Assassin

Assassin (pronounced uh-sas-in)

(1) A murderer, especially one who kills a politically prominent person for reason of fanaticism or profit.

(2) One of an order of devout Muslims, active in Persia and Syria circa 1090-1272, the prime object of whom was to assassinate Christian Crusaders (should be used with initial capital).

1525–1535: An English borrowing via French and Italian, from the Medieval Latin assassīnus (assassinī in the plural), from the Arabic Hashshashin (ḥashshāshīn in the plural) (eaters of hashish), the Arabic being حشّاشين, (ħashshāshīyīn (also Hashishin or Hashashiyyin).  It shares its etymological roots with the Arabic hashish (from the Arabic: حشيش (ḥashīsh)) and in the region is most associated with a group of Nizari Shia Persians who worked against various Arab and Persian targets.  The Hashishiyyin were an Ismaili Muslim sect at the time of the Crusades, under leadership of to Hasan ibu-al-Sabbah (known as shaik-al-jibal or "Old Man of the Mountains") although the name was widely applied to a number of secret sects operating in Persia and Syria circa 1090-1272.  The word was known in Anglo-Latin from the mid-thirteenth century and variations in spelling not unusual although hashishiyy (hashishiyyin in the plural) appears to be the most frequently used.  The plural suffix “-in” was a mistake by Medieval translators who assumed it part of the Bedouin word.  Assassin, assassination, assassinator, assassinatress, assassinatrix, assassinism, autassassinophilia and assassinship are nouns, assassining & assassinating are verbs and assassinlike & assassinous are adjectives; the noun plural is assassins.  The number of derived forms seems untypically high and although some are listed various as obsolete or archaic, that they ever existed is an indication the “assassin” may have exerted a special fascination.  A female assassin (there have been a few) was an assassinatress or assassinatrix (assassinatrices the plural) and they inspired a special horror, presumably because, (1) being less often suspected of being a murderer they might strike when least expected and (2) man may have harboured the fear their method of dispatch might be especially gruesome.  Noted assassinatrices include the Biblical Judith whose decapitation of Holofernes has been depicted in some of Renaissance art's most confronting paintings and Valerie Solanas (1936-1988) who in 1968 shot pop-artist Andy Warhol (1928-1987).  Warhol didn't immediately die from his wounds but never did he fully recover and it's believed the would-be assassin hastened his death.

"Fear of" assassination is a condition different from being "turned on" by the fear of being assassinated.

A special use was autassassinophilia (in psychiatry, a paraphilia in which an individual is sexually aroused by the risk of being killed) and despite the name, the condition is not restricted to those imagining being assassinated, the paraphilia instead covering all those sexually by the risk of being killed.  It’s a fetish which can overlap with others involving specific ways of finding death (drowning, decapitation, dehydration etc) and does not of necessity require actual risk of death; merely imagining it can be sufficient.  The paraphilia could for example be as specific as being sexually aroused by the thought of being murdered by the Freemasons but that is distinct from a fear of being murdered by the Freemasons (an instance of foniasophobia (fear of being murdered)) which was a condition once suffered by Lindsay Lohan while being stalked by "a schizophrenic Freemason".  The condition was first described by John Money (1921–2006), a New Zealand-born professor of psychology at Johns Hopkins University who listed it as the “reciprocal condition” to erotophonophilia (in which one sexually is aroused by “stage-managing and carrying out the murder of an unsuspecting sexual partner”, both paraphilias under the rubric of the “sacrificial/expiatory type”.  Neither have ever been listed as a separate diagnosis in the American Psychiatric Association's (APA) Diagnostic and Statistical Manual of Mental Disorders (DSM) but both, depending on the patient, could variously be “bolted into” the criteria for Sexual Masochism Disorder or Paraphilic Disorder.

Whether in personal, political or family relations, assassination is one of the oldest and, done properly, one of the most effective tools known to man.  The earliest known use in English of the verb "to assassinate" in printed English was by Matthew Sutcliffe (circa 1548-1629) in A Briefe Replie to a Certaine Odious and Slanderous Libel, Lately Published by a Seditious Jesuite (1600), borrowed by William Shakespeare (circa 1564-1616) for Macbeth (1605).  Among the realists, it’s long been advocated, Sun Tzu in the still read The Art of War (circa 500 BC) arguing the utilitarian principle: that a single assassination could be both more effective and less destructive that other methods of dispute resolution, something with which Niccolò Machiavelli (1469–1527), in his political treatise Il Principe (The Prince, written circa 1513 & published 1532), concurred.  As a purely military matter, it’s long been understood that the well-targeted assassination of a single leader can be much more effective than a battlefield encounter whatever the extent of the victory; the “cut the head off the snake” principle.  Idiomatic uses include (1) “great assassin” which sarcastically was in September 1896 bestowed by William Ewart Gladstone (1809–1898; prime-minister 1868–1874, 1880–1885, Feb-July 1886 & 1892–1894) on the Ottoman Empire’s Sultan Abdul Hamid II (1842–1918; sultan of the Ottoman Empire 1876-1909) as a dark reference to the massacres of Ottoman Armenians, (2) “smiling assassin” (can be applied literally but is usually a figurative form meaning “one who maintains a friendly and pleasant visage but really is a back-stabber) and (3) “baby-faced assassin” (one whose youthful or innocent appearance belies their ruthless character).

