Showing posts sorted by relevance for query Eschatology. Sort by date Show all posts
Showing posts sorted by relevance for query Eschatology. Sort by date Show all posts

Wednesday, September 6, 2023

Eschatology

Eschatology (pronounced es-kuh-tol-uh-jee)

(1) Any system of doctrines concerning last, or final, matters, as death, final judgments or the future state.

(2) The branch of theology dealing with such matters.

(3) Of or pertaining to the end of times, notably in Jewish, Christian and Islamic theology and in Christianity, associated particularly with the second coming of Christ, the Apocalypse or the Last Judgment.

1844: From the Greek σχατον (éskhaton), neuter of σχατος (éskhatos) (last, furthest, uttermost, extreme, most remote), the construct being was éschato(s) + logy.  Origins were in academic theology, the study of the four last things: death, judgment, heaven & hell.  Eschatology, eschatologism & eschatologist are nouns, eschatological & eschatologic are adjectives and eschatologically is an adverb; the noun plural is  eschatologies.

Most interesting aspect of the etymology is the -logy suffix.  Although use has extended, -logy originates with loanwords from the Greek, usually via Latin and French, where the suffix - λόγος (lógos) is an integral part of the word loaned, a sixteenth century English example being astrology, from astrologia.  The French -logie was a continuation of the Latin -logia, also ultimately from the Greek -λογία (-logía).  Within Greek, the suffix is an abstract from Ancient Greek λόγος (lógos) (account, explanation, narrative), itself a verbal noun from λέγω (légō) (I say, speak, converse, tell a story).  In English, the suffix quickly became productive, applied particularly to the sciences, often analogous to names of disciplines borrowed from the Latin, such as the earlier mentioned astrology and geology from geologia.  By the later eighteenth century, it became applied to compositions of terms with no precedent in Greek or Latin, sometimes imitating French or German templates such as insectology (1766) after the French insectologie or terminology (1801) from the German terminologie.  Linguistic promiscuity soon followed with the rapid application to words long wholly absorbed into English; undergroundology was noted in 1820 and hatology in 1837.  The form -ology is also used when including the connecting vowel -o- that is frequently used in connecting two elements of Greek origin.

The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse are written of in the Book of Revelation, the last book of the New Testament which tells of God summoning four beings who ride out on white, red, black, and pale horses. The four riders are usually described as symbolizing Pestilence (black), War (red), Famine (black) and Death (pale) and in Christian eschatology are sent by God to deliver upon the earth a divine apocalypse as harbingers of the Last Judgment.

The Four Horsemen of the Apocalypse (circa 1496), woodcut by Albrecht Durer (1471–1528).

Jewish and Christian eschatology differ but whatever the theological divergence, there are structural similarities in the visions of the Old and New Testaments.  In Ezekiel 1:5-14, God summons another quadrumvirate:

5: And from the midst of it there came the likeness of four living creatures. And this was their appearance: They had the likeness of a man.

6: And every one had four faces, and every one of them had four wings.

7: And their feet were straight feet, and the sole of their feet was like the sole of a calf's foot; and they sparkled like the sight of burnished bronze.

8: And the hands of a man were under their wings on their four sides. And the four of them had their faces and their wings thus:

9: Their wings were joined one to another; they did not turn as they went; each went straight forward.

10: As for the likeness of their faces, they had the face of a man; and the four of them had the face of a lion on the right side, and the four of them had the face of an ox on the left side, and the four of them had the face of an eagle.

11: And thus their faces were. And their wings were spread out upward; two wings of each were joined one to another, and two covered their bodies.

12: And each went straight forward; wherever the Spirit was to go, they went; they did not turn as they went.

13: As for the likeness of the living creatures, their appearance was like burning coals of fire, like the appearance of torches; the fire went to and fro among the living creatures, and the fire was bright; and out of the fire went forth lightning.

14: And the living creatures ran to and fro like the appearance of a lightning bolt.

Amateur painter George W Bush (George XLIII, b 1946; US president 2001-2009) putting the finishing touches to his take on the Four Horsemen of the Apocalypse.  Mr Bush wasn’t noted for his subtle irony so he probably was thinking only of the Book of Revelation when he depicted Pestilence, War, Famine & Death although for many the sight of the painting might summon memories of (1) the former president, (2) Dick Cheney (born 1941; US vice president 2001-2009), (3) Condoleezza Rice (b 1954; US secretary of state 2005-2009) and (4) Donald Rumsfeld (1932–2021: US defense secretary 1975-1977 & 2001-2006).  The art and theology departments in some (liberal) university should include an exam question inviting students to explain which horse each neocon best represented, points to be deducted for anyone who took the easy option and called Dr Rice “Pestilence”.

Saturday, March 26, 2022

Doom

Doom (pronounced doom)

(1) Fate or destiny, especially adverse fate; unavoidable ill fortune.

(2) Ruin; death.

