Trope

Trope (pronounced trohp)

(1) In art and literature, any literary or rhetorical device, as metaphor, metonymy, synecdoche, and irony, that consists in the use of words in other than their literal sense and which tends to become a motif.

(2) In rhetoric, a figure of speech in which words or phrases are used with a non-literal or figurative meaning, such as a metaphor.

(3) In geometry, a tangent space meeting a quartic surface in a conic or the reciprocal of a node on a surface (archaic).

(4) In music, a short cadence at the end of the melody in some early music; a pair of complementary hexachords in twelve-tone technique.

(5) In the rituals of Judaism, a chanting (cantillation) pattern, or one of the marks that represents it.

(6) In medieval Christianity (and preserved in the rituals of certain factions in Roman Catholicism), either a phrase or verse added to the Mass when sung by a choir or a phrase, sentence, or verse formerly interpolated in a liturgical text to amplify or embellish.

(7) In Athenian philosophy, any of the ten arguments used in scepticism to refute dogmatism.

(8) In Santayanian philosophy, the principle of organization according to which matter moves to form an object during the various stages of its existence.

(9) In metaphysics, a particular instance of a property, as contrasted with a universal.

1525–1535: From the Latin tropus (a figure of speech (in rhetoric)) from the Ancient Greek τρόπος (trópos) (a turn, direction, course, way; manner, fashion; a mode in music; a mode or mood in logic (in rhetoric, "a turn or figure of speech)) and related to τροπή (tropḗ) (solstice; trope; turn) and τρέπειν (trépein) (to turn).  Root was the primitive Indo-European trep (to turn), related also to the Sanskrit trapate (is ashamed, confused, literally "turns away in shame") which Latin picked up trepit (he turns), the Latin adoption in the figurative.  The meaning is now understood as something more diffuse but technically, in rhetoric, a trope was "a figure of speech in which a word or phrase is used in a sense other than the usual definition".  In English, the word is found often in combined form (such as heliotrope) and occurs also in concrete nouns that correspond to abstract nouns ending in -tropy or -tropism.  Trope is a noun & verb, troper, tropist, tropology & tropism are nouns and tropey is an adjective; the noun plural is tropes.

When younger, Lindsay Lohan's signature trope was playing dual roles (The Parent Trap (1998), Freaky Friday (2003) and I Know Who Killed Me (2007).  During her “troubled starlet” phase, she became emblematic of the “downward spiral” trope.  In 2022, she appeared in Falling for Christmas, Netflix's latest take on the "Christmas movie trope".  Although the scripts for tropes have long followed an algorithm, the studios are said now to be using a predictive form of artificial intelligence (AI) to hone the generation of whatever should have the most audience appeal.  The screen-writers (most of whom drive cars and use other products manufactured using processes in which machines substantially have displaced the human labor content) are are unlikely ultimately to succeed in keeping AI out of their profession and, in the medium term, their future may lie in the creation of the quirky and bizarre but in the economy, that's a niche.  For the formulaic stuff (most commercial cinema), the studios are likely to find the AI path "better, cheaper, faster" and the history of US industrial relations suggests these imperatives will prove irresistible.               

The Stage Five Clinger Trope

Most sources cite origin of the Stage 5 Clinger trope as the movie Wedding Crashers (2005) although there are claims it merely popularized the use; without earlier citations however, the trope’s origin appears to be the movie.  As a technical point, a stage one clinger isn’t initially labelled as such, the term applied retrospectively after syndrome is diagnosed.  If men are smart or lucky, they’ll recognize this by stage two but some men are so stupid they don’t realize until stage four.  While in movie there was no discussion of stages other than “5”, by implication five was most extreme and memes soon fleshed out 1-4:

Stage 1 Clinger: She seems fine

First date goes well, she’s attentive, interested, even gets the drinks sometimes and she makes breakfast.  Afterwards, text messages are fun and flirtatious.

Stage 2 Clinger: Hunter and game

The text messages become frequent, the first hint of the lure / engage / trap strategy of the lone hunter.  SMSs start out OK which lulls you into a false sense of security.  Before long, a few messages have been exchanged, most of which have required you to agree with her about innocuous stuff like the weather or today’s traffic.  Then, she’ll suggest a second date and extract a commitment to a specific time/date/place.  That will be soon.       

Stage 3 Clinger: Manoeuvres

Second date not something you’ll wish to repeat.  Bit creepy, how much she knew about you, clearly adept at mining the web.  To escape, you agree to third date while finding pretext to avoid confirming time.  Within hours, text messages become frequent to the point of nuisance.  Check Facebook and you’ll see she’s friended everyone you know.  Ignore SMS and eventually it goes quiet… for about an hour.  Then she phones.  Third date will not be possible to avoid, the illusion you’ll use it to end things still something you convince yourself to believe.  The S3C stage can frequently be the point of no return.  Acquaint yourself with the tale of Julius Caesar (100-44 BC; Roman general and dictator of Rome 49-44 BC) crossing the Rubicon and ponder.      

Stage 4 Clinger: The circling vulture

By stage four, clinging has slurred effortlessly into stalking and S4C is likely to send your mother flowers on her birthday and attempt at avoidance will prompt texting and calling from other phones.  Those who drive are even more of a threat because, where you go, she can follow so you’ll run into her in the most improbable places, and usually she’ll suggest taking advantage of the coincidence by going to lunch, dinner or whatever else might be close.  No matter how studiously you watch the rear-vision mirror, she’ll hunt you down and find you. 

