Showing posts sorted by relevance for query Bogus. Sort by date Show all posts
Showing posts sorted by relevance for query Bogus. Sort by date Show all posts

Friday, August 21, 2020

Bogus

Bogus (pronounced boh-guhs)

(1) Not genuine; counterfeit item; something spurious; a sham; based on false or misleading information or unjustified assumptions.

(2) In printing. a matter set (by union requirement) by a compositor and later discarded, duplicating the text of an advertisement for which a plate has been supplied or type set by another publisher.

(3) In computer programming, anything wrong, broken, unlinked, useless etc).

(4) In philately, a fictitious issue printed for exclusively for collectors, often issued as if from a non-existent territory or country (as opposed to a forgery, which is an illegitimate copy of a genuine stamp).

(5) As calibogus, a US dialectical word describing a liquor made from rum and molasses (sometimes rum and spruce beer).

1827: An invention of US English, coined originally by the underworld to describe an apparatus for coining counterfeit currency.  The origin is unknown, etymologists noting the Hausa boko (to fake) and because bogus first appeared in the US, it’s possible the source arrived on a slave ship from West Africa.  An alternative speculation is it was a clipped form of the nineteenth century criminal slang tantrabogus (a menacing object), from a late eighteenth century colloquial Vermont word for any odd-looking object (which in the following century was used also in Protestant churches to mean "the devil").  The New England form may be connected to tantarabobs (a regionalism recorded in Devonshire name for the devil) although the most obvious link (for which there’s no evidence) is to bogy or bogey (in the sense of “the bogeyman”).  In this sense, bogus might thus be related to bogle (a traditional trickster from the Scottish Borders, noted for achieving acts of household trickery which sometimes operated at the level of petty crime.  The use of bogy & bogie by the military is thought unrelated because the evidence is it didn’t pre-date the use of radar (a bogie being an unidentified aircraft or missile, especially one detected as a blip on a radar display).

The noun came first, the Oxford English Dictionary (OED) tracing the first use to describe the counterfeiting apparatus to Ohio in 1927, the products of the nefarious minting having also picked up the name by at least 1838, adjectival use (counterfeit, spurious, sham) adopted the following year.  Later, bogus came to be applied to anything of poor quality, even if not something misrepresenting a brand-name (ie bogus in intended function).  The adoption by computer programmers (apparently in the 1980s) to refer to anything wrong, broken, unlinked, useless etc was an example of English in action; they could have chosen any of bogus’s many synonyms but it was the word of choice and hackers use it too.  Bogus is an adjective and (an occasional) noun, bogotic is an adjective, bogusly is an adverb and bogusness a noun.

From the nerdy humor of programmers came the related bogon, the construct being bog(us) (fake, phony) + -on (the suffix used to form names of elementary particles or fundamental units) (the noun plural being bogons).  To programmers, the bogon was the the imaginary elementary particle of bogosity; the anti-particle to the cluon (the construct being clue (idea, notion, inkling) + -on (the plural being cluons) which was the imaginary elementary particle of cluefulness and thus the anti-particle to the bogon.  The slightly less nerdy network engineers adopted bogan to refer to an invalid Internet Protocol (IP) packet, especially one sent from an address not in use.  Clutron proved useful, a clutron an especially clever or well-informed nerd although it was also picked-up in the misogynistic word of on-line gaming where a slutron was a highly skilled female player a combination where meant she attracted hatred rather than admiration a make would usually enjoy.

The surname Bogus was borrowed from the Polish (masculine & feminine) forms Bogus & Boguś, or the Romanian Boguș (the plural of the proper noun being Boguses).  In the British Isles it was initially most common in Scotland before spreading south and is thought ultimately related to other named beginning with Bog- (Bogumił, Bogusław, Bogdan et al).  In Polish, Boguś is also a given name and listed as a back-formation (as a diminutive) from either Bogusław, Bogdan, Bogumił or Bogusław (+ -uś).

A real Ferrari 1963 250 GTO (left) and Temporoa's superbly made replica of a 1962 model (right).  US$70 million vs US$1.2 million. 

The synonyms can include fraudulent, pseudo, fake, faux, phony, false, fictitious, forged, fraudulent, sham, spurious, artificial, dummy, ersatz, imitation, pretended, pseudo, simulated, counterfeit but bogus is what’s known as a “loaded word”.  Bogus implies fake (and less commonly “of poor quality”) but just because something isn’t real doesn’t mean it need be thought bogus.  Ferrari made only 39 (it can also be calculated at 36 or 41 depending on definitions) 250 GTOs and one has sold for US$70 million but it’s possible for experts to create an almost exact replica (indeed one of higher quality than an original although given the standard of some of the welding done in the factory in those years that's really not surprising) but it will only ever be worth a fraction of the real thing (a fine example offered for US$1.2 million).  Whether such a thing should be regarded as a replica, recreation, clone or whatever is something about which there's debate but few would dismiss such a work as bogus.  It really hangs on disclosure and representation.  With only so many 250 GTOs on the planet, all with well-documented provenance, it’s not possible to claim a replica is authentic but there are cars which have been produced in the hundreds or even thousands which some try to pass off as genuine; in these cases, they have created something as bogus as knock-off handbags.  One popular use of bogus is to describe various members of royal families who parade themselves in the dress military uniforms of generals or admirals, despite often having never served on been near a combat zone.

Ferrari 250 GTB production count, 1961-1964.  