(3) A judgment, decision, or sentence, especially an unfavorable one.

(4) In Christian eschatology, the Last Judgment, at the end of days.

Pre 900: From the Middle English dome & doome from the Old English dōm (a law, statute, decree; administration of justice, judgment; justice, equity, righteousness; condemnation) from the Proto-Germanic domaz (source also of the Old Saxon and Old Frisian dom, the Old Norse domr, the Old High German tuom (judgment, decree), the Gothic doms (discernment, distinction), possibly from the primitive Indo-European root dhe- (to set, place, put, do), (source also of the Sanskrit dhā́man (custom or law), the Greek themis (law) and the Lithuanian domė (attention)).  It was with the Old Norse dōmr (judgement), the Old High German tuom (condition) and the Gothic dōms (sentence).  A book of laws in Old English was a dombec. 

In all its original forms, it seems to have been used in a neutral sense but sometimes also "a decision determining fate or fortune, irrevocable destiny."  The Modern adverse sense of "fate, ruin, destruction" began in the early fourteenth century and evolved into its general sense after circa 1600, influenced by doomsday and the finality of the Christian Judgment. The "crack of doom" is the last trump, the signal for the dissolution of all things and the finality of the Christian Judgment Day, is most memorably evoked in the Old Testament, in Ezekiel 7:7-8.

(7) Doom has come upon you, upon you who dwell in the land. The time has come! The day is near! There is panic, not joy, on the mountains.

(8) I am about to pour out my wrath on you and spend my anger against you. I will judge you according to your conduct and repay you for all your detestable practices.

Doom Paintings

Doom paintings are the vivid depictions of the Last Judgment, that moment in Christian eschatology when Christ judges souls and send them either to Heaven or Hell.  They became popular in medieval English churches as a form of graphical advertising to an often illiterate congregation, dramatizing the difference between rapture of heaven and the agonies of hell, consequences of a life of virtue or wickedness.  During the English Reformation, many doom paintings were destroyed, thought by the new order rather too lavishly Romish.

Weltgericht (Last Judgement) (circa 1435)); Tempera on oak triptych by German artist Stefan Lochner (c1410–1451).

Friday, June 30, 2023

Antichrist

Antichrist (pronounced an-ti-krahyst)

(1) In Christian theology, a particular personage or power, variously identified or explained, who is conceived of as appearing in the world as the principal antagonist of Christ.

(2) An opponent of Christ; a person or power antagonistic to Christ (sometimes lowercase).

(3) A disbeliever in Christ (often initial lowercase)

(4) A false Christ (often initial lowercase).

1400s: From the Middle English, from the (pre 1150) Late Old English antecrist (an opponent of Christ, an opponent of the Church, especially the last and greatest persecutor of the faith at the end of the world), from the Late Latin Antichrīstus, from the Late Greek ντίχριστος (antíkhristos & antíchrīstos (I John ii.18)), the construct being aντί- (anti-) (against) + khristos (Christ); the Greek Χριστός meaning "anointed one".   This was the earliest appearance of anti- in English and one of the few before circa 1600.  In contemporary English, it’s often (but not always) preceded by the definite article: the Antichrist.  Antichrist is a noun, antichristian is a noun & adjective, antichristianism is a proper noun, antichristianly is an adverb and antichristic is an adjective; the noun plural is antichrists.

The Antichrist and the End of Days

The Antichrist is mentioned in three passages in The New Testament, all in the First and Second Epistles of John (I John 2.18-27, I John 4.1-6, 2 John 7).  Common to all is the theme of Christian eschatology, that the Antichrist is the one prophesied by the Bible who will substitute themselves in Christ's place before the Second Coming.  Biblical scholars note also the term pseudokhristos (false Christ) in the books of Matthew (chapter 24) and Mark (chapter 13), Jesus warning the disciples not to be deceived by false prophets claiming to be Christ and offering "great signs and wonders".  Other imagery which can be associated with an Antichrist is mentioned in the Apostle Paul's Second Epistle to the Thessalonians and, of course, the Beast in the Book of Revelation.  The scriptural language is redolent with drama, the Antichrist spoken of or alluded to as the “abomination of desolation”, the son of perdition, “the man of lawlessness” or “the beast” (from earth or sea).

For most of the Middle Ages, it was the scriptural construct of the Antichrist as an individual which dominated Christian thought; the Antichrist born of Satan but yet an earthly tyrant and trickster, perfectly evil in all he was and did because he was the diametric opposite of Jesus Christ, perfect in his goodness and deeds.  Jesus Christ, the son of God, was born of a virgin into earthly existence and the Antichrist, the son of Satan would be born of the antivirgin, a whore who, like her evil offspring, would claim purity.  More than a fine theological point, it’s also quite deliberately a hurdle for Christ to cross in his Second Coming.  Where Christ was God in the flesh, the Antichrist was Satan in the flesh and point was to beware of imitations.  This was the framework of the medieval narrative, well understood and hardly remarkable but writers fleshed it out to create essentially two threads.  For centuries there was the idea of the single Antichrist who would accrue his disciples, have his followers accept him as the Messiah and put to the sword those who did not.  He would then rule for seven years before until his defeat and destruction by (depending on the author) the archangel Gabriel or Christ the true and his divine armies, all before the resurrection of the dead and the day of Final Judgement.

