, clubs, parties, sporting events et al), restrict the use of the voice use to a minimum and resist the temptation to shout except in cases of life or death.

(4) Hydration is especially important when in a loud environment (always carry water).

(5) If the voice has been subject to loud or prolonged use, rest the vocal cords the next day.  Under extreme conditions (towards the end of epic-length Wagnerian opera, the voices of even the most skilled will sound a little ragged) there will always be some damage, just as many athletes will tear a few things in competition which is why the recovery protocols must be observed.

(6) If scheduled to need one’s voice in perfect shape, do not the previous evening go somewhere one may be required to shout.

(7) Avoid recreational drugs; their effects are always uncertain.

(8) Learn correct voice use.  Although actors & singers often undertake professional voice training for reasons of articulation and projection, they also learn techniques to ensure damage is minimized and a clinical vocal exam prior to these lessons is advisable to ensure that physically, all is well.

Cede

Cede (pronounced seed)

(1) To yield or formally surrender to another; to transfer or make over something (especially physical territory or legal rights).

(2) To allow a point in an argument, negotiation or debate (technically as a synonym of concede).

1625-1635: From the Old & Middle French céder, from the Latin cēdere (to yield, give place; to give up some right or property (and originally "to go from, proceed, leave”)), from cēdō (to yield), (from the Proto-Italic kesd-o- (to go away, avoid), from the primitive Indo-European ḱyesd- (to drive away; to go away), from ked- (to go, to yield).  The original sense in English (to go from, proceed, leave) is long archaic; the transitive meaning “yield or formally surrender (something) to another” dating from 1754.  The sense evolution in Latin was via the notion of “go away, withdraw, give ground” and cēdere, with the appropriate prefix bolted-on, proved extraordinarily in English, yielding forms such as accede, concede, exceed, precede, proceed, recede, secede, antecedent, intercede, succeed & supercede.  Cede (in one context or another) can be vested with specific meanings in law but relinquish, abandon, grant, transfer & convey can sometimes be used as synonyms.  Cede, cedes, ceded & ceding are verbs and ceder & cedents are nouns; the noun plural is ceders.

Senator Lidia Thorpe.

The “debate” between the “yes” and “no” cases for the upcoming referendum to amend the Australian constitution to include a “Voice” to make representations to the parliament and executive on matters concerning Indigenous Australians has evolved to the interesting position of the no case being split between (1) those who argue the Voice would have too much power and (2) those who claim it would possess not enough.  Politics being what it is, that split might be unremarkable except the yes case simultaneously is disagreeing with both while trying hard to avoid having to descend to specifics and by far the interesting position among the noes is that advocated by Lidia Thorpe (b 1973; senator (Independent though elected for the Green Party) for Victoria since 2020).  What Senator Thorpe describes as the basis of the “radical no case” is that (1) colonial settlement of the Australian land mass was effected by an invasion, (2) Indigenous Australians never ceded their sovereignty over that land mass and (3) Indigenous sovereignty is not only ongoing but exclusive and does not co-exist with the claimed sovereignty of the Crown (ie the construct which is the Australian state).  This is the position of the Blak sovereign movement (BSM) which says Indigenous Australians “…are the original and only sovereign of these lands” which would seem to imply the Australian government should be considered an “occupying power”.  Whether that’s an “illegal occupation” or the natural consequence of a successful invasion which extinguished Indigenous sovereignty depends less on what one thinks happened in the past and more on what one would like to happen in the future.  Either way, the Australian government is continuing to promise the matter of a treaty (or treaties) will be pursued “sometime” after the Voice referendum passes; any thought of a failed referendum seems to be unthinkable.  The spelling blak existed in Middle English and several Germanic languages; in all cases meant “black” and it’s used by the movement as a point of political differentiation, “black” being a “white” construct.

