Mausoleum (pronounced maw-suh-lee-uhm or maw-zuh-lee-uhm)
(1) A
stately and magnificent tomb or a building containing tombs (a burial place for
the bodies or remains of many individuals, often of a single family, usually in
the form of a small building).
(2) In
casual use, a large, gloomy, depressing building, room, or the like.
(3) As
one of the Seven Wonders of the Ancient World, the tomb erected at
Halicarnassus in Asia Minor in circa 353 BC.
1375–1425:
From the late Middle English mausoleum,
from the Latin mausōlēum, from the Ancient
Greek Μαυσωλεῖον (Mausōleîon), from Μαύσωλος (Maúsōlos) (the tomb of satrap of the
Persian empire and ruler of Caria, built at Halicarnassus in Asia Minor in circa
353 BC and one of the Seven Wonders of the Ancient World). The general use to describe "any stately
burial-place" (now usually one designed to contain a number of tombs) is
from circa 1600. Synonyms include burial
vault, cemetery, coffin, monument, crypt, sepulcher, catacomb & grave. Mausoleum is a noun and mausolean is the adjective;
the noun plural forms are mausoleums or mausolea, the former now most
prevalent. Although “tomb” is now more
common, mausoleum has long been used to refer to any large, above-ground tomb.
Mausoleum at Halicarnassus (1886), engraving by Frederick Knab (1865-1918).
The Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ (Mausoleum
at Halicarnassus) was one of the Seven Wonders of the Ancient World. Built between 353-350 BC in Halicarnassus on
the coast of Asia Minor (modern-day Turkey), it was destroyed by a number of earthquakes
from the twelfth to fifteenth century; when finally if fell, of the seven wonders from Antiquity, only the pyramids
at Giza remained. The name Mausolus translates as “much
blessed” and his wife Artemisia II of Caria was also his sister, something far
from unknown at the time. Nominally a
satrap of the Achaemenid Empire, Mausolus was the ruler of Caria between
377–353 BC) having inherited the throne from his father Hecatomnus who became
king after assassinating the previous Satrap Tissaphernes, something also far
from unknown at the time and since.
Something
of a Valhalla of the south, for decades, of the forty-thousand-odd interred dead
from both sides in the Spanish Civil War (1936-1939), the most controversial
corpse in the place was that of Franco himself, the Caudillo laid to rest there
upon his death in November 1975 although, in a political irony, he was the only
one there who didn’t actually die during the civil war. There were objections to that but, because
the mausoleum is also a basilica, under the rules of the Church, he’s anyway
entitled to a place because of his role in “building the church”, a double
irony being Franco himself specified he be buried elsewhere. It was the government’s decision to place his
body in the Valley of the Fallen and that ensured the structure would both
become a shrine for those who venerate his memory and an ongoing controversy. Although slowly fading from living memory
into history, the civil war and the subsequent Franco years remain a fault-line
in Spanish politics. Successive governments
have had their own plans variously to resolve or gloss-over the issues from
those decades but it wasn’t until 2019 that Franco’s body was exhumed and taken
to Madrid for re-burial.
Adolf Hitler visiting Napoleon's sarcophagus in Les Invalides, Paris, June 1940.
Hitler
made only one visit to Paris, less as a victorious warlord and more as a
tourist looking at the architectural highlights. From years of somewhat haphazard study, Hitler
was well acquainted with the buildings of the city and genuinely knowledgeable about
details such as the interior fittings of the Paris Opera House but told his
architect: “The moment in Paris where I
saluted Napoleon's tomb was one of the proudest of my life.” Hitler had always intended a mausoleum for
himself in Linz, the centrepiece of which would be a Napoleonic sarcophagus in
the centre of a Pantheon-like structure with an oculus directly above, exposed
to the elements and thus “directly linked
to the universe." He made a
number of sketches, all predictably in the classical style and distinguished
mostly by their massive dimensions.
There
is an urban myth that the chamber in which Napoleon's sarcophagus is placed was designed in such as way that if seen
from the lower lever, the viewer must look-up as if in awe and if seen from
above, one must bow. However, Les Invalides was completed in 1706 and
the two levels of the chapel were included so King might attend Mass with his
soldiers; the lower level for soldiers & patients, the upper for the royal
court. Only in 1861 was the chapel converted
to a mausoleum after Napoleon’s body was returned by the British, almost half a
century after his death.
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