With something digital, just about anyone can create an exact duplicate, indistinguishable from the source, hence the attraction of the non-fungible token (NFT) which, thus far, can’t be forged.  NFTs have been linked to real-world objects, as a sort of proof of ownership which seems strange given that actual possession or some physical certificate is usually sufficient, certainly for those with a 250 GTO in the garage but there are implications for the property conveyancing industry, NFTs possibly a way for real-estate transactions to be handled more efficiently.  For those producing items which attract bogus items (running shoes, handbags etc), there’s interest in attaching NFTs as a method of verification.

Humble beginnings: Publicity shot for the 1960 Ford Falcon.

When Ford released the Falcon in 1960, it was modest in just about every way except the expectations the company had that it successfully would counter the intrusion of the increasingly popular smaller cars which, worryingly, many buyers seemed to prefer to the increasingly large offerings from Detroit.  A success in its own right, the Falcon would provide the platform for the Mustang, the Fairlane, the Mercury Cougar and other variations which, collectively, sold in numbers which would dwarf those achieved by the original; it was one of the more profitable and enduring platforms of the twentieth century.  In the US, it was retired after a truncated appearance in 1970 but it lived on in South America and Australia, the nameplate in the latter market lasting until 2016, a run of over half a century during which the platform had been offered in seven generations in configurations as diverse as sedans, vans & pick-ups (utes), hardtop coupés, 4WDs, station wagons and long wheelbase executive cars.

Ford Falcon GTHO Phase I leading three Holden Monaro (HT) GTS 350s, Bathurst 1969.

Most memorably however, between 1969-1972, it was also the basis of a number of thinly disguised racing cars, production of which was limited to not much more than was required by the rules of the time to homologate the strengthened or high-performance parts needed for use in competition.  The Falcon GT had been introduced in 1967 and had proved effective but the next year faced competition from General Motors’ (GM) Holden Monaro GTS which, with a 327 cubic inch (5.3 litre) Chevrolet V8 out-performed the Ford which had by then had benefited from an increase in displacement from 289 cubic inches (4.7 litres) to 302 (4.9) which proved not enough.  The conclusion reached by both Ford & GM was of course to increase power so for 1969 the Falcon and Monaro appears with 351 cubic inch (5.8 litre) and 350 (5.7) V8s; the power race was on.  Ford however decided to make sure of things and developed homologation-special with more power, some modification to improve durability and, with endurance racing in mind, a 36 (imperial) gallon (164 litre) fuel tank, quickly (and inexpensively) fabricated by welding together two standard tanks.  The car was called the GTHO (written variously in documents as also as G*T*H*O, GT-HO & G.T.H.O. (and as GT·HO on the glovebox lid)), HO apparently understood by the Ford engineers to mean “high output” but presented to the public as “handling options”, the company not wishing to frighten the horses with fears of racing cars being sold for use on the streets (and such a furore did ensue in 1972 which proved the GTHO’s death knell.

1970 Falcon GTHO Phase II.

If the 1967 GT had been something beyond what Ford in 1960 thought the Falcon might become, the GTHO would have been beyond their wildest imaginings.  Still usable as a road car, it also worked on the circuits although, because of a bad choice of tyre which was unsuited to the techniques of the drivers, it failed to win the annual Bathurst 500, then (as now), the race which really mattered.  Determined to win the 500, a revised GTHO was prepared and, in a novel move, was known as the Phase II (the original retrospectively re-christened the Phase I), the most obvious highlight of the revised specification a switch to Ford’s new Cleveland 351 V8 which, heavier and more powerful, replaced the Windsor 351.  Underneath however, there were changes which were just as significant with the suspension re-calibrated to suit both racing tyres and the driving style used in competition.  Said to have been developed with “a bucket of Ford’s money in one hand and a relief map of the Bathurst circuit in the other”, the Phase II drove like a real racer and probably few cars sold to the public have deliberately been engineered to produce so much oversteer.  On the track it worked and victory at Bathurst followed, something which drew attention from the early unreliability of the Cleveland 351, the implications of it’s less elaborate lubrication system not for some months appreciated.

1971 Ford Falcon GTHO Phase III (Clone).

The Phase III followed in 1971 with increased power, the propensity to oversteer toned down and it proved even more successful, the legacy due to be continued by a Phase IV with four-wheel disk brakes (something probably more helpful than more power) but the project was abandoned after a moral panic induced by a Sydney newspaper which ran a front page which alleged “160mph (257 km/h) supercars” were about to fall into the hands of teenagers to use on city streets and highways.  That certainly frightened the horses and politicians, always susceptible to anything which appears in a tabloid, vowed to act and prevailed on the manufacturers to abandon the homologation specials.  Thus ended the era of the GTHO and also the similar machines being prepared by GM and Chrysler, the handful of Phase IV GTHOs built quietly sold off, never to see a race track although one did, most improbably, enjoy a brief, doomed career as a rally car.

1972 Ford Falcon GTHO Phase IV.

Over the decades, as used cars, the surviving GTHOs (many destroyed in accidents on and off the track) have become collectable and of the 1222 made (including circa 115 of the (unofficial) Phase 1.5 with a milder (hydraulic valve lifters) Cleveland engine), it’s the Phase III (300 built) which is the most coveted at auction (the handful of Phase IVs seem to change hands mostly in private sales and the record is said to be circa Aus$2 million) and while the prices achieved track the state of the economy, the current record is believed to be Aus$1.3 million.  Based on what was essentially a taxicab which was produced in the hundreds of thousands, there’s an after-market ecosystem which produces all the parts required for one exactly (except for tags and serial numbers) to create one’s own GTHO at considerably less than what a real one now costs so it’s no surprise there are many acknowledged replicas (also described as clones, tributes etc) but the odd bogus example has also been unearthed.