For two-thousand-odd years, there has been speculation about the identity of the Antichrist. 

By the late Middle Ages, another narrative thread evolved, this one with a modern, structuralist flavor and one more able to be harnessed to a political agenda.  Now the Antichrist was presented not as a force of evil outside the Church but the evil force within, the deceiver perhaps the Pope, the institution of the papacy or the very structure of the Church.  This was a marvellously adaptable theory, well suited to those seeking to attack the institutional church for it rendered the Antichrist as whatever the construct needed to be: the flesh incarnate of a pope, the sins and corruption of a dozen popes and his cardinals or the very wealth and power of the institution, with all that implied for its relationships with the secular world.  That was the position of the more uncompromising of those who fermented the Protestant Reformation of the sixteenth century.  The monk Martin Luther (1483-1546) saw about him venality, depravity and corruption and knew the end of days and the Final Judgement was close, the pope the true “end times Antichrist who has raised himself over and set himself against Christ”.  Unlike the long tradition of antipopes, this was true eschatology in action.  There have been many Antipopes (from the Middle French antipape, from the Medieval Latin antipāpa) although just how many isn't clear and they came and went often as part of the cut and thrust of the Church’s ever-shifting alliances and low skulduggery.  While some of the disputes were over theological or doctrinal differences, sometimes they were about little more than whose turn it was.

The Reverend Dr Ian Paisley, European Parliament, Strasbourg, France, 11 October 1988.

For centuries, Antichrist was a label often used, Nero, Caligula and the prophet Muhammad all victims, sometimes with some frequency and the epithet was often exchanged in the squabbles between Rome and Constantinople.  In the modern, mostly secular West, while the Antichrist has vanished from the consciousness of even most Christians, in the pockets of religiosity which the general godlessness has probably afforced, Antichrists appear to have multiplied.  Like “fascist” in political discourse, “Antichrist” has become a trigger word, a general category where disapprobation is not enough and there’s the need to demonise though even the hunter can be captured by the game.  In October 1988, Pope John Paul II (Karol Wojtyła 1920–2005; pope 1978-2005), who had often warned of the Antichrist waving his antigospel, was interrupted during a speech to the European Parliament by the Reverend Dr Ian Paisley (1926–2014; leader of the Democratic Unionist Party (DUP) 1971-2008 & First Minister of Northern Ireland 2007-2008), who loudly denounced him as ''the Antichrist.''  Standing and holding a large red placard displaying his message, Dr Paisley shouted out ''I renounce you as the Antichrist!''.  He was soon ejected, his holiness seemingly unperturbed.  The late Reverend had a long history of antipathy to popery in general and the “Bachelor bishop of Rome” in particular and, when later interviewed, told the press ''I don't believe he is infallible. He doesn't have the power to turn wine into the blood of Christ.''

Coming usually from the evangelical right, south of the Mason-Dixon Line, it seems to play well and it’s been aimed at the usual suspects including Barack Obama, Osama bin Laden, Saddam Hussein, Adolf Hitler, Joseph Stalin, Bill Gates, George Soros, at least two ayatollahs and, perhaps most plausibly, crooked Hillary Clinton.  Interestingly, although never denying practicing witchcraft or voodoo, crooked Hillary Clinton did feel the need to deny being the Antichrist.  In What Happened (Simon & Schuster, 2017, 512 pp ISBN: 978-1-5011-7556-5), a work of a few dozen pages somehow padded out to over five-hundred using the “how to write an Amazon best-seller” template, a recounting of the denial is there and the exchange does have a rare ring of truth.  It’s a shame that didn’t extend to the rest of the book; claimed to be a review of the 2016 presidential election, it might have been an interesting apologia rather than a two-inch thick wad of blame-shifting.

Never despair.  In the Christian tradition, the Antichrist will finally be defeated by the armies of God under the leadership of Christ with the Kingdom of God on earth or in heaven to follow.  Good finally will prevail over evil.

Thursday, May 4, 2023

Valhalla

Valhalla (pronounced val-hal-uh or vahl-hah-luh)

(1) In Norse mythology, a dwelling in Asgard, the Norse heaven, the hall of Odin, reserved to receive the souls of those who fell in battle and others who died heroic deaths.

(2) In casual use, by extension from the classic meaning, an abode of the gods or afterlife in general.

