Chaste

Chaste (pronounced cheyst)

(1) Refraining from sexual intercourse, either by choice or to conform to some imposed system of morality or religion; to be virtuous.

(2) Not engaging in sexual relations; the state of voluntary celibacy.

(3) A virgin.

(4) In conduct, literature etc, free from obscenity; decent.

(5) By extension, anything define as pure (white snow, certain grades of stainless steel, architecture simple in style and not needlessly embellished or excessively ornamented etc).

(6) An unmarried female (obsolete).

1175–1225: From the Middle English chaste (virtuous, pure from unlawful sexual intercourse (as defined by the Church)), from the Old French chaste (morally pure), from the Latin castus (clean, pure, morally pure), the verbal adjective from the same root as careō (I lack), possibly from the primitive Indo-European ḱes- (to cut).  The most common modern use (one who refrains from sexual intercourse) is the transferred sense of "sexually pure" which had emerged by the fifteenth century (although chaste as a noun meaning (a virgin person) had been in use from the early fourteenth century).  The meaning was by the 1620s extended to conduct or language “free from obscenity”, and in general to artistic or literary styles which were “simple and unadorned” by the 1750s.  “Chaste architecture” (that with pure lines and without needless embellishments) became an (admiring) term describing the built environment in the early nineteenth century but should not be confused with the later schools of functionalism and brutalism.  The adjective unchaste first appeared in the late fourteenth century.  Depending on context, the synonyms can include continent, clean, decorous, proper, unsullied, celibate, virginal and virtuous or unaffected, unadorned & neat.  The antonyms can include immoral, promiscuous, coarse, rococo or ornate.  The verbs chasten, chastening & chastened do have an archaic sense related sexual purity but are most often used as forms of chastise (to punish, scold, censure or castigate).  Chaste, chaster & chastest are adjectives, chasten, chastening & chastened are verbs chastely is an adverb and chastity, chasteness & chastenedness are nouns; the most common (though rare) noun plural is chastities.  Chasity is also a (rare) proper noun when used as a female given name.  When Chastity Bono (b 1969; the only child of 1960s pop-music husband & wife duo Sonny (b 1935) & Cher (b 1946) Bono) transitioned to become a trans-man, he chose the name Chaz.

The Chastity Belt

Lindsay Lohan announcing (the resumption of) her chasteness, 2018.

There must be few medieval accessories which have been as well documented and displayed as the chastity belt which, according to legend, was a device men would have their wives wear during those weeks, months or even years while they were off somewhere performing military service.  The term “belt” is a little misleading because the “belt” component was there merely to ensure the vital components remained in place and couldn’t be removed or otherwise penetrated, a key-lock system included; they key of course held by the travelling husband.  The vital components were fashioned usually in metal (there are some accounts of those made using a thick leather) and were designed to make sexual intercourse anatomically impossible.

However, like much that in the centuries after the Renaissance came to be regarded as historical “fact”, the tale that the origins of the chastity belt was as an anti-temptation device during the Crusades has been discredited and there is no credible evidence the things even existed prior to the fifteenth century and that although they were certainly documented in the 1500s, they appears to have been much discussed but little used although there are references in medical texts to women fashioning such things (though perhaps not of metal) for their own protection against rape.  Intriguingly too, there are records of one being found on the skeleton of a young woman in her grave, fitted presumably to protect her virtue on her path to heaven or wherever else she was headed.  The great flourishing in chastity belt production actually happened in the nineteenth century when there was demand from museums and travelling exhibitions for such things and, because real relics were rare to the point of non-existence, fakes were needed.  Just as many of the gruesome and supposedly “Medieval” torture devices were products of the Victorian imagination, the chastity belts were equally bogus, although as curators of such things have noted, many were a tribute to the skills of the craftspeople (and women really were involved in artisan work) who not only managed to make convincing “artefacts” but rendered the patina of centuries.

The nineteenth century also saw the beginnings of psychiatry as it would now be understood and one of the orthodoxies of the age was that masturbation was harmful.  Psychiatrists (mostly) didn’t claim masturbation made people go blind but they assembled plenty of other reasons the practice was so undesirable it should be avoided and as in many things, suggestions of abstinence were doubtlessly understood to be ineffective so physical devices were often recommended.  Interestingly, many were aimed at the parents of female adolescents and latter-day feminist criticism has suggested this emphasis was because it was feared if girls learned about the pleasures of sex it might lead them to promiscuity, the implication that self-administration was likely to be a more pleasant experience than sex with most men.  In the medical literature, it wasn’t until the late 1920s that the general disapprobation of masturbation was relaxed and only in the post-war years did the idea fade from mainstream psychiatry (although the churches often continued to believe the old ways were best).  Chastity belts haven’t entirely gone away and every now and then, in the parts of the internet where bizarre and salacious stories are the best click-bait, there will be reports of them being worn (often unwillingly); many of these tales seem to come from east of Suez.  In the world of consensual depravity that is the BDSM (bondage and discipline, domination and submission, sadism and masochism), chastity belts are a niche device; the purposes of use presumably vary.

Congress of Berlin (1881), oil on canvas by Anton von Werner (1843–1915).  Lord Salisbury is the tall, bearded figure, third from the right.

