Pillow

Pillow (pronounced pil-oh)

(1) A bag or case made of cloth that is filled with feathers, down, or other soft material, and is used to cushion the head during sleep or rest.

(2) Any similar construction used to cushion the head; a type of headrest.

(3) In lace-making, a hard cushion or pad that supports the pattern and threads in the making of bobbin lace (also called lace pillow).

(4) In ship-building, a supporting piece or part, as the block on which the inner end of a bowsprit (a spar projecting over the prow of a sailing vessel to provide the means of adding sail surface) rests.

(5) In geology, as “pillow lava”, the rock type resembling the shape of a typical pillow, formed when lava emerges from an underwater volcanic vent or a lava flow enters the ocean.

(6) In engineering, as “pillow block”, a piece of wood or metal, forming a support to equalize pressure (historically known also a “brass”, an allusion to the alloy once commonly used for such purposes.

(7) In engineering, the socket of a pivot.

(8) A kind of plain, coarse fustian (a coarse fabric made originally from cotton and flax and now a coarse fabric of twilled cotton or a cotton & linen mix).

(9) With and without modifiers (love pillows; dirty pillows etc) and usually in the plural, yet another slang term for the human female's breasts.

(10) To rest on a pillow.

(11) To support with pillows.

(12) To serve as a pillow for some purpose.

1450s: From the Middle English pillow & pilow, (a head-rest used by a person reclining, especially a soft, elastic cushion filled with down, feathers etc), from the earlier pilwe, from the Old English pylwe, pylu & pyle (cushion, bed-cushion, pillow), from West Germanic noun pulwi & pulwin (source also of the Old Saxon puli, the Middle Dutch polu, the Dutch peluw, the Old High German pfuliwi and the German Pfühl), from the Proto-West Germanic pulwī (pillow), borrowed (possibly as early as the second century) from the Latin pulvinus (a little cushion, small pillow) of uncertain origin but some etymologists have speculated the construct may have been the Latin pulvis (dust, powder) +‎ -īnus (-ine) (in the sense of the filler of a pillow).  The suffix -īnus (-ine) was from the Proto-Italic -īnos, from the primitive Indo-European –iHnos and was cognate with the Ancient Greek -ινος (-inos) and the Proto-Germanic -īnaz.  In use it was added to a noun base (especially a proper noun) to form an adjective conveying the sense “of or pertaining to” and could indicate a relationship of position, possession, or origin.  The modern English spelling dates from the 1450s.  Pillow & pillowing are nouns & verbs, pillowed is a verb & adjectice and pillowless, pillowy, pillowlike & pillowesque are adjectives; the noun plural is pillows.

Pillowslips (left) in the typical combination of (1) a pair in a matching set with sheets & (2) a pair in a set matching the duvet cover and a quartet of pillowshams (right).  

Use of the pillowcase (washable enclosure drawn over a pillow and known also as a “pillowslip”) probably long predates the first known use of the term in 1745 but the emergence in the 1860s of the “pillowsham” is likely indicative of the tastes of the rising middle-class.  The pillowsham can be thought of as the archetypal middle class accessory and while structurally similar to a pillow case, in the jargon of interior decorators they are distinct.  A pillowcase (or pillowslip) is a basic and close-fitting cover which encases a pillow to protect it and provide a comfortable surface for sleeping.  Typically, pillowcases are made from soft, washable fabrics like cotton, linen, or microfiber and usually feature an open end with a flap; most are simple in design although there can be frills (though not fringes which are restricted to cushions) and the fabric tends to be either a solid color or matching the rest of the bed linen (ie as part of a set).  A pillowsham is a decorative cover for a pillow, often used on beds to add style rather than for everyday sleeping and some shams placed over pillows for decorative effect are removed or placed at the back when someone is sleeping.  Pillowshams are much associated with intricate designs (embroidery, ruffles, textured fabric and worse) and usually have an opening at the back, often closed with buttons, a zipper, or an overlapping flap to hide the closure.  Sham (intended to deceive; false; act of fakery) is thought probably to have been a dialectal form of shame (reproach incurred or suffered; dishonour; ignominy; derision) from the Middle English schame, from the Old English sċamu, from Proto-Germanic skamō.  Thus, while interior decorators may have no shame, they certainly have shams.

Pillowsham is the generic term for these items (whether put over a pillow or cushion) and “cushionsham” is not part of the jargon; the terms pillowcase, pillowslip & pillowsham appear variously also as separate words and hyphenated.  The pillowsham is notorious for its use as a platform for kitsch and Adolf Hitler’s (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) mountain home (the Berghof in the Obersalzberg of the Bavarian Alps near Berchtesgaden, Bavaria) featured many, sent to him by his many female admirers.  He claimed not to approve of them but appreciated the gesture although they seem never to have appeared in photographs of the house’s principle rooms, banished it seems to places like the many surrounding buildings including the conservatory of Hans Wichenfeld (the chalet on which the Berghof based).

Hitler's study in the Berghof with only matched cushions (left) and the conservatory (centre & right) with some pillowshams (embroidered with swastikas and the initials A.H.).