Modern history

The assassination in July 2022 of Abe Shinzō san (安倍 晋三 (Shinzo Abe, 1954-2022, prime minister of Japan 2006-2007 & 2012-2020) came as a surprise because as a part of political conflict, assassination had all but vanished from Japan.  That’s not something which can be said of many countries in the modern era, the death toll in Asia, Africa, the Middle East and South & Central America long, the methods of dispatch sometimes gruesome.  Russia’s annals too are blood-soaked although it’s of note perhaps in that an extraordinary number of the killings were ordered by one head of Government.  The toll of US presidents is famous and also documented are some two-dozen planned attempted assassinations.  Even one (as far as is known) prime-minister of the UK has been assassinated, Spencer Perceval (1762–1812; Prime-Minister of the UK 1809-1912) shot dead (apparently by a deranged lone assassin) on 11 May 1812, his other claim to fame that uniquely among British premiers, he served at times also as solicitor-general and attorney-general.  Conspiracy theorists note also the death of Pope John-Paul I (1912–1978; pope Aug-Sep 1978).

Death by katana.

Samuri Ultranationalist activist Otoya Yamaguchi (1943-1960), about to stab Socialist Party leader Inejiro Asanuma san (1898-1960) with his yoroi-dōshi ("armor piercer" or "mail piercer"), a short sword, fashioned with particularly thick metal and suitable for piercing armor and using in close combat; it was carried by the samurai class in feudal Japan.), Hibiya Public Hall, Tokyo, 12 October 1960.  The assassin committed suicide while in custody.

Historically however, political assassinations in Japan were not unknown, documented since the fifth century, the toll including two emperors.  In the centuries which unfolded until the modern era, by European standards, assassinations were not common but the traditions of the Samurai, a military caste which underpinned a feudal society organized as a succession of shogunates (a hereditary military dictatorship (1192–1867)), meant that violence was seen sometimes as the only honorable solution when many political disputes were had their origin in inter and intra-family conflict.  Tellingly, even after firearms came into use, most assassinations continued to be committed with swords or other bladed-weapons, a tradition carried on when the politician Asanuma Inejirō san was killed on live television in 1960.

Most remembered however is the cluster of deaths which political figures in Japan suffered during the dark decade of the 1930s.  It was a troubled time and although Hara Takashi san (1856-1921; Prime Minister of Japan 1918-1921) had in 1921 been murdered by a right-wing malcontent (who received a sentence of only three years), it had seemed at the time an aberration and few expected the next decade to assume the direction it followed.  However in an era in which the most fundamental aspects of the nation came to be contested by the politicians, the imperial courtiers, the navy and the army (two institutions with different priorities and intentions), all claiming to be acting in the name of the emperor, conflict was inevitable, the only thing uncertain was how things would be resolved.

Hamaguchi Osachi san (1870–1931; Prime Minister of Japan 1929-1931) was so devoted to the nation that when appointed head of the government’s Tobacco Monopoly Bureau, he took up smoking despite his doctors warnings it would harm his fragile health.  His devotion was praised but he was overtaken by events, the Depression crushing the economy and his advocacy of peace and adherence to the naval treaty which limited Japan’s ability to project power made him a target for the resurgent nationalists.  In November 1930 he was shot while in Tokyo Railway station, surviving a few months before succumbing an act which inspired others.  In 1932 the nation learned of the Ketsumeidan Jiken (the "League of Blood" or "Blood-Pledge Corps Incident"), a nationalist conspiracy to assassinate liberal politicians and the wealthy donors who supported them.  A list on twenty-two intended victims was later discovered but the group succeeded only in killing one former politician and one businessman.

The death of Inukai Tsuyoshi san (1855–1932; Prime Minister of Japan 1931-1932) was an indication of what was to follow.  A skilled politician and something of a technocrat, he’d stabilized the economy but he abhorred war as a ghastly business and opposed army’s ideas of adventures in China, something increasingly out of step with those gathering around his government.  In May 1932, after visiting the Yasukuni Shrine to pay homage to the Meiji’s first minister of war (assassinated in 1869), nine navy officers went to the prime-minister’s office and shot him dead.  Deed done, the nine handed themselves to the police.  At their trial, there was much sympathy and they received only light sentences (later commuted) although some fellow officers feared they may be harshly treated and sent to the government a package containing their nine amputated fingers with offers to take the place of the accused were they sentenced to death.  In the way the Japanese remember such things, it came to be known as “the May 15 incident”.

Nor was the military spared.  Yoshinori Shirakawa san (1869–1932) and Tetsuzan Nagata san (1884–1935), both generals in the Imperial Japanese Army were assassinated, the latter one of better known victims of the Aizawa Incident of August 1935, a messy business in which two of the three army factions then existing resolved their dispute with murder.  Such was the scandal that the minister of army was also a victim but he got of lightly; being ordered to resign “until the fuss dies down” and returning briefly to serve as prime-minister in 1937 before dying of natural cause some four years later.

Lindsay Lohan as assassin nun in Machete (2010).  The revolver is a Smith & Wesson .50 Magnum with 8.38" barrel (S&W500: SKU 163501).

