Rat

Rat (pronounced ratt)

(1) In zoology, any of several long-tailed rodents of the family Muridae, of the genus Rattus and related genera, distinguished from the mouse by being larger.

(2) In (scientifically inaccurate) informal use, any of the numerous members of several rodent families (eg voles & mice) that resemble true rats in appearance, usually having a pointy snout, a long, bare tail, and body length greater than 5 inches (120 mm).

(3) In hairdressing, a wad of shed hair used as part of a hairstyle; a roll of material used to puff out the hair, which is turned over it.

(4) In the slang of certain groups in London, vulgar slang for the vagina.

(5) As “to rat on” or “to rat out”, to betray a person or party, especially by telling their secret to an authority or enemy; to turn someone in.

(6) One of a brace of rodent-based slang terms to differentiate between the small-block (mouse motor) and big-block (rat motor) Chevrolet V8s built mostly in the mid-late twentieth century but still available (as "crate" engines) from US manufacturers.

(7) As RAT, a small turbine that is connected to a hydraulic pump, or electrical generator, installed in an aircraft and used as a power source.

(8) Slang term for a scoundrel, especially men of dubious morality.

(9) In the criminal class and in law enforcement, slang for an informer.

(10) In politics, slang for a person who abandons or betrays his party or associates, especially in a time of trouble.

(11) Slang for a person who frequents a specified place (mall rat, gym rat etc).

(12) In hairdressing, a pad with tapered ends formerly used in women's hair styles to give the appearance of greater thickness.

(13) In the slang of blue-water sailors, a place in the sea with rapid currents and crags where a ship is prone to being broken apart in stormy weather.

(14) In zoology (in casual use), a clipping of muskrat.

Pre 1000: From the Middle English ratte, rat & rotte, from the Old English ræt & rætt, and the Latin rodere from the Proto-Germanic rattaz & rattō (related also to the West Frisian rôt, the German Ratz & Ratte and the Swedish råtta & the Dutch rat), of uncertain origin but perhaps from the primitive Indo-European rehed- (to scrape, scratch, gnaw).  Zoological anthropologists however point out it’s possible there were no populations of rats in the Northern Europe of antiquity, and the Proto-Germanic word may have referred to a different animal.  The attestation of this family of words dates from the twelfth century.  Some of the Germanic cognates show considerable consonant variation such as the Middle Low German ratte & radde and the Middle High German rate, ratte & ratze, the irregularity perhaps symptomatic of a late dispersal of the word, although some etymologists link it with the Proto-Germanic stem raþō (nom); ruttaz (gen), the variations arising from the re-modellings in the descendants.

Mall rats.  In North America and other developed markets, there is now less scope for habitués because changing consumer behavior has resulted in a dramatic reduction in the volume of transactions conducted in physical stores and some malls are being either abandoned or re-purposed (health hubs and educational facilities being a popular use).  

The human distaste for these large rodents has made rat a productive additive in English.  Since the twelfth century it’s been applied (usually to a surname) to persons either held to resemble rats or share with them some characteristic or perception of quality with them. The specific sense of "one who abandons his associates for personal advantage" is from the 1620s, based on the belief that rats leave a ship about to sink or a house about to fall, and this led to the meaning "traitor” or “informant" although, perhaps surprisingly, there no reference to rat in this sense prior to 1902 where as the modern-sounding sense of associative frequency (mall-rat, gym-rat etc) was noted as early as 1864, firstly as “dock-rat”.  Dr Johnson dates “to smell a rat”, based on the behaviour of cats, to the 1540s.  Sir Boyle Roche (1736-1807), was an Irish MP famous for mangled phrases and mixed metaphors, of the best remembered of which was “I smell a rat; I see him forming in the air and darkening the sky; but I'll nip him in the bud".  There’s the rat-terrier (1852), the rat-catcher (1590s), the rat-snake (1818), rat-poison, (1799), the rat trap (late 1400s), the rat-pack (1951) and rat-hole which in 1812, based on the holes gnawed in woodwork by rats meant “nasty, messy place”, the meaning extended in 1921 to a "bottomless hole" (especially one where money goes).  Ratfink (1963) was juvenile slang either coined or merely popularized by US custom car builder Ed "Big Daddy" Roth (1932-2001), who rendered a stylised rat on some of his creations, supposedly to lampoon Mickey Mouse.

Cricket's most infamous rat (mullygrubber), MCG (Melbourne Cricket Ground), 1 February, 1981.  In the 1970s brown & beige really had been a fashionable color combination but this was the combo's death knell.

Rat has a specific meaning in the cricketing slang of the West Indies, referring to a ball which, after being delivered by the bowler, rather than bouncing off the pitch at some angle, instead runs along the ground, possibly hitting the stumps with sufficient force to dislodge the bails, dismissing the batsman, the idea being of a rat scurrying across the ground.  In Australian slang, the same delivery is called a mullygrubber which, although it sounds old-fashioned, is said to date only from the 1970s, the construct thought based on the dialectal rural term mully (dusty, powdery earth) + grub(ber) in the sense of the grubs which rush about in the dirt if disturbed in such an environment.  Such deliveries are wholly serendipitous (for the bowler) and just bad luck (for the batsman) because it's not possible for such as ball to be delivered on purpose; they happen only because of the ball striking some crack or imperfection in the pitch which radically alters it usual course to a flat trajectory.  If a batsman is dismissed as a result, it's often called a "freak ball" or "freak dismissal".  Of course if a ball is delivered underarm a rat is easy to effect but if a batsman knows one is coming, while it's hard to score from, it's very easy to defend against.  The most infamous mullygrubber was bowled at the Melbourne Cricket Ground (MCG) on 1 February 1981 when, with New Zealand needing to score six (by hitting the ball, on the full, over the boundary) of the final delivery of the match, the Australian bowler sent down an underarm delivery, the mullygrubber denying the batsman the opportunity to score and securing an Australian victory.  Although then permissible within the rules, it was hardly in the spirit of the game and consequently, the regulations were changed.