In the US, Life magazine in October 1939 (a few weeks after the Nazis had invaded Poland) published a lush color feature focused on Hitler’s paintings and the Berghof, the piece a curious mix of what even then were called “human-interest stories”, political commentary and artistic & architectural criticism.  One heading :“Paintings by Adolf Hitler: The Statesman Longs to Be an Artist and Helps Design His Mountain Home” illustrates the flavor but this was a time before the most awful aspects of Nazi rule were understood and Life’s editors were well-aware a significant proportion of its readership were well disposed towards Hitler’s regime.  Still, there was some wry humor in the text, assessing the Berghof as possessing the qualities of a “…combination of modern and Bavarian chalet” styles, something “awkward but interesting” while the interiors, “…designed and decorated with Hitler’s active collaboration, are the comfortable kind of rooms a man likes, furnished in simple, semi-modern, sometimes dramatic style. The furnishings are in very good taste, fashioned of rich materials and fine woods by the best craftsmen in the Reich.”  Life seemed to be most taken with the main stairway leading up from the ground floor which was judged “a striking bit of modern architecture.”  Whether or not the editors were aware Hitler thought “modern architecture” suitable only for factories, warehouses and such isn’t clear.  They also had fun with what hung on the walls, noting: “Like other Nazi leaders, Hitler likes pictures of nudes and ruins” but anyway concluded that “in a more settled Germany, Adolf Hitler might have done quite well as an interior decorator.”  There was no comment on the Führer’s pillows and cushions.

Whatever Life’s views on him as potential interior decorator, decades later, his architect was prepared to note the dictator’s “beginner’s mistake” in the building’s design.  In Erinnerungen (Memories or Reminiscences) and published in English as Inside the Third Reich (1969)), Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) recalled:

“A huge picture window in the living room, famous for its size and the fact that it could be lowered, was Hitler s pride.  It offered a view of the Untersberg, Berchtesgaden, and Salzburg. However, Hitler had been inspired to situate his garage underneath this window; when the wind was unfavorable, a strong smell of gasoline penetrated into the living room.  All in all, this was a ground plan that would have been graded D by any professor at an institute of technology. On the other hand, these very clumsinesses gave the Berghof a strongly personal note. The place was still geared to the simple activities of a former weekend cottage, merely expanded to vast proportions.”

He commented also on the pillowshams: “The furniture was bogus old- German peasant style and gave the house a comfortable petit-bourgeois look.  A brass canary cage, a cactus, and a rubber plant intensified this impression.  There were swastikas on knickknacks and pillows embroidered by admiring women, combined with, say, a rising sun or a vow of "eternal loyalty."  Hitler commented to me with some embarrassment: "I know these are not beautiful things, but many of them are presents.  I shouldn't like to part with them."

Life’s assessment of Hitler’s alternative career path as an interior decorator wasn’t the first time the observation had been made of a head of state & government.  Woodrow Wilson (1856–1924; US president 1913-1921) had gone to the Paris Peace Conference (1919) determined above all to secure the agreement of all parties to the creation of the League of Nations (1920-1946) and this he pursued with a vigour not matched by other leaders present, all of who had a focus on the immediate needs of their own countries.  Wilson, knowing political pressure on him was rising in the US and whose health had long been fragile, found the negotiations exhausting and doctors in recent years have concluded he likely suffered several small strokes while in Paris, a prelude to the major event later in the year which substantially would incapacity him for the remainder of his presidency.

Wilson’s personal physician (Cary Grayson (1878–1938) had accompanied him to the conference and in his diary noted one manifestation of what he described as “the strain” when, after hours of “intense discussion” on matters ranging from tiresome US senators to the treaty terms sought by the delegation from Japan to the arraignment of the former Kaiser Wilhelm II (1859–1941; German Emperor & King of Prussia 1888-1918), the president suddenly made an announcement.

“I don’t like the way the colors of this furniture fight each other. The greens and the reds are all mixed up here and there is no harmony.  Here is a big purple, high-backed covered chair, which is like the Purple Cow, strayed off to itself, and it is placed where the light shines on it too brightly.  If you will give me a lift, we will move this next to the wall where the light from the window will give it a subdued effect.  And here are two chairs, one green and the other red.  This will never do.  Let’s put the greens all together and the reds together.”  He went on to relate to his doctor how at the “Council of Four” (the leaders of France, Italy, the US & UK) meeting how “…each delegation walked like schoolchildren each day to its respective corner.  Now, with the furniture regrouped, he said each country would sit according to its color.”  Dr Grayson attributed the “aberrant behaviour” to “stress” and prescribed only going for a drive in an automobile, remarking to his patient: “I think if you ever want a job after leaving the presidency you would make a great success as an interior decorator.”  Wilson concurred, answering: “I don’t mean to throw bouquets at myself but I do think that I have made a success of the arrangement of the furniture.”

Woodrow Wilson’s bedroom in the Washington DC townhouse where he lived after leaving office.

Mrs Wilson fitted-out the bedroom on S Street, Kalorama almost to exactly replicate the one he’d used at the White House, down to the footrests, pillows and reading lights.  Mrs Wilson commissioned the bed to be exactly the imposing dimensions (8 feet, 6 inches x 6 feet, 6 inches (2590 x 1981 mm)) of the White House’s Lincoln Bed; built in Grand Rapids, Michigan in a colonial revival style, it's made of mahogany.  After his stroke in October, 1919, Wilson substantially was confined to his bed and it was in this bed he died on 3 February, 1924, aged 67.  He was buried at the Washington National Cathedral, the only US president whose body lies in the national capital.