For something which is the fundamental tenet of the international order, the modern understanding of sovereignty is a surprisingly recent thing and though political arrangements which are recognizable as “nations” have existed for thousands of years, the concept of the nation-state began to coalesce only in the late Middle Ages.  In international law, sovereignty encapsulates the supreme authority and independence of a state but it depends not only on an assertion but also recognition by other sovereign entities.  Internally, it implies a government enjoys an exclusive right to exercise authority and make decisions within its borders, free from control or influence by other states but in its purest form it now rarely exists because so many states have entered into international agreements which to some degree impinge on their sovereignty.  Externally, it means that a state is recognized by other sovereign states and is thus able to conduct foreign policy, enter into agreements with other states and participate in international organizations.  It also implies non-interference in a state's domestic affairs by others.  All of this illustrates why sovereignty is so important and why the ongoing existence matters to the BSM activists.  Only sovereign entities can enter into legally binding treaties with others which is why Senator Thorpe observed: “Treaty is so important because we don’t want to cede our sovereignty. We have maintained our sovereign status in our own country since forever. We are not about to cede our sovereignty.”  However, as many “sovereign citizens” have discovered when attempting to evade their speeding tickets using arguments invoking everything from scripture, the writings of medieval natural law theorists and the Magna Carta, sovereignty is determined not by assertion but by recognition.

In the case of the Indigenous Australians, quite how a conception of their sovereignty at the point of the colonial invasion should be constructed is interesting, not only in the abstract but because the BSM wants treaty negotiations to begin rather than the creation of “a Voice” on the grounds the latter might be seen to imply an acquiescence to the sovereignty of the Australian state, thus extinguishing Indigenous Australian sovereignty.  The rapidity with which the government moved to assure all the Voice would not have this effect suggests not a statement of constitutional law but an indication they don’t take the BSM position too seriously.  However, sovereign entities can enter into treaties and although as a pre-literate culture, there are no pre-1788 written records (in the Western sense), the work of anthropologists has established the first peoples did have a concept of sovereignty over their lands.  Importantly though, implied in the phrase “first nations”, the peoples were organized into tribes (“mob” the preferred modern slang) and their understanding of sovereignty related to each of the tribal lands.  In a legal sense, that is thought not to be a problem because the Western concept of sovereignty is quite compatible and for treaty purposes could be considered equivalent (indeed there was nineteenth century colonial case law which said exactly that).  In a practical sense however, there is one sovereign Australian state and (at least) hundreds of first nations so the mechanics of the treaty process would seem onerous although almost all the other former colonies of the British Empire have managed, however imperfectly, to execute treaties.  However, it seem inevitable the Australian government would prefer to enter into one treaty, even one with hundreds of signatories but as the Voice discussions have proved (and the very existence of the BSM has emphasized), Indigenous Australia is not monolithic and a treaty process could be long and involved.

An outgrowth of a small music store which in 1976 opened in the Swiss town of Winterthur selling vinyl records and cassettes, the Music Box added Compact Discs (CD) and Digital Versatile Discs (DVD) as the new formats became available and in 1997 became one of the pioneers of Swiss e-commerce, launching CeDe.com (pronounced see-dee-dot-com) as an online shop.  That might have been a bad choice as the CD faded from use but CeDe gained sufficient market presence to become an established brand-name and has transcended its etymology.

Tremulous

Tremulous (pronounced trem-yuh-luhs)

(1) Of persons, the body etc, characterized by trembling, as from fear, nervousness, or weakness.

(2) Timid; timorous; fearful.

(3) Of things, vibratory, shaking, or quivering.

(4) Of writing, done with a trembling hand.

(5) Faltering, hesitant, wavering

1605–1615: From the Latin tremulus (shaking, quivering), from tremere (to shake, quake, quiver, tremble), from tremō (I shake).  It was cognate with the Ancient Greek τρέμω (trémō) (tremble).  In Latin, the construct was trem(ere ) + -ulus (the Latin adjectival suffix).  In music, the tremulous effect is the tremolo, an 1801 coining from the Italian tremolo, from the Latin tremulus.  The quaver is from the early fifteenth century quaveren (to vibrate, tremble, have a tremulous motion), probably a frequentative of the early thirteenth century cwavien (to tremble, shake, be afraid) which is perhaps related to the Low German quabbeln (tremble), and possibly of imitative origin.  The meaning "sing in trills or quavers, sing with a tremulous tone" is noted from the 1530s; the related forms are quavered & quavering.  In optics, a tremulous light is a shimmer (1821) and in physiology, a shiver (1727), from shiver, "the shivers" in reference to fever chills dating from 1861.  Tremulous is an adjective, tremulously is an adverb and tremulousness is a noun; the noun plural is also tremulousness.