Stage 5 Clinger: Thrill of the kill

At this point, her life is scheduled around your own, even to the point where she may now work in the same building, expects to have lunch together every day and a drink after work whenever possible.  When you try to avoid these, emotional meltdowns ensue, the only way to avoid a scene being to agree.  Many of your friends start asking you out as a couple and tell you you’re lucky because she’s wonderful.  She’s been to their dinner parties where she talks about your plans together.  Stage five clinger can also be APC ("actual psycho-chick", the two not synonymous but there’s frequent overlap).  Pursuing another relationship in an attempt to dissuade her brings its own problems, the S5C-APC will spray-paint CHEATER on either their car or yours (in red; unless car is red, then she’ll use black).  At this point, faking your own death begins to look like good tactic.

Crooked Hillary (b 1947) and Bill Clinton (b 1946) in the rain at the formal dedication of the William J Clinton Presidential Center, Little Rock, Arkansas, November 2004.  Cling on and no matter what, never let go.

The significance of dividing the path of the clinger into stages is it’s vital to extricate yourself from their clutches during the earliest stage possible; it needs to be remembered progression can be rapid, some clingers so adept at the art they're able to skip one or even two stages.  The longer delayed the excision, the harder it becomes and if allowed to reach the later stages, you may be stuck with her forever and for that, you can’t blame her: you're trapped and it's all your fault; you have only yourself to blame.

Cosmopolitan

Cosmopolitan (pronounced koz-muh-pol-i-tn)

(1) One free from local, provincial, or national ideas, prejudices, or attachments; an internationalist.

(2) One with the characteristics of a cosmopolite.

(3) A cocktail made with vodka, cranberry juice, an orange-flavored liqueur, and lime juice.

(4) Sophisticated, urbane, worldly.

(5) Of plants and animals, wildly distributed species.

(6) Common name for the vanessa cardui butterfly. 

1828:  An adoption in Modern English, borrowed from the French cosmopolite (citizen of the world), ultimately derived from the Ancient Greek kosmopolitēs (κοσμοπολίτης), the construct being kósmos (κόσμος) (world) + politēs (πολίτης) (citizen); word being modeled on metropolitan.  The US magazine Cosmopolitan was first published in 1886.

An aspect of Soviet Cold War policy under comrade Stalin

The phrase rootless cosmopolitans was coined in the nineteenth century by Vissarion Belinsky (1811-1848), a Russian literary critic much concerned about Western influences on both Russian literature and society.  He applied it to writers he felt “…lacked Russian national character” but as a pejorative euphemism, it’s now an anti-Semitic slur and one most associated with domestic policy in the Soviet Union (USSR) between 1946 and comrade Stalin’s death in 1953.  Stalin (1878–1953; leader of the USSR 1922–1953) liked the phrase and applied it to the Jews, a race of which he was always suspicious because he thought their lack of a homeland made them “mystical, intangible and other-worldly”.  Not a biological racist like Hitler and other rabid anti-Semites, Stalin’s enemies were those he perceived a threat; Leon Trotsky (1879-1940), Grigory Zinoviev (1883–1936) and Lev Kamenev (1883–1936) were disposed of not because they were Jewish but because Stalin thought they might threaten his hold on power although the point has been made that while it wasn’t because he was Jewish that Trotsky was murdered, many Jews would come to suffer because Stalin associated them with Trotsky.

Comrade Stalin signing death warrants.

It was the same with institutions.  He found disturbing the activities of Moscow’s Jewish Anti-Fascist Committee (JAC) and did not approve them being accepted by Western governments as representing the USSR.  Further, he feared the JAC’s connections with foreign powers might create a conduit for infiltration by Western influences; well Stalin knew the consequences of people being given ideas; the campaign of 1946-1953 was thus more analogous with the Chinese Communist Party’s (CCP) opposition to the Falun Gong rather than the pogroms of Tsarist times.  Authoritarian administrations don’t like independent organisations; politics needs to be monolithic and control absolute.  In a speech in Moscow in 1946, he described certain Jewish writers and intellectuals, as “rootless cosmopolitans” accusing them of a lack of patriotism, questioning their allegiance to the USSR.  This theme festered but it was the creation of the state of Israel in 1948, fostering as it did an increased self consciousness among Soviet Jews, combined with the Cold War which turned Stalin into a murderous anti-Semite.

Rootless cosmopolitan Comrade Trotsky, murdered with an ice axe on comrade Stalin's orders.

Before the formation of the state of Israel, Stalin's anti-Semitism was more a Russian mannerism than any sort of obsession.  For years after assuming absolute power in the USSR, he expressed no disquiet at the preponderance of Jews in the foreign ministry and it was only in 1939, needing a temporary diplomatic accommodation with Nazi Germany, that he acted.  Having replaced the Jewish Foreign Commissar, Maxim Litvinov (1876–1951; People's Commissar for Foreign Affairs of the Soviet Union 1930–1939) with Vyacheslav Molotov (1890-1986; USSR Minister of Foreign Affairs 1939-1949 & 1953-1956), he ordered him to purge the diplomatic corps of Jews, his memorable phrase being "clean out the synagogue".  Concerned the presence of Jews might be an obstacle to rapprochement with Hitler, Stalin had the purge effected with his usual efficiency: many were transferred to less conspicuous roles and others were arrested or shot.