The "furniture incident" is now assessed in the light of the knowledge of the president’s previous neurological issues and analysts since have compared the behaviour to that of the anorexic who takes control of their diet because it is one thing they are able completely and immediately to control, in contrast to other aspects of their life which they have come to believe they are unable to influence and neurologists who have written on the subject do seem to agree a stroke would likely have induced the episode.  In October 1919, shortly after returning to the US, Wilson suffered a major stroke, us stroke, leaving him paralyzed on his left side, and with only partial vision in the right eye.  Despite this, he continued in office until his term expired in 1921 though he was physically isolated and few were able to see him except his wife and doctor, a situation not greatly different from the situation in 1953 when Winston Churchill’s (1875-1965; UK prime-minister 1940-1945 & 1951-1955) son-in-law for months acted as something of a prime-ministerial proxy in the aftermath of Churchill’s massive stroke.  The ad-hoc apparatus constructed by Mrs Wilson and Dr Grayson had led some claim she was, in effect, the nation’s “first female president” and while that’s drawing a long bow, it was something discussed in 2024 when Joe Biden’s (b 1942; US president 2021-2025) descent into senility was a topic of interest.  The roles played by of Dr Grayson, Lord Moran (Charles Wilson, 1882-1977, personal physician to prime minister Winston Churchill) and Ross McIntire (1889–1959; personal physician to Franklin Delano Roosevelt (FDR, 1882–1945, US president 1933-1945)) remain controversial and reflect the sometimes conflicting duality of responsibility a physician has (1) to their patient and (2) their patient’s position as head of government.

Lindsay Lohan themed pillows are available.

“Pillow dictionary” was a synonym of “sleeping dictionary” (a sexual partner who also serves as a native informant or language teacher for an outsider).  It was thus something of a euphemism for a tutor in a foreign language who, as is implied, gives “tuition in bed”; the term said (as might be expected) to be used more commonly used by men of women than vice versa.  Those who practice hypnopaedic techniques use a different kind of dictionary.  Hypnopedia (or hypnopædia) was a form of “sleep-learning (or sleep-teaching) and was an attempt to convey information to a sleeping person, typically by playing a sound recording to them while they sleep.  Because the role of sleep in memory consolidation had come to be understood, the hypothesis of hypnopedia was not unreasonable but it has been wholly discredited.

The “pillow fight” (a form of domestic mock-combat fought using pillows as weapons) is presumably a most ancient practice but the first known reference is from 1837.  Pillows being much associated with beds, in idiomatic use, the pillow naturally features in phrases associated with sex.  The slang “pillow talk” (relaxed, intimate conversation between a couple in bed) is doubtlessly more ancient still but the term may not have been used prior to 1939 and it now carries the implication of some indiscrete disclosure, often in the context of politics or espionage).  A “pillow word” was a calque of the Japanese 枕詞 (makurakotoba) and described the use in Waka (和歌) (Japanese poem) of a poetic device in which a certain introductory phrase is commonly used to allude to something else.

Jeremy Thorpe arriving at Minehead Magistrates Court, 4 December 1978, for the committal proceedings against him and three others on charges of conspiring to murder former male model Norman Scott.  Ultimately Mr Thorpe was acquitted of all charges.  The car is a Rover 3500S.  3500S was the original designation of the 3500s sold during the model's abortive foray into the US market but elsewhere was used to designate the version offered with a four-speed manual transmission (1971-1977), the original introduced in 1968 exclusively in automatic form.

A “pillow queen” was a woman concerned only with her own gratification during sex and interestingly, the equivalent creature among lesbians was apparently more often a “pillow princess”, both classified as “takers” rather than “givers”, the synonyms in the vernacular including “stone”, “rock”, “slate”, “cold fish”, “dead fish” and “starfish”.  The more evocative phrase “pillow-biter” seems first to have entered general use after it was used by Norman Scott (b 1940) when giving evidence in the 1979 trial of Jeremy Thorpe (1929–2014; leader of the UK Liberal Party 1967-1976), the witness describing the way he handled his unwilling participation as the alleged victim of Mr Thorpe committing upon him what in some jurisdictions used to be called “the abominable crime of buggery”: “I just bit the pillow, I tried not to scream because I was frightened of waking Mrs Thorpe.”  A pillow-biter is thus (in certain circles of the LGBTQQIAAOP communities) a “gay man who engages in passive anal sex”; a “bottom”, as opposed to Mr Thorpe who allegedly was a “top”.

Pillowbook describes a journal-type book kept to record sexual dreams and escapades, most intended only for the eyes of the writer.  It was a specific form of a quite commonplace book which appears to have originated in Japan as a compilation of notes & jottings, those periodic or occasional writings that might go into an extended diary.  The most famous example (and among the earliest extant) was the The Pillow Book (枕草子) (Makura no Sōshi) (Notes of the Pillow), a volume of observations and musings recorded by Sei Shōnagon (清少納言), circa 966–circa 1020, a lady of the court to Fujiwara no Teishi (藤原 定子) 977–1001 (known also as Sadako), an empress consort of the Japanese Emperor Ichijō (一条天皇) (Ichijō-tennō), 980–1011; 66^th emperor of Japan, 986-1011; the last entries in the book were made in the year 1002.  According to Japanese legend, the origin of the pillow book lies in a bundle of unused notebooks being brought to the empress who began musing on what should be done with them.  The lady-in-waiting suggested she should have them and make them into a pillow (which meant putting them into the drawers of “a wooden pillow” (a part of the Japanese sleeping apparatus).  Subsequently, she filled the notebooks with random facts, lists and discursive jottings and from this tradition came the traditional Japanese genre zuihitsu (随筆) (occasional writings) which exists still, describing a form of literature consisting of loosely connected personal essays and fragmentary ideas typically influenced by the author's surroundings and daily interactions with them.

