Whitewall (pronounced hwahyt-wawl or wahyt-wawl)
(1) A tyre (or tire), almost always pneumatic, with a sidewall
with a white circular line of varying widths.
(2) Having white sidewalls (of a tyre).
(3) In US military use, a hair cut with a closely cropped
back and sides and the hair on the top of the head left longer.
(4) In UK dialect (Northamptonshire), the spotted
flycatcher (the bird so-called because of the white color of the under parts).
1950–1955: The construct was white + (side)wall. White pre-dates 900 and was from the Middle
English whit & hwit, from the Old English hwīt (whiteness, white food, white of an
egg (and in late Old English “a highly luminous color devoid of chroma”)), from
the Proto-West Germanic hwīt, from the
Proto-Germanic hwītaz, from the
primitive Indo-European ḱweydós, a by-form of ḱweytós (bright; shine). It was cognate with the German weiss, the Old Norse hvītr and the Gothic hweits; akin to wheat. The idea of the “whites of the eye” was known
in the late fourteenth century while the use of the term “white man” emerged in
the late 1600s. Wall pre-dates 900 and
was from the Middle English wal, from
the Old English weall (wall, dike,
earthwork, rampart, dam, rocky shore, cliff), from the Proto-West Germanic wall
(wall, rampart, entrenchment), from the Latin vallum (wall, rampart, entrenchment, palisade), from vallus (stake, post), from the primitive
Indo-European welH- (to turn, wind,
roll). It was likely conflated with waw (a wall within a house or dwelling,
a room partition), from the Middle English wawe,
from the Old English wāg & wāh (an interior wall, divider). It was cognate with the North Frisian wal (wall), the Saterland Frisian Waal (wall, rampart, mound), the Dutch wal (wall, rampart, embankment), the German
Wall (rampart, mound, embankment) and
the Swedish vall (mound, wall,
bank”). The forms white wall &
white-wall are also used. Whitewall is a
noun & adjective; the noun plural is whitewalls.
Wide whitewalls on 1953 Packard Caribbean Convertible (left), narrow whitewalls on 1967 Mercedes-Benz 600 (centre) and triple whitewalls on 1966 Cadillac Coupe De Ville (right) (there were also double whitewalls).
Whitewall tyres became available in the early years of
the twentieth century but it wasn’t until the 1930s they became a noted feature
on luxury cars sold in the US and, in the way these things work, they were soon
also an option on lower-priced models although, being relatively expensive and
offering no functionality, the take-up rate was low. The very existence of the whitewall was,
stylistically, something of a throwback because the earliest pneumatic tyres
were an off-white, the color of the natural rubber formula and the manufacturers
soon added a zinc oxide to the mix for no reason other than producing a bright
white which was more appealing in showrooms.
Given the unsealed roads of the era, the stark white didn’t long last in
use and tyres quickly degenerated to a “dirty beige” and although “tyre
cleaning” products were available, it was a sisyphean task and presumably few
persisted. In 1910 the BF Goodrich Company
began adding carbon black to its various formulae after tests confirmed this
added strength and durability to the rubber. Rapidly the technique was adopted by the industry
although because carbon black was an additional input cost, some tyres were
produced with the additive used only for the portion of the rubber used for the
tread surface, meaning the sidewalls remained white. The first whitewalls were thus a product of
cost-cutting and it’s an irony the look would more than a decade later be
picked up as a marker of wealth and luxury although the commercial “whitewalls”
would be a strip of white rubber added during the manufacturing process to an all-black
carcass. As a “discovery” the whitewall
can be thought serendipitous.
Lindsay Lohan on the cover of Whitewall magazine, Fall / Autumn 2012 edition. The photograph was Lindsay Lohan V by Richard Phillips (b 1962). By magazine standards, the predominately black & grey cover was unusually dark but this was a deliberate editorial choice. New York-based Whitewall magazine was founded in 2006 by Michael Klug (b 1978) who remains publisher & editor at large. Whitewall is described as a publication for creative communities, bringing together art, design, fashion & lifestyle, with a focus on sustainability and diversity, offering a platform for the queer, trans and those identifying as BIPOC (Black, Indigenous, Persons of Color).
Raised-letter tyre on 1969 Ford Mustang Mach 1 (left) and red-line (later, there would be blue-line, yellow-line etc) tyre on 1966 Pontiac GTO (right). The BF Goodrich Radial T/A (left) was valued by road-racers because it was discovered as the tread wore it behaved with characteristics which were similar to a racing "slick". For a while, worn T/A Radials became a handy revenue earner for tyre shops.