Meeting of minds: Joachim von Ribbentrop (left), comrade Stalin (centre) and comrade Molotov (right), the Kremlin, 23 August 1939.

Negotiations began in the summer of 1939, concluding with German Foreign Minister Joachim von Ribbentrop (1893–1946; Nazi foreign minister 1938-1945) leading a delegation to Moscow to meet with Molotov and Stalin.  It proved a remarkably friendly conference of political gangsters and agreement was soon reached, the German-Soviet Nonaggression Pact (usually called the Nazi-Soviet Pact or Molotov-Ribbentrop Pact) being signed on 23 August.  The pact contained also a notorious secret protocol by which the two dictators agreed to a carve-up of Poland consequent upon the impending Nazi invasion and the line dividing Poland between the two was almost identical to the Curzon Line, a demarcation between the new Polish Republic created in the aftermath of World War I (1914-1918) and the emergent Soviet Union which had been proposed by Lord Curzon (1859–1925; UK foreign secretary 1919-1924).  At the Yalta Conference in 1945, during the difficult negotiations over Polish borders, Molotov habitually referred to "the Curzon Line" and the UK Foreign Secretary, Anthony Eden (1897–1977; thrice UK foreign secretary & prime minister 1955-1957), in a not untypically bitchy barb, observed it was more common practice to call it the “Molotov-Ribbentrop line”.  "Call it whatever you like" replied Stalin, "we still think it's fair and just".  Comrade Stalin rarely cared much to conceal the nature of the regime he crafted in his own image.  When asked by Franklin Roosevelt (FDR, 1882–1945, US president 1933-1945) if Molotov had been to New York during his visit to the US, Stalin replied: "No, he went to Chicago to be with the other gangsters".

Whatever the motives of Stalin, rootless cosmopolitans has joined the code of dog-whistle politics, a part of the core demonology to label the Jews a malign race, a phrase in the tradition of Christ killer, Rothschild-Capitalist and Untermenschen (the sub-humans).  Despite that, there are always optimists, Jewish writer Vincent Brook (b 1946), suggesting the term could convey the positive, a suggestion the Jews possess an “adaptability and empathy for others”.  It’s not a view widely shared and rootless cosmopolitan remains an anti-Semitic trope although it's not unknown for Jews to use it ironically.

Lindsay Lohan, Cosmopolitan, various international editions: April, May & June, 2006.

Cosmopolitan Magazine was launched in 1886 as a family journal of fashion, household décor, cooking, and other domestic interests.  It survived in a crowded market but its publisher did not and within two years Cosmopolitan was taken over by another which added book reviews and serialized fiction to the content.  This attracted the specialist house founded by John Brisben Walker (1847-1931), which assumed control in 1889, expanding its circulation twenty-fold to become one of America’s most popular literary magazines.  The Hurst Corporation acquired the title in 1905, briefly adding yellow-journalism before settling on a format focused on short fiction, celebrities and public affairs.  The formula proved an enduring success, circulation reaching two million by 1940 and this was maintained until a decline began in the mid 1950s, general-interest magazines being squeezed out by specialist titles and the time-consuming steamroller of television.

It was the appointment in 1965 of Helen Gurley Brown (1922–2012) as editor which signalled Cosmopolitan’s shift to a magazine focused exclusively on an emerging and growing demographic with high disposable income: the young white women of the baby boom.  In what proved a perfect conjunction, a target market with (1) economic independence, (2) social freedom, (3) an embryonic feminist awareness and (4) the birth control pill, the magazine thrived, surviving even the rush of imitators its success spawned.  Gurley Brown had in 1962 published the best seller advice manual, Sex and the Single Girl and Cosmopolitan essentially, for decades, reproduced variations on the theme in a monthly, glossy package.  It was clearly a gap in the market.  The approach was a success but there was criticism.  Conservatives disliked the choices in photography and the ideas young women were receiving.  Feminists were divided, some approved but others thought the themes regressive, a retreat from the overtly political agenda of the early movement into something too focused on fun and fashion, reducing women yet again to objects seeking male approbation.

Still published in many international editions, Cosmopolitan Australia was one casualty of market forces, closed after a final printing in December 2018.  However, surprising many, Katarina Kroslakova (b 1978) in April 2024 announced her publishing house KK Press, in collaboration with New York-based Hearst Magazines International, would resume production of Cosmopolitan Australia as a bi-monthly, the first edition of the relaunched version scheduled for release in August 2024.  Other than appearing in six issues per year rather than the traditional twelve, the format is expected to be much the same, echoing Elle Australia which reappeared on newsstands in March, ending a four-year hiatus.  Both revivals would have surprised industry analysts as recently as 2023 when the conventional wisdom was the post-Covid, social media age was no longer the place for time consuming and expensive glossy titles.  Ms Kroslakova clearly sees a business model and was quoted as saying print magazines are “the new social media” which was an interesting way of putting it but she explained the appeal by adding: “We need that 15 minutes to drop everything and actually have something tangible and beautiful in our hands to consume.  If we can present content which is multi-layered and deep and has authenticity and connection with the reader – that’s a really excellent starting point.”  She may have a point because in an age where screen-based content is intrinsically impermanent, the tactile pleasure of the traditional glossy may have genuine appeal, at least for an older readership who can remember the way things used to be done, something perhaps hinted at by her “15 minutes” reference, now regarded by many media analysts as a long-term connection.  The revival of the print editions of Elle and Cosmopolitan will be an interesting experiment in a difficult economic environment which may get worse before it gets better.  Whether the novelty will attract enough of the "affluent readers" (what used to be called the A1, A2 & B1 demographic) to convince advertisers that it's a place to run their copy will likely decide the viability of the venture and while it's not impossible that will happen, Cosmopolitan is a couple of points down from the "prestige" titles which have maintained an advertising base.   