1972 Oldsmobile Ninety-Eight Regency brochure.

“Loose pillow” upholstery had been in furniture for a while, implemented usually as detachable cushions designed to be removed for cleaning but it was Oldsmobile which first used the concept for automobiles.  Since the mid 1960s “luxury” versions (as opposed to mere “deluxe” editions which often included just a bundle of options anyway available on a “standard” car at a discount compared with ordering them individually) had begun to appear and this would evolve into what came to be called “the great Brougham era”.  That term seems to have been invented by Curbside Classic, a curated website which is a gallimaufry of interesting content, built around the theme of once-familiar and often everyday vehicles which are now a rare sight until discovered by Curbside Classic’s contributors (who self-style as "curbivores"), parked next to some curb.  These are the often the machines neglected by automotive historians and collectors who prefer things which are fast, lovely and rare.  According to Curbside Classic, the “great brougham era” began in 1965 with the release of the LTD option for the mass-market Ford Galaxie and that approach was nothing new because even the Galaxie name had in 1959 been coined for a "luxury" version of the Fairlane 500, a trick the US industry had been using for some time.

1972 Oldsmobile Ninety-Eight Regency brochure.  When the tufted, pillowed option was chosen in red velour, it was known casually as "mid-priced bordello chic".

Once, Detroit’s most elaborate interiors had been restricted to the top-of the range models (Cadillac, Lincoln & Imperial) but when Oldsmobile in introduced the “Regency” option for their Ninety-Eight range, it was quite a jump in middle-class opulence and it must have been galling for Cadillac: Oldsmobile, two notches down the GM pecking list from Cadillac had in one stroke out-done Cadillac’s interiors with not just tufted velour upholstery but the novelty also of the welcoming loose pillow style.  Cadillac had nothing like it but scrambled to respond, offering in 1973 the d'Elegance package, a US$750 option which included pillow-style velour seating as well as a more plush carpeting and bundled a few of the otherwise optional features.

1974 Cadillac Fleetwood Talisman rear compartment in blue velour with optional pillows.  The pillows (which many would have described as "cushions") were also available on Talismans trimmed in leather.  The world should have more leather pillows but, unfortunately, while "Cadillac pillows" are available, they come only in fabric.  The so-called "holy grail" among Talisman collectors is a 1974 model in blue leather which was listed as a factory option but no such machine has ever been sighted and Cadillac's production records don't provide a color breakdown.  It's thought likely none were ever built.

However, all the d'Elegance bling did was match what others were doing and there was still the corporate memory of the Cadillac mystique, a hankering for the time when Cadillac had been the “standard of the world”, a reputation built in the 1930s on basic engineering such as almost unique sixteen cylinder engines and maintained a generation later with cars such as the Eldorado Brougham, times when the name stood for something truly impressive.  By 1974 the world had changed and such extravagances were no longer possible but what could still be done was to add more gingerbread and for 1974, Cadillac announced the Talisman package.  Much more expensive than the d'Elegance and consequently more exclusive, the Talisman included an extended centre console, the front section housing an illumined writing tablet, the rear a storage compartment.  This had been done before but never with this opulence although it had the effect of reducing the huge car, a size which historically been a six-seater, into something strictly for four.  The interior was available in four colors in "Medici" crushed velour at US$1800 or in two shades in leather at US$2450 at a time when the Chevrolet Vega, GM’s entry-level automobile of the era cost US$2087.  The Talisman additionally gained matching deep-pile interior carpeting and floor-mats, a fully padded elk grain vinyl roof, exterior badge identifications, a stand-up, full-color wreath and crest hood ornament and unique wheel-covers.  For those who needed more, for an additional US$85, a matching pillow and robe was available although the robe unfortunately wasn't cut in leather.  Optioned with the leather package, a 1974 Cadillac Talisman cost about US$13,200, matching what the company charged for the even bigger Fleetwood Seventy-Five limousines.  The additional gingerbread wasn’t all that expensive to produce; what Cadillac was selling was exclusivity and the market responded, 1898 Talismans coming off the production line that year, all sold at a most impressive profit.  Most prized today are the relative handful trimmed in leather, the urban legend being all were in medium saddle with none in the dark blue which was listed on the option list.  If any were sold with the blue leather, none appear now to exist and Cadillac’s records don’t record the breakdown.

1974 Imperial LeBaron four-door hardtop (left) in chestnut leather (though not actually “fine Corinthian leather” which was exclusive to the Cordoba (1975-1983)), Imperial's advertising copy noted of the brochure’s photograph: “...while the passenger restraint system with starter interlock is not shown, it is standard on all Imperials.”  The marketing types didn't like seat-belts messing up their photos.  Fashions change and the 1997 Buick Park Avenue (right) was the last of the "pillowed cars".

