Wednesday, January 20, 2021

Arch

Arch (pronounced ahrch)

(1) In architecture, a curved masonry construction for spanning an opening, consisting of a number of wedge-like stones, bricks, or the like, set with the narrower side toward the opening in such a way that forces on the arch are transmitted as vertical or oblique stresses on either side of the opening.

(2) In architecture, an upwardly curved construction, as of steel or timber functioning in the manner of a masonry arch.

(3) A doorway, gateway etc, having a curved head; an archway or the curved head of an opening, as a doorway.

(4) Any overhead curvature resembling an arch.

(5) Something bowed or curved; any bowlike part.

(6) In anatomy, any of various parts or structures of the body having a curved or arch-like outline, such as the transverse portion of the aorta (arch of the aorta) or the raised bony vault formed by the tarsal and metatarsal bones (arch of the foot),

(7) In cobbling, a device inserted in or built into shoes for supporting the arch of the foot.

(8) A dam construction having the form of a barrel vault running vertically with its convex face toward the impounded water.

(9) In glassmaking, a chamber or opening in a glassmaking furnace.

(10) Cunning, crafty or sly.

(11) Playfully roguish or mischievous.

(12) A preeminent person, a chief (largely obsolete except for technical use in ecclesiastical or other hierarchies, (Archdeacon, Archbishop, Archangel, Archduke, monarch, matriarch etc).

(13) One of the basic patterns of the human fingerprint, formed by several curved ridges one above the other.

1250-1300: From the Middle English arch, from the Old English arce, ærce & erce, from the Old French arche, from the Vulgar Latin arca, feminine variant of Latin arcus (arc, a bow), from the Classical Latin atchi, from the Ancient Greek arkhi (to rule).  From the Latin, other European languages similarly borrowed including the Old Norse erki, the Dutch aarts, the Middle Low German erse, the Middle High German & German erz and the Gothic ark.  Archangel was universally borrowed unchanged from the Greek.  Arch was added to many words borrowed from Latin and Greek in the Old English period; it subsequently became a productive form added to nouns of any origin, which thus denote individuals or institutions directing or having authority over others of their class (archbishop; archdiocese; archpriest, archdeacon). More recently, arch, has developed the senses “principal” (archenemy; archrival) or “prototypical” and thus exemplary or extreme (archconservative); nouns so formed are almost always pejorative (archvillain).

Some variations of the arch.

The original meaning, used in architecture of building, bridges and other structures, was by the early fifteenth century applied to eyebrows and anything having this form.  The sense of "chief, principal" used first in the twelfth century as archangel became extended to so many derogatory uses that by mid-seventeenth century, it acquired a meaning of "roguish, mischievous" although over time that softened, by the nineteenth century generally understood to mean something like "saucy".  The verb arch emerged in the early fourteenth century in the sense of "to form an arch" (which had be implied in the earlier arched) and within a hundred years there was the transitive sense "furnish with an arch".  Arch is a noun, verb & adjective, arched is an adjective, arching is a verb, noun & adjective and archly is an adverb; the noun plural is arches.

The Court of Arches

Church of St Mary-le-Bow (bow the archaic name for arch), London, a Church of England parish church in the City of London.

Churches have existed on the site since 1080, the present building designed by Sir Christopher Wren (1632-1723) and built over a decade, finally completed in 1680.  The tower has for centuries been noted for its bells which are the source of the legend of Dick Whittington calling him in 1392 back to London where he would sit as lord mayor.  In London tradition, to be thought a true Cockney, one had to be born within earshot of the bells so the demographics of that race were interrupted for two decades, the damage inflicted in 1941 by the Luftwaffe so severe it would not be until 1961 the bells again rang.

A record from the Court of Arches Act books, first session of Trinity Term, 22 May 1665 (Arches A 4, f.115v).

The Court of Arches is the provincial court for Canterbury.  Having both appellate and original jurisdiction, it is presided over by the Dean of the Arches, who is styled "The Right Honourable and Right Worshipful the Official Principal and Dean of the Arches".  The dean must be a barrister of ten years' High Court standing or the holder or former holder of high judicial office, the appointment made jointly by the Archbishops of Canterbury and York.  Although it has sat in other places, the court’s permanent seat is the Church of St Mary-le-Bow, the arches of which lend the court its name.  Technically, the proper jurisdiction of the court is limited to the thirteen parishes belonging to the archbishop in London but, as the office of Dean is united with that of Principal Official, the dean receives and determines appeals from the sentences of all lesser ecclesiastical courts within the province.  Many original suits are also heard, where lesser courts waive jurisdiction by letters of request.  The original jurisdiction formerly exercised by a separate provincial court, known as the Court of Audience, was long ago abolished.

Lindsay Lohan under a colonnaded arch, Miami, Florida, 2013.

The official principal of the Arches court is now the only ecclesiastical judge empowered to pass a sentence of deprivation against a clerk in holy orders.  The appeals from the decisions of the Arches court were once made directly to the sovereign but are now heard by the judicial committee of the Privy Council except on matters of doctrine, ritual or ceremony, which go to the Court for Ecclesiastical Causes Reserved.  Charmingly, the Ecclesiastical Jurisdiction Act 1532, dating from the reign of Henry VIII (1491–1547; King of England 1509-1547) remains one of the statutes empowering the court’s original jurisdiction though since the Matrimonial Causes Act 1857, it no longer hears appeals from the consistory courts of the bishops in all testamentary and matrimonial causes.

The Arc de Triomphe, Paris (left), Donald Trump with model of his proposed arch, the White House, October, 2025 (centre) and a model of the arch, photographed on the president's Oval Office desk (right).  Details about the arch remain sketchy but it's assumed (1) it will be "big" and (2) there will be some gold, somewhere.

As well as big warships and the big Donald J Trump Ballroom already under construction where the White House’s East Wing once stood, Mr Trump is also promising a “big arch”.  A part of the president’s MDCBA (Make D.C. Beautiful Again) project, the structure (nicknamed the “Triumphal Arch” and in the style of the Arc de Triomphe which stands in the centre of the Place Charles de Gaulle (formerly the Place de l’Étoile), the western terminus of the avenue des Champs-Élysées) is scheduled to be completed in time to celebrate the nation’s 250th anniversary on 4 July 2026.  Presumably, on that day, it will be revealed the official name is something like the “Donald J Trump Sestercentennial Arch” which will appear on the structure in large gold letters.  The arch is said to be “privately funded”, using money left over from what was donated to build the ballroom, a financing mechanism which has attracted some comment from those concerned about the “buying of influence”.

Adolf Hitler's (1889-1945; Führer (leader) and German head of government 1933-1945 & head of state 1934-1945) sketch of an arch (1926, left) and Hitler, Albert Speer (1905–1981; Nazi court architect 1934-1942; Nazi minister of armaments and war production 1942-1945) and others examining Speer's model of the arch, presented 20 April, 1939 upon the occasion of the Führer’s 50th birthday (right; note the pattern in carpet).  As usual, the Führer reviewed the display of gifts, surveying the statutes, paintings and porcelain (both good and kitsch) with interest or amusement but the one to which he kept returning was the four-metre model of the arch and that evening, several times he would return “with visible emotion” to examine the details.

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