Quarantine

Quarantine (pronounced kwawr-uhn-teen or kwor-uhn-teen)

(1) In historic English common law, the period of 40 days during which a widow was entitled to remain in her deceased husband's home while any dower is collected and returned.

(2) A strict isolation imposed to prevent the spread of disease and (by extension), any rigorous measure of isolation, regardless of the reason.

(3) A period, originally 40 days (the historic understanding of the maximum known incubation period of disease) of detention or isolation imposed upon ships, persons, animals, or plants on arrival at a port or place, when suspected of carrying some infectious or contagious disease; a record system kept by port health authorities in order to monitor and prevent the spread of contagious diseases.  The origin was in measures taken in 1448 in Venice's lazaret to avoid renewed outbreaks of the bubonic plague.

(4) In historic French law, a 40-day period imposed by the king upon warring nobles during which they were forbidden from exacting revenge or to continue warfare.

(5) A place where such isolation is enforced (a lazaret).

(6) In international relations, a blockade of trade, suspension of diplomatic relations, or other action whereby one country seeks to isolate another.

(7) In computing, a place where files suspected of harboring a computer virus or other harmful code are stored in a way preventing infection of other files or machines; the process of such an isolation.

(8) To withhold a portion of a welfare payment from a person or group of people (Australia).

(9) To quarantine someone or something.

1600–1610: From the Middle English quarentine (period a ship suspected of carrying contagious disease is kept in isolation), from the Norman quarenteine, from the French quarenteine, from the Italian quarantina, a variant of quarantena, originally from the upper Italian (Venetian) dialect as quaranta giorni (space of forty days, group of forty), from quaranta (forty) from the Medieval Latin quarentīna (period of forty days; Lent), from the Classical Latin quadrāgintā (four tens, forty) and related to quattuor (four), from the primitive Indo-European root kwetwer (four).  The difference between quarantine and isolation is one of context; while people might for many reasons be isolated, quarantine is a public health measure to deal with those exposed to or at risk of having been infected by a communicable disease, the duration of the quarantine being sufficient to ensure any risk of spreading the infection has passed.  The name is from the Venetian policy (first enforced as the 30 day edict trentino in 1377) of keeping ships from plague-stricken countries waiting off its port for forty days to ensure no latent cases remained aboard.  The extended sense of "any period of forced isolation" dates from the 1670s.  A doublet of carene and quadragene.

In the context the L'Ancien Régime (pre-revolutionary France), it was a calque of the French quarantaine, following the edicts of Louis IX (and formalized by the quarantaine du Roi (1704) of Louis XIV which was a mechanism of quieting squabbling nobles).  Quarantine was introduced to international relations as a euphemism for "blockade" in 1937 because the Roosevelt administration was (1) conscious of public reaction to the effects on civilians of the Royal Navy’s blockade of Imperial Germany during World War I (1914-1918) and (2) legal advice that a “blockade” of a non-belligerent was, under international law, probably an act of war.  The use was revived by the Kennedy administration during the Cuban Missile Crisis (October 1962).  The verb meaning "put under quarantine" came quickly to be used in any sense including figuratively (to isolate, as by authority) dates from 1804.  Predating the use in public health, in early sixteenth century English common law, the quarentine was the period of 40 days during which a widow was entitled to remain in her dead husband's home while any dower is collected and returned.  The alternative spellings quarentine, quarantin, quaranteen, quarantain, quarantaine, quarrentine, quarantene, quarentene, quarentyne, querentyne are all obsolete except in historic references).  While not of necessity entirely synonymous, detention, sequester, separation, seclusion, segregation, sequestration, lazaretto, segregate, confine, separate, seclude, insulate, restrict, detach & cordon, are at least vaguely similar.  Quarantine is a noun & verb, quarantiner is a noun, quarantinable is an adjective and quarantined & quarantining are verbs & adjectives.

In scripture, the number 40 often occurs although Biblical scholars, always anxious to dismiss musings from numerologists, new age practitioners and crystal-wearing basket weavers, reject the notion it has any special meaning beyond the idea of a “period of trial or struggle”, memorably expressed in the phrase “forty days and forty nights”.  In the Old Testament, when God destroyed the earth in the Great Flood, he delivered rain for 40 days and 40 nights (Genesis 7:12).  After killing the Egyptian, Moses fled to Midian where he spent 40 years in the desert tending flocks (Acts 7:30) and subsequently he stood on Mount Sinai for 40 days and 40 nights (Exodus 24:18) and then interceded on Israel’s behalf for 40 days and 40 nights (Deuteronomy 9:18, 25).  In Deuteronomy 25:3, the maximum number of lashes a man could receive as punishment for a crime was set at 40.  The Israelite spies took 40 days to spy out Canaan (Numbers 13:25), the Israelites wandered for 40 years (Deuteronomy 8:2-5) and before Samson’s deliverance, Israel served the Philistines for 40 years (Judges 13:1).  Goliath taunted Saul’s army for 40 days before David arrived to slay him (1 Samuel 17:16) and when Elijah fled from Jezebel, he traveled 40 days and 40 nights to Mt. Horeb (1 Kings 19:8).  The number 40 also appears in the prophecies of Ezekiel (4:6; 29:11-13) and Jonah (3:4).  In the New Testament, the quarentyne was the desert in which Christ fasted and was tempted for for 40 days and 40 nights (Matthew 4:2) and there were 40 days between Jesus’ resurrection and ascension (Acts 1:3).  Presumably, this influenced Western medicine because it was long (and still by some) recommended that women should for 40 days rest after childbirth.