The loose pillow style certainly caught on although the name was a little misleading because the pillows were loose only in the sense of moving a little to accommodate the frames sitting on them and were not removable.  In the showroom they looked good and attracted many buyers but were noted also for the propensity to trap crumbs, small coins and the other detritus of life in the many folds, tufts and crevasses.  The fad lasted for more than a generation and Detroit’s last fling of the pillow was the 1997 Buick Park Avenue.

Litotes, meiosis & paradiastole

Litotes (pronounced lahy-tuh-teez, lit-uh-teez or lahy-toh-teez)

In formal rhetoric, a figure of speech whereby something is stated by denying its opposite, especially (though not of necessity) one in which an affirmative is expressed by the negative of its contrary (a certain class of understatement).

1650–1660: A learned borrowing from the Late Latin lītotēs, from the Ancient Greek λιτότης (litótēs) (literally “plainness” and used in the sense also of “simplicity, understatement”), from λιτός (litós) (smooth, plain, simple).  In the rules and conventions of classical rhetoric, litotes was known also as moderatour or antenantiosis; it was a device to achieve a ironic effect, emphasizing a point by stating a negative further to affirm a positive, often by the use of a double negatives.  Litotes is a noun, litotical is an adjective and litotically is an adverb; the noun plural is litotes.

Meiosis (pronounced mahy-oh-sis)

(1) In cell biology, part of the process of gamete formation, consisting of chromosome conjugation and two cell divisions, in the course of which the diploid chromosome number becomes reduced to the haploid

(2) In formal rhetoric, belittlement or notably expressive understatement.

1580–1590: From the Ancient Greek meíōsis (a lessening), the construct being meiō-, (a variant stem of meioûn (to lessen) from meíōn (less)) + -sis.  The –sis suffix was from the Ancient Greek -σις (-sis) and was used to forms noun of action), often via Latin but increasingly also from French; it had exactly the same effect as the Latin –entia and the English -ing.  Historically, the use in terms borrowed from Ancient Greek was comparatively rare but there are many modern coinages based on Ancient Greek roots, reflecting to ongoing reverence for the ancient languages.  Meiosis is a noun, meiotic is an adjective and meiotically is an adverb.

Paradiastole (pronounced par-uh-die-ast-oh-lee

In formal rhetoric, a form of euphemism in which a positive synonym is substituted for a negative word.

Circa 1640: From the Ancient Greek παραδιαστολή (paradiastolḗ), the construct being παρα- (para-) (next to, alongside) + διαστολή (diastolḗ) (separation, distinction).  Paradiastole is a noun, paradiastolic is an adjective and paradiastolically is an adverb; the noun plural is paradiastoles.

Hirohito saluting on white horse at an army parade, Yoyogi Parade Ground, Tokyo, 1933.

The use of understatement is cross-cultural and is identifiable in many languages and the English upper classes made it something of a tradition; it was never unexpected to hear some grandee refer to his forty-room country house as “the cottage” but for sheer scale, few can match Emperor Hirohito (1901-1989; Emperor (昭和天皇 (Shōwa-tennō) of Japan 1926-1989).   Having endured hearing a long succession of bad news about the state of Japanese military affairs, he learned of the defeat of his axis partner, Nazi Germany and then, the dropping of atomic bombs on Hiroshima and Nagasaki.  Unlike some of the generals, admirals and politicians advising him, the emperor accepted the inevitable and on 14 August 1945, delivered a speech effectively accepting the terms of the Potsdam Declaration (26 July 1945), the Allies' demand of unconditional surrender.  It had taken two A-Bombs to summon the most memorable understatement of World War II (1939-1945):  “…the war situation has developed not necessarily to Japan's advantage...”  So, if the word “understatement” is well understood and widely practiced, why the need for “litotes”, “meiosis” & “paradiastole”, all figures of speech which are a form of understatement.  For what most people do, most of the time, there’s really no need at all and “understatement” is better because its meaning isn’t obscure, unlike the classical trio.  However, in the arcane world of literary theory and textual deconstruction, the words do have some utility to convey subtle or nuanced meanings.

Lindsay Lohan and her lawyer in court, Los Angeles, December, 2011.

A litotes is a form of understatement in which a double negative or a negation is used to affirm something positive, usually with some implication of restraint in the expression, a familiar example being “he’s not the most intelligent person I know” which people understand as “he’s a bit dim” without brutal edge and in that it’s also an applied euphemism.  It can also be used to create ambiguities in meaning, illustrated in the BBC TV comedy series Yes Minister (1980-1984) when the minister discovers his performance in office is in many places being described as “not bad” and he’s troubled because the mere phrase does not convey the meaning.  Without the context in which the words were uttered and the various non-verbal clues attached to the delivery, he has no idea whether he’s being regarded “quite good” or “not quite good enough”.  It does seem “litotes” is sometimes applied to what are, strictly speaking, an example of “meiosis”, usually in instances where what’s being described is apparently “weak or understated” but having the effect of intensification.

Boris Johnson (b 1964; UK prime-minister 2019-2022) with champagne flute (image digitally altered by In Defence of Marxism).