The Congress of Berlin (13 June-13 July 1878) was held to re-organize the arrangement of states in the Balkans after the Russo-Turkish War of (1877–1878).  It was convened in Berlin because (1) the Russians would have been unwilling to attend elsewhere (especially London) and (2) because Otto von Bismarck (1815-1989; Chancellor of the German Empire 1871-1890) did not want anything to be agreed which might lead to war or anything else which might disrupt his intricate system of interlocking treaties and alliances which maintained a general peace in Europe.  The language of diplomacy was then still French so Bismarck insisted on all discussions being conducted in French (even though) the French representatives were there as little more than observers.  The UK's prime-minister, Benjamin Disraeli (1804-1881, UK prime-minister Feb-Dec 1868 & 1874-1880) didn’t speak French so the transaction of the substantive matters fell to the foreign secretary, Lord Salisbury (1830–1903; UK Prime Minister for thirteen years variously 1885-1902 ("prime-minister since God knows when" in Churchill's words)).  Under Bismarck’s strict chairmanship, the congress proceeded with a rare efficiency, concluding in a month, securing peace for a generation and gaining the crumbling Ottoman Empire a final four decades of existence.  Salisbury regarded the outcome of the conference as most satisfactory but what gave him the greatest amusement was when, at the final ceremony, the Sultan of Turkey presented Lady Salisbury with “The Order of Chastity, Third Class” which the marchioness accepted gracefully.  Lord Salisbury was later told by the protocol staff that only the wives of crowned monarchs received The Order of Chastity, First Class while other royal ladies received the Second Class and the wives of diplomats the Third Class.

Antidisestablishmentarianism

Antidisestablishmentarianism (pronounced an-tee-dis-uh-stab-lish-muhn-tair-ee-uh-niz-uhm)

Opposition to the withdrawal of state support or recognition from an established (state) church.

1838: A compound word: anti + dis + establishment + arian + ism.  Anti- is from the Middle English from the Latin from the Ancient Greek.  It’s a prefixal use of antí; akin to the Sanskrit ánti (opposite), the Latin ante and the Middle Dutch ende.  Dis- is a Latin prefix used to impart the meanings “apart,” “asunder,” “away,” “utterly,” or having a privative, negative, or reversing force.  In English, it’s long been used freely, especially with these latter senses, as an English formative.  Establishment is drawn from the Old French establissement (and persists in Modern French as établissement), derived from the verb establir from the Old Occitan establir, from Latin stabilīre (present active infinitive of stabiliō); cognates include Occitan establir, French établir and Italian stabilire.  The –arian suffix dates from circa 1530, from the Late Latin ariānus.  It was a suffix forming personal nouns corresponding to Latin adjectives ending in -ārius or English adjectives or nouns ending in –ary and subsequently proved productive in English with other Latinate stems, forming nouns denoting a person who supports, advocates, or practices a doctrine, theory, or set of principles associated with the base word (authoritarian, vegetarian etc).  The –ism suffix is from the Ancient Greek –ismos & -isma noun suffixes, often directly, often through the Latin –ismus & -isma, though sometimes through the French –isme or the German –ismus, all ultimately from the Greek.  It appeared in loanwords from Greek, where it was used to form action nouns from verbs and on this model, was used as a productive suffix in the formation of nouns denoting action or practice, state or condition, principles, doctrines, a usage or characteristic, devotion or adherence (criticism; barbarism; Darwinism; despotism; plagiarism; realism; witticism etc).

Portrait of King Henry VIII, circa 1509, unknown artist.  This is the earliest portrait of Henry as king of England known to have survived.  It’s hung in the Denver Art Museum.

It was Henry VIII (1491–1547; King of England (and Ireland after 1541) 1509-1547) who created what endures in England to this day as the established church, the phrase “Church of England” becoming frequently used immediately after the act of separation in 1534.  The king separated the English church from the authority of Rome to become one of a number created in the wake of the Protestant Reformation, not because of any theological or doctrinal differences, but in order to secure the annulment of his marriage to Catherine of Aragon (1485-1536).  Having found the pope unwilling to annul, he had himself instead declared supreme head of the Church in England, the schism with Rome (with the exception of a brief interruption), unhealed to this day.  Problem solved.  There is a distinction between the Church in England and the Church of England, the roots of Christianity in the British Isles established during England’s time as a province of the Roman Empire early in the first millennium.  From these beginnings there were forks and regional divergences until 597 when a Gregorian mission by Augustine of Canterbury visited, Christianity in England from that point subject to the authority of the Pope.  So it continued until 1534, England even once providing a pope (Adrian IV, circa 1100- 1159, pope 1154-1159), noted now for his contribution to the Irish problem unsolved even now.