Ford Falcon GTHO Phase IVs being prepared for racing, Melbourne, 1972.

Quite how many of the 287 Phase IIs survive isn’t known and the prices are high so it’s little surprise some have been tempted to misrepresent a bogus example as something real and there are legal implications to this, both criminal and civil.  There are even examples of the less desirable Falcon GTs and in 2011, in a judgment handed down in the District Court of Queensland (Sammut v De Rome [2011] QDC 294), a couple was ordered to pay the plaintiff AU$108,394.04 (US$107,200 at the then favorable exchange rate).  The defendants had sold to the plaintiff what they advertised as a 1969 Ford Falcon GT, a vehicle they had in 2006 purchased for Aus$18,000.  The plaintiff undertook due diligence, inspecting the car in person and in the company of a expert in bodywork before verifying with Ford Australia that the VIN (vehicle identification number) was legitimate car.  Once the VIN had been confirmed as belonging to a 1969 Falcon GT, a sale price of Aus$90,000 was agreed and the sale executed, the buyer having the car transported by trailer to Sydney.

Bogus & blotchy: Lindsay Lohan with fake tan.

Two years later, when the plaintiff attempted to sell the car, a detailed inspection revealed it was a bogus GT, a real GT’s VIN having been used to replace the one mounted on an ordinary 1969 Falcon, an x-ray examination of the firewall confirming the cutting and welding associated with the swap.  It was never determined who was responsible for creating the bogus GT and expert testimony given to the court confirmed that then, a non-GT Falcon of this year and condition was worth between Aus$10-15,000 while the value of an authentic GT was between Aus$65-70,000.  Accordingly, the plaintiff sued for breach of contract, requesting to be compensated to the extent of the difference between what he paid for the car and its current value, plus associated matters such as transport, interest and court costs.  The court found for the plaintiff in the sum of Aus$108,394.04 although the trial judge did note that the defendants likely didn't know the car was bogus, thereby opening for them the possibility of commencing action against the party from whom they purchased the thing, his honor mentioned that because of the civil statute of limitations, they had less than a month in which to file suit.  It's to be hoped they kept the car because in 2022, well-executed replicas of XW Falcon GTs are being advertised at more than Aus$125,000.

Wednesday, November 29, 2023

Antidisestablishmentarianism

Antidisestablishmentarianism (pronounced an-tee-dis-uh-stab-lish-muhn-tair-ee-uh-niz-uhm)

Opposition to the withdrawal of state support or recognition from an established (state) church.  It was used especially in nineteenth century England by those opposed to separating the Church of England (Anglican) from the civil government.

1838: A compound word: anti + dis + establishment + arian + ism.  Anti- was from the Middle English from the Latin from the Ancient Greek.  It was a prefixal use of antí; akin to the Sanskrit ánti (opposite), the Latin ante and the Middle Dutch ende.  Dis- was a Latin prefix used to impart the meanings “apart,” “asunder,” “away,” “utterly,” or having a privative, negative, or reversing force.  In English, it’s long been used freely, especially with these latter senses, as an English formative.  Establishment was from the Old French establissement (and persists in Modern French as établissement), from the verb establir from the Old Occitan establir, from Latin stabilīre (present active infinitive of stabiliō); cognates included the Occitan establir, the French établir and the Italian stabilire.  The –arian suffix dates from circa 1530 and was from the Late Latin ariānus.  It was a suffix forming personal nouns corresponding to Latin adjectives ending in -ārius or English adjectives or nouns ending in –ary and subsequently proved productive in English with other Latinate stems, forming nouns denoting a person who supports, advocates, or practices a doctrine, theory, or set of principles associated with the base word (authoritarian, vegetarian etc).  The –ism suffix was from the Ancient Greek –ismos & -isma noun suffixes, often directly, often through the Latin –ismus & -isma, though sometimes through the French –isme or the German –ismus, all ultimately from the Greek.  It appeared in loanwords from Greek, where it was used to form action nouns from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).  The antonym (obviously) is disestablishmentarianism.  Antidisestablishmentarianism & antidisestablishmentarianist are nouns, antidisestablishmentarianistic is an adjective and antidisestablishmentarian is a noun & adjective; the noun plural is antidisestablishmentarianisms.

Portrait of King Henry VIII (circa 1509), oil on canvas by an unknown artist, Denver Art Museum.  This is the earliest portrait of Henry (as king) known to have survived.

It was Henry VIII (1491–1547; King of England (and Ireland after 1541) 1509-1547) who created what endures in England to this day as the established church, the phrase “Church of England” becoming frequently used immediately after the act of separation in 1534.  The king separated the English church from the authority of Rome to become one of a number created in the wake of the Protestant Reformation, not because of any theological or doctrinal differences, but in order to secure the annulment of his marriage to Catherine of Aragon (1485-1536).  Having found the Clement VII (Giulio di Giuliano de' Medici, 1478–1534; pope 1523-1534) unwilling to annul, he had himself instead declared supreme head of the Church in England, the schism with Rome (with the exception of a brief interruption), unhealed to this day.  Problem solved.  There is a distinction between the Church in England and the Church of England, the roots of Christianity in the British Isles established during England’s time as a province of the Roman Empire early in the first millennium.  From these beginnings there were forks and regional divergences until 597 when a Gregorian mission by Augustine of Canterbury visited, Christianity in England from that point subject to the authority of the Pope.  So it continued until 1534, England even once providing a pope (Adrian IV, circa 1100- 1159, pope 1154-1159), noted now for his contribution to the Irish problem, something unsolved even now.