The nuance attached to a meiosis was it was a type of understatement downplaying the significance of something, often with the hope of creating the impression things are not as bad as they seem.  Done well, it can work:  When Harold Macmillan (1894–1986; UK prime-minister 1957-1963) casually alluded to a few “local difficulties” (the crisis engendered by the resignation of his entire team of Treasury ministers) before flying off for a tour of the Commonwealth, his words did the trick and the ructions almost immediately subsided.  Unlike litotes, the meiosis is not so associated with double negatives but is characterized by “minimizing language”.  In politics, the paradiastole is perhaps the highest form of the understatement because it’s of such utility in the deployment of that standard tool of the politician: the lie.

Donald Trump (b 1946; US president 2017-2021) on the hustings, Trump National Golf Club, Bedminster, New Jersey, August, 2024.

The paradiastole is a rhetorical device used to reframe something negative or morally questionable as something positive or at least neutral and there’s some connection with the mechanics of “Newspeak” described by George Orwell (1903-1950) in Nineteen Eighty-Four (1949) while in structural linguistics it’s defined as the “rhetorical technique of evaluative redescription”.  While most of us relate to that as “euphemism”, the paradiastole differs in that instead of being a “polite” way of referring to something, it’s used in an attempt to shift the perception of meaning.  Some paradiastoles are themselves ironic such as the use in IT to describe bugs in software as “undocumented features” but often it’s an attempt to deceive or manipulate by seeking to recast something unpleasant as favorable.

Floppy

Floppy (pronounced flop-ee)

(1) A tendency to flop.

(2) Limp, flexible, not hard, firm, or rigid; flexible; hanging loosely.

(3) In IT, a clipping of “floppy diskette”.

(4) In historic military slang (Apartheid-era South Africa & Rhodesia (now Zimbabwe), an insurgent in the Rhodesian Bush War (the “Second Chimurenga” (from the Shona chimurenga (revolution)) 1964-1979), the use a reference to the way they were (in sardonic military humor) said to “flop” when shot.

(5) In informal use, a publication with covers made with a paper stock little heavier and more rigid that that used for the pages; Used mostly for comic books.

(6) In slang, a habitué of a flop-house (a cheap hotel, often used as permanent or semi-permanent accommodation by the poor or itinerant who would go there to “flop down” for a night) (archaic).

(7) In slang, as “floppy cats”, the breeders’ informal term for the ragdoll breed of cat, so named for their propensity to “go limp” when picked up (apparently because of a genetic mutation).

1855-1860: The construct was flop + -y.  Flop dates from 1595–1605 and was a variant of the verb “flap” (with the implication of a duller, heavier sound).  Flop has over the centuries gained many uses in slang and idiomatic form but in this context it meant “loosely to swing; to flap about”.  The sense of “fall or drop heavily” was in use by the mid-1830s and it was used to mean “totally to fail” in 1919 in the wake of the end of World War I (1914-1918), the conflict which wrote finis to the dynastic rule of centuries also of the Romanovs in Russia, the Habsburgs in Austria-Hungary and the Ottomans in Constantinople although in the 1890s it was recorded as meaning “some degree of failure”.  The comparative is floppier, the superlative floppiest.  Floppy a noun & adjective, floppiness is a noun, flopped is a noun & verb, flopping is a verb, floppier& floppiest are adjectives and floppily is an adverb; the noun plural is floppies.  The adjective floppish is non-standard and used in the entertainment & publishing industries to refer to something which hasn’t exactly “flopped” (failed) but which had not fulfilled the commercial expectations.

Lindsay Lohan in "floppy-brim" hat, on-set during filming of Liz & Dick (2012).  In fashion, many "floppy-brim" hats actually have a stiff brim, formed in a permanently "floppy" shape.  The true "floppy hats" are those worn while playing sport or as beachwear etc.

The word is used as a modifier in pediatric medicine (floppy baby syndrome; floppy infant syndrome) and as “floppy-wristed” (synonymous with “limp-wristed”) was used as a gay slur.  “Flippy-floppy” was IT slang for “floppy diskette” and unrelated to the previous use of “flip-flop” or “flippy-floppy” which, dating from the 1880s was used to mean “a complete reversal of direction or change of position” and used in politics to suggest inconsistency.  In the febrile world of modern US politics, to be labelled a “flip-flopper” can be damaging because it carries with it the implication what one says can’t be relied upon and campaign “promises” might thus not be honored.  Whether that differs much from the politicians’ usual behaviour can be debated but still, few enjoy being accused of flip-floppery (definitely a non-standard noun).  The classic rejoinder to being called a flip-flopper is the quote: “When the facts change, I change my mind. What do you do, sir?”  That’s often attributed to the English economist and philosopher Lord Keynes (John Maynard Keynes, 1883-1946) but it was said originally by US economist Paul Samuelson (1915–2009) the 1970 Nobel laureate in Economics.  In the popular imagination Keynes is often the “go to” economist for quote attribution in the way William Shakespeare (1564–1616) is a “go to author” and Winston Churchill (1875-1965; UK prime-minister 1940-1945 & 1951-1955) a “go to politician”, both credited with thing they never said but might have said.  I phraseology, the quality of “Shakespearian” or “Churchillian” not exactly definable but certainly recognizable.  In the jargon of early twentieth century electronics, a “flip-flop” was a reference to switching circuits that alternate between two states.