Becoming tremulous: Hitler’s signature: 1933-1945.

Between 1943-1945, Adolf Hitler's (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) handwriting suffered and, towards the end, it took some effort even to etch his name, a process which happened in conjunction with a physical decline noted in many contemporary accounts.  The reason for this deterioration has been discussed by doctors, historians and popular authors, most recently in 2015 by Norman Ohler (b 1970) in Der totale Rausch: Drogen im Dritten Reich (The Total Rush: Drugs in the Third Reich), published in English in 2017 as Blitzed: Drugs in Nazi Germany (Penguin, ISBN: 9780141983165).  Blitzed is a study of the use of methamphetamine stimulants in German society, the military and Hitler himself during the Nazi years with a focus especially on the relationship between the Führer and his personal physician, Dr Theodor Morell (1886–1948) who prescribed and administered a variety of drugs and vitamins between 1936-1945.  It’s the use of opioids and psychoactive drugs that is of most interest.

A best seller, Ohler wrote a lively work in a jaunty style which made his book readable but did attract criticism from the academic and professional historians never happy with journalistic trespassing on their carefully trimmed turf.  While there’s always sensitivity to authors injecting elements of humour and pop-culture references into anything about Hitler and the Third Reich, these essentially stylistic objections matter less than the substantive concerns about presenting as proven fact inferences drawn from incomplete or inconclusive sources.  That critique of scholarship should be noted but Blitzed needs to be read as just another text interpreting the documents of the era and in that, if read in conjunction with other accounts of the time, Ohler’s thesis is in places compelling while sometimes contradicted by multiple other sources.  The argument that the drugs had no effect Hitler’s decline and increasingly erratic behavior were due to stress and the onset of Parkinson’s disease is as dogmatic a position as many accuse Ohler of taking.  There are interesting aspects in the accounts from 1943-1945: the unexpected way Hitler’s physical tremors briefly vanished in the aftermath of the explosion during the assassination attempt in July 1944 and the various clandestine analysis of Morell’s preparations, some of which revealed a strong opioid and some harmless concoctions with barely a pharmacological effect.  While clearly not a conventional work of history, Blitzed seems a valuable contribution.

Hitler and Dr Morell.

The fault in Blitzed is probably that habitual journalistic tendency to exaggeration.  That stimulants were widely available and demonstratively popular in Germany doesn’t mean the entire workforce, every hausfrau and all servicemen in the Wehrmacht were habitual or even occasional users of amphetamines although, given the documentary evidence and the observational accounts of behavior, the case for Hitler’s addictions (or at least dependence) is stronger.  Critics felt also compelled to run the usual objection to anything which could be constructed as some sort of exculpatory argument; the idea that being stupefied by psychoactive drugs could somehow absolve individual or collective guilt.  Among those who lived the Nazi experience, long has been established the guilt to one degree or another of the many and the innocence of a few.  That said, there seems little doubt the rapidity of the Wehrmacht's advances in 1939-1941 were at least partially attributable to the soldiers being supplied amphetamines which enabled a heightened level of alertness and performance for sometimes thirty hours without need for sleep.  It was a most effective force multiplier.  Other factors, notably (1) the revolutionary approach to deploying tanks as armored spearheads, (2) the used of dive-bombers, (3) the ineptness of the Allied response and (4) luck were more significance but the speed did make a contribution.

Not tremulous: Lindsay Lohan and block capitals, Los Angeles, 2010.