Generally pointless and the Germans do it better

Romanus Pontifex non concedit. Tomb of Clement VII, carved in marble by Nanni di Baccio Bigio (pseudonym of Giovanni Lippi (circa 1508-1568), Santa Maria Sopra, Minerva.  Had the times been different, Clement may have been inclined towards pragmatism and found some loophole permitting an annulment but given the geopolitics, he was constrained.

With 28 letters and twelve syllables, antidisestablishmentarianism is often cited as the longest word in English.  However, floccinaucinihilipilification (a waggish schoolboy pseudo-Latin creation meaning “the act or habit of describing or regarding something as worthless” (the construct being floccus (a wisp) + naucum (a trifle) + nihilum (nothing) + pilus (a hair) + -fication (process of becoming)) is one letter longer and the longest non-technical word in English (there is the 29-letter plural form "antidisestablishmentarianisms" which ties with floccinaucinihilipilification and the 30-letter "antidisestablishmentarianistic" but such derived forms are dismissed by the editors of dictionaries as artificial concoctions).  It was once used in a debate in the UK's House of Commons, although, even that wasn’t the longest ever spoken in Westminster, pneumonoultramicroscopicsilicovolcanoconiosis (a factitious creation said to mean “a lung disease caused by inhalation of very fine silica dust usually found in volcanos”) having been earlier used during a select committee enquiry.  An opportunist extension of the medical term pneumonoconiosis, it was coined during the proceedings of the National Puzzlers' League convention (a natural home of English eccentricity) in 1935 in an attempt to create English’s longest word but was dismissed by dictionaries as fake, clinicians and textbooks still referring to the disease as pneumonoconiosis, pneumoconiosis, or silicosis.  British dictionaries may feel compelled to include antidisestablishmentarianism but many overseas publications do not, on the basis there’s hardly any record of its use except in lists of long words which some editors treat as lexicographical freak shows.  Merriam-Webster's Collegiate Dictionary lists the longest as "electroencephalographically", a physician’s diagnostic tool.

English doesn't encourage the conjuring of the long compound words familiar in German.  The classic long German word is Donaudampfschiffahrtsgesellschaftskapitän (42 letters) meaning "Danube steamship company captain" but there are others, not all of which dictionaries accept.  Betäubungsmittelverschreibungsverordnung (41 letters) means "regulation requiring a prescription for an anaesthetic”; Bezirksschornsteinfegermeister (30 letters) means “head district chimney sweep"; Rechtsschutzversicherungsgesellschaften (39 letters) means "legal protection insurance companies".  Enterprising Germans created Donaudampfschifffahrtselektrizitätenhauptbetriebswerkbauunterbeamtengesellschaft (80 letters) meaning "association of subordinate officials of the head office management of the Danube steamboat electrical services" but this was judged bogus bogus and rejected the authorities which held the 63-letter Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz ("beef labelling regulation and delegation of supervision law") to be the longest.  It was a real word in actual (if rare) use though usually through the more manageable abbreviation ReÜAÜG but it was rendered obsolete by changes to EU regulations.  Currently, the longest word accepted by most German dictionaries is the 36 letter Kraftfahrzeughaftpflichtversicherung (automobile liability insurance).

Google ngram (a quantitative and not qualitative measure): Because of the way Google harvests data for their ngrams, they’re not literally a tracking of the use of a word in society but can be usefully indicative of certain trends, (although one is never quite sure which trend(s)), especially over decades.  As a record of actual aggregate use, ngrams are not wholly reliable because: (1) the sub-set of texts Google uses is slanted towards the scientific & academic and (2) the technical limitations imposed by the use of OCR (optical character recognition) when handling older texts of sometime dubious legibility (a process AI should improve).  Where numbers bounce around, this may reflect either: (1) peaks and troughs in use for some reason or (2) some quirk in the data harvested.  In the matter of antidisestablishmentarianism, the spike in late twentieth century "use" represents the effect of the internet encouraging the creation of many lists and on-line replications of printed material thus the apparent paradox of the appearance of frequent use which actually reflected the existence of many sources explaining why the anyway rare word had become otherwise functionally extinct.

Regarding the substantive matter of disestablishment, it’s a political position developed in nineteenth century Britain in opposition to the Liberal Party’s proposal for the removal of the Anglicans’ status as the state church of England, Ireland, and Wales.  The establishment was maintained in England, but the Church of Ireland was disestablished in 1871 and the four Church of England dioceses in Wales were disestablished in 1920, becoming the Church in Wales.  Given the nature (and relevance) of the modern Church of England, it’s a matter seldom mentioned as a constitutional reform of pressing importance.

Monday, July 20, 2026

Fake & Faux

Fake (pronounced feyk)

(1) To prepare or make something specious, deceptive, or fraudulent.

(2) To conceal the defects of or make appear more attractive, interesting, valuable etc, usually in an attempt to deceive.

(3) To pretend; simulate; emulate.

(4) To accomplish by trial and error or by improvising:

(5) To trick or deceive.

(6) In jazz music, to improvise (non pejorative).

(7) To play music without reading from a score (usually non pejorative).

(8) Anything made to appear otherwise than it actually is; counterfeit.

(9) A person who fakes; faker.

(10) To lay (a rope) in a coil or series of long loops so as to allow to run freely without fouling or kinking (often followed by down).

(11) Any complete turn of a rope that has been faked down; any of the various ways in which a rope may be faked down.

(12) In German, a male given name.