Childless cat lady Taylor Swift with her “floppy cat”, Benjamin Button (as stole).  Time magazine cover, 25 December 2023, announcing Ms Swift as their 2023 Person of the Year.  "Floppy cat" is the the breeders' informal term for the ragdoll breed an allusion to their tendency to “go limp” when picked up, a behavior believed caused by a genetic mutation.

The other use of flop in IT is the initialism FLOP (floating point operations per second).  Floating-point (FB) arithmetic (FP) a way of handling big real numbers using an integer with a fixed precision, scaled by an integer exponent of a fixed base; FP doesn’t really make possible what would not in theory be achievable using real numbers but does make this faster and practical and the concept became familiar in the 1980s when Intel made available FPUs (floating point units, also known as math co-processors) which could supplement the CPUs (central processing units) of their x86 family.  The 8087 FPU worked with the 8086 CPU and others followed (80286/80287, 80386/80387, i486/i487 etc) until eventually the FPU for the Pentium range was integrated into the CPU, the early implementation something of a debacle still used as a case study in a number of fields departments including management and public relations.

FLOPs are an expression of specific performance and are used to measure those computations requiring floating-point calculations (typically in math-intensive work) and for purposes of “benchmarking” or determining “real-world” performance under those conditions, it’s a more informative number than the traditional rating of instructions per second (iSec).  The FLOPs became something of a cult in the 1990s when the supercomputers of the era first breached the trillion FLOP mark and as speeds rose, the appropriate terms were created:

kiloFLOPS: (kFLOPS, 10³)
megaflops: (MFLOPS, 10⁶)
gigaflops: GFLOPS, 10⁹)
teraflops: TFLOPS, 10¹²)
petaFLOPS: PFLOPS, 10¹⁵)
exaFLOPS: (EFLOPS, 10¹⁸)
zettaFLOPS: ZFLOPS, 10²¹)
yottaFLOPS: YFLOPS, 10²⁴)
ronnaFLOPS: RFLOPS, 10²⁷)
quettaFLOPS: QFLOPS, 10³⁰)

In the mysterious world of quantum computing, FLOPs are not directly applicable because the architecture and methods of operation differ fundamentally from those of classical computers.  Rather than FLOPs, the performance of quantum computers tends to be measured in qubits (quantum bits) and quantum gates (the operations that manipulate qubits).  The architectural difference is profound and explained with the concepts of superposition and entanglement:  Because a qubit simultaneously can represent both “0” & “1” (superposition) and these can be can be entangled (a relationship in which distance is, at least in theory, irrelevant; under parallelism, performance cannot easily be reduced to simple arithmetic or floating-point operations which remain the domain of classical computers which operate using the binary distinction between “O” (off) and “1” (on).

Evolution of the floppy diskette: 8 inch (left), 5¼ inch (centre) & 3½ inch (right).  The track of the floppy for the past half-century has been emblematic of the IT industry in toto: smaller, higher capacity and cheaper.  Genuinely it was one of the design parameters for the 3½ inch design that it fit into a man's shirt pocket.

In IT, the term “floppy diskette” used the WORM (write once, read many, ie "read only" after being written) principle first appeared in 1971 (soon doubtless clipped to “floppy” although the first known use of this dates from 1974).  The first floppy diskettes were in an 8 inch (2023 mm) format which may sound profligate for something with a capacity of 80 kB (kilobyte) but the 10-20 MB (megabit) hard drives of the time were typically the same diameter as the aperture of domestic front-loading washing machine so genuinely they deserved the diminutive suffix (-ette, from the Middle English -ette, a borrowing from the Old French -ette, from the Latin -itta, the feminine form of -ittus.  It was used to form nouns meaning a smaller form of something).  They were an advance also in convenience because until they became available, the usual way to transfer files between devices was to hard-wire them together.  Introduced by IBM in 1971, the capacity was two years later raised to 256 kB and by 1977 to a heady 1.2 MB (megabyte) with the advent of a double-sided, double-density format.  However, even then it was obvious the future was physically smaller media and in 1978 the 5¼ inch (133 mm) floppy debuted, initially with a formatted capacity of 360 kB but by 1982 this too had be raised to 1.2 MB using the technological advance if a HD (high density) file system and it was the 5¼ floppy which would become the first widely adopted industry “standard” for both home and business use, creating the neologism “sneakernet”, the construct being sneaker + net(work), the image being of IT nerds in their jeans and sneakers walking between various (unconnected) computers and exchanging files via diskette.  Until well into the twenty-first century the practice was far from functionally extinct and it persists even today with the use of USB sticks.

Kim Jong-un (Kim III, b 1982; Supreme Leader of DPRK (North Korea) since 2011) with 3½ inch floppy diskette (believed to be a HD (1.44 MB)).

The meme-makers use the floppy because it has become a symbol of technological bankruptcy. In OS (operating system) GUIs (graphical user interface) however, it does endure as the "save" icon and all the evidence to date does suggest that symbolic objects like icons do tend to outlive their source, thus the ongoing use in IT of analogue, rotary dial phones in iconography and the sound of a camera's physical shutter in smart phones.  Decades from now, we may still see representations of floppy diskettes.