Mean

Mean (pronounced meen)

(1) To have or convey a particular idea; connote, denote, import, intend, signify.

(2) To have in mind as a goal or purpose; aim, contemplate, design, intend, plan, project, propose, purpose, target.

(3) Characterized by intense ill will or spite; black, despiteful, evil, hateful, malevolent, malicious, malign, malignant, nasty, poisonous, spiteful, venomous, vicious, wicked, bitchy.

(4) Having or proceeding from low moral standards; base, ignoble, low, low-down, sordid, squalid, vile.

(5) Ungenerously or pettily reluctant to spend money; cheap, close, close-fisted, costive, hard-fisted, miserly, niggard, niggardly, parsimonious, penny-pinching, penurious, petty, pinching, stingy, tight, tight-fisted.

(6) Of low or lower quality; common, inferior, low-grade, low-quality, mediocre, second-class, second-rate, shabby, substandard.

(7) Of little distinction; humble, lowly, simple.

(8) Lacking high station or birth, baseborn, common, declassed, humble, ignoble, lowly, plebeian, unwashed, vulgar; base.

(9) Affected or tending to be affected with minor health problems; ailing indisposed, low, off-color, rocky, sickly; under the weather (now rare).

(10) So objectionable as to deserve condemnation; abhorrent, abominable, antipathetic, contemptible, despicable, detestable, disgusting, filthy, foul, infamous, loathsome, lousy, low, nasty, nefarious, obnoxious, odious, repugnant, rotten, shabby, vile, wretched.

(11) Having or showing a bad temper, cantankerous, crabbed, cranky, cross, disagreeable, fretful, grouchy, grumpy, ill-tempered, irascible, irritable, nasty, peevish, petulant, querulous, snappish, snappy, surly, testy, ugly, waspish.

(12) In mathematics, something, as a type, number, quantity, or degree that represents a midpoint between extremes on a scale of valuation; average, median, medium, norm, par.

(13) In the plural (as means), that by which something is accomplished or some end achieved.

(14) In the plural (as means) all things, such as money, property or goods having economic value.

(15) In statistics, the expected value (the mathematical expectation).

(16) In music, the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument); now only of historic or academic interest.

As a verb:

Pre 900: From the Middle English mēnen (to intend; remember; lament; comfort), from the Old English mǣnan (to mean, signify; lament; intend to do something) from the Proto-West Germanic menjojanan & mainijan, from the Proto-Germanic mainijaną (to mean, think; lament), from the primitive Indo-European meyn- (to think), or alternatively perhaps from the primitive Indo-European meino- (opinion, intent) & meyno-, an extended form of the primitive Indo-European mey- (source also of Old Church Slavonic meniti (to think, have an opinion), the Old Irish mian (wish, desire) & the Welsh mwyn (enjoyment)).  It was related to the Old Saxon mēnian (to intend) and cognate with the West Frisian miene (to deem, think) the Old Frisian mēna (to signify), the Dutch menen (to believe, think, mean), the Middle Dutch menen (to think, intend), the German meinen (to think, mean, believe) and the Old Saxon mēnian.  The Indo-European cognates included the Old Irish mían (wish, desire) and the Polish mienić (to signify, believe).  It was related to the modern moan.  The present participle was meaning and the simple past and past participle was meant although the now obsolete meaned was once a standard spelling.

The transitive (to convey (a given sense); to signify, or indicate (an object or idea) or, of a word, symbol etc (to have reference to, to signify), was documented as early as the eighth century.  The transitive, usually in passive (to intend (something) for a given purpose or fate; to predestine was from the sixteenth century. The transitive (to have conviction in (something said or expressed) or to be sincere in (what one says) is from the eighteenth century.  The transitive (to cause or produce (a given result) or to bring about (a given result) is from the nineteenth century.  The synonyms included convey, signify & indicate.  The annoying (and frequently redundant) conversational question “You know what I mean?” is not recent, attested since 1834.

As an adjective:

Pre 900: From the Middle English mēne (shared by all, common, general), a variant of imene & imeane (held or shared in common), from the Old English mǣne & gemǣne (common, public, general, universal, mutual), from the Proto-West Germanic gamainī, from the Proto-Germanic gamainiz (common; possessed jointly) and related to the Proto-West Germanic & the Old High German gimeini (common, mean, nasty) and the Latin commūnis (common (originally with no pejorative sense (as in shared, general))) from the Old Latin comoinem and cognate with the Danish gemen, the West Frisian mien (general, universal), the Gothic gamains, (common, unclean), the Dutch gemeen (common, mean), the German gemein (common), the Gothic gamains (in common) and the primitive Indo-European mey- (to change, exchange, share).  The comparative was meaner and the superlative, meanest

The sense of “common or general” is long obsolete.  What endured was “common or low origin, grade, or quality; low in quality or degree; inferior; poor; shabby; without dignity of mind; destitute of honor; low-minded; spiritless; base; of little value or worth; worthy of little or no regard; contemptible; despicable.  The sense of parsimonious, ungenerous or stingy is known throughout the English-speaking world but tends to be less prevalent in the US because of the dominance of the other meaning.  The meaning “cruel or malicious has survived but is now less common.  The colloquial form meaning “accomplished with great skill; deft; well-executed is used also in the negative with the same effect: (1) She rolls a mean joint and (2) she’s no mean roller of a joint.  However, to say (3) she’s mean with the weed in her joints has the opposite meaning so in that context anyway, the meaning of mean needs carefully to be deconstructed.  This inverted sense of mean as "remarkably good" appears not to have existed prior to circa 1900.  The derived forms from the adjectival sense include (and some are less common than others) bemean, meandom, meanie, meanness, mean streak & meany.

