Eschatology (pronounced es-kuh-tol-uh-jee)
(1) Any system of doctrines concerning last, or final, matters, as death, final judgments or the future state.
(2) The branch of theology dealing with such matters.
(3) Of or pertaining to the end of times, notably in Jewish, Christian and Islamic theology and in Christianity, associated particularly with the second coming of Christ, the Apocalypse or the Last Judgment.
1844: From the Greek ἔσχατον (éskhaton), neuter of ἔσχατος (éskhatos) (last, furthest, uttermost, extreme, most remote), the construct being was éschato(s) + logy. Origins were in academic theology, the study of the four last things: death, judgment, heaven & hell. Eschatology, eschatologism & eschatologist are nouns, eschatological & eschatologic are adjectives and eschatologically is an adverb; the noun plural is eschatologies.
Most interesting aspect of the etymology is the -logy suffix. Although use has extended, -logy originates with loanwords from the Greek, usually via Latin and French, where the suffix - λόγος (lógos) is an integral part of the word loaned, a sixteenth century English example being astrology, from astrologia. The French -logie was a continuation of the Latin -logia, also ultimately from the Greek -λογία (-logía). Within Greek, the suffix is an abstract from Ancient Greek λόγος (lógos) (account, explanation, narrative), itself a verbal noun from λέγω (légō) (I say, speak, converse, tell a story). In English, the suffix quickly became productive, applied particularly to the sciences, often analogous to names of disciplines borrowed from the Latin, such as the earlier mentioned astrology and geology from geologia. By the later eighteenth century, it became applied to compositions of terms with no precedent in Greek or Latin, sometimes imitating French or German templates such as insectology (1766) after the French insectologie or terminology (1801) from the German terminologie. Linguistic promiscuity soon followed with the rapid application to words long wholly absorbed into English; undergroundology was noted in 1820 and hatology in 1837. The form -ology is also used when including the connecting vowel -o- that is frequently used in connecting two elements of Greek origin.
The Four Horsemen of the Apocalypse
The Four Horsemen of the Apocalypse are written of in the Book of Revelation, the last book of the New Testament which tells of God summoning four beings who ride out on white, red, black, and pale horses. The four riders are usually described as symbolizing Pestilence (black), War (red), Famine (black) and Death (pale) and in Christian eschatology are sent by God to deliver upon the earth a divine apocalypse as harbingers of the Last Judgment.
The Four Horsemen of the Apocalypse (circa 1496), woodcut by Albrecht Durer (1471–1528).
Jewish and Christian eschatology differ but whatever the theological divergence, there are structural similarities in the visions of the Old and New Testaments. In Ezekiel 1:5-14, God summons another quadrumvirate:
5: And from the midst of it there came the likeness of four living creatures. And this was their appearance: They had the likeness of a man.
6: And every one had four faces, and every one of them had four wings.
7: And their feet were straight feet, and the sole of their feet was like the sole of a calf's foot; and they sparkled like the sight of burnished bronze.
8: And the hands of a man were under their wings on their four sides. And the four of them had their faces and their wings thus:
9: Their wings were joined one to another; they did not turn as they went; each went straight forward.
10: As for the likeness of their faces, they had the face of a man; and the four of them had the face of a lion on the right side, and the four of them had the face of an ox on the left side, and the four of them had the face of an eagle.
11: And thus their faces were. And their wings were spread out upward; two wings of each were joined one to another, and two covered their bodies.
12: And each went straight forward; wherever the Spirit was to go, they went; they did not turn as they went.
13: As for the likeness of the living creatures, their appearance was like burning coals of fire, like the appearance of torches; the fire went to and fro among the living creatures, and the fire was bright; and out of the fire went forth lightning.
14: And the living creatures ran to and fro like the appearance of a lightning bolt.
Amateur painter George W Bush (George XLIII, b 1946; US president 2001-2009) putting the finishing touches to his take on the Four Horsemen of the Apocalypse. Mr Bush wasn’t noted for his subtle irony so he probably was thinking only of the Book of Revelation when he depicted Pestilence, War, Famine & Death although for many the sight of the painting might summon memories of (1) the former president, (2) Dick Cheney (born 1941; US vice president 2001-2009), (3) Condoleezza Rice (b 1954; US secretary of state 2005-2009) and (4) Donald Rumsfeld (1932–2021: US defense secretary 1975-1977 & 2001-2006). The art and theology departments in some (liberal) university should include an exam question inviting students to explain which horse each neocon best represented, points to be deducted for anyone who took the easy option and called Dr Rice “Pestilence”.
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