All of the pressures which had been building to create the political hothouse that was mid-1930s Japan were realized in Ni Ni-Roku Jiken (the February 26 incident), an attempted military coup d'état in which fanatical young officers attempted to purge the government and military high command of factional rivals and ideological opponents (along with, as is inevitable in these things, settling a few personal scores).  Two victims were Viscount Takahashi Korekiyo san (1854–1936; Prime Minister 1921-1922) and Viscount Saitō Makoto san (1858–1936; admiral in the Imperial Japanese Navy & prime-minister 1932-1934 (and the last former Japanese Prime Minister to be assassinated until Shinzo Abe san in 2022)).  As a coup, it was a well-drilled operation, separate squads sent out at 2am to execute their designated victims although, in Japanese tradition, they tried not to offend, one assassin recorded as apologizing to terrified household staff for “the annoyance I have caused”.  Of the seven targets the rebels identified, only three were killed but the coup failed not because not enough blood was spilled but because the conspirators made the same mistake as the Valkyrie plotters (who sought in 1944 to overthrow Germany’s Nazi regime (1933-1945)); they didn’t secure control of the institutions which were the vital organs of state and notably, did not seize the Imperial Palace and thus place between themselves between the Emperor and his troops, something they could have learned from Hernán Cortés (1485–1547) who made clear to his Spanish Conquistadors that the capture of Moctezuma (Montezuma, circa 1466-1520; Emperor of the Aztec Empire circa 1502-1520) was their object.  As it was, the commander in chief ordered the army to suppress the rebellion and within hours it was over.

However, the coup had profound consequences.  If Japan’s path to war had not been guaranteed before the insurrection, after it the impetus assumed its own inertia and the dynamic shifted from one of militarists against pacifists to agonizing appraisals of whether the first thrust of any attack would be to the south, against the USSR or into the Pacific.  The emperor had displayed a decisiveness he’d not re-discover until two atomic bombs had been dropped on his country but, seemingly convinced there was no guarantee the army would put down a second coup, his policy became one of conciliating the military which was anyway the great beneficiary of the February 26 incident; unified after the rebels were purged, it quickly asserted control over the government, weakened by the death of its prominent liberals and the reluctance of others to challenge the army, assassination a salutatory lesson.

Assassins both:  David Low’s (1891-1963) Rendezvous, Evening Standard, 20 September 1939. 

The Molotov–Ribbentrop Pact (usually styled as the Nazi-Soviet Pact), was a treaty of non-aggression between the USSR and Nazi Germany and signed in Moscow on 23 August 1939.  A political sensation when it was announced, it wouldn't be until the first Nuremberg Trial (1945-1946) that the Western powers became aware of the details of the suspected secret protocol under which the signatories partitioned Poland between them.   Low's cartoon was published shortly after the Soviets (on 17 September) invaded from the east, having delayed military action until convinced German success was assured.

Low's work satirizes the cynicism of the Molotov-Ribbentrop Pact, Adolf Hitler (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) and comrade Stalin (1878-1953; Soviet leader 1924-1953) bowing politely, words revealing their true feelings.  After returning to Berlin from the signing ceremony, Joachim von Ribbentrop (1893–1946; Nazi foreign minister 1938-1945) reported the happy atmosphere to Hitler as "…like being among comrades" but if he was fooled, comrade Stalin remained the realist.  When Ribbentrop proposed a rather effusive communiqué of friendship and a 25 year pact, the Soviet leader suggested that after so many years of "...us tipping buckets of shit over each-other", a ten year agreement announced in more business-like terms might seem to the peoples of both nations, rather more plausible.  It was one of a few occasions on which comrade Stalin implicitly admitted even a dictator needs to take note of public opinion.  His realism served him less well when he assumed no rational man fighting a war against a formidable enemy would by choice open another front of 3000-odd kilometres (1850 miles) against an army which could raise 500 divisions.  Other realists would later apply their own calculations and conclude that however loud the clatter of sabre rattling, Mr Putin (Vladimir Vladimirovich Putin; b 1952; president or prime minister of Russia since 1999) would never invade Ukraine.

Cloak and axe of Giovanni Battista Bugatti (1779–1869), official executioner for the Papal States 1796-1864, Criminology Museum of Rome.

Woodcuts and other depictions from the era suggest the blood-red cloak wasn't always worn during executions.  At various points popes have hired assassins to do the Lord’s work (and many more have been contracted “on behalf of His Holiness (both with and without his knowledge) but (as far as is known), none have been on the payroll for at least two centuries.  The last executioner employed was Giovanni Battista Bugatti began his career at a youthful 17 under Pius VI (1717–1799; pope 1775-1799) and diligently he served six pontiffs before being pensioned off by Pius IX (1792–1878; pope 1846-1878).  His retirement induced not by the Holy See losing enthusiasm for the death penalty because one Antonio Balducci succeeded him in the office which fell into disuse only with the loss of the Papal States (756-1870; a conglomeration of territories in the central & northern Italian peninsula under the personal sovereignty of the pope), after the unification of Italy.  Unlike his illustrious predecessor, history has recorded little about Signor Balducci although it’s known he performed his final execution in 1870.  Signor Bugatti was by far the longest-serving of the Papal States’ many executioners and locals dubbed him Mastro Titta, a titular corruption of maestro di giustizia (master of justice) and his 69 year tenure in his unusual role can be accounted for only by either (1) he felt dispatching the condemned a calling or (2) he really enjoyed his work, because his employers were most parsimonious: he received no retainer and only a small fee per commission (although he was granted a small, official residence).  His tenure was long and included 516 victims (he preferred to call them pazienti (patients), the term adopted also by Romans who enjoyed the darkly humorous) but was only ever a part-time gig; most of his income came from his work as an umbrella painter (a part of the labour market which still exists in an artisan niche).  Depending on this and that, his devices included the axe, guillotine, noose and mallet(!) while the offences punished ranged from the serious (murder, conspiracy, sedition etc) to the petty (habitual thieves and trouble-makers).