Generally pointless and the Germans do it better

With twenty-eight letters and twelve syllables, antidisestablishmentarianism is often cited as the longest word in English.  However, floccinaucinihilipilification (a waggish schoolboy creation in Latin meaning “the act or habit of describing or regarding something as worthless”, the construct being floccus (a wisp) +‎ naucum (a trifle) +‎ nihilum (nothing) +‎ pilus (a hair) + -fication (process of becoming)) is one letter longer and the longest non-technical word in English.  It was once used in a debate in the UK House of Commons, although, even that wasn’t the longest ever spoken in Westminster, pneumonoultramicroscopicsilicovolcanoconiosis (a factitious creation said to mean “a lung disease caused by inhalation of very fine silica dust usually found in volcanos”) having been earlier used during a select committee enquiry.  An opportunist extension of the medical term pneumonoconiosis, it was coined during the proceedings of the National Puzzlers' League convention in 1935 in an attempt to create English’s longest word but was dismissed by dictionaries as fake, clinicians and textbooks still referring to the disease as pneumonoconiosis, pneumoconiosis, or silicosis.  British dictionaries may feel compelled to include antidisestablishmentarianism but many overseas publications do not, on the basis there’s hardly any record of its use except in lists of long words which some editors treat as lexicographical freak shows.  Merriam-Webster's Collegiate Dictionary lists the longest as electroencephalographically, a physician’s diagnostic too.

English doesn't encourage the conjuring of the long compound words familiar in German.  The classic long German word is Donaudampfschiffahrtsgesellschaftskapitän (42 letters) meaning "Danube steamship company captain" but there are others, not all of which dictionaries accept.  Betäubungsmittelverschreibungsverordnung (41 letters) means "regulation requiring a prescription for an anaesthetic”; Bezirksschornsteinfegermeister (30 letters) means “head district chimney sweep"; Rechtsschutzversicherungsgesellschaften (39 letters) means "legal protection insurance companies".  Enterprising Germans created Donaudampfschifffahrtselektrizitätenhauptbetriebswerkbauunterbeamtengesellschaft (80 letters) meaning "association of subordinate officials of the head office management of the Danube steamboat electrical services" but this was held to be bogus and rejected by all authorities which maintained the 63 letter Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz ("beef labelling regulation and delegation of supervision law") remained the longest.  It was a real word in actual (if rare) use though usually through the more manageable abbreviation ReÜAÜG but it was rendered obsolete by changes to EU regulations.  Currently, the longest word accepted by most German dictionaries is the 36 letter Kraftfahrzeughaftpflichtversicherung (automobile liability insurance).

Regarding the substantive matter of disestablishment, it’s a political position developed in nineteenth century Britain in opposition to the Liberal Party’s proposal for the removal of the Anglicans’ status as the state church of England, Ireland, and Wales.  The establishment was maintained in England, but the Church of Ireland was disestablished in 1871 and the four Church of England dioceses in Wales were disestablished in 1920, becoming the Church in Wales.  Given the nature of the modern Church of England, it’s a matter seldom mentioned as a constitutional reform of pressing importance.

Authentic

Authentic (pronounced aw-then-tik)

(1) Something not false or copied; genuine; real.

(2) Having an origin supported by unquestionable evidence; authenticated; verified: with certified provenance.

(3) Representing one’s true nature or beliefs; true to oneself or to the person identified.

(4) Entitled to acceptance or belief because of agreement with known facts or experience; reliable; trustworthy.

(5) In law, executed with all due formalities; conforming to process.

(6) In music (of a church mode and most often applied to the Gregorian chant), having a range extending from the final to the octave above.

(7) In music (of a cadence), progressing from a dominant to a tonic chord.

(8) In musical performance, using period instruments and historically researched scores and playing techniques in an attempt to perform a piece as it would have been played at the time it was written (or in certain cases, first performed).

(9) Authoritative; definitive (obsolete).

1300–1350: From the Middle English authentik & autentik (authoritative, duly authorized (a sense now obsolete)), from the Old French autentique (authentic; canonical (from which thirteenth century Modern French gained authentique)), from the Late Latin authenticus (the work of the author, genuine ( which when used as a neuter noun also meant “an original document, the original”), from the Ancient Greek αὐθεντικός (authentikós) (original, primary, at first hand), the construct being αὐθέντης (authéntēs) (lord, master; perpetrator (literally, “one who does things oneself; one who acts independently (the construct being aut(o-) (self-) + -hentēs (doer)) + -ikos (–ic) (the adjective suffix)), from the primitive Indo-European root sene- (to accomplish, to achieve).  The alternative spellings authentical, authentick, authenticke & authentique are all archaic.  Authentic is an adjective (and a non-standard noun), authentically is an adverb, authenticity & authentification are nouns, authenticate, authenticating & authenticated are verbs; the most common noun plural is authentifications.

The modern sense of something “real, entitled to acceptance as factual” emerged in the mid-fourteenth century and synonyms (depending on context) include true, veritable, genuine, real, bonafide, bona fide, unfaked, reliable, trustworthy, credible & unfaked.  As antonyms (the choice of which will be dictated by context and sentence structure) the derived adjectives include: non-authentic, inauthentic & unauthentic (the three usually synonymous but nuances can be constructed depending on the context) and the curious quasi-authentic, used presumably to suggest degrees of fakeness, sincerity etc).  Inauthentic from 1783 is the most often used and thus presumably the preferred form and in this it competes also with phony, fake, faux, bogus, imitation, clone, impersonation, impression, mimic, parody, reflection, replica, tribute, reproduction, apery, copy, counterfeit, ditto, dupe, duplicate, ersatz, forgery, image, likeness, match, mime, mimesis, mockery, parallel, resemblance, ringer, semblance, sham, simulacrum, simulation, emulation, takeoff, ripoff, transcription, travesty, Xerox, aping, carbon copy, echo, match, mirror, knockoff, paraphrasing, parroting, patterning, representation & replica & the rare ingenuine.  The verb authenticate (verify, establish the credibility of) dates from the 1650s and was from the Medieval Latin authenticatus, the past participle of authenticare, from the Late Latin authenticus; the form of use in the mid seventeenth century was sometimes “render authentic”.  The noun authenticity (the quality of being authentic, or entitled; acceptance as to being true or correct) dates from the 1760 and replaced the earlier authentity (1650s) & authenticness (1620s).