The Ram Air Turbine

Ram Air Turbine (RAT) diagram.

The Ram Air Turbine (RAT) is a small, propeller-driven turbine connected to a hydraulic pump, or electrical generator, installed in an aircraft to generate emergency power.  In an emergency, when electrical power is lost, the RAT drops from the fuselage or wing into the air-stream where it works as a mini wind-turbine, providing sufficient power for vital systems (flight controls, linked hydraulics and flight-critical instrumentation).

Vickers VC10 in BOAC (British Overseas Airways Corporation (1939-1974) livery.

Built between 1962-1970, although fast and a favorite with passengers because the rear-engine layout guaranteed a quiet cabin, only 54 VC10s were built and, in a market dominated by Boeing's epoch-making 707 (1956-1978), success proved elusive.  Even before the 747 in 1969 ushered in the wide-body era it was clear the elegant VC10 was a cul-de-sac but the airframe enjoyed a long career.  The RAF (Royal Air Force) had some configured as VIP transports and the last of those used as tankers for in-flight re-fueling platforms weren't retired until 2013.

Most modern commercial airliners are equipped with RATs, the first being installed on the Vickers VC10 in the early 1960s and the big Airbus A380 has the largest RAT propeller in current use at 64 inches (1.63 metres) but most are about half this size.  It’s expected as modern airliners begin increasingly to rely on electrical power, either propeller sizes will have to increase or additional RATs may be required, the latter sometimes the desirable choice because of the design limitations imposed by the height of landing gear.  A typical large RAT can produce from 5 to 70 kW but smaller, low air-speed models may generate as little as 400 watts.  Early free-fall nuclear weapons used rats to power radar altimeters and firing circuits; RATS being longer-lasting and more reliable than batteries.  

A RAT deployed.

The airline manufacturers have been exploring whether on-board fuel-cell technology can be adapted to negate the need for RAT, at least in the smaller, single-aisle aircraft where the weight of such a unit might be equal to or less than the RAT equipment.  The attraction of housing in an airliner's wing-body fairing is it would be a step towards the long-term goal of eliminating an airliner's liquid-fuelled auxiliary turbine power unit.  Additionally, if the size-weight equation could be achieved, there’s the operational advantage that a fuel-cell is easier to test than a RAT because, unlike the RAT, the fuel-cell can be tested without having to power-up most of the system.  The physics would also be attractive, the power from a fuel cell higher at lower altitudes where as the output of a RAT declines as airspeed decreases, a potentially critical matter given it’s during the relatively slow approach to a landing that power is needed to extend the trailing edge of the wing flaps and operate other controls.

If the weight and dimensions of the fuel cell is at least "comparable" to a RAT and the safety and durability testing is successful, at least on smaller aircrafts, fuel-cells might be an attractive option for new aircraft although, at this stage, the economics of retro-fitting are unlikely to be compelling.  Longer term research is also looking at a continuously running fuel cell producing oxygen-depleted exhaust gas for fuel-tank inerting (a safety system that reduces the risk of combustion in aircraft fuel tanks by lowering the oxygen concentration in the ullage (the space above the fuel) to below the level needed to support a fire, typically by replacing oxygen with an inert gas like nitrogen), and water for passenger amenities, thereby meaning an aircraft could be operated on the on the ground without burning any jet-fuel, the fuel-cell providing power for air conditioning and electrical systems.

1944 Messerschmitt Me 163 Komet  (1944-1945).

The only rocket-powered fighter ever used in combat, the Messerschmitt Me 163 Komet had a small RAT in the nose to provide electrical power.  The early prototypes of the somewhat more successful (and much more influential) Messerschmitt Me 262 jet fighter also had a propeller in the nose for the first test flights but it wasn't a a RAT; it was attached to a piston engine which was there as an emergency backup because of the chronic unreliability of the early jet engines.  It proved a wise precaution, the jets failing on more than one occasion.

1974 Suzuki's air-cooled GT380 Sebring with Ram Air System (left) and 1975 Suzuki GT750 with water-cooling (right).

The other “Ram Air” was Suzuki’s RAS (Ram Air System), fitted to the GT380 Sebring (1972-1980) and GT550 Indy (1972-1977) as well as (off and on) several version of the smaller two-cylinder models.  It wasn’t used on the water-cooled GT750 Le Mans (1972-1977) because the radiator acted to impede the airflow to the engine.