Cardinal Pietro Gasparri (1852–1934; Cardinal Secretary of State 1914-1930, left) and Benito Mussolini (1883-1945; Duce (leader) & prime-minister of Italy 1922-1943, right), signing the Lateran Treaty, Lateran Palace, Rome, 11 February 1929.

Although as early as 1786 the Grand Duchy of Tuscany became the first Italian state to abolish the death penalty (torture also banned), the sentence remained on the books in the Papal States; then as now, the poor disproportionately were victims of the sanction, similar (or worse) crimes by the bourgeoisie or nobility usually handled with less severity, “hushed-up” or just ignored.  With the loss of the Papal States, the pope’s temporal domain shrunk to little more than what lay around St Peter’s Square; indeed between 1870 and the signing of Lateran Treaty (1929) after which the Italian state recognized Vatican City as a sovereign state, no pope left the Vatican, their status as self-imposed prisoners a political gesture.  The Lateran treaty acknowledged the validity of the sentence (Article 8 of the 1929 Vatican City Penal Code stating anyone who attempted to assassinate the pope would be subject to the death penalty) although this provision was never used, tempted though some popes must have been.  Paul VI (1897-1978; pope 1963-1978) in 1969 struck capital punishment from the Vatican's legal code and the last reference to the sanction vanished in 2001 under Saint John Paul II (1920–2005; pope 1978-2005).

In contemporary Russia, such is the volume of deceased prominent citizens with a cause of death reported as: “Falling from window of high building” the mode of death is known on the streets as the “oligarch elevator”; predating even the Tsarist state, grim humor has a long tradition in Russia.  It may thus be assumed the Kremlin has on the books at least one “state assassin” but there may be more because there’s only so much one assassin or assassinatrix can do and the workload clearly is heavy.  Of other nations, there are the “usual suspects” assumed also to have such a contractor (although the DPRK (Democratic Republic of Korea (North Korea)) seems also on occasion to outsource “jobs” in a most imaginative way) and these positions are not advertised, appointees doubtlessly selected for their demonstrated skills.  Whether in the West there are still many state assassins isn’t known although in the not too distant past the activities of some have been documented.

Fidel Castro enjoying a fine Havana cigar.  At 90, he died in his bed.

The most interesting example is the US but the answer to the question of whether Washington DC still “does assassinations” ultimately is: “Well, it depends how one defines ‘assassination’”.  Unambiguously, US administrations certainly did assassinate tiresome people and documents relating to some of the plots made good reading, especially the “exploding cigars” with which the CIA (Central Intelligence Agency) planned to kill Fidel Castro (1926–2016; prime-minister or president of Cuba 1959-2008).  The conduct of Richard Nixon’s (1913-1994; US president 1969-1974) administration weakened the authority of the executive and US Congress in the mid-1970s took steps to prohibit unlawful assassinations by government agencies, this prompted by revelations about the CIA’s involvement in plots to assassinate foreign leaders.  In response to the congressional nudge, Gerald Ford (1913–2006; US president 1974-1977) in 1976 issued Executive Order (EO) 11905, explicitly prohibiting political assassinations by US government personnel: “No employee of the United States Government shall engage in, or conspire to engage in, political assassination.”  This was later reaffirmed and expanded by Jimmy Carter’s (b 1924; US President 1977-1981) EO 12036 (1978) and Ronald Reagan’s (1911-2004; US president 1981-1989) EO 12333 which in 1981 sought to close the “outsourcing” loophole with the words: “No person employed by or acting on behalf of the United States Government shall engage in, or conspire to engage in, assassination.”  Despite the impression which seems afoot, Congress never passed a law banning assassinations and while EO 12333 remains active and binding on the executive branch it can, at the stroke of a pen, be amended or revoked by any POTUS (President of the United States).

So scope exists for an imaginative POTUS to act and the obvious device is a new EO.  While most EOs are published (gazetted) in the Federal Register and are thus publicly available, if a POTUS issues a certificate classifying an EO as being related to national security, they can be unpublished and their existence not even disclosed, meaning any change in an administration’s interpretation of the restriction (or even the word “assassination”) can remain unknown outside a small circle.  As the words are presumed still to be operative include: “No person employed by or acting on behalf of the US Government...” that would include the military, CIA personnel and many others but there are certain legal and operational ambiguities including:

(1) The targeted killing of enemy combatants during armed conflict: The phrase “armed conflict” is significant because the US last declared war on another country in 1942, despite which, they’ve hardly been militarily inactive since.  What is means is that “armed conflict” has proved pleasingly flexible and of great utility in the age of drone strikes which has allowed the US precisely to target individuals, something justified subsequently as “self-defense”.

(2) Authorization for Use of Military Force (AUMFs): In the wake of the 9/11 terrorist attacks, the AUMF (2001) gives administrations broad powers to target individuals linked to 9/11 (or “associated groups”) and much use of the term “associated groups” has since been made as a legal justification for drone strikes in a number of countries.

(3) Covert Activities vs Military Operations: Covert operations by the CIA (or any other organ) require a “Presidential Finding” and a formal notification to the congressional intelligence committees (a legacy of the restrictions imposed during the 1970s) while the military are not subject to the same degree of oversight though are covered by the rules of war (the Geneva Conventions, the implications of the finding of the Nuremberg tribunals etc).