1696: From the New Latin Vahalla, from the Old Norse Valhöll, the construct being val(r) (the slain in battle (and cognate with the Old English wæl)) + höll (hall).  The heavenly hall in which Odin receives the souls of heroes slain in battle appears often in Norse mythology and the word Vahalla was introduced into English in Archdeacon William Nicolson’s (1655–1727) English Historical Library (1696).  Valr (those slain in battle) was from the Proto-Germanic walaz (source also of Old English wæl (slaughter, bodies of the slain)) from the Old High German wal (battlefield, slaughter), from the primitive Indo-European root wele (to strike, wound (source also of Avestan vareta- (seized, prisoner), the Classical Latin veles (ghosts of the dead), the Old Irish fuil (blood) & the Welsh gwel (wound)). Höll (hall) is from the primitive Indo-European root kel- (to cover, conceal, save).  Nicolson’s work was long known only to scholars and it wasn’t until the word was re-introduced in the eighteenth centuries by antiquaries there was any revival of interest but it was the work of Richard Wagner (1813–1883) in the next century that popularised the Norse myths and, in some circles, made Valhalla a cult.  The familiar figurative sense has been used since 1845.  Vahalla was also spelled Valhall, Walhalla & Walhall; the plural is Valhallas (and not always with the initial capital).

Hermann Burghart's (1834-1901) design of Valhalla and the rainbow bridge for the staging of Das Rheingold, Bayreuth, 1878.

Valhalla is the great hall where the god Odin houses the dead whom he deems worthy of dwelling with him.  In the Old Norse poem Grímnismál (The Song of the Hooded One), the architecture of Valhalla is described as honouring military tradition, the roof of the “gold-bright” Valhalla made from the shields of fallen warriors with their spears its rafters.  Around the many feasting tables are chairs made from breastplates and the gates are guarded by wolves, eagles circling above but there are different depictions and there's no one view of where Valhalla was.  In some Old Norse literature, it’s said to be located in Asgard, the gods’ celestial fortress yet other texts suggest it was underground, one of the many places of the underworld.

The dead who reside in Valhalla, the einherjar (the ɛinˌherjɑz̠, (those who fight alone, literally "army of one")), live on as warriors, fighting among each-other and enjoying vivid adventures during the day.  Yet every evening, their wounds are healed, and, restored to full health, they feat on roasted wild boar (Saehrimnir (from the Old Norse Sæhrímnir of unknown origin)) and a mead from the udder of the goat Heidrun (from the Old Norse Heiðrun of unknown origin), all the while waited on by the same beautiful Valkyries who circled the battlefields on which they were slain.  But the einherjar are doomed because Odin has recruited only the bravest soldiers for he wants them for his army in his struggle against the wolf Fenrir during Ragnarok, a battled which Odin and the einherjar are fated to lose.

Robert Lepage's (b 1957) design of Valhalla for the staging of Das Rheingold, Met Opera, New York, 2010.

Like the mythology of Greek and Roman antiquity, it’s possibly some of what was passed down during the middle ages is just one variation of the original myth(s) and it’s only in the poetry of Icelandic historian Snorri Sturluson (1179–1241) that there’s a statement of the path of the fallen to Valhalla.  Snorri’s Prose Edda (circa 1220), a four-volume work drawn from many sources remains the most complete and extensive collection of the Norse mythology known still to exist but the author was also a lawyer and politician and scholars have noted he wrote long after the old Norse paganism had been replaced by Christianity; there’s the suspicion this may have been an influence in the way he synthesized strands from earlier traditions with Christian teaching.  Snorri said those who fell on the field of battle ascend to Valhalla, while those who die a less heroic death are consigned to hell, the underworld.  That does seem unfair (and probably bad public policy) and elsewhere in the Edda, he’s not above allowing the odd fudge, just as Roman Catholic theologians would invent limbo, their own medieval conjecture to tidy up the margins of God’s mysterious ways.  Snorri makes no attempt to justify his (actually quite blatant) contradictions and it’s thought what he wanted to achieve was a kind of lineal alignment between the pagan ways and the Christian, Valhalla and Hel the same diametric opposite as Heaven and Hell in Christian eschatology.  However, as many surviving fragments from earlier texts attest, the tidy, systematized paganism described by Snorri was not entirely that which had been practiced.

Saturday, April 2, 2022

Druid

Druid (proniunced droo-id)

(1) A member of a pre-Christian religious order which existed among the ancient Celts of Gaul, Britain and Ireland (sometimes with initial capital).

(2) A member of any of several modern movements which have attempted to revive (what they claim to be) druidism.

1555–1565: From the Latin druis (feminine druias; plural druidae), from the Gaulish Druides (and replacing the sixteenth century French druide).  In the Old Irish druí was the nominative, druid (wizard) the dative & accusative and druad the plural.  from the Celtic compound dru-wid- (strong seer), from the Old Celtic derwos (true), from the primitive Indo-European root deru- (tree (especially oak)) + wid- (to know), from the primitive Indo-European root weid- (to see).  The meaning in the Old Celtic was thus literally "they who know the oak" which some etymologists have suggested may be an allusion to divination from mistletoe but probably was understood as something like “those able to divine (know) the truth.  In the Anglo-Saxon too, there was an identical word meaning both "tree" and "truth"; that was treow.