The GT380, GT550 and GT750 were two-stroke triples noted for an unusual 3-into-4 exhaust system which the central header-pipe was bifurcated, thus permitting four tail-pipes.  There was no justification in engineering for this (indeed it added cost and weight) and it existed purely for visual effect, allowing an emulation of the look on the four-cylinder Hondas and Kawasakis.  Ironically, despite the additional metal, the asymmetric 3-into-3 system on the Kawasaki triples (1969-1976) is better remembered although the charismatic (if sometimes lethal) qualities of the machines may be a factor in that; exhaust systems do exert a powerful fascination for motor-cyclists.  The RAS was nothing more than a cast aluminum shroud fixed atop the cylinder head to direct air-flow, enhancing upper cylinder cooling.  The “ram air” idea had been used in the 1960s by car manufacturers to “force feed” cool air directly into induction systems and when tested it did in certain circumstances increase power but whether Suzuki's RAS delivered more efficient cooling isn’t clear.  When the twin-cylinder GT250 Hustler (1971-1981 and thus pre-dating the pornography magazine Hustler, first published in 1974) was revised in 1976, the RAS was deleted and replaced by conventional fins without apparent ill-effect but the RAS was light, cheap to produce, maintenance-free and looked sexy so some advantages were certainly there.  Interestingly, the companion GT185 (1973-1978) retained the RAS for the model’s entire production.

Big and small-block Chevrolet V8s: the Rat and the Mouse

Small and big-block Chevrolet V8s compared, the small-block (mouse) to the left in each image, the big-block (rat) to the right.

Mouse and rat are informal terms used respectively to refer to the classic small (1955-2003) and big-block Chevrolet V8s (1958-2021).  The small-block was first named after a rodent although the origin is contested; either it was (1) an allusion to “mighty mouse” a popular cartoon character of the 1950s, the idea being the relatively small engine being able to out-perform many bigger units from other manufacturers or (2) an allusion to the big, heavy Chrysler Hemi V8s (the first generation (Firepower) 331 cubic inch (5.4 litre), 354 (5.8) & 392 (6.4) versions) being known as “the elephant”, the idea based on the widely held belief elephants are scared of mice (which may actually be true although the reason appears not to be the long repeated myth it’s because they fear the little rodents might climb up their trunk).  Zoologically, "bee" might have been a better choice; elephants definitely are scared of bees.  The mouse (small-block) and rat (big-block) distinction is simple to understand: the big block is externally larger although, counterintuitively, the internal displacement of some mouse motors was greater than some rats.  

1970 Chevrolet Chevelle SS 396 (with 402 cid V8).

Whether that seeming anomaly (actually common throughout the industry during the big-block era) amused or disturbed the decision-makers at Chevrolet isn't known but in 1970 when the small block 400 (6.6) was introduced, simultaneously the big-block 396 (6.5) was enlarged to 402 (6.6) but the corporation then muddied the waters by continuing to call the 402 a "Turbo-Jet 396" when fitted to the intermediate class Chevelle, the rationale presumably that "SS 396" had such strong "brand recognition".  Available since 1965, by 1969 the SS 396 Chevelle was finally out-selling the Pontiac GTO (which in 1964 had seeded the muscle car movement) so the attachment was understandable.  Further to confuse people, the 400 was advertised as the "Turbo-Fire 400" while if fitted to the full-size line, the 402 was called the "Turbo-Jet 400".  Presumably, the assumption was anyone understanding the 400 & 402 ecosystems would buy the one they wanted while those not in the know would neither notice nor care.  Nor was the deviation in displacement between what was on the badge and what lay beneath the hood (bonnet) exclusive to Chevrolet, there being a long list of things not quite what was on the label although the true specifications usually were listed in the documentation and even the advertising.  The variations occurred for a number of reasons but rarely was there an attempt to deceive, even if sometimes things were left unstated or relegated to the small print.

The “428 Cobra Matter”

That’s not to say there were no disputes about the difference between what was “in the tin” compared with what was “on the tin”.  In June 1969, a certain Mr Karl Francis “Fritz” Schiffmayer (1935-2010) of Lake Zurich, Illinois, wrote to Ford’s customer relations department complaining about the “427 Ford Cobra” he had purchased (as a new car) from a Chicago “Ford Dealer”.  What disappointed Mr Shiffmayer was the performance which didn’t match the widely publicized numbers achieved by many testers and, perhaps more to the point, he found his “$8500 Super Ford could barely keep up with” various $5000 Chevrolets.  For a Ford driver, few things could be more depressing.  Upon investigation, he discovered that despite “‘427’ signs all over the engine and the front fenders”, his car was not “a ‘427’ as advertised and labelled but a ‘428’”.  Both V8s were around seven litres but were in many ways not comparable.

Mr Shiffmayer's letter to Ford, 23 June 1969.

Notionally, Mr Shiffmayer got more than he paid for (ie 428 v 427 is nominally an extra cubic inch) and had he bought a dozen (12) bread rolls from the bakery and been supplied a “baker’s dozen” (13) there’d have been no grounds for complaint because bread rolls are a “fungible” (ie functionally identical) so getting 13 is always better than getting 12 at the same price.  However, the 427 and 428 engines, although from the same FE (Ford-Edsel) family and externally similar (until closely inspected), were very different internally with the former notably more oversquare (ie big-bore) and fitted with cross-bolted main bearings; additionally, the 427s used in the Cobras featured “side-oiling”, a more extensive system of lubrication which afforded priority deliver of oil to the bottom-end, making the engine more robust and better suited to the extreme demands of competition.  By contrast, the a Cobra’s 428 was a modified version of the “Police Interceptor 428”, a high-output edition of a powerplant usually found in Ford’s full-sized line including luxury cars and station wagons where it’s smoothness and effortless low-speed torque was appreciated.  The “Police Interceptor” specification was literally that: the engine used by law enforcement in highway patrol vehicles and for street use, it offered a useful lift in performance but it was not suitable for racetracks.  Later, Ford would “mix & match” the 427 & 428 to create the 428 Cobra Jet, the 427’s heads, intake manifold and some other “bolt-on” bits & pieces creating a combination of power and torque close to ideal for ¼ mile (402 m) runs down drag strips although even then Ford cheated, under-rating the output so the cars would be placed in a different category.  That year, in drag racing, the 428 Cobra Jet Mustangs dominated their class which prompted the sanctioning body to change the rules, imposing their own nominal output ratings rather than accepting those of the manufacturer.  Still, even the Cobra Jet 428 remained suitable only for street and strip because ¼ mile runs were done in a straight line and, without the cross-bolting and enhanced lubrication, it wouldn’t have matched the 427’s ability to endure the extreme lateral forces encountered on high-speed circuits.