The pejorative sense of "without dignity of mind, destitute of honor, low-minded" dates from the 1660s; the specific sense of "stingy, niggardly" noted since 1755 whereas the weaker sense of "disobliging, pettily offensive" didn’t emerge until 1839, originally as American English slang.  This evolution in meaning was influenced by the coincidence in form with mean in the sense of "middle, middling," which also was used in disparaging senses.

As a noun:

1300–1350: From the Middle English meene, mene & meine, from the Middle French meen & mean, a variant of meien, from the Old French moien & meien (from which French gained moyen), from the Latin mediānus (middle, in the middle; median (in context)) from the Latin medius (middle).It was cognate with mid, and in the musical sense, the cognate was the Italian mezzano.  A doublet of median and mizzen.

A specific meaning of mean (in the sense of middle) was “middling; intermediate; moderately good, tolerable” which is long obsolete.  The sense of “a method or course of action used to achieve some result”, now used almost exclusively in the plural, is from the fourteenth century.  The sense of something which is intermediate or in the middle; an intermediate value or range of values (a medium) is from the fourteenth century although the use of mean (in the singular) meaning “an intermediate step or intermediate steps” is obsolete.  Originally from the fifteenth century, the use in music is now of historical or academic interest.  It referred to the middle part of three-part polyphonic music; now specifically, the alto part in polyphonic music (or an alto instrument).  In statistics, since the fifteenth century, mean is simply understood as the average of a set of values, calculated by summing them together and dividing by the number of terms (the arithmetic mean).  In mathematics a mean can be (1) any function of multiple variables that satisfies certain properties and yields a number representative of its arguments, (2) the number so yielded (a measure of central tendency) or (3) either of the two numbers in the middle of a conventionally presented proportion.

In mathematics and statistics, the mean is what is informally called “the average”, the sum of a set of values divided by the number (count) of those values.  The median is the middle number in a set of values when those values are arranged from smallest to largest, while the mode of a set of values is the most frequently repeated value in the set.

Mean is one of those words which pepper English; one word, one spelling, one pronunciation, yet a dozen or more meanings.  Mean however doesn’t come close to the top ten words in English with the most meanings, the Oxford English Dictionary (OED) list is below but the editors caution by the time the next edition of the OED is released in 2037, for some there could be more meanings still; the influencing of computing has apparently already added several dozen to “run”.

Run: 645 definitions

Set: 430 definitions

Go: 368 definitions

Take: 343 definitions

Stand: 334 definitions

Get: 289 definitions

Turn: 288 definitions

Put: 268 definitions

Fall: 264 definitions

Strike: 250 definitions

Kimberley Kitching (1970–2022) was an Australian Labor Party (ALP) Senator for Victoria (2016-2022) who died from a heart attack in March 2022 at the age of 52.  Her death gained instant attention because in the days prior, two prominent sportsmen had also suffered heart attacks at the same age (one of them fatal) and there was the inevitable speculation about the possible involvement of the mysterious long-COVID or vaccinations.  No connection with either has yet been established.  One connection quickly made was with a triumvirate of female politicians, the ALP’s senate leadership group who were quickly dubbed “the mean girls”, a reference to 2004 Lindsay Lohan movie in which the eponymous girls were the “plastics” three self-obsessed school students whose lives were consumed by material superficialities and plotting & scheming against others.

The mean girls (2022), left to right: Penny Wong (b 1968; cabinet minister in the Rudd / Gillard /Rudd governments 2007-2013, senator for South Australia since 2002), Katy Gallagher (b 1970; chief minister of the Australian Capital Territory (ACT) 2011-2014, senator for the ACT 2015-2018 & since 2019) & Kristina Keneally (b 1968; premier of New South Wales 2009-2011, senator for New South Wales since February 2018).

The mean girls (2004), left to right: Karen Smith (Amanda Seyfried (b 1985)), Regina George (Rachel McAdams (b 1978) & Gretchen Wieners (Lacey Chabert (b 1982)).

Allegations the mean girls had bullied the late senator emerged just hours after her death and on social media there was little reluctance to link the events.  In a carefully-worded statement, Senators Gallagher, Keneally & Wong responded to what they described as “hurtful statements” denying they had bullied Senator Kitching and that other assertions were “similarly inaccurate” although they did concede “robust contests and interactions” were frequent in politics.  Senator Wong did admit to having made one unfortunate comment to Senator Kitching two years earlier and that, after it came to public attention, she had apologized.  Her office later expanded on this, issuing a statement saying “Senator Wong understood that apology was accepted.  The comments that have been reported do not reflect Senator Wong's views, as those who know her would understand, and she deeply regrets pain these reports have caused.”