(4) The psychological effect of the UAV (Unmanned Aerial Vehicle, commonly called "drone"): From a legal standpoint, the use of drones to kill people really added no new factors but in the political and public mind they seemed a “game changer” and with each high-profile “hit” there’s usually an intense (if brief) debate, an example of which followed the 2020 killing of Lieutenant General Qasem Soleimani (1957-2020) of Iran's Islamic Revolutionary Guard Corps (IRGC).  As was usually the case, the “debate” was formulaic, the administration claiming a military act of self-defense while critics labeled it a political assassination.  After both sides let off some steam, life returned to business as usual.

While not something often discussed by the administration, the DoD (Department of Defense) does have a (sort of) codified doctrine in their War Manual (last updated in 2015 with the title retained despite no declarations of war since 1942 and there having been no secretary of defense in cabinet since 1947).  While DoD avoids reducing things to a single definition, it does distinguish between “assassination” and “lawful targeting”: “The term assassination has been interpreted to mean an unlawful killing of a specific individual for political or ideological reasons”, to which is added: “The lawful targeting of an enemy combatant is not assassination.”  What that would appear to imply is (1) killing enemy combatants or terrorist leaders during an armed conflict or in self-defense is not considered assassination and (2) killing a civilian political leader, or someone not engaged in hostilities, especially outside armed conflict may constitute an assassination.  Presumably, being an army officer (albeit not one on a battlefield (in the conventional sense of the word)) General Soleimani would be defined “an enemy combatant”.  Some deaths since have been rather more in the realm of a “gray area” but the strikes continue.

Mike Pompeo before & after.

Mr Pompeo told interviewers he had in six months achieved a 90 lb (41 kg) weight loss through rigorous adherence to a D&E (diet & exercise) schedule.  It was an impressive outcome but in the Ozempic age, some were sceptical, suspecting there may have been surgical or chemical assistance.  Being a politician does have the general effect of generating an air of doubt about their assertions and those accessing the likelihood of truthfulness have to weigh up variables like "possible", "plausible" and "unbelievable".  Generously, what Mr Pompeo claimed was "plausible" and a 90 lb shred, however done, a reasonable achievement.

One who seemed anxious to explore gray areas was Mike Pompeo (b 1963; director of the CIA 2017-2018 and US secretary of state 2018-2021).  Although an evangelical Christian, one-time church deacon and Sunday school teacher on the record as saying “…politics is a never-ending struggle... until the Rapture.”, Mr Pompeo seems to believe the sixth commandment is open to interpretation.  While General Soleimani was a military figure, WikiLeaks founder Julian Assange (b 1971) unambiguously was a civilian and one with no position in any government or Quango.  Despite that, Mr Pompeo was reported as have requested “options” which would provide a legal justification for killing Assange, his interest prompted by WikiLeaks’ publication of details of the CIA’s “Vault 7” hacking tools, said by the agency to be its worst ever data loss.  The possibilities Mr Pompeo could have been offered apparently included both abduction and assassination and Mr Pompeo, a trained lawyer, had in 2017 laid the groundwork for a bit of escalation, describing WikiLeaks as a “non-state hostile intelligence service”, a term thought to be a declaration of his intent rather than a formal step up a rung on the ladder of legal possibility.  As things turned out, politics triumphed and a deal was done whereby Mr Assange pleaded guilty to something and was set free.

Scum

Scum (pronounced skuhm)

(1) A film or layer of foul or extraneous matter that forms on the surface of a liquid as a result of natural processes such as the greenish film of algae and similar vegetation on the surface of a stagnant pond

(2) A layer of impure matter that forms on the surface of a liquid as the result of boiling or fermentation

(3) A low, worthless, or evil person.

(4) Such persons collectively.

(5) An alternative name for scoria, the slag or dross that remains after the smelting of metal from an ore.

1200–1250: From the Middle English scume, derived from the Middle Dutch schūme (foam, froth) cognate with German schaum, ultimately of Germanic origin, drawn from the Old High German scūm and Old French escume.  In Old Norse word was skum, thought derived from the primitive root (s)keu (to cover, conceal).  By the early fourteen century, the word scummer (shallow ladle for removing scum) had emerged in Middle Dutch, a borrowing from the Proto-Germanic skuma, the sense deteriorated from "thin layer atop liquid" to "film of dirt," then just "dirt" and from this use is derived the modern skim.  The meaning "lowest class of humanity" is from the 1580s; the familiar phrase “scum of the earth” from 1712.  In modern use, the English is scum, French écume, Spanish escuma, Italian schiuma and Dutch schuim.  Scum is a noun & verb and scumlike & scummy are adjectives; the noun plural is scums.

Rendezvous: New Zealand-born cartoonist David Low's (1891-1963) famous take on the 1939 Ribbentrop-Molotov (Nazi-Soviet) Pact.  Although Low at the time couldn't have known it, comrade Stalin (1878-1953; Soviet leader 1924-1953) was sensitive to public opinion and when presented with the draft text of the pact, decided the rather flowery preamble extoling German-Soviet friendship was just too absurd, telling the visiting delegation that "...after years of pouring buckets of shit over each-other...", it'd be more convincing were the document to be as formal as possible.

 

The Society for Cutting Up Men: The S.C.U.M. Manifesto

S.C.U.M.  Manifesto (post shooting, 1968 Edition).