1350–1400: From the Middle English faken (to coil a rope) of unknown origin.  The nautical adoption fake (one of the windings of a cable or hawser in a coil) was from the Swedish veck (a fold) and probably entered English from exchanges between English and Scandinavian sailors.  The more familiar modern meaning is documented from 1775 as an adjective meaning “to counterfeit”.  It’s attested from 1812 as vagrants' slang meaning “to do for, rob or kill someone” but was also, in an echo of the earlier form, used to mean “shape something”.  It’s thought to have been either (1) a variant of the obsolete feak & feague (to beat), akin to Dutch veeg (a slap) & vegen (to sweep, wipe) or (2), a part of the lingua franca via Polari from the Italian facciare (to make or do).  Fake is a noun, verb & adjective, faked is a verb, fakement is a noun, faking is a noun & verb and faker is a noun & adjective; the noun plural is fakes.

The rarely convivial Hjalmar Schacht, standing right behind Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945).  Dr Schacht was a confessed Freemason.

It’s documented from 1851 as a noun (a swindle) and from 1888 was applied to a person (a swindler), but most etymologists assume it had for some time been in oral use.  The most likely source is thought to have been feague (to spruce up by artificial means), from the German fegen (polish, sweep) which, in colloquial use was used to mean "to clear out, to plunder".  In English, much of the early slang of thieves is from German or Dutch sources, dating from that great linguistic melting pot, the Thirty Years' War (1618-1648) and until the nineteenth century, was largely un-documented although the fragmentary evidence available does suggest use was constantly shifting.  While preparations were being made for the first Nuremberg Trial (1945-1946), the defendants had been interviewed by a number of specialists including a psychologist who, among a battery of tests, included relatively simple mental arithmetic and one who might have been expected to display great proficiency with numbers was confessed Freemason Horace Greeley Hjalmar Schacht (1877–1970; president of the Reichsbank 1923-1930 & 1933-1939, general plenipotentiary for war economy 1935–1937 and reichsminister without portfolio 1937-1943).  However, the tester was “amazed at Schacht’s inability to do mental arithmetic; he had expected great things from a financial wizard.  This Schacht explained as a virtue rather than an inadequacy, claiming: “Any financial wizard who is good at arithmetic is probably a swindler.”  Schacht was acquitted by the IMT (International Military Tribunal) though that didn't stop the German courts subsequently sentencing him to eight years in prison (essentially on the basis of "being a Nazi").  On appeal, he was released in 1948.

Fake news (journalism deliberately misleading), although popularized in the 2016 US presidential campaign (and following the lead of Donald Trump (b 1946; US president 2017-2021 and since 2025) subsequently applied used by just about anyone to describe any source of which they disapprove), was actually first attested in 1894 although, as a device, fake news is probably about as old as news itself.  Faker as an agent noun from faker the verb is from 1846 and the noun fakement (forgery) is from 1811.  To “fake (someone) out” is a description of applied gamesmanship in sport and noted from 1941.  To jazz musicians, “to fake” was merely oral slang for improvising and the “fake book” is attested from 1951.  Interestingly, the adjective "jivey" was sometimes used as a pejorative (phony, fake) unlike "jive" which, in a musical context, was always purely descriptive.  Synonyms include ersatz, fake, false, imitation, imitative, unreal, counterfeit, fabricated, factitious, spurious, substitute, affected, contrived, feigned, insincere, plastic, synthetic, unnatural, bogus, affected, forged, fraudulent, mock, phony, spurious, deception, forgery, hoax, scam, sham, trick, put on, assumed, fraud, impostor, quack, charlatan, deceiver, substitute, contrived, feigned, insincere, & unnatural.

Faux (pronounced foh)

Artificial or imitation and admitted or understood to be so.

1676: from the twelfth century French faux (feminine singular fausse, masculine plural faux, feminine plural fausses), from the Old French fals, from the Latin falsus (false), perfect passive participle from fallō (deceive, trick; mistake).  The origin of fallō is uncertain.  It’s thought either from the Proto-Italic falsō, from the primitive Indo-European (s)whzel (to stumble) or from the primitive Indo-European ǵhwel- (to lie, deceive) but etymologists note structural problems with the latter.  A doublet of false.  The word fake almost always carries negative connotations, the idea of something that is not real, an imitation designed to trick someone into thinking it is real or original.  A fake might be a forgery or copy which is (certainly with many digital fakes) indistinguishable from whatever is the real or original thing it imitates, indeed it might even be an improvement but it remains fake.  Faux is a noun & adjective; the noun plural is fauces.

Lindsay Lohan in faux fur, amfAR gala, New York City, 2013.

Faux has since the 1980s been used in English (with French pronunciation) to describe anything that is imitative without attempting to deceive.  Prior to this, the only frequent use in English was the faux pas (breach of good manners, any act that compromises one's reputation (literally "false step")), noted since the 1670s.  Faux tends not to convey the negative association of fake because it so blatantly an alternative rather than an attempt to deceive, indeed, it can be positioned as having positive connotations, such as was was done with faux fur.  Faux fur is still at least quasi-respectable and in certain circles, there’s long been a micro-industry devoted to turning into social pariahs anyone wearing the real thing.  Sometimes, supporters of PETA (People for the Ethical Treatment of Animals) use direct action, the flinging of red paint onto the offending coat or stole a favorite tactic.  In the twenty-first century, it’s probably not possible to “announce something” without some sort of adverse reaction on social media, the objections (often condemnations) including environment impact, cultural appropriation, microaggressions, racial or gender stereotyping, cultural insensitivity, the carbon footprint, various phobias and other transgressions.  It’s just the way what’s deemed “acceptable” and what’s not is now thrashed out.  Historically, because faux fur was a product of the petro-chemical industry (by any standards a dirty business) the criticism for faux fur centred on the environmental impacts but there were also concerns about the ethics of “deceptive” supply chains and the perpetuation of fur as a desirable fashion item.