In the thoughtful eulogy delivered at her funeral, Senator Kitching’s husband, Andrew Landeryou (b 1969; colorful ALP identity), referred on several occasions to the “unpleasantness” she had faced in the Senate, praising the moral courage his wife had displayed during her six years in the senate and her genuinely substantive contribution to public life, contrasting her with the “useful idiots, obedient nudniks and bland time-servers” so often seen sitting for decades on parliamentary benches.  “The simple truth of it is that Kimberley’s political and moral judgment was vastly superior to the small number who opposed her internally” he said, adding that “… of course, there’s a lot I could say about the unpleasantness of a cantankerous cabal - not all of them in parliament - that was aimed at Kimba, and the intensity of it did baffle and hurt her.”  Perhaps generously, he added he “…did not blame any one person or any one meeting for her death”, thought to be a reference to a recent meeting of the ALP’s Right faction at which her pre-selection for an electable Senate spot at the next election was reportedly threatened. 

Senators Gallagher, Keneally & Wong all attended the funeral as did the leader of the ALP and opposition leader Anthony Albanese (b 1963; leader of the opposition since 2019 and variously a minister or deputy prime-minister in the Rudd / Gillard / Rudd governments 2007-2013).  Mr Albanese rejected calls for an inquiry into claims of bullying, saying he had received “no complaints at any time” from Senator Kitching regarding bullies within the party and sought to shut down any further questions on the matter, saying they were disrespectful to Senator Kitching.  In saying that he certainly caught the spirit of the moment, none of the mainstream media making anything but the most oblique of references to the late senator’s colorful and sometimes controversial history as an ALP factional player and trade union operative but quite how long lasts the convention of not speaking ill of the dead will soon be revealed.

Mr Albanese wanting to kill the story is understandable and if he’s sure he has plausible deniability of prior knowledge it’s a reasonable tactic but it’s at least possible the best thing to do might have been to admit (1) all political parties have factions, (2) inter-faction bullying is the way business is done, (3) intra-faction bullying is endemic, (4) women and men are both victims and perpetrators but women tend to suffer more, (5) ‘twas ever thus and (6) it shall forever be thus.

Mr Albanese had used the “I know nothing” defense before and that too attracted a popular-culture comparison.  In 2013, ALP politician Craig Thomson (b 1964; former trade union official, member of parliament for the division of Dobell (NSW) 2007-2013, for the Australian Labor Party (ALP) until 2012, as an independent thereafter) was facing accusations of fraud, committed while a trade union official including the use of a union-issued credit card to pay for the services of prostitutes.  His legal problems have since worsened including further charges of fraud and domestic violence.

In 2013, in the midst of the scandal, Mr Albanese, then deputy prime-minister, and Mr Thomson were photographed having a couple of beers at Sydney’s Bavarian Bier Café.  It attracted some attention, even from within the party, one ALP luminary thinking it strange an ALP deputy prime minister should meet for a drink with someone accused of fraud and who the party had expelled from membership, labeling the meeting as “completely indefensible."  It was of interest too to the Liberal Party opposition which floated the idea that what was discussed over a few beers was a deal in case the ALP needed Mr Thomson's vote in another hung parliament, one spokesman framing things as "Fake Kevin Rudd (Kevin Rudd. b 1957; prime minister of Australia 2007-2010 & 2013) says, on the one hand, we're cleaning things up and, on the other hand, he is doing secret deals to try and run a minority government now and into the future."

Like Mr Albanese, Mr Rudd claimed to know nothing about his deputy’s meeting with Mr Thomson or its purpose.  Asked to comment, Mr Rudd said it was not his business who his deputy decided to drink with, saying he did “many things in life but supervising the drinking activities of my ministerial colleagues is not one of them."  "And who they choose to sit down with" he added.  Later, detailed questions were sent to Mr Rudd’s office which declined to comment about whether Mr Rudd knew beforehand of the meeting or if he had asked what had been discussed.  A spokesman said Mr Rudd had “nothing further to add.”  Mr Thomson insisted it was an innocent drink after the two former party colleagues ran into each other and there was no discussion of any political deals or of Mr Thomson returning to the ALP. "I'm not wooable" Mr Thomson was quoted as saying adding, “It was a completely innocent beer.  There is no conspiracy theory here.”

Mr Albanese said Mr Thomson was not a close friend of his but added that he often ran into colleagues at bars and that it was just “…a personal chat, that's all. No big deal."  That didn’t impress the Liberal Party’s then leader in the Senate, Senator Eric Abetz (b 1958; senator for Tasmania since 1994, minister in various Coalition governments 2001-2015) who questioned how the pair could drink together given Mr Thomson's legal team was suing the LP, claiming the NSW ALP state secretary Sam Dastyari (b 1983; senator for NSW 2013-2018 before resigning in the midst of a Chinese-related donations scandal) had pledged to pay his legal costs.  "What is the deputy prime minister doing consorting in a Sydney bar with disgraced MP Craig Thomson at the Mr Thomson's lawyer is suing the NSW ALP?” Senator Abetz asked, presumably rhetorically.

Sydney Daily Telegraph, front page, Thursday 8 August 2013.

The Sydney tabloid The Daily Telegraph took the “I know nothing” excuses of Albanese and Rudd to their front page, the trope being the Hogan’s Heroes TV show produced by US network CBS between 1965-1971, one of the signature lines from which was “I know nothing” by Kommandant Colonel Clink’s slow-witted but affable Sergeant of the Guard, Hans Schultz.  Technically it worked but tropes and memes do rely on the material used registering in the public consciousness and that can be difficult when using a forty year old TV show no longer in widespread syndication.  For the Telegraph’s readers, mostly of an older demographic, it probably did register but some research might have been necessary for younger people, many of whom receive news only through social media feeds. 