Although celebrated in popular culture as the summer of love, not everyone shared the hippie vibe in 1967.  The S.C.U.M. Manifesto was a radical feminist position paper by Valerie Solanas (1936-1988), self-published in 1967 with a commercial print-run a year later.  Although lacking robust theoretical underpinnings and criticized widely within the movement, it remains feminism’s purest and most uncompromising work, an enduring landmark in the history of anarchist publishing.  In the abstract, S.C.U.M. suggested little more than the parlous state of the word being the fault of men, it was the task of women to repair the damage and this could be undertaken only if men were exterminated from the planet.  The internal logic was perfect. 

The use of S.C.U.M. as an acronym for Society for Cutting Up Men existed in printed form from 1967 (though not in the manifesto’s text) although Solanas later denied the connection, adding that S.C.U.M. never existed as an organization and was just “…a literary device”.  The latter does appear true, S.C.U.M. never having a structure or membership, operating more as Solanas’ catchy marketing label for her views.  Calling it a literary device might seem pretentious but, given her world-view, descending to the mercantile would have felt grubby.  That said, when selling the original manifesto, women were charged US$1, men US$2.  While perhaps not as elegant an opening passage as a Jean-Jacques Rousseau (1712–1778) might have penned, Solanas’ words were certainly succinct.  "Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex.”  Ominously, “If S.C.U.M. ever strikes” she added, “it will be in the dark with a six-inch blade.”  No ambiguity there, men would know what to expect.

On set, 1967, Andy Warhol (1928-1987) & Nico (1938-1988).

Author and work were still little-known outside anarchist circles when, on 3 June 1968, Solanas attempted to murder pop-artist Andy Warhol, firing three shots, one finding the target.  The year 1968 was in the US a time of violence and tumult but among it all the celebrity connection and the bizarre circumstances ensured this one crime would attract widespread coverage.  Valerie Solanas with her two guns had entered Andy Warhol’s sixth-floor office at 33 Union Square West convinced he was intent on stealing the manuscript of the play Up Your Ass she’d repeatedly tried to persuade him to produce.  Warhol and his staff had reviewed the work and decided it simply wasn’t very good (Warhol giving the the back-handed compliment of being "well-typed") but because he’d “misplaced” the typed manuscript (it was later discovered in a trunk) Solanas concluded that was just a trick and he was going to take what she thought of as her brilliant play, claiming it as her own.  Although she’d for some time hovered around the fringes of the Warhol “Factory”, she seems not to have had much success as an advocate.  Her S.C.U.M. Manifesto envisioned a world without men, calling on “civic-minded, responsible, thrill-seeking females” to “overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex” which was heady stuff with a certain mid-1960s appeal but Warhol also declined her offer to become a member of the Scum’s “Men’s Auxiliary” (a group for men sufficiently sympathetic to Scum’s aim to begin “working diligently to eliminate themselves.”

New York Daily News, 4 June 1968.

Not best pleased by the headline, “Actress Shoots Andy Warhol”, Solanas demanded a retraction claiming that she was "a writer, not an actress."  The paper had based the headline on her appearance in Warhol's films I, a Man (1967) and Bike Boy (1967).  Warhol later admitted he'd cast her in I, a Man (for which she received a US$25 fee) in the hope she'd stop nagging him about the play she'd written.  She never complained about anything else the press wrote about her but apparently to be called an "actress" was beyond the pale.

Solanas’ state of mind about the fate of her intellectual property can be explained by it being no secret Warhol was inclined to use (the words “borrow”, “appropriate” “steal” also often used) and regards it all as “his art”.  For weeks leading up to the attempt on his life, repeatedly she’d called his office with first requests and then demands about her manuscript, culminating with threats at which point Warhol stopped taking her calls; the next call she made was in person and she shot him and an art gallery owner with who he was discussing an exhibition (he received minor injuries as (as collateral damage).  Warhol was declared dead although ambulance staff stabilized him.  Calmly, Solanas left the building and several hours later, approached a policeman in Times Square, handed over her two guns and told him: “He had too much control over my life.”  Unsurprisingly, a judge ordered a psychiatric evaluation and she received a diagnosis of paranoid schizophrenia but despite this, she was found competent to stand trial and pleaded guilty to “reckless assault with intent to harm”; sentenced to three years incarceration (including time served) in the Matteawan Hospital for the Criminally Insane (1892-1977). She was released late in 1971.  Solanas never renounced the S.C.U.M. manifesto nor lost faith in its capacity to change the world but her her mental health continued to decline and reports indicate she became increasingly paranoid and unstable. She spent her last years in a single-occupancy welfare hotel in San Francisco, where, alone, she died in 1988, the official cause of death listed as "pneumonia".  

  

Her fame lasted beyond fifteen minutes and one unintended consequence of her act was the S.C.U.M. Manifesto finally found a commercial publisher.  In certain feminist and anarchist circles she remains a cult figure although, it takes some intellectual gymnastics to trace a lineal path from her manifesto to the work of even the more radical of the later-wave feminists such as Andrea Dworkin (1946-2005), Susan Brownmiller (b 1935) and Catharine MacKinnon (b 1946).  Solanas to this day still is usually described as a “feminist” or “radical feminist” but, given the implication of the manifesto, it would seem more accurate to label her a misandrist (one who exhibits a hatred of or a prejudice against men), a world view which attracts many because, to be fair, there are any number of reasons to hate men.  Misandry was a late nineteenth century formation, the construct being mis- (in the sense of “hatred”) +‎ -andry (men), by analogy with the more commonly used misogyny (hatred of or a prejudice against women); the inspiration was the Ancient Greek μισανδρία (misandría), the construct being μισέω (miséō) (hate) + ἀνήρ (anḗr) (man).