Plague, the Venetians and Quarantino

The Plague of Justinian arrived in Byzantine capital of Constantinople in 541, brought from recently conquered Egypt across the Mediterranean by plague-ridden fleas in the fur of rats on ships bringing loot from the war.  From the imperial capital it spread across Europe, Asia, North Africa and Arabia, killing an estimated thirty to fifty million, perhaps a quarter the inhabitants of the eastern Mediterranean.  Plague never really went away, localized outbreaks happening periodically unit it returned as a pandemic some eight-hundred years later; the Black Death, which hit Europe in 1347, claimed some two-hundred million in just four years and demographically, Europe would not for centuries recover from the Black Death.

There was at the time little scientific understanding of contagion but it became clear it was related to proximity so officials in Venetian-controlled port city of Ragusa (now Dubrovnik in Croatia) resolved to keep newly arrived sailors in isolation until it was apparent they were healthy.  Initially, the sailors were confined to their ships for thirty days, formalized in a 1377 Venetian law as a trentino (thirty days), which radically reduced the transmission rate and by 1448, the Venetians had increased the forced isolation to forty days (quarantine), which, given bubonic plague’s thirty-seven day cycle from infection to death, was an example of a practical scientific experiment.  The word soon entered Middle English as quarantine (already in use in common law as a measure of certain rights accruing to a widow), the origin of the modern word and practice of quarantine.  The English had many opportunities to practice quarentine.  In the three-hundred odd years between 1348 and 1665, London suffered some forty outbreaks, about once a generation (or every twenty years), the significance of this pattern something which modern epidemiologists would later understand.  Quarentine laws were introduced in the early sixteenth century and proved effective, reducing the historic medieval death-rates to about twenty percent.

Eggs à la Lohan

In self-imposed quarantine in March 2020, Lindsay Lohan was apparently inspired by a widely shared motivational poem by Kitty O’Meara (on the internet dubbed the "poet laureate of the pandemic") which included the fragment:

And the people stayed home.  And read books, and listened, and rested, and exercised, and made art, and played games, and learned new ways of being, and were still.  And listened more deeply.  Some meditated, some prayed, some danced.  Some met their shadows.  And the people began to think differently.

One of Lindsay Lohan's recommendations for a time of quarantine was to take the time to cook, posting a photograph of Eggs à la Lohan, a tasty looking omelet.  The poem also contained the words:

And the people healed.  And, in the absence of people living in ignorant, dangerous, mindless, and heartless ways, the earth began to heal.  And when the danger passed, and the people joined together again, they grieved their losses, and made new choices, and dreamed new images, and created new ways to live and heal the earth fully, as they had been healed.

Unfortunately, viewed from early 2023, it would seem Ms O'Meara's hopes quarantine might have left us kinder, gentler and more thoughtful may not have be realized.  It may be Mr Putin didn’t read poem and just ate omelet. 

Malarkey

Malarkey (pronounced muh-lahr-kee)

(1) Speech or writing designed to obscure, mislead, or impress; bunkum; a lie.

(2) Stuff (according to Joe Biden).

1920s: An Americanism of uncertain origin which, despite the urban myth, seems not linked directly to any Irish regionalism or slang although it is a surname of Irish origin.  There may be some relationship with the Greek μαλακός (malakós) (soft; compliant, meek; gentle, mellow, mild, mild-mannered) or μαλακία (malakía) (literally “masturbation”) which figuratively was used to mean “idiocy, stupidity; bullshit, nonsense” in much the same way “wanker” is used in English.  The word gained its early currency from its use by Irish-American cartoonist Thomas Aloysius “Tad” Dorgan (1877–1929), his first use of the word appearing in March 1922.  The synonyms include balderdash, drivel, humbug, foolishness, hogwash, nonsense, & ribbish.  Malarkey is a noun and the (more rare still) noun plural is malarkeys.  Over the years, the spellings malarkey, malachy, malarky, mallarky & mullarkey have all appeared and, as an informal noun, probably none can be said to be right or wrong but malarkey is certainly the most common.