Beware of the inauthentic: The authentic Lindsay Lohan (left) and the Grand Theft Auto's (GTA 5) ersatz (right), a mere "generic young woman".

Concurring with the 2016 ruling of the New York County Supreme Court which, on appeal, also found for the game’s makers, the judges, as a point of law, accepted the claim a computer game’s character "could be construed a portrait", which "could constitute an invasion of an individual’s privacy" but, on the facts of the case, the likeness was "not sufficiently strong".  The “… artistic renderings are an indistinct, satirical representation of the style, look and persona of a modern, beach-going young woman... that is not recognizable as the plaintiff" Judge Eugene Fahey wrote in his ruling.  Ms Lohan’s lawyers did not seek leave to appeal.

Real & fake appears as simple and obvious a dichotomy as black & white but humanity has managed over the millennia to create many grey areas in many shades, thus the wealth of antonyms and synonyms for “authentic”.  Authentic now carries the connotation of an authoritative confirmation (which can be formalized as a process which culminates with the issue of a “certificate of authenticity” although the usefulness of that of course depends on the issuing authority being regarded as authentic.  Genuine carries a similar meaning but in a less formalized sense and in some fields (such as the art market), something can simultaneously be genuine yet not authentic (a painting might for example be a genuine seventeenth century oil on canvas work yet not be the Rembrandt it was represented to be; it’s thus not authentic).  The word real is probably the most simple term of all and can often be used interchangeably but unless what’s being described is unquestionable “real” in every sense, more nuanced words may be needed.  Veritable was from the Middle French veritable, from the Old French veritable, from the Latin veritabilis, from vēritās (truth), the construct being vērus (true; real) +‎ -tās (the suffix used to form abstract nouns).  The traditional of use in English however means veritable had become an expression of admiration (eg “she is a veritable saint”) rather than a measure of truthfulness or authenticity.

Other nuances also organically have evolved.  Authentic now implies the contents of the thing in question correspond to the facts and are not fictitious while genuine implies that whatever is being considered is something unadulterated from its original form although what it contains may in some way be inauthentic.  This is serviceable and as long as it’s not used in a manner likely to mislead is a handy linguistic tool but as Henry Fowler (1858–1933) noted in his A Dictionary of Modern English Usage (1926), it was an artificial distinction, “…illustrated by the fact that, “genuine” having no verb of its own, “authenticate” serves for both”.

Degrees of authenticity: 2016 Jaguar XKSS (continuation series)

In 2016 Jaguar displayed the first of nine XKSS "continuation" models.  In 1957, Jaguar had planned a run of 25 XKSSs which were road-going conversions of the Le Mans-winning D-type (1954-1956).  Such things were possible in those happier, less regulated times.  However, nine of the cars earmarked for export to North America were lost in fire so only 16 were ever completed.  These nine, using the serial numbers allocated in 1957 are thus regarded as a "continuation of the original run" to completion, Jaguar insisting it is not "cloning itself".  The project was well-received and the factory subsequent announced it would also continue the production run of the lightweight E-Types, again using the allocated but never absorbed ID numbers.  Other manufacturers, including Aston Martin, have embarked on their own continuation programmes and at a unit cost in excess of US$1 million, it's a lucrative business.

In the upper (or at least the most obsessional) reaches of the collector car market, the idea of “authenticity” is best expressed as “originality”.  As early as the 1950s when the market began to the process of assuming its present form, originality was valued because many of the pre-war machines first to attract interest (Bentley, Rolls-Royce, Lagonda et al from the UK, Duisenberg, Stutz, Cadillac et al from the US and Mercedes-Benz, Isotta Fraschini, Bugatti et al from Europe) had over the years receive different coachwork from that which was originally supplied.  At the time however, the contemporary records suggest that if a rakish new body had replaced something dowdy, it was a matter for comment rather than objection.  Nor were replacement engines and transmissions thought objectionable as long as they replicated the originals, there then being an understanding things wear out.  Those mechanical components were however among the first to come to the attention of the originality police and “matching numbers” became a thing, every stamped component with a serial number (engine blocks & heads, transmission cases, differential housings etc) which could be verified against factory records, made a car more collectable and thus more valuable.  It was a matter of originality which came to matter, not functionality which mattered; a newer, better engine detracted from the value.  In some cases originality was allowed to be a shifting concept especially with vehicles used in competition; if a Ferrari was found to be on its third engine, that was fine as long as each swap was performed, in period, by the factory or its racing team.

An authentic 1968 Chevrolet SS427.  Because Chevrolet was during the 1960s somewhat lax in recording the exact details of the exact configuration of the cars as they left the assembly line, it can be difficult to verify what's an authentic Chevrolet SS and what's not.  Quite a few Impalas and others have been modified and represented as what they're not and it can take an expert to tell the difference and that difference can be worth tens of thousands of dollars.  Fortunately, there are many experts.    