Post operative image of Andy Warhol’s torso.

Warhol required surgery to his spleen, stomach, liver, esophagus and lungs; the damage he suffered to a range of internal organs not uncommon among those shot at close range; the bullet ricocheted off a rib, accounting for the lateral trajectory.  Although the Beretta M1935 automatic (in .32ACP) she used is not regarded as a “big calibre” (the .32 listed by most as a “small bore”), a single shot from one, especially at close-range, can be lethal and an wound from even a smaller load (like the .22 she was also carrying) can be fatal.  In the context of handguns, a “big calibre” load usually is defined as one with a diameter of .40 inches (10mm) or larger and of those there are many including .44, .45 & .50 although “magnum” versions of smaller bore ammunition (.22, .357 etc) can match many larger loads in “stopping power”.

Attempted murder weapon: Beretta M1935 automatic in .32ACP.

Interviewed later, Warhol reflected: “Before I was shot [June, 1968], I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in the movies is unreal, but actually it’s the way things happen to you in life that’s unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it’s like watching television - you don’t feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it’s all television.”

Gun (1982), synthetic polymer paint and silkscreen ink on canvas by Andy Warhol.

Artistically, the shooting had consequences.  Warhol became more guarded, abandoning projects like filmmaking which required so much contact with people and stopping the production of controversial art which might attract more murderers and focusing on business, in 1969 founding what became Interview magazine in 1969.  Although there had in his previous output been evidence of an interest in death and violence, after the shooting, often he would visited the theme of death, painting a series of skulls and one of guns, a weapon with which he now had an intensely personal connection.  He was certainly not unaware what happened that day in June 1968 was a turning point in his life, some twenty years later noting in his diary: “I said that I wasn’t creative since I was shot, because after that I stopped seeing creepy people.”

Magazine

Magazine (pronounced mag-uh-zeen)

(1) A publication that is issued periodically, usually bound in a paper cover, and typically contains essays, stories, poems, etc., by many writers, and often photographs and drawings, frequently specializing in a particular subject or area, as hobbies, news, or sports.

(2) A room or place for keeping gunpowder and other explosives, as in a fort or on a warship.

(3) A building or place for keeping military stores, as arms, ammunition, or provisions.

(4) A metal receptacle for a number of bullets or cartridges, inserted into certain types of automatic and semi-automatic weapons which, when empty, is removed and replaced by a full receptacle in order to continue firing.

(5) In broad or narrowcast media (radio, TV, social etc), a production consisting of several, usually short, segments in which various subjects are examined, usually in greater detail than on a regular newscast.  In the jargon of the industry: the magazine format.

(6) A device for continuously recharging a handling system, stove or boiler with solid fuel.

(7) A storehouse or warehouse (now rare).

(8) A collection of war munitions.

(9) A rack for automatically feeding a number of slides through a projector.

(10) In film-stock photography, an alternative name for cartridge.

(11) A city regarded as a marketing centre (archaic).

1581: From the Middle French magasin (warehouse, store), from the Italian magazzino (storehouse), from the Arabic مَخَازِن‎ (makhāzin) (plural of مَخْزَن‎ (makhzan) (storehouse)) noun of place from خَزَنَ‎ (khazana) (to store, to stock, to lay up); from the same Arabic source came the Spanish almacén (warehouse) and it's an example of European languages borrowing from an Arabic in plural form to create a singular form.  The original Arabic plural مخازن (maxāzin) was from the singular noun مخزن (maxzan) (storehouse; depot; shop).  A magazinette was  a small or short magazine (in the sense of a periodic publication), based on the notion of a novella or operetta.  Such things do still exist but the term has fallen from use.  In the early days of the commercial availability of semi-automatic firearms, at least one manufacturer did label those used with handguns "magazinette", the idea being they were a small version of the "magazines" supplied with larger weapons but the four syllable suggestion seems almost instantly to have been replaced by "clip".  The informal noun describing the industry publishing magazines was magazineland.  Magazine, magaziner & magazinette are nouns and magazinelike (and magazine-like) is an adjective (magazinesque seems to be non-standard); the noun plural is magazines.

Lindsay Lohan, Vogue magazine (Spanish edition), August 2009.

The original general sense of “storehouse” is almost obsolete except for military purposes and in naval history, magazines feature frequently because their detonation (usually as a result of attack but sometimes accidents too) was often the cause of ships being sunk, often with a high death-toll.  As used to describe books figuratively as “storehouses of information”, the form emerged circa 1640, the first application to a "periodical journal" was the Gentleman's Magazine in 1731.  Over the years magazines have appeared in a variety of formats with paper stock of different sizes and quality and have been as small as a single sheet or have run to hundreds of pages.  Although high-end publications were often lavish, it was only after the 1970s that the use of glossy paper became the industry standard after for years often appearing only on covers.  In the West, the the 1970s, 1980s & 1990s were the golden decades for magazines (and newspapers), the general trend of rising prosperity and the attractiveness of the medium to advertisers meaning growth of the sector was assured and the ease with which new entrants could appear was enhanced by the rise of desktop publishing, meaning entire editions could be composed with equipment which cost a tiny faction of what was required even a generation earlier.  There was churn because many came and went and the periodic recessions claimed some but during those decades the trend was more and not less.

Jarre 10-Shot Pinfire "Harmonica" pistol with 10 chamber magazine.