The Irish surname Malarkey was from the Gaelic ó Maoilearca, a patronymic meaning “a descendant of Maoilearca, a follower of St. Earc” and the first known records are in the parish records of Tír Chonaill (Tirconnell; in present day County Donegal, Ulster) where they held a family seat as a branch of the O'Connell's.  The spelling variations (something not then uncommon) were legion and included, inter-alia, Mullarkey, Mullarky, Mallarky, Malarchy, Malarkey, Mularkey and many more.  By the time the name had spread to North America, the spelling had settled on Malarkey and it’s speculated it may have entered the lexicon of slang in the 1920s as an ethnic slur, based on the stereotype of the Irish as slow-witted and given to nonsensical statements.  Another word in US slang during the same era was ackamarackus which, although not documented until the 1930s, it may have been in oral use earlier.  Unlike malarkey, ackamarackus appears to be wholly an arbitrary formation (albeit one with a hint of pseudo-Latin) with not ethnic link and instead simply an attempt to convey the sense of the nonsensical.  Some possible authors have been suggested but the evidence is scant.

Carl Giles noting comrade Khrushchev’s arrival in Washington DC, Daily Express, September 1959.

In September 1959, comrade Nikita Khrushchev (1894–1971; Soviet leader 1953-1964) paid a state visit to the US while the Americans, who had been so shocked by the launch of Sputnik (October 1957), were in the early stages of what came to be called the “space race”, something which really began with the Pentagon moving to match the so-called “missile gap” (which was later proved to be illusory).  The Beaverbrook press’s cartoonist Cark Giles (1916-1995) was well acquainted with British stereotypes of Americans and his use of “malarkey” presumably references the idea of US police forces being dominated by the Irish.

When Joe Biden chose "No Malarkey!" as a campaign slogan for the 2020 presidential campaign, it wasn’t without risk because it was then, as it remains, a fuddy-duddy word and one associated (by the few who knew of it) with old men (the “pale, male & stale” said now to be marketing poison).  Although US presidential politics has of late been dominated by geriatrics (Biden now 80, Donald Trump 76 and crooked Hillary Clinton 75 (though she looks older)), candidates more youthful have tended to be preferred and when Ronald Reagan (b 1911; US president 1981-1989), then a spritely 69, ran in 1980, his advisors didn’t much care about comments suggesting he was “too ignorant” but devoted much effort to managing perceptions he was “too old”.

Campaign bus of Joe Biden (b 1942; US president since 2021), Iowa, 2020.

However, #NoMalarkey probably was a good choice because it was authentically a reflection of the way Biden talks and was at least coherent, unlike much of what he says and it wasn’t as if anyone would have been fooled (as crooked Hillary has attempted) into thinking he was younger.  So, it had the virtue of authenticity which in the age of Donald Trump, crooked Hillary, fake news and twitterbots, must have had some appeal to a cynical electorate and it was distinctive, probably not having much appeared in many campaigns in living memory.  It’s certainly been a part of Biden’s language for years; in the 2012 vice presidential debate with then house speaker Paul Ryan (b 1970; speaker of the US House of Representatives 2015-2019), Biden dismissed one attack as “a bunch of malarkey”.  That was fine but a little later he called another of Ryan statements “a bunch of stuff” which prompted the debate’s moderator to ask what that meant.  Helpfully, Ryan (a good Irish name) interjected to say “It’s Irish” and while in other circumstances Biden (then a youthful 70), would probably just have rejoined “it’s bullshit” , he instead returned to his theme and said “we Irish call it malarkey.”

In political use, it’s actually a handy way of calling someone a liar without using the word and probably better than something like “mendacious” which is too clever (the voters apparently don’t like politicians using words with an obscure meaning) or the crooked Hillaryesque “misspeak” which is a weasel-word.  He clearly found it helpful because the Washington Post’s 2015 analysis of Sunlight Foundation data found that in the twentieth & twenty-first centuries, Biden had said “malarkey” more than anyone on the floor of either house of Congress.  His championing of malarkey seemed also to give the word a nudge back into the mainstream beyond the beltway because, in 2013, the HuffPost reported Lindsay Lohan (another good Irish name) as saying part of a story about her run in the New York Times Magazine was “malarkey”.

Miosótis

Miosótis (pronounced mahy-uh-soh-tis)

Any plant belonging to the boraginaceous (of the borage family) genus Myosotis, having basal leaves and pink or white flowers; known generally as the forget-me-not.

1700–1710: From the New Latin & Latin myosōtis from the Ancient Greek μυοσωτίς (myosōtís or muosōtis) (mouse's ear (in the context of botany)), the construct being myós (genitive of mŷs or muos (mouse)) + -ōt- (stem of oûs (ear)) + -is (the noun suffix).  The mouse-ear (Myosotis Arvensis (type species Myosotis scorpioides)) is also called mouse-lug and the original Hellenic name was based on the idea of the foliage have some resemblance to the rodent's ears.  In Portuguese, the plant is also known as the não-te-esqueças-de-mim (literally "do not forget about me" and thus akin to "forget me not") & orelha-de-rato (mouse ear).  Miosótis is a noun; the noun plural is miosótis.  The alternative spelling myosótis is obsolete.

