Fiat (pronounced fee-aht,
fee-at, fahy-uht or fahy-at)
(1) An
authoritative decree, sanction, or order.
(2) A
fixed form of words containing the word fiat, by which a person in authority gives
sanction, or authorization; official sanction; authoritative permission.
(3) An
arbitrary decree or pronouncement, especially by a person or group of persons
having absolute authority to enforce it.
(4) As
FIAT, the acronym for Fabbrica Italiana
Automobili Torino (originally Italian
Automobiles Factory, Turin, now Fiat
Automobiles SpA and part of FCA (the Fiat
Chrysler Automobiles conglomerate).
The companion initialism (as derogatory slang) in certain places (as an
allusion to perceptions of unreliability) was “fix it again Tony”.
(5) In
the law of England and some Commonwealth countries, an authority for certain actions
issued given by the Lord Chancellor (England) or the attorney-general
(elsewhere).
(6) In
the law of England, a warrant issued by a judge for certain purposes.
(7) As
fiat currency, a government-issued currency backed not by the possession of a physical
commodity (typically gold) but inherently by the issuing government (also
called fiat money).
1625–1635:
From the Latin fiat (literally “let it be done”, the third singular present subjunctive
of fierī (be done, become, come into
existence). The original meaning was "authoritative
sanction", fiat thus understood as it was used in the preamble of Medieval
Latin proclamations and commands. The
Latin fierī was from the primitive
Indo-European root bheue- (to be,
exist, grow), used as passive of facere
(to make, do). The meaning "a
decree, command, order" became formalized circa 1750 and remains in the
legal vocabulary of English (and of some Commonwealth countries) law to this
day. Fiat is the third-person singular,
fiats the simple present, fiating the present participle and fiated the simple
past and past participle. The noun
plural is fiats. In the transitive, it’s
used in academic debate and in role-playing games although use is now less
frequent.
It’s
also sometimes is a reference to fiat lux
(the famous “let there be light") in the biblical Book of Genesis. In the Latin Vulgate Bible, the Hebrew phrase
יְהִי אוֹר (let there be light) is
translated in Latin as fiat lux, the
relevant scriptural passage (Genesis 1:3 in the Torah (the first part of the
Hebrew Bible)) being dixitque Deus fiat
lux et facta est lux (And said God let there be light, and there was
light) although Fiat lux would
actually translate literally as "let light be made" (fiat the third
person singular present passive subjunctive form of the verb facio, meaning "to do" or
"to make"). Fashions of form
and conventions of use in language do however change and translators adjust
their work to render sentences in a form familiar to the audiences of the day:
The Douay–Rheims Bible (an English translation from the Vulgate made by members
of the English College, Douai, under a commission from the Catholic Church and
first published in 1858 in Reims, France) translated the phrase as "Be
light made. And light was made." In
translations from the Old Testament, the Greek was usually γενηθήτω φῶς (genēthḗtō phôs) and the Latin fiat lux and lux sit.
Although
the words authorization, directive, ruling, mandate, diktat, ukase, command,
decree, dictate, dictum, edict, endorsement, mandate, ordinance, permission,
precept, sanction & warrant often (in practical application and effect)
overlap with fiat, fiat retains at law a precise technical meaning. While there are variations, the power of an
attorney-general in the Australian states to issue a fiat is broadly indicative
of the scope (where it exists) in the English-speaking world (although in
England all or some of these powers may instead be discharged by the Lord
Chancellor). Essentially, an
attorney-general will grant a fiat if it is held to be in the public interest
or for the efficient administration of justice.
In
order to participate in a legal proceeding, a person must have
"standing" which means their legal rights or interests have been or
will be adversely affected by the conduct of another party. If a person lacks standing, they can request
the attorney-general to grant a fiat, or consent to bring the action in the
AG's name, a practice sometimes called a "relator action". An attorney-general has a personal discretion
in the matter of fiats but will tend to consent to an issue only if things
involve the enforcement or protection of a public right or interest. What constitutes the public interest is a
matter for the attorney and there are no circumstances in which they're obliged
to grant a fiat but some jurisdictions require the reasons for a refusal to be
provided in writing and tabled in parliament and provision for judicial review
is sometimes possible.