That exception aside, it’s now very different and, all else being equal, the most authentic collectable of its type is the one most original.  These days collectors will line up their possessions in rows to be judged by “certified judges” who, clipboards in hand will peak and poke, ticking or crossing the boxes as they go.  They’re prepared to concede the air in the tyres, the fuel in the tank and the odd speck of dust on the carpet may not be what was there when first the thing left the factory but points will be deducted for offenses such as incorrect screw heads, or a hose clap perhaps being installed clockwise rather than anti-clockwise.  Sometimes a variation from the original can’t be detected, even by a certified judge.  If a component (without a verifiable serial number) has been replaced with a genuine factory part number, if done properly that will often get a tick whereas a reproduction part from a third-party manufacturer will often have some barely discernible difference and thus get a cross.  Given the money which churns around the market, there’s a bit of an informal industry in faking authenticity and with some vehicles it is actually technically possible exactly to take a mundane version of something and emulate a more desirable model; the difference in value potentially in the millions.  In some cases however, even if technically possible, it may be functionally not: If it’s notorious that only ten copies were produced of a certain model and all have for decades been accounted for, it’s not plausible to possess and eleventh. However, there are instances where the combination of (1) the factory not maintaining the necessary records and (2) the vehicle itself not being fitted with the requisite stampings or identification plates to determine exactly what options may originally have been fitted.

Christ with the Woman Taken in Adultery by Han van Meegeren (1889–1947) following Vermeer (1632-1675).

The matter of authenticity is obviously important in the art market.  Usually the critical factor is the identity of the artist.  In May 1945, immediately after the liberation from Nazi occupation of the Netherlands, the authorities arrested Dutch national Han van Meegeren (1889–1947) and charged him with collaborating with the enemy, a capital crime.  Evidence had emerged that van Meegeren had during World War II sold Vermeer's Christ with the Woman Taken in Adultery to Hermann Göring (1893–1946; prominent Nazi 1922-1945, Reichsmarschall 1940-1945).  His defense was as novel as it was unexpected: He claimed the painting was not a Vermeer but rather a forgery by his own hand, pointing out that as he had traded the fake for over a hundred other Dutch paintings seized earlier by the Reich Marshal and he was thus a national hero rather than a Nazi collaborator.  With a practical demonstration of his skill, added to his admission of having forged five other fake "Vermeers" during the 1930s, as well as two "Pieter de Hoochs" all of which had shown up on European art markets since 1937, he convinced the court and was acquitted but was then, as he expected, charged with forgery for which he received a one year sentence, half the maximum available to the court.  He died in prison of heart failure, brought on by years of drug and alcohol abuse.

His skills with brush and paint aside, Van Meegeren was able successfully to pass off his 1930s fakes as those of the seventeenth century painter of the Dutch baroque, Johannes Vermeer (1632–1675), because of the four years he spent meticulously testing the techniques by which as a new painting could be made to look centuries old.  The breakthrough was getting the oil-based paints thoroughly to harden, a process which naturally occurs over fifty-odd years.  His solution was to mix the pigments with the synthetic resin Bakelite, instead of oil.  For his canvas, he used a genuine but worthless seventeenth-century painting and removed as much of the picture as possible, scrubbing carefully with pumice and water, taking the utmost care not to lose the network of cracks, the existence of which would play a role in convincing many expert appraisers they were authentic Vermeers.  Once dry, he baked the canvas and rubbed a carefully concocted mix of ink and dust into the edges of the cracks, emulating the dirt which would, over centuries, accumulate.

Authentically guilty as sin: Hermann Göring in the dock, Nuremberg, 1946.

Modern x-ray techniques and chemical analysis mean such tricks can no longer succeed but, at the time, so convincing were his fakes that no doubts were expressed and the dubious Christ with the Woman Taken in Adultery became Göring's most prized acquisition, quite something given the literally thousands of pieces of art he looted from Europe.  One of the Allied officers who interrogated Göring in Nuremberg prison prior to his trial (1945-1946) recorded that the expression on his face when told "his Vermeer" was a fake suggested that "...for the first time Göring realized there really was evil in this world".

So the identity of the painter matters, indeed, between 1968-2014, there was a standing institution called the Rembrandt Research Project (RRP), an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (the NOW; the Netherlands Organization for Scientific Research), the charter of which included authenticating all works attributed to the artist (Rembrandt Harmenszoon van Rijn (1606-1669).  That was a conventional approach to authentication but there are others.  In the West there’s a long standing distinction between “high art” and “popular art” but not all cultures have that distinction and when the output of artists from those cultures is commoditised, what matters is ethnicity.  In Australia, the distinctive paintings categorized as “indigenous art” have become popular and are a defined market segment and what determines their authenticity is that they are legitimately and exclusively the work of indigenous artists.  The styles, of which dot painting is the best known, are technically not challenging to execute and thus easy to replicate by anyone and this has caused where non-indigenous hands have been found (or alleged) to be involved in the process.

The Times (London), 8 March 1997.