The miosótis is a perennial flowering plant, the flowers having five sepals and petals, typically flat and less than a half-inch (1.25 mm) in diameter, the color range including pink, white, yellow & blue with yellow centres, sprouting in a scorpioid cluster.  Flowering happens almost in spring, coinciding with the melting of snow in alpine regions.  The genus was originally described by Swedish botanist, zoologist, taxonomist, and physician Carl Linnaeus (1707–1778), famous for having systematized binomial nomenclature, the modern system of naming organisms and thus known as the "father of modern taxonomy".  The colloquial names in the northern hemisphere are "forget-me-not" and (less commonly "scorpion grass" (based on the spiraled clustering of the flowers) and Myosotis alpestris is the official flower of both Alaska and Dalsland, Sweden.  In other places, the common names vary and because of the vivid colors they are popular among amateur horticulturists, having spread to many of the Earth’s temperate regions where, outside of curated artificial environments, they prefer moist locations such as wetlands and riverbanks.

The “mouse’s ear” explained by Karen Smith (Amanda Seyfried (b 1985)) in Mean Girls (2004).  Note the resemblance of the "mouse ears" to the petals of the miosótis flower

Empire

Empire (pronounced em-pahyuhr (sometimes om-peer if affecting to speak of things historically French)).

(1) A group of nations or peoples ruled over by an emperor, empress, or other powerful sovereign or government: usually a territory of greater extent than a kingdom, as the former British Empire, French Empire, Russian Empire, Byzantine Empire, or Roman Empire.

(2) As First Empire, the period of imperial rule in France under Napoleon Bonaparte, 1804-1815; as Second Empire, the period of Imperial rule under Napoleon III, 1852-1870 (a decadent period).

(3) A government under an emperor or empress.

(4) The historical period during which a nation is under such a government (often initial capital letter).

(5) Supreme power in governing; imperial power; sovereignty.

(6) Supreme control; absolute sway.

(7) A powerful and important enterprise or holding of large scope, especially one controlled by a single person, family, or group of associates.

(8) In horticulture, a variety of apple somewhat resembling the McIntosh.

(9) In fashion, of the style that prevailed during the first French Empire, in clothing being characterized especially by décolletage and a high waistline, coming just below the bust, from which the skirt hangs straight and loose (usually initial capital letter).

(10) As Empire State, a term for New York since 1834.

(11) In architecture and design, noting or pertaining to the style of architecture, furnishings, and decoration prevailing in France, emulated variously in various other places circa 1800-1830; characterized by the use of delicate but elaborate ornamentation imitated from Greek and Roman examples or containing classical allusions, as animal forms for the legs of furniture, bas-reliefs of classical figures, motifs of wreaths, torches, caryatids, lyres, and urns and by the occasional use of military and Egyptian motifs and, under the Napoleonic Empire itself, of symbols alluding to Napoleon I, as bees or the letter N (often initial capital letter).

1250–1300: From the Middle English empire (territory subject to an emperor's rule (and, in general "realm, dominion"), from the Anglo-French & Old French empire & empere (rule, authority, kingdom, imperial rule; authority of an emperor, supreme power in governing; imperial power), from the Latin imperium & inperium (a rule, a command; authority, control, power; supreme power, sole dominion; military authority; a dominion, realm) from inperare & imperāre (to command) from parāre (to prepare; to make ready; order).  The construct of the Latin imperare was in- (in) (from the primitive Indo-European root en (in)) + parare (to order, prepare) (from the primitive Indo-European root pere- (to produce, procure).  A doublet of empery and imperium.

In English, the early understanding of the word was defined substantially by the knowledge (however imperfect) of the Persian and Roman (especially the latter) empires of Antiquity and though never etymologically restricted to "territory ruled by an emperor", for entirely logical reasons it did tend to be used that way.  The phrase "the Empire" (which in the UK and the British empire almost exclusively implied "the British Empire" (dating from 1772)) previously would have been supposed to be a reference to the Holy Roman Empire.  Officially, the British Empire devolved into "The Commonwealth" in 1931 because of the constitutional implications of the Statute of Westminster (and the changing world view) but opinion is divided on when it really ended, most dating it from Indian independence in 1947 (when George VI ceased to be George RI (Rex Imperator (king-emperor)) and became George R) while others claim (less plausibly) that in a sense it endured until Hong Kong was handed back to China in 1997.  Nobody claims that still holding the Falkland Islands an empire makes.

Always a civilizing project, the Roman Empire stopped short of Ireland and Scotland.  One has to draw the line somewhere.