The last of the mainstream floppy diskettes was the 3½ inch (89 mm) unit, introduced in 1983 in double density form with a capacity of 720 KB (although in one of their quixotic moves IBM used a unique 360 kB version for their JX range aimed at the educational market) but the classic 3½ was the HD 1.44 MB unit, released in 1986.  That really was the end of the line for the format because although in 1987 a 2.88 MB version was made available, few computer manufacturers offered the gesture of adding support at the BIOS (basic input output system) so adoption was infinitesimal.  The 3½ inch diskette continued in wide use and there was even the DMF (Distribution Media Format) with a 1.7 MB capacity which attracted companies like Microsoft, not because it wanted more space but to attempt to counter software piracy; within hours of Microsoft Office appearing in shrink-wrap with, copying cracks appeared on the bulletin boards (where nerds did stuff before the www (worldwideweb).  It was clear the floppy diskette was heading for extinction although slighter larger versions with capacities as high as 750 MB did appear but, expensive and needing different drive hardware, they were only ever a niche product seen mostly inside corporations.  By the time the CD-ROM (Compact Disc-Read-only Memory) reached critical mass in the mid-late 1990s the once ubiquitous diskette began rapid to fade from use, the release in the next decade of the USB sticks (pen drives) a final nail in the coffin for most.

In the mid 1990s, installing OS/2 Warp 4.0 (Merlin) with the optional packs and a service pack could require a user to insert and swap up to 47 diskettes.  It could take hours, assuming one didn't suffer the dreaded "floppy failure".

That was something which pleased everyone except the floppy diskette manufacturers who had in the early 1990s experienced a remarkable boom in demand for their product when Microsoft Windows 3.1 (7 diskettes) and IBM’s OS/2 2.0 (21 diskettes) were released. Not only was the CD-ROM a cheaper solution than multiple diskettes (a remarkably labor-intensive business for software distributors) but it was also much more reliable, tales of an installation process failing on the “final diskette” legion and while some doubtlessly were apocryphal, "floppy failure" was far from unknown.  By the time OS/2 Warp 3.0 was released in 1994, it required a minimum of 23 floppy diskettes and version 4.0 shipped with a hefty 30 for a base installation.  Few mourned the floppy diskette and quickly learned to love the CD-ROM.

What lay inside a 3½ inch floppy diskette.

Unlike optical discs (CD-ROM, DVD (Digital Versatile Disc) & Blu-Ray) which were written and read with the light of a laser, floppy diskettes were read with magnetic heads.  Inside the vinyl sleeve was a woven liner impregnated with a lubricant, this to reduce friction on the spinning media and help keep the surfaces clean.

Curiously though, niches remained where the floppy lived on and it was only in 2019 the USAF (US Air Force) finally retired the use of floppy diskettes which since the 1970s had been the standard method for maintaining and distributing the data related to the nation’s nuclear weapons deployment.  The attractions of the system for the military were (1) it worked, (2) it was cheap and (3) it was impervious to outside tampering.  Global thermo-nuclear war being a serious business, the USAF wanted something secure and knew that once data was on a device in some way connected to the outside world there was no way it could be guaranteed to be secure from those with malign intent (ayatollahs, the Secret Society of the Les Clefs d'Or, the CCP (Chinese Communist Party), the Freemasons, those in the Kremlin or Pyongyang et al) whereas a diskette locked in briefcase or a safe was, paradoxically, the state of twenty-first century security, the same philosophy which has seen some diplomatic posts in certain countries revert to typewriters & carbon paper for the preparation of certain documents.  In 2019 however, the USAF announced that after much development, the floppies had been retired and replaced with what the Pentagon described as a “highly-secure solid-state digital storage solution which work with the Strategic Automated Command and Control System (SACCS).”

It can still be done: Although no longer included in PCs & laptops, USB floppy diskette drives remain available (although support for Windows 11 systems is said to be "inconsistent").  Even 5¼ inch units have been built.

It thus came as a surprise in 2024 to learn Japan, the nation which had invented motorcycles which didn’t leak oil (the British though they’d proved that couldn’t be done) and the QR (quick response) code, finally was abandoning the floppy diskette.  Remarkably, even in 2024, the government of Japan still routinely asked corporations and citizens to submit documents on floppies, over 1000 statutes and regulations mandating the format.  The official in charge of updating things (in 2021 he’d “declared war” on floppy diskettes) in July 2024 announced “We have won the war on floppy disks!” which must have be satisfying because he’d earlier been forced to admit defeat in his attempt to defenestrate the country’s facsimile (fax) machines, the “pushback” just too great to overcome.  The news created some interest on Japanese social media, one tweet on X (formerly known as Twitter) damning the modest but enduring floppy as a “symbol of an anachronistic administration”, presumably as much a jab at the “tired old men” of the ruling LDP (Liberal Democratic Party) as the devices.  There may however been an element of technological determinism in the reform because Sony, the last manufacturer of the floppy, ended production of them in 2011 so while many remain extant, the world’s supply is dwindling.  In some ways so modern and innovative, in other ways Japanese technology sometimes remains frozen, many businesses still demanding official documents to be endorsed using carved personal stamps called the印鑑 (ikan) or 判子 (hanko); despite the government's efforts to phase them out, their retirement is said to be proceeding at a “glacial pace”.  The other controversial aspect of the hanko is that the most prized are carved from ivory and it’s believed a significant part of the demand for black-market ivory comes from the hanko makers, most apparently passing through Hong Kong, for generations a home to “sanctions busters”.