AC Shelby Cobra CSX3209 after 427 transplant.

That “427 Cobras” with 428 engines even existed was a product of circumstances rather than planning.  Although now million dollar collectables, it’s sometimes forgotten the 427 Cobra was a commercial failure and that meant production numbers never reached the levels required for homologation to be granted for competition in the category for which it was intended so as well as not selling as well as the small block predecessors on which the model’s reputation was built, nor did the seven litre version ever match its success on the track.  When it came time to build the second batch of 100 427 Cobras, the engine was in short supply because the intricacies in construction, coupled with the wider bore being at the limit the block would accommodate (at the foundry, with a slight shifting of the casting cores, a 427 block would have to be scrapped), it was expensive to produce and inconvenient for Ford to schedule in the small batches the sales supported.  The cheap, mass-produced 428 Police Interceptor was both readily available and half the cost so it was an attractive alternative for Shelby and that it bolted straight without needing any changes made it more desirable still; thus 428-powered “427s”.  For the final run of 48, Shelby procured from Ford genuine 427 side-oilers so the 100 428s were a minority of the big-blocks used and many have since been converted (“rectified” some prefer to say) with the substitution of a 427.  Interestingly, four of the 428s were fitted with automatic transmissions which actually made them more-suitable for street use but nobody seems subsequently have done this as a modification.

Shelby American's reply to Mr Shiffmayer, 21 July 1969.

As it was, As it was, Mr Shiffmayer decided to persevere and kept Shelby Cobra CSX3209 until he died, in the 1970s replacing the 428 with a specially built “tunnel port” (a trick with the pushrods to optimize the fluid dynamics of the fuel-air flow) 427.  Whether he was impressed with the reply (Ford referred his letter to Shelby American) he received in response to his complaint isn’t known but it’s an interesting document for a number of reasons:

(1) “…during the five year existence of the Cobra, three engines were used, the 289, the 427 and the 428.”  Actually, the first 75 used the 260.

(2) “Only a very few of the 959 Cobras built contained the 427 engine.”  Actually of the 998 built (in fairness this wasn’t in 1969 the agreed “final count” but it’s hard to understand how 959 was calculated) more than 150 had the 427 and whether this constitutes “very few” is debatable but it’s also not relevant to the complaint.

(3) “The 427 is a nomenclature such as the GT-500 is for the Shelby car.  It does not relate to the cubic displacement of the engine.  We are sorry that this misunderstanding occurred.”  Actually, when the Cobra 427 was released, “427” was a direct reference to displacement.  The “GT500” label was never likely to cause a “misunderstanding” because (1) there was no Ford 500 cid engine and (2) the GT500 was always advertised as being equipped with the 428.

Indisputably as labeled: 1966 Shelby 427 S/C Cobra (CSX 3040).  In 2018, it sold at auction for US$2,947,500.

So, the letter from Shelby really wasn’t a great deal of help (it was dated the day after man set foot on the moon so perhaps the writer's attention was divided).  Were such a case now to go to court several matters would need to be considered:

Was it notorious (ie widely known; common knowledge) in the circles of potential purchasers of such a car that some were powered by 427s and some by 428s and the differences between the two were well documented?  According to some sources, it was only after the “428 Cobra matter” began to attract comment that sales literature was updated to reflect the changed specification while others maintain publication was concurrent with production.

Was the fact the car had only “427” badges an indication of which engine was fitted or just a “model name” al la the Shelby GT500 (which used a 428) & GT350 (which used either a 289 or 302 (and later a 351))?  That originally (in 1965) “427” was a reference to the 427 engine seem incontestable but the question would be whether this changed to a mere “model name” when the 428 was adopted.  It would seem the evidential onus of proof of that would rest with Shelby American.

When making the decision to purchase, did the buyer rely on representations from an authority (in this case a “Ford dealer”) which might reasonably have been expected to (1) possess and (2) communicate all relevant facts?  In that matter, the court would need to consider whether, in the circumstances, there is any substantive difference between a “Ford dealer” and a “Shelby franchised dealer”.  This would be decided by (1) any competing claims from the parties and (2) what documents were supplied prior to or at the point of purchase.

Is it relevant that in 1966-1967 when Ford offered both the 427 & 428 in the Galaxie, that car was sold as the “7 Litre” (they really did use the French spelling) irrespective of which seven litre (427 or 428) V8 was fitted?  Given that, should the Cobra have been thus labelled and was the continued use of the 427 badge a misrepresentation in 428-powered cars?