The adoption in English came via Latin rather than directly from Celtic although in the Old English there was dry (magician) which, though unattested, has always been thought likely from the Old Irish druí from which Modern Irish and Gaelic gained draoi, genitive druadh (magician, sorcerer).  Related forms are the nouns druidity & druidism and the adjectives druidic, druidical, (the alleged) druidistic & druidic (of or pertaining to druids or druidry (which dates from 1773)).

The feminine form druidess (female druid; druidic prophetess or priestess (plural druidesses)) was actually coined as late as 1755; prior to that druid had been used when speaking of box sexes.  Despite the similarity in spelling and a speculative etymological link, the female proper name Drusilla (diminutive of Drusus and a frequent surname in the gens Livia) is derived from the earlier Drausus which, although of uncertain origin, may be from a Celtic word meaning literally "strong" (thus the possible connection with the Old Celtic dru- which meant both "oak & "strong".

Stonehenge on Salisbury Plain, Wiltshire, England.  Despite the popular association, archaeologists believe there's no basis for the medieval myth Stonehenge was built by druids, the construction pre-dating them by many centuries.  In medieval histories, there was not a little "making stuff up", even some of what were passed-off as myths from antiquity were creations of the time.

The class structure of ancient Celtic society was not untypical, the four major strata, like the Indian caste system, organized in four groups (1) peasants and artisans, (2) warriors, (3) the ruling classes and (4), the druids although, unlike in India where the Brahmin priestly caste sit atop the hierarchy, among the Celts, it was the kings and chieftains who enjoyed primacy.  That much is certain but the rest of what constitutes druidic history is mostly a mix of the writings classical Greek & Roman authors, medieval writers with varied relationships to scholarship and the work of modern anthropologists who have examined the archaeological record.  Given the time which has passed, the evidence is not only patchy but limited in scope.  Although the Romans & Greeks had encountered the Celts in the wars of earlier centuries earlier, it was only in the first century BC their historians began, sometimes impressionistically, sometimes more systematically, to observe their cultures and customs.

Among the earliest observers was the Syrian stoic polymath Posidonius (circa 135-circa 51 BC) although none of his text survives, except in referenced by later writers, notably the Greek geographer Strabo (circa 64 BC-circa 24 AD) who credited Posidonius as his primary source.  Contemporary to Posidonius, though perhaps less reliable was Julius Caesar (100-44 BC) who devoted some pages to a description of "the barbarians" in Commentarii de Bello Gallico (Commentaries on the Gallic War), his vivid recollections of the conflict.  Written as a third-person narrative in which Caesar describes the battles and political intrigue of the conflict, it too shows evidence of the legacy of what was created by Posidonius but the Roman general certainly had many first-hand experiences with the Celts, both as opponents and allies, some (notably the Aedui), serving in his army.  Obviously astute in the practice of politics as well as military matters, Caesar suggested druidism had probably originated in Britain and from there spread to the Gauls but although he had the advantage of being there at the time, he offered no documentary evidence and scholars and historians have long speculated on their origins.  What's more solid is his description of their place in society.  He wrote that they seemed a secretive but learned group who enjoyed certain privileges among the Celtic population, exempted from taxation and military service and acting as judges, deciding cases and setting penalties.  Unlike most in the tribal-based culture, they appeared to enjoy freedom of passage through any territories.

He found one aspect most curious.  Although a partially literate society, the Celts using both Greek and Roman script (depending on the state of conquest), the druids had never committed their learning and traditions to writing, remarkable given it apparently took over twenty years fully to be schooled in the philosophy, divination, poetry, healing, religious rites and spells that was druidic knowledge.  That knowledge therefore existed almost entirely in the collective memory of the living druids, its transmission oral except for a few inscriptions found in sacred sites such as shrines and sanctuaries.  There may have been some philosophical basis for that or it may have been just a restrictive trade practice designed to maintain closed shop, Caesar observing the Gauls were a most religious people but they always had to wait for the druids to perform the necessary rituals or sacrifices.  The exclusivity of the trade and the secrecy of its protocols was sound business practice and one that can be identified in religions and other institutions over the centuries.  There are both similarities with and differences between Celtic and other religious traditions.  The Celts didn’t build temples to their gods, the druids practicing their worship in the open air in places they described as sacred, often a space with some geographically distinct identity such as a grove or the shores of a lakes although, as Caesar noted, a sacred spot could be anywhere a druid nominated, a kind of ad-hoc consecration; another practical advantage of having no written record to contradict the assertion.  As later writers confirmed, the Gauls believed in an immortal soul but rather than a conception of heaven & hell or any other afterlife, they believed that upon death, it passed to another body after death, an eschatology of reincarnation.