In 1997, Elizabeth Durack (1915–2000), a Western Australian disclosed that the much acclaimed works of the supposed indigenous artist “Eddie Burrup” had actually been painted by her in her studio, Eddie Burrup her pseudonym.  To make matters worse, prior to her revelation, some of the works had been included in exhibitions of Indigenous Australian art.  Although noted since the 1980s, the phrase “cultural appropriation” wasn’t then widely used outside of academia of activist communities but what Ms Durack did was a classic example of a representative of a dominant culture appropriating aspects of marginalized or minority cultures for some purpose.  Sometimes (perhaps intentionally) misunderstood, the critical part of cultural appropriation is the relationship between the hegemonic and the marginal; a white artist creating work in the style of an indigenous, colonized people and representing it in a manner which suggests it’s the product of an indigenous artist is CA.  Condoleezza Rice (b 1954; US secretary of state 2005-2009) playing Chopin on a Steinway is not; that’s cultural assimilation.  Once the truth was known, the works were removed from many galleries where they had hung and presumably the critical acclaim they had once received was withdrawn.  Both responses were of course correct.  Had Ms Durack represented the works as her own and signed them thus that would have been cultural appropriation and people could have responded as they wished but to represent them as the works of someone with a name all would interpret as that of an indigenous artist was both cultural appropriation and deceptive & misleading conduct with all that that implies.

One of the photographs run by The Australian (News Corp) in this report on the involvement of white people in the production of indigenous paintings, April 2023.

More recently, there have been accusations white staff employed in a commercial gallery where indigenous artists are employed to create paintings have been influenced, assisted or interfered with (depending on one’s view) in the production process.  According to the stories run in the Murdoch press, a white staff member was filmed suggesting some modification to an artist although whether this was thought to be on artistic grounds or at attempt to make something more resemble what sells best isn’t clear.  However, in a sense the motive doesn’t matter because the mere intervention detracts from the authenticity of the product, based as it is not on the inherent artistic merit but on the artist being indigenous.  In that the case was conceptually little different from Göring’s “Vermeer” which for years countless experts in fine art had acclaimed as a masterpiece while it hung in Carinhall, an opinion not repeated as soon as its dubious provenance was revealed.  Nor is it wholly dissimilar to the case of the replica 1962 Ferrari 250 GTO which is essentially a carbon copy of one of the 40-odd originals made (indeed it was in some ways technical superior) yet it is worth US$1.2 million while the record price for a genuine one was US$70 million.  So for a product to be thought authentic can depend on (1) that it was created by a certain individual, (2) that it was created by a member of a certain defined ethnicity or (3) that it was created by a certain institution.

Salvator Mundi (Savior of the World, circa 1505), oil on walnut by Leonardo da Vinci (1452–1519).

In art, authenticity is precious in many senses.  Salvator Mundi, the critics admit, is not an exceptional painting but once authenticated as the work of Leonardo, it created its own exceptionalism, in 2017 becoming the most expensive painting ever sold at public auction, attracting US$450 when offered by Christie's in New York.  The criteria for assessing the works of indigenous artists is also beneficial for them because unlike mainstream art, they’re not assessed as good or bad but merely as authentically indigenous or not.  That’s why there are no bad reviews of indigenous art or performance because the concept is (1) irrelevant, (2) such an idea is alien to indigenous peoples in Australia and (3) if expressed by white critics would represent the imposition of a Western cultural construct on a marginalized group.  Dot paintings and such are marketed through the structures of the art market because physically they’re similar objects (size & weight) to other paintings but they’re really modern, mass-produced artefacts which depend on provenance as much as a Ferrari, Leonardo or Vermeer.

Verisimilitude

Verisimilitude (pronounced ver-uh-si-mil-i-tood (alt –tyood))

(1) The appearance or semblance of truth; likelihood; probability, quality of seeming true.

(2) Something that merely seems to be true or real, such as a doubtful statement.

(3) In literary fiction, faithfulness to its own rules; internal cohesion.

(4) In film & TV etc, props, sets, backdrops et al assembled to create as accurate as possible an emulation of reality.

1595-1605: From the 1540s French verisimilitude (appearance of truth or reality, likelihood), from the Latin vērīsimilitūdō (likeness to truth), the construct being veri (genitive of verum, neuter of verus (true)) + similis (similar; like, resembling; of the same kind).  In Classical Latin, it was more correctly written as vērī similitūdō.  The Latin verus was from the primitive Indo-European root were-o- (true, trustworthy).  Verisimilitude & verisimilarity are nouns and verisimilar, verisimilitudinous & verisimilous are adjectives.

A word for critics, directors, students etc

In modern philosophy, verisimilitude is a philosophical concept which distinguishes between the relative and apparent (or seemingly so) truth and falsity of assertions and hypotheses.  Able at least to approach perfection in mathematics, applied to other fields, the problem arises in trying to define what it takes for one false theory to be closer to the truth than another false theory; analogies with string theory are tempting.  For Austrian philosopher Karl Popper (1902-1994), for whom truth was (and must be) the object of scientific inquiry, the problem was the acknowledgment that most scientific theories in history have been shown to be false.  Therefore, it must, from time to time, be at least possible for one false theory to be closer to the truth than others.