Was the dealer aware of the buyer’s background?  Mr Shiffmayer was (1) an engineer with a degree in mechanical engineering from the University of Wisconsin and (2) he was not only an owner of a 289 Shelby Cobra but also raced it with notable success.  If the dealer was aware of those facts that doesn’t absolve them of a responsibility fully to disclose all relevant information but a court could consider it a mitigating factor.  If the dealer was aware those facts, what would then have to be considered is whether it would have been reasonable for it to be assumed the buyer either knew of the mechanical details or could reasonably have been expected to know.

Evidence: Shelby American "Shelby Cobra 427" spec sheet listing the 428 as the engine, thereby suggesting "427" was a model name rather than a reference to a specific engine.  The significance of this document rests on whether it appeared before or after Shelby American began selling 428 powered Cobras.   

Cereal & Serial

Cereal (pronounced seer-ee-uhl)

(1) Any plant of the grass family yielding an edible grain (wheat, rye, oats, rice, corn, maize, sorghum, millet et al).

(2) The grain from those plants.

(3) An edible preparation of these grains, applied especially to packaged, (often process) breakfast foods.

(4) Of or relating to grain or the plants producing it.

(5) A hamlet in Alberta, Canada.

(6) As Ceres International Women's Fraternity, a women's fraternity focused on agriculture, founded on 17 August 1984 at the International Conclave of FarmHouse fraternity.

1590s: From the sixteenth century French céréale (having to do with cereal), from the Latin cereālis (of or pertaining to the Roman goddess Ceres), from the primitive Indo-European ker-es-, from the root ḱer- (to grow”) from which Latin gained also sincerus (source of the English sincere) and crēscō (grow) (source of the English crescent).  The noun use of cereal in the modern sense of (a grass yielding edible grain and cultivated for food) emerged in 1832 and was developed from the adjective (having to do with edible grain), use of which dates from 1818, also from the French céréale (in the sense of the grains).  The familiar modern use (packaged grain-based food intended for breakfast) was a creation of US English in 1899.  If used in reference to the goddess Ceres, an initial capital should be used.  Cereal, cereology & cerealogist are nouns and ceralic is an adjective; the noun plural is cereals.

Lindsay Lohan mixing Pilk.

Cereal is often used as modifier (cereal farming, cereal production, cereal crop, non-cereal, cereal bar, pseudocereal, cereal dust etc) and a cereologist is one who works in the field of cerealogy (the investigation, or practice, of creating crop circles).  The term “cereal killer” is used of one noted for their high consumption of breakfast cereals although some might be tempted to apply it to those posting TikTok videos extolling the virtue of adding “Pilk” (a mix of Pepsi-Cola & Milk) to one’s breakfast cereal.  Pilk entered public consciousness in December 2022 when Pepsi Corporation ran a “Dirty Sodas” promotion for the concoction, featuring Lindsay Lohan.  There is some concern about the high sugar content in packaged cereals (especially those marketed towards children) but for those who want to avoid added sugar, Pepsi Corporation does sell “Pepsi Max Zero Sugar” soda and Pilk can be made using this.  Pepsi Max Zero Sugar contains carbonated water, caramel color, phosphoric acid, aspartame, acesulfame potassium, caffeine, citric acid, potassium benzoate & calcium disodium EDTA.

TikTok, adding Pilk to cereal and the decline of Western civilization.

A glass of Pilk does of course make one think of Lindsay Lohan but every mouthful of one’s breakfast cereal is something of a tribute to a goddess of Antiquity.  In 496 BC, Italy was suffering one of its periodic droughts and one particularly severe and lingering, the Roman fields dusty and parched.  As was the practice, the priests travelled to consult the Sibylline oracle, returning to the republic’s capital to report a new goddess of agriculture had to be adopted and sacrifices needed immediately to be made to her so rain would again fall on the land.  It was Ceres who was chosen and she became the goddess of agriculture and protector of the crops while the caretakers of her temple were the overseers of the grain market (they were something like the wheat futures traders in commodity exchanges like the Chicago Board of Trade (CBOT)).  It was the will of the goddess Ceres which determined whether a harvest was prolific or sparse and to ensure abundance, the Romans ensured the first cuttings of the corn were always sacrificed to her.  It’s from the Latin adjective cereālis (of or pertaining to the Roman goddess Ceres) English gained “cereal”.

For millennia humanity’s most widely cultivated and harvested crop, cereal is a grass cultivated for its edible grain, the best known of which are rice, barley, millet, maize, rye, oats, sorghum & wheat.  Almost all cereals are annual crops (ie yielding one harvest per planting) although some strains of rice can be grown as a perennial and an advantages of cereals is the differential in growth rates and temperature tolerance means harvesting schedules can be spread from mid-spring until late summer.  Except for the more recent hybrids, all cereals are variations of natural varieties and the first known domestication occurred early in the Neolithic period (circa 7000–1700 BC).  Although the trend in cultivated area and specific yield tended over centuries to display a gradual rise, it was the “green revolution” (a combination of new varieties of cereals, chemical fertilizers, pest control, mechanization and precise irrigation which began to impact agriculture at scale in the mid twentieth century) which produced the extraordinary spike in global production.  This, coupled with the development of transport & distribution infrastructure (ports and bulk carriers), made possible the increase in the world population, now expected to reach around 10 billion by mid-century before declining.

Serial (pronounced seer-ee-uhl)

(1) Anything published, broadcast etc, in short installments at regular intervals (a novel appearing in successive issues of a magazine (ie serialized); a radio or TV series etc).