While it’s true no animal usually directly is harmed in the production of faux fur, critics maintain wildlife has nevertheless suffered because of the industry’s environmental impact and although the methods used in the argument do sometimes seem abstract with some remoteness between cause and effect, the case is not without foundation, the reliance of on plastics obviously not without cascading costs.  Even now, most faux fur is made from synthetic polymers like acrylic, modacrylic, and polyester, all from non-renewable fossil fuels and emerging from processes with a significant carbon footprint.  Of increasing concern too is the heighted awareness that merely by existing (and especially when being laundered), faux fur garments shed tiny plastic particles into the environment including waterways, contributing to marine pollution (and entering the human-food chain) in a way once underestimated.  Unlike natural animal pelts, plastics can take at least hundreds of years to decompose and some include “forever chemicals”; they do what’s on the tin.  There’s also in commerce some cheating with products labelled “faux fur” found to contain natural product (including that of domestic cats & dogs), an approach tempting because the mass-production of even cheap synthetic fur can be more expensive than that obtained from animals slaughtered in unregulated “factory farms”.  PETA objects to the sale and use of faux fur because it “normalizes the aesthetic” of wearing animal pelts, something that can contribute to sustaining demand for real fur and that critique applies to more recent innovations such as faux fur produced from a plant-base using material like hemp or wool (harvested without slaughtering the creature).

Actor Pamela Anderson (b 1967), mostly real.

People do however seem unforgiving of fake boobs which, even if admitted (apparently sometimes even "boasted of") as being fake (which really should make them faux), seem forever doomed to be called fake.  The preferred form appears to be "fake tits".

Faux also blends well; there are "fauxhemians" (an individual who affects a Bohemian lifestyle while staying within social conventions), "fauxmances" (bogus romances, conducted for reasons good & bad), "fauxgasms" (simulated orgasms (often in the form "she's faking it")), "fauxlanthropists" (individuals who engage in charitable activities out of self-interest), "fauxpologies" (a non-apology), "fauxminists" (an individual presenting as a feminist but judged insincere), "fauxmosexuals" (heterosexual individuals who adopts fashion and mannerisms traditionally associated with the "L" & "G" factions in the LGBTQQIAAOP aggregation in order to gain social and/or financial advantage) & "fauxtatoes" (low-carb, keto-friendly alternatives to traditional mashed potatoes, typically made by blending steamed or roasted cauliflower).  Donald Trump dubbed Elizabeth Warren (b 1949; US senator (Democrat) for Massachusetts since 2013) Pocahontas because her claim to Native American ancestry proved dubious but allies of her predecessor (Scott Brown (b 1959; US senator (Republican) for Massachusetts 2010–2013)), referred to her as Fauxcahontas.  That was an incorrect use necessitated by the need of rhyme and word formation; technically she was a "Fakecahontas" but as a word it didn't work as well.  People anyway seemed to get the point: as a Native American, she was fake, bogus, phoney.

Christ with the Woman Taken in Adultery by Han van Meegeren (1889–1947) following Vermeer (1632-1675).

In May 1945, immediately after the liberation from Nazi occupation of the Netherlands, the authorities arrested Dutch national Han van Meegeren (1889–1947) and charged him with collaborating with the enemy, a capital crime.  Evidence had emerged that van Meegeren had during World War II (1939-1945) sold Vermeer's Christ with the Woman Taken in Adultery to Hermann Göring (1893–1946; leading Nazi 1922-1945, Hitler's designated successor & Reichsmarschall 1940-1945).  His defense strategy was as novel as it was unexpected: He claimed the painting was not a Vermeer but rather a forgery by his own hand, pointing out that because he had traded the fake for over a hundred other Dutch paintings seized earlier by the Reich Marshal, he was thus a national hero rather than a Nazi collaborator.  With a practical demonstration (a canvas and paints brought into the courtroom) of his skill, added to his admission of having forged five other fake "Vermeers" during the 1930s, as well as two "Pieter de Hoochs" all of which had shown up on European art markets since 1937, he convinced the judges and was acquitted but was then, as he expected, charged with forgery for which he received a one year sentence, half the maximum available to the court.  He died in prison of heart failure, brought on by years of drug and alcohol abuse. 

Justice might better have been served by the judges imposing a small, symbolic fine and requesting Mr van Meegeren to undertake not again to forge the work of others because, in the circumstances, swindling Hermann Göring seems more a community service than a crime.  His skills with brush and paint aside, Van Meegeren was able successfully to pass off his 1930s fakes as those of the seventeenth century painter of the Dutch baroque, Johannes Vermeer (1632–1675), because of the four years he spent meticulously testing the techniques by which recent painting could be made to appear appropriately aged.  The breakthrough was getting paints thoroughly to harden, a process that in an oil-based mix occurs naturally over 50-odd years; his solution was to mix the pigments not with oil but the synthetic resin Bakelite.  For his canvas, he used a genuine but worthless seventeenth-century painting and removed as much of the picture as possible, scrubbing carefully with pumice and water, taking the utmost care not to lose the network of cracks, the existence of which would play a role in convincing many expert appraisers they were authentic Vermeers.  Once dry, he baked the canvas and rubbed a carefully measured mix of ink and dust into the edges of the cracks, emulating the dirt that over centuries would have accumulated.

Guilty as sin: A slimmed-down Hermann Göring in the dock, Nuremberg, 1946.