Graphology (the analysis of handwriting to determine personality traits) did once enjoy quite wide acceptance in many places including being admissible as evidence in some courts but has in recent years come to be regarded as at least scientifically dubious while other condemn the whole thing as a pseudoscience deserving about the same status as astrology.  However, there are aspects of it which seem helpful in comparing the differences in the handwriting of individuals at various times and anyway, it's often fun to read, even if only to confirm our prejudices.  During Lindsay Lohan’s court appearances, she was known to take notes so, when the opportunity presented itself, a photographer snapped an image and it was provided to graphologist Bart Baggett (b 1969; founder of the Handwriting University, a distance learning school) who wrote an analysis.  He’d actually assessed her handwriting when younger and the style adopted then was different from the all block printing exhibited in 2010.  While he cautioned he wasn’t convinced the sample could provide any insight “…into her psyche” the change between the two was interesting:

”Despite her youth and tendency to find trouble I did see a high level of intelligence in her handwriting.  But, intelligence does not always translate into good behavior or emotional stability.  I will say this: the handwriting shown on this page is not that of an erratic, scattered drug addict.  It is the handwriting of a focused individual; with a high degree of perfectionism.  The straight baseline reveals an overall anxiety at things not going right; someone who loves order and structure.

In graphology, anytime somebody consistently blocked prints it’s seen as a huge (but common) defense mechanism.  Often this is a positive defense mechanism such as extreme masculinity.  I would say most individuals would find it difficult to distinguish between this handwriting and that of a military strategist or perhaps even an engineer who clock prints everything.  The one thing graphologists do agree on is that when someone only block prints, they don’t want people to know their most innermost thoughts and feelings, they are putting up a shield and protecting their intimacy.  Therefore you can bet she now has some major trust and privacy issues and has a guard up.  Who would blame her for having guard up, considering everything that you write is published and everywhere you go someone is snapping a picture of you? I think I would become a block printer too.”

Canthus

Canthus (pronounced kan-thuhs)

The angle or corner on each side of the eye, formed by the natural junction of the upper and lower lids; there are two canthi on each eye: the medial canthus (closer to the nose) and the lateral canthus (closer to the ear).

1640–1650: From Ancient Greek κανθός (kanthós) (corner of the eye) (and also an alternative spelling of cantus (in music, sung, recited, sounded, blew, chanted etc)), which became conflated the New Latin canthus, from the Classical Latin cantus (the (iron) rim of a wheel)).  The term describing the “iron rim of a wheel” was ultimately of Gaulish origin, from the Proto-Celtic kantos (corner, rim) and related to the Breton kant (circle), the Old Irish cétad (round seat) and the Welsh cant (rim, edge).  The Greek form was borrowed by Latin as canthus and with that spelling it entered English.  In the medieval way of such things, canthus and cantus became conflated, possibly under the influence or regional variations in pronunciation but some etymologists have noted there was tendency among some scribes and scholars to favor longer Latin forms, for whatever reason more letters being thought better than fewer.  The most familiar descendent in music is the canto (a description of a form of division in composition with a surprisingly wide range of application).  Canthus is a noun and canthal is an adjective; the noun plural is canthi (pronounced kan-thahy).

One word in English which has long puzzled etymologists is the late fourteenth century cant (slope, slant) which appeared first in Scottish texts, apparently with the sense “edge, brink”.  All dictionaries list it as being of uncertain origin and the Oxford English Dictionary (OED) notes words identical in form and corresponding in sense are found in many languages including those from Teutonic, Slavonic, Romanic & Celtic traditions.  Rare in English prior to the early seventeenth century, the meaning “slope, slanting or tilting position” had been adopted by at least 1847 and may long have been in oral use.  The speculation about the origin has included (1) the Old North French cant (corner) which may be related to the Middle Low German kante or the Middle Dutch kant, (2) the New Latin canthus, from the Classical Latin cantus (the (iron) rim of a wheel), (3) the Russian kutu (corner) and (4) the Ancient Greek κανθός (kanthós) (corner of the eye).  To all of these there are objections are the source remains thus uncertain.