(2) In library & publishing jargon, a publication in any medium issued in successive parts bearing numerical or chronological designation and intended to be continued indefinitely.

(3) A work published in installments or successive parts; pertaining to such publication; pertaining to, arranged in, or consisting of a series.

(4) Occurring in a series rather than simultaneously (used widely, serial marriage; serial murderer, serial adulterer etc).

(5) Effecting or producing a series of similar actions.

(6) In IT, of or relating to the apparent or actual performance of data-processing operations one at a time (in the order of occurrence or transmission); of or relating to the transmission or processing of each part of a whole in sequence, as each bit of a byte or each byte of a computer word.

(7) In grammar, of or relating to a grammatical aspect relating to an action that is habitual and ongoing.

(8) In formal logic and logic mathematics (of a relation) connected, transitive, and asymmetric, thereby imposing an order on all the members of the domain.

(9) In engineering & mass-production (as “serial number”), a unique (to a certain product, model etc) character string (which can be numeric or alpha-numeric) which identifies each individual item in the production run.

(10) In music, of, relating to, or composed in serial technique.

(11) In modern art, a movement of the mid-twentieth century avant-garde in which objects or constituent elements were assembled in a systematic process, in accordance with the principles of modularity.

(12) In UK police jargon, a squad of officers equipped with shields and other protective items, used for crowd and riot control.

1823: From the New Latin word seriālis, from the Classical Latin seriēs (series), the construct being serial + -al on the Latin model which was seriēs + -ālis.  It was cognate to the Italian seriale.  The Latin seriēs was from serere (to join together, bind), ultimately from the primitive Indo-European ser- (to bind, put together, to line up).  The -al suffix was from the Middle English -al, from the Latin adjectival suffix -ālis, ((the third-declension two-termination suffix (neuter -āle) used to form adjectives of relationship from nouns or numerals) or the French, Middle French and Old French –el & -al.  It was use to denote the sense "of or pertaining to", an adjectival suffix appended (most often to nouns) originally most frequently to words of Latin origin, but since used variously and also was used to form nouns, especially of verbal action.  The alternative form in English remains -ual (-all being obsolete).  The –alis suffix was from the primitive Indo-European -li-, which later dissimilated into an early version of –āris and there may be some relationship with hel- (to grow); -ālis (neuter -āle) was the third-declension two-termination suffix and was suffixed to (1) nouns or numerals creating adjectives of relationship and (2) adjectives creating adjectives with an intensified meaning.  The suffix -ālis was added (usually, but not exclusively) to a noun or numeral to form an adjective of relationship to that noun. When suffixed to an existing adjective, the effect was to intensify the adjectival meaning, and often to narrow the semantic field.  If the root word ends in -l or -lis, -āris is generally used instead although because of parallel or subsequent evolutions, both have sometimes been applied (eg līneālis & līneāris).  Serial, serializer , serialization serialism & serialist are nouns, serialing, serialize & serialed are verbs, serializable is an adjective and serially is adverb; the noun plural is serials.

The “serial killer” is a staple of the horror film genre.  Lindsay Lohan’s I Know Who Killed Me (2007) was not well received upon release but it has since picked up a cult following.

The adjective serial (arranged or disposed in a rank or row; forming part of a series; coming in regular succession) seems to have developed much in parallel with the French sérial although the influence of one on the other is uncertain.  The word came widely to be used in English by the mid nineteenth century because the popular author Charles Dickens (1812–1870) published his novels in instalments (serialized); sequentially, chapters would appear over time in periodicals and only once the series was complete would a book appear containing the whole work.  The first use of the noun “serial” to mean “story published in successive numbers of a periodical” was in 1845 and that came from the adjective; it was a clipping of “serial novel”.  By 1914 this had been extended to film distribution and the same idea would become a staple of radio and television production, the most profitable for of which was apparently the “mini-series”, a term first used in 1971 although the concept had been in use for some time.  Serial number (indicating position in a series) was first recorded in 1866, originally of papers, packages and such and it was extended to soldiers in 1918.  Surprisingly perhaps, given the long history of the practice, the term, “serial killer” wasn’t used until 1981 although the notion of “serial events” had been used of seemingly sequential or related murders as early as the 1960s.  On that model, serial became a popular modifier (serial rapist, serial adulterer, serial bride, serial monogamist, serial pest, serial polygamy etc)

For those learning English, the existence of the homophones “cereal” & “serial” must be an annoying quirk of the language.  Because cereals are usually an annual crop, it’s reasonable if some assume the two words are related because wheat, barley and such are handled in a “serial” way, planting and harvesting recurrent annual events.  Doubtless students are told this is not the case but there is a (vague) etymological connection in that the Latin serere meant “to join together, to bind” and it was used also to mean “to sow” so there is a connection in agriculture: sowing seeds in fields.  For serial, the connection is structural (linking elements in a sequence, something demonstrated literally in the use in IT and in a more conceptual way in “serial art”) but despite the differences, both words in a way involve the fundamental act of creating order or connection.

Serial art by Swiss painter Richard Paul Lohse (1902–1988): Konkretion I (Concretion I, 1945-1946), oil on pavatex (a wood fibre board made from compressed industrial waste) (left), Zwei gleiche Themen (Two same topics, 1947), colored pencil on paper (centre) and  Konkretion III (1947), oil on pavatex.