The whitewall became more popular in the late 1940s until the Korean War (1950-1953) caused a squeeze on rubber supplies but once the peacetime returned, so did the whitewall and the width grew, often measuring 2½-3 inches (65-75 mm), something made possible by the physical size of tyre sidewalls increasing during the 1950s. The perception now is the fashion was very much a US taste and while there’s some truth in that, American culture in the 1950s exerted a great influence and whitewalls were seen in Europe, Australia and Japan and for some reason the Italian fashion magazines seemed particularly taken with them for their photo-shoots. Curiously, the US industry seemed to lose interest in whitewalls between 1961-1963, just as the wild fins of the era suddenly vanished although there was a period of transition, the “standard” whitewall shrinking to a width of 1 inch (25 mm) and sometimes less. During the 1960s, although whitewalls remained a fixture on the more up-market mainstream vehicles the preferred look for high-performance machinery (it was the “muscle-car” era) was the “raised letter” tyre which spelled out the manufacturer’s name and often model of tyre, the free advertising greatly pleasing. At the same time, the muscle car circle developed a taste for “red-line” tyres” which featured a thin red strip.
US actress Mamie Van Doren (b 1931) cleaning her Jaguar XK120 OTS (open two seater (ie roadster) 1948-1954), paying special attention to the whitewall tyres. For those who need advice on such matters, Longstone Tyres has published a guide.
In the collector community there are factions for whom whitewalls are a thing (for some, verging on a fetish) and according to these experts, the most common mistake is to use a product like ArmorAll’s various tyre cleaners (ArmorAll’s stuff usually a good choice for many surfaces) which, because of the chemical composition, tend to draw the carbon from the black rubber of the tyres, permanently staining the whitewalls with a yellowish hue. For generations the preferred cleaning product was Westley’s Bleche Wite but, after a corporate takeover, the ingredients were in some way changed and the reputation suffered, the product later replaced. Among disgruntled ex-customers, the theories explaining all this included corporate greed and some (unspecified) intervention by the EPA (Environmental protection Authority). Containers of Westley’s Bleche Wite (those with the original chemical composition) now trade on the internet at multiples of their original price, in the manner of bottles of “original” Absinthe dating from the days when it was in many places banned although, unlike the “green fairy”, most of the cleaning spray is probably authentic. There seems not now a consensus about what’s the nest cleaning product and some even suggest good results can be obtained by using a mix of baking soda or plain white toothpaste with warm water.
Sir William Lyons (1901–1985) presenting the Jaguar E-Type to the press pack, Geneva, March 1961 (left) and a 1961 publicity shot for the US market release (right). In the US market, Jaguar had long made the whitewalls optional for the XK sports cars but there, most of the E-Type's (often called XK-E or XKE in the US) publicity material featured whitewalls. The fad soon faded although narrow whitewalls were still available until 1975 when the last E-Types were sold.
Using one of his trademark outdoor settings, Norman Parkinson (1913-1990) photographed model Suzanne Kinnear (b 1935) adorning a Daimler SP250, wearing a Kashmoor coat and Otto Lucas beret with jewels by Cartier. The image was published on the cover (left) of Vogue's UK edition in November 1959, the original's (right) color saturation being "enhanced" in pre-production editing. Although never quite as popular in Australia, the UK & Europe as they were in the US, whitewalls until the 1980s were not a rare sight in these places and buyers were seduced also by that other American intrusion, the vinyl roof, something more of a crime against good taste than any whitewall.
1952 Ferrari 212 (which the factory supplied with an up-rated 225 engine) Barchetta by Touring Superleggera (left) and 1974 Mercedes-Benz R107 (450 SL).
The Ferrari was a gift from Enzo Ferrari (1898-1988) to Henry Ford II (1917–1987) and was the last non-racing Ferrari bodied by coachbuilder Carrozzeria Touring Superleggera. The whitewall tyres were fitted especially for US delivery and Ford used the car during its evaluation process for the 1955 Thunderbird which picked up styling cues including the hood (bonnet) scoop and egg crate grille. The Mercedes-Benz 450 SL illustrates just how jarring whitewalls can be if used on vehicles not suited to their presence. On the early R107s (1971-1989) and C107s (the SLC, 1971 1981), thin whitewalls were sometime fitted to US market cars and even then there was comment about they really didn’t suit. On the 450 SL pictured, the error is compounded by the fitting of the “chrome” wheel arch trims. This was an unfortunate trend (which spread also to Jaguar, BMW and beyond) which began with their appearance in 1963 on the Mercedes-Benz 600 (W100, 1963-1981) but on the original they were of metal whereas the aftermarket ones were almost always anodized plastic.
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