Despite the modern habit, etymologically, empire was never restricted to "territory ruled by an emperor" but has been used that way for so long a meaning-shift may have happened.  In political theory, an empire is an aggregate of conquered, colonized, or confederated states, each with its own government subordinate or tributary to that of the empire as a whole but history is replete with accidents and anomalies.  Japan’s head of state is an emperor although no empire exists and the most often quoted remark about the Holy Roman Empire has long been Voltaire’s bon mot that it was "...not holy, nor Roman, nor an empire".

Long pre-dating the era, the empire-line (sometimes called empire-silhouette) dress is most associated with the French First Empire (which lasted from 1804 when Napoleon Bonaparte crowned himself Emperor, to his final defeat at the Battle of Waterloo in 1815) and although the look endured longer than the political construct, beginning in the 1820s, skirts widened and waistlines lowered to an extent most were no longer identifiable as the style.  The look became linked to the First Empire because it was Napoleon's first Empress, Joséphine de Beauharnais (1763–1814) who popularized it in Europe and there are fashionistas who when speaking of the style, will pronounce it as a quasi-French om-pire.  In England, Emma, Lady Hamilton's ((1765–1815); mistress of Lord Nelson (1758-1805) and muse of the artist George Romney (1734-1802)) adoption of the style was much imitated, the cross-channel exchanges of fashion continuing uninterrupted even when a state of war existed between London and Paris.  The English or American fashions of this time tend respectively to be termed "Regency" (referring to the Regency of the Prince of Wales, 1811-1820) and "Federal" (referring to the decades immediately following the American Revolution).

Gisele Bündchen in Dior empire-line dress, Academy Awards Ceremony, Los Angeles, February 2005.

Empire-line dresses featured a waistline considerably raised above the natural level with skirts which vary from the slim and columnar to the swishy and conical.  In its pure form it was characterized by (1) a columnar silhouette without gathers in front, (2) some fullness over the hips, (3) a concentration of gathers aligned with a wide centre-back bodice panel and (4), a raised waistline which reached usually to just below the bust but (occasionally) as high as the armpits.  Mass-production of the design was possible only because the industrial revolution made available new fabrics and other materials at volume and an attainable cost.  Empire- line proved appealing to women without an ideal figure because, by adjusting the parameters of the various components, a seamstress could flatter a wide variety of body types, disguising and emphasizing as required, able to create also the illusion of greater height. 

The empire-line inherently needs a lot of fabric which offers designers the possibility of using bold patterns, especially florals, which can't be displayed to the same effect in styles with less surface area.

Traditionally, most clothing had relied on the shape of the human body but new forms of corsetry, including strong yet delicate shoulder straps to provide the necessary structural integrity, combined with materials such as mull, a  soft, sheer Indian white muslin, allowed designers to create wearable outfits in which the neoclassical influence was obvious, the silhouette imitating the Classical statutes of Antiquity.  Such constructions had before existed for the rich but they were heavy, hot, rigid, uncomfortable and very expensive.  Sadly, the relative freedom women enjoyed proved short lived, evolving by the 1820s into something less simple and notably more restrictive, the hourglass Victorian styles much more prevalent in high-fashion by the mid-nineteenth century, a trend which lasted until the First World War.  The ideas of empire-line were revived for the less-constricting clothing popular in the 1920s and, although coming and going, it’s never gone away and, being somewhat hippie in its look, gained a new following in the 1960s.

Empire-line wedding dresses (left to right) by Dana Harel, Savannah Miller, Two Birds & LoveShackFancy.  Although the design and structural details differ between these, all four can be reduced to the same mathematics.  The wedding dress business seems to be one part of the industry where blonde models seem not to enjoy their usual natural advantage, photographers preferring dark hair, better to contrast and define the edges of all that white fabric.  

Lindsay Lohan in empire-line dress, Paris, 2011.

Today, empire-line dresses are still often worn and the style gained a new audience from their used in the Mad Men television series, set in upper-middle class US society during the 1960s.  One place where they've long inhabited a stable niche has been the Western wedding dress where the technical aspects of the design, the fitted bodice, high waist, and loose-fitting skirt allow the creation of silhouette that’s flattering and forgiving for a wide range of body shapes, once a genuine selling feature for brides with child who, in less accepting times, wished to conceal the bump.  However, even though the empire- line is almost uniquely  ideal at shifting focus from the waistline, it can be cut in a way to complement the slender, delivering a cinched waist.  In either case, the same mathematics are at work, the goal being to elongate and define and by creating the visual effect of the narrowest point appearing just under the bust, it can either (1) trick viewers into seeing a longer torso, diverting attention from the midriff and hips or (2) emphasise the waistline of the truly slender, making it perfect also for the petite or short.

Acersecomic

Acersecomic (pronounced a-sir-suh-kome-ick)

A person whose hair has never been cut.