Druids, gathered for the annual summer solstice ceremonies, Stonehenge, June 2019.

The lack of historic documents means it's impossible exactly to describe any exact sense of an internal druidical structure or indeed any indication whether it was static or essentially unchanging.  Caesar said that in Gaul there were three groups: the druidae, vates or uatis & bardi (which existed in Ireland as the druidh, filidh & baird) but whether these were exact organization divisions or simply a description of traditions or disciplines is unknown and all druids seem to have been required to learn all the skills to permit them to function as teachers, philosophers, physicians, priests, seers and sorcerers.  It was certainly a wide job-description which ranged from teaching the children of the nobility to performing human ritual sacrifice but the fundamental role (and the one which gave the druids their mystique and legitimacy) was that which appears in the institutional structure of the clergy in so many religions: the druids were the priests who would communicate with the gods on behalf of the Celtic people and thus mediate their relationship with the gods.  However, although the name was shared, what is often casually referred to as druidism wasn't monolithic and there are Irish and Welsh texts which mention druids as teachers, healers, seers and wizards, but not as priests and certainly not following the Gallic druids tradition of prayer, Irish myths suggesting druids were sorcerers and wizards rather than priests.  More is actually known about the druids of the Partholonians, Nemedians, Milesians & Fomorians because, unlike those in Gaul and Britain, there were no rules against writing.

Modern interest in the druids focuses mostly on their magic, sorcery and spells.  Over the centuries, there's been much imaginative speculation about their nature and purpose in Gaul, something inevitable because unlike in what survives in the Irish and Welsh record, there's scant evidence.  In the Irish & Welsh literature, classical authors found mentions of magic and witchcraft although the details were vague, it’s clear ancient druids were much concerned with healing and divination, like the shamans or medicine men who gathered herbs and poultice to ward off evil spirits.  There was also practical medicine, the natural scientist Pliny the Elder (29-79 AD) writing that druids held the mistletoe and oak trees as sacred, the former cultivated and with great ceremony on the sixth day of the moon; as part of the ritual, a golden sickle was used carefully to cut the mistletoes, the druid garbed in a full-length white cloak.  A bit of a cure-all in the druidic medicine cabinet, mistletoe was said to be able to heal all illness and disease, act as the antidote to any poison and impart fecundity to barren cattle.  In the medieval Irish histories, the vista of arboreal sacredness and utility is wider spread, ash trees (often called rowan and quicken), the yew, the apple and the hazel all listed.

For the professional historian, the druids are difficult subjects because nobody will ever know how much truth lies in so many ancient and medieval writings.  The speculations, exaggerations and general mischief-making however probably accounts for much of the interest in druidism and it long predates both the revival of paganism and the weird world of the new age.  The haziness means it can by anyone be constructed to be what they wish it to be and there are many societies to join if one wishes to become a druid although those lured by the attraction of ritual human sacrifice will these days have to join a more accommodating religion.

A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids, oil on canvas by William Holman Hunt (1827-1910), Ashmolean Museum, Oxford.

William Holman Hunt's 1860 painting was at the time of its exhibition sometimes referred to as A Converted British Family Sheltering a Christian Priest from the Persecution of the Druids by those who liked the whiff of popery that "priest" seemed to summon.  The depiction is of a family of ancient Britons in their humble hovel, concealing and tending to the wounds of a Christian missionary, injuries inflicted presumably by the pagan Celtic Druids, seen outside pursuing another fleeing missionary at the urging of the white-robed Druid priest.  The artist always remained convinced this early work was one of his finest but it was much criticized on both compositional and representational grounds.

As a work, it's indicative of the disapproval of paganism among Victorian Christians which even some historians tended to dismiss as something which, except for the odd deranged heretic, vanished wherever Christianity arrived which wasn't true; paganism in Europe enduring in places for centuries and even enjoying spasmodic revivals after Christianization.  The first country outside of the Roman Empire to embrace Christianity was Armenia in the fourth century and the last, Lithuania in the fifteenth so the two systems co-existed for a millennium.  In England, despite what Roman church's publicity machine taught to generations, paganism was not eradiated by the mission of Saint Augustine of Canterbury (circa 520-604) in 597 but by the ninth century conversion of Danelaw (the central and eastern regions of England where the way and laws of the Danes were practiced) and the killing of Eric Bloodaxe ((Eric Haraldsson (also known as Eirik fratrum interfector), circa 885-954; of Norwegian origin and variously (and apparently briefly) several times King of Norway and twice of Northumbria (circa 947–948 and 952–954)) in York in 954.  Beyond England however, paganism lived on as the dominant social order in Viking Scandinavia and the more remote regions of the British Isles until well into the twelfth century and in Prussia, it wouldn't be until the later fourteenth century crusades of the Teutonic Knights that Christendom finally prevailed.

Sunday, April 10, 2022

Rapture

Rapture (pronounced rap-cher)

(1) Ecstatic joy or delight; joyful ecstasy; bliss, beatitude, exaltation.