FIAT (Fabbrica Italiana Automobili Torino)
The
Italian car manufacturer FIAT is now part of FCA (the Fiat Chrysler Automobiles conglomerate). In business since 1899, sometime in the late
twentieth century, FIAT lost its way, essentially because of the need to
respond to the challenge of the much-improved Japanese cars which, even if
their dynamic qualities were uninspiring, offered very competitive pricing, reliability, superb build-quality,
responsive dealer networks and high standard equipment levels. FIAT’s response was the same as that of many
others which hadn’t expected the rapidity of improvement from the far-east
manufacturers: they tried to produce “Japanese” cars only to find out the Nipponese
were better at it and in the years since have never really recovered the spirit
which for decades, once made even modest, low-priced FIATs genuinely exciting
cars which were a joy to look at and a pleasure to drive.
Some notable
Fiats
Fiat
850 Spider (1965-1973).
Between 1964-1973 (although the commercial derivative,
the 850 Familiare would last until
1976), Fiat produced a range of 850s, all rear-engined (which seemed at the
time a good idea). Most were utilitarian
family cars or stubby coupés but most memorable were the 850 Spiders, exquisite
little roadsters designed by Giorgetto Giugiaro (b 1938) while at Carrozzeria
Bertone. The lovely lines were
uncluttered and the restraint extended to the
engineering, resulting in a light, aerodynamic body which permitted the engine,
although a modest 843 cm3 (51.44 cubic inch), busily to deliver
surprising sprightly performance.
Notably too, in a masterpiece of design which eluded generation of
English manufacturers, the convertible top folded effortlessly in a one-handed
operation and tucked neatly away under a metal lid.
In 1968, except for the US market, the engine was enlarged to 903 cm3
(55.10 cubic inch) which sounds slight but in percentage terms was about the
same increase Chevrolet during the same era performed on their small-block (327
(5.3 litre) to 350 cubic inch (5.7 litre)) & big-block (396 (6.5) to 427
(7.0)) V8s so the effect was noticeable, torque and top speed both benefiting
(a little) and despite the bump in displacement, instead of being re-named to
900, the new model was instead called the 850 Sport. US buyers got an engine with a slightly smaller bore, reducing the displacement to 817 cm3 (49.9 cubic inch), a quick and (literally) dirty solution to the new emission-control rules in that the regulations weren't imposed on engines smaller than 50 cubic inches. Adding insult to injury, the US lighting laws forced Fiat to replace the elegant faired-in headlamps with rather ungainly sealed-beam units, a fate also suffered by machines as diverse as the Jaguar E-Type (XK-E) and the Volkswagen Beetle. Between 1965-1973, 125,010 were built, 87,360
of which were sold in the US and the few survivors (rust was quite an issue) are a
collectable, collectors attracted especially to the limited-production
variations, the rare, highly-tuned Abarth version the most coveted.
Fiat
130 Sedan (1969-1976). Only four of the coach-built estates were made.
Had the Fiat 130 been sold badged as a Lancia or even (with
a V8 engine) as a Ferrari (both marques at the time owned by FIAT), it might now be
remembered as a great success rather than a failure. It’s debatable whether brand-name consciousness
was any less then than now but perceptions certainly counted against the 130 which
moved FIAT suddenly into the upper middle-class market where not only were
Mercedes-Benz and Jaguar-Daimler long dominant but the newer, bigger BMWs were
also becoming established, building on the successes enjoyed by their smaller
models. Some at the time criticized the styling
of the sedan, suggesting it showed little more imagination than increasing the
dimensions of the company’s smaller, three-box designs but this was after all
exactly the approach of Mercedes-Benz and the 130 was a well-executed, balanced
shape with an interior which displayed true Italian flair, offering something
more modern than the leather & walnut of the Jaguar or the austere
functionality of the German competition.
However, as a driving experience, the 130 was very much in line with the
smaller Fiat sedans, demanding involvement from the driver to extract the most
from the 2.9 litre (175 cubic inch) V6 but rewarding with fine handling and
high levels of adhesion though ultimately not the refinement and effortlessness
to which Jaguar and Mercedes drivers had become accustomed. Not even increasing the engine capacity to
3.2 litres (197 cubic inch) helped sales and when production ending in 1976, only
15,089 had been built, Mercedes-Benz in the same time having produced 243,234
of their comparable (six cylinder) W114 sedans (230.6, 250, 280 & 280E).