1623: From the Classical Latin acersecomēs (a long-haired youth) the word borrowed from the earlier Ancient Greek form ἀκερσεκόµης (with unshorn hair), constructed from komē (the hair of the head (the source of the –comic)) + keirein (to cut short) + the prefix a- (not; without).  The Latin acersecomēs wasn’t a term of derision or disapprobation, merely descriptive, it being common for Roman and Greek youth to wear their hair long until manhood.  Acersecomic appeared in English dictionaries as early as 1656, the second instance noted some 30 years later.  Although of dubious linguistic utility even in seventeenth century English, such entries weren’t uncommon in early English dictionaries as editors trawled through lists of words from antiquity to conjure up something, there being some marketing advantage in being the edition with the most words.  It exists now in a lexicographical twilight zone, its only apparent purpose being to appear as an example of a useless word.

The -comic element of the word is interesting.  It’s from the Ancient Greek komē in one of the senses of coma: a diffuse cloud of gas and dust that surrounds the nucleus of a comet.  From antiquity thus comes the sense of long, flowing hair summoning an image of the comet’s trail in the sky.  The same -comic ending turns up in two terms that are probably more obscure even than acersecomic: acrocomic (having hair at the tip, as in a goat’s beard (acro- translates as “tip”) and xanthocomic (a person with yellow hair), from the Greek xanthos (yellow).

Lindsay Lohan as Rapunzel, The Real Housewives of Disney, Saturday Night Live (SNL), 2012.

In recent interviews, Russian model and singer Olga Naumova didn't make clear if she was truly an acersecomic but did reveal that in infancy her hair was so thin her parents covered her head, usually with a babushka headscarf.  It's obviously since flourished and her luxuriant locks are now 62 inches (1.57 m) long, a distinctive feature she says attracts (1) requests for selfies, (2) compliments, (3) propositions decent & otherwise, (4) public applause (in Thailand), (5) requests for technical advice, usually from women asking about shampoo, conditioner & other product while (6) on-line, men sometimes suggest marriage, often by the expedient of elopement.  Perhaps surprisingly, the Moscow-based model doesn't do "anything extraordinary" to maintain her mane beyond shampoo, conditioner and the odd oil treatment, adding the impressive length and volume she attributes wholly to the roll of the genetic dice.  Her plaits and braids are an impressive sight and their creation can take over an hour, depending on their number and complexity.

Olga Naumova in motion.

A possible acersecomic although there is some evidence of at least the odd trim.  These are among the less confronting images at People of Walmart which documents certain aspects of the American experience in the social media age.  Users seem divided whether People of Walmart is a celebration of DEI (diversity, equity and inclusion), a chronicle of decadence or a condemnation of deviance.

Fifteen year old Skye Merchant was genuinely acersecomic until July 2021 when she had her first haircut, part of her fund-raising efforts for cancer research.  The trimmed locks were donated to cancer patients.

Oracle

Oracle (pronounced awr-uh-kuhl)

(1) As used especially in reference to Ancient Greece, an utterance, often ambiguous or obscure, given by a priest or priestess at a shrine as the response of a god to an inquiry.

(2)  The agency or medium giving such responses.

(3) A shrine or place at which such responses were given (classically the oracle of Apollo at Delphi).

(4) A person who delivers authoritative, wise, or highly regarded and influential pronouncements.

(5) A divine communication or revelation; a prophecy, often obscure or allegorical, revealed through the medium of a priest or priestess at the shrine of a god

(6) Any person or thing serving as an agency of divine communication.

(7) Any utterance made or received as authoritative, extremely wise, or infallible.

(8) The English translation for The Holy of Holies, the term in the Hebrew Bible which refers to the inner sanctuary of the Tabernacle where God's presence appeared.

(9) In computer science theory, a theoretical entity capable of answering some collection of questions.

1350–1400: From the Middle English oracle (a message from a god expressed by divine inspiration through a priest or priestess (in answer to a human inquiry, usually respecting some future event)) via the twelfth century Old French oracle (temple, house of prayer; oracle) from the Latin ōrāclum & ōrāculum (divine announcement, oracle; place where oracles are given), the construct being ōrare (to pray to, plead to, beseech (from which Modern English gained orator)) + the instrumental suffix -culo- (as -culum (a re-bracketing of diminutive suffix -lus on nouns ending in -cus, used freely in Latin)).  Ōrāculum was the alternative form with similar forms also in Hittite where it meant either “to worship; revere” or “to consult an oracle”.  In Attic Greek the equivalent was ἀρά (ará) (prayer) and in the Sanskrit it was आर्यन्ति (āryanti) (praise).  Ōrō is from the primitive Indo-European hzer- (to pronounce a ritual). The diminutive suffix culum was from -culus, from the Proto-Italic -klom, from the primitive Indo-European -tlom, from -trom.  Interestingly there is stabulum which comes from a similar suffix (-dhlom) but, despite the resemblance, osculum (which is never found in the form osclum) and other diminutive nouns do not contain this suffix.  Oracle is a noun & verb, oracularity is a noun and oracular is an adjective; the noun plural is oracles.