The early pistols were essentially small-scale muskets with the same, single-shot capability but there was for decades a quest to find a reliable and economical to manufacture design which increased this capacity and the “harmonica” design was an early invention, breech loaded with a steel slide magazine which contained chambers for the projectiles.  The capacity was determined by the size of the magazine although, obviously, the design inherently precluded carrying one in a conventional holster were the magazine in place.  The earliest known examples date for the 1740s.

Ruger Single-Nine .22 Magnum revolver (9-round cylinder) in stainless-steel with fibre-optic front sight (left) and Desert Eagle .50 Magnum Semi-Automatic (7 round magazine) in stainless steel (right).

At various points in the nineteenth century, for volume production, the industry settled on (1) revolvers with a "revolving" cylinder containing the cartridges and (2) semi-automatics with the shells held in a magazine (or “clip”) housed usually in the grip.  The two designs each have advantages and disadvantages: In their favour, revolvers are reliable and, with fewer moving parts, are less prone to jamming, (2) are easy to use (basically “point & fire”), (3) are easy to clean and maintain, (4) are available in a variety of calibres (although the larger the bore, the lower the cylinder’s capacity, the range from 5 x .50 to 9-12 x .22) and (5) can be fired even if pressed against an object.  The drawbacks include (1) slower reloading, (2) bulk (revolvers tend to be wider and heavier due to the cylinder) and (3) many revolvers have an inherently heavier trigger pull.  Semi-automatic often offer (1) a higher capacity for a given calibre than most revolvers, (2) faster reloading (assuming one has a replacement clip), (3) a thinner profile, (3) lighter trigger pulls (especially single-action units) and (4) a remarkable range of accessories including rails for lights, lasers and optics.  The drawbacks include (1) complexity and a greater number of moving parts, thus increasing the risk of jams or misfeeds, (2) steeper learning curve for users because of the more complex construction and operation, exacerbated by there being greater structural variation between manufacturers than with revolvers, (3) greater sensitivity to exactitude in load specification and (5) if pressed against an object, the slide can slightly move, preventing fire.

The early days of the internet, when most interactions happened on desktops or laptops, appears to have had little effect on the magazine publishing industry and may even have stimulated demand but it was in the early 2010s the near simultaneous arrival at scale of bandwidth, social media and smartphones which created a vicious cycle of (1) increasing volumes of content moving from established publishers to social media & (2) the advertising revenue following the viewers who followed the content.  The decade was littered with publications which either moved on-line or folded entirely but nothing compared with the sudden hit in 2020-2021 of the COVID-19 pandemic when titles which had for a generation or more been staples of the industry ceased to be.  However, some subsequently were revived and what seems to have happened is that many non-specialist titles (such as fashion magazines) have been re-invented as niche players designed to appeal to a small market with the interests and disposable income (the famous A1 & A2 demographic) which will attract advertisers.  A kind of pre-packaging of the audiences micro-marketers crave, this segment of the magazine business can be compared with narrowcasting and for some, the glossy magazine is something desirable and just another form of technology albeit one which can be a more pleasant and more convenient way to consume content and prices has risen so such things can also be flaunted as a status symbol, the sense of exclusivity sometimes not wholly illusory because some titles do restrict certain content to their print editions.  In the West, it's unlikely the glossies will ever again be the mass-market force they once were but as the revival of vinyl records demonstrated, where ongoing demand exists for something technically obsolete, provided a business model can be found profitably to provide supply, niches can survive and thrive.

The Economist's editors' choice of the ten covers which seemed best to define 2016.  At the time, 2016 seemed a ghastly year but worse was to come. 

However, being something that looks like a glossy magazine and sits in the shop on the shelf with other magazines does not guarantee that it is a magazine.  The English weekly The Economist (published since 1843) certainly ticks all the boxes for the criteria of what most people would think constitutes a magazine yet it has always described itself as a "newspaper".  That probably seems strange to many given the structure and nature of the content is more closely aligned with other specialist publications labelled "magazines" than with almost all "newspapers".  The explanation is relates to the the way the word "newspaper" was understood in 1843 and until 1971 it was printed in a broadsheet format (the change to the modern form in no way affecting editorial content).  Just to add some typically Economistesque precision, the editor in 2016 clarified the position further by explaining "perfect-bound" publications (the binding process used) were in 1843 called "newspapers".  If that sounds a highly technical point, so it should because economics remains, by definition and habit, the publication's meat & drink and economics is a technical business.  Whether it is or can ever be a science is one of those amusing arguments in which minds are never changed.

The Economist is renowned also for its cartoons and the dry, occasionally sardonic captions which accompany the photographs and illustrations used lend color or context to articles.  A rough guide to Hell appeared on the cover of the 2012 Christmas double issue (December 2012).  Theologically dubious, as a piece predictive of the decade ahead, it proved remarkably prescient.

Politically, The Economist is best classified as belonging to "the fiscally conservative, socially liberal faction of the rational centre-right" and one perhaps surprising quirk revealed in a survey conducted by a US university was the high number of readers who turn first to the weekly obituary, the subjects of which are an eclectic lot: In addition to the expected popes, politicians & potentates, criminals, Cassanovas & courtesans and musicians, mandarins & megalomaniacs (there's some overlap with other categories), there are lives recorded which might otherwise be forgotten such as the man who spent decades gathering and storing all the typefaces used by the world's typewriters.  Nor are non-humans neglected, Alex the African Grey (science's best known parrot) & Benson (England's best-loved fish), both granted the valedictories they doubtlessly deserved.