Fiat
130 Coupé (1971-1977). The Maremma (a two-door shooting brake) and the Opera (a four-door sedan) were both one-offs.
If the avant-garde had thought the appearance of the 130 sedan underwhelming, few were less than effusive in praising the coupé when
first it was displayed in 1971. Styled
by Paolo Martin (b 1943) of Carrozzeria Pininfarina , it makes an interesting contrast
with the Citroën SM (1970-1975) on which barely a straight-line could be found
and the 130’s knife-edged lines so defined the European rectilinear motif that
no manufacturer has since attempted to push the envelope further. In Europe, like the sedan, it was
available with a five-speed manual gearbox which really suited the characteristics
of the high-revving V6 but in most exports markets it was offered only with an
uninspiring three-speed automatic, resulting in performance which, while not
exactly anemic, was lethargic by comparison. Again, the badge meant that sales
suffered but Pininfarina saw the possibilities offered by the severe lines and fabricated
two prototypes, the Maremma (a two-door shooting brake) in 1974 and the
four-door Opera the following year. Both
were much admired but FIAT, disappointed and financially chastened by what
would be their last foray into the (European) large-car market, had already
decided to abandon the segment and neither project proceeded. When production of the 130 coupé ended in 1977, only 4,498 had been made.
Fiat 124
Sport Coupé (1967-1975).
The versatile platform on which FIAT built the 124
sedan (1966-1974) is now probably best recognized as the remarkable Russian-made
Lada VAZ-21xx (Zhiguli in the home market but often known by the nickname Kopeyka)
which in modified but substantially original form remained in production until
2012 (lasting ever longer in the license-built versions produced in Egypt). However, FIAT also leveraged the platform
even before selling designs and tooling to the USSR, in 1967
producing the stylish Fiat 124 Sport Coupé on a shortened wheelbase but
otherwise using most of the sedan's mechanical and structural components. Sold over three generations with three engine
displacements (1438 cm3 (88 cubic inch), 1608 cm3 (98
cubic inch) & 1756 cm3 (107 cubic inch), it was an immediate hit
in both home and export markets, and worldwide, often in short supply, sales
constrained only by FIAT’s inability to increase production. One quirk was the 1592 cm3 (97 cubic
inch) version produced for the home market to take advantage of tax
regulations, a regime which also produced oddities such as the two litre (122
cubic inch) Lamborghini & Ferrari V8s.
Over 285,000 had been built when in 1975, production ended and another
24,000 odd were built under licence by the Spanish manufacturer SEAT between
1970 and 1975.
Fiat
124 Sport Spider.
Long lived though the 124 coupé was, the 124 roadster lasted
another decade, produced by FIAT until 1982 and then by Pininfarina as a
separate line until 1985. The 124 Sport
Spider used the same mechanical components as the coupé although in 1979, a two
litre version of the familiar twin-cam four was made available, eventually
gaining fuel-injection and a turbocharger although the most powerful of all was
the Volumex, a supercharged model which for reasons of compatibility reverted
to carburetors; it was sold only in Europe, there being no prospect of
engineering the induction system to conform with US emission rules. Despite being available only in left-hand drive,
over 200,000 124 spiders were made in the two decades it was produced and, perhaps improbably,
the roadster also enjoyed an illustrious career in competition, Abarth
in 1971 co-operating with FIAT in homologating it in the FIA’s Group 4 for entry
into the World Rally Championship where it proved competitive, winning the 1972
European Rally Championship despite competing against more obviously
credentialed machinery. The experience gained
proved useful when the factory later embarked on more serious campaigns using the
Lancia Stratos and the Fiat-Abarth 131.
Fiat
G.55 Centauro (Centaur) (1943-1948).
The
Fiat G.55 Centauro was a single-engine, single-seat fighter aircraft used by
the Regia Aeronautica (though not in
combat) and the Aeronautica Nazionale
Repubblicana between 1943–1945.
Acknowledged by both sides as the best Italian fighter produced during
the war, it was in some aspects as good as most competitive types of the era,
only the very last of the Allied fighters demonstrably superior. It was an extensively re-designed development
of the earlier G.50 Freccia,
distinguished by a highly efficient wing, a more slender fuselage, heavier
armament and the use of the much more powerful Daimler-Benz 605A V12 engine or the
FIAT-built RA 1050 equivalent.