In modern art, “serial art” was a movement of the mid-twentieth century avant-garde in which objects or constituent elements were assembled in a systematic process in accordance with the principles of modularity.  It was a concept the legacy of which was to influence (some prefer “infect”) other artistic schools rather than develop as a distinct paradigm but serial art is still practiced and remains a relevant concept in contemporary art.  The idea was of works based on repetition, sequences or variations of a theme, often following a systematic or conceptual approach; the movement was most active during the mid-twentieth century and a notable theme in Minimalism, Donald Judd (1928-1994), Andy Warhol (1928–1987), Sol LeWitt (1928-2007) (there must have been something “serial” about 1928) and Richard Paul Lohse (1902-1988) all pioneers of the approach.  Because the techniques of the serialists were adopted by many, their style became interpolated into many strains of modern art so to now speak of it as something distinctive is difficult except in a historic context.  The embrace by artists of digital tools, algorithms, and AI (Artificial Intelligence) technologies has probably restored a new sort of “purity” to serial art because generative processes are so suited to create series of images, sculptures or digital works that explore themes like pattern, progression, or variation, the traditional themes of chaos, order and perception represented as before.  In a way, serial art was just waiting for lossless duplication and the NFT (Non-fungible token) and more conservative critics still grumble the whole idea is little different to an architect’s blueprint which documents the structural framework without the “skin” which lends the shape its form.  They claim it's the engineering without the art.

Relics of the pre-USB age; there were also 25 pin serial ports.

In IT hardware, “serial” and “parallel” refer to two different methods of transmitting data between devices or components and the distinction lies in how data bits are sent over a connection.  In serial communication, data was transmitted one bit at a time over as little as single channel or wire which in the early days of the industry was inherently slow although in modern implementations (such as USB (Universal Serial Bus) or PCIe (Peripheral Component Interconnect Express)) high speeds are possible.  Given what was needed in the early days, serial technology was attractive because the reduction in wiring reduced cost and complexity, especially over the (relatively) long distances at which serial excelled and with the use of line-drivers, the distances frequently were extended to hundreds of yards.  The trade-off was of course slower speed but these were simpler times.  In parallel communication, data is transmitted multiple bits at a time, each bit traveling simultaneously over its own dedicated channel and this meant it was much faster than serial transmission.  Because more wires were demanded, the cost and complexity increased, as did the potential for interference and corruption but most parallel transmission was over short distances (25 feet (7½ metres) was “long-distance”) and the emergence of “error correcting” protocols made the mode generally reliable.  For most, it was the default method of connecting a printer and for large file sizes the difference in performance was discernible, the machines able to transmit more data in a single clock cycle due to simultaneous bit transmission.  Except for specialized applications or those dealing with legacy hardware (and in industries like small-scale manufacturing where such dedicated machines can be physically isolated from the dangers of the internet, parallel and serial ports and cables continue to render faithful service) parallel technology is effectively obsolete and serial connections are now almost universally handled by the various flavours of USB.

Protocol

Protocol (pronounced proh-tuh-kawl, proh-tuh-kol or proh-tuh-kohl)

(1) In government (applied especially to the diplomatic service), the customs and regulations dealing with diplomatic formality, precedence, and etiquette.

(2) By extension, an accepted code of conduct; acceptable behavior in a given situation or group.

(3) In diplomacy or other intra- & inter-governmental relations, an original draft, minute, or record from which a document, especially a treaty, is prepared.

(4) An agreement between states (or other national or international entities) or a supplementary international agreement (some notably being secret).

(5) An annex to a treaty containing technical data, definitions etc.

(6) In clinical medicine, the plan of a patient's treatment regimen (which can be a generalized document).

(7) In academic research (especially in medical trials including living subjects), the details, standards & safeguards etc.

(8) In computing, a set of rules governing the format in which data must exist to communicate between devices.

(9) In philosophy, a statement reporting an observation or experience in the most fundamental terms (ie without any commentary or other interpretative layers (and sometimes taken as the basis of empirical verification, as of scientific laws).  It’s known also as the protocol statement, protocol sentence & protocol proposition

(10) To draft, submit for consideration or issue a protocol; to make a protocol of; to make or write protocols; to issue protocols (actual use now probably extinct although such forms do still exist in some diplomatic manuals).

(11) In the Roman Catholic Church, (1) the introduction of a liturgical preface, immediately following the Sursum corda (lift up your hearts) dialogue & (2) an official list (technical details or consequential documents) which, since the late nineteenth century have sometimes been appended (at the beginning or end) to documents such as charters and papal bulls.

1535–1545: From the earlier protocoll, from the Middle French protocolle & protocole (document, record), from the Medieval Latin prōtocollum, from the Byzantine Greek πρωτόκολλον (prōtókollon) (the first kóllēma (a leaf or tag) glued to a rolled papyrus manuscript, listing the contents), the construct being πρῶτος (prôtos) (first) + κόλλα (kólla) (glue).  A kóllēma was “something bound or glued together”.  Proto- was a learned borrowing from the Ancient Greek πρωτο- (prōto-) from πρῶτος (prôtos) (first), superlative of πρό (pró) (before).  In the mid-fifteenth century the spelling prothogol had been used (meaning literally “prologue”) and by the 1540s prothogall (draft of a document, minutes of a transaction or negotiation, original of any writing”, again from the thirteenth century French prothocole (which in Modern French persists as protocole) was in use.  Protocol is a noun & verb, protocolar is a noun, protocoled & protocolled are verbs and protocolary & protocolic are adjectives; the noun plural is protocols.