The dualism of the oracle as (1) the agency or medium of a god and (2) the place where such divine utterances were given dates from antiquity and was another of those things which wasn't always appreciated by Medieval translators which accounts for some of the misleading documents (presumably the work of more than one scribe) in which the senses shift which in some way anticipated (however inadvertently) Marshall McLuhan's (1911–1980) distinctly twentieth century construct of "the medium is the message" the influential phrase from his Understanding Media: The Extensions of Man (1964).  The notion of the oracle as a physical place entered English in the early fifteenth century, the extended sense of "uncommonly wise person" developed by the 1590s.  The adjective oracular (of or pertaining to, or of the nature of, an oracle or oracles) emerged in the 1670s, the construct being from the Latin ōrāculum (see oracle) + -ar ((from the Latin -āris (of, pertaining to) and was appended to nouns to create adjectives).  The now extinct (although it has of course been seen in the odd literary novel) was oraculous, dating from the 1610s.

The GHD Oracle

Art of the possible: A post GHDed young lady (GHD promotional image).

Claimed by the GHD corporation (which really is an initialism of Good Hair Day) to have taken six years and absorbed some Stg£5.2 million (US$6.3m) in research & development (R&D), the Oracle styling tool was in 2019 simultaneously launched with the Platinum+, an upgrade of the Platinum styler, first introduced in 2015.  The Platinum+ was an evolution from its predecessor, featuring enhanced heat management to maintain a hair-safe temperature and new sensors which recognise the thickness of hair, the section size and the speed at which hair is passing through, adjusting the power to suit.  Importantly, the Platinum can be used in exactly the same way as previous GHD stylers.  In the way that sometimes happens in English, because in the 1970s the term "hair straightener" achieved critical mass, it remains something of a generic and modern multi-function devices (which curl and wave as well as straighten) still are often casually referred to as such.  

Progress: A young lady having her hair ironed (left), Queens, New York City, 1964 and a GHD Oracle (GHD promotional image) (right).  Advances in engineering and technology over the last 60-odd years have transformed the lives of most of the planet’s population and the availability of first hair strengtheners and later styling wands is one small aspect of this phase of modernity.  The devices mean girls no longer have to have their hair ironed.

The Oracle is different in both design and use, featuring a U-shaped clamp, with one cooling plate on top and ceramic heater plates on each arm to maintain the temperature at 365˚F (185˚C), the innovation in the heated hair being cooled before leaving the styler which GHD said helps set curls in place.  However, the design does demand a different technique in use because there's a defined “curl-zone” and the positioning of the hair in relation to this space is critical: the Oracle must exactly be positioned.  GHD’s manual instructs that to achieve what they describe as zig-zaggy, energetic, beachy curls, the styler needs first to be vertically adjacent to the head, then turned 90˚, then, with the logo facing outwards, moved in a gentle gliding action along the hair at a 45˚ angle.  Given the dexterity demanded, perhaps unsurprisingly, users in GHD’s test-labs reported the right-handed found the right-side easier to style, left-handers preferring the left.  Using the Oracle does necessitate movements of wrists and arms very different from those used with GHD’s traditional products.  For this reason, the Oracle is available only in hair salons with the purchase price  including an instructional session from a stylist.

Suspected GHD Oracle user Lindsay Lohan who over the years has done more with her hair than most.

Outlandish

Outlandish (pronounced out-lan-dish)

(1) Freakishly or grotesquely strange or odd, as appearance, dress, objects, ideas, or practices; bizarre.

(2) Having a foreign appearance (archaic).

(3) Remote from civilized areas; out-of-the-way (archaic).

(4) Being actually foreign; alien (archaic).

Pre 1000: From the Middle English outlandisch, from the Old English ūtlendisc (of a foreign country, not native) from the Proto-Germanic ūtlandiskaz and related to ūtland (foreign land, literally "out-land").  The meaning in the sense of unfamiliar, strange, odd, bizarre (such as the customs of foreigners may seem to natives) dates from the 1590s and may be compared with the German ausländisch and the Danish udenlandsk.  The Old English utland could also mean "land lying beyond the limits of occupation or cultivation," a sense that survived into Modern English.  The noun outlander (a foreigner, a person who is not a native) came into parallel use in the 1590s as a direct back-construction from outland (foreign land), almost certainly on the model of the Dutch uitlander and the German ausländer.  In South African English, by 1892 it acquired the specific sense of "not of Boer birth" which was a loan-translation of South African Dutch uitlander.  In Old English utlanda meant "an exile", a status which was known in many Medieval legal systems (or at least common practice).  In the Middle English, outland was simply a descriptor for "foreigners" and was a verbal shorthand of straungeres outlondes.  Outlandish is an adjective, outlandishly is an adverb and outlandishness is a noun.