Manufacture began early in 1943 but it wasn’t until shortly before Italy’s
capitulation in September 1943 that the first planes were delivered to
operational squadrons, too late to be deployed in combat. Instead, it entered service with the pro-Nazi
Aeronautica Nazionale Repubblicana,
partly equipping six fighter groups operating with Luftwaffe units defending
the skies of northern Italy. Fewer than
300 had been completed by the end of hostilities in 1945 but the quality of the
airframe was noted and production resumed in 1946, almost all of which were
exported, used by the military in Argentina, Egypt and Syria. Demand continued however and, once stocks of
the now out-of-production Daimler-Benz and Fiat engines were exhausted, the front
sub-frames were re-designed to use the Rolls-Royce Merlin V12; in this form
production continued in 1948 as the G.59.
Fiat
127 (1971-1983).
Replacing the rear-engined 850s, the 127, along with the
Peugeot 104 and Renault 5 set the template for what would be called the
European “supermini” class, the design imperatives of which would last for
three decades, the influences seen still today.
What however distinguished the Fiat 127 from the French (and soon the
Japanese) competition was its Italian flair, the driving experience genuinely
involving though admittedly at the expense of NVH (noise, vibration &
harshness) to which others paid more attention but Italian drivers probably
didn’t object, enjoying pushing the little (903 cm3 (55.10 cubic
inch)) engine to the redline with one hand on the stubby gear lever, the other
hovering above the horn button. One
magazine tested a 127 and called it “the .9 litre Ferrari which was hyperbolic
but made the point the thing was a hoot to drive. Like the 124, the 127’s platform also had a
long life even after Fiat ceased production in 1983, made in Spain for another year and in South America until 1996. Ominously too, the 127 was the basis for some
of the Yugos, the Yugoslav-built cars which feature so frequently on list like “the
ten worst cars ever built”.
Fiat
Dino (1966-1973).
The Fiat Dino (Type 135) was from a happy era when
manufacturers built road cars with racing car engines so a sufficient number
would exist to homologate them for use in competition. In what was at the time a novel arrangement
(and similar to the later agreement between Volkswagen and Porsche for the 914),
the all aluminum 2.0 litre (122 cubic inch) V6 would be used in the front-engined
Fiat Dinos and Ferrari’s mid-engined Dino (1967-1974). It was the Dino spider which Fiat first
displayed, the coupé released a few months later and the Dino 206 (made by
Ferrari), some weeks later still. In
1969, Ferrari and Fiat almost simultaneously announced revised Dinos, the
engine now with an iron block and enlarged to 2.4 litres (146 cubic inch), the
configuration and tune more suited to use on the road, the highly-strung two
litre version most at home at high revs on a race track. Now named the Fiat Dino 2400, it also gained an
independent rear suspension, revised gearing and upgraded brakes. The Fiat Dinos were always expensive and very
much a niche product so production was accordingly low: 6225 coupés and 1583 spiders,
most being the earlier, two litre versions.
Interestingly, the pattern was reversed at Ferrari which, having made
only 152 Dino 206 GTs, entered almost mass-production when the more manageable 2.4
liter Dino 246 GT was released, 3569 being sold, 1274 as the 246 GTS with a
(Porsche targa style) removable roof-panel.
Fiat 8V
(1952-1954).
The Fiat 8V (Otto Vu) was
powered by a 2.0 litre (122 cubic inch) V8 intended originally for a luxury car
but when that project was cancelled, the power-plant became available for
re-deployment, the curious name 8V adopted, according to industry legend, because
FIAT’s in-house legal department became convinced Ford held a world-wide trademark
to “V8”. Displayed first at the 1952
Geneva Motor Show, the car generated great publicity for the company but few
sales and apparently little or no profit as it shared few parts with other
Fiats although production costs were reduced somewhat by most of the 8Vs being
supplied only as a rolling chassis, external coach-builders being contracted by
customers to fabricate the bodywork, Zagato, Ghia, and Vignale all building their
own versions although the factory’s experimental division did make one fibreglass
body, FIAT’s first ever use of the composite material. Most were coupés although a handful of
roadsters were also made and eventually 114 were built, 34 of which were bodied
by FIAT’s Dipartimento Carrozzerie
Derivate e Speciali (Special Bodies Department). Being light, powerful and by the standards of
the time, apparently aerodynamic, they enjoyed some success in competition, over
200 km/h (120 mph) attainable in racing trim and the 8V gained a class wins at
the 1955 Targa Florio and the 1957 Mille Miglia, taking the 1956 Italian Sports
Car Championship in the two litre class. The 8V remains a genuine one-off, the only Fiat ever fitted with a V8 engine.