(2) The carrying of a person to another place or sphere of existence.

(3) In Christian theology, the experience, anticipated by some fundamentalist Christians, of meeting Christ midway in the air upon his return to earth.

(4) The act of carrying off (archaic).

1590: A compound word, the construct being rapt + ure (the suffix -ure was from the Middle English -ure, from the Old French -ure, from the Latin -tūra and was used to create a word meaning (1) a process; a condition; a result of an action or (2) an official entity or function).  Rapt was from the Medieval Latin raptūra, (seizure, rape, kidnapping), from the Classical Latin raptus (a carrying off, abduction, snatching away; rape (the future active participle of rapiō)).  In the sense of “carrying off”, the English use was in parallel with the Middle French rapture with the meaning drawn from the Medieval Latin raptura (seizure, rape, kidnapping, carrying off, abduction, snatching away) and the word rape is a cognate of this.  The sense of "spiritual ecstasy, state of mental transport or exaltation" is recorded by circa 1600 (as “the raptures”), the connecting notion being a sudden or violent taking and carrying away.  The meaning "expression of exalted or passionate feeling" in words or music is from the 1610s and from here it became frequently used in sacred music and art.

El rapto de Europa (The Rape of Europa (1628-1629)), oil on canvas by Peter Paul Rubens (1577-1640), Prado Museum, Madrid.  It follows a 1562 work in the same vein by Tiziano Vecelli (circa 1489-1576 and known in English as Titian).

The earliest attested use in English is with women as objects and in the seventeenth century it sometimes carried the meaning of the verb “rape”.  The use of the word “rape” in the sense of “carrying off” in so much art and sculpture from Antiquity and the Middle Ages is the cause of much misunderstanding in modern audiences.  Sense of "spiritual ecstasy or state of mental transport” was first recorded in the 1630s and rapture as a verb meaning "to enrapture, put in a state of rapture" (implied in raptured) became widely used.  The adjective rapturous (ecstatically joyous or exalted) dates from the 1670s, the adverb rapturously having emerged a decade earlier.  The verb enrapture, a creation apparently of the church, is attested from 1740.  The adjective ravishing, dating from the mid fourteenth century and meaning "enchanting, exciting rapture or ecstasy" (present-participle adjective from the verb ravish) is now probably associated with Mills & Boon romances but the origin was sacred, the figurative notion being "carrying off from earth to heaven"; the adverb was ravishingly.

In Christian eschatology, the rapture refers to the end of days when all Christian believers (both the living and resurrected dead) will rise into the sky and join Christ for eternity, a vision in Paul's first letter to the Thessalonians (1 Thessalonians 4:17)). 

Then we which are alive and remain shall be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord.

Rapturists prefer this to less exclusive second comings such as those mentioned in Second Thessalonians, Matthew, First Corinthians and Revelation.

Home Thoughts from Abroad (1845) by Robert Browning (1812–1889)

I

Oh, to be in England now that April’s there

And whoever wakes in England sees, some morning, unaware,

That the lowest boughs and the brushwood sheaf

Round the elm-tree bole are in tiny leaf,

While the chaffinch sings on the orchard bough

In England—now!

II

And after April, when May follows

And the white-throat builds, and all the swallows!

Hark, where my blossom’d pear-tree in the hedge

Leans to the field and scatters on the clover

Blossoms and dewdrops—at the bent spray’s edge—

That’s the wise thrush: he sings each song twice over

Lest you should think he never could re-capture

The first fine careless rapture!

And, though the fields look rough with hoary dew,

All will be gay when noontide wakes anew

The buttercups, the little children’s dower,

Far brighter than this gaudy melon-flower!

Rapture (2019) by Roberta J Heslop, oil & acrylic on canvas.

Monday, January 17, 2022

Dogmatic

Dogmatic (pronounced dawg-mat-ik or dog- mat-ik)

(1) Relating to or of the nature of a dogma or dogmas or any strong set of principles concerning faith, morals, etc., as those laid down by a church; doctrinal.

(2) Asserting opinions in a doctrinaire or arrogant manner; opinionated; forcibly asserted as if authoritative and unchallengeable

(3) In science (historically, especially medicine) the practice of pursuing the profession based on assumptions rather than empirical observation.

(4) Of a person, one prone to dogmatic statements.