The metrics of the attractiveness of women

PinkMirror is a web app which helps users optimize their facial aesthetics, using an artificial intelligence (AI) engine to deconstruct the individual components an observer’s brain interprets as a whole.  Because a face is for these purposes a collection of dimensions & curves with certain critical angles determined by describing an arc between two points, it means things can be reduced to metrics, and the interaction of these numbers can used to create a measure of attractiveness.

Positive, (left), neutral (centre) & negative (right) eye canthal tilt.

Perhaps the most interesting example of the components is the eye canthal tilt, a positive tilt regarded as more attractive than a negative.  The eye canthal tilt is the angle between the internal corner of the eyes (medial canthus) and the external corner of the eyes (lateral canthus) and is a critical measure of periorbital (of, pertaining to all which exists in the space surrounding the orbit of the eyes (including skin, eyelashes & eyebrows) aesthetics.  The eye canthal tilt can be negative, neutral, or positive and is defined thus:

Positive: Medial canthus tilt between +5 and +8^o below the lateral canthus.

Neutral: Medial canthus and lateral canthus are in a horizontal line.

Negative: Medial canthus tilt between -5 to -8^o below the lateral canthus.

Pinkmirror cites academic research which confirms a positive canthal tilt is a “power cue” for female facial attractiveness and while it’s speculative, a possible explanation for this offered by the researchers was linked to (1) palpebral (of, pertaining to, or located on or near the eyelids.) fissure inclination being steeper in children than adults (classifying it thus a neonatal feature) and (2) it developing into something steeper still in females than males after puberty (thus becoming a sexually dimorphic feature).  Pinkmirror notes also that natural selection seems to be operating to support the idea, data from Johns Hopkins Hospital finding that in women, the intercanthal axis averages +4.1 mm (.16 of an inch) or +4^o, the supposition being that women with the advantage of a positive medial canthus tilt are found more attractive so attract more mates, leading to a higher degree of procreation, this fecundity meaning the genetic trait producing the characteristic feature is more frequently seen in the population.  Cosmetic surgeons add another layer to the understanding, explaining the canthal tilt is one of the marker’s of aging, a positive tilt exuding youth, health, and exuberance where as a line tending beyond the negative is associated with aging, this actually literally product of natural processes, the soft tissue gradually descending under the effect of gravity, as aspect of Vogue magazine’s definition of the aging process: “Everything gets bigger, hairier & lower”.

With people, medial canthus tilt is thus an interaction of (1) the roll of the genetic dice and (2) the cosmetic surgeon’s scalpel.  With manufactured items however, designers have some scope to anthropomorphize objects and few visages are as obviously related to a human’s eyes than the headlamps on a car.

The positive, neutral & negative: 1965 Gordon-Keeble GK-1 (left), 1958 Edsel Corsair Hardtop (centre) & 1970 Maserati Ghibli Roadster (right).

When headlamps were almost universally separate circular devices, the creation of a medial canthus tilt really became possible in the mid-1950s after dual units were first made lawful in the US and then rapidly became fashionable.  Overwhelmingly, the designers seemed to prefer the neutral and where a positive tilt was use, it was exaggerated well beyond that found in humans.  Instances of the negative were rare, which would seem to support the findings of attractiveness in humans but they were sometimes seen when hidden headlamps were used and there they were necessitate by the form of the leading edge under which they sat.  The suspicion is that designers found a negative slant acceptable if usually they were hidden from view.

2005 Porsche 911 Turbo S (996) (left), 2016 Ford (Australia) Falcon XR8 (FG) (centre) & 2000 Ferrari 550 Maranello.

As the interest in aerodynamics grew and there were advances in shaping glass and plastic economically to render compound shapes, headlights ceased to be merely round (though rectilinear shapes did start to appear in the 1960s) and took on abstract forms.  The demands of aesthetics however didn’t change and designers tended still to neutral or positive tilts.  Care needed still to be taken however, the derided “poached egg” shape on the 996 generation of the Porsche 911 (1997-2006) not popular with the obsessives who buy the things, their view being each update should remain as devoted to the original (1963) lines as themselves.  One of the closest to a flirtation with a negative tilt showed up on the Ferrari 550 Maranello (1996-2001) and the factory hasn’t repeated the experiment.