Modern x-ray techniques and chemical analysis mean such tricks can no longer succeed but, at the time, so convincing were his fakes that no doubts were expressed and the dubious Christ with the Woman Taken in Adultery became Göring's most prized acquisition, quite something considering the literally thousands of pieces of art he looted from occupied Europe.  One of the Allied officers who interrogated Göring in Nuremberg prison prior to his trial before the IMT (International Military Tribunal, 1945-1946) recorded the expression on his face when told "his Vermeer" was a fake suggested that "...for the first time Göring realized there really was evil in this world".  For his crimes, Göring was sentenced to be hanged, a fate doubtless he believed the forger deserved to share.

Where demand exceeds supply, the market will respond: 2013 Mercedes-AMG G 63 6×6 (left) and 2014 Brabus B63S (right).

Aimed at the Middle East market and manufactured between 2013-2015, a run of 100 units was planned for the Mercedes-AMG G 63 6×6 and it was advertised on that basis, exclusivity part of the attraction.  However, such was the interest that dealers prevailed on behalf of a few influential "good customers" so some additional units were built but not many and within months, used models were selling for well above the US$550,000 (€379,000) list price.  That encouraged imitations and probably not since the DEMAG Sd.Kfz half-tracks of Field Marshal Erwin Rommel's (1891–1944) Africa Corps ranged across Cyrenaica in 1941-1942 has there been a vehicle so suited to the open desert although progress meant the experience was able to be enjoyed at higher speed while listening to hi-fidelity recordings in air-conditioned comfort.  Of course the gas (petrol) consumption was, by twenty-first century standards, epic but for the demographic in the Middle East attracted by such things, fuel is a minor cost of their hobbies.  The German tuning house Brabus, noted for catering to the small but lucrative market of those who like the AMG cars but think they need more power, released the B63S, its 700 horsepower quite a chunk above the 536 offered by AMG.  In the narrow technical sense the B63S certainly was imitative but few would call was Brabus does "faux or a fake; being in some sense a manufacturer lends the brand a certain validity although Greta Thunberg (b 2003) would not have been impressed, thinking distinctions between terms like "real", "faux" & "imitation" tiresome distractions from the issue of "environmental thuggery".

1938 Mercedes-Benz G4 (W31, left) and an after-market conversion (right) of 2017 Mercedes-AMG G63 (W463) to a 6×6 configuration.

The factory's G63 6x6 anyway had its own hint of the imitative.  Although making much of its status as having produced the world's "first car" and maintaining in Stuttgart a museum with exhibits stretching back to the company's roots in 1886, Mercedes-Benz prefers to not much to dwell on the details of its activities between 1933-1945 but some of the output during those troubled years was remarkable, including the triple-axle G4.  The factory had developed similar cross-country vehicles for military use during the 1920s but, after testing a number of the prototype G1s, the army declined to place an order, finding them too big, too expensive and too heavy for their intended purpose.  Adolf Hitler however, as drawn to big, impressive machines as he was to monumentalist, representational architecture, ordered them adopted as parade vehicles and the army soon acquired a fleet of the updated G4, used eventually not only on ceremonial occasions but also as staff and command vehicles, two even specially configured, one as a baggage car and the other a mobile communications centre, packed with radio-telephony.

1937 Mercedes-Benz G4.

Hitler’s entry in Vienna following the Anschluss (the absorption of Austria into the Reich), 14 March, 1938 was "warmly welcomed" by the assembled crowds.  It was in the post-war years the project to recast Austria's image as "the Nazi's first victim" rather than "willing companion" was undertaken by the government; elsewhere in Western Europe, eyes anxiously looking east, governments were anxious to lend their support.  The statue in the background is of the Archduke Charles Louis John Joseph Laurentius of Austria, Duke of Teschen (1771–1847) and often referred to as “Archduke Karl”, mounted on the Heldenplatz.

Eventually, between 1934-1939, 57 G4s were built, originally exclusively for the OKW (Oberkommando der Wehrmacht (Armed Forces High Command)) and OKH (Oberkommando des Heeres (Army High Command)) but one was gift from Hitler to Generalissimo Franco (1892-1975; Caudillo of Spain 1939-1975).  The Spanish G4, one of few which still exists, was restored and remains in the royal garage in Madrid.  According to factory records, all were built with 5.0, 5.3 & 5.4 litre straight-eight engines but there is an unverified report of interview with Hitler’s long-time chauffeur, Erich Kempka (1910-1975), suggesting one for the Führer’s exclusive use was built with the 7.7 litre straight-eight used in the 770K Grosser (W07 (1930–1938) & W150 (1938–1943)).  Some of the 770s were supercharged so, if true, it's a tantalizing prospect but the story is widely thought apocryphal, no evidence of such a one-off ever having been sighted.

The white G63 6x6 (above) was a “conversion” of a 2017 G63 by G Wagon Car Technology GmbH (Austria), a operation with a high-reputation, derived at least in part from their work being undertaken wherever possible with the use of factory part-numbers.  Given their high standards, "fake" or "faux would seem harsh and all but the most obsessive of the originality police likely would settle on "clone", "replica" or "recreation".  One thing that tends to set the factory’s original G63 6x6’s apart from most of the after-market conversions is the latter tend to use the standard G63’s axles while the former were built with more expensive portal axels.  Portal axles include at each wheel hub an off-set gearbox, raising the axle tube above the wheel centre-line, increasing the ground clearance under the differentials (vulnerable to damage in extreme conditions) without incurring the disadvantages (higher centre of gravity, additional structural stress) induced by conventional suspension-lift techniques.  Portal axles provide also built-in gear reduction, reducing stress on drive-trains and off-setting power losses if larger tyres are fitted.  Because of what they do internally, there are also weight-saving benefits because with the “twisting effect” on axle shafts and CV (constant-velocity) joints reduced, components need not be so heavy.  While not a simple installation, portal axles also allow the suspension’s original geometry to be maintained, even if larger wheels and tyres are used.  However, for everything one does there’s a price to be paid and in engineering that’s expressed as “trade-offs”, the advantages gained by the use of portal axles accompanied by the drawbacks of increased complexity and higher maintenance, each unit requiring regular oil-changes.