The plural form was kollēmata (sheets of papyrus glued together to form a roll) and on the basis of those extant or referenced elsewhere, each was typically between 16-24 sheets which, when un-rolled, extended to between 18-30 feet (5.5-9 m).  It’s not clear when use began but the earliest documented evidence of use is from the early medieval period.  A tube-like prōtókollon (usually of a rougher form of parchment but some seem to have been made from tree bark) protected a rolled-up scroll and the original was similar to what in modern publishing came to be called the colophon (containing variously copyright details, a mark of authentication, the date of publication, the font and typesetting data and the name of the author) although the usual function was to list a summary of the contents, any errata or the purpose of the work.

The Protocols of the Elders of Zion (with preface and explanatory notes), The Patriotic Publishing Co., Chicago, 1934.  Ludwig Rosenberger Library of Judaica.

All such things were of course those which comprised the framework of government & diplomacy and, by the mid-nineteenth century, French bureaucrats had formalized the protocol as (1) “an official record of a transaction & a diplomatic document” (especially an agreement between states to achieve certain things by peaceful means) and (2) “official norms of behavior or etiquette to be maintained between states and their ministers”.  The later sense was understood in English by at least 1896 and by 1952 it was in common use to describe “civilized behavior” in society generally, becoming a popular word in the etiquette guides which proliferated (along with the middle class) in the post-war years.  Long in thrall to all things French, the use relating to matters etiquette was late in the nineteenth century picked up by Russian diplomats and from the Tsar’s court it entered various state apparatuses (of which the Tsar had many), the foreign ministry creating protokóls for everything from the thickness of the carpet allowed in offices according to the rank of the occupant to the form of words to be used when declaring war.  The police used protokól as a heading of “official police records of a case, interview or incident” although the use in Russia will forever be associated with the infamous forgery Протоколы сионских мудрецов (Protokoly sionskikh mudretsov) (The Protocols of the (Learned) Elders of Zion (1903)), an anti-Semitic tract published in English under the title The Jewish Peril (1920).  Although debunked as a forgery as early as 1921, The Protocols of the Elders of Zion enjoyed a remarkable life in the twentieth century, accepted as authentic even by some otherwise respectable professors and it remains widely available.  It purports to be the minutes of a secret meeting held by Jewish leaders (known as the Elders of Zion), who met allegedly to conspire to control the world, manipulate governments, and establish a global Jewish domination.  There have been a number of theories about the origin of the protocols and its spread has been compared to the conspiracy theories published by QAnon on 4Chan and other places in that such things rely less on the authenticity of their content than the accessibility to an audience which, even in embryonic form, already maintains those views.

In computing, the terms "protocol" and "parameter" are (casually) sometimes used interchangeably and while it is true protocols contain many parameters, correctly, the two words refer to different concepts.  A protocol is a set of rules and conventions, the best known of which are those which govern the communication between devices in a network; it defines the format, timing, sequencing, and error control of the data packets which are the messages exchanged between these entities.  The significance of protocols is that they ensure diverse devices and systems can interact effectively, removing the need for the hardware to be substantially similar and in that they can be compared with operating systems which sit atop sometimes very different hardware.  The best known network protocols include HTTP (Hypertext Transfer Protocol), TCP/IP (Transmission Control Protocol/Internet Protocol) and SMTP (Simple Mail Transfer Protocol) although two of the oldest (RS-232, RS-422 & RS-485) serial communications protocols are still in use in the odd niche. By contrast, a parameter is a variable, a value passed to a function, procedure, or command in order to customize its behavior or provide input for its execution.  Parameters are helpful because they allow software to be flexible and adaptable by accepting different inputs without demanding changes to the code.  Parameters may be compared to the range of adjustments offered by the driver’s seat in a car.  Were no adjustments available, manufacturers would have to produce different models for people of different heights.

Lindsay Lohan released NFTs based on Trons’s TRC-721 protocol (functionally similar to Ethereum’s ERC-721).

The recent collapse in the non fungible token (NFT) market surprised few of the analysts who had predicted a bubble market based on selling something “non-fungible” which merely referenced something inherently fungible and infinitely duplicable wouldn’t long last and would be among the first victims of any instability in the wider economy.  Analysts always enjoy being able to say “I told you so”.  Still, the NFTs themselves (in the sense of the object on a blockchain) have a robustness which offers much promise as a kind of macro-title document and, if regulators can agree, the concept may have a future in fields like land title or ownership certificates for traded, high-value collectables.  The infrastructure is certainly beyond the embryonic because a number of blockchains have added support for NFTs since Ethereum created its ERC-721 standard.  ERC-721 is an “inheritable” protocol which means developers can create contracts by copying from a reference implementation, a contract able to be tracked to the owner of a unique identifier and it includes a mechanism by which ownership can be transferred.  Ethereum also developed the ERC-1155 protocol which (a little misleadingly), they described as offering a “semi-fungibility” whereby a token represents a class of interchangeable assets.  Ethereum did however demonstrate the inherent flexibility of the NFT approach even if they did little to improve the transactional speed although, if the protocols have a future in low-volume, high-value items such as land or collectable physical objects, that really matters little.  There were though other approaches and the Tron Network released their NFT model using Proof-of-Stake (PoS) which differs from Ethereum’s Proof-of-Work (PoW) based blockchain.  PoS & Tron’s TRC-721 protocol, cheaper and faster to use, attracted Lindsay Lohan when she released some “collectables” as NFTs.