Deconstructing Lindsay Lohan

The Pinkmirror app exists to quantify one’s degree of attractiveness.  It’s wholly based on specific dimension and thus as piece of math, is not influenced by skin tone although presumably, its parameters are defined by the (white) western model of what constitutes attractiveness.  Users should therefore work within those limitations but the model would be adaptable, presumably not to the point of being truly cross-cultural but specifics forks could certainly be created to suit any dimensional differences between ethnicities.  Using an industry standard known as the Photographic Canthal Index (PCI), one’s place on Pinkmirror’s index of attractiveness is determined by the interplay of (1) Nose width, (2) Bi-temporal to bi-zygomatic ratio, (3) chin length, (4) chin angle, (5) lower-lip height & (6) eye height.

Lindsay Lohan scored an 8.5 (out of 10), was rated as “beautiful” and found to be “very feminine, with great features of sexual dimorphism”, scoring highly in all facets except lower lip height and eye height.  Her face shape is the heart, distinguished by a broad forehead and cheekbones, narrowing in the lines of down to the jaw-line, culminating in a cute pointy chin.  Pinkmirror say the most attractive face shape for women has been found to be the triangle, scoring about the same as the oval while the heart, round, diamond, rectangle and square are also attractive to a lesser degree.  Within the app, pears and oblongs are described as “not typically seen as attractive” and while the word “ugly” isn’t used, for the unfortunate pears and oblongs, that would seem the implication.

Hermaphrodite

Hermaphrodite (pronounced hur-maf-ruh-dahyt)

(1) In human physiology, an individual in which both male and female reproductive organs (and sometimes also all or some of the secondary sex characteristics) are present, or in which the chromosomal patterns do not fall under typical definitions of male and female.  It’s no longer used to describe people, except in the technical language of medicine or pathology and is now considered offensive, intersex the preferred term).

(2) In zoology, an organism (such as the earthworm) having both the male and female organs of reproduction.

(3) Of, relating to, or characteristic of a hermaphrodite.

(4) In botany, having stamens and pistils in the same flower; the alternative term is monoclinous.

(5) In figurative use, a person or thing in which two opposite forces or qualities are combined.

(6) In historic admiralty use as hermaphrodite brig, a vessel square-masted fore and schooner-rigged aft (obsolete).

1350–1400: From the Middle English hermofrodite, from the Latin hermaphrodītus, from the Greek hermaphródītos (person partaking of the attributes of both sexes).  The French, dating from the 1750s, was hermaphrodisme.  The word was derived from the proper name Hermaphroditus (or Hermaphroditos), a figure in Greek mythology, son of Hermes and Aphrodite, who, in Ovid, who the nymph Salmacis loved so ardently that she prayed for complete union with him,  The gods granted her wish and they were united bodily, combining male and female characteristics.  Hermaphrodite, hermaphroditism & hermaphrodeity are nouns, hermaphroditic & hermaphroditical are adjectives and hermaphroditically is an adverb;the noun plural is hermaphrodites.

It was used figuratively in Middle English to describe "one who improperly occupies two offices" and as a name for the medical condition, Middle English also had the late fourteenth century form hermofrodito and in the early fifteenth, hermofrodisia.  It was an adjective from circa 1600, first as hermaphroditical which must have been too difficult because by the 1620s, that had be replaced by ermaphroditic and about the same time, it came to be applied generally to things possessing two natures although this fell from favor and Janus-faced prevailed.  Although a rare condition, it must have fascinated many because an array of words followed in the wake of the tangle of variations in Middle English.  The Victorians liked to blame medieval writers making a mess of translating from Greek and Latin but the wholly wrong noun morphodite was a colloquial mangling from 1839, based on morpho- (from the Ancient Greek μορφή (morphḗ) (form)) though they could blame the early Georgians, an earlier mangling being mophrodite, noted in 1706.