For the same reason Donald Trump was disappointed his jibe about Pete Buttigieg (b 1982; contender for Democratic Party nomination for 2020 US presidential election, US secretary of transportation since 2021) and the absurdity of imagining Americans would vote for “Alfred E Neuman”, didn’t resonate.  It was just too long ago and too few knew about Mad magazine.  While there was quite a resemblance, and decades before it would have been a good line, in 2020 Buttigieg could dismiss it a “...must be a generational thing”.  By contrast, the mean girls line worked as well as it did because the film it references is both much more recent and, having hardly dated, retains an ongoing appeal.

Monolith

Monolith (pronounced mon-uh-lith)

(1) A column, large statue etc, formed originally from a single block of stone but latter day use applies the term to structures formed from any material and not of necessity a single piece (although technically such a thing should be described using the antonym: “polylith”.

(2) Used loosely, a synonym of “obelisk”.

(3) A single block or piece of stone, especially when used in architecture or sculpture and applied most frequently to large structures.

(4) Something (or an idea or concept) having a uniform, massive, redoubtable, or inflexible quality or character.

(5) In architecture, a large hollow foundation piece sunk as a caisson and having a number of compartments that are filled with concrete when it has reached its correct position

(6) An unincorporated community in Kern County, California, United States (initial capital).

(7) In chemistry, a substrate having many tiny channels that is cast as a single piece, which is used as a stationary phase for chromatography, as a catalytic surface etc.

(8) In arboreal use, a dead tree whose height and size have been reduced by breaking off or cutting its branches (use rare except in UK horticultural use).

1829: The construct was mono- + lith.  Mono was from the Ancient Greek, a combining form of μόνος (monos) (alone, only, sole, single), from the Proto-Hellenic mónwos, from the primitive Indo-European mey- (little; small).  It was related to the Armenian մանր (manr) (slender, small), the Ancient Greek μανός (manós) (sparse, rare), the Middle Low German mone & möne, the West Frisian meun, the Dutch meun, the Old High German muniwa, munuwa & munewa (from which German gained Münne (minnow).  As a prefix, mono- is often found in chemical names to indicate a substance containing just one of a specified atom or group (eg a monohydrate such as carbon monoxide; carbon attached to a single atom of oxygen). 

In English, the noun monolith was from the French monolithe (object made from a single block of stone), from Middle French monolythe (made from a single block of stone) and their etymon the Latin monolithus (made from a single block of stone), from the Ancient Greek μονόλιθος (monólithos) (made from a single block of stone), the construct being μονο- (mono-) (the prefix appended to convey the meaning “alone; single”), from μόνος (monos) + λίθος (líthos) (a stone; stone as a substance).  The English form was cognate with the German monolith (made from a single block of stone).  The verb was derived from the noun.  Monolith is a noun & verb, monolithism, monolithicness & monolithicity are nouns, monolithic is an adjective and monolithically is an adverb; the noun plural is monoliths.  The adjective monolithal is listed as "an archaic form of monolithic".

Monolith also begat two back-formations in the technical jargon of archaeology: A “microlith” is (1) a small stone tool (sometimes called a “microlite”) and (2) the microscopic acicular components of rocks.  A “megalith” is (1) a large stone slab making up a prehistoric monument, or part of such a monument, (2) A prehistoric monument made up of one or more large stones and (3) by, extension, a large stone or block of stone used in the construction of a modern structure.  The terms seem not to be in use outside of the technical literature of the profession.  The transferred and figurative use in reference to a thing or person noted for indivisible unity is from 1934 and is now widely used in IT, political science and opinion polling.  The adjective monolithic (formed of a single block of stone) was in use by the early nineteenth century and within decades was used to mean “of or pertaining to a monolith”, the figurative sense noted since the 1920s.  The adjective prevailed over monolithal which seems first to have appeared in a scientific paper in 1813.  The antonym in the context of structures rendered for a single substance is “polylith” but use is rare and multi-component constructions are often described as “monoliths”.  The antonym in the context of “anything massive, uniform, and unmovable, especially a towering and impersonal cultural, political, or social organization or structure” is listed by many sources as “chimera” but terms like “diverse”, “fragmented” etc are usually more illustrative for most purposes.  In general use, there certainly has been something of a meaning-shift.  While "monolith" began as meaning "made of a single substance", it's now probably most used to covey the idea of "something big & tall" regardless of the materials used.

One of the Monoliths as depicted in the film 2001: A Space Odyssey (1968). 

The mysterious black structures in Sir Arthur C Clarke's (1917–2008) Space Odyssey series (1968-1997) became well known after the release in 1968 of Stanley Kubrick's (1928–1999) film of the first novel in the series, 2001: A Space Odyssey.  Although sometimes described as “obelisk”, the author noted they were really “monoliths”.  In recent years, enthusiasts, mischief makers and click-bait hunters have been erecting similar monoliths in remote parts of planet Earth, leaving them to be discovered and publicized.  With typical alacrity, modern commerce noted the interest  and soon, replicas were being offered for sale, a gap in the market for Christmas gifts between US$10,000-45,000 apparently identified.