Glass-blowing, the Royal Navy and coal

Many trees required: The architecture of the seventeenth century English ship-of-the-line (the battleships of their day).

In English common law, outlandish retained its original, literal, meaning in as late as the 1690s.  The often persecuted Huguenots, an ethno-religious group of French Protestants had lived in an uneasy relationship with the French state for many years until their rebellions in the 1620s prompted the abolishment of most of their political and privileges and persecution increased, culminating in the Edict of Fontainebleau (1685), effectively outlawing them and forcing them to flee France.  Many ended up in England, including a large number of artisans involved in glass and steel production, both of which demanded much energy.  Within a decade, it became apparent the forests of England were rapidly being depleted to provide fuel for furnaces, a matter of concern to a small island dependent for its trade and security on the Royal Navy and merchant marine, both with fleets of ships made from wood; each big warship (known as ship of the line or man-O-War) required the felling of several-thousand trees during its construction.  The government acted and banned the outlandish (foreigners) from leasing, owning or harvesting forests.  Designed to avoid a threat to the supply of timber, the law had the far reaching effect of accelerating the shift of Britain’s source of energy for industrial production from wood to coal, something that would endure almost three-hundred years and it wouldn't be until the early twentieth century that the the Royal Navy's big ships began to switch from coal to oil-fired power.

An outlandish combination which recalls the dazzle camouflage schemes used by several admiralties in the world wars: Lindsay Lohan dressed for ABC network television, Good Morning America, New York City, November 2022.

The interesting ensemble included an Akris color-blocked suit by Law Roach (b 1978) and shoes in gloss burgundy by Giuseppe Zanotti (b 1957).  The flared cut of the trousers hid the shoes' 2-inch (50 mm) soles and 6-inch (150 mm) heels which was a neat stylist's trick but they certainly deserved to be seen.

Arhat

Arhat (pronounced ahr-huht)

(1) In Buddhism, a Buddhist (most usually a monk) who, through rigorous discipline and ascetic practices, has attained enlightenment and upon death passes to Nirvana.

(2) In Buddhism, a title accorded to sanctified Buddhists; a Buddhist saint.

(3) In Jainism, one of the stages of the ascetic's spiritual evolution, when all passions (anger, ego, deception, greed, attachment, hatred and ignorance) are destroyed (the derived terms are arhantam, arhathood & arhatship.

1865–1870: A transliteration of the Sanskrit अर्हत् (arhat) (arahant in Pāḷi) (worthy of worship; meriting respect), from arhati (he merits; he deserves), the construct being the verbal root arh (to deserve), from arah (meriting, deserving of), ahrana (having a claim; state of entitlement) & the past participle arhita (honored, worshipped); a doublet of arahant and the alternative spelling was Arhant (pronounced ahr-huhnt).  Arhat and Arhatship are nouns; the noun plural is Arhats.

A related state in Buddhism (notably Mahayana Buddhism) was Bodhisattva (pronounced boh-duh-suht-vuh).  The word was from the Sanskrit and Pāḷi, translating literally as “one whose essence is enlightenment”, the construct being bodhi (enlightenment) + sattva (essence).  Dating from the early nineteenth century, a Bodhisattva is a person who has attained prajna (Enlightenment) but who postpones Nirvana (ie remaining in earthly existence) in order to help others attain Enlightenment.  In some Buddhist sects, certain Bodhisattvas are treated as living saints and are the subjects of devotion, represented sometimes as divine in artworks (the practice controversial in some Buddhist circles).

Arhat appears in the Ṛigveda with in the sense of "deserving”.  Rigveda (or Rig Veda, Rgveda, Rg Veda & Rug Veda) was from the Sanskrit ऋग्वेद (ṛg-vedá) (veda of praise), the construct being ऋच् (ṛ́c) (praise, verse) + वेद (véda) (knowledge).  It was an ancient Indian Veda and sacred collection of Vedic Sanskrit hymns (sūktas) and one of the four sacred canonical Hindu texts (śruti) known as the Vedas and today, apart for the largely extant Śakalya Shakha, only fragments remain.  The Rigveda is the oldest known of the Vedic Sanskrit texts which date from 1700-1100 BC.

In prayer: A Buddha statue and Lindsay Lohan.  In translation, arhat is sometimes rendered in English as arahat while in the Far East, the transliteration was often phonetic and in the Chinese 阿羅漢 (āluóhàn) it was often shortened to 羅漢 (luóhàn) and, via the Raj, this was picked up in English as Lohan or luohan whereas in Japanese the pronunciation of the Chinese characters was arakan (阿羅漢) or rakan (羅漢).