The slang “dyke”, was used to describe a lesbian (or, more correctly, usually a subset of lesbians) and is now considered a gay slur, unless self-applied or used (with mutual or common consent) within the LGBTQQIAAOP community.  It was applied, usually pejoratively, to lesbians thought “tough, mannish, or aggressive”, unlike the "lipstick lesbians" preferred by the pornography industry and was a creation of American English although the origin is disputed.  Some claim it to be from 1931 as a truncation of morphadike (the dialectal garbling of hermaphrodite) but bulldyker (one known to engage in lesbionic activities) is attested from 1921.  One dictionary of American slang cites an 1896 source where dyke is slang for "the vulva" while another says that at least since 1893, as "hedge on the dyke", it referred to “female pubic hair".  Several texts confirm the long forms, bulldiker & bulldyking, were first part of oral use by African-Americans in the 1920s yet no African antecedents have been found, the assumption by etymologists that these are adaptations of backcountry, barnyard slang, perhaps either influenced by or an actual combination of the sounds of the words “bull” & “dick”.

The noun androgyne was picked up in the mid-twelfth century from the Medieval Latin androgyne (feminine), from the Greek androgynos (a hermaphrodite, a woman-man).  The modern-sounding adjective ambisexual began not with the psychiatrists but was used by clothing manufacturers to describe garments which could (within size-ranges) be worn by men or women without modification.  Bisexual, although it didn’t enter the jargon of psychology until 1912, had been used in its modern sense since appearing in Charles Chaddock's (1861–1936) 1892 translation of an 1886 text of psychiatric illnesses; prior to that volume, bisexual had been used only in botany to refer to hermaphroditic plants or as descriptions of institutions such as (what are now called co-educational) schools.  Bisexous (1838) and bisexuous (1856) were other coinings suggested for use in the sense of hermaphrodite; for a topic often taboo, linguistically, it was becoming a crowded field.  Ambosexual (1935) again sounds modern but ambosexous as another synonym for hermaphrodite was used as early as the 1650s.  Ambisextrous (1929) was a humorous coinage based on ambidextrous and, predictably, came from the fertile imaginations of either schoolboys or undergraduates, depending on the source cited.  The synonym gynandrous was first recorded circa 1765, and was from the Greek gunandros (of uncertain sex; of doubtful sex), the construct being gunē (woman) + anēr (man) + the suffix –ous (used to form adjectives from nouns).  The term pseudohermaphroditism was created in 1876 by German-Swiss microbiologist Edwin Klebs (1834–1913) and that described a a condition in which an individual has a matching chromosomal and gonadal tissue (ovary or testis) sex, but mismatching external genitalia and the nouns hermaphrodeity (circa 1610s) hermaphroditism (1807) are still used in the jargon of medicine and pathology.

Because of the taboo nature of hermaphrodite in some societies, it also attracted the creation of euphemisms.  One used in Old English was skratte (and there were variations) from the Old Norse skratte (goblin, wizard).  The original sense was probably “a monster" and the similar sounding “Old Scratch” (the Devil), from the earlier scrat was known from the 1740s; all hint at negative associations and it’s assumed most were generally aimed at women who didn't conform with the conventional standards of what men thought "attractive".  The familiar adjective androgynous was used from the 1620s in the sense of “a womanish man” and by the 1650s, "having two sexes, being both male and female".  It was from the Latin androgynus, from the Greek androgynos (hermaphrodite, male and female in one; womanish man) and (this time neutrally) as an adjective to describe public baths "common to men and women".  Semi was applied from the 1300s (mostly to men) to convey the sense of “only half masculine”, sem- a word-forming element (half, part, partly; partial, imperfect) from the Latin semi- (half) from the primitive Indo-European semi- (half), source also of the Sanskrit sami (half), the Greek hēmi- (half), the Old English sam- and the Gothic sami- (half).