In IT, the term “monolithic driver” was used to refer to a software driver designed to handle multiple hardware components or functionalities within a single, large, and cohesive codebase.  In this it differed from earlier (and later) approaches which were modular or layered, the functionality is split into separate, smaller drivers or modules, each of which handled specific tasks or addressed only certain hardware components.  Monolithic drivers became generally available in the late 1980s, a period when both computer architecture and operating systems were becoming more sophisticated in an attempt to overcome the structural limitations imposed by the earlier designs.  It was in the era many of the fundamental concepts which continue to underpin modern systems were conceived although the general adoption of some lay a decade or more away.

During the 1970s & 1980s, many systems were built with a tight integration between software and hardware and some operating systems (OS) were really little more than “file loaders” with a few “add-ons”, and the limitations imposed were “worked-around” by some programmers who more-or-less ignored the operating system an address the hardware directly using “assemblers” (a flavor of “machine-code”).  That approach made for fast software but at the cost of interoperability and compatibility, such creations hardware specific rather using an OS as what came to be known as the HAL (hardware abstraction layer) but at the time, few OSs were like UNIX with its monolithic kernel in which the core OS services (file system management, device drivers etc.) were all integrated into a single large codebase.  As the market expanded, it was obvious the multi-fork approach was commercially unattractive except for the odd niche.

After its release in 1981, use of the IBM personal computers (PC) proliferated and because of its open (licence-free) architecture, an ecosystem of third party suppliers arose, producing a remarkable array of devices which either “hung-off” or “plugged-in” a PC; the need for hardware drivers grew.  Most drivers at the time came from the hardware manufacturers themselves and typically were monolithic (though not yet usually described as such) and written usually for specific hardware and issues were rife, a change to an OS or even other (apparently unrelated) hardware or software sometimes inducing instability or worse.  As operating systems evolved to support more modularity, the term “monolithic driver” came into use to distinguish these large, single-block drivers from the more modular or layered approaches that were beginning to emerge.

It was the dominance of Novell’s Netware (1983-2009) on PC networks which compelled Microsoft to develop Windows NT (“New Technology”, 1993) and it featured a modular kernel architecture, something which made the distinction between monolithic and modular drivers better understood and as developers increasingly embraced the modular, layered approach which better handled maintainability and scalability.  Once neutral, the term “monolithic driver” became something of a slur in IT circles, notably among system administrators (“sysadmins” or “syscons”, the latter based on the “system console”, the terminal on a mainframe hard-wired to the central processor) who accepted ongoing failures of this and that as inherent to the business but wanted to avoid a SPoFs (Single Point of Failure).

In political science, the term “monolithic” is used to describe a system, organization, or entity perceived as being unified, indivisible, and operating with a high degree of internal uniformity, often with centralized control. When something is labeled as monolithic, it implies that it lacks diversity or internal differentiation and presents a singular, rigid structure or ideology.  Tellingly, the most common use of the term is probably when analyzing electoral behavior and demonstrating how groups, societies or sub-sets of either. Although often depicted in the media as “monolithic” in their views, voting patterns or political behavior are anything but and there’s usually some diversity.  In political science, such divergences within defined groups are known as “cross-cutting cleavages”.

It’s used also of political systems in which a regime is structured (or run) with power is highly concentrated, typically in a single dictator or ruling party.  In such systems, usually there is little effective opposition and dissent is suppressed (although some of the more subtle informally tolerate a number of “approved dissenters” who operated within understood limits of self-censorship.  The old Soviet Union (the USSR (Union of Soviet Socialist Republics) 1922-1991), the Islamic Republic of Iran (1979-), the Republic of China (run by the Chinese Communist Party (CCP) (1949-) and the DPRK (Democratic Republic of Korea (North Korea) 1948-) are classic examples of monolithic systems; while the differences between them were innumerable, structurally all were (or are) politically monolithic.  The word is used also as a critique in the social sciences, Time magazine in April 2014 writing of the treatment of “Africa” as a construct in Mean Girls (2004):  “Like the original Ulysses, Cady is recently returned from her own series of adventures in Africa, where her parents worked as research zoologists. It is this prior “region of supernatural wonder” that offers the basis for the mythological reading of the film. While the notion of the African continent as a place of magic is a dated, rather offensive trope, the film firmly establishes this impression among the students at North Shore High School. To them, Africa is a monolithic place about which they know almost nothing. In their first encounter, Karen inquires of Cady: “So, if you’re from Africa, why are you white?” Shortly thereafter, Regina warns Aaron that Cady plans to “do some kind of African voodoo” on a used Kleenex of his to make him like her—in fact, the very boon that Cady will come to bestow under the monomyth mode.”  It remains a sensitive issue and one of the consequences of European colonial practices on the African continent (something which included what would now be regarded as "crimes against humanity) so the casual use of "Africa" as a monolithic construct is proscribed in a way a similar of "Europe" would not attract criticism.    

The limitations of the utility of the term mean it should be treated with caution and while there are “monolithic” aspects or features to constructs such as “the Third World”, “the West” or “the Global South”, the label does over-simplify the diversity of cultures, political systems, and ideologies within these broad categories.  Even something which is to some degree “structurally monolithic” like the United States (US) or the European Union (EU) can be highly diverse in terms of actual behavior.  In the West (and the modern-day US is the most discussed example), the recent trend towards polarization of views has become a popular topic of study and the coalesced factions are sometimes treated as “monolithic” despite in many cases being themselves intrinsically factionalized.