In literary fiction, verisimilitude, even if cleverly executed, can attract disapprobation.  Those writings of Phillip Roth (1933-2018) which in some way document the author’s construct of how women think (and he had a bit of previous there) usually reflect a perfect internal logic without which, as literature, his text wouldn’t have worked.  Solid verisimilitude therefore but more than one feminist critic has both deconstructed and demurred, finding his world-view a bogus male fantasy.  Perhaps more than other living writers, Roth’s literary relationships tended more to be with his critics than his readers; in less unforgiving times he might have received the Nobel Prize his body of work may have deserved.  In popular culture, verisimilitude is most commonly used to describe things which make film and television “realistic”; props, costumes and such.  It’s a popular word in university courses with studies in their titles (peace studies, media studies, gender studies, communications studies etc).  Academics in these fields adore words like verisimilitude and paradigm, encouraging their students to use them wherever possible.

Failures in verisimilitude in Mean Girls (2004): One of the props was a framed photograph representing Cady Heron during her childhood in Africa, sitting atop an elephant.  The elephant is of a different taxonomy, being an Asian elephant (Elephas maximus) instead of the appropriate African savanna bush elephant (Loxodonta africana) known in Kenya.  The left hand's inadvertent srpski pozdrav (a three-fingered Serbian salute originally expressing the Holy Trinity and used in rituals of the Orthodox Church which has (like much in the Balkans) been re-purposed as a nationalist symbol) is a Photoshop fail.

Moniker

Moniker (pronounced mon-i-ker)

(1) A personal name or nickname as an informal label, often drawing attention to a particular attribute; sometimes also used in commerce.

(2) In computing, an object (an instance of structured data) used to associate the name of an object with its location; many coders prefer “tag”.

1849: Moniker is perhaps from the Irish Shelta munik, munika &  mŭnnik (name), said to be a permutation and extension of Irish ainm (name).  Earlier scholars said it was originally a hobo term, dating it from 1851 and of uncertain origin, perhaps from monk (monks and nuns take new names with their vows) and noted British tramps of the period referred to themselves as “in the monkery”.  Monekeer is attested among the London underclass from 1851 and there were those who claimed to detect “a certain Coptic or Egyptian twang” but, given the uncertainty, all conclude the origin can be only uncertain and the ideas of it being (1) a back-slang of the Middle English ekename (the construct being eke (also, additionally) +‎ name), (2) a corruption of monogram (in the sense of “a signature”), (3) from monarch in the egotistical sense of “I, myself” or (4) from “monk” (monks and nuns take new names with their vows) are all speculative and there’s certainly no link with the primitive Indo-European root no-men (name).  The (rare) alternative forms were monacer, monicker & moniker. Moniker is a noun; the noun plural is monikers.

Lindsay Lohan doing the LiLo, Mykonos, Greece, 2018.

Lindsay Lohan’s moniker LiLo is a blend, the construct being Li(ndsay) + Lo(han).  Being based on proper nouns, in linguistics this would by most be regarded a pure blend, although some would list it as a portmanteau which is a special type of blend in which parts of multiple words are combined into a new word (and some insist that in true portmanteaus there must be some relationship between the source words and the result).  As a proper noun in its own right, “Lilo” means “generous One” and its origin is Hawaiian although in some traditions in the islands it can be translated as “lost”.  The LiLo name was also adopted as the name of an impromptu dance Ms Lohan performed in 2018 at the Lohan Beach House on the Greek Island of Mykonos.

English has a tradition of accumulation many words to mean much the same thing and this can be handy because it allows nuances of use to emerge.  Moniker has as one of those words which, despite there being many better-known and probably better understood synonyms, offers variety, a linguistic flourish that doesn’t suffer the boring familiarity of “nickname” or the dubious connotations of “alias”.  The other related forms include epithet, byname, pseudonym, sobriquet pen-name & to-name.  By some typically strange process, in English the French nom de plume (pen-name) is common whereas among the French nom de guerre (literally, “name of war”, referring to the pseudonyms used during wars) is used for all purposes.  The more recent creation "nom de Web" was a humorous coining for those operating on the internet under a cloak of anonymity although for those who object to mixing linguistic sources for such things there was also nom de clavier, the construct being the French nom (name) + de (of) + clavier (keyboard).  Of course, even someone using a nom de clavier will be able to pay their monthly US$8 and attach to it a Twitter blue tick.

The moniker in modern US politics

Monikers in politics are nothing new but Donald Trump’s 2016 campaign for the Republican nomination and subsequently the presidency then and in 2020 was an example of democratic politics adopting the techniques of reality television and his application of derisive monikers to his opponents proved quite effective in 2016.  The campaign team took the idea seriously from the start, workshopping the possibilities in focus groups to find which gained the best response.  It turned out, based on data from the focus groups there was nothing to choose between crooked Hillary and lying Hillary (as one might imagine) but this was just another big TV show so Trump picked the one he preferred.  Crooked Hillary’s loss was Ted Cruz’s gain: He became Lyin’ Ted which was remembered when, rather than sharing the cold with his those who he represents when Texas froze under a polar vortex, the flew off to sunny Mexico for a vacation.  He was immediately dubbed flyin’ Ted.  The monikers are also recycled “crazy” briefly tried for crooked Hillary, used for Bernie Sanders and later for Liz Chaney, the last use probably because of the attractiveness of the cadence.  The opposing campaign teams noted both phenomenon and effect but all decided they either didn’t wish to adopt the technique or it was too late and to come up with a dirty Donald or cheating Donald or whatever, would have seemed an unoriginal reaction.  They were probably right to resist temptation.