Walmart chic for a half-million-odd US$.

In places like Turin or Cannes, there wouldn’t have been many who thought Chrysler’s RAM TRX was “too small” but Texas-based operation Hennessey knew there was in the US sufficient demand to schedule an annual production of 12 Mammoth 1000 6×6 TRX trucks, the base price listed at US$449,950 (before options).  Rated at 1,012 HP and measuring some 23½ feet (7.2 metres) end-to-end, in addition to the usual specifications sheet, the company provided a succinct explanatory paragraph: “Everything we do at Hennessey Performance is turned up to 11, but the Mammoth 1000 6×6 is definitely turned up to 12!  Everything on the Mammoth 6×6 is bigger, badder, and more imposing – plus, it’s still super-fast, while being a total powerhouse off-road. It’s the undisputed king of the road.

Amusingly whether or not fitted with the portal axles making them more suited to use off-road, most of the G63 6x6s were bought not for their rough terrain capabilities but as status symbols, few drivers ever venturing far from the smooth surfaces of urban life that, paradoxically, proved their native environment.  Additionally, the fate of many seems to be as "collectables" carefully to be stored in a climate-controlled garage, awaiting the next venture onto the auction circuit, owners hoping to "flip" their investment for a profit.  Because all that can be guaranteed about the market is that "it will fluctuate", as might have been predicted for such a niche item, results have been mixed.  The concept is though a niche with obvious appeal because in the US a number of suppliers have entered the market to offer similar three-axle conversions on the platforms of the big Chevrolet, Ford and RAM pick-up trucks; impressionistically, most of these also seem to have been purchased for urban use and although their sheer size would seem to mitigate against use in cities, in the US the size differential between them and much else of what's on the roads is not so stark as in other places and for those who really do value functionality, their load-carrying and towing capabilities would be appreciated.  Additionally, among the MAGA (Make America Great Again) crew, such machines have become political statements; that's an abstract kind of functionally.

Ferrari GTO production numbers 1961-1964.  The most fastidious insist only what happened in 1962-1963 counts and there are thus 36 Ferrari 250 GTOs.

There are however fake cars and they're considered bogus if represented as a factory original but are really a modified version of something else.  Even if a functionally exact copy indistinguishable from what the factory did, without disclosure that’s fake because it's not "authentic" yet exactly the same machine modified in the same way is instead a “clone”, “tribute”, “recreation” or “replica” if represented as such; it's all in the transparency of the disclosure.  Clone, recreation & replica do imply a exact copy but some leeway does seem to be granted given mechanical exactitude is sometimes simply not possible.  A vehicle substantially a replica of something but includes modifications to improve safety, performance or some other aspect of the dynamics is usually styled a “tribute” or “restomod” (a portmanteau word, the construct being resto(red) + mod(ified)).  The improvements can be transformative and, in certain cases, increase value but in others, the changes might detract.  Whether clone, replica or tribute, if what’s being referenced is something rare and desirable, the difference in value can be a factor of more than fifty-fold.  Originality can trump improvement.  The differential exists even if what’s created is for all practical purposes an exact a copy of something such as the various replications (the best word) of 1930s Bugattis, Mercedes-Benz and such by Pur Sang of Argentina.  While a common approach by those making “replicas” of things like the Ferrari 250 GTO is to take the chassis and drive-train of a mechanically similar but less valuable Ferrari of the era and “modify as required”, what Pur Sang does is, with exquisite attention detail, craft just about every part from scratch.  Nuts & bolts they buy “off the shelf” but not much else.  The result is extraordinary and, for what one gets, their prices seem reasonable.

1962 Ferrari 250 GTO recreation by Tempero of New Zealand.

As an extreme example there is the fabled Ferrari 250 GTO, of which usually it's accepted 36 were built although those prepared to cast the definitional net a little further claim there were 41: (2 x (1961) prototypes; 32 x (1962–63) Series I 250 GTO; 3 x (1962–1963) “330 GTO”; 1 x (1963) 250 GTO with LM Berlinetta-style body & 3 x (1964) Series II 250 GTO).  The GTOs in the hands of collectors command extraordinary prices, chassis 4153GT in June 2018 realizing US$70 million in a private sale whereas an immaculately crafted replica of a 1962 version by Tempero (New Zealand) was listed for sale at US$1.3 million (no NFT required).  The Tempero cars are acknowledged to be better built than any original GTO although that is damning with faint praise, those who restore pre-modern Ferraris wryly noting that while the tough drive-trains were built with exquisite care, the assembly of the coachwork could verge on "shoddy".  Indeed, when the head of one restoration company was asked if a vintage Ferrari exactly could be replicated the answer was it was doubtful "...because none of our staff can weld that badly.",   Even less exalted machinery, though actually more rare still, like the 1971 Plymouth Hemi Cuda convertible (only 12 of which were built) also illustrate the difference for there are now considerably more clones / replicas / recreations etc than ever there were originals with the price difference typically a factor of ten or more.