To convey the sense of disapprobation associated with hermaphroditism, especially as it manifested in effeminate men, probably the best example is “bad”.  It was rare before 1400 and evil remained more frequently used until circa 1700 but the meanings "inadequate, unsatisfactory, worthless; unfortunate" & "wicked, evil, vicious; counterfeit" were universal by the late 1300s.  Unusually for English, it appears to have no relatives in other languages, the conclusion of many etymologists being it’s likely from the Old English derogatory term bæddel and its diminutive bædling (effeminate man, hermaphrodite, pederast), both of which are probably related to bædan (to defile).  The term hermaphrodite was once commonly applied to people, neutrally in medicine and variously otherwise but the latter is thought now offensive, "intersex" the preferred term. It can refer to a person born with both male and female reproductive organs or with a chromosomal pattern that does not align with typical male or female patterns, for instance, an individual with a mix of XX and XY chromosomes or with androgen insensitivity syndrome.

Salmacis and Hermaphroditus

Greek mythology has twists and turns, forks and dead ends.  Sometimes the tales vary in detail, sometimes they’re contradictory and often the myths can in themselves be mythological, the work even of medieval writers rather than anything from antiquity.  That’s never stopped some of the later texts entering the popular imagination becoming part of the mythological canon.  Roman lyric poets were known to pen the myths too.  Although Hermaphroditus is mentioned in Greek literature hundreds of years earlier as a figure of some sexual ambiguity and with no mention of Salmacis, nor with any reference to being the child of Hermes and Aphrodite, the best known rendition of the legend of Salmacis and Hermaphroditus is that written by the Roman poet Ovid (Pūblius Ovidius Nāsō (43 BC–circa 17)).

Ovid relates that Hermaphroditus had been raised in the caves on the slopes of Mount Ida, a sacred mountain in Phrygia.  It was a happy, tranquil youth but in adolescence, he grew restive in the wilderness and like many young men he was drawn to the "corrupting coast" and the "corrosive city" and set off to travel to the large settlement Caria.  He actually took a bit of a risk in his wandering because the naiads (female water spirits who lived near fountains, springs and streams of fresh water who raised and cared for him) could be dangerous, known to be jealous types, but Ovid doesn’t dwell on this, despite rarely having much diffidence in commenting on dangerous women. 

Salmacis and Hermaphroditus (1856), oil on canvas by Giovanni Carnovali (1804–1873).

It was in a forest on the outskirts of Caria, near Halicarnassus that Hermaphroditus and the nymph Salmacis met.  She was bathing in her pool as the beautiful boy walked past and the moment she cast her eyes upon him, she fell in love.  In her lust she fell upon him, begging him to take her but young and unsure, he pushed her away, refusing her every advance.  Tearfully she ran away and hid.  Hot and tired from his long journey, Hermaphroditus, thinking she was gone, undressed and plunged into the cool, clear waters of the pool.  At this, Salmacis sprang from her shelter into the water, wrapping her arms around the struggling youth, her voice begging the gods that they would never part.  The lascivious waif’s wish was granted, their bodies blended into one to become “a creature of both sexes".  The last act of Hermaphroditus as he was transformed was his prayer to his parents Hermes and Aphrodite that all who swam in these waters would be similarly transformed.  They answered his prayer.

Lindsay Lohan as Aphrodite, emerging from the depths.

The archeological record does indicate the idea of some form of sexual dualism is ancient, statutes and surviving art predating any of the known myths of antiquity so depictions of the quality of hermaphroditism as a part of the human condition is certainly ancient.  There are some relicts from the seventh century BC, including a statue of Aphroditos (a figure explicitly both male and female) which scholars speculate may have been either a figure of worship for a cult or a symbol of fertility.  The statue was cast at least three-hundred years before the first known reference to Hermaphroditus in any Greek text and while there are many variations of the story, Ovid’s is the best remembered, certainly because it’s the most complete but probably also because it’s the best.