The class of 2016: (1) Tez Cruz: Lyin’ Ted, (2) Marco Rubio: Little Marco, (3) Elizabeth Elizabeth Warren: Pocahontas, (4) Pete Buttigieg: Alfred E Neuman, (5) Michael Bloomfield: Mini Mike, (6) Jeb Bush: Low Energy Jeb, (7), Hillary Clinton: Crooked Hillary, (8) Bernie Sanders: Crazy Bernie.

Some of the memorable monikers Mr Trump has deployed over the years include: Wacky Bill Cassidy, Sleepin' Bob Casey, Low-Polling Liz Cheney, Wacky Susan Collins, Leakin' James Comey, Shadey James Comey, Slimeball James Comey, Slippery James Comey, Ron DeSanctimonious (Ron DeSantis), Leaking Dianne Feinstein, Jeff Flakey, (Jeff Flake), Rejected Senator Jeff Flake, Al Frankenstein (Al Franken), Lightweight Senator Kirsten Gillibrand, Nasty Kamala (Kamala Harris) Phony Kamala Harris, Corrupt Kaine (Tim Kaine), Cryin' Adam Kinzinger, Senator Joe Munchkin (Joe Manchin), Broken Old Crow (Mitch McConnell), Evan McMuffin (Evan McMullin), Disaster from Alaska (Lisa Murkowski), Fat Jerry (Jerry Nadler), Eva Perón (Alexandria Ocasio-Cortez), Foul Mouthed Omar (Ilhan Omar), Dummy Beto (Beto O'Rourke), Truly weird Senator Rand Paul, Nancy Antoinette (Nancy Pelosi), Nervous Nancy Pelosi, The Nutty Professor (Bernie Sanders), Adam Schitt (Adam Schiff), Pencil Neck (Adam Schiff), Weirdo Tom Steyer, Goofy Elizabeth Warren, Low-IQ Maxine Waters, That woman from Michigan (Gretchen Whitmer) and Gretchen Half-Whitmer (Gretchen Whitmer).

Sleepy Joe and wife on the campaign trail, 2020.

Even Trump however probably had to reign in his worst instincts, of which there are many.  He must have been tempted to persist calling Joe Biden sleepy-creepy Joe because of the long history of hair-sniffing photographs but, given his own record of locker-room talk, perhaps thought an allusion to senility might be safer.  Sleepy Joe it became although he’d previously flirted with Corrupt Joe, Basement Biden, Beijing Biden, China Joe, Quid Pro Joe and Slow Joe.  Had it been twenty years earlier, he’d probably have dismissed Pete Buttigieg with the gay slur Mayor Buttplug but times have changed.  He actually struggled to find some way successfully to disparage Buttigieg, finally picking up a reference to the Mad Magazine character Alfred E Neuman.  Buttigieg successfully deflected that echo from the analogue age, claiming never to have heard of Alfred E Neuman and suggesting it might be a “generational thing”, the cultural moment having passed.  It may also have been a good tactic; Ronald Reagan’s campaign staff never cared if anyone said he was too ignorant to be president but worried greatly if anyone suggested he was too old.  All the same, between Buttigieg and Neuman, there is some resemblance.

The pot calling the kettle black: Donald Trump in action.

One of the more recent to emerge was Ron DeSanctimonious to describe Florida Governor Ron DeSantis who a well-regarded betting site currently lists as the $2.10 favorite for the Republican presidential nomination in 2024 with Mr Trump at $3.10 and all others as outsiders.  Perhaps surprisingly, the Democrat field is more closely contested although Sleepy Joe remains the favorite though it’s a long way out and even Crooked Hillary Clinton is at only $26.00 which doesn’t seem long odds considering the history.  Ron DeSanctimonious has lots of syllables so isn’t as punchy as some of the earlier monikers but Mr Trump has a habit of trying them out to see how they catch on and replacing anything which doesn’t work and in the 2022 Florida gubernatorial election he confirmed he voted for DeSantis so there's that.  However, long words can work well if they roll easily off the tongue which is why Pocahontas gained resonance.  Donald Trump dubbed Elizabeth Warren Pocahontas because of her claim to Native American ancestry which proved dubious but others were more clever still, referring to her as Fauxcahontas.  That was actually an incorrect use necessitated by the need of rhyme and word formation; technically she was a Fakecahontas but as a word it doesn’t work as well.  People anyway seemed to get the point: as a Native American, she was fake, bogus, phoney.

Mr Trump in November 2022 announced he'd be seeking the Republican Party's nomination again in 2024 so monikers old and new might again be deployed although, gloating somewhat over the disappointing performance of Trump-aligned candidates in the mid-term elections, Rupert Murdoch's tabloid The New York Post ran the headline "Trumpty Dumpty Had a Great Fall".  The Trumpty Dumpty line wasn't original, memes and books having circulated for years, but, News Corp having given the lead, it'll be interesting to see if that starts a trend among what Mr Trump calls "the fake news media".