1595-1605; From the French dogmatique, from the Late Latin dogmaticus and the Hellenistic Ancient Greek δογματικός (dogmatikós) (didactic), from δόγμα (dógma) (dogma), the construct being dogmat (stem of dógma) + ikos or ic.  In the 1680s, it came to be applied to persons, writings etc, "disposed to make positive assertions without presenting arguments or evidence" the use by 1706 extending to matters "pertaining to or of the nature of dogma".  The use of variations of the derived form antidogmatic (antidogmatical, antidogmatically etc) have apparently been in decline since the nineteenth century; "dogmatical" was attested from circa 1600.  The most frequently used related word is dogma (opinion, tenet (literally "that which one thinks is true"), from the Latin dogma (philosophical tenet), from the Ancient Greek δόγμα (dógma) (opinion, tenet), from δοκέω (dokéō or dokein) (I seem good, think); in the seventeenth & eighteenth century it was treated as Greek, with the plural dogmata; the ultimate root was the primitive Indo-European root dek- (to take, accept).  Dogmatic is a noun & adjective, dogmaticalness, dogmatism & dogmatician are nouns, dogmatical is an adjective, dogmatize is a verb and dogmatically is an adverb; the noun plural is dogmatics but the more commonly used is dogmatisms.

The suffix -ic was from the Middle English -ik, from the Old French -ique, from the Latin -icus, from the primitive Indo-European -kos & -os, formed with the i-stem suffix -i- and the adjectival suffix -kos & -os.  The form existed also in the Ancient Greek as -ικός (-ikós), in Sanskrit as -इक (-ika) and the Old Church Slavonic as -ъкъ (-ŭkŭ); A doublet of -y.  In European languages, adding -kos to noun stems carried the meaning "characteristic of, like, typical, pertaining to" while on adjectival stems it acted emphatically; in English it's always been used to form adjectives from nouns with the meaning “of or pertaining to”.  A precise technical use exists in physical chemistry where it's used to denote certain chemical compounds in which a specified chemical element has a higher oxidation number than in the equivalent compound whose name ends in the suffix -ous; (eg sulphuric acid (HSO) has more oxygen atoms per molecule than sulphurous acid (HSO).

Karl Barth, Kirchliche Dogmatik

Bedside table reading.

Those not content with a discursive existence and who think it might help to keep the same train of thought for a decade odd might care to read Kirchliche Dogmatik (Church Dogmatics) by Swiss Protestant theologian Karl Barth (1882-1968).  In English translation a fourteen-volume work of some six-million words and published between 1932 and 1967, Barth's purpose was to recover the proclamation of the word of God as the place where God's message of salvation meets sinful man.  Pope Pius XII (1879-1958; pope 1939-1958), a fair judge of such things, is said to have thought Barth the most important theologian since Saint Thomas Aquinas (1225–1274).

Kirchliche Dogmatik explored four themes: revelation, God, creation, and atonement (or reconciliation) although Barth’s intention had been to complete the work by addressing the doctrines of redemption and eschatology.  That he died before being able to finish the project led to something of a theological cult in the 1970s as others speculated how Barth might have discussed such things and structuralists, from a number of disciplines, differed on whether the Dogmatics should be considered an unfinished work.  Perhaps wisely, nobody has ever attempted to write these final volumes.  Nine-thousand pages in German, a pleasing thousand fewer in English, Dogmatics is probably more readable in the digital age, hypertext links assisting those new to the densely referenced and highly technical language in which it’s written.

Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945), who claimed to have read all the volumes, noted both the conceptual and textual difficulties; sentenced to imprisonment for twenty years by the International Military Tribunal (IMT) which in 1945-1946 sat at Nuremberg to try the leading Nazis in the first and best-known of thirteen such trials, more than most he had time to devote to the task.  In 1959, by the time he'd finished a sixth volume, he noted: “There is much that I still cannot comprehend, chiefly because of the terminology and the subject.  But I have had a curious experience.  The uncomprehended passages exert a tranquilizing effect.  With Barth's help I feel in balance and actually, in spite of all that's oppressive, as if liberated.”  Speer continued: I owe to Barth the insight that man’s responsibility is not relieved just because evil is part of his nature. Man is by nature evil and nevertheless responsible.  It seems to me there is a kind of complement to that idea in Plato’s statement that for a man who has committed a wrong ‘there is only one salvation: punishment.’  Plato continues: ‘Therefore it is better for him to suffer this punishment than to escape it; for it sustains man’s inward being.’

Guilty as sin: Speer in the dock at Nuremberg, 1946.

Those passages didn't appear until the publication of Speer's Spandauer Tagebücher (Spandau: The Secret Diaries) (1975), some eight years after Barth's death so he was never able to comment on the idea of his work lending a sense of liberation to someone who would have been hanged had the concealed evidence of the extent of his complicity in the war crimes and crimes against humanity been brought before the court.  Speer's rationalization that an authority as venerated as Plato could be interpreted as saying in serving his sentence he "paid his debt to society" is wholly consistent with both the approach he took at the trial (admitting the "collective guilt" of the regime of which he was a part while denying personal responsibility for any indictable offence) and his successful and lucrative post-war career as an author and celebrity.  Some six months before his observations on Barth, in another context he had noted: “Some time ago I noted that we always read such sentences too late.  That was wrong. What I meant was: We understand them too late.”  By the time he died it does seem likely he understood his guilt but